Programmed to Chill is a show about business, crime, parapolitics, and esoterica, hosted by @JimmyFalunGong graphics by harmless individual music by: theoutoflimits.bandcamp.com/
The Programmed to Chill podcast is a unique and refreshing addition to the podcasting world. Hosted by Jimmy, with his monotone yet lovely voice and dry sense of humor, this show delves into topics that are often hard to find in other contexts. With great research from various sources, Jimmy turns information that may be difficult to digest through written word into an accessible audio format. His dedication to the craft has truly opened up a world for listeners like me who struggle with focusing on written materials. I am constantly learning new things from this podcast and I cannot recommend it enough.
One of the best aspects of The Programmed to Chill podcast is Jimmy's thorough research. He pulls information from a variety of sources and presents it in a way that is both informative and engaging. His ability to dive deep into complex topics while still keeping the audience entertained is truly commendable. Additionally, his dry sense of humor adds a unique touch to the show, making it enjoyable even when discussing difficult subject matter.
However, there are no discernible worst aspects of this podcast. Jimmy's style and delivery may not be everyone's cup of tea, particularly those who prefer more energetic or enthusiastic hosts. However, for listeners who appreciate his monotone voice and deadpan humor, there really isn't anything negative to say about The Programmed to Chill.
In conclusion, The Programmed to Chill podcast is a gem in the podcasting world. With its unique host, extensive research, and ability to tackle difficult subjects with charm and wit, this show stands out among others in its genre. Whether you're looking for thought-provoking discussions or just some lighthearted entertainment, The Programmed to Chill has something for everyone. Give it a listen and prepare to be captivated by Jimmy's captivating storytelling style.
note from the archivist:Jimmy did not write episode notes for the remaining episodes. beautiful artwork by Robert Voyvodic (@rvoy__)Songs:The Politics of Passing Out by the World/Inferno Friendship SocietyAddicted to Bad Ideas by ‘'Ich Erinnere Mich an Die Weimarer Republik by ‘'M Is For Morphine by ‘'Alabama Song (Whiskey Bar) performed by VizaPeter Lorre Overture by the World/Inferno Friendship SocietyHeart Attack 64 by ‘'
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.additional note: Jimmy was not able to devote enough time to the Cotton Club connections. Jimmy was able to dig up much more about Senator Larry McDonald's bizarre kayfabe relationship to Trotskyism, LaRouche, and WerBell. McDonald's economic interests may also give a tip-off to this network.incredibly hard artwork by Robert Voyvodic (@rvoy__)Songs:Something Against You by the Pixies
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.additional note: There is much, much, much more to the story of the Trot-LaRouche-right-wing ties. There was a gigantic rabbit hole involving Roy Frankhouser. Frankhouser, a paratrooper who appeared to be brainwashed (he reminded Jimmy of McVeigh), infiltrated both Trot orgs and the Klan, and acted as an agent provocateur. Further, to understand this you should read KEN DUGGAN: LAROUCHE'S FAVORITE SATANIST? and The Swarmy Life and Times of the NCLC by Gregory F. Rose and Unity Now! to understand Duggan, Madole, and the bizarre entryist NCLC game being played between the farthest right wing elements, esoteric Nazism, and the fucking LaRouchians. Robert Miles was, or pretended to be from an intergenerational Cathar family and was raised in a White Russian fascist youth group. Jimmy suspects WerBell may have had contact with this group as well. Nearly every episode raised the prospect of a new criminal nexus with whom WerBell interacted. Everything got too hot. incredibly hard artwork by Robert Voyvodic (@rvoy__)Song:Maglev Train by Andrew Morton
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.additional note: The fed crackdown on WerBell's gun companies was much more clarified in the manuscript.incredibly hard artwork by Robert Voyvodic (@rvoy__)Songs:First Day Out by Tee Grizzley
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.additional note: As with so many people in this story, Vesco was as interesting as WerBell. Jimmy clarified much of the Vesco sections in his manuscript. Perhaps the funniest anecdote from Vesco's early career involved him fronting a smaller scam for the actual Rothschilds. incredibly hard artwork by Robert Voyvodic (@rvoy__)Songs:From the D to the A by Tee Grizzley feat. Lil Yachty
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: Much of the Libertine Group remains obscured although Jimmy suspects that it may link to the Delta Network and far-right transnational libertarian networks which also remain obscured. Research at your own risk. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Funky Soul Down In Abaco by The Funk Connection I'm an Island Boy by the Island Boys
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: Again, the Valentine interview(s) provide more information although he suggested that the amount of Cubans on the Conein team was dramatically overstated. incredibly hard artwork by Robert Voyvodic (@rvoy__) Song: Cuban Connection by Uncle Murda and Styles P
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: the Douglas Valentine interview regarding the Charles Harrelson case (as well as Valentine's books in general) make a strong case for DEACON kill squads and/or secret teams within PI offices. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Wig Split by Pouya ft. Denzel Curry
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Mac 10 by Trippie Redd
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-to-Die Rag by Country Joe and the Fish
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Let's Have a War by Fear
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: DMNY by Young Avii
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: To Live and Die in L.A. title theme by Wang Chung World is a Ghetto by Intervention feat. Dr. F sampling Hello by Ice Cube
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.incredibly hard artwork by Robert Voyvodic (@rvoy__)Songs:the original song for this episode was H*vana by C*mila C*bello feat. Y*ung Th*g. it's the perfect song for the episode but the jackbooted thugs at DMCA and National Music Publishers' Association have been striking down fair use on my episodes left and right. I should have known better than to use a Miami Cuban's songs when talking about this particular topic. also, Y*ung Th*g sacrificed a goat - look it up
note from the archivist:Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found.incredibly hard artwork by Robert Voyvodic (@rvoy__)Songs:none
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: Jimmy found much more on Gordon Ingram who was very nearly as interesting as WerBell. Perhaps the most interesting fact was that the Slaves of Satan outlaw motorcycle club was interested in manufacturing the MAC-10. As it turns out, the MC were largely technicians aerospace/defense jobs (who also had the machine tool expertise to actually manufacture the guns). Ingram seriously considered this offer before WerBell appeared and their partnership eventually formed. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Pouya/Fat Nick - Big Glocks
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Song: Murda Blocc by Maxo Kream feat. A$AP Ferg
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: Jimmy later found much, much more on Detachment 202, which was very difficult to do for reasons which may become clear. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Billy by 6ix9ine
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Additional note: Jimmy was able to confirm that Mitchell Livingstone WerBell III was not Russian or Scottish but in fact Jewish on both paternal and maternal sides. This was confirmed in the 1920 census which listed their mother tongue as Hebrew and his parents coming from Poland/Romania/Russia. The 1930 census listed his parents' origins as Odessa, Russia. Further, WerBell's grandparents were listed as speaking "Russian Yiddish" in the 1910 census, and were buried in Har Nebo Jewish cemetery in Philadelphia. There is no doubt that Mitch WerBell III was Jewish. The implications are truly staggering. WerBell portrayed himself as Russian and Scottish, never Jewish, and in fact his family pretended to be Russian nobility. The whole white Russian thing. Kevin Coogan's books on Goleniewski, Yockey, and National Bolshevism are the keys to understanding this bizarre milieu of crypto-Jewish fascists. It also borders into the exact same territory as the fictional chivalric orders of the SoSJ and SoM that Coogan and Steven Snider have been studying. There was never any clear indication whether WerBell (or his sons) even knew he was Jewish, although it is unlikely that he was completely ignorant given his connections to Rich's Department store, advertising, his time in China, and the Israelis generally. Jimmy never found any indication that WerBell was antisemitic although he was constantly interacting with extreme far-right actors who were. It raises new questions about some of his interactions with Israeli military officials (episode 11), as well as the nature of his interactions with these extreme far-right groups. The fact that WerBell was Jewish raises many more questions than answers, and the question was never fully resolved before Jimmy discontinued his project. This was only one of several bizarre revelations between Jimmy writing the podcast and writing the book. Songs: Little Lord Fauntleroy by Upper Crust
note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Guns 4 Sale by 50 Centavo
note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: Two Potato by Elite One Potato by Elite On Some Faraway Beach by Brian Eno
note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: Changing Limited Beliefs by Power Tape Programs Achieving Goals and Outcomes by Power Tape Programs
note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: It's The End Of The World As We Know It (And I Feel Fine) by REM Apocalypticism by Moon Walker
note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: I Love a Man in Uniform by Gang of Four Party at the NSA by Yacht Devil by Moon Walker
note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Dark Margaritaville (@dark_margaritaville) Songs: Banana Republics performed by Lucio Dalla and Francesco De Gregori Cheeseburger in Paradise performed by Plastic Flamingos Jimmy Buffet Doesn't Live in Key West by David Allen Coe Margaritaville performed by Richard Cheese & Lounge Against The Machine Witches and Wizards by Louise Huebner One More Step by Church of the Cosmic Skull Margaritaville performed by Tejas Amanecer
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "On this episode we explore the strange & winding tale of Belita Adair. From musical medium & child prodigy to Puharich test subject to Satanic black metal artist, we trace her life from Ojai, CA to Ossining, NY. Along the way we revisit themes of coercive hypnosis, entity channeling, and encounter Ira Einhorn yet again." artwork by Dakota (@DEEP_RED_BELLS) Songs: Surfin' Moon by the Mayhems Circle of Hate by Satanic Corpse Blood Benediction by Satanic Corpse Diamonos by Behemoth
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "We continue the story of Puharich assembling his psi spook supergroup, talk demonic possession, and revisit our old friend Ira Einhorn. Finally, we look at the big picture of how starseeds are instrumentalized as trauma-based psychic supersoldiers." artwork by Robert Voyvodic (@rvoy__) Songs: Firestarter by the Prodigy Kaneda's Theme from AKIRA soundtrack 9 is god by Wavves
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "We revisit the life and times of Andrija Puharich & Uri Geller, profile the financiers of early US Army psi research, and scrutinize Puharich's abusive hypnosis habit with a curiously specific M.O." artwork by Robert Voyvodic (@rvoy__) Songs: Little Fluffy Clouds by the Orb My Radiation Baby (My Teenage Fallout Queen) by George McKelvey ESP by Masayoshi Tanaka
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "We dive into the deeply sus book 1976 Gods of Aquarius by paranormal hustler extraordinaire Brad Steiger. The book popularized the term "starseed" and, as we shall see, confirms some of our worst fears about who becomes one and why." artwork by Robert Voyvodic (@rvoy__) Songs: Mothership Connection (Star Child) by Parliament Sirius by the Alan Parsons Project Good Thoughts, Bad Thoughts by Funkadelic
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "In this episode we take a step back and discuss some of the ritual magic background behind modern new age practices that starseeds deploy, Reid shares a warning about how you can get your third eye stuck open, and Jimmy does a close reading of the prescient 1925 book The Cosmic Race." artwork by Robert Voyvodic (@rvoy__) Songs: Perdido En El Espacio by Juaneco y Su Combo El Corrido de los OVNIS by Jesus Palma
note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "We introduce the concept of starseeds and discuss some vignettes of starseeds from the academic literature. We hit new age concepts like past life regression, discuss brainwashing oneself, and map out a profile for the kinds of people who tend to become starseeds." artwork by Robert Voyvodic (@rvoy__) Songs: Starseed by Tony22 Starseed by Our Lady of Peace
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Episode 124 songs: Bangara by Innov Gnawa Baby, It's Cold outside by Dean Martin
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Episode 102 Songs: The Land by Young Dolph As Fascism Takes Root by Behind Enemy Lines The Factory by Warren Zevon When You Support These Fucking Bastards by Aus Rotten
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Episode 101 Songs: Dope Boys (Bird Peterson Remix) by Gucci Mane Nanm Nan Boutey by Boukman Eksperyans I Shot President McKinley (And I'm Gonna Do It Again and Again and Again) by Out of System Transfer Tell Me Why You Like Roosevelt by Jesse Winchester
note from the archivist: Jimmy did not write episode notes for the remaining episodes Songs: Guys on Every Corner by the Mountain Goats The Skies Are Full of Insane Machines by Luke Haines and Peter Buck
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Songs: When You See Those Flying Saucers by the Buchanan Brothers Lawd, I'm Just a Country Boy in This Great Big Freaky City by the Sir Douglas Quintet
note from the archivist: Jimmy did not write episode notes for the remaining episodes Songs: the Rand Hymn by Pete Seeger Love That Bomb by Dr. Strangelove and the Fallouts
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Robert Voyvodic (@rvoy__) Episode 95 Songs: Mob Ties by Gucci Mane feat. Young Dolph Invisible Leader by Fucked Up
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Robert Voyvodic (@rvoy__) Songs: The Demon Spell for Energy by Louise Huebner Mr. Crowley by Ozzy Osbourne Quicksand by David Bowie Moonchild by Iron Maiden Station to Station by David Bowie
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Robert Voyvodic (@rvoy__) Songs: Magic by Olivia Newton-John Magic Dance by David Bowie People Are Strange by the Doors Golden Years
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Episode 92 Songs: umbra by Luke Schneider derelictico by Luke Schneider Dental Care by Owl City
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) Episode 91 Songs: exspirio by Luke Schneider The Mark Has Been Made by Nine Inch Nails
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) and Mr. Laaksonen Episode 89 Songs: Race For the Prize by the Flaming Lips Waiting for Superman by the Flaming Lips Dream On by Aerosmith
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Dakota (@DEEP_RED_BELLS) and Mr. Laaksonen Songs: Smoke! Smoke! Smoke! by Tex Williams Chan Chan by Buena Vista Social Club Cryin' by Aerosmith
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Robert Voyvodic (@rvoy__) based on Cuny's NGO maps for Thai concentration camps Songs: I'm Gonna Live Some Before I Die by Faron Young Putin by Raus Monsters You Made by Burna Boy feat. Chris Martin
note from the archivist: Jimmy did not write episode notes for the remaining episodes artwork by Robert Voyvodic (@rvoy__) based on Cuny's NGO maps for Thai concentration camps Songs: Go Back, You Fool by Faron Young Forget the Past by Faron Young False Flag by Massive Attack
note from the archivist: Jimmy did not write episode notes for the approximately 46 remaining episodes artwork by Robert Voyvodic (@rvoy__) based on Cuny's NGO maps for Thai concentration camps Songs: I Hear You Talkin' by Faron Young Live Fast, Love hard, Die Young by Faron Young Face to the Wall by Faron Young
[originally published on Patreon March 22, 2024] This is the fifteenth and last installment in the UFC/Banana/Guatemala series. Rodolfo and I finish discussing the film La Llorona. We get into some of the more spiritual themes of the film. We sincerepost and share our thoughts on spirituality more generally. This leads to a discussion of family ghost stories, and we each share one. Songs: La Llorona by Gaby Moreno Ghost Party by Messer Chups
[originally published on Patreon March 21, 2024] Diving deeply into the claims made in the film La Llorona, I examine the question of Guatemala's oil industry in the wake of the 1954 coup and onwards, especially during La Violencia. As it turns out, most of the story deals with a company named Basic Resources International SA, or BRISA. BRISA was owned by Sir James Goldsmith, a very curious man from a curious family. A corporate raider, far-right donor, and backer of private military contractor companies. I discuss the relationship between conservation movements and PMCs, and how the Goldsmith family backed both. This leads me to discuss the privatization of intelligence, such as Six Eye / 6I, and Goldsmith's ties to Le Cercle. That, in turn, leads to a discussion of the P2 Lodge which itself loops right back to Banco Ambrosiano and would you look at that - BRISA again. Then, I lay out BRISA's money moves and acquisitions next to the events of La Violencia and it starts to look more and more like the genocide was to move the Mayans off oil-rich lands. Finally, I find the piece of the puzzle to connect BRISA to the genocide directly via the case of General Vernon Walters. Then, I cite several key examples which strengthen the hypothesis. After that, I explain what happened to the Guatemalan oil industry afterwards, where Guatemalan gangs came from, and why Guatemala continues to be unstable. Songs: False Flags by Massive Attack Third World Blood by Behind Enemy Lines
[originally published on Patreon March 20, 2024] I am joined by Rodolfo (from the Bolaño series) to discuss the 2019 Guatemalan film La Llorona, which features a lightly fictionalized account of a Montt stand-in and deals with the psychic and spiritual fallout from La Violencia. We discuss about half of the film's plot which led us to one of the throwaway lines in the film - the question of Guatemalan mineral rights. Songs: Lonely Surf Guitar by the Safaris Surfin' Todd by the Burzums
[originally published on Patreon March 19, 2024] I pick back up with Efraín Ríos Montt's pacification plan known as Victoria 82, informally known as Fusiles y Frijoles, or Rifles and Beans. Montt established secret courts, a scorched-earth military campaign and utilized counterinsurgency troops. I share my personal experience with survivors of these incidents. I also read from a work of fiction, Senselessness by Horacio Castellanos Moya which more eloquently captures what it is like to be confronted by these stories. Then, I read an extended passage from a truth and reconciliation report from just one of the many massacres of Finca San Francisco Nenton in Huehuetenango. I discuss political opposition to the genocide. I also discuss the concentration camp program created with help from Israeli military advisors - they spoke frankly about the Palestinianisation of Guatemala. Further, the Israeli military provided arms and even a computer system which was used to compile death lists comparable to those of IBM and the Holocaust. In August 1983, Montt was deposed in a bloodless military coup. I discuss Guatemala in the broader Cold War and World Anti-Communist League context. Then, I examine Montt's mental state during La Violencia and raise the serious possibility that he was a controlled asset. I trace the history of La Iglesia El Verbo, Gospel Outreach, this broader Dominionist theology, and Pat Robertson's investment portfolio. To end the episode, I lay out the claims of an anonymous internet commenter who claims to have been present at Montt's baptism in Eureka, California, and for other darker events. More on Guatemala's mineral rights soon. Songs: Selections from Uaxuctum by Giacinto Scelsi Luna de Xelajú performed by Gaby Moreno & Oscar Isaac