Podcasts about papel picado

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

NOVATEMPORADA - NESTA quarta-feira (24/01), às 10h30, na Rádio Censura Livre, haverá nova edição do programa OPINIÃO, com WENDELL SETUBAL, revisor de texto com Pós-Graduação pela PUC-MG.   E nesta edição, o tema é:   UMA CHUVA DE PAPEL PICADO   Você pode deixar um comentário ou uma pergunta na transmissão, no Facebook ou no YouTube.Também estamos ao vivo no Twitter   Assista aqui

Mensagem final do Bom dia Londrina - 14/03/23

In this episode, I'm talking to Mexican paper artist Andrea Cira based in Kansas City. Andrea designs and cuts together vibrant and intricate compositions that are infused with her Mexican culture. She's currently working an a paper cut project where she redesigns the Loteria images with her papercut creations. She's worked with brands like Starbucks and United Way, so she definitely has experience bringing her paper cut creations to both personal and commercial projects.Keep on listening to hear us talk about how she landed in Kansas City, how she juggles her full time job with her freelance career, and her process for filming engaging TikToks & Reels to grow her channels.EPISODE LINKS- Watch on YouTube- Join the FREE Discord- Join the Patreon- Host: Follow Fabiola on Instagram, YouTube, TikTok- Guest: Follow Andrea on Instagram, TikTok, and her Etsy

Las plantillas de Ronnie, micro cheating, agradecimientos, Ivette Horner, The KLF, "Simply Red!" (grita Pablito desde el fondo), los illuminati, la Organización Negra, los hongos, un artista multimedia, un capítulo alucinógeno, Ronnie está con eso del prestigio, "no soy puto, soy bardero", "Dexter", Tammy Wynette.

Reconocido como “el poeta del tango”, Ovidio Cátulo González Castillo fue un gran letrista y compositor nacido el 6 de agosto de 1906 en Buenos Aires. Escribió, entre otros clásicos, "Organito de la tarde", "El aguacero", "Tinta Roja", "Caserón de tejas", “Café de los angelitos” y "María". Pasó parte de su infancia en Chile exiliado junto a su familia por cuestiones políticas, hasta que regresaron al país cuando Hipólito Yrigoyen asumió la presidencia. A los ocho años ya mostraba pasión por la música; aprendió solfeo, teoría, violín y, más tarde, comenzó a estudiar piano y composición. “Organito de la tarde” fue su primer tango premiado en el concurso de "Disco Doble Nacional" organizado por Max Glucksman. En 1927 viajó a España junto con una orquesta integrada por Ricardo Malerba y Miguel Caló, en bandoneones; Alfredo Malerba, en piano; Carlos Malerba y Estanislao Savarese, en violines; Roberto Maida, en voz y él como pianista y director. Entre su repertorio estaban: "Caminito del taller", "Acuarelita de arrabal", "Silbando", "El Aguacero" e "Invocación al tango". Fue un gran estudioso; durante la década del 30` obtuvo una de las cátedras del Conservatorio Municipal Manuel de Falla, llegando a ser su director en 1950, hasta jubilarse del cargo. En 1935 comenzó a dedicarse a la creación poética y empezó a trabajar con músicos que tenían orquesta contribuyendo a la composición de la letra. Colaboró con Aníbal Troilo en "María", "La última curda", "La cantina", "A Homero", "Y a mí qué", "Una canción" y "Desencuentro". En la lista de tangos de su creación se destacan: "Dinero, Dinero" (en conjunto con Enrique Delfino), "Te llaman violín" (junto a Elvino Vardano), "La Madrugada" (en colaboración con Angel Maffia), "Un hombre silba" (con música de Sebastián Piana), "Para qué te quiero tanto" (en compañía de Juan Lorenza), "Papel Picado" y "Tango sin letra", entre otros. También fue periodista, escribió teatro, presidió SADAIC (Sociedad Argentina de Autores, Intérpretes y Compositores) y la Comisión Nacional de Cultura, en 1953, durante el gobierno de Juan Domingo Perón. Amante de los animales, llegó a tener 95 perros, 19 gatos y dos corderitos, a los que les puso por nombres Juan y Domingo; fue el fundador del Movimiento Argentino de Protección Animal (MAPA). A la par se dedicó a la práctica del boxeo; fue Campeón Argentino de Peso Pluma, y llegó a ser preseleccionado para los juegos Olímpicos de 1924. En 1974 fue designado Ciudadano Ilustre de la ciudad de Buenos Aires y, en agradecimiento, Cátulo relató la siguiente fábula: “El águila y el gusano llegaron a la cima de una montaña.  El gusano se ufanaba de ello.  El águila aclaró: ‘Vos llegaste trepando, yo volando'.  ¿Pájaros o gusanos? -inquiría Cátulo- he aquí una pregunta clave”. Tenía 69 años cuando falleció el 19 de octubre de 1975. Lo recordamos a partir de un retrato elaborado por el Área de Contenidos, editado y musicalizado por Fabián Panizzi, y conservado en el Archivo Histórico de Radio Nacional. Ficha técnica Música Tinta Roja (Cátulo Castillo - Sebastián Piana) por Roberto Goyeneche con Aníbal Troilo [1971 del Álbum “Te acordás Polaco”] María (A Troilo - Cátulo Castillo) por Alberto Marino con Aníbal Troilo [1945] Caminito del Taller (Cátulo Castillo) Carlos Dante con Alfredo De Ángelis [1951] Silbando (José González Castillo - Cátulo Castillo - Sebastián Piana) por Hugo del Carril con Armando Pontier [1971 del Álbum “Hugo de Bs As en La Carpa del Pueblo”] Patio Mío (Cátulo Castillo - Aníbal Troilo) Nelly Vázquez con Aníbal Troilo [1965 del Álbum “Troilo en La Falda”] Una Canción (Cátulo Castillo - Aníbal Troilo) por Roberto Goyeneche con Aníbal Troilo [1971 del Álbum “Te acordás Polaco”] Caserón de Tejas (Cátulo Castillo - Sebastián Piana) por María Graña con Jorge Calandrelli [1996 del Álbum “María”] Corazón de Papel (Catulo Castillo - Alberto Franco) por Roberto Goyeneche con Aníb...

Para este Día de Muertos, aprende cómo hacer papel picado en simples pasos, sirve que no lo compras sino lo realizas de cero y será un motivo más de orgullo en tu ofrenda.

Promotions:Free TAROT CARD READING: ✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨Items discussed on Podcast✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨Contact UsInstagram: @hocuspocusletsfocusFacebook: Hocus Pocus lets focusEmail: hocuspocusletsfocus@gmail.com✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨ Cover art by IG https://www.instagram.com/drop.dead.zombie/?hl=en ✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨ Want to help support the Podcast? Consider becoming a Patron!https://www.patreon.com/hocuspocusletsfocus ✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨Advertise with us!Just shoot us an email over to hocuspocusletsfocus@gmail.com✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨ ***Disclaimer***We are not doctors, lawyers, or professionals. We are amateurs, and nothing we say should be taken as advice, instruction, or seriously. Any action taken based on what we say or imply can and will lead to illness, existential crisis, injury, yor worse potential death. HPLF makes no promise or guarantee, expressed or implied, and assume any legal liability or responsibility for any injuries resulting from the use of information contained within our podcast.

Te invitamos a conocer los lugares embrujados y casas con historias oscuras en la Ciudad de México, además, conoce el origen de por qué "pedimos calaverita" en nuestro país y disfruta también de una pequeña selección de leyendas mexicanas.

#CuentosalPaso 25 de Mayo- Provincia de Buenos Aires- Argentina.

En el episodio de hoy hablamos con Nuvia CEO de Aartmex, nos platico de sus inicios, como supero la bancarota y más!!!

Questa settimana potete ascoltare i seguenti brani: La Que Murió En París – Emilio Balcarce canta Alberto Castillo; Rincones De París – Osmar Maderna canta Oscar Serpa; Francia – Carlos Gardel; Papel Picado – Ricardo Tanturi canta Osvaldo Ribó; Y Te Fuiste A París – Francisco Lomuto canta Fernando Díaz; Pregonera – Romeo Gavioli; Evocación ... Leggi tutto

Oi gente! Neste segundo episódio de notícias, Alana de Oliveira faz um apanhado das mais notáveis notícias do Mundo da Arte dos últimos três meses. Nova morte do Caravaggio? Cidade futurista saudita perdendo dinheiro antes de existir? Centro Cultural escondido no porão? Gente rica entrando na justiça pra não comprar cortinas pra sala? Sim! Temos! […]

Marsha's knitting project has some woes, but the Wool Auction and Shop News are a big WOW! There's a Two Ewes Shop update with an exciting new Replenish Rambouillet yarn, produced with climate beneficial practices. Support the podcast AND the planet with these new fingering weight yarns.  Kelly has no knitting projects on the needles and she has finished her first Papel Picado in filet crochet. It still needs to be washed and blocked, but it turned out great! There will be at least a few more of these finished before Halloween this year. Marsha had a set back with her cardigan Iba by Bonne Marie Burns. The skeins of yarn looked the same but when she started the sleeves she realized there was a difference. The hard lesson learned is this is what happens when you are so impatient to start knitting that you don't alternate skeins.  Remember, no one ever regretted alternating skeins.Marsha unravelled the entire sweater and has started over, making good progress. The Monterey Fair and Wool Auction was a complete success and Kelly ended up with some nice fleeces. Six of them, in fact! Besides fleece and fair food, there was the most interesting chicken at the fair this year! See the full show notes.

Yreina shares her inspiring artistic journey creating papel picado, a Mexican cultural treasure. She's created papel picado for Target, Don Julio, the National Hispanic Museum, for Dio de Los Muertos celebrations, weddings, and so much more. Tune in and be inspired and learn how you can purchase your papel picado.

Marsha is knitting, Kelly is swatching crochet techniques, and the Ewes are planning a Learn Along that will last through November. For full show notes with pictures, visit the Two Ewes website. Marsha is working along on her Iba by Bonne Marie Burns.  She's using textured Rambouillet yarn from the same batch that is in the Two Ewes Shop.  She loves the feel of the wool and the fit of the pattern.  She also has the Elinya shawl on the needles for social knitting.  Kelly has no knitting or crochet in progress, but she is swatching and practicing filet crochet in order to make Papel Picado. The real papel picado is a traditional Mexican decoration for Dia de los Muertos.  Kelly found a pattern for a crochet lace version and has visions of making enough to string across an entire room.  She is also looking for a sweater pattern for some coned cashmere fingering and some Chickadee sport weight to combine into one cardigan.  A listener suggested Brise, a cute sweater designed for linen yarn.  Another one the is in consideration is Running Water.   One of Kelly's projects from last year was entered in the Monterey County Fair and won Best in Show!  If you are coming to the fair, August 30-September 3, look for the Cowichan Sweater in the Wool Room.  The Two Ewes are starting a "School Days Learn Along" that will last until November 30. To join, just participate in the chat thread in the Two Ewes Ravelry group and post your finished objects in the FO thread. All finished objects should be things for which you had to learn something to complete them. For example, Kelly will be learning some crochet techniques for the papel picado and Marsha will be taking a colorwork class so she can make a tea cosy that isn't too tight to fit over her teapot! Knit, crochet, weave, spin--all of those are eligible! Marsha ends the episode with a quote from Kyoko  Mori's book Yarn: Remembering the Way Home. 

Podcast de La Voz de los Expertos en el programa "Hoy con Mariano"¿Qué significa el papel picado en la ofrenda a los muertos?Escucha lo que nos dice Arturo Rocha.

Los artesanos de Asunción Tláhuac utilizan tijeras y cincel para recortar miles de papeles y hacer múltiples figuras en ellos. La obra de Pedro destaca por combinar la técnica del papel picado y la cartonería para las festividades de muertos, semana santa y las posadas.

Catalina Delgado-Trunk explains the history of papel picado (cut paper) and how it has evolved over time.

Papel Picado is a Mexican Folk Art technique. Use this technique to create your own Alabama State Flag.