Podcasts about Passages North

Maureen Stanton joins Let's Talk Memoir for a conversation about her writing beginnings in fiction and using the scenic and immersive to move readers, falling in love with creative nonfiction, revisiting and recreating a love story, discovering the question behind her book, facing the blank page, bad first drafts, writing an illness narrative, placing an essay in Modern Love, authenticity on the page, the long winding path to publishing, not thinking your book will ever get published, working on multiple projects while querying, how love evolves, and her new memoir The Murmur of Everything Moving.   Also in this episode: -the fog of grief -killing our darlings -submitting to writing contests   Books mentioned in this episode: -Bird by Bird by Anne Lamott -Angela's Ashes by Frank McCourt -The Liar's Club by Mary Karr -This Boys Life by Tobias Wolff  -Argonauts by Maggie Nelson -Barbarian Days by William Finnegan   Maureen Stanton is the author of The Murmur of Everything Moving: A Memoir, winner of the Donald L. Jordan Prize for Literary Excellence; Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of the Maine Literary Award for memoir and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of the Massachusetts Book Award in nonfiction and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has been widely published, including in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review, Florida Review, River Teeth, The Sun and many others. Her essays have received the Iowa Review prize, The Sewanee Review prize, Pushcart Prizes, the American Literary Review award, and the Thomas J. Hruska award from Passages North. She's been awarded fellowships from the National Endowment for the Arts, the Maine Arts Commission, the MacDowell Colony, and the Virginia Center for Creative Arts. She teaches creative writing at the University of Massachusetts Lowell and lives in Maine.    Connect with Maureen: Website: https://www.maureenstantonwriter.com LinkTree: https://linktr.ee/maureenstanton41 Instagram: https://www.instagram.com/maureenstanton41 Threads: https://www.threads.com/@maureenstanton41 LinkedIn linkedin.com/in/maureen-stanton-6693ab11  Facebook: https://www.facebook.com/maureen.p.stanton Bluesky: https://bsky.app/profile/maureenstanton.bsky.social   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this NBN Poetry podcast, host Hollay Ghadery speaks with Rosa Castellano about her gorgeous debut collection, All is the Telling (Diode, 2025). All is the Telling is a compelling, transformative collection bridging the personal and political with an emotional intensity that lingers long after the final page. With an intimate and expansive voice, this collection speaks to the human condition in all its beauty and complexity, inviting readers to reflect on their own lives as they are drawn into the intricate web of memory, identity, and survival. The speaker's voice is grounded in the immediacy of lived experience, yet it also reaches outward, echoing the broader struggles of our time. In a world that can often feel fractured, the poems in All Is The Telling offer a space for connection, reflection, and healing. Readers are invited to witness moments of profound emotional truth, where the boundaries between self and other, past and present, blur in disorienting and revelatory ways.At its core, All is the Telling is a meditation on what it means to be human in a world that often demands silence from those who dare to speak their truths. It is a collection that insists on the importance of voice, of telling and retelling our stories so they are not forgotten. The collection's emotional landscape is vast, encompassing themes of love, loss, survival, and the enduring power of storytelling itself. These poems remind us that survival is not simply to endure but to carry forward the stories that define us and to give voice to the histories that have shaped our identities, often against the odds.This is a collection for readers who crave poetry that speaks to the soul—poetry that does not flinch in the face of brutal truths but instead transforms them into something beautiful, something that can be held, examined, and, ultimately, shared. All is the Telling will resonate with anyone who has ever grappled with the complexities of identity and sought to make sense of a world that can be both brutal and tender. It is a collection that asks us to listen—to ourselves, to each other, to the world, and in that listening, find the strength to tell our own stories. For anyone who believes in the power of words to shape lives, challenge injustices, and celebrate the human spirit, this collection will not disappoint. All is the Telling is vital, alive, and endlessly resonant. About the Author:Rosa Castellano, originally from Tampa, Florida, is a poet and teacher living in Richmond, VA. A finalist for Cave Canem's Starshine and Clay Fellowship, and co-founder of the RVA Poetry Fest, her work can be found or is forth coming from RHINO Poetry, Diode, Passages North, Nimrod, The Ninth Letter, and Poetry Northwest among others. All Is The Telling is her first collection of poetry. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian writer living in Ontario on Anishinaabe land. Fuse, her memoir of mixed-race identity mental health, was released by Guernica Editions and won a 2023 Canadian Bookclub Award. Her poetry collection, Rebellion Box was released by Radiant Press in 2023, and her short fiction collection, Widow Fantasies, with Gordon Hill Press in fall 2024. Hollay is a host on The New Books Network and co-host on HOWL on CIUT 89.5 FM. She is a book publicist, the Regional Chair of the League of Canadian Poets as well as the Poet Laureate of Scugog Township. www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Notes and Links to Vanessa Saunders' Work       Vanessa Saunders is a writer living in New Orleans. She teaches as a Professor of Practice at Loyola University New Orleans. She was the editor-in-chief of Helium Journal from 2013 to 2016. Her writing has appeared in Writer's Digest, Writer's Chronicle, Seneca Review, Sycamore Review, Los Angeles Review,  Nat. Brut, Entropy, PANK, Passages North, Stockholm Review of Literature and other journals.​​ She is at work on a novel of magical realism about whiteness and a book-length prose poem about the ethics of authorship.  Buy The Flat Woman   Vanessa's Website At about 1:45, Vanessa recommends places to buy her book, including Baldwin Books At about 2:55, Vanessa responds to Pete's question about her expectations for the Pub Day and beyond versus the realities At about 5:20, the two discuss Kafka's Metamorphosis and his parables and connections to Vanessa's The Flat Woman, as well as absurdities and allegory At about 9:30, Vanessa gives background on her early reading and writing, including her grandfather's and Sylvia Plath's influences, and Anne Carson's influence on The Flat Woman At about 13:30, Vanessa explains the unique British library system At about 15:25, Vanessa responds to Pete's questions about At about 16:35, Vanessa mentions Kelly Link, Sarah Rose Etter, Aimee Bender, and Hadriana in my Dreams as contemporary writers and writing that inspires him At about 18:20, Pete and Vanessa shout out the generosity and greatness of Aimee Bender, and Vanessa talks about meetings with inspiring writers At about 19:20, Pete shouts out Antonya Nelson's “In the Land of Men” for the 1,987,231 time in Chills at Will history At about 19:55, The two discuss the book's epigraph and seeds for the book At about 22:40, Vanessa expands upon stewardship and community and the environment in the formulation of her book At about 24:20, Pete wonders about Vanessa's decision to avoid naming her characters At about 26:40, Pete asks Vanessa  At about 29:10, the two discuss the lengthy “setups” that are chapter titles, or “headlines” At about 32:20, “leaky boundaries” and the family dynamic, including the absent father, are discussed At about 33:35, “Terrorism” and government cover-up in the book and its couching is discussed; Vanessa talks about birds as “indicator species,” as she learned from a group of “elite ornithologists” (!!!) with whom she lived At about 36:40, Vanessa talks about perpetual archetypes and storylines for “female villainy” At about 37:40, Bird grief and research and animals as stand-ins for humans as discussed in the book is explored by Vanessa At about 41:10, Vanessa, in explaining her views of animals and things and dominion, references a wonderful Louise Gluck line  At about 42:35, Pete and Vanessa discuss Bay Area history, anthropology. and its effects on their mindsets and writing At about 44:00, The two talk about the “patriarch[al]” POPS Cola, and the protagonist's early life after her mother is arrested and convicted  At about 45:45, Vanessa expands on the patriarchal society and the 2024 election's connections to the systemic misogyny on display in the book At about  49:50, The protagonist, depicted 10 years as “The woman,” and Part II are described, as well as the “chaotic aunt” and more ugly realities that confront the woman At about 51:45, Vanessa cites inspiration from an interview with Toni Morrison regarding family alienation  At about 53:10, Vanessa explores connections between humor and speculative fiction At about 54:10, The woman's earliest interactions with and attractions to the man are discussed At about 55:10, Vanessa responds to Pete's question about the man being drawn to Elvis, with a trip down memory lane of a San Francisco that may no longer exist  At about 59:20, Vanessa talks about setting the woman as working at the very company that has imprisoned her mother  At about 1:01:25, Vanessa responds to Pete's question about the grisly displays of hurt and dead animals, and the two discuss ideas of entertainment and willful (or not) ignorance about the brutality in Gaza and climate change At about 1:05:00, Pete complements Vanessa for humor on the page and asks if the man has “discovered the manosphere”  At about 1:08:35, Vanessa talks about social justice being “commodified” At about 1:10:40, Vanessa talks about initial hesitat[ion] in depicting the man as having some assorted wisdom, along with many horrible traits At about 1:11:40, Vanessa discusses a famous writer, who is not related to her :(  At about 1:13:00, Another Maurice Carlos Ruffin shoutout At about 1:14:20, Movie actors for the book's characters! At about 1:16:10, “You are hearing me talk”-Al Gore You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 270 guest Jason De León is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 285 with The Philharmonik, Episode 58 guest, vocalist, multi-instrumentalist, lyricist, music producer and genre defining artist. Recently, he has been nationally and globally recognized after winning the 2023 American Song writer contest and NPR's 2024 Tiny Desk Contest for his song “What's It All Mean?” The episode marks the one-year anniversary of his NPR Tiny Desk Contest win. This will be released on May 16.  

Meghan Lamb is the author of Mirror Translation (Blamage Books, 2025), COWARD (Spuyten Duyvil, 2022), Failure to Thrive (Apocalypse Party, 2021) All of Your Most Private Places (Spork Press, 2020) and Silk Flowers (Birds of Lace, 2017). Her work has also appeared in Quarterly West, DIAGRAM, Redivider, and Passages North, among other publications. She currently teaches creative writing through the University of Chicago, Story Studio, Hugo House, and GrubStreet. She is the fiction editor for Bridge Books and the nonfiction editor for Lover's Eye and Nat. Brut.Music here

What happens when a tech startup employee starts taking online writing classes? They end up in an MFA program, of course. In this episode, Ray Wise sits down with Jared to talk about finding writing in their 20s and the lessons they bring from the tech world to their creative work. Plus, they discuss Rutgers-Camden's multi-genre emphasis, weekend writing retreats with the MFA community, and the pros and cons of a small program.Ray Wise is a multi-genre writer living in Philadelphia, where they are completing their final semester in the MFA program at Rutgers-Camden. Ray's work has been published in Passages North, Rose Books Reader, Barrelhouse, Hobart, etc., nominated for Best of the Net, and supported by Sundress Academy for the Arts. They are currently at work on a novel manuscript and a poetry collection. Find them on Twitter/X @ray__wise and catch them reading in Philadelphia for the Rose Books Reader launch on April 26th at Clown Bar.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOWDonate to the show at Buy Me a Coffee.Leave a rating and review on Apple Podcasts.Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com

Send us a textWriter & Co-Founder of Saltwater Coffee — Suhail's  stories appear in Shenandoah, 3:AM, Passages North, and elsewhere. He has been nominated for Best of the Net, Best Microfiction, and Best Small Fictions twice. In 2022, he made the Wigleaf Top 50 Longlist and Notable in Best American Food Writing.Click below for the full story.https://www.saltwaternyc.comhttps://www.ssmandani.comCheck out the website: www.drinkingonthejob.com for great past episodes. Everyone from Iron Chefs, winemakers, journalist and more.

Steve's Playlist: Steve's Albums of the Year, 1987-2024 Mallory's Playlist: A Totally Unbiased Collection Of Questionable Bangers Steve Gergley is the author of two novels and two short story collections. His most recent novel, Episode 3328: Ian Sharp, will be published on January 27th, 2025, by Translucent Eyes Press. His other books include The Great Atlantic Highway & Other Stories (Malarkey Books '24), Skyscraper (West Vine Press '23), and A Quick Primer on Wallowing in Despair (Leftover Books '22). His short fiction has appeared or is forthcoming in Wigleaf, X-R-A-Y Literary Magazine, Maudlin House, Passages North, Always Crashing, and others. He tweets @GergleySteve. His fiction can be found at: https://stevegergleyauthor.wordpress.com/. In addition to his own writing, he is also the editor of scaffold literary magazine. Check out past episodes of Textual Healing on our website: ⁠https://textualpodcast.com/⁠ Rate us on Spotify: https://open.spotify.com/show/5wO60jFp7qv0FqbZQDELvL?si=011957cf712f4545 Rate us on Apple Podcasts:⁠https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844⁠ Follow us on Twitter: ⁠@PodHealing⁠ Take a look at Mallory's other work on her website: https://mallorysmart.com/⁠ beats by ⁠God'Aryan The website we discuss in the beginning that lets you see all kinds of different listening stats for your account on Spotify: https://statsforspotify.com Find out more at https://textual-healing.pinecast.co

Steve Gergley is the author of two novels and two short story collections. His most recent novel, Episode 3328: Ian Sharp, will be published on January 25th, 2025, by Translucent Eyes Press. His other books include The Great Atlantic Highway & Other Stories (Malarkey Books '24), Skyscraper (West Vine Press '23), and A Quick Primer on Wallowing in Despair (Leftover Books '22). His short fiction has appeared or is forthcoming in Wigleaf, X-R-A-Y Literary Magazine, Maudlin House, Passages North, Always Crashing, and others. He tweets @GergleySteve. His fiction can be found at: https://stevegergleyauthor.wordpress.com/. In addition to his own writing, he is also the editor of scaffold literary magazine. Check out past episodes of Textual Healing on our website: ⁠https://textualpodcast.com/⁠ Rate us on Apple Podcasts:⁠https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844⁠ Follow us on Twitter: ⁠@PodHealing⁠ Take a look at Mallory's other work on her website: https://mallorysmart.com/⁠ beats by ⁠God'Aryan

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common's most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he's always writing toward not just a specific character's experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon's MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT's Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander's Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C. ­­Read A.J.'s story “Papel Picado” in The Common at thecommononline.org/papel-picado. Follow A.J. on Instagram and Twitter @soyajrodriguez. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Big Blend Radio's "Toast to The Arts & Parks" Show features Arizona writer Leah Newsom, the National Parks Arts Foundation's summer 2024 artist-in-residence at Hawai'i Volcanoes National Park. Leah Newsom was born and raised in Phoenix, Arizona, and holds an MFA in creative writing from Arizona State University, where she now teaches creative writing. Her work has previously appeared/is forthcoming in "Conjunctions," "Ninth Letter," "Juked," "Passages North," and more. Her work has been supported by the Virginia G. Piper Center for Creative Writing and the National Parks Arts Foundation. More at: http://www.leahnewsom.com/  Learn more about the National Parks Arts Foundation's unique artist residency programs in parks across the country at https://www.nationalparksartsfoundation.org/ 

Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018.  Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Day 11: Joshua Garcia reads “Epistle (Deluge)” which first appeared in New South and appears in his new collection Pentimento. Joshua Garcia is the author of Pentimento (Black Lawrence Press 2024). His poetry has appeared in Ecotone, The Georgia Review, Passages North, Ploughshares, and elsewhere. He holds an MFA from the College of Charleston and has received a Stadler Fellowship from Bucknell University and an Emerge—Surface—Be Fellowship from The Poetry Project. He lives and writes in Brooklyn, New York. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Become a Patron of Textual Healing: https://www.patreon.com/textualhealing Steve Gergley is the author of The Great Atlantic Highway & Other Stories (Malarkey Books '24), There Are Some Floors Missing (Bullshit Lit '24), Skyscraper (West Vine Press '23), and A Quick Primer on Wallowing in Despair (Leftover Books '22). His short fiction has appeared or is forthcoming in X-R-A-Y Literary Magazine, Pithead Chapel, Maudlin House, Passages North, Hobart, Always Crashing, and others. He tweets @GergleySteve. His fiction can be found at: https://stevegergleyauthor.wordpress.com/. In addition to his own writing, he is also the editor of scaffold literary magazine. Twitter: @GergleySteve Author Website: https://stevegergleyauthor.wordpress.com/ Link to Spotify Playlist: https://open.spotify.com/playlist/1UAxnpUOjTEYQk0sohhSBS?si=7eae822e226840b6 Links to New Short Story Collection: https://malarkeybooks.com/store/greatatlantichighway https://asterismbooks.com/product/the-great-atlantic-highway-and-other-stories https://bookshop.org/p/books/the-great-atlantic-highway-other-stories-steve-gergley/21330040?ean=9798990324091 https://www.barnesandnoble.com/w/the-great-atlantic-highway-other-stories-steve-gergley/1145095340?ean=9798990324091 https://www.amazon.com/Great-Atlantic-Highway-Other-Stories-ebook/dp/B0CY43F4NH/ref=tmm_kin_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.mPoN8F1L6RPzLLX9G_9pA5HLGmZy9i8LhINj1Jl2FRjGjHj071QN20LucGBJIEps.EqW-2HNp8whueZVFDFqpPv8PH39hYG6-y_HDrRvFnUc&qid=1712318340&sr=1-2 Check out past episodes of Textual Healing on our website: https://textualpodcast.com/ Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/textual-healing-with-mallory-smart/id1531379844 Follow us on Twitter: @PodHealing Take a look at Mallory's other work on her website: https://mallorysmart.com/ beats by God'Aryan

Former stand-up comedian Max Delsohn sits down with Jared to talk about how humor and detailed line-level revision show up in his work for the stage and the page. Plus, he discusses a pleasure-forward writing process, switching MFA programs after the first year, and his experiences with big-name faculty like George Saunders and Mary Karr. Max Delsohn is a third-year MFA candidate in fiction at Syracuse University. His writing appears in McSweeney's Quarterly Concern, VICE, Joyland, The Rumpus, Passages North, Nat. Brut, and the essay anthology Critical Hits: Writers Playing Video Games, edited by J. Robert Lennon and Carmen Maria Machado, among other places. He has been awarded fellowships and residencies from the Saltonstall Foundation for The Arts, Mineral School, and Hugo House, and has been nominated for the Pushcart Prize three times. His debut short story collection, CRAWL, is forthcoming in fall 2025 from Graywolf Press. Find Max on social media @maxdelsohn, and sign up for alerts to pre-order his collection via his website, www.maxdelsohn.com. This episode was requested by Amy Peltz, Sarah Blood, and Frank Turner. Thank you all for listening! MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

Welcome, new subscribers, and welcome back, loyal readers! I'm happy you're here.Today's issue is dedicated to an interview with Jonathan Escoffery, the author of “In Flux,” March's article of the month.First published in Passages North, “In Flux” is a short story about race, identity, and the dreaded question, “What are you?” It's about Blackness, belonging, and the main character Trelawny's struggle to figure out where he fits in.Mr. Escoffery writes:I was interested in what complications an American-born boy of Jamaican parentage, and of African and European descent, presenting, to some degree, as racially ambiguous, might find in claiming a neat, pre-packaged identity, and how the competing attitudes—the contradictory denials and affirmations—held by those within his various communities might further complicate this, and how shifting geographic and class locations would complicate this even further.

Meghan Lamb is the author of COWARD (Spuyten Duyvil, 2022), Failure to Thrive (Apocalypse Party, 2021), All of Your Most Private Places (Spork Press, 2020), and Silk Flowers (Birds of Lace, 2017). She served as the Philip Roth Writer-in-Residence at Bucknell University, and teaches creative writing through the University of Chicago, Story Studio, and GrubStreet. Her work has appeared in Quarterly West, DIAGRAM, Redivider, and Passages North, among other publications. She runs the shadow text reading series Significant Others, a project dedicated to elevating new books and the “behind-the scenes” texts that inspired them. She is the fiction editor for Bridge (a Chicago-based arts publication) and the nonfiction editor for Nat. Brut, a Whiting Award-winning journal of art and literature dedicated to advancing inclusivity in all creative fields. She is also the frontwoman of Kill Scenes, an 80s cinema-inspired band described as "a beguiling combination of The Cure, Depeche Mode, and Tangerine Dream fronted by an unholy conflation of Siouxsie Sioux, Kate Bush, and Diamanda Galás."Something Rather Than Nothing

Season 4: Episode 6--The UP Notable Book Club presents four authors from the Marquette Poets Circle speaking about "Superior Voyage." The Crystal Falls Community District Library in partnership with the U.P. Publishers & Authors Association (UPPAA) presents author events with winners of the UP Notable Book List.  For more information please visit the links below www.UPPAA.org  www.UPNotable.com  marquettepoetscircle.wordpress.com  Four Authors from the Marquette Poets Circle; Marty Achatz, Milton J. Bates, Lisa Fosmo, and Beverly Matherne talk about "Superior Voyage", the group's second anthology.The circle was formed in 2012 by Matt Maki, Claudia Drosen, and Janeen Pergrin Rastall to celebrate poetry and guide each member in finding his or her inner poet. In a true spirit of community, the circle has held workshops, Open Mic nights, and readings for more than a decade. Superior Voyage includes the work of no less than forty-two poets with each contributor fielding two to six entries. MARTY ACHATZ lives in Ishpeming, Michigan, with his wife and children. He has taught for NMU's English Department since 1998. He holds a Master's Degree in Fiction and an MFA in Poetry. His work has appeared in many journals, anthologies, the book-length collection The Mysteries of the Rosary, and two spoken word albums, Slow Dancing with Bigfoot and Christmas with Bigfoot. Marty served two consecutive terms as U.P. Poet Laureate and is currently President of the U.P. Poet Laureate Foundation. Marty is also the Adult Programming Coordinator for Peter White Public Library. MILTON J. BATES is the author of books about the poet Wallace Stevens, the Vietnam War and the Bark River watershed in Wisconsin. His poetry includes the collection Stand Still in the Light (2019) and two chapbooks, Always on Fire (2016) and As They Were (2018). He lives with his wife, Puck, in Marquette, Michigan. LISA FOSMO is an Upper Peninsula Michigan poet, from Escanaba. She has been published in various regional journals and anthologies of note. She currently serves as a judge for the National Poetry contests of the NSFPS, and is the newly elected Vice President of the U.P. Poet Laureate Foundation. She is the author of a full-length book of poetry Mercy is a Bright Darkness,, Golden Dragonfly Press (2023). BEVERLY MATHERNE, 2023 and 2024 U.P. Poet Laureate, is professor emerita of English at Northern Michigan University and the author of seven bilingual books of poetry; her latest, Love Potions, Teas, Incantations. Beverly served in NMU's Department of English as director of the Master of Fine Arts program in creative writing, director of the department's visiting writing series, and poetry editor of Passages North literary magazine. Widely published, she has received seven first-place prizes, including the Hackney Literary Award for Poetry, and four Pushcart nominations. Widely traveled, she has done over 360 readings across the U.S., Canada, and France―and in Wales, Belgium, Germany, and Spain.

Notes and Links to Josh Riedel's Work      For Episode 205, Pete welcomes Josh Riedel, and the two discuss, among other topics, his Midwestern upbringing and early reading and writing, his love of Choose Your Own Adventure books, his evolving reading tastes, the experiences in early tech-at Facebook and as Employee #1 for Instagram-that inspired much of his book, and throughlines in the book like intimacy and connections, the free and not so free exchange of ideas, and the ways in which social media and Big Tech has altered our world and ourselves.      Josh Riedel was the first employee at Instagram, where he worked for several years before earning his MFA from the University of Arizona. His short stories have appeared in One Story, Passages North, and Sycamore Review. Please Report Your Bug Here is his first novel. He lives in San Francisco, California.     Josh Riedel's Website   Buy Please Report Your Bug Here   Chicago Review of Books Review of Please Report Your Bug Here       At about 1:45, Josh discusses his childhood reading and writing and Midwest upbringing in response to Pete citing an intriguing quote from    At about 5:20, The two discuss Josh's writing style and his reading and understanding of fellow Illinoisian David Foster Wallace and the power of Dave Eggers' work   At about 7:50, Peter Rock and Tony Early and Tin House are highlighted as helpful in shaping Josh's love of writing and writing and writing style   At about 9:30, Josh discusses his early days of working at Facebook and seeing working in tech as an aesthetic pursuit    At about 12:40, Josh gives background on how he became Instagram Employee #1   At about 16:20, Josh discusses what drew him to early tech worlds, and what he still respects about the industry    At about 20:45, Josh shares seeds for the book   At about 22:10, Josh talks about how time and physical distance helped him to better write his book   At about 23:40, Johs defines and explains the meanings of “bug” in the tech world and provides some examples    At about 24:45, Pete relates some of the book's exposition and Josh replies to Pete's questions about NDA's in tech and the ways they affect the consumer    At about 26:35, Josh speaks about the ways in which he characterizes The Founder in the book   At about 30:30, Josh speaks about the book's mission statement scenes and the possible naivete of the protagonist Ethan     At about 33:15, Josh and Pete speak about the work/rest balance in tech companies and the ways in which it has changed/evolved   At about 37:40, Pete wonders who Noma is to Ethan in the book and Josh responds    At about 38:50, Pete sets up what happens early in the book with Ethan's 100% match; Josh describes how this scene pushes the book in a surreal direction    At about 42:15, Josh and Pete describe how Noma takes Ethan out of his work bubble    At about 43:20, The two sum up the startup's roster and lay out The Corporation's machinations    At about 44:30, Yarbo is described by Josh in its makeup and philosophy   At about 46:00, Pete charts the Portals and surrealism of the book that becomes a/the main conflict    At about 49:00, Josh talks about bigger issues of connection that have changed since the book's main setting of 2010 ish   At about 52:10, The two discuss “curated profiles” based on a profound quote from the book   At about 53:45, Josh responds to Pete's questions on the unique and successful ending   At about 55:45, Josh discusses interesting upcoming projects and mentions a different topic about which he recently wrote for Esquire     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 206 with David Mura, whose memoirs, poems, essays, plays and performances have won wide critical praise and numerous awards. The topics range from contemporary Japan to the legacy of the internment camps and the history of Japanese Americans to critical explorations of an increasingly diverse America. His most recent standout is The Stories Whiteness Tells Itself.    The episode will air on September 29.  

Deesha and Dawnie introduce “What Got Into Us,” a short story by Jacob Guajardo, performed by Vicki Valdeon. The story is a candid look into queer adolescence, first loves, recklessness, and unbridled vulnerability. It was originally published in Passages North, and featured in The Best American Short Stories 2018. Listen to the story, then stay tuned at the end for Guajardo in his own words, sharing how the story came together, and how he approaches the writing process. Support our show and help fund future episodes: https://ursastory.com/join/ Reading List: Stories and Writers Mentioned The Best American Short Stories 2018 (edited by Roxane Gay) “I Only Did What Anyone Would Have Done” (Jacob Guajardo) “Moonmilk” (Jacob Guajardo) “Widowers” (Jacob Guajardo) “Good News Is Coming” (Jacob Guajardo) “The Seminar” (Jacob Guajardo) “Two Queens Walk Out Of A Bar” (Jacob Guajardo) Amy Hempel Ocean Vuong Garth Greenwell About the Author Jacob Guajardo lives and writes in Grand Rapids, Michigan. His fiction appears in The Best American Short Stories 2018 and Small Odysseys: Selected Shorts Presents 35 New Stories, among other publications. He is the recipient of the 2020 Robert Maxwell Fellowship from MacDowell. He works from home as a Narrative Designer. More from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Performed by Vicki Valdeon Associate producers: Marina Leigh, Ashawnta Jackson Executive producers: Dawnie Walton & Mark Armstrong Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join

Brandon Rushton is the author of The Air in the Air Behind It (Tupelo Press, 2022), selected by Bin Ramke for the Berkshire Prize. Born and raised in Michigan, his individual poems have received awards from Gulf Coast and Ninth Letter and appear widely in publications like The Southern Review, Denver Quarterly, Pleiades, Bennington Review, and Passages North. His essays appear in Alaska Quarterly Review, Terrain.org, the critical anthology, A Field Guide to the Poetry of Theodore Roethke, and have been listed as notable by Best American Essays. After earning his MFA from the University of South Carolina, he joined the writing faculty at the College of Charleston. Since the fall of 2020, he's served as a visiting professor of Writing at Grand Valley State University in Grand Rapids, Michigan. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

Episode 191 Notes and Links to Sarah's Work       On Episode 191 of The Chills at Will Podcast, Pete welcomes Sarah Fawn Montgomery, and the two discuss, among other things, her early reading and writing, storytelling, growing up in Central California, the ways in which blue-collar Americans have been depicted-or not depicted in literature, and salient themes in her essay collection, like nostalgia, father-daughter relationships, cycles of poverty and violence and trauma, and evolving ideas of home.      Sarah Fawn Montgomery is the author of Halfway from Home (Split/Lip Press, 2022), Quite Mad: An American Pharma Memoir (The Ohio State University Press, 2018) and the poetry chapbooks Regenerate: Poems of Mad Women (Dancing Girl Press, 2017), Leaving Tracks: A Prairie Guide (Finishing Line Press, 2017), and The Astronaut Checks His Watch (Finishing Line Press, 2014). Her work has been listed as notable in Best American Essays many times, and her poetry and prose have appeared in Brevity, Crab Orchard Review, DIAGRAM, Electric Literature, LitHub, New England Review, The Normal School, Passages North, Poetry Foundation, The Rumpus, Southeast Review, Terrain, and numerous other journals and anthologies. She holds an MFA in creative writing from California State University-Fresno and a PhD in English in creative writing from the University of Nebraska-Lincoln. She is an Associate Professor at Bridgewater State University in Massachusetts.      Buy Halfway from Home: Essays   Sarah's Website   Review of Halfway from Home: Essays from Kirkus Review   Split Rock Review-Review of Halfway from Home   At about 2:20, Sarah talks about her early relationships with reading and writing, and about how she wanted to write stories about often-overlooked working-class people   At about 4:20, Sarah cites some early favorite books and writers, and she analyzes the ways she reads a favorite, Joan Didion, now differently than she did then   At about 7:00, The two discuss class and how it is talked about in our society (or not) and represented in literature    At about 9:00, Sarah discusses how she got excited about writing-she shouts out to a high school teacher who gave a meaningful and transformative journal assignment and invited Sarah to keep writing   At about 13:00, Sarah references nonfiction writers who thrilled her in college-like Audre Lorde, Sandra Cisneros, and Jamaica Kincaid-and thrill her today, like Chen Chen, Ada Limón, Donika Kelly, Saeed Jones, Dorothy Chan, and torrin a. greathouse     At about 14:40, Sarah recounts the genesis of her Halfway From Home collection and answers Pete's questions about making the individual essays cohere   At about 17:40, Pete summarizes the book's first essay and its “dig sites” and focus on her father's whimsy and her love of dirt-it's called “Excavation”    At about 19:00, Sarah speaks to the significance of “excavation” in the first story and beyond   At about 21:00, Pete compliments the story's “imagined ending” and Sarah speaks about its significance and background    At about 23:25, Sarah discusses the power and symbolism of fire and light, cold and darkness, as featured in her book   At about 26:10, The two discuss ideas of homes, serenity, and respite from traumas and chaos   At about 31:30, The two discuss her essay on cartography   At about 35:40, Pete muses   At about 37:00, The history of Sarah's family in mines is discussed, along with the multiple meanings of “descendants”   At about 40:50, Sarah talks about “complicating humanity,” especially with regards to her grandfather and grandmother   At about 42:15, Pete asks about the end of an essay and how Sarah approached its second-person address   At about 44:20, The two discuss nostalgia and its connections to the essays, the intriguing concept of saudade, and nostalgia's history as something to be discouraged   At about 48:35, Pete recounts how nostalgia has informed the podcast's ethos   At about 50:45, Sarah confesses to being “anti-time” (!) and the two reference a classic Saved by the Bell scene   At about 54:45, Cycles of violence as depicted in the essay are examined   At about 56:45, Sarah reflects on how she sees and saw he father throughout her collection and in more recent times   At about 1:01:00, Pete notes the ways in which women in Sarah's family are portrayed in her collection    At about 1:02:30, Pete compliments a beautiful scene with father and daughter and Sarah talks about the nostalgia associated with parents and childhood-Pete    At about 1:04:45, Sarah shares an interesting new project involving combatting ableist writing as default    At about 1:05:50, The two fan boy/girl over Alice Wong's work   At about 1:06:15, Sarah shouts out her publisher Split Lip Press as a place to buy her book   At about 1:06:45, Sarah gives out social media/contact information    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 192 with Donovan X Ramsey. He is a journalist, author, and indispensable voice on issues of identity, justice, and patterns of power in América; When Crack Was King: A People's History of a Misunderstood Era comes out on June 11, i.e. the day this episode with Sarah has been published.  The episode will air on July 18.

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common's fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes. Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He's also been known to draw little creatures. ­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/. Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common's fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes. Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He's also been known to draw little creatures. ­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/. Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common's fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes. Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He's also been known to draw little creatures. ­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/. Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Redfern Jon Barrett (they/them) is author to novels including Proud Pink Sky, a speculative story set in the world's first LGBTQ+ state – which will be released by Bywater Books in March 2023. Redfern's essays, reviews, and short stories have appeared in publications including The Sun Magazine, Guernica, Strange Horizons, Passages North, PinkNews, Booth, FFO, ParSec, Orca, and Nature Futures. They are nonbinary, have a Ph.D. in Literature, and currently live in Berlin. Read more at redjon.com. ** Proud Pink Sky is a novel set in the world's first gay state – described as “gripping” and a “remarkable alternate history” by Publisher's Weekly. **VIEW THE VIDEO TRAILERVIEW PUBLISHER'S PAGE Support the showTwitter: GenderStoriesInstagram: GenderStoriesHosted by Alex IantaffiMusic by Maxwell von RavenLogo by Lior Effinger-Weintraub

First pages are impossible… so we're hearing from authors about how they got they right. In this episode, Marisa Crane discusses the first pages of their debut novel, I Keep My Exoskeletons to Myself. We talk about how the novel grew out of a great first line, how Marisa accomplished world building while also avoiding unnecessary explanations, and how they followed their obsessions to keep the story going. Crane's 1st pages can be found here (click “read sample” tab beneath cover photo).Help local bookstores and our authors by buying this book on Bookshop.Click here for the video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Marisa Crane's stories and essays have appeared or are forthcoming in Prairie Schooner, Passages North, Joyland, The Offing, No Tokens, The Florida Review, TriQuarterly, Lit Hub, Catapult, F(r)iction, and elsewhere. An attendee of the Tin House Workshop and Bread Loaf Writers' Conference and an American Short Fiction Merit Fellow, they currently live in San Diego with their wife and child. I Keep My Exoskeletons to Myself is their first novel. It was a New York Times Editor's Choice.Thank you for reading The 7am Novelist. This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Short story writer Jonathan Escoffery on his process for writing his linked short story collection, If I Survive You, how he thinks about world building, managing reader anticipation, how questions of identity influence his work, and tips for writing dynamic, moving short stories.*ABOUT JONATHAN ESCOFFERYJonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times and Booklist Editor's Choice, an IndieNext Pick, and a National Bestseller. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere.*RESOURCESFollow Jonathan Escoffery:TwitterInstagramWebsiteOther links mentioned:Goblins in the Castle by Bruce CovilleR.L. Stine's Goosebumps seriesThe Hardy BoysGrub Street writing classes and community in BostonBoston Writers of Color GroupIf I Survive You by Jonathan Escoffery*For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers' Hours: writershour.com *FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

Freddie's Dead was published as part of the short story collection After the Flood, which was released by CCLaP in 2014. The collection represents Part Three of the linked short story collection UPSTATE re-released in 2020 by Tortoise Books (and originally released under the title The New York Stories by CCLaP in 2015). Watching And Waiting is read by Robert James Russell (BIO below). INTRO/OUTRO music is Drinking of Me and was generously provided by Monkey Wrench. READER BIORobert James Russell is the author of the forthcoming graphic memoir Hard Body: A Personal History of My Form on Display (Simon & Schuster, 2024). He is the founding editor of the literary journal CHEAP POP. His illustrations and writing have appeared in print and online at NPR, The Rumpus, The Offing, Shenandoah, Gulf Coast, New South, and Passages North, among others. A native of Michigan, Robert lives and works in Lincoln, Nebraska. You can find his art and writing at robertjamesrussell.com, or on Twitter/Instagram at @robhollywood. https://www.tanzerben.com/blog/upstate-the-podcast

Today, Marisa Crane talks about their debut novel, establishing a world right away, being a “tragically first-person writer,” BookTok, parents reading their children's books, and more!  Marisa Crane is the author of the novel I Keep My Exoskeletons to Myself. Their stories and essays have appeared or are forthcoming in Prairie Schooner, Passages North, Joyland, The Offing, No Tokens, The Florida Review, TriQuarterly, Lit Hub, Catapult, F(r)iction, and elsewhere. An attendee of the Tin House Workshop and Bread Loaf Writers' Conference and an American Short Fiction Merit Fellow, they currently live in San Diego with their wife and child.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi there, Today I am honored to be arts calling memoirist Camille U. Adams! About our guest: Camille U. Adams is a memoirist from Trinidad and Tobago. She earned her MFA from CUNY and is a current Ph.D. Candidate who holds a McKnight Doctoral Fellowship at her program. Camille is an alum of Tin House Summer Workshop and Kenyon Writer's Workshop. Camille has received a fellowship from Roots Wounds Word and scholarships from Community of Writers, Kweli Literary Festival, Grubstreet, and VONA. Her writing has been long-listed in the Graywolf Creative Nonfiction Prize 2022, selected as a finalist for The 2021 Orison Anthology Award in Nonfiction, and is featured/forthcoming in Passages North, Citron Review, XRAY Literary Magazine, Variant Literature, The Forge Literary Magazine, Wasafiri, etc. She's a memoir reader at Split Lip Magazine and is at work on an upcoming memoir. Camille also wants a cute, fat, little puppy. Twitter: https://twitter.com/camille_u_adams Thank you for your time and insights, Camille! All the best and happy writing! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: please consider reviewing the podcast and sharing it with those who love the arts, or are starting their creative journey! Your support truly makes a difference, so check out the new website artscalling.com for the latest episodes! Go make a dent: much love, j

Michael talks with Sarah Fawn Montgomery about blue collar roots, a teacher who fostered a passion for literature, writing poetry while procrastinating, previous books including QUITE MAD: An American Pharma Memoir, her new essay collection HALFWAY FROM HOME, losing her father while finishing the book, connecting the personal to the conceptual, collection organization as Tetris, writing effective entry points to brief sections of writing, efficiently capturing specificity, a novel on submission, and more.Sarah Fawn Montgomery is the author of Halfway from Home (Split/Lip Press). She is also the author of Quite Mad: An American Pharma Memoir (OSU Press) and the poetry chapbooks Regenerate: Poems of Mad Women (Dancing Girl Press), Leaving Tracks: A Prairie Guide ( 2017), and The Astronaut Checks His Watch ( 2014). Her poetry and prose have appeared in Brevity, Crab Orchard Review, DIAGRAM, Electric Literature, LitHub, New England Review, The Normal School, Passages North, Poetry Foundation, The Rumpus, Southeast Review, Terrain, and numerous other journals and anthologies. Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Jonathan Escoffery in conversation with Yohanca Delgado, celebrating the publication of "If I Survive You" by Jonathan Escoffery, published by Farrar Straus Giroux. This live event took place in Kerouac Alley, between City Lights and Vesuvio Cafe, and was hosted by Peter Maravelis. You can purchase copies of "If I Survive You" directly from City Lights here: https://citylights.com/if-i-survive-you/ Jonathan Escoffery is the recipient of the 2020 Plimpton Prize for Fiction, a 2020 National Endowment for the Arts Literature Fellowship, and the 2020 ASME Award for Fiction. His fiction has appeared in The Paris Review, American Short Fiction, Prairie Schooner, AGNI, Passages North, Zyzzyva, and Electric Literature, and has been anthologized in The Best American Magazine Writing. He received his MFA from the University of Minnesota, is a PhD fellow in the University of Southern California's PhD in Creative Writing and Literature Program, and in 2021 was awarded a Wallace Stegner Fellowship in the Creative Writing Program at Stanford University. "If I Survive You" is his debut book. Yohanca Delgado is a 2021-2023 Wallace Stegner fellow at Stanford University and a 2022 National Endowment for the Arts recipient. Her fiction appears in The O. Henry Prize Stories 2022, The Best American Science Fiction and Fantasy 2021, The Paris Review, One Story, A Public Space, Story, and elsewhere. Her essays appear in TIME, The Believer, and New York Times Magazine. She holds an MFA in Creative Writing from American University and is a graduate of the 2019 Clarion workshop. She is an assistant fiction editor at Barrelhouse, a 2021 Emerging Critic at the National Book Critics Circle, and a member of the inaugural Periplus Collective mentorship program. This event was made possible by support from the City Lights Foundation: citylights.com/foundation

Jonathan Escoffery is the author of the debut story collection If I Survive You, available from MCD/FSG. If I Survive You is a National Book Award Nominee, an Andrew Carnegie Medal for Excellence Nominee, a New York Times Editor's Choice, and an Indie National Bestseller.  Escoffery is the winner of The Paris Review's 2020 Plimpton Prize for Fiction and is the recipient of a 2020 National Endowment for the Arts (Prose) Literature Fellowship. His story “Under the Ackee Tree” was among the trio that won the Paris Review the 2020 ASME Award for Fiction from the American Society of Magazine Editors, and was subsequently included in The Best American Magazine Writing 2020. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere. Jonathan has taught creative writing and seminars on the writer's life at Stanford University, the University of Minnesota, the Center for Fiction, Tin House, Writers in Progress, and at GrubStreet in Boston, where, as former staff, he founded the Boston Writers of Color Group, which currently has more than 2,000 members. He has received support and honors from Bread Loaf Writers' Conference, the Helene Wurlitzer Foundation of New Mexico, Aspen Words, Kimbilio Fiction, the Anderson Center, and elsewhere. He is a graduate of the University of Minnesota's Creative Writing MFA Program (Fiction) and attends the University of Southern California's Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 147 Notes and Links to Jonathan Escoffery's Work        On Episode 147 of The Chills at Will Podcast, Pete welcomes Jonathan Escoffery, and the two discuss, among other topics, Jonathan's early relationship with language and literature, his initial interest in literature and viewing those works now as stereotypical and/or racist, his writing process and thoughts on varying points-of-view, the wild ride that has been recent weeks and months with the book receiving so many accolades, and themes of identity, race and racism, home, and of course, survival, in his linked story collection.        Jonathan Escoffery is the author of the linked story collection, If I Survive You, a National Book Award Nominee, a New York Times Editor's Choice, and an Indie National Bestseller. If I Survive You has been named a ‘best' or ‘most anticipated' book by Entertainment Weekly, Oprah Daily, Good Morning America online, Goodreads, BuzzFeed, Vulture, L.A. Times, Shondaland, TIME, The Root, Vanity Fair, Kirkus, The Millions, BET, O Quarterly Magazine, Real Simple, and elsewhere. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere.     Jonathan has taught creative writing and seminars on the writer's life at Stanford University, the University of Minnesota, the Center for Fiction, Tin House, Writers in Progress, and at GrubStreet in Boston, where, as former staff, he founded the Boston Writers of Color Group, which currently has more than 2,000 members. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. Buy If I Survive You   Jonathan Escoffery's Website   “Jonathan Escoffery Has a Reality He'd Like to Share,” from The New York Times,” by Kate Dwyer, from Sept. 4, 2022, about If I Survive You       At about 5:15, Jonathan discusses what it has been like to be in the middle of so much praise and recognition for his linked short-story collection    At about 7:00, Jonathan talks about “lots of love” coming from Miami, including from Books and Books   At about 7:50, Jonathan responds to Pete asking about his early relationship with language and literature   At about 10:10, Jonathan describes his parents' influence on him and Jamaica's influence on him   At about 12:00, Jonathan talks about Miami's incredible richness of languages and English usages   At about 15:30, Jonathan highlights reading favorites from his childhood, as well as ideas of representation    At about 19:20, Jonathan cites an example of limited representation and stereotypical and racist depictions of people of color in his childhood reading of “classics”   At about 22:40, Jonathan talks about How to Leave Hialeah and other works by Latinx writers and fellow second-generation writers for inspiration    At about 24:30, Jonathan responds to Pete's question about his preference for Baldwin's fiction/nonfiction   At about 25:55, The two discuss ideas of revisionist and ignorant history and narratives   At about 26:30, Pete wonders about any “lightbulb moments” for Jonathan in his writing career    At about 28:55, Jonathan reflects on the aftermath of some encouragement and “chas[ing] the good feeling” that came with accolades for his writing at Florida International University   At about 33:30, Jonathan shouts out John Dufresne and other formative and inspirational teachers   At about 34:30, Jonathan discusses how teaching has informed his writing and vice versa   At about 38:20, Jonathan homes in on his story collection's eponymous story and talks about strategies    At about 39:35, Jonathan talks about the contemporary writing that inspires and challenges him and that excites his students, including “Who Will Greet You at Home?,” Gabriela Garcia's Women of Salt and Morgan Talty's Night of the Living Rez, and Laura Warrell's Sweet, Soft, Plenty Rhythm    At about 46:10, Jonathan discusses the rationale for and background of the format of his book, including a wide range of POVs   At about 48:50, Jonathan elaborates on the history and background of the story collection, including his thoughts on story order and the auction process for his book   At about 53:45, The two discuss the story “Flux” that begins the collection, focusing on its POV, its narrator, and ideas of identity    At about 55:30, Jonathan expands on ideas of juxtaposition between brothers Trelawny and Delano, including in the ways in which their father sees them   At about 1:01:30, The two discuss the collection's second story, and Jonathan responds to Pete's question about getting into the father's mindset   At about 1:07:50, Ideas of class presented in the book are discussed, and WATCH OUT FOR A PLOT SPOILER FROM THE SECOND STORY   At about 1:09:30, The two highlight themes of father-son relationships    At about 1:10:40, Pete asks Jonathan about what he had to say in his book about survival, commercialism, and bureaucracies, as well as (un)ethical business practices   At about 1:16:00, Race and racism are highlighted, with a particular focus on the collection's last story    At about 1:22:00, The two reflect on a profound excerpt from the book that brings up ideas of perspective and family dynamics    At about 1:25:00, Jonathan addresses the story collection's title and the multiple meanings and how POV informs the writing    At about 1:30:10, Jonathan talks about future projects and Pete compliments Jonathan's website as Jonathan gives contact info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.      This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 148 with Chen Chen, who is the author of the forthcoming poetry collection, Your Emergency Contact Has Experienced an Emergency, and the forthcoming book of essays, In Cahoots with the Rabbit God. His debut book of poems, When I Grow Up I Want to Be a List of Further Possibilities, was longlisted for the National Book Award and won the Thom Gunn Award, among other honors. He teaches for the low-residency MFA programs at New England College and Stonecoast.      The episode will air on October 21.

In this episode, Sam and Melanie talk with featured writer, Crystal (K.) Odelle, about  flash prose,  trans identity, the blurred lines between fiction and nonfiction, liminal spaces, chapbook publishing, RPG writing, and more!Crystal (K.) Odelle  (they/she) is a queer trans writer, chapbooks editor at Newfound, and author of the novel Goodnight. Their flash stories have appeared in Gertrude, Passages North, Peach Mag, [PANK], Hobart, ANMLY, and elsewhere. Crystal was a Tin House Scholar and has been nominated for Best of the Net, and they write RPGs at Feverdream Games.LinksCrystal's websiteCrystal's GoFundMeQueer Phenomenology by Sarah AhmedGloria Anzaldúa Oliver Baez BendorfJoy CastroI Love Dick by Chris KrausLook Who's Morphing by Tom ChoThe TransLash podcast with Imara JonesPostcolonial Love Poem by Natalie DiazTroubling the LineWe Want It All

This week we welcome Booker-longlisted Selby Wynn Schwartz, whose debut novel After Sappho is a fountain of fleeting fragments that together depict in lush psychical detail the lives of a group of lesbian women in turn-of-the-20th-century Europe. Except Selby Wynn Schwartz does not just tell the story of these women, or even retell it, but—inspired by the splintered remains of Sappho's poetry—reinvents the very form of the novel, turning it into something more diffuse, more choric and more radical.*SUBSCRIBE NOW FOR BONUS EPISODESLooking for Friends of Shakespeare and Company read Ulysses? https://podfollow.com/sandcoulyssesIf you want to spend even more time at Shakespeare and Company, you can now subscribe for regular bonus episodes and early access to Friends of Shakespeare and Company read Ulysses.Subscribe on Patreon here: https://www.patreon.com/sandcoSubscribe on Apple Podcasts here: https://podcasts.apple.com/fr/podcast/shakespeare-and-company-writers-books-and-paris/id1040121937?l=enAll money raised goes to supporting “Friends of Shakespeare and Company” the bookshop's non-profit, created to fund our noncommercial activities—from the upstairs reading library, to the writers-in-residence program, to our charitable collaborations, and our free events.*Selby Wynn Schwartz is the author of The Bodies of Others: Drag Dances and their Afterlives, a 2020 Finalist for the Lambda Literary Award in LGBTQ Nonfiction. Her creative work has appeared in Speculative Nonfiction, Lammergeier, and Passages North; her first novella, A Life in Chameleons, won the 2021 Reflex Press Novella.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel FEEDING TIME here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Cindy Hunter Morgan is the author of Harborless, a book of poems informed by Great Lakes shipwrecks, which was published by Wayne State University Press. It was a 2018 Michigan Notable Book and the winner of the 2017 Moveen Prize in Poetry. Apple Season won the Midwest Writing Center's 2012 Chapbook Contest, and The Sultan, The Skater, The Bicycle Maker won The Ledge Press 2011 Poetry Chapbook Award. She writes regularly for Murder Ballad Monday, a blog devoted to the exploration of the murder ballad tradition in folk and popular music. Her work has appeared in a variety of journals, including Tin House Online, Passages North, Salamander, Sugar House Review, The Pinch, and West Branch. Cindy Hunter Morgan writes occasionally for Murder Ballad Monday, a blog devoted to the exploration of the murder ballad tradition in folk and popular music. She is a co-founder of Filmetry: A Festival of Film and Poetry. For several years, Hunter Morgan taught poetry and book arts at Michigan State University. She now heads up communications for Michigan State University Libraries. Her new poetry collection, Far Company, will be released by Wayne State University Press in May 2022. https://www.wsupress.wayne.edu/books/detail/far-companyhttps://www.cindyhuntermorgan.com/

Managed to take a trip across the sea to New Zealand where I'm joined by the delightful Paula Harris. Her poetry has been published in various journals, including Passages North, Barren, New Ohio Review, SWWIM, Glass, Diode, The Spinoff, Poetry New Zealand Yearbook and Aotearotica. Her essays have been published in The Sun, Passages North, Hobart, The Spinoff and Headlands: New Stories of Anxiety (Victoria University Press). Today we are looking at a poem by Hannah Mettner called : Schrödinger's pink corduroy miniskirt

Michael talks with Sari Fordham about growing up in Uganda as an Adventist during a human rights crisis, environmental activism and reacting to climate change, getting to know her late mother through writing the memoir WAIT FOR GOD TO NOTICE (Etruscan Press), becoming a mother while working on the book, and more.Sari Fordham is the author of the memoir Wait for God to Notice (Etruscan Press). Her work has appeared in Chattahoochee Review, Brevity, Passages North, Best of the Net, and many other places. She teaches creative writing at La Sierra University.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Nick Olson is the author of Here's Waldo and Editor-in-Chief of (mac)ro(mic). Noa Covo's work has appeared in, or is forthcoming from, Jellyfish Review, Passages North, Waxwing and elsewhere. Tyler Barton is the author of the story collection, Eternal Night at the Nature Museum, forthcoming from Sarabande Books in November, 2021.  Links and Info: Nick Olson “The Things We'll Remember” Twitter: @nickolsonbooks Instagram: @nickolsonbooks Website: nickolsonbooks.com Here's Waldo: Order Here Maudlin House: maudlinhouse.net (Twitter: @MaudlinHouse; Instagram: @maudlin_house; Facebook: @maudlinhouse) Noa Covo “Ghoul” Twitter: @covo_noa Fractured Lit: fracturedlit.com (Twitter: @FracturedLit; Instagram: @fracturedlit; Facebook: @FracturedLit) Tyler Barton “Eternal Night at the Nature Museum, a Half-hour Downriver from Three Mile Island” Twitter: @goftyler Instagram: @tylerbartonlol Website: tsbarton.com Passages North: passagesnorth.com (Twitter: @PassagesNorth; Instagram: @passagesnorth; Facebook: @passages.north) Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara Isabel Zambrano is a writer of color and author of Death, Desire, And Other Destinations from Okay Donkey Press. Paula Harris lives in Aotearoa/New Zealand; her writing has been published in various journals, including The Sun, Hobart, Passages North, and Aotearotica. David Naimon is a writer of prose and poetry, and host of theContinue reading "Zambrano x Harris x Naimon" Learn more about your ad choices. Visit megaphone.fm/adchoices

Tara Isabel Zambrano is a writer of color and author of Death, Desire, And Other Destinations from Okay Donkey Press. Paula Harris lives in Aotearoa/New Zealand; her writing has been published in various journals, including The Sun, Hobart, Passages North, and Aotearotica. David Naimon is a writer of prose and poetry, and host of theContinue reading "Zambrano x Harris x Naimon"

Nick Olson is the author of Here’s Waldo and Editor-in-Chief of (mac)ro(mic). Noa Covo’s work has appeared in, or is forthcoming from, Jellyfish Review, Passages North, Waxwing and elsewhere. Tyler Barton is the author of the story collection, Eternal Night at the Nature Museum, forthcoming from Sarabande Books in November, 2021.  Links and Info: NickContinue reading "Olson x Covo x Barton"

Justin Brouckaert is the author of the hybrid chapbook SKIN (Corgi Snorkel Press, 2016). His writing has appeared in Passages North, The Rumpus, Catapult, DIAGRAM, Smokelong Quarterly, Prairie Schooner and Bat City Review, among many other publications. In the world of Love Stories, the seams of reality have been subtly loosened. Brouckaert evokes a universal yearning, a raw desire, a pang of nostalgia, an ache in your chest that comes when you find yourself cleaved from your lover, from your people, from the place you call home. Long Day Press.  

Jonathan Cardew is an ex-pat British writer of flash fiction, short stories, and befuddled genre pieces featured in such places as Cream City Review, Passages North, trampset, 100 Word Story, and more. Sean Ennis lives in Mississippi and is the author of Chase Us: Stories. TJ Fuller writes and teaches in Portland, Oregon. Links andContinue reading "Cardew x Ennis x Fuller" Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Cardew is an ex-pat British writer of flash fiction, short stories, and befuddled genre pieces featured in such places as Cream City Review, Passages North, trampset, 100 Word Story, and more. Sean Ennis lives in Mississippi and is the author of Chase Us: Stories. TJ Fuller writes and teaches in Portland, Oregon. Links andContinue reading "Cardew x Ennis x Fuller"

Every word matters when writing flash fiction and poetry. Jared sits down with Hannah Cajandig-Taylor of Northern Michigan University to talk about writing and revising short works, crafting plot twists and unexpected imagery, taking a course that includes an overnight island trip, and fighting for an increase in stipends and better access to healthcare. Hannah Cajandig-Taylor is a poet and flash writer residing in Michigan's Upper Peninsula, where she is a 3rd year MFA candidate at Northern Michigan University. She also reads for Passages North and Fractured Lit. She likes to write anything that's less than 1000 words. Her work has recently appeared in mutiny!, Hobart Pulp, and Perhappened Mag, with new words coming soon. Her debut chapbook, Romantic Portrait of a Natural Disaster, is now available for preorder at finishinglinepress.com. She can be found at her website www.hannahcajandigtaylor.com or on Twitter @hannahcajandigt. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers on social media. t: @MFAwriterspod ig: @MFAwriterspodcast fb: MFA Writers e: mfawriterspodcast@gmail.com

A simple old tale about a RV, a cosmic bat, and a low Earth orbit mosquito.Hidden lore poetry by Patricia Killelea. Patricia Killelea is the author of the poetry collections Counterglow (Urban Farmhouse Press, 2019) and Other Suns (Swan Scythe press, 2011). She is currently Poetry Editor at Passages North and an Assistant Professor of English at Northern Michigan University. Her work appears in cream city review, Seneca Review, Trampoline Poetry, Atticus Review, Quarterly West, The Common, Waxwing, Spiritus, and As/Us. She also produces videopoems, which have been featured at Moving Poems, Poetry Film Live, screened and shortlisted for the O'Bheal International Poetry Film Competition, and longlisted for the Rabbit Heart Poetry Film Prize.Thanks to Isabel Renner for voicing Trillium Spencer. Isabel Renner is graduated with a BFA in Acting from Mason Gross School of the Arts right before the arrival of the pandemic. A NYC dweller, you can find her on Instagram @isabelrenner and at isabelrenner.com

In this episode I speak with Kelcey Parker Ervick about her hybrid memoir that recounts both the life of the mysterious and storied Czech fairytale writer Božena Němcová as well as the ending of Ervick's marriage through letters, collage, and art. Ervick is the author of three award-winning books of fiction and nonfiction, and is currently working on a graphic novel. Her comics appear The Believer, The Rumpus, Quarterly West, Passages North, and elsewhere. She is the co-editor, with Tom Hart, of the Rose Metal Press Field Guide to Graphic Literature forthcoming in 2021. She teaches creative writing and comics at Indiana University South Bend. More info at her website: kelceyervick.com

My new book, THE LONG WAY HOME is here! In celebration, I'm releasing a short-run podcast known as THE SHORT WAY HOME. This tenth and final episode focuses on Delete or Decay, an off-beat match produced by Matt Hardy for Impact Wrestling, that encompassed a number of cinematic elements that have recently come back into style in the era of COVID-19. The episode then shares "Ghost," a flash piece from the new book, originally published in PASSAGES NORTH. Thanks to Adam Van Winkle for the art for the book cover and podcast. Learn more about Cowboy Jamboree Press at cowboyjamboreemagazine.com.

My new book, THE LONG WAY HOME is here! In celebration, I'm releasing a short-run podcast known as THE SHORT WAY HOME. This first episode focuses on Bret Hart vs. “The British Bulldog” Davey Boy Smith from SummerSlam 1992, and then shares "Training,” a piece of flash fiction from the new book, originally published in PASSAGES NORTH, and that also appeared in my chapbook AUTOPSY AND EVERYTHING AFTER. Thanks to Adam Van Winkle for the art for the book cover and podcast. Learn more about Cowboy Jamboree Press at cowboyjamboreemagazine.com.

Episode #28 features 2019 Rattle Chapbook Prize winner Christina Olson and her book The Last Mastodon. Christina Olson is the author of the poetry collections Terminal Human Velocity and Before I Came Home Naked as well as the chapbooks Weird Science and Rook & The M.E.: A Law & Order-Inspired Narrative. Her poetry and nonfiction has appeared in Arts & Letters, Virginia Quarterly Review, The Southern Review, Brevity, River Styx, Gulf Coast, Passages North, The Normal School, Hayden’s Ferry Review, and The Best Creative Nonfiction, Volume 3. She is the recipient of fellowships from the Vermont Studio Center and Willapa Bay AiR. She teaches creative writing at Georgia Southern University and tweets as @olsonquest. For more information, visit: https://thedrevlow-olsonshow.com/ Prologue: "After the Bowling Stopped" by Thadra Sheridan https://www.thadrasheridan.com/ This Week’s Prompt: The dinosaur museum at 3am. Must be at least 40 lines long, lines can be of any length.

Garrett J. Brown's first book of poems, Manna Sifting, won the Liam Rector First Book Prize from Briery Creek Press in 2009, and his chapbook, Cubicles, was published by Finishing Line Press in 2014. His other awards include first place in the Poetry Center of Chicago's Juried Reading, judged by Jorie Graham; runner-up in the Maryland Emerging Voices competition; and a Creative Writing Fellowship from the School of the Art Institute of Chicago. His poetry and creative nonfiction have appeared in The Black Warrior Review, Poetry East, TriQuarterly, Natural Bridge, The Account, and Passages North. He makes his home in Baltimore and is an Associate Professor at Anne Arundel Community College.

Karin Cecile Davidson is originally from the Gulf Coast. Her novel SYBELIA DRIVE is forthcoming from Braddock Avenue Books in Autumn 2020. Her stories have appeared or are forthcoming in The Massachusetts Review, Five Points Journal, Colorado Review, The Los Angeles Review, Passages North, Post Road, and elsewhere.

Karin Cecile Davidson is originally from the Gulf Coast. Her novel SYBELIA DRIVE is forthcoming from Braddock Avenue Books in Autumn 2020. Her stories have appeared or are forthcoming in The Massachusetts Review, Five Points Journal, Colorado Review, The Los Angeles Review, Passages North, Post Road, and elsewhere.

This week's episode is with Timea Balogh, a Hungarian-American writer and translator with an MFA in creative writing from the University of Nevada, Las Vegas. A 2017 American Literary Translators Association Travel Fellow, her translations have appeared or are forthcoming in The Offing, Two Lines Journal, Waxwing, Split Lip Magazine, Arkansas International, and the Wretched Strangers anthology from Boiler House Press, among others. Her debut original short story was published in Juked magazine and was nominated for a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She has stories forthcoming with Prairie Schooner and Passages North and poems forthcoming with Homonym Journal. Come September, she will study literary translation at the Balassi Institute in Budapest. Timea's poem "Versions", which she reads on the episode, can be found here along with two others: https://www.homonymjournal.com/issue-6/timea-balogh/

Rebekah Bergman's fiction appears or is forthcoming in Joyland, Hobart, DIAGRAM, Cosmonauts Avenue, and Passages North, among other journals. She was a 2018 Tennessee Williams Scholar at the Sewanee Writers Conference and a 2018 winner of The Masters Review Anthology Prize. She lives in Brooklyn and is at work on a novel. Read more at: rebekahbergman.com Gabriel Don is a multidisciplinary artist who works in a variety of mediums: a filmmaker, artist, photographer, musician and writer. She has been published in numerous online and print publications. She received her MFA in creative writing at The New School, where she worked as the Reading Series and Chapbook Competition Coordinator and currently teaches writing at BMCC. Her short stories are forthcoming in publications such as Gargoyle 70 and her poetry collection, Living Without Skin, was just released with A Gathering of The Tribes, Fly By Night Press. Born in Australia, raised in Singapore and Dubai, Don now resides in New York City. www.facebook.com/gabrieldoninnoparticularorder/ Laurie Stone is author most recently of My Life as an Animal, Stories. https://www.amazon.com/My-Life-Animal-Stories-Triquarterly/dp/0810134284 She was a longtime writer for the Village Voice, theater critic for The Nation, and critic-at-large on Fresh Air. She won the Nona Balakian prize in excellence in criticism from the National Book Critics Circle and two grants from the New York Foundation for the Arts. She has published numerous stories in such publications as N + 1, Tin House, Evergreen Review, Fence, Open City, Anderbo, The Collagist, Your impossible Voice, New Letters, TriQuarterly, Threepenny Review, and Creative Nonfiction. In 2005, she participated in "Novel: An Installation," writing a book and living in a house designed by architects Salazar/Davis in the Flux Factory's gallery space. She is at work on Postcards from the Thing that is Happening, a collage of hybrid narratives. Her website is: lauriestonewriter.com.

This episode is part of a month-long literary journal, podcast, and YouTube teaching collaboration with Shirley Magazine, a fiction and hybrid forms magazine in Portland, OR. Editors Colleen and Lauren present selections from previous publications of the journal, leading up to a longer episode on the launch of the latest issue. - - Today's reader: Kelli Nicholson reading "All Gristle and Pulse." - The story "All Gristle and Pulse" appeared in Issue Ten of Shirley Magazine. Kelli's work has also appeared in Passages North, Moon City Review, and others. More of Kelli's work can be found on their website - www.lwnicholson.com. - - More about Shirley Magazine: http://www.shirleymag.com/ ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

A nervous schoolgirl transforms into multitudes of white rabbits. Despite her constant anxiety, she's okay with ending up bones. This episode is based on a story of the same title by Melissa Goodrich, a writer based in Tucson, Arizona. Her work has appeared in American Short Fiction, Artful Dodge, The Kenyon Review Online, Passages North, PANK, Word Riot, Gigantic Sequins, and others. She is a co-author of the collaborative collection The Classroom, from which “The Girl Who Turns to Rabbits” comes. She also produced the fiction collection Daughters of Monsters and a poetry chapbook entitled, IF YOU WHAT. Her rabbit's name is Oliver, but everyone calls him Bun Bun. Music in this episode comes from the Barker Trio, cátodo dúo, la corporación, the Watery Graves of Portland, Gospel of Mars, Hernan Sama and Marcelo von Schultz, and Animals & Men. You can find all of those artists and more at the Free Music Archive. Subscribe to Bestiary on Apple Podcasts, Stitcher, Anchor, or whatever app you use to tap into the podcast ether. --- Support this podcast: https://anchor.fm/bestiary/support

In today's flash briefing poetry reading, Catherine Bresner is a guest reader. She reads Wallace Stevens' "A Rabbit as King of the Ghosts." We recorded in two different places and times, so the volume might jump around a bit, but it is worth it to hear Catherine's emotive reading style on this poem. More on Catherine -- Catherine Bresner is the author of the chapbook The Merriam Webster Series and the artist book Everyday Eros (Mount Analogue 2017). Her poetry has appeared in The Offing, Heavy Feather Review, Gulf Coast, Poetry Northwest, Passages North, The Pinch and elsewhere. Her book, the empty season, won the Diode Edition Book Prize in 2017 and she was a runner-up for the 2018 Rattle Poetry Prize. She has been the coordinating editor of the Seattle Review, and the publicity assistant for Wave Books. Currently, she is the managing editor for BOAAT Press. You can find more of her work at (www.catherinebresner.com). Transcript of the poem and more on Wallace Stevens: (https://www.poetryfoundation.org/poetrymagazine/poems/21816/a-rabbit-as-king-of-the-ghosts) // (https://www.poetryfoundation.org/poets/wallace-stevens) ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com).

In today's flash briefing poetry reading, Catherine Bresner is a guest reader. She reads Brenda Shaughnessy's poem, "It Never Happened." We recorded in two different places and times, so the volume might jump around a bit, but it is worth it to hear Catherine's emotive reading style on this poem. More on Catherine -- Catherine Bresner is the author of the chapbook The Merriam Webster Series and the artist book Everyday Eros (Mount Analogue 2017). Her poetry has appeared in The Offing, Heavy Feather Review, Gulf Coast, Poetry Northwest, Passages North, The Pinch and elsewhere. Her book, the empty season, won the Diode Edition Book Prize in 2017 and she was a runner-up for the 2018 Rattle Poetry Prize. She has been the coordinating editor of the Seattle Review, and the publicity assistant for Wave Books. Currently, she is the managing editor for BOAAT Press. You can find more of her work at (www.catherinebresner.com). More on Brenda Shaughnessy -- (https://www.brendashaughnessy.com/) ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com).

Catherine Bresner, a Seattle poet and “tinkerer” in visual arts, discusses the need for a feminist language of experience. You will get a peek into Matthea Harvey's visual poetics book, “Of Lamb,” Renee Gladman's “Prose Architectures,” and Catherine's own visual poem, “American Sentence.” Catherine is an articulate teacher and writer, skilled at explaining her experiences in writing and being in a way that translates across multiple audiences. As she reads and shows poetry comics that I inspire her as well as her own, curl up with a spiced fall beverage of choice and join us! As always, you can always listen to the podcast version. However, this particular episode is on visual poetics — your experience will be enriched by watching :). More on Catherine -- Catherine Bresner is the author of the chapbook The Merriam Webster Series and the artist book Everyday Eros (Mount Analogue 2017). Her poetry has appeared in The Offing, Heavy Feather Review, Gulf Coast, Poetry Northwest, Passages North, The Pinch and elsewhere. Her book, the empty season, won the Diode Edition Book Prize in 2017 and she was a runner-up for the 2018 Rattle Poetry Prize. She has been the coordinating editor of the Seattle Review, and the publicity assistant for Wave Books. Currently, she is the managing editor for BOAAT Press. You can find more of her work at (www.catherinebresner.com). ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Our guest author today is R.M. Kinder. She has written five novels to date and been published in numerous magazines including North American Review, Passages North, and the New York Times. We have a wonderful discussion on writing in realism and her influences in music and community. Later, she reads a sample chapter from her lovely book, The Universe Playing Strings. R. M. Kinder's website  R. M. Kinder on Amazon    You can also follow my producer, KayliJoy, on YouTube 

Hoopty Time Machines: fairy tales for grown ups (Atticus Books) Who Knew Godzilla Had a Poetic Side? Hoopty Time Machines. It’s fun to say, isn’t it? Fanciful. Downright playful. Go ahead, try it. Say it out loud. Let it tumble off your tongue: “Hoopty Time Machines.” Just mouthing the words takes you to another time, a time when everything still seems possible, a time when you can stay up late with a flashlight under your sheets and disappear into the adventures of a good book. Christopher DeWan’s Hoopty Time Machines: fairy tales for grown ups is a permission slip to adventure, an escape from the staid, workaday world, a passport to wistful, fabulist places, each one filled with peculiar dreams and wild awakenings. The stories include fairy tale heroines, introspective superheroes, and a whole menagerie of myths and monsters, but at their heart, each one is deeply human, and at least a little bit heartbreaking. DeWan’s debut collection is “one of the most anticipated small press books of 2016” (John Madera, Big Other) and is coming in September from Atticus Books. Praise for Hoopty Time Machines:“Funny, sharp, playful zingers of stories that reach right out to grab a reader."– Aimee Bender, author of The Particular Sadness of Lemon Cake "Hoopty Time Machines is much like a bag of M&M's, in that it's nearly impossible, once you've opened it, not to consume it down to the last morsel, and fast. It is less like a bag of M&M's in that you never know what you'll find beneath the candy coating: a peanut or an amphetamine, a rosary bead or a thumbtack."– Kevin Brockmeier, author of The Illumination "Reading the book is like staring into a spiderwebbed mirror, the perfect vessel by which to understand our fractured, absurdist world. There are hints of Barthelme, Vonnegut, and Calvino to be found here, but make no mistake: DeWan is something gloriously new."– Nathan Ballingrud, author of North American Lake Monsters "An absolute delight from the first page to the last: it's like that scene in Singin' in the Rain, only with ideas instead of puddles."– Ben Loory, author of Stories for Nighttime and Some for the Day “That rare story collection that is both a total blast to read and a complete philosophical package. These abrupt, funny, vigorous stories—involving urban legends, minotaurs, little mermaids, chupacabras, and changelings—contain in their brevity vast depth and import. These are stories to read, reread, and perennially enjoy."– Sharma Shields, author of The Sasquatch Hunter's Almanac Christopher DeWan has published more than forty short stories in journals including Hobart, Necessary Fiction, Passages North, and wigleaf. His collection of domestic fabulism, Hoopty Time Machines, is one of the "most anticipated small press books of 2016." Christopher has had TV projects with the Chernin Group and Indomitable Entertainment and collaborated on transmedia properties for Bad Robot, Paramount, Universal, and the Walt Disney Company. His screenwriting has been recognized by CineStory, Final Draft, the PAGE Awards, and Slamdance, and he is recipient of a fellowship from the International Screenwriters' Association (ISA). He teaches with Writing Workshops Los Angeles and the California State Summer School for the Arts, where he is currently chair of creative writing.

Welcome to Episode 14! We’re having so much nerdy fun with these and hope you are, too. This week we discussed one poem a piece by Hilary Jacqmin, Keith Woodruff, and Kierstin Bridger, each submitted for different issues. Another Slush Pile first!  Welcome to Episode 14 of our podcast! We’re having so much nerdy fun with these and hope you are, too. This week we discussed one poem a piece by Hilary Jacqmin, Keith Woodruff, and Kierstin Bridger, each submitted for different issues. Another Slush Pile first! First up was “Private Lives”  by Hilary Jacqmin. Hilary S. Jacqmin earned her MA from Johns Hopkins University and her MFA from the University of Florida. Inspired by Baltimore performance art group Fluid Movement's elaborate water ballets, Hilary aspires to learn synchronized swimming. This summer, Hilary has kept busy by going to entirely too many concerts (including Beyoncé, Weezer, and Jason Isbell), baking a sour cherry pie in honor of her Door County, Wisconsin family heritage, and seeing Hamilton on Broadway Her work has appeared in Best New Poets 2011, edited by D.A. Powell, The Awl, Pank, Subtropics, Passages North, AGNI, and elsewhere. You can also read her article on "killing your darlings" here! This poem struck a chord with everyone at the table. It’s hard to write a poem about boredom that isn’t, well, boring! We were right there with her in her grandparent’s house, trying to pass the time.   Next we discussed Keith Woodruff’s  “Bride of Frankenstein Blues,” submitted for our Monsters issue. Keith “from the Black Lagoon” Woodruff has a Masters in creative writing from Purdue University, and lives with his wife Michelle and son Whitman in Akron, Ohio. His work recently appeared in The Journal, Quarter After Eight, American Literary Review, and is forthcoming in Wigleaf. His haiku have appeared in Modern Haiku, Frogpond, Mayfly, Acorn, A Hundred Gourds, and in Big Sky: the Red Moon anthology. We all sympathized with poor Frankenstein trying to find love in the modern dating world, but this poem also sparked discussion of “pick-up” artists. We wondered what Frankenstein’s Bride would say about his pick-up methods? Regardless, the poem was accessible to all of us.   Last, we read “To the Girl From the Reformatory Town” by Kierstin Bridger, submitted for our Locals issue! Kierstin is a Colorado writer and winner of the Mark Fischer Prize, the ACC Studio award and was shortlisted for the 2015 Manchester Poetry Prize in the UK. Western Colorado is full of incredible writers, and for the past several years they’ve been performing Literary Burlesque! This year they pulled a switch-a-roo on Oh Brother Where Art Thou. They changed it to Oh Sister and combined themes with The Odyssey. Kirsten says, “It was a smash, and so very collaborative.” You can listen to Kierstin read from her book, Demimonde,  here. We were intrigued by the imagery in Kierstin’s poem. Although none of us grew up in a “reformatory town” the emotional language put us in the mindset of the “girl.” Over the years, PBQ often accepts work, contacts the authors, and then gets told there’s been a revision. Almost always, the original is better than the revision. We discussed why this might happen, and how difficult it is to know when your own work is “finished.” Let us know what you think—do you continue to work with your work once you’ve sent it out? You can find PBQ on Twitter @paintedbrideq or on our Facebook. Don’t forget to visit our Facebook event page to discuss this episode, and subscribe to our iTunes account! Read on!     Present at the Editorial Table: Kathleen Volk Miller Marion Wrenn Tim Fitts Jason Schneiderman Caitlin McLaughlin   Production Engineer: Joe Zang   PBQ Box Score: 3:0 -------------------------   Hilary Jacqmin Private Lives   They have retired to lost pines and BurgerTime. When our tan Malibu grinds up the switchback to their mock- Tahitian Village in the Texas hills, the grandparents can barely stand to touch us. But “Little David,” they cry out, until my father blushes. Kindness is cold champagne coupes at 5 and 6 o’clock, then Jeopardy. A walk through bull pine, clearing brush. Whatever can be done with us? My sister’s fist is purpling with cactus spines; my mother’s stomach bites; this week, I will not bathe. The grandparents shy from our commotion. Secretly, we flip through The Handmaid’s Tale. Our shared air mattress crackles like a seed. We’re trapped: now that we’ve come, they won’t let us go out past the dry creek bed. Next year, they’ll never even leave the house. Why is their clubhouse impermeable, a miniature Pentagon? And why can’t we order malteds at Lock Drug? Mother says “We can’t ask why.” Inside, we play endless Rummikub. Uno, uno. “There ought to be a religion for people who don’t know what to believe,” grandmother frets, her bad eye winking like a cut-up moon. Outside, a loop of fire ants works a burnt-out stump, persistent as pump jacks, and night’s an oil field. We are too young to know what granddad did with catalytic crackers at Shell, too dumb to talk duplicate bridge hands, Gravity’s Rainbow, or split stock, but we think hard about the hardwood in the Lockhart smokehouse and how granddad’s bread machine vibrates like a Gravitron. Sometimes, they notice me. They say, “What are you writing? Are you writing about us?” They say, “That makes me so nervous.” I want to tell them there is so little that I can write. Almost nothing. Perfume like propane. A tickless clock. How quickly they both turn away.   Keith Woodruff Bride of Frankenstein Blues   Consider the moon, my friend, how its absence conjures this unromantic air. Here in the bar, smoke unwinds  like bolts of slow lightning across the gauzy light; everywhere you look mouths, small dark graves, chew on drinks. Now the music gropes its way through the crowd looking for phone numbers, drags itself onto the wooden dance floor. This is no night for finding brides. Still, you try, touch her wrist during “talk” & spring the classic recoil. Her black eyes, twitch like nerves, the head cocks bird-like, spindly arms jerk back from your touch & clasp up her breast sacs as the goose hiss splits her blue lips. These damn castles are cold. Some nights, alone again, arms outstretched on the stairs, you think you might prefer the murderous torches. Anything to light you up.   Kierstin Bridger To the Girl From the Reformatory Town You wrestled against the clutches of brothers and cousins, etched lessons in your muscle, broke tendencies, rerouted synapse with unwritten chapters entitled, Risk, Pain, and Tolerance. Though pale and tender as your own, you clawed your way into their flesh; red scratches and waning moons of bruise. You carved a language of ferocious prey and warning but more startling than the DNA that curled from under your nails was the power which made you surge, the breathless current of survival that ran like a lightning rod through the center of your axis as you spun in and out of years knowing blood tracks would either catch up with you or become abandoned to faster byways and untranslatable modes. So you walk, never looking over your shoulder, one step in front of the other, past the fermenting bumper crop yard-fruit. Never mind the dirty shoelace untied, the frayed, grey string dangling over the trestle bridge track. You need this grip of heat, the hot rail under your feet. It's like the static warmth the addicts wear like skullcaps, the chokecherry buzz after needle pierce and plunge. Keep your hair blown back, baby, and charged with the horizon line. Ignore the periphery of prison men in orange. Their 40 ounce cans and spent shells are their business not yours.  Disregard the jackrabbit carcass and its fur which still clings but will sail away soon like dandelion seeds. Remember it's not a charm and their sentence is not your sentence; you can't do that kind of time. Keep going, never say, it'll all blow over someday because lies like that scatter, fade, sink back to soil. They'll transform into fragments so sparse, so swallow-drunk, the next generation will skip the deciphering stone, misspell the story of you, digitize and archive it on some pixelated and odorless, dot com.  

After The Ark by Luke Johnson on the Passages North website at http://www.actuallyreadbooks.com/ratalj.