Podcasts about mississippi review

Erica Stern joins Let's Talk Memoir for a conversation about self-interrogation and taking risks to tell the story we need to, exploring the liminality of a lived experience through the speculative, hybrid memoir and leaning into history and research to illuminate and deepen understanding, the unexpected complications she experienced in childbirth, the historical misogyny in U.S. medical system, the male takeover of birth, how trauma can stunt empathy, trusting the work will go where it needs to go, giving our projects time and space to grow, when publishers and editors are not quite sure what to make of your book, exercising control over the uncontrollable, the long road to publishing, capturing the timelessness of an experience, and her new book Frontier: A Memoir and a Ghost Story.    Also in this episode:  -discovering material through writing -meditations on the history of childbirth -when an editor encourages you to make your book even more like itself   Books mentioned in this episode:   -The Suicide Index by Joan Wickersham -An Encyclopedia of Bending Time by Kristen Keane -My Autobiography of Carson McCullers by Jenn Shaplans -A Life's Work: On Becoming a Mother by Rachel Cusk   Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has been awarded fellowships and residencies from the Vermont Studio Center, the Martha's Vineyard Institute for Creative Writing, and the Virginia Center for Creative Arts. Erica received her undergraduate degree in English from Yale and her MFA from The School of the Art Institute of Chicago. A native of New Orleans, she now lives with her family in Evanston, Illinois.   Connect with Erica: Website: erica-stern.com Instagram: @ericasternwriter Substack: @ericastern Bluesky: @ericarstern.bsky.social Get the book: https://bookshop.org/p/books/frontier-a-memoir-and-a-ghost-story/876292ffe52fe93f?ean=9798985008937&next=t&next=t https://www.barnesandnoble.com/w/frontier-erica-stern/1146916883?ean=9798985008937 https://www.barrelhousemag.com/books/frontier-erica-stern   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna first fell in love with London at her hometown library—its Jane Austen balls a far cry from her life of food stamps and hand-me-downs. But when she finally arrives after college, the real London is a moldy flat and the same paycheck-to-paycheck grind—that fairy-tale life still out of reach.Then Anna meets the Wilders, who fly her to Saint-Tropez to tutor their teenage daughter. Swept up by the sphinxlike elder sister, Anna soon finds herself plunged into a heady whirlpool of parties and excess, a place where confidence is a birthright. There she meets two handsome young men—one who wants to whisk her into his world in a chauffeured car, the other who sees through Anna's struggle to outrun her past. It's like she's stepped into the pages of a glittering new novel, but what will it cost her to play the part?Sparkling with intelligence and insight, All That Life Can Afford (G.P. Putnam's Sons, 2025) peels back the glossy layers of class and privilege, exploring what it means to create a new life for yourself that still honors the one you've left behind. Emily Everett is an editor and writer from western Massachusetts. She is managing editor at The Common literary magazine, and a Massachusetts Cultural Council Fellow in Fiction. Her short story “Solitária” was selected as a runner-up for the Kenyon Review's 2019 Short Fiction Contest, and appears in the Jan/Feb 2020 issue. Other short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. Her work has been selected for Best Small Fictions 2020, and supported by the Vermont Studio Center. Recommended Books: Charlotte McConaughy, Migrations Edith Wharton, The House of Mirth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lucas Schaefer speaks to managing editor Emily Everett about his story “Tuesday,” which appears in The Common's brand new spring issue. “Tuesday” is an excerpt from his novel The Slip, out June 3 from Simon & Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel's central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters. Lucas Schaefer lives with his family in Austin. The Slip is his debut novel. His work has appeared in One Story, The Baffler, Slate and other publications. He holds an MFA from the New Writers Project at UT-Austin. ­­Read Lucas's story “Tuesday” in The Common at thecommononline.org/Tuesday. Order The Slip in all formats via Simon & Schuster at simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707. Learn more about Lucas at www.lucasschaefer.com. Follow Lucas on Instagram at @lucaseschaefer. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Lucas Schaefer speaks to managing editor Emily Everett about his story “Tuesday,” which appears in The Common's brand new spring issue. “Tuesday” is an excerpt from his novel The Slip, out June 3 from Simon & Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel's central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters. Lucas Schaefer lives with his family in Austin. The Slip is his debut novel. His work has appeared in One Story, The Baffler, Slate and other publications. He holds an MFA from the New Writers Project at UT-Austin. ­­Read Lucas's story “Tuesday” in The Common at thecommononline.org/Tuesday. Order The Slip in all formats via Simon & Schuster at simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707. Learn more about Lucas at www.lucasschaefer.com. Follow Lucas on Instagram at @lucaseschaefer. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lucas Schaefer speaks to managing editor Emily Everett about his story “Tuesday,” which appears in The Common's brand new spring issue. “Tuesday” is an excerpt from his novel The Slip, out June 3 from Simon & Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel's central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters. Lucas Schaefer lives with his family in Austin. The Slip is his debut novel. His work has appeared in One Story, The Baffler, Slate and other publications. He holds an MFA from the New Writers Project at UT-Austin. ­­Read Lucas's story “Tuesday” in The Common at thecommononline.org/Tuesday. Order The Slip in all formats via Simon & Schuster at simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707. Learn more about Lucas at www.lucasschaefer.com. Follow Lucas on Instagram at @lucaseschaefer. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese's Book Club pick for April 2025. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Acclaimed debut novelist Emily Everett spoke to me about finding a writing community, impostor syndrome, setting aside self-doubt, and her literary debut, ALL THAT LIFE CAN AFFORD. Emily Everett is a writer and the managing editor of The Common, a literary magazine based at Amherst College. Her debut novel All That Life Can Afford, is the Reese's Book Club pick for April 2025 (out now from Putnam Books), was named a most anticipated book of 2025 by Harper's Bazaar, Town & Country, and E! News, as well as an Apple Books Audiobook Staff Pick. Described as “A taut and lyrical coming-of-age debut about a young American woman navigating class, lies, and love amid London's jet-set elite.” New York Times bestselling author Sarah McCoy said of the book, “Emily Everett's All That Life Can Afford is a wildly entertaining fish-out-of-water story meets Cinderella fairy tale.” Emily Everett has an MA in literature from Queen Mary University of London, where she lived and worked from 2009 to 2013. Her short fiction appears in Electric Literature, Tin House, and Mississippi Review, among others. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Emily Everett and I discussed: Teaching SAT classes for wealthy families abroad Why you don't have to wait to get started on your book Her thirst to prove herself with the first novel Time-blocking vs writing in the margins with a full-time job On crappy first drafts And a lot more! Show Notes: emily-everett.com The Common literary magazine All That Life Can Afford: Reese's Book Club by Emily Everett (Amazon) Emily Everett on Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Weekly shoutout: Check out Lynchpins at the coalition, our ongoing David Lynch tribute series! -- Hi there, Today I am delighted to be arts calling novelist Nancy Kricorian! (https://nancykricorian.net) About our guest: Nancy Kricorian, who was born and raised in the Armenian community of Watertown, Massachusetts, is the author of four novels about post-genocide Armenian diaspora experience, including Zabelle, which was translated into seven languages, was adapted as a play, and has been continuously in print since 1998. Her new novel, The Burning Heart of the World, about Armenians in Beirut during the Lebanese Civil War, will be published in April 2025. Her essays and poems have appeared in The Los Angeles Review of Books Quarterly, Guernica, Parnassus, Minnesota Review, The Mississippi Review, and other journals. She has taught at Barnard, Columbia, Yale, and New York University, as well as with Teachers & Writers Collaborative in the New York City Public Schools, and has been a mentor with We Are Not Numbers since 2015. She has been the recipient of a New York Foundation for the Arts Fellowship, a Gold Medal from the Writers Union of Armenia, and the Anahid Literary Award, among other honors. She lives in New York. THE BURNING HEART OF THE WORLD, now available from Red Hen Press! Bookshop | Barnes & Noble | Amazon Nancy Kricorian's The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes readers on an epic journey from the mountains of Cilicia to contemporary New York City. > Like colorful miniatures–from a childhood of elders haunted by the Armenian genocide, to girlhood and adolescence amidst war in Beirut, to marriage and children in New York at the time of 9/11—Nancy Kricorian finds just the right scale to bring her heroine's passage to vivid, reverberating life. > — Aram Saroyan > An arrestingly beautiful novel of how families draw us together, but also push us apart. Set amidst the backdrop of displacement and war, The Burning Heart of the World illuminates how we carry history deep into even the most forgotten corners of ourselves. Once you start reading about Vera and her family you won't be able to put this book down. > — Marie Myung-Ok Lee, Author of The Evening Hero Thanks for this amazing conversation, Nancy! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN. Much love, j artscalling.com

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frontier: A Memoir and a Ghost Story (Barrelhouse Inc., 2025) is a genre-bending expedition into childbirth. Seamlessly blending memoir, fiction, and research into the fraught history of birth—from midwives to Victorian-era sedation through the Natural Childbirth Movement and modern L&D suites—Frontier lays bare visceral truths that are too often glossed over, and offers an incisive look at the momentous and terrifying transformations of motherhood. As she prepared to give birth to her first child, Erica Stern envisioned the idyllic experience promised by prenatal classes and diaper commercials. But when unexpected complications arose during labor, she found herself at the threshold of life and death, a liminal space that connected her to generations of mothers before her. From the chaos of the delivery room, Frontier opens into a parallel narrative: a Wild West ghost story. There, a mother who didn't survive the ordeal of childbirth roams her old homestead, tethered to the family she left behind. In this otherworldly hybrid memoir, Stern careens between this haunted past and the present horror of the hospital as she waits for her own son to wake up in the NICU. Erica Stern's work has been published in The Iowa Review, Mississippi Review, Denver Quarterly, and elsewhere. She has received support for her writing from the Vermont Studio Center and the Virginia Center for Creative Arts. A New Orleans native, she lives with her family in Evanston, Illinois. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Nancy Kricorian, who was born and raised in the Armenian community of Watertown, Massachusetts, is the author of four novels about post- genocide Armenian diaspora experience, including Zabelle, which was translated into seven languages, was adapted as a play, and has been continuously in print since 1998. Her essays and poems have appeared in The Los Angeles Review of Books Quarterly, Guernica, Parnassus, Minnesota Review, The Mississippi Review, and other journals. She has taught at Barnard, Columbia, Yale, and New York University, as well as for Teacher & Writers Collaborative in the New York City Public Schools and for the Palestine Writing Workshop in Birzeit. She has been the recipient of a New York Foundation for the Arts Fellowship, a Gold Medal from the Writers Union of Armenia, and the Anahid Literary Award. She lives in New York City. 

Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common's fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he'd never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother's parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he's working on now. Michael David Lukas is the author of the international bestselling novel The Oracle of Stamboul, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, The Last Watchman of Old Cairo, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France's best foreign novel prize. His writing has appeared in The New York Times, Wall Street Journal, Slate, National Geographic Traveler, and Georgia Review. He lives in Oakland and teaches at San Francisco State University. ­­Read “More to the Story” in The Common at thecommononline.org/more-to-the-story. Learn more about Michael and his work at michaeldavidlukas.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common's fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he'd never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother's parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he's working on now. Michael David Lukas is the author of the international bestselling novel The Oracle of Stamboul, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, The Last Watchman of Old Cairo, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France's best foreign novel prize. His writing has appeared in The New York Times, Wall Street Journal, Slate, National Geographic Traveler, and Georgia Review. He lives in Oakland and teaches at San Francisco State University. ­­Read “More to the Story” in The Common at thecommononline.org/more-to-the-story. Learn more about Michael and his work at michaeldavidlukas.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common's fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he'd never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother's parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he's working on now. Michael David Lukas is the author of the international bestselling novel The Oracle of Stamboul, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, The Last Watchman of Old Cairo, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France's best foreign novel prize. His writing has appeared in The New York Times, Wall Street Journal, Slate, National Geographic Traveler, and Georgia Review. He lives in Oakland and teaches at San Francisco State University. ­­Read “More to the Story” in The Common at thecommononline.org/more-to-the-story. Learn more about Michael and his work at michaeldavidlukas.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. ­­Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. ­­Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. ­­Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. ­­Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Grimm leads listeners through the tunnels, dreams, purgatories, and ghost towns that appear in her new story collection, Transubstantiation. Along the way, she discusses her literary influences and heroes, experimental writing, story beginnings and endings, publishing short fiction in The New Yorker and beyond, the line between autobiographical fiction and creative nonfiction, setting fictional stories in real places, post-mortem photography, why she loves teaching writing, what makes a good title story in a collection, why she wrote a story in response to the “it was all a dream” trope, and more.   Mary Grimm's previous books include the novel Left to Themselves and the story collection Stealing Time. Her stories have appeared in The New Yorker, Antioch Review, and the Mississippi Review, as well as in a number of journals that publish flash fiction, including Helen, The Citron Review, and Tiferet. Currently, she is working on a series of climate change novellas set in past and future Cleveland.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram or Facebook.

Stephanie Cotsirilos|Love across culture, love across boundaries As author of the novella My Xanthi and published finalist in Mississippi Review's Prize in Fiction, I write about humor, injustice, and the resilience of the human heart. Tapping my multiracial family and careers on and off Broadway and as a lawyer, I'm also author of songs and scripts produced in New York, short stories, and essays. In 2021, as inaugural Krant Fellow at Storyknife's Writers Retreat in Alaska, I rediscovered the intangible thing that law and the arts share: through mercy or otherwise, they search for the mystery within people. That's what I'm looking for. Link: https://www.stephaniecotsirilos.com/ Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests: https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Subscribe to our YouTube  https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRpr C PEG uses StreamYard.com for our live podcasts https://streamyard.com/pal/c/6290085463457792 Get $10.00 Credit for using StreamYard.com when you sign up with our link RSS https://anchor.fm/s/3b31908/podcast/rss

Translator Julia Sanches speaks to managing editor Emily Everett about translating “The Advice,” a story by Irene Pujadas, which appears in The Common's fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing. Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island. ­­Read Julia's translations from Catalan, Spanish, and Portuguese in The Common here.  Learn more about Julia and her work at juliasanches.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Translator Julia Sanches speaks to managing editor Emily Everett about translating “The Advice,” a story by Irene Pujadas, which appears in The Common's fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing. Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island. ­­Read Julia's translations from Catalan, Spanish, and Portuguese in The Common here.  Learn more about Julia and her work at juliasanches.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Translator Julia Sanches speaks to managing editor Emily Everett about translating “The Advice,” a story by Irene Pujadas, which appears in The Common's fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing. Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island. ­­Read Julia's translations from Catalan, Spanish, and Portuguese in The Common here.  Learn more about Julia and her work at juliasanches.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common's brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa's Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story's many threads. Megan Tennant is a writer based in Cape Town, South Africa. She holds master's degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London. ­­Read Megan's story “Little Women” in The Common at thecommononline.org/little-women/. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common's brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa's Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story's many threads. Megan Tennant is a writer based in Cape Town, South Africa. She holds master's degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London. ­­Read Megan's story “Little Women” in The Common at thecommononline.org/little-women/. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Kevin Dean speaks to managing editor Emily Everett about his story “Patron Saints,” which appears in The Common's most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he's working on now.  Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in The Common and The Rumpus. He co-authored a theatrical adaptation of the novel Taxi, by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in Tahrir Tales: Plays from the Egyptian Revolution. He is at work on his first novel.  ­­Read Kevin's story “Patron Saints” in The Common at thecommononline.org/patron-saints. Follow Kevin on Instagram @KevinWilliamDean, and check out more at kevinwilliamdean.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.   Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kevin Dean speaks to managing editor Emily Everett about his story “Patron Saints,” which appears in The Common's most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he's working on now.  Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in The Common and The Rumpus. He co-authored a theatrical adaptation of the novel Taxi, by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in Tahrir Tales: Plays from the Egyptian Revolution. He is at work on his first novel.  ­­Read Kevin's story “Patron Saints” in The Common at thecommononline.org/patron-saints. Follow Kevin on Instagram @KevinWilliamDean, and check out more at kevinwilliamdean.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.   Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Kevin Dean speaks to managing editor Emily Everett about his story “Patron Saints,” which appears in The Common's most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he's working on now.  Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in The Common and The Rumpus. He co-authored a theatrical adaptation of the novel Taxi, by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in Tahrir Tales: Plays from the Egyptian Revolution. He is at work on his first novel.  ­­Read Kevin's story “Patron Saints” in The Common at thecommononline.org/patron-saints. Follow Kevin on Instagram @KevinWilliamDean, and check out more at kevinwilliamdean.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.   Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicholas Molbert's Altars of Spine and Fraction (Curbstone Press/Northwestern UP, 2024) follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it. Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by the boys raised in the Deep South. Born and raised on Louisiana's Gulf Coast, Nicholas lives in Los Angeles. He is the author of Altars of Spine and Fraction: Poems (Northwestern University Press / Curbstone Books, 2024) and two poetry chapbooks from Foundlings Press: Goodness Gracious (2019) and Cocodrie Elegy (2024). You can find his work in places like The Cincinnati Review, The Greensboro Review, Mississippi Review, and Missouri Review among others. He holds a PhD from the University of Cincinnati and an MFA from the University of Illinois at Urbana-Champaign. You can find him on Instagram @nicholasmolbert and online at nicholasmolbert.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nicholas Molbert's Altars of Spine and Fraction (Curbstone Press/Northwestern UP, 2024) follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it. Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by the boys raised in the Deep South. Born and raised on Louisiana's Gulf Coast, Nicholas lives in Los Angeles. He is the author of Altars of Spine and Fraction: Poems (Northwestern University Press / Curbstone Books, 2024) and two poetry chapbooks from Foundlings Press: Goodness Gracious (2019) and Cocodrie Elegy (2024). You can find his work in places like The Cincinnati Review, The Greensboro Review, Mississippi Review, and Missouri Review among others. He holds a PhD from the University of Cincinnati and an MFA from the University of Illinois at Urbana-Champaign. You can find him on Instagram @nicholasmolbert and online at nicholasmolbert.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Nicholas Molbert's Altars of Spine and Fraction (Curbstone Press/Northwestern UP, 2024) follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it. Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by the boys raised in the Deep South. Born and raised on Louisiana's Gulf Coast, Nicholas lives in Los Angeles. He is the author of Altars of Spine and Fraction: Poems (Northwestern University Press / Curbstone Books, 2024) and two poetry chapbooks from Foundlings Press: Goodness Gracious (2019) and Cocodrie Elegy (2024). You can find his work in places like The Cincinnati Review, The Greensboro Review, Mississippi Review, and Missouri Review among others. He holds a PhD from the University of Cincinnati and an MFA from the University of Illinois at Urbana-Champaign. You can find him on Instagram @nicholasmolbert and online at nicholasmolbert.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “ My Freedom,” which appears in The Common's most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page. Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers' Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in The Common. ­­Read Maria's poem “My Freedom” in The Common at thecommononline.org/my-freedom. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “ My Freedom,” which appears in The Common's most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page. Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers' Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in The Common. ­­Read Maria's poem “My Freedom” in The Common at thecommononline.org/my-freedom. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “ My Freedom,” which appears in The Common's most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page. Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers' Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in The Common. ­­Read Maria's poem “My Freedom” in The Common at thecommononline.org/my-freedom. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common's most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year. Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press. ­­Read “Symphony of the South” in The Common at thecommononline.org/symphony-of-the-south. To learn more about Mayada and her work, visit mayadaibrahim.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common's most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year. Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press. ­­Read “Symphony of the South” in The Common at thecommononline.org/symphony-of-the-south. To learn more about Mayada and her work, visit mayadaibrahim.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common's most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year. Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press. ­­Read “Symphony of the South” in The Common at thecommononline.org/symphony-of-the-south. To learn more about Mayada and her work, visit mayadaibrahim.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amanda Mei Kim speaks to managing editor Emily Everett about her essay “California Obscura,” which appears in The Common's most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents' tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long and violent history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin. Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in LitHub, PANK, The New York Times, and Discover Nikkei. She grew up on a tenant farm in the agricultural worker community of Saticoy, California. ­­Read Amanda's essay in The Common Learn more about Amanda and her work here. Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations: Central Valley Empowerment Alliance Mixteco Indigena Community Organizing Project Farmworker Caravan Pan Valley Institute The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Amanda Mei Kim speaks to managing editor Emily Everett about her essay “California Obscura,” which appears in The Common's most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents' tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long and violent history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin. Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in LitHub, PANK, The New York Times, and Discover Nikkei. She grew up on a tenant farm in the agricultural worker community of Saticoy, California. ­­Read Amanda's essay in The Common Learn more about Amanda and her work here. Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations: Central Valley Empowerment Alliance Mixteco Indigena Community Organizing Project Farmworker Caravan Pan Valley Institute The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Amanda Mei Kim speaks to managing editor Emily Everett about her essay “California Obscura,” which appears in The Common's most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents' tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long and violent history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin. Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in LitHub, PANK, The New York Times, and Discover Nikkei. She grew up on a tenant farm in the agricultural worker community of Saticoy, California. ­­Read Amanda's essay in The Common Learn more about Amanda and her work here. Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations: Central Valley Empowerment Alliance Mixteco Indigena Community Organizing Project Farmworker Caravan Pan Valley Institute The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common's most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon's The Book of my Lives, out now in Tehran. Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common. Read Nayereh's story “The Little One” in The Common at thecommonoline.org/the-little-one. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common's most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon's The Book of my Lives, out now in Tehran. Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common. Read Nayereh's story “The Little One” in The Common at thecommonoline.org/the-little-one. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common's most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California's Central Valley. Leo also discusses his family's generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level. Originally from the Central Valley of California, Leo Ríos studied English at UCLA and received an MFA from Cornell University. His first published story was selected by ZZ Packer as winner of The Arkansas International's Emerging Writer's Prize. His second published story appeared in The Georgia Review and was noted as a distinguished story in The Best American Short Stories 2022. Other publications include stories in The Rumpus, The Masters Review, and Joyland Magazine. A recent recipient of a MacDowell Fellowship, he currently lives in Tucson, Arizona, where he teaches writing at the University of Arizona. ­­Read Leo's story “Lencho” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common's most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California's Central Valley. Leo also discusses his family's generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level. Originally from the Central Valley of California, Leo Ríos studied English at UCLA and received an MFA from Cornell University. His first published story was selected by ZZ Packer as winner of The Arkansas International's Emerging Writer's Prize. His second published story appeared in The Georgia Review and was noted as a distinguished story in The Best American Short Stories 2022. Other publications include stories in The Rumpus, The Masters Review, and Joyland Magazine. A recent recipient of a MacDowell Fellowship, he currently lives in Tucson, Arizona, where he teaches writing at the University of Arizona. ­­Read Leo's story “Lencho” in The Common here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don't Step Off the Path,” which appears in The Common's most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida. Vix Gutierrez has lived and learned in more than twenty countries. Her work has appeared in Subtropics, The Timberline Review, NAILED, and elsewhere. Her essay “Dark Sky City” was a notable in Best American Essays 2021. She holds an MFA in creative writing from the University of Florida. ­­Read Vix's essay “Don't Step Off the Path” in The Common here.  The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network