Podcast appearances and mentions of Takeshi Obata

Neste episódio, mergulhamos no universo de Bakuman, a obra dos mesmos criadores de Death Note, Tsugumi Ohba e Takeshi Obata. Acompanhe a jornada de Moritaka Mashiro e Akito Takagi, dois jovens que sonham em se tornar grandes mangakás no competitivo mundo editorial japonês.Conversamos sobre os bastidores da indústria de mangás retratados na obra, os desafios criativos dos protagonistas, as críticas e curiosidades sobre a série, e como Bakuman inspira (ou desilude) quem quer seguir essa carreira. Também debatemos os temas polêmicos da história, seu impacto cultural e a metalinguagem envolvida em contar uma história sobre contar histórias.⁠Siga-nos nas nossas redes sociais para nunca perder um novo episódio!⁠⁠⁠⁠⁠

Grad the Burninator?  We and our guest YouTuber James Tullos discuss Shonen Jump manga Ral Grad.    Show Notes: • You can reach us at Twitter @shonenflopcast, Tumblr shonen-flop, or email shonenflop@gmail.com   • You can find our guest at youtube.com/@JamesTullos   • Help keep the show running by joining the Shonen Flop Patreon at patreon.com/shonenflop. Get perks like early access to episodes; picking series for us to cover; and exclusive episodes on manga like Undead Unluck, Magu-chan: God of Destruction, and Cypher Academy.   • Support the show and get the best prices on manga at mangamart.com/shonenflop. MangaMart's a family-owned store offering 20%+ off manga with free shipping over $100!   • Get Shonen Flop merch, including this episode's cover art, on a shirt, mug, print, or whatever else might catch your 1https://www.teepublic.com/stores/shonen-flop?ref_id=22733   • Become a member of our community by joining our Discord. You can hang out with us, submit your questions or six word summaries! Find it at https://discord.com/invite/4hC3SqRw8r   • Want to be a guest? You can ask to be on a future episode at bit.ly/shonen_flop_guest   Credits: • Manga by    • Shonen Flop is hosted by David Weinberger and Jordan Forbes   • Additional editing assistance by Dylan Krider you can find his podcast, Anime Out of Context at animeoutofcontext.com   • Assistance with pronunciation, translation, and other miscellaneous research done by Tucker Whatley and MaxyBee   • Thanks to Kalalla for being our social media manager   • Episode art by Merliel (IG: mer_liel)   • Cover art funded by our generous art benefactor Nigel Francis   MAL Description: In Blue Dragon, shadows can fuse with their hosts. This is the history of the teenager, Ral, and his shadow, the Blue Dragon Grado, that his father, a king, imprisoned together in the dungeon of the castle when Ral was a young baby. One day, when the shadows besieges the castle, his personal educator, Mio, releases him to protect the castle and repel the shadows.

On this week's episode, Mat is joined by Fred Tornager to discuss a comic book about comedy: and the excellent Show-Ha Shoten! by Akinari Asakura & Takeshi Obata, published in English by Viz Media.Join us as we 'dissect the frog' of comedy, gush about Obata's artwork, then talk about what works and doesn't in the first volume of the 'Bakuman of Manzai Comedy'. Find the 'Unpacking Japan' episode Mat discusses in the intro with professional Manzai comedian, Nick-niisan, here.Thanks to Juliano Zucareli for our theme music!Find us on:X: Manga Tak PodBluesky: Manga Tak PodInstagram: Manga Tak Pod

TRIGGER WARNING: This episode covers content around war, death, violence, and body gore. Please be advised.   Welcome back to another episode of Did You Read The Book? ! Join me and my lovely guest, Monica Chen, for her debut episode (yay!) as we go real deep into the beauty of manga, incredibly depicted mech suits, and have some strong thoughts around alien design dos and don'ts in All You Need Is Kill illustrated by Takeshi Obata.   Our Recommendations All You Need Is Kill written by Hiroshi Sakurazaka & Illustrated by Yoshitoshi Abe The Women by Kristin Hannah   Find Me Online If you like Did You Read The Book?, don't be shy and share with your family, friends, neighbors, and anyone else you see fit! You can also follow me on Twitter (@DYRTBPodcast), Threads, Facebook, Google Podcasts, Amazon Music, iTunes, Tune In/Alexa, Spotify, and Pandora!   About The Show Music composed and produced by Abek Cover art created by Jared Stokes Banner art and background design by IndigoLink Podcast production by Erin Palmer

Historia del Manga en Argentina #11: Bakuman, el podcast sobre mangakas de Tsugumi Ōba y Takeshi Obata. Con Lisandro Arau y Diego Labra. ⁠⁠Siempre con el aguante comiquero de https://www.meridianacomics.com/⁠⁠ ⁠⁠https://www.instagram.com/labatea_podcast⁠⁠ y si sos fan del programa pedinos ingreso a Discord.

¡Vótame en los Premios iVoox 2024! Hoy La Órbita de Endor se introduce en un bucle de ciencia-ficción militar con la novela ALL YOU NEED IS KILL de Hiroshi Sakurazaka, su adaptación al manga de la mano de Takeshi Obata y su versión cinematográfica titulada AL FILO DEL MAÑANA (Edge of tomorrow) con Tom Cruise y Emily Blunt en los papeles principales. Un auténtico triplete Libro + Cómic + Película, con Jaime Angulo y Antonio Runa como principales combatientes en un campo de batalla plagado de enemigos de otro planeta. En el segundo bloque nos espera un dossier sobre JUEGOS DE MESA DE STAR WARS, en donde Fran Gómez, especialista en la materia, nos comentará qué se puede esperar de X-Wing, Armada, Imperial Assault y muchos más juegos de tablero en esa galaxia muy, muy lejana que tanto nos gusta. Además, volverá Gafapastas al Poder. ¡Qué más se puede pedir! Pues sólo escuchar el programa A por ello. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Review do mangá PLATINUM END, da dupla Tsugumi Ohba e Takeshi Obata, que nos trouxeram DEATH NOTE e BAKUMAN, e agora... isso. APOIE O PROJETO NO CATARSE!!! ⁠⁠⁠https://www.catarse.me/kitsune_da_semana⁠⁠⁠ EDIÇÃO: Gilsomar do Livramento ⁠⁠⁠https://twitter.com/outerheaven⁠⁠⁠ Contato: leokitsune@gmail.com Twitter: ⁠⁠⁠https://twitter.com/LeoKitsune⁠⁠⁠ Twitch: ⁠⁠⁠https://www.twitch.tv/leo_kitsune⁠⁠⁠ Quer mandar coisas pro Kitsune? CAIXA POSTAL 13885, AC Bom Retiro, CEP 01216-970, São Paulo/SP

If today's episode feels like a private chat among friends, that's no accident. I became acquainted with Nikolas Draper-Ivey shortly after he was announced as the series artist for Static: Season One -- the title that kicked off the Milestone Returns line at DC Comics. We've been building a solid rapport ever since, but I could never get him to sit for an interview -- until now.In this conversation, I ask Nik about his journey so far. He explains his origins as an artist, how he got the attention of Milestone Media's Reginald Hudlin & Denys Cowan, and what it's meant to be trusted with a beloved character like Static for a new generation of readers. Static: Shadows of Dakota is now available in hardcover from DC Comics/Milestone Media, and you can purchase it here. About Nikolas Draper-Ivey:Nikolas Draper-Ivey is an American illustrator based outside of New York City. Born in Lansing, Michigan in 1991. He grew up in Detroit, where his father first exposed him to Japanese animation with Katsuhiro Otomo's Akira. In his adolescence he discovered Shonen Jump Magazine.  This inspired him to pursue a career as a professional illustrator.  In 2010 he began his first semester at Savannah College Of Art & Design (SCAD) in Georgia as a Sequential Art major with a minor in Illustration. His style plays heavily on use of light and shadow and combines afro-futurist elements with hints of fantasy, hip-hop and punk culture and his love cinematography. His two biggest influences are Roger Deakins (Director of cinematography for Blade Runner 2049) and Takeshi Obata, (artist for Hikaru No Go, Death Note, BAKUMAN Platinum End).  In 2014, after moving to New York City, he had the chance to meet with his idols, Editor Koji Yoshida and mangaka Takeshi Obata who praised his early works as a “successful fusion of his Eastern and Western influences”.Currently, Draper-Ivey is working on his original work Dream Vesper, he firmly believes that his unique Afro-Asian futuristic art style can change the world For More from Comics Are Dope:Get This Week in Comics, our weekly e-mail newsletter: http://thisweekincomics.comSubscribe on YouTube: http://youtube.com/@comicsaredopeJoin our online Discussion Communities:Facebook - http://bjkicks.link/communityDiscord - http://bjkicks.link/discord

This entire MLB offseason is just a constant feeling of low grade dread that Shohei Ohtani will sign somewhere I don't want to root for, and that's just my entire life since the Texas Rangers, the only Major League Baseball team without a pride night, won the World Series. This episode, we're talking about Yumi Hotta (story), Takeshi Obata (art), and Yukari Umezawa (5 Dan) (Go supervisor) Hikaru no Go published by Viz and Misaki Takamatsu's Skip and Loafer published by Seven Seas. Hikaru no Go credits: Translation & English adaptation: Andy Nakatani (volume 1-12), Naoko Amemiya (volume 13-23) English script consultant: Janice Kim (3 Dan) (volume 2-23) Touch-up art & lettering: Adam Symons (volume 1-7), Inori Fukuda Trant (volume 8-23) Lettering assistants: Josh Simpson, Walden Wong (volume 1) Additional touch up: Josh Simpson (volume 5-11), Walden Wong (volume 5), Rachel Lightfoot (volume 11-15) Cover & graphics design: Sean Lee (volume 1) Cover & layout design: Sean Lee (volume 2) Cover design: Sean Lee (volume 3) Interior graphics: Courtney Utt (volume 3) Cover & interior design: Courtney Utt (volume 4-5, 10-11) Design: Courtney Utt (volume 6-9), Julie Behn (volume 14-22) Cover design: Courtney Utt (volume 12-13), Julie Behn (volume 23) Interior design: Aaron Cruse (volume 12), Julie Behn (volume 13), Ronnie Casson (volume 23) Editor: Livia Ching (volume 1-5), Yuki Takagaki (volume 4-12), Annette Roman (volume 10-15), Gary Leach (volume 16-23) Skip and Loafer credits: Translation: Nicole Frasik Adaptation: T. Campbell Lettering: Vanessa Satone Cover & logo design: Hanase Qi (volume 1-3), H. Qi (volume 4-7) Proofreader: Kurestin Armada (volume 1-5, 7), B. Lillian Martin (volume 3-4, 6) Copy editor: B. Lillian Martin (volume 5) Editor: Shanti Whitesides (volume 1-3) Senior editor: Shanti Whitesides (volume 4-7) Production designer: Christa Miesner (volume 4-6), Brennan Thome (volume 7) Prepress technician: Rhiannon Rasmussen-Silverstein (volume 1-2, 5), Melanie Ujimori (volume 3-4, 6-7), Jules Valera (volume 6-7) Print manager: Rhiannon Rasmussen-Silverstein (volume 3-6) Production associate: Christa Miesner (volume 1-3) Production manager: Lissa Pattillo Managing editor: Julie Davis (volume 1-3) Editor-in-chief: Julie Davis (volume 4-7) Associate publisher: Adam Arnold Publisher: Jason DeAngelis As always, you can find me on Twitter @taiikumenco, and my co-hosts Helen (@WanderinDreamr) and Apryll (@manjiorin) on Twitter at those places in the parenthesis. You can find both of their writing at The Organization of Anti-Social Geniuses, more of Helen's writing at Narrative Investigations, and my writing at the Fandom Post and Awko Tako. Join the unofficial Taiiku Podcast discord, the OSMCast discord. Used with permission. Listen Show notes: 0:58 - We talk about Hikaru no Go 16:27 - Hikaru no Go spoilers 23:03 - We talk about Skip and Loafer Next time is our favorite manga of 2023.

This entire MLB offseason is just a constant feeling of low grade dread that Shohei Ohtani will sign somewhere I don't want to root for, and that's just my entire life since the Texas Rangers, the only Major League Baseball team without a pride night, won the World Series. This episode, we're talking about Yumi Hotta (story), Takeshi Obata (art), and Yukari Umezawa (5 Dan) (Go supervisor) Hikaru no Go published by Viz and Misaki Takamatsu's Skip and Loafer published by Seven Seas. Hikaru no Go credits: Translation & English adaptation: Andy Nakatani (volume 1-12), Naoko Amemiya (volume 13-23) English script consultant: Janice Kim (3 Dan) (volume 2-23) Touch-up art & lettering: Adam Symons (volume 1-7), Inori Fukuda Trant (volume 8-23) Lettering assistants: Josh Simpson, Walden Wong (volume 1) Additional touch up: Josh Simpson (volume 5-11), Walden Wong (volume 5), Rachel Lightfoot (volume 11-15) Cover & graphics design: Sean Lee (volume 1) Cover & layout design: Sean Lee (volume 2) Cover design: Sean Lee (volume 3) Interior graphics: Courtney Utt (volume 3) Cover & interior design: Courtney Utt (volume 4-5, 10-11) Design: Courtney Utt (volume 6-9), Julie Behn (volume 14-22) Cover design: Courtney Utt (volume 12-13), Julie Behn (volume 23) Interior design: Aaron Cruse (volume 12), Julie Behn (volume 13), Ronnie Casson (volume 23) Editor: Livia Ching (volume 1-5), Yuki Takagaki (volume 4-12), Annette Roman (volume 10-15), Gary Leach (volume 16-23) Skip and Loafer credits: Translation: Nicole Frasik Adaptation: T. Campbell Lettering: Vanessa Satone Cover & logo design: Hanase Qi (volume 1-3), H. Qi (volume 4-7) Proofreader: Kurestin Armada (volume 1-5, 7), B. Lillian Martin (volume 3-4, 6) Copy editor: B. Lillian Martin (volume 5) Editor: Shanti Whitesides (volume 1-3) Senior editor: Shanti Whitesides (volume 4-7) Production designer: Christa Miesner (volume 4-6), Brennan Thome (volume 7) Prepress technician: Rhiannon Rasmussen-Silverstein (volume 1-2, 5), Melanie Ujimori (volume 3-4, 6-7), Jules Valera (volume 6-7) Print manager: Rhiannon Rasmussen-Silverstein (volume 3-6) Production associate: Christa Miesner (volume 1-3) Production manager: Lissa Pattillo Managing editor: Julie Davis (volume 1-3) Editor-in-chief: Julie Davis (volume 4-7) Associate publisher: Adam Arnold Publisher: Jason DeAngelis As always, you can find me on Twitter @taiikumenco, and my co-hosts Helen (@WanderinDreamr) and Apryll (@manjiorin) on Twitter at those places in the parenthesis. You can find both of their writing at The Organization of Anti-Social Geniuses, more of Helen's writing at Narrative Investigations, and my writing at the Fandom Post and Awko Tako. Join the unofficial Taiiku Podcast discord, the OSMCast discord. Used with permission. Listen Show notes: 0:58 - We talk about Hikaru no Go 16:27 - Hikaru no Go spoilers 0 - We talk about Skip and Loafer Next time is our favorite manga of 2023.

Aujourd'hui, je vous parle de ce petit moment incroyable que j'ai vécu, en rencontrant mon mangaka préféré.

Tällä kertaa puhumme mangan koko historiasta aina sen synnystä nykypäivään asti yhdessä vieraamme, Afureko-blogin ja Äänijälki-podcastin Nitan, kanssa. Ajankohtaisina aiheina puhumme shounen- ja shoujomangan kuluttajien välille kasvaneesta vastakkainasettelusta sekä sellaisista sarjoista, joista on tehty useita animesovituksia. Lukujonossa keskustelemme Go Nagain ronskinraisusta klassikkosarjasta Devilman, joka 1970-luvulla rikkoi mangan rajoja. --- Kommentoi | Mastodon | Twitter (X?) | Instagram --- (01:00) – KUULUMISET: ÄÄNIJÄLKI - Afureko-blogi ja sen Äänijälki-podcast - Afureko Twitterissä - Nita Twitterissä - Mangakartan ja Äänijäljen ystävänpäivätempaus 2022 - Jakso 63, jossa puhuimme ystävänpäivätempauksesta alkukuulumisissa (03:56) – MANGAN VUOSIKYMMENET: ENNEN TEZUKAA - Jean-Marie Bouissoun tietokirja Manga: Histoire et univers de la bande dessinée japonaise - Ukiyo-e-puupiirrosteokset - Hokusai (13:04) – MANGAN VUOSIKYMMENET: 1940-LUKU - Petterin DesuTalks-luento Mies joka loi Osamu Tezukan (YouTube – videotallenne jäi traagisesti isoksi osaksi ilman ääntä, joka alkaa kuulua vasta noin tästä eteenpäin, jos volyymin säätää maksimiin) - Shin Takarajima (1947), Osamu Tezukan läpimurtoteos, joka on sittemmin nostettu modernin mangan alkupisteeksi ja peruskiveksi - Shin Takarajima olikin esillä myös British Museumin manganäyttelyssä vuonna 2019 - Tähän aikaan sarjakuvaa julkaistiin Japanissa lähinnä halpoina (kuva) ja tekijänoikeuksista välittämättöminä (kuva) akahon-julkaisuina, joiden seassa Tezuka erottui edukseen laadullaan - Fujiko Fujio -työpari muistelee jälkikäteen, miten päräyttävältä Shin Takarajiman näkeminen tuntui (kuva) - Floyd Gottfredsson ja hänen piirrostyylinsä, joka on tuttu kaikille vanhoja Aku Ankan taskukirjoja lukeneille - Squash & stretch on animaatioperiaatteista tärkeimpänä pidetty - Comics Journalin artikkelit: - Manga Finds Pirate Gold: The Case of New Treasure Island - Tezuka Osamu Outwits the Phantom Blot: The Case of New Treasure Island Cont'd - Sazae-san (1946–1974)  (19:47) – MANGAN VUOSIKYMMENET: 1950-LUKU - Osamu Tezukan nousukausi - Viidakon valtias (1950), maailmalla tutumpi jenkkinimellään - Petterin kirjoitus Viidakon valtiaasta Anime-lehden numerossa 3/2013 (pdf) - Astro Boy (1952) - Princess Knight (1953) - Tokiwa-so, jossa Tezuka asui 1953-1954 ja josta muodostui Tokion mangapiirtäjien keskus - Shotaro Ishinomori - Fujiko Fujio - Weekly Manga Times (1956) – kustantajansa mukaan ensimmäinen pelkkää mangaa julkaissut lehti (22:56) – MANGAN VUOSIKYMMENET: 1960-LUKU - Viikottaiset mangalehdet rytmittävät nuorten elämää: - Weekly Shonen Magazine (1959) - Weekly Shonen Sunday (1959) - Weekly Shonen Jump (1968) - Weekly Shonen Champion (1969) - Akahon-puolella synkempää ja rankempaa sarjakuvaa alettiin vuodesta 1957 alkaen kutsua gekigaksi (“dramaattiset kuvat”) vastareaktiona lehdissä julkaistavan ja lapsille soveltuvan mangan (“sutaistut kuvat“) suosiolle). Kirjalainaamojen häviämisen ja mangalehtien lukijakunnan varttumisen myötä gekiga-tekijät siirtyivät mangalehtiin. - Yoshihiro Tatsumi ja hänen piirrostyylinsä - Black Blizzard (1955) - Sanpei Shirato ja hänen piirrostyylinsä - Lupin III (1967) oli varsin erilainen manga kuin sen vuonna 1971 alkanut animesovitus - Golgo 13 (1968) - Lone Wolf and Cub (1970) - The Comics Journal: Saito Takao and the “Gekiga Factory” - Jakso 57, jossa puhuimme kuulijakommenttiosiossa gekigasta - Harenchi Gakuen (Go Nagai, 1968) - Cyborg 009 (Shotaro Ishinomori, 1963) - Gegege no Kitaro (Shigeru Mizuki, 1960) - Suosikkijutut: - Petteri: Mangan tekemisen nykyinen tyyli, jossa avustajat tukevat mangakaa - Nita: Gegege no Kitaro, TV-animen synty - Maaret: Päähenkilöpoikien otsahiustöyhtöt (Ashita no Joen Joe, Dororon Hyakkimaru, Cyborg 009:n kyborgi 009) (37:26) – MANGAN VUOSIKYMMENET: 1970-LUKU - Showa 24 -ryhmä - Moto Hagio - Keiko Takemiya - Riyoko Ikeda - Jakso 59, jossa puhuimme Riyoko Ikedan sarjasta The Rose of Versailles - Jakso 79, jossa puhuimme Moto Hagion sarjasta The Heart of Thomas - Jakso 83, jossa puhuimme Moto Hagion lyhärikokoelmasta A Drunken Dream and Other Stories - Jakso 45, jossa puhuimme Osamu Tezukan sarjasta Message to Adolf - Leiji Matsumoto - Space Battleship Yamato (1973) - Galaxy Express 999 (1977) - Space Pirate Captain Harlock (1977) - Go Nagai - Devilman (1972) - Devilmanin hirviö sisälläni -teema on jäänyt elämään muissa teoksissa: - Parasyte - Naruto - Chainsaw Man - Jujutsu Kaisen - Mazinger Z (1972) - Ennen Mazinger Z:aa mechat olivat olleet kauko-ohjattavia (kuuluisimpana Tetsujin 28-go, joka tunnetaan myös jenkkinimellään Gigantor) - Cutie Honey (1973) - Kamen Rider (Shotaro Ishinomori, 1971) - Tokusatsu - Super sentai - Suosikkijutut: - Maaret: Showa 24 -ryhmän kerronta, Glass Maskin henkilö violetin ruusun takana (Suzue Miuchi, 1976) - Petteri: Black Jack (Osamu Tezuka, 1973) - Nita: Devilman, From Eroica with Love (Yasuko Aoike, 1976) (54:57) – MANGAN VUOSIKYMMENET: 1980-LUKU - Seinen-lehtien nousu - Weekly Young Jump (1979) - Business Jump (1985) - Weekly Young Magazine (1980) - Weekly Young Sunday (1987) - Monthly Afternoon (1986) - Ladies' Comics (redicomi) - Be Love (1980) - Big Comic for Lady (1981) - You (1982) - Halpiserotiikan maineeseen päätyneen redicomi-mangan rinnalla alettiin tehdä asiallisempaa Young Ladies -mangaa (jota lännessä tavataan kutsua josei-mangaksi, mitä termiä taas Japanissa harvemmin käytetään) - Young You (1987) - Feel Young (1989) - Kiss (1992) - Cocohana (entinen Chorus, 1994) - Fist of the North Star (Buronson ja Tetsuo Hara, 1983) - Dragon Ball (Akira Toriyama, 1984) - Mitsuru Adachi - Rumiko Takahashi - Saint Seiya (Masami Kurumada, 1986) - JoJo's Bizarre Adventure (1987) - Yhdysvaltojen Comics Code Authority - Suosikkijutut: - Nita: Mitsuru Adachi ja Touch (1981) - Petteri: Ranma 1/2 (Rumiko Takahashi, 1987) - Maaret: Banana Fish (Akimi Yoshida, 1985) (01:18:35) – MANGAN VUOSIKYMMENET: 1990-LUKU - Kaiji (Nobuyuki Fukumoto, 1996) - Sailor Moon (Naoko Takeuchi, 1991) - Salapoliisi Conan (Gosho Aoyama, 1994) - Yu-Gi-Oh! (Kazuki Takahashi, 1996) - Hikaru no Go (Yumi Hotta ja Takeshi Obata, 1998) - Rurouni Kenshin (Nobuhiro Watsuki, 1994) - Yu Yu Hakusho (Yoshihiro Togashi, 1990) - Slam Dunk (Takehiko Inoue, 1990) - Näin Shonen Jumpin myyntiluvut romahtivat vuonna 1995, kun Yu Yu Hakushko, Dragon Ball ja Slam Dunk loppuivat (kuva) - Anime World Order -podcast, jossa neoshounen-termin keksijä Daryl Surat puhuu - BL-lehti Magazine Be x Boy (1993) - Ennen BL-sarjojen tiukkaa karsinoitumista omiin lehtiinsä niitä ilmestyi muissa naisyleisön lehdissä - New York New York (Marimo Ragawa, 1995) ilmestyi Hana to yume -lehdessä - Gravitation (Maki Murakami, 1996) ilmestyi Kimi to boku -lehdessä - Fake (Sanami Matoh, 1994) - Descendants of Darkness (Yoko Matsushita, 1996) - CLAMP - Ken Akamatsu - Suosikkijutut: - Maaret: Kaori Yuki - Nita: CLAMP - Petteri: Chrono Crusade (Daisuke Moriyama, 1998), Fruits Basket (Natsuki Takaya, 1998) (01:38:20) – MANGAN VUOSIKYMMENET: 2000-LUKU - Perunamaan vanha tilasto mangan suomijulkaisuista (kuva) - Kaikki suomalaiset mangajulkaisut näkee Tokio.fi-sivustolta - Naruto (Masashi Kishimoto, 1999) - Shaman King (Hiroyuki Takei, 1998) - One Piece (Eiichiro Oda, 1997) - Paul Gravett: Manga – 60 vuotta japanilaista sarjakuvaa - Fullmetal Alchemist (Hiromu Arakawa, 2001), josta puhuimme jaksossa 84 - Death Note (Tsugumi Ohba ja Takeshi Obata, 2003), josta puhuimme jaksossa 60 - Bleach (Tite Kubo, 2001) - Moderni yurimanga muotoutui 10 vuotta BL:n jälkeen - Yuri Shimai (2003) - Comic Yuri Hime (2005) - Maria-sama ga miteru (Oyuki Konno, mangasovitus alkoi 2003) - Suosikkijutut: - Nita: Mangan tulo Suomeen, Vinland Saga (Makoto Yukimura, 2005), Aron morsiamet (Kaoru Mori, 2008) - Petteri: One Piece - Maaret: Pandora Hearts (Jun Mochizuki) ja Kuroshitsuji (Yana Toboso) alkoivat molemmat vuonna 2006 GFantasy-lehdessä (lisäksi Kazuya Minekura, Setona Mizushiro, Fumi Yoshinaga) - Maaretin neoshounen-artikkeli Anime-lehdessä 7/2015 (pdf) sekä Desucon-luento Kuroshitsujista Karnevaliin - neoshounenin salat (YouTube) (01:51:33) – MANGAN VUOSIKYMMENET: 2010-LUKU - Titaanien sota (Hajime Isayama, 2009) - Futoi yatsu -blogin ennuste siitä, että Titaanien sota on seuraava Naruto - Jakso 87, jossa puhuimme Shonen Sunday -lehden entisen päätoimittajan haastattelusta, jossa hän kertoo lehden kurssin muuttamisesta 2010-luvun jälkipuoliskolla - Food Wars!: Shokugeki no Soma (Yuto Tsukuda ja Shun Saeki, 2012) - Haikyuu! (Haruichi Furudate, 2012) - 2010-luvun jälkipuoliskolla Shonen Jump -lehti on tehtaillut uusia superhittejä - My Hero Academia (Kohei Horikoshi, 2014) - Demon Slayer (Koyoharu Gotouke, 2016) - Jujutsu Kaisen (Gege Akutami, 2018) - Japanin kolmoiskatastrofi 2011: Tohokun maanjäristys ja tsunami sekä Fukushiman ydinvoimalaonnettomuus - Digitaalisen mangan nousu alkoi (kuva) - Netissä julkaistavaksi alun perin tehdyn mangan nousu ja kohdeyleisöjen sekoittuminen - Tomo-chan Is a Girl! (Fumita Yanagida, 2015), josta puhuimme jaksossa 44 - Wotakoi: Love Is Hard for Otaku (Fujita, 2014) - Monthly Girls' Nozaki-kun (Izumi Tsubaki, 2011) - One-Punch Man (ONE ja Yuusuke Murata, 2012), josta puhuimme jaksossa 32 - Weekly Shonen Jump -printtilehden nettisisarlehti Shonen Jump+ on alkanut tuottaa Japanin isoimpia hittejä printtilehden rinnalla - Kaiju No. 8 (Naoya Matsumoto, 2020) - Spy x Family (Tatsuya Endo, 2019) - Jakso 18, jossa puhuimme edellisen kerran mangan 2010-luvusta - Liisa Ihmemaassa -sarjojen pikkubuumi - Alice in the Country of Hearts -mangat pohjautuivat Quin Rosen visual noveliin - I Am Alice (Ayumi Kanou, 2012) - Are You Alice? (Ai Ninomiya & Ikumi Katagiri, 2009) - Hirviötyttösarjojen pikkubuumi (kuten Monster Musume ja Nurse Hitomi's Monster Infirmary) - Eksorsistisarjat olivat melkein juttu - Blue Exorcist (Kazue Kato, 2009) - Twin Star Exorcists (Yoshiaki Sukeno, 2013) - Mob Psycho 100 (ONE, 2012) - Rin-ne (Rumiko Takahashi, 2009) - Nolkytluvulla taas shinigami-sarjat olivat oma pikkutrendinsä - Bleach - Death Note - Descendants of Darkness - Full Moon wo Sagashite (Arina Tanemura, 2002) - Salapoliisi Conanin spinoff-sarjat olivat osa tuoteperheiden nousua (Zero's Tea Time ja The Culprit Hanzawa) - Velhon morsian (Kore Yamazaki, 2013) - Suosikkijutut: -Petteri: Harta-lehti (entinen Fellows!, 2008) -Maaret: BL-genren uudistuminen - Fujoshiluolan postaus aiheesta - Nita: Mangan saatavuuden kasvu länsimaissa (02:08:21) – MANGAN VUOSIKYMMENET: 2020-LUKU - Akane-banashi (Yuki Suenaga, 2022) - Suosikkijutut: - Petteri: Manga Plus -manganlukupalvelu (2019) - Maaret: Blackguard (Ryo Hanada, 2019) - Nita: Mangakartta (Äääää kiitos Nita ;___;) (02:26:17) – SHOUJO VS SHOUNEN - ANN: The Rise of Reiwa: Romance Manga's Current Era Explained - Heisei-kausi vaihtui Reiwa-kaudeksi vuonna 2019 - Colleen's Manga Recs (YouTube) - Colleenin Twitter-ketju sarjasuosituksista aloittelijoille genreittäin - That Manga Hunter - GFantasy-lehti sekoittaa ihmisiä aina, koska listaussivustoilla se luokitellaan shounen-lehdeksi, vaikka sisältö onkin enemmän naisyleisölle räätälöityä - Kaiju Girl Caramelise - Not Your Idol - Ippon Again! (02:43:52) – USEAT ANIMESOVITUKSET - Kitarou tanjou: Gegege no nazo -elokuvan teaseri (YouTube) - Jakso 88, jossa puhuimme alkukuulumisissa The First Slam Dunk -elokuvasta - Jakso 72, jossa keskustelimme vanhempien mangasarjojen tuoreemmista animesovituksista - Mangasarjoja, joista tehdään aina uusia animesovituksia vuosikymmen toisen perään (joko jatkoa tai uusintasovituksia): - Gegege no Kitaro - Hakaba Kitaro -anime alkoi vuonna 2008, toisin kuin Nita muisteli - Cyborg 009 - Devilman - Lupin III - Dragon Ball - Saint Seiya - Saiyuki, jonka monista sirpaleisesti tarinaa sovittavista animesovitustuotannoista puhuimme jaksossa 62 - Tubettaja Logan Paulista nousi kohu, kun hän oli kuvannut Japanissa videota itsemurhan tehneestä henkilöstä - Muita mainittuja sarjoja, joilla on useampi animesovitus - Fruits Basket - Sorcerous Stabber Orphen - Bastard - Tokyo Mew Mew - Sailor Moon - Space Battleship Yamato - Legend of the Galactic Heroes - Higurashi - When They Cry - JoJo's Bizarre Adventure - Hellsing - Fullmetal Alchemist - Ashita no Joe / Megalobox - Trigun - Urusei Yatsura - Tezuka-mukaelmia - Dororo - Young Black Jack - Atom: The Beginning - Pluto (03:13:41) – LUKUJONOSSA: DEVILMAN - Devilman - Maou Dante - Devilman Crybaby - Äänijäljen jakso 35, jossa puhuttiin Devilmanin erilaisista animesovituksista vuosien varrelta - Kun demoni sieluun vilahtaa, niin kulmakarvat otsaan kilahtaa (kuva) - Ihminen on todellinen hirviö (kuva) - Jakso 75, jossa puhuimme Parasytestä - Akira vastaan Jinmen (kuva) - Kohtauksen aloituksesta on selvää, että koko yhteenotto tapahtuu pimeällä leikkikentällä, mutta Jinmenin saavuttua paikalle taustoista tulee yhdentekeviä (kuva) - Seven Seas -omnibusjulkaisun kannet - Palastelu (kuva) - Tervetuloa helvettiin, josta ei ole paluuta! (kuva) - Ryo ei tykkää tytöistä (kuva) - Mikin mielestä väkivalta on miehekästä ja kuumaa (kuva) - Petteri sattui vuonna 2012 ostamaan Weekly Manga Goraku -lehden numeron… (kuva) - …Jossa juuri silloin parhaillaan ilmestyi (kuva) Go Nagain omaelämäkerrallinen manga Gekiman!, jossa hän kertoi Devilmanin tekemisestä (03:51:40) – LOPETUS

Ever heard of Re:Zero? What if you put that concept in a sci-fi war drama illustrated by the guy who did Death Note, Takeshi Obata ? The boys review the one-shot manga, "All You Need is Kill"! Also, we welcome the return of an old friend, react to the confirmation of aliens' existence, discuss binging anime, and more! Website: ⁠⁠⁠⁠http://AniProPod.com Patreon: ⁠⁠⁠⁠http://patreon.com/AniProPod Podcast Discord: ⁠⁠⁠⁠http://discord.gg/2GhYhHdUwQ News Sources: Goku https://fandomwire.com/ive-always-been-dissatisfied-dragon-ball-creator-hates-the-anime-turning-goku-into-an-abomination/ Nintendo https://www.animenewsnetwork.com/news/2023-08-03/nintendo-switch-console-sales-reach-129.53-million-worldwide/.200942 Sound Euphonium https://www.animenewsnetwork.com/news/2023-08-04/sound-euphonium-anime-3rd-season-premieres-in-april-2024/.200981 HIDIVE Movies https://www.animenewsnetwork.com/news/2023-08-03/hidive-screens-the-tunnel-to-summer-the-exit-of-goodbyes-anime-film-in-theaters-in-fall/.200953 Crunchyroll Free Shows https://comicbook.com/anime/news/watch-free-anime-crunchyroll/ Gear 5 https://comicbook.com/anime/news/one-piece-gear-5-episode/ 00:00:00 - Start 00:01:18 - ALIENS ARE REAL?! 00:16:33 - Sound Euphonium S3 & Goku's Creator Hates Him 00:25:35 - One Piece Gear 5 & Nintendo is Crushing 00:41:02 - HIDIVE Presents... Movies? & Crunchyroll's Free Shows 00:53:16 - Mailbag: Best Anime Binges 01:02:20 - Mailbag: Anime Recommendations 01:08:53 - All You Need Is Kill Manga Review (Spoiler-Free) 01:32:38 - SPOILERS START HERE

CÓDIGO: OSNERDS Hoje, em uma live imperdível, temos o prazer de receber convidados especiais para explorar um dos animes mais impactantes de todos os tempos: Death Note! Preparem-se para uma discussão envolvente, repleta de teorias intrigantes, análises aprofundadas e curiosidades fascinantes sobre a obra-prima criada por Tsugumi Ohba e Takeshi Obata. Contato: comercial.thenerds@gmail.com

In this episode, Xan reviews a manga about two guys who want to become comedians. Is it funny? Well sit back and find out as he reviews the shonen, comedy series known as Show-Ha! Shoten! by Akinari Asakura with art by Takeshi Obata. ----more---- As our intrepid host discusses the weird concept of this story, he also goes over what exactly Manzai comedy is and if this manga is a great as it is promoted to be. Remember to Like, Share and Subscribe. Follow us @spiraken on Twitter and @spiraken on Instagram, subscribe to this podcast and our YouTube channel, Support our Patreon and if you would kindly, please go to www.tinyurl.com/helpxan and give us a great rating on Apple Podcasts. Also join our discord and Thank you, hope you enjoy this episode. #spiraken #mangareview #wheelofmanga #shonenmanga #sliceoflifemanga #comedymanga #showhashoten #Akinariasakura #vizmedia #podcasthq #manga #spirakenreviewpodcast Music Used in This Episode: Closing Theme-Trendsetter by Mood Maze (Uppbeat) Music from Uppbeat (free for Creators!): https://uppbeat.io/t/mood-maze/trendsetter License code: YEPNB5COHX56JVES WHERE TO FIND US Our Instagram https://www.instagram.com/spiraken/ Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Patron https://www.patreon.podbean.com/spiraken or https://www.patreon.com/spiraken Our Discord https://tinyurl.com/spiradiscord Our Twitter https://twitter.com/spiraken Our Youtube Channel https://www.youtube.com/@spiraken Our Twitch https://www.twitch.tv/spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Day: Do you enjoy stand up comedy?

14 years after the original Death Note run ended, we were blessed with the return of familiar characters and introduced with a new one, Minoru Tanaka. A character whose ingenious actions causes the Shinigami king to create a new rule. This will be the last Death Note related episode between the boys as they discuss the manga's legacy and more. Skip synopsis @ 6:52   Email: WeAppreciateManga@Gmail.com   101: Death Note 2020 Special One-Shot Story by Tsugumi Ohba Art by Takeshi Obata   Plot Synopsis:   The Death god Ryuk is bored as usual and hungry for some more delicious apples, he goes back to the human world and finds someone who is intelligent enough to use the Death Note in new ways.   Ryuk gives Minoru Tanaka the same Death Note that Light Yagami used in exchange for apples, Of course Minoru knows of Light as the tyrannical Kira. A person who he now studies in his ethics class as a terrorist albeit Kira was successful at preventing wars and lowering crime rates, using the Death Note to rid the world of whomever he deemed as evil.   Minoru is different, in that he decides not to murder anyone but instead to sell the Death Note, he tells Ryuk that the world has changed since Kira had the Death Note and that to become like the next Kira would be more so difficult in a world where cameras are on every street corner and in everyone's pocket. Plus, people are aware of the existence of Ryuk and can identify him and the Death Note now.   Minoru hatches the plan that Ryuk goes to Sakura TV station so to announce the bid and have people use twitter and the hashtag “Power of Kira”   Ryuk will be untraceable so long as he travels underground, under earth, much to the chagrin of L, the surviving members of the NPA and the SPK.   It becomes apparent that the money for the bid is reaching beyond that of any individual to be able to afford, Minoru sends out Ryuk to relay the message that government and world leaders must use their PR representatives to announce their bid. Eventually the winner is announced to be the government of the United States of America.   To make the transfer of money discreet, Minoru has the US government transfer the winning amount worth 10 trillion dollars divided in equal parts to people under the age of 70, living in Tokyo and who also own a Yotsuba bank of Japan account.   Once Minoru deems the plan a success, he gives Ryuk the Death Note to pass on and tells him that he no longer wants to see him again, and that he will live his life happily thanks to the fortune from the U.S. government.   The plot twist, as Ryuk knows, is that the Death Note brings misfortune to those who touch it, and that is still the case. Before Ryuk gives the Death note to the US he is summoned by the Shinigami King, afterwards he tells the current US president of the time, Donald Trump that the rules of the Death Note have now changed.   Anyone who buys and sells the Death Note will die as punishment. The buyer dies upon receiving the Death Note and the seller upon receiving their currency.   Ryuk explains to Trump that although he will die upon acquiring the Death Note, the Death Note itself will still be owned by his second in command, and thus will become the property of the U.S. government. Trump however decides to abandon the Death Note but pretend that he still has it so that people will see him as a hero. Very Shrewd.   Topics and Facts:   The one shot made its public debut during Takeshi Obata's art exhibition, named Never Complete, before being published on Viz Media's website. It is now available as part of an anthology of short stories, released under Viz media. The main character Minoru is an intelligent character as was Light Yagami, unprecedented for a Death Note user is his pacifism, in terms of capitalist ideology you can consider Minoru a far better hero if not a better man than Light Yagami but what makes the series so good as a story is how it presents owning the Death Note as a moral dilemma.   We also talk about Near, who makes another appearance in this one-shot, having previously appeared in the 2008 ‘C – Kira' one-shot story.   Although this one-shot manga is satire it is important to note that when this was published the world was in the middle of a pandemic which threatened the economy and the lives of those from all walks of life. Tsugumi Ohba did not write this manga as a response to the pandemic nor the January 6 U.S. capitol attack, but one can still see it as a response to Trumpism. During president Donald Trumps' service, the country was (and as of 2023 still is) culturally divided. Possibly due to the newness of social media platforms propagating disinformation and propaganda. As of this episode air date January 28, 2023, political discourse worldwide is still dangerously tense.   “The Gold Standard” that James refers to is a monetary system that provides a fixed international exchange rate. James is correct in assuming that under such a standard the transaction for the Death Note is not feasible however, both countries would need to share the same kind of standard, and the buying country would need to be the larger provider of gold stock for the transaction to be completely beneficial to Japan. The U.S. does have the larger supply of gold stock compared to Japan, however as steven mentions, the U.S. has not used the standard since 1971, a decision dubbed the “Nixon Shock”. Because of this the U.S. can prevent a drastic economic deflation, which would happen if the U.S. if they were to buy the Death Note under a gold standard. There is also the “The Silver standard” which is more feasible of a monetary system because of silver having widespread stock worldwide, in retrospect it may seem absurd to consider gold stock as a fixed rate for international exchange, but one must keep in mind that the gold standard was after all created by the world dominating English empire.   Although it certainly seems Minoru did the right thing in comparison to his predecessor Light Yagami, one can wonder if such an auction could be successful to an economic boom, after all a country could place sanctions on the trading of WMDs (weapons of mass destruction) but then again what country could be powerful enough to threaten sanctions on the U.S. and Japan? Especially after the transfer of Kira's power?   A new (supposedly Netflix) adaptation Is to be written and executively produced by Halia Abdel-Meguid, it will be made by the ‘Upside Down pictures' production company. The same company responsible for ‘Stranger Things' created by the Duffer brothers.     Differences from the original 2003/'06 manga run and the 2015 NTV Mini Series:   L appears in all white clothing, more so like the character of Near in the manga. He also wears buttoned linen shirts, which Watari has multiples of ready whenever L wants to change. The Death Note that Gellus owns before Misa is coloured red, it appears black in the manga, however the manga explains that there are red and white coloured Death Notes that Shinigami own within the rules section. The Eraldo Coil character/alias that L uses is absent from the story but otherwise replaced with the name “Babel” which is possibly derived from the Hebrew word בָּלַל (bālal), meaning to jumble or to confuse. It also comes from the name “Tower of Babel” which is referred to in the bible as a tower reaching God, with its construction itself being mentioned in an origin myth for the world's languages. In the miniseries, Babel is not an alias of but is instead an associate of L. The real identity of Babel is Near a.k.a Nate River.   Near appears earlier in the story, before L dies. Near's appearance is also different, instead of wearing white pyjamas Near wears something that is a mix between a tailored suit and dungarees. They do however have a white bob hair style, albeit less curly than the manga. There is no SPK (Special Provision for Kira), instead after the death of L Near joins the same task force as the NPA, becoming the new L.   Teru Mikami appears much earlier in the story; he spies on Misa, then attacks and steals her Death Note after Light instructs her to dig it up in the woods. Like the manga this event happens after Light regains his memories of the Death Note. Rem does not kill L, instead Teru Mikami, having sided with Light and acquiring the Shinigami eyes, is the one to kill L whilst Rem remains passive throughout. Rem does not die through the events of the series and neither risks their life to save Misa. L's death occurs after he pulls off a desperate and crude tactic to frame Light. L gets Light alone and proceeds to write Light's name in the Death Note. Through the ordeal Light receives a text message from Mikami that shows L's real name. Light attacks L, then takes the Death Note and writes L's name down as a form of self-defence. This does not kill L, since L had Watari create a fake Death Note in order to trick and goad Light into using the note on L. Before L manages to use the fake note as evidence, he is killed by Mikami's Death Note and Light tells the task force that L told him his real name in order to goad him into an attack.   Mello is not a legitimate heir to L, instead he is a character that is trapped within the body of Near. Near having what is known as Disassociate Identity Disorder, otherwise known as “split personalities”. Sometimes Near keeps Mello at bay by having Mello talk through a ventriloquists' doll. Mello ends up taking full control later without the need for a doll, and dresses just like their anime/manga counterpart. Near/Mello are both male characters but they are played by a woman, Mio Yuki. Ryuk does not write Light's name in his Death Note, instead Light dies in a warehouse on fire trying to grab his Death Note, he begs Ryuk to make the eye trade with him but the book is already in flames at that moment and soon Light himself burns. (If my memory is correct, Light is so deluded at that point he forgets the death note is fake - J) Mikami is the one who starts the fire, in order to prevent the task force from arresting Light. Near is the dominant personality when Light is captured as Kira, and remains dominant throughout most of the episodes. Watari does not die; he survives to the end and assists Near after L's death.       Other references:     Facebook Instagram Twitter Official Website   Email

The next series we'll be covering is Death Note by Tsugumi Ohba and Takeshi Obata. This week we go into the background of the series and its creators and our familiarity with Death Note. Join us next week for our discussion on volumes 1 and 2 of the manga.

Pour ce nouvel épisode de La librairie des étudiants, je vous propose d’aller encore plus loin dans nos découvertes littéraires. Après avoir vu la semaine dernière la bande-dessinée, nous allons aujourd’hui ouvrir un manga ! Je vous propose de vous... Continue Reading →

Ever wondered why the English names in Death Note sound so odd? Well today's episode has Steven and James talk about why that is as well as the “Yotsuba arc” of Death Note, besides expressing their thoughts and opinions on the art and pacing of the story. Beware of spoilers! Skip synopsis @ 3:10 Email: WeAppreciateManga@Gmail.com   092: Death Note vol. 5 ⁓ Whiteout Chapters 35 to 43 “Whiteout” and “Black” Story by Tsugumi Ohba Art by Takeshi Obata Translation by Alexis Kirsch Lettering by Gia Cam Luc   After a week in prison, Light Yagami forfeits the Death Note and his memories associated with it. Light and Misa's life are seemingly threatened in order to get a confession from them but the bluff leaves L at an impasse. L then decides to set up a new base of operation, putting Misa under surveillance and having Light always be handcuffed to him as they both seek out the truth around Kira.   Light finds a new lead on the case whereupon the new suspects are the Yotsuba Corporation, Light also deduces that Kira can kill in ways other than a heart attack. The Shinigami Rem has given her Death Note to one of the members so to remove suspicion from Light and Misa. However, this new Kira is killing white collar criminals involved in corporate demeanours as well as making bribes to the Japanese government. The police refuse to chase Kira further, forcing task force members to resign as police and work under L. All except one detective Aizawa, who despises L's methods, he instead chooses to be closer to his family investigate Kira on his own terms. L hires a conman and burglar, Aiber and Wedy to infiltrate the Yotsuba corporation. But the detective Matsuda acts alone as Misa's manager and is soon caught eavesdropping on their meetings. L devises a plan to fake Matsuda's death and soon afterwards they bug the Yotsuba meeting room.   Topics: Ever wondered why the English names in Death Note sound so weird? The potential of Eraldo Coil, having been a new character to rival L has us wondering. We must take a moment and praise Takeshi Obata's illustration work. Considering how “wordy” the manga can be. Obata's use of expressions and the way he capitalizes on L's quirks for visual appeal demonstrates a mangaka who is a master at his craft! The dudes speculate on which of the Yotsuba members have a Death Note, isn't it strange how one of them looks uncannily like Light Yagami? The 90's TV shows James mentions, ‘X–Files' and ‘Twin Peaks' are thematically like Death Note in that they involve an open-minded detective trying to catch a supernatural killer, but unlike the detectives in Death Note the characters are FBI agents instead.   Facebook Instagram Twitter Official Website   Email

Aaron and Josh are here to discuss Death Note for the 15th anniversary of its American debut. Death Note is an anime based on the manga by Tsugumi Ohba and Takeshi Obata. It first premiered in Japan in 2006 and later in the U.S. on October 21, 2007 on Adult Swim. The 37th and final episode aired on July 6, 2008. The series follows Light Yagami (Brad Swaile), a Japanese high schooler who finds a supernatural notebook that can kill people. Light tells the Shinigami Ryuk (Brian Drummond), the Death Note's original owner, that he will kill criminals and become the God of the New World. Facing off against Light in a battle of wits is the world's greatest detective, L (Alessandro Juliani). Death Note garnered praise for its thrilling narrative, though it also drew criticism due to real life imitators. The series has been adapted into live action in Japan and the U.S. Aaron and Josh talk about their initial exposure to Death Note and break down the plot, characters, and more. For more anime, you can listen to Josh and Aaron chat about Spirited Away and the Dragon Ball franchise. Death Note is streaming on Netflix. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/popbreaktv/message

Steven and James return to talk about Takeshi Obata's vision of ‘All You Need is Kill', and in turn compare the changes to the original light novel as well as the Tom Cruise and Emily Blunt movie adaptation, ‘The Edge of Tomorrow' a.k.a. ‘Live, Die, Repeat'. Both measuring the pros and cons of the differing plot points. Skip synopsis @ 5:00 Email: WeAppreciateManga@Gmail.com   087: All You Need is Kill vol .2 Original Story by Hiroshi Sakurazaka Art by Takeshi Obata With Storyboards by Ryosuke Takeuchi And additional illustrations by Yoshitoshi Abe Translation by Tetsuichiro Miyaki Lettering and touch up art by Evan Walldinger   Rita Vratsky joins the war against the alien invaders, the mimics, so to avenge the deaths of her parents. In one battle she is helped out by first lieutenant Arthur Hendricks, she kills a mimic that has an antenna. By killing it she is thrown into a loop that resets time before the battle starts. Through a conversation with Shasta, Rita discovers her data is separate from the main sever and is specifically backed up for the war effort. It's here Rita develops the epiphany that the antenna mimic she kills is not enough to prevent the time loop, she must factor in the whole network and kill them in a specific sequence. A mimic with an antenna is able to send signals to the mimics in the past, this one strategy is why the mimics are so incredibly threatening. Yet it is through some glitch of sorts that a human mind can be caught in the radius of their signals. On her 211 try she succeeds in winning the battle and breaks through the loop. Hendricks however did not survive the battle.   Rita takes this news to heart, not only because she can't loop back now, but since in every loop she experienced Hendricks was never killed. Rita determines his sacrifice as a sombre inevitability of war. On arriving at the Boso peninsula Rita makes the effort to prepare seemingly arbitrary questions, a tactic so to deduce if someone is going through a loop as she did. If someone answered her question before she asked it, then that's how she would know they were looping through time. She finds him, Kiriya Keiji, who pre-emptively answers two of her questions, one being the number of times he has looped. The conversation is enough to move Rita to tears and the two spend the entire day together. Now the stage is set for the final battle, both Rita and Keiji understand the rules of the time loop. As with a network they must prevent the mimic recording the battle, and destroy the back-ups before they kill the main server. Making the mimics unable to telegraph to the past. And the mimics themselves are getting desperate seeing Rita and Keiji as anomalies in their battle. Yet there is one final twist in the tale, defeating the mimics is easy now that Keiji is with Rita, but what about that unaccounted for feedback loop?   Trivia:   The nicknames and titles that Rita has in all forms of English translated media are as follows: The Full Metal Bitch, The Valkyrie, The Angel of Verdun, Mad Margherita   About Tachyon Signals: Tachyon signals are a big part of the story. But what is a Tachyon signal? First one must understand that time and space travel are scientifically synonymous. If you draw a graph, you can divide space and time along an X and Y line but the two can't exist without the other. You need space to measure time. The Speed of light is a Z line that runs on a 45 degree angle through time and space. When you look at the stars in the night sky you are already seeing into the past of that star's life. By the time the light travels to earth and you see it twinkle that star may already be dying or be dead. Stars are massive balls of energy but when we see them, we may as well call them ghosts or after-images. Consider that the observable universe is expanding it indeed takes a very, very long time for light to travel to us. And anything that has mass, can't travel faster than light, which essentially means nothing is faster than light. Now when scientists talk about the theory of time travel, they are not talking hypothetically but more of suppositions. Now suppose there are particles that can travel faster than the speed of light. If you could travel faster than light then you could travel to the ends of the universe, land on some distant planet that may be a match for earth, get your telescope out and look in the same direction of earth and what you would see is the dinosaurs living and breathing. You need space to “time travel”, the more space means more you can see through time. Specifically seeing the past. Keiji and Rita do not actually travel through time, they get visions from a tachyon signal to their brains, which are traveling from space. Now I explained how you can see visions of the past, but how do these people see visions of the future? This is where we get timey whimey loopy doopy, and leads to the paradox. One is Rita and Keiji did die, and what we are seeing is ghosts. They are ghosts, they are already dead and they just don't know it. They either exist on another dimension, the universe is broken and so we got the glitch that is this story. That's what happens when aliens use cheat codes lie time travel signals. You break the universe, but if you believe in the holographic universe theory then you know it's not a stretch. If such a thing was to happen it would create the concept of anti-time, as with something like anti-matter. The Christopher Nolan movie ‘Tenet' illustrates this well by having the universe contain a reverse entropy, with the values of time running through the negatives. Realistically Keiji and Rita would never know where the signal is coming from, and that's scary. Because the mimics are on earth, they themselves are too close to the action to send a clear signal. It would be some other being that is sending the signal, which supports the theory that somewhere, out there in space, they are being watched by mysterious aliens who the mimics themselves are agents of. What they succeed in doing is cutting off their antennas so that they never receive the signal (experience the loop again). But Rita figures out she's emitting tachyon signals, which is the most implausible part of the story. Not only because she's human but because there would only be a short distance to emit the signal. After all it's only one day before the battle, that's a full rotation of the earth. Regardless it's enough space for the signal to travel and we never find out how many tachyon signals are being sent, it's not impossible if an unseen force is using signals faster than the ones Rita and Keiji receive. One thing to keep in mind, as of the upload date there is no proof of tachyons or such particles to have existed or ever exist.   Differences between the 2004 Light Novel and the manga: For the most part the manga is an incredibly accurate adaptation of the novel, but the differences are listed here… Mimics appear as short and stout creatures that resemble barrels or the “bloated carcass of a dead frog” on a detailed biological level they are most like star fish. They shoot javelins from vents on their bodies. In the manga they appear as spherical shaped levitating beings with gaping mouths. This is most likely because Takeshi Obata would have found it easier to draw the creatures with such a design, especially from multiple angles. A scene omitted in the manga has Shasta show off the Gachapon toys she bought. Shasta is an avid collector of Gachapon and is keen to show Rita that a toy was made of her, The Rita toy does not actually resemble her but the actor who is playing her in a movie. A glamourous curly hair blonde, at least her suit is painted red. Rachel Kisaragi the cook dies where as in the manga there is no such scene. One wouldn't be able to tell from reading the manga but Shasta is a mix of native American lineage. (James does not know the details of her ancestry, and it is not an important subject in the story) In the manga most of Keiji's squad survives, Jin Yonabaru flees the base at one point and Ferrell survives too even if he does get killed once during one of Keiji's loops.   Differences between the 2014 American movie and the manga:   Mimics appear as dark tentacled monsters with glowing faces. Very much reminiscent to the hunter killer machines in the 1999 movie, ‘The Matrix'. During P.T. Keiji and his squad are doing isometric push-ups, the exercise more or less describes that of “planking”, where you hold your position for a specific time. In the movie they do push-ups. The Japanese Kiriya Keji is named William Cage and played by Tom Cruise. Cage is an older and more cowardly American character, played like an anti-hero for comedic effect but goes towards a more redemptive arc. Jin Yonabaru makes no appearance, instead we get the J-Squad characters who fulfil that role. Rita is played by the British Emily Blunt. She's a much more stoic character than in the manga. She is never seen crying and never shown seeking any looper, of all the questions she could ask Cage, it's merely the “Have I got something on my face” line, at one point she even takes Cage's battery without asking him a single question. Rita is also very quick to kill Cage (in order to reset the time loop) if she deems his efforts a failure. Rita has blonde hair in the movie, in the manga and like the novel Rita has red hair. Rita has the distinct characteristic of carrying a sword to battle (similar to the buster sword of Cloud Strife in the Final Fantasy 7 games). In the manga she carries an axe, Keiji himself acquires a similar axe weapon. The explanation given is that they don't need ammo to fight. No explanation is given in the movie. Rita and Cage join forces before Cage has properly trained. Instead of being trained by Ferrell it is Rita who trains Cage. The character Arthur Hendricks is mentioned by name, but makes no appearance in the movie. Unlike the manga, Rita experiences Hendrik's death 300 times through all of her looping, both the manga and the movie are similar in that his death affects Rita. Rachel Kisaragi makes no appearance. Unlike the Manga, Cage has what appears to be visions of the future and is clued in on how to defeat the Mimics. Later in the movie this turns out to be a red herring. The mimics are sending Cage mixed and jumbled up messages so to throw him off the battle. The manga keeps it vague as to how the time loop is triggered, simply killing a mimic with an antenna is enough to experience a loop. The movie has it caused by blood contamination with a mimic. Rita and Cage exit the time loop through receiving a medical blood transfusion. This vastly changes the climax of the story, creating higher stakes but also gives the ending more of an upbeat note. The effects of the tachyon particles are not permanent. The word “Tachyon” is never mentioned in the movie. In one particularly tense scene, a mimic can tell the difference between someone who is looping and not looping through observing their blood. In the manga they rely on just experience to deduce Keiji and Rita's looping and have no strategy on how to prevent Rita and keiji's loops. The romantic aspects of the story are underplayed to say the least, but unlike the manga, Rita does passionately kiss Cage during the climax of the movie. Cage never earns the nickname Killer Cage, nor does he paint his suit sky blue. The movie ends with the mimics resetting the time loop further back and retreating from their invasion of earth. The record of the movie's events is shared only between Cage and the mimics. Cage is able to meet Rita after her loops, but relatively for Rita it is their first meeting. Other references: “Kiri Oboeru” – “strike your enemy down and learn” Hagakure, samurai Shogi – Is the Japanese variant of chess, “Jitterbugging” - The Executioner's style book - Coffee – Facebook Instagram Twitter   Email

A Sign of Affection on Suu Morishitan romanssisarja, joka kertoo kuulovammaisesta tytöstä ja paljon ulkomailla matkustelevasta pojasta. Ajankohtaisina aiheina puhumme siitä, miten belgialainen taiteilija teki koko One Piece -sarjasta yksiin kansiin painetun taideteoksen, Spy × Familyn kustannustoimittajan haastattelusta sekä siitä, miten erilaisilla tavoilla mangaa tehdään työpareina, tiimeinä ja yhteistyössä. Lukujonossa aloitamme Shuzo Oshimin sarjan Blood on the Tracks, jossa yläkoululaispoika alkaa tajuta rakastavan ja ylisuojelevaisen äitinsä olevan mieleltään järkkynyt sosiopaatti. --- Kommentoi | Twitter | Instagram --- - Science Fiction Bokhandeln Tukholmassa - Tokyo Revengers ja Heaven Official's Blessing esillä kaupan paraatipaikalla oven edessä (kuva) - Svensk Bokhandelnin artikkeli mangan menestyksestä ja Ruotsin uudesta mangajulkaisija Idegrenistä - I Swear I Won't Bother You Again! 2:55 – A SIGN OF AFFECTION: ESITTELY - A Sign of Affection - Suu Morishita - Hibi chouchou / Like a Butterfly, joka sai juuri ennen jakson julkaisua jenkkilisenssin - Shortcake Cake - A Sign of Affectionin uusimmat luvut löytyvät esimerkiksi Azukista ja Izneosta - Jakso 56, jossa puhuimme Japanin vuoden 2021 mangapalkinnoista - Dessert-lehti - Our Precious Conversations, josta puhuimme jaksossa 12 - My Little Monster - Say I Love you - A Condition Called Love - Living-Room Matsunaga-san - Hahmoesittelyt (kuva) - Jakso 73, jossa puhuimme sarjasta Sweat and Soap - Tapahtumapaikka on juna-asemien nimistä päätellen suunnilleen näillä main 21:04 – A SIGN OF AFFECTION: TEEMAT - Itsuomi ja Yuki laajentavat toistensa maailmoja (kuva) - Yuki ei aina saa etenkään vieraista sanoista selvää huulilta lukiessaan (kuva) - Itsuomi oppii tavaamaan sormillaan, mikä auttaa kommunikaatiossa (kuva) - Oushi on ajatellut viittomakielen olevan hänen ja Yukin yhteinen salainen kieli (kuva) 30:10 – A SIGN OF AFFECTION: ITSUOMI JA YUKI - Itsuomi ei arastele fyysistä läheisyyttä, mikä saa Yukin sydämen pamppailemaan (kuva) - Tosi outo kohtaus, jossa Itsuomi esittelee Yukin ystävälleen Shinille, ja kohtauksessa Itsuomi ja Shin vain juttelevat yksityisasioistaan ja jättävät Yukin ulkopuolelle (kuva) - Itsuomin ja Oushin “jätkäjutut“ (kuva) - Itsuomin ajatuksia päästään kuulemaan vain muutamassa kohdassa (kuva) 40:55 – A SIGN OF AFFECTION: SIVUHAHMOT 44:35 – A SIGN OF AFFECTION: TUNNELMA JA KERRONTA - Räväkämpityylinen shoujotekijä Taamo - I'm in Love and It's the End of the World - Atsumori-kun's Bride-to-Be - Robico - …jonka sarjasta Our Precious Conversations puhuimme jaksossa 12 ja jaksossa 23 - Kerronta vie lukijan Yukin näkökulmaan tehokkaasti kuvaamalla huuliltalukemisen vaikeutta toisinaan väärin päin olevilla kirjaimilla (kuva) - Yuki ja Oushi puhuvat keskenään sujuvaa viittomakieltä (kuva) - Itsuomin viittomat ovat aluksi aina huolellisia ja hitaita (kuva) - Peukku pystyyn -ele ei Japanin viittomakielessä tarkoita että “ok“, vaan “älä“ (kuva) - Yukista on tosi mielenkiintoista, miten Itsuomin saksalainen ystävä käyttää keskustelussa lainausmerkkielettä (kuva) - Kasvomaskit tekevät Yukille muiden ymmärtämisen mahdottomaksi (kuva) - Tekijät kertovat viittomakielen kuvaamisen prosessistaan (kuva) 55:48 – A SIGN OF AFFECTION: KANNET - Sarjan pokkarijulkaisun kannet (kuva) - Jaksoa äänittäessä meiltä jäi huomaamatta, että sarjan digijulkaisun kannet ovat asettelultaan vähän erilaiset kuin pokkarijulkaisun kannet; kuva on isompana ja nimilogo yläreunan sijaan alareunassa - Shortcake Caken tosi rumat kannet 58:09 – A SIGN OF AFFECTION: JULKAISU - Kääntäjän selitys huuliltalukemisen väärinymmärtämisen käännösratkaisulle (kuva) 01:00:40 – A SIGN OF AFFECTION: YHTEENVETO - Jakso 35, jossa puhuimme sarjasta A Silent Voice - Perfect World - I Hear the Sunspot 01:08:28 – ONEPIECE - ONEPIECE taiteilija Ilan Manouachin nettisivuilla - One Piece -manga - Ilan Manouach - ANN:n uutinen ONEPIECE-teoksesta - ANN:n uutinen Shueishan reaktiosta - Art Spiegelmanin holokaustikuvaus Maus - Ilan Manouachin julkaisematon muunneltu versio Katz 01:15:21 – SPY × FAMILYN KUSTANNUSTOIMITTAJAN HAASTATTELU - ANN:n haastattelu - Jakso 53, jossa puhuimme Spy x Familystä - …joka on animen alkamisen myötä saanut varsin paljon uusia kuuntelukertoja ja noussut yhdeksi kaikkien aikojen kuunnelluimmista jaksoistamme, vaikka tuoreeltaan sitä ei kuunneltu mitenkään erityisen paljon (kuva) - Spy × Familyn kannet - huomaa erityisesti pokkarin 10 kansi, joka poikkeaa muista iskevästi - Bakuman, joka kertoo mangan tekemisestä - Jakso 64, jossa puhuimme ajankohtaisosiossa siitä, miten Jujutsu Kaisenin tekijä Gege Akutami on pitänyt sairaslomaa - Jakso 71, jossa puhuimme hampaankolo-osiossa siitä, miten RuriDragonin tekijä on jäänyt sairaslomalle - Oshi no Ko -sarjan piirtäjä Mengo Yokoyari twiittasi siitä, että hän näyttää hyvinvoivalta, koska hänen mangaansa ei julkaista jokaisen viikon Young Jump -printtilehdessä, vaan kiertojärjestelmällä niin, että väliin jää taukoviikkoja - Puhuimme Oshi no Ko -sarjasta lukujonossa jaksossa 67 - Jakso 68, jossa puhuimme ajankohtaisosiossa siitä, miten Yoshihiro Togashi työstää uusia lukuja pitkään tekijän heikon terveyden takia tauolla olleeseen Hunter × Hunter -sarjaansa; Togashi on sen jälkeen on valittanut huonoa kuntoaan ja ilmoittanut ottavansa projektiin uusia avustajia 01:24:05 – MANGAN TEKEMINEN KAHDEN TAI USEAMMAN HENGEN YHTEISTYÖNÄ - ANN:n uutinen siitä, miten Kaguya-saman tekijä ja Oshi no Kon käsikirjoittaja Aka Akasakan uuden sarjan piirtäjä valitaan kilpailulla - Akasaka aikoo jatkossa keskittyä käsikirjoittamiseen - Mainittuja yhden taiteilijanimen alla toimivia mangakatiimejä: - Akira Himekawa - Fujiko Fujio (joille tuli sittemmin bänät, ja jotka myöhemmin tunnettiin nimellä Fujiko F. Fujio ja Fujiko Fujio A) - CLAMP - Muita mainittuja mangantekijöitä: - Tsugumi Ohba ja Takeshi Obata, joiden yhteissarjasta Death Note puhuimme jaksossa 60 - Eiki Eiki - Taishi Zaou / Mikio Tsuda - Aruko ja Kazune Kawahara, joiden yhteissarjasta My Love Story! puhuimme jaksossa 69 - Shin Kibayashi - Mia Ikumi, jonka kuolemasta puhuimme ajankohtaisosiossa jaksossa 65 - Dr. Stone, josta puhuimme jaksossa 41 ja jaksossa 61 ja jaksossa 64 - Food Wars - Cesare, jossa renessanssikonsultti on saanut nimensä kanteen asti merkittävän tarinapanoksensa ansiosta - Naoki Urasawa - Coolkyoushinnjya 01:41:38 – KUULIJAKOMMENTTI: KÄÄNTÄJÄT EIVÄT SAA OLLA YHTEYDESSÄ MANGAKOIHIN - Antti Valkaman Twitter-kommentti - Jakso 71, jonka hampaankolo-osiossa puhuimme siitä, ettei mangan kääntäjällä yleensä ole mahdollista keskustella tekijöiden kanssa 01:44:23 – KUULIJAKOMMENTTI: KUUKAUSIMAKSULLISET MANGAPALVELUT - Vinland Saga, josta puhuimme jaksossa 3 - Delicious in Dungeon, josta puhuimme jaksossa 9 - Jakso 29, jossa puhuimme siitä, mistä mangaa voi laillisesti lukea ja ostaa - Manganlukupalveluita: - Manga Plus - Vizin Shonen Jump -palvelu - Jakso 54, jossa puhuimme Golden Kamuysta ja Shonen Jump -palvelun nettialustan ikävästä käyttökokemuksesta - Azuki, josta puhuimme jaksossa 52 - Manga Planet - Mangamo, joka ei aikoinaan ollut kovin toimiva palvelu, kuten puhuimme jaksossa 25, mutta emme ole testanneet, onko se parantunut sitten julkaisunsa - Izneo, jonka kuukausitilauspalvelusta puhuimme jaksossa 30 - Manga Up!, josta puhuimme jaksossa 71 - Crunchyroll Manga - Futekiya - Renta! - Coolmic - Jakso 59, jossa puhuimme Kodanshan vähän ankeasta digistrategiasta - Trinity Blood - Maaretin puoliaikajuttu Anime-lehdessä 3/2016 (kuva) - Konosuba - Animesovituksen animaatiopäällikkö Koichi Kikuta - Ass Vampire -OVA, jonka kakkosjakson (ei siis ykkösjakson) Kikuta on tehnyt (tosin eri taiteilijanimellä) - Petterin yhteisjuttu Konosuban ranobesta, mangasta ja animesta Anime-lehdessä 3/2017 (kuva) 02:02:53 – LUKUJONOSSA: BLOOD ON THE TRACKS - Blood on the Tracks - Petterin alkutunnelmat sarjasta Anime-lehdessä 3/2017 (pdf) (huom: otsikossa käytetty eri käännösnimeä, ja Petteri myös sanoi samalla tavalla väärin jakson alussa) - Jakso 49, jossa puhuimme Shuzo Oshimin toisesta sarjasta Happiness - Oshimin ja Asanon yhteishaastattelu vuodelta 2017 - Inio Asano aloitti samaan aikaan yksipokkarisen tarinansa Downfall - Petterin vastaavat alkutunnelmat Downfallista Anime-lehdessä 4/2017 (pdf) - Maaretin twiitti sarjan painostavasta tunnelmasta - Rakkauskirjeen repiminen (kuva) - Sivuhahmojen (ja etenkin tädin) rumanrealistinen piirtotyyli vetää lukijan Seiichin sosiaalisesti ahdistuneeseen maailmaan, jossa ei voi varma siitä mikä on normaali tapa reagoida asioihin ja mikä ei (kuva) - Tämä nimenomainen kohtaus hämäsi Reddit-keskustelijoita aikoinaan - Sarjan kannet 02:23:38 – LOPETUS

Takeshi Obata of Death Note fame does his take on ‘All You Need is Kill', which spawned the Tom Cruise and Emily Blunt Hollywood movie ‘The Edge of Tomorrow' a.k.a. ‘Live, Die, Repeat'. On this episode James and Steve talk about the characters, themes and more!  Skip synopsis @ 9:14 Email: WeAppreciateManga@Gmail.com 086: All You Need is Kill vol .1 Original Story by Hiroshi Sakurazaka Art by Takeshi Obata With Storyboards by Ryosuke Takeuchi And additional illustrations by Yoshitoshi Abe Translation by Tetsuichiro Miyaki Lettering and touch up art by Evan Walldinger The story begins with Keiji Kiriya, a soldier whom wakes from a dream upon experiencing his own death in battle, the dream ends with a young female soldier staying by Keiji as he dies and asking him something that only he would know the answer to, on waking Keiji finds out that his battle is to begin tomorrow, and it will be his first whilst participating in a war against alien invaders; monstrous beings called Mimics. As Keiji goes to retake the Boso Peninsula from the Mimics, he is joined by US special forces, which include Rita Vratski. A young woman of remarkable combat skill. Keiji is familiar with this woman, not because he dreamt about her but because he is experiencing a time loop, where upon his death triggers back to the day before the battle. As Keiji becomes conscious of this situation he goes through a gamut of emotions, from cowardice to suicide, it all results in him repeating the same day. Keiji has no choice but to fight and survive so that he can see it to the day after. He learns that his actions have a butterfly effect depending on what he does after each reset. And so, he vows to use as much time loops as he can in order to improve his combat skills. He does this by having Shasta Rayle craft him a weapon similar to Rita's Battle-axe and by training with Bartolome Ferrell. He is so resolute in his actions that he avoids the temptation of a date with the beautiful cook Rachel. But this is not the only woman whose attention he captures. On the battlefield Rita asks Keiji one simple question. “How many loops is this for you?” ….and the answer to that is 158! Facebook Instagram Twitter Official Website   Email

On this episode of Manga Mavericks, Colton & Lum are joined by David from the Shonen Flop podcast for what is possibly the biggest trial of the century! As they will have to argue why Gakkyu Hotei (aka School Judgment) is one of, if not the worst manga they have ever covered on the show!! Gakkyu Hotei being a series written by Nobuaki Enoki and illustrated by Takeshi Obata (also known as the artist of both Death Note & Bakuman), centered in a world where Japanese grade schools are corrupted to the point where the government creates the School Judgment System! Where elementary school students can take their grievances and discuss them during Classroom Arbitration sessions! Trials for children by children! With the series' protagonist and defense attorney, Abaku Inugami, solving all kinds of cases ranging from who dismembered the classroom pet to figuring out the identity of local snack (NOT DRUG) dealers, all while getting closer to finding out who murdered his old classmates on that fateful day known as the Bloody Classroom Session!! Now you might be saying to yourself, "Huh, that doesn't sound too bad!", but trust us, its not only mostly mediocre, but also contains a lot of weird, creepy choices that Enoki himself is a little too boastful about and proud of. What are those choices, you ask? Enter the court and find out!! For a complete list of links and Community Shout-Outs mentioned in this episode, visit this podcast's webpage at: http://all-comic.com/2022/manga-mavericks-ep-215-gakkyu-hotei-school-judgment/ PODCAST BREAKDOWN: 00:00 - Intro 03:16 - Gakkyu Hotei Discussion 1:20:12 - Guest Plugs 1:23:43 - Community Shout-outs! 1:32:02 - Wrap up Enjoy the show, and follow us on twitter at @manga_mavericks, on tumblr at mangamavericks.tumblr.com, and on Youtube! You can also follow the hosts on Twitter at @sniperking323 and @lumranmayasha. If you'd like to help support the show financially you can pledge to our Patreon and receive some awesome rewards like our Patreon-exclusive Bonus pods! If one-time donations are more your speed you can donate to Colton's Ko-fi here and LumRanmaYasha's Ko-fi here, and if you want to support LumRanmaYasha's art and other projects you can follow them @siddartworks on Instagram and Twitter and donate to their personal Patreon. Don't forget to also like and subscribe to us on Youtube and iTunes and leave us reviews to help us curate the show and create better content!

Metropoliman has laid a sinister trap for the brave trio of heros; Mukaido's wife and child have been held hostage to spur a final battle. However, the fight is stealing away time his illness is ill-incentivized to give him. Can he do the one thing he wanted in life and keep them safe? Also, will Mirai ever decide to do anything? Or will he keep taking half-actions and getting absorbed into philosophical thought experiments. And I guess Saki will probably do something in the background. This week, Matt, Sam, Jae, and Jacob read and discuss Platinum End written by Tsugumi Ohba and illustrated by Takeshi Obata.Read along, meme along, or just yell at our bad opinions by following @OverMangaCast on Twitter.YouTube / Instagram / Facebook

Nos encontramos ante un thriller psicológico sobrenatural con un factor detectivesco muy intenso. Sus creadores Tsugumi Ohba y Takeshi Obata tuvieron la ocurrencia de unir la mitología de los Shinigami con el Japón actual para la creación de crímenes inexplicables. El resultado… un éxito rotundo que trataremos en el programa de hoy.

¡Episodio temático! Oralia, Mobli, Nudul y La Produxa seleccionan cuatro obras originales que quisiéramos ver adaptadas en cine o series, y cuatro adaptaciones que odiamos. Esta fue nuestra compilación: Adaptaciones que nos urgen De ausencia de María Luisa Mendoza, 1974 Noticias del Imperio de Fernando del Paso, 1987 Saga de Brian K. Vaughan, 2012 Zelda: Ocarina of Time (ゼルダの伝説 時のオカリナ) de Shigeru Miyamoto, 1998 Adaptaciones que se atrevieron a hacer y esto nos dejaron Fundación (Isaac Asimov, 1942) de David S. Goyer, 2021 A Series of Unfortunate Events (Daniel Handler bajo el seudónimo de Lemony Snicket, 1999) de Brad Silberling, 2004 Death Note (デスノート, Tsugumi Ōba y Takeshi Obata, 2006) de Adam Wingard, 2017 The Last Airbender (Michael Dante DiMartino, Bryan Konietzko y Aaron Ehasz, 2005) de M. Night Shyamalan, 2010

In this episode we discuss the anime Platinum End, more so the first half of the series covering Mirai and Mukaido's battle against Metropoliman (Uryu Kanade). We focus specifically on Mirai's constant pursuit of happiness, that his family encouraged him to take on, and how that gradually shifted over the length of the series. Especially once he came into conflict with Metropoliman/Uryu's willingness the put others in jeopardy for the sake of his goals to become God. We tie the conversation to our needs as men to find what is important to us in life, how we define happiness, as well as how we derive happiness from the things we do in life, and our struggles with depression in this episode. Hopefully you enjoy the conversation as much as we did. Intro and Outro music created by namai 畝ド果 His Soundcloud: https://soundcloud.com/namaibeats His YouTube Channel: https://www.youtube.com/channel/UCNtb0gbf6MdjeQJuNgsDlMg

After a week off, we're back with another long episode! This time around, we're examining the category of shonen manga. It's one of (if not THE) best-selling forms of comics in the world, and obviously there's a lot of super popular anime based on shonen manga. Truth be told, though we read plenty of manga, neither of us tends to read much popular shonen, so we felt we needed to step out of our preferences and study something that millions of readers love. To wit, we decided to dabble by reading the first volumes of four big titles: Death Note by Tsugumi Ohba and Takeshi Obata; Attack on Titan by Hajime Isayama; Demon Slayer: Kimetsu no Yaiba by Koyoharu Gotouge; and Chainsaw Man by Tatsuki Fujimoto. Have you read these series, or watched the anime adaptations? Let us know what you think! For reference, the first portion of our podcast is a general discussion about shonen manga, and specifically popular shonen battle manga. Timestamps for the book discussions are as follows: Death Note - 1:07:00 Attack on Titan - 1:46:31 Demon Slayer - 2:14:55 Chainsaw Man - 2:31:40

Project MK-Ultra: Sex, Drugs, and the CIA Volume 1 from Clover Press, IDW, Buz Sawyer Volume 2: Sultry's Tiger by Roy Crane from Fantagraphics, Ibrahim Moustafa's Retroactive from Humanoids, Tony Fleecs and Heroes, We Have Demons by Snyder and Capullo, Viz-O-Rama: Crazy Food Truck Volume 1 by Rokurou Ogaki and Death Note Short Stories by Tsugumi Ohba and Takeshi Obata, Duo #1, Yellow Cab by Chabouté, plus a whole mess more!

This week the class visits an alternate universe with bubbles raining down upon the world that simply just breaks the laws of gravity. With "Bubble" being Netflix's latest installment of anime movies, the class wanted to tune in and see the hype around this visually stunning work of art. "Bubble" is directed by Tetsuro Araki, director of the first seasons of Attack on Titan, from a script by Psycho-Pass and Fate/Zero writer Gen Urobuchi, character designs by Death Note co-creator Takeshi Obata, and contains a theme song from popular singer Eve. Studio WIT went above and beyond with their animation for this latest installment but did the story of Bubble live up to the hype of the amazingly animated parkour scenes and vibrant colors that portray this alternate version of Tokyo. Tune in and see what our thoughts are on the latest Netflix anime movie release. 

Robert Winfree, David Wright, Mathew Sarpraicone from Talk the Keki Podcast and Mark Radulich present their Bubble/Belle 2022 Anime Movie Review! Bubble (Japanese: バブル, Hepburn: Baburu) (2022) is a Japanese post-apocalyptic animated film produced by Wit Studio. It is directed by Tetsurō Araki and written by Gen Urobuchi. It features character designs by Takeshi Obata and music composed by Hiroyuki Sawano. The film had early screenings at the Berlin International Film Festival on February 10, 2022. It was followed by its worldwide release on Netflix on April 28, 2022, before it will be released theatrically in Japan in May. A manga adaptation of the film by Erubo Hijihara debuted in Shōnen Jump+ on April 22, 2022. Belle (竜とそばかすの姫, Ryū to Sobakasu no Hime, literally "The Dragon and the Freckled Princess") is a 2021 Japanese animated science fantasy film written and directed by Mamoru Hosoda and produced by Studio Chizu. The story is inspired by the 1756 French fairy tale Beauty and the Beast by Jeanne-Marie Leprince de Beaumont, with Hosoda taking cues from the 1991 Disney animated movie. Grammarly Ad: 1:28:30 Amazon Music Ad: 38:30 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

Robert Winfree, David Wright, Mathew Sarpraicone from Talk the Keki Podcast and Mark Radulich present their Bubble/Belle 2022 Anime Movie Review! Bubble (Japanese: バブル, Hepburn: Baburu) (2022) is a Japanese post-apocalyptic animated film produced by Wit Studio. It is directed by Tetsurō Araki and written by Gen Urobuchi. It features character designs by Takeshi Obata and music composed by Hiroyuki Sawano. The film had early screenings at the Berlin International Film Festival on February 10, 2022. It was followed by its worldwide release on Netflix on April 28, 2022, before it will be released theatrically in Japan in May. A manga adaptation of the film by Erubo Hijihara debuted in Shōnen Jump+ on April 22, 2022. Belle (竜とそばかすの姫, Ryū to Sobakasu no Hime, literally "The Dragon and the Freckled Princess") is a 2021 Japanese animated science fantasy film written and directed by Mamoru Hosoda and produced by Studio Chizu. The story is inspired by the 1756 French fairy tale Beauty and the Beast by Jeanne-Marie Leprince de Beaumont, with Hosoda taking cues from the 1991 Disney animated movie. Grammarly Ad: 1:28:30 Amazon Music Ad: 38:30 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

¡¡Gracias por escuchar nuestro Podcast!! En esta ocasión hablamos de Platinum End, el nuevo anime basado en el manga del mismo nombre creado por Tsugumi ōba y Takeshi Obata, autores de Death Note y Bakuman. ¡Qué lo disfrutes! Si te ha gustado el programa te invitamos a suscribirte y a reventar el botón de Like. Síguenos en Twitch para que no te pierdas ninguna transmisión: https://www.twitch.tv/alrifreak Visita nuestra tienda en: https://www.facebook.com/pg/FreakNoobNews/shop/ Contacto: freaknoobnews@gmail.com Canal en YouTube: https://www.youtube.com/c/freaknoobnewschannel Canal Secundario: https://www.youtube.com/user/TheBrutalcrusade Redes Sociales https://www.facebook.com/FreakNoobNews https://twitter.com/FreakNoobNews

Here's the horror talk of Misa Amane, a fictional character in the manga series Death Note, created by Tsugumi Ohba and Takeshi Obata. Death Note (2006): https://ww2.putlockernew.site/watch-movie/death-note-2006_cwqv98qdv/qkzbw4l-full-movie-online --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

9e épisode consacré au culte Death Note écrit par Tsugumi Ōba et dessiné par Takeshi Obata.13 tomes disponible au éditions Kana https://www.kana.fr/produit/death-note/ Pour cet épisode, nous sommes accompagné de l'autrice de manga Kalon.https://www.glenat.com/auteurs/kalon Où retrouver Kalon : https://linktr.ee/KalonBDmanga Crédit Audio : Guile's Theme - Street Fighter 2 Opening Death Note Thème de L - Death Note Ending Death Note ––––––––––––––––––––––––––––––Extrait deG.P.R Beat - KatanaTéléchargement gratuit : bit.ly/3ajczQ1​Musique proposée par Audio Libre : youtu.be/c20Lo1gG5FQ​

It's finally time for the third and fourth volumes of "Death Note" by Tsugumi Ohba and Takeshi Obata! We finally get to see Light and L become the best of fake friends, and we get to meet Misa, the third pillar of our triumvirate of sociopathic twenty-year-olds. Join Jam, JD, and Jeff as we also discuss social masking, “yes, and” writing, and how much worse having a death note would be once Facebook exists. Music by Sleuth. Our next episode will be on Stargazing by Jen Wang.

Nossa coluna de mangás/animes traz no episódio de hoje um papo sobre Death Note e seus criadores, com Breno Raphael e JP. Conheça mais sobre Tsugumi Ohba e Takeshi Obata e sua obra máxima!Curta, compartilhe o vídeo e assine o canal! Isso ajuda a gente a trazer sempre mais coisas pra vocês! E confira novos episódios do Costelinha toda segunda no Spotify ou aqui. Confira o episódio de hoje em vídeo no Sobrecapa!

For today's episode we read "Paying the Land," comics journalist Joe Sacco's book about the Dene people, resource extraction in the Northwest Territories, the legacy of Canadian colonialism, and residential schools. It's a big book with a lot to say on some weighty issues, but we also find time to discuss journalism as an institution, the convenient “boringness” of Canadian history, and even cottage core. Music by Sleuth. Our next episode will be on "Death Note" volumes 3 & 4 by Tsugumi Ohba and Takeshi Obata.

Dark Knight Rises beendete die Nolan-Trilogie, Age of Ultron beendete Joss Whedons Avengers. Und auch heute geht es um ein Ende: Wir sehen nämlich Death Note 2: The Last Name, der den vom ersten Film noch nicht abgedeckten Bände abdeckt - wenn auch stark gekürzt und auf das Wesentliche reduziert: Die metaphorische Schachpartie zwischen Light und L.

Moin Moin und Hallo :D Auch wenn wir mit TOKYOPOP dieses Jahr wieder auf keiner Messe vertreten waren, wollten wir euch aber trotzdem eine Art Ersatz anbieten, um mit euch zusammen das beste Hobby der Welt zu feiern und genau das machen wir hier jetzt während der TOKYOPOP Celebration DIGI CON! Auf jeder Messe gibt es eine Vielzahl an informativen, spannenden und unterhaltsamen Panels und die gibt es bei uns auch - eben in Form dieses Podcasts! Heute, Montag der 20.9.2021, soll sich zum Start der DIGI CON alles um das Thema Shonen drehen! Unser Moderator Bene hat zwei wunderbare Redakteurinnen zu Besuch und spricht über Tite Kubo, dem Schöpfer von Burn the Witch und Bleach, sowie über das Künstlerduo Tsugumi Ohba & Takeshi Obata, die Manga-Masterminds hinter Death Note und vielen coolen anderen Serien! Alle Infos zu den Gästen und den Serien findet ihr auf unserer Website: www.tokyopop.de Viel Spaß mit dieser Folge und der TOKYOPOP Celebration DIGI CON 2021 Bleibt gesund und lest fleißig Manga!

Endlich mal einen Mangaka, den ich kenne! Heute sprechen Dimbula, Shin, Chris und wieder dabei Anime-YouTuber Picti Mundi über zwei GOATs des Manga-Business: Tsugumi Ohba und Takeshi Obata. Wie großartig »Death Note« und »Bakuman« sind und was die beiden mit dem »One Piece«-Schöpfer Eiichirō Oda zu schaffen haben, darum geht's heute neben vielen weiteren Anekdoten bei uns im Podcast. Timestamps: (00:37) - Themenübersicht (04:44) - Weitere Werke: Hikaru no Go & All You Need is Kill (11:51) - Death Note (31:16) - Bakuman (55:18) - Platinum End (72:34) - Was lässt sich in Zukunft erwarten?

Content Warning: Discussion of suicide and abusive themesMirai is at the end of his rope, having dealt with his aunt & uncle's abuse throughout middle school. However, on the night he decides to end it all, he's rescued by an angel Nasse. He's given magic wings to fly anywhere and a magic red arrow to make anyone fall in love with him, all to find true happiness. Wait, he also has a white instant kill anyone arrow? Oh, and that in addition to finding happiness, there's also a competition where 13 people are competing to become the new God of the universe? Well, hopefully no one abuses this power to start killing all their competition oh, that happens immediately. Whelp, good luck Mirai! This week, Matt, Sam, Jae, and Jacob read and discuss Platinum End written by Tsugumi Ohba and illustrated by Takeshi Obata.Read along, meme along, or just yell at our bad opinions by following @OverMangaCast on Twitter.YouTube / Instagram / Facebook

-Coalise Estudio licencia With a Dog and a Cat, Every Day is Fun:https://ramenparados.com/coalise-licencia-with-a-dog-and-a-cat-every-day-is-fun/-Under Ninja tendrá adaptación al anime:https://ramenparados.com/under-ninja-tendra-anime/-Earwig y la Bruja disponible ya en Netflix:https://ramenparados.com/earwig-y-la-bruja-disponible-ya-en-netflix/-Takeshi Obata comenzará nueva serie en octubre:https://ramenparados.com/takeshi-obata-comenzara-nueva-serie-en-octubre/-Nuevo artbook de Berserk con entrevista incluida:https://ramenparados.com/nuevo-artbook-de-berserk-con-entrevista-incluida/-Anunciada una nueva obra de Kazuo Umezu:https://ramenparados.com/anunciada-una-nueva-obra-de-kazuo-umezu/

It's time to jump back to the early 2000s. We read the first two volumes of Tsugumi Ohba and Takeshi Obata's "Death Note" and can let you in on the gritty details. Listen in and you can also hear about Sherlock Holmes' descendants, the importance of having the right stationary, and the indelicate details of the Japanese legal system. Music by Sleuth. Our next episode will be on "The Magic Fish" by Trung Le Nguyen.

Wizz! Bang! Pow! This comic is definitely not for kids. No seriously, skip this episode if you do not want “adult” content. This is "Sex Criminals" by Matt Fraction and Chip Zdarsky, the comic that asks the question, what would you do if could stop time when you orgasm? What would make you want to rob a bank? What would you do if the sex police caught on to your naked shenanigans? You know, the really important stuff. Also what's going on with male gynecologists. Don't worry, we promise not to get too TMI, even though this time we're definitely NSFW. Music by Sleuth. Our next episode will be on "Death Note" Vol. 1 & 2 by Tsugumi Ohba and Takeshi Obata.

I don't know if I've written this before, but follow both the White Sox and the OG favorite baseball team and the Dodgers as the local favorite baseball team and now the Padres as a lowkey third baseball team is just extremely wild. Watching a relatively successful White Sox team now decide to do basically nothing besides sign a closer replacement that is only going to be a marginal improvement over who he's replacing, compared to the Dodgers winning six division titles in a row and then trading for and signing Mookie Betts to a huge extension...is just frustrating. And then there's the Padres trading a very deep farm system for immediate improvements in addition to signing Kim Haseong. These are all billionaires who choose to spend their millions in different ways and, in the end, a season's worth of payroll losses is not going to be much to them. Ever. This episode, we're talking about Tsugumi Ohba (story) and Takeshi Obata's (art) Death Note and Kintetsu Yamada's Sweat and Soap! The song you heard in the episode was "the WORLD" by Nightmare from the Death Note anime. As always, you can find me on Twitter @ImpassionateK, and my co-hosts Helen (@WanderinDreamr) and Apryll (@manjiorin) on Twitter at those places in the parenthesis. You can find both of their writing at The Organization of Anti-Social Geniuses, more of Helen's writing at Narrative Investigations, and my writing at the Fandom Post. Listen Show notes: 0:58 - We talk about Death Note! 19:18 - We talk about Sweat and Soap! Next time is Barakamon and Heterogenia Linguistico!

Welcome Back to another episode of Manga x Manga Podcast! In this episode Illari talks about a manga he believes to be the next big series. “Platinum End” is written by Tsugumi Ohba and illustrated by Takeshi Obata the creators of the series Death Note. Illari give a complete synopsis of the overall themes while discussing how they relate to the world we live in today. Thank you for listening, and be sure to send me your latest feedback and suggestions. Use the hashtag #MangaxMangaPod on social media when live listening and discussing the show! Contact Twitter: @mangaxmangapod | @Brilliantdum_e Instagram: @mangaxmangapod | @mdotbasquiat Facebook: Manga x Manga Email: mangaxmangapod@gmail.com Website: FlawlessNoises.com Patreon: Patreon.com/FlawlessNoises Voicemail: +1-425-243-3110 Manga x Manga™ is a Flawless Noises Media Network presentation. #FNMediaProd --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mangaxmangapod/message

Time Codes: 00:00:26 - Introduction 00:03:29 - Listener mail! 00:07:21 - Follow up on Revolutionary Girl Utena 00:08:40 - Ichi-F: A Worker's Graphic Memoir of the Fukushima Nuclear Power Plant 00:33:42 - Platinum End 01:10:43 - Wrap up 01:12:16 - Contact us   This month on The Comics Alternative's manga series, Shea and Derek check out two very different titles. They begin with Kazuto Tatsuta's Ichi-F: A Worker's Graphic Memoir of the Fukushima Nuclear Power Plant (Kodansha Comics). This is a 500+ page account of the reconstruction and cleanup in the wake of 2011's disaster in Fukushima. As the guys discuss, the text does two things at once: provides objective reportage of the situation surrounding Fukushima and reveals the author's very personal experiences  in securing and maintaining his role in the cleanup efforts. While both guys enjoyed the book, perhaps Derek more than Shea, they nonetheless wondered about Tatsuta's background as a mangaka -- "Kazuto Tatsuta" is a nom de plume, so it's difficult to determine any bibliography -- and any potential agenda (if any) underlying this work. After their focus on real-world disaster, the guys move into the realm of fantasy. Platinum End (VIZ Media) is a current shōnen series from Tsugumi Ohba and Takeshi Obata, the same team behind Bakuman and Death Note. The second English-language volume was just released this month, so the guys have enough story under their belts to get a secure feel for the art and narrative. As Derek explains, the premise appears a little on the hokey side, at least at first, but as things develop the story begins to take on a life of its own, one that soon hooks you. Much of this is because of Obata's style, but there are also larger thematic issues that make this title worth exploring. The guys discourse over the text's theological import, its engagement with gender identity, and its satiric commentary on contemporary popular culture. This is definitely a series that both Shea and Derek will continue reading.

On the February manga show, Shea and Derek look at a new title and an older title. They begin with a discussion of School Judgment 1, recently released by VIZ Media. Written by Nobuaki Enoki and with art by Takeshi Obata -- perhaps best known for his work on Death Note -- this is the first book in a series that has a unique premise. In fact, the guys comment several times on the wacky setup of School Judgment: a legal arbitration system established in Japan's elementary schools, where the students themselves try criminal cases serving as judge, prosecution, and defense. In this first installment, the protagonists Abaku Inugami (for the defense) and Pine Hanzuki (prosecution) battle over three strange cases, with the book ending by setting up a fourth. Shea and Derek discuss the weirdness and the social pertinence of the storylines, including arbitration concerning both drug use and pedophilic voyeurism. After that, they look at at Yoshihiro Tatsumi's A Drifting Life (Drawn & Quarterly). With an original English publication of 2009, this is Tatsumi's slightly veiled autobiography and a look at his growth as a manga artist. In fact, Derek points out that the book can best be read as a künstlerroman, a narrative about an artist's growth to personal and creative maturity. This is a hefty book of over 830 pages, a marked difference from the kind of short-form manga that Tatsumi is best known for. Indeed, both Shea and Derek contrast reading A Drifting Life to their experiences with his short-story collections, such as The Push Man and Other Stories, Abandon the Old in Tokyo, Good-Bye, and Fallen Worlds (also published in English by Drawn & Quarterly). While the shorter slice-of-life narratives are clear examples of gekiga, an alternative manga form advocated by Tatsumi himself, this autobiographical work is more conventional. And being a retrospective look back at his early life, Tatsumi brings into his story the real-life artists that inspired him and served as his companions and competitors, including Osamu Tezuka, Masahiko Matsumoto, Takao Saito, and Susumu Yamamori. As the guys conclude, this is an outstanding book and the perfect introduction to the world of Yoshihiro Tatsumi.