Podcast appearances and mentions of Scott Foley

National Be a dork day.  Entertainment 1987.  Rosetta Stone found in Eygypt, Zebulon Pike sets out on expediton, Duck billed platypus put on display.  Todays birthdays - Rembrandt, Linda Ronstadt, Alicia Bridges, Willie Aames, Forest Whitaker, Brigitte Nielsen, Scott Foley, Brian Astin Green, Gabriel Iglasias.  Gianni Versace died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Dork for you - Pepper Jill & JackAlone - HeartI know where I'm going - The JuddsBirthdays - In da club - 50 Cent    https://www.50cent.com/ When will I be loved - Linda RonstadtI love the night life - Alicia BridgesCharles in Charge TV themeExit - Three words away - Wes Ryan    https://wesryan.pro/countryundergroundradio.comHistory & Factoids webpage

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this week's episode, Eliot is swept off her feet by the handsome Sean. In the real world, Zach and Donald are swept off their feet as they recall the WB's Felicity, and their misunderstood TV series.See omnystudio.com/listener for privacy information.

Episode 131 is on the scene and we review our coverage that consisted of three different tracks in three different states in three days. Julian was on the scene Friday night to kick off the 69th season of racing at Ace Speedway in North Carolina. We review AJ Sanders and Dennis Holdren's epic mini stock race, Blake Stallings defending his late model championship by winning the opener and Cory Pack's dominating Limited Late Model win.Both Lug Nutz were on the scene for the new era at Franklin County Raceway in Virginia. Kaleb Hall and Gary Smith got the crowd up off their feet in the first Stock 4 event in a photo finish. Hall grabbed the win after having to come from the back after a spin. Doodle Lang and Scott Foley dueled it out in the Mini Stock Division after Dennis Holdren fell out. Kyle Dudley and Jimmy Mullins dominated Limited and Supers while Gary Smith won in Legends, Wes Givens won the second Stock 4 race and the East Coast Flatheads went to Wayne Lawson.Darlington Raceway in South Carolina concluded the weekend. We discussed William Byron's failed attempt at the perfect race, Denny Hamlin going back to back, Ryan Blaney multiple drives to the front, ill timed caution flags and other storylines from Throwback Weekend.In our fourth installment of our Kulwicki Development Driver Program, we welcome Pro Late Model Racer Noah Eisenhower. Eisenhower is pursuing a motorsports engineering degree at Purdue University and is also the cousin of the nation's 34th president. Get to know his story this week!We also breakdown the SMART Modified Tour Rumble in Rougemont which saw Ryan Newman return to victory lane after a tough start to the season. We discuss the battle between Paulie Hartwig III and Mike Christopher Jr, Joey Coulter's charge through the field, Burt Myers struggles and get you prepared for Saturday's next stop the Hickory Hundred at Hickory Motor Speedway in NC. The zMAX CARS Tour season goes to a new venue this weekend at Cordele Motor Speedway in Georgia. We tell you who may have the upper hand in this event which is seemingly a huge wild card!We also review some of the winners around the southeast short track scene, the ASA STARS event at Dominion, ARCA West in Tucson and we preview this weekend's short track action around the region in Short Track Spotlight along with our Xfinity, Truck and Cup Series mini preview and picks at Bristol for this weekend.

In this episode, I'm joined by fellow finance professional Scott Foley to discuss the viral debate between Daniel Priestley and Gary Stevenson on The Diary of a CEO.With wealth inequality at the forefront of global discourse, is a wealth tax really practical? We unpack and explain their clashing views on economic freedom, taxation, and government policy.We explore the most controversial solutions to narrowing the wealth gap and discuss some bold ideas such as a 100% inheritance tax, a land value tax, and taxing unrealised gains,We also look at the impact of AI, globalisation, and property prices on the economic landscape—and what it all means for the future of wealth creation and distribution.00:03 Debate Breakdown: Daniel Priestley vs. Gary Stevenson01:39 Key Points of Agreement and Disagreement04:05 Economic Freedom and Entrepreneurship04:29 Wealth Inequality and Taxation11:00 Global Economic Policies and Their Impact17:05 Profit Shifting and Consumption Tax32:07 Inheritance Tax and Wealth Distribution35:46 Unlocking Unrealised Gains36:34 100% Inheritance Tax and Its Implications38:39 Property Prices and Housing Crisis42:30 Why Gary is Wrong about the History of Property Ownership44:05 The Truth About the UK Under High Taxation49:41 Land Value Tax as a Solution01:00:58 Quantitative Easing and Inequality Hosted on Acast. See acast.com/privacy for more information.

Movie recommendations or comments for us? Text us here!We're watching the 2025 romantic comedy La Dolce Villa this week. Eric heads off to Italy to stop his daughter from buying a crumbling villa for a euro. He is unsuccessful, but like a good dad, sticks around to help with the renovations. While restoring the house, Eric and Liv discover futures for themselves that they could not have imagined back in Ohio.We're pretty sure this is a Netflix original. It stars Scott Foley, Violante Placido and Maia Reficco.Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Scream a little louder! We're celebrating the 25th anniversary of “Scream 3,” the final chapter (for a while!) in Wes Craven's iconic slasher trilogy. Join us as we revisit the Hollywood horrors facing Sidney Prescott (Neve Campbell), Gale Weathers (Courteney Cox), and Dewey Riley (David Arquette). We'll dissect the killer's motives, discuss the addition of stars like Patrick Dempsey, Parker Posey, and Scott Foley, and ponder how real life events changed the direction of the film. Was “Scream 3” a fitting end? Or did the script changes by Ehren Kruger fall short of Kevin Williamson's original vision? Joining us for this discussion is one of our favorite guests, Mark J. Parker of the Release Date Rewind podcast, who is not only the king of anniversaries, but has also been with us on every single Scream episode we have done to date! Hit play and let's scream about it together!Links For Guest: Release Date Rewind Podcast

Cette semaine : On a regardé My bloody Valentine (1981) de Georges Mihalka  . De plus, on a parlé de la prochaine saison de Creep tapes, des nouvelles sur le film Scream 7 et de la pause d'Horreur Québec . Bon podcast ! et Bonne St-Valentin !!!!   —https://cinerhum.carrd.co—   Ma note :                   7/10  Note de ma femme :  6.7/10   Liens nouvelles: The creep tapes saison 2 ! Annonces de Scream 7 , Matthew Lillard, Scott Foley , Ethan Embry et Mason Gooding dit que c'est le Ghostface le plus brutal . Horreur Québec en pause :(

Introducing The Friday Quickie - a triple dose of swoon-worthy romance books, films and TV shows that have JUST dropped (all in less than 15 minutes!) Set in Italy and featuring Felicity's own Scott Foley (hello daddy), this week we've got La Dolce Villa (netflix rarely disappoint when it comes to B/C/D grade rom coms). Feel like cozying up with a book? Say hello to The Deep End by Ali Hazelwood—where love and sex collide with...college watersports. And because we’re not afraid of a little emotional rollercoaster, we finish with We Live in Time. Sob. Buckle up, because we’re about to make your weekend extra romantic. This week's episode is hosted by Ash London and Clara Craig. Love you, more than a friend x

Ryan celebrates the podcast's milestone 200th episode. Ryan and his guests discuss the news about Scream 7, Scott Foley and Matthew Lillard joining the cast, Mason Gooding's recent comments, and Sarah Michelle Gellar's return to Buffy the Vampire Slayer in a reboot. In this episode, Ryan announces a new creative producer, Ashley Summers from the Squirrel and Spud shop. Guests include Amar Karim, Sarah Campbell, Jacob Randall from the Happy Horror Time Podcast, as well as “the Straight Bros” from episode 150, Josh Carr and TJ Jones. Subscribe on Patreon.com/screamwithrcs Introduction Podcast Milestone “Long Live” A Buffy Reboot with Sarah Michelle Gellar Scream 7 Hopes “The Straight Bros”  Scream 7 Talk Scott Foley and Matthew Lillard Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Editor: @albertmpadilla  Producer: @ninnetimes @squirrelandspud9  Taylor Swift Song of the Week: “Long Live” (Speak Now) Guests: @AmarKarim @HappyHorrorTime @jacobthefool @sar.campbell @mistajahh @joneshiphop  Horror Hotties calendar by The Horror Fried Podcast

Join us in this latest episode of Back To The Blockbuster as we dive into the latest movie news that has everyone talking! We start off with the controversy surrounding Karla Sofía Gascón—what's the scoop and how is it impacting her career and Emilia Pérez's Oscar chances? Next, we discuss the evolving “It Ends With Us” lawsuits involving Blake Lively and Justin Baldoni that's making waves in Tinseltown. Then, we shift gears to the thrilling casting announcements for “Scream 7,” featuring the return of the dead cast announcements of Matthew Lilliard and Scott Foley, and get you hyped for Christopher Nolan's epic adaptation of “The Odyssey”—who's been added to the cast, and what can we expect? As we explore the world of reboots, we'll give you all the details on “The Faculty” reboot and take a look at the highly anticipated trailers for “The Fantastic Four: First Steps,” “Jurassic Park Rebirth,” and “Final Destination: Bloodlines,” and “Hurry Up Tomorrow.” Finally, we wrap up our episode with box office predictions “Heart Eyes” Don't miss out on our insights and analysis—tune in for all this and more in today's episode!

We're welcoming Destiny as the newest member of our geek squad!

On episode 39 of 'SCREAM ALONG: The Podcast', Eric & Rick chat all about the latest 'SCREAM 7' casting news that had 'SCREAM' fans everywhere in complete and utter disbelief/shock. Not only were actors Ethan Embry ('Can't Hardly Wait', 'Grace & Frankie') and Mark Consuelos ('Live with Kelly & Mark', 'The Girls on the Bus') announced as new cast members but it was also revealed that two big names would be making their return to the franchise - Scott Foley ('SCREAM 3', 'Scandal') and Matthew Lillard ('SCREAM', 'Five Nights at Freddy's', 'Scooby-Doo')! Eric & Rick break down possible theories for both the newly announced and returning cast.The guys also chat all the latest news surrounding other horror and thriller news in the world of movies and TV including  the official teaser trailer for 'Final Destination: Bloodlines', 'The Faculty' remake, David Arquette returning to the summer slasher drama in 'Kill or Be Killed', 'Scary Movie 6' confirmed release date, 'Heart Eyes' Rotten Tomatoes score/opening weekend, along with Hayden Panettiere's newest movie project, psychological thriller 'Sleepwalker'.  Contact: ScreamAlongEricandRick@gmail.comFollow SCREAM ALONG on Instagram and XFollow Eric and Rick on XPodcast Artwork @a.very.simple.formula

It's Oscar season and we have some thoughts on the very small number of nominated films that we've bothered to watch!We also talk Phantom Liberty, The Lake House, The Substance, Nosferatu, Scream 7, Robbie Williams, Alien: Earth, Book of the New Sun Book Two, and more!Matthew Lillard returns for Scream 7... somehow - https://www.darkhorizons.com/matthew-lillard-returns-for-scream-7/So does Scott Foley - https://www.darkhorizons.com/scott-foley-returns-for-scream-7/Alien: Earth will probably annoy Matt - https://arstechnica.com/culture/2025/01/alien-earth-teaser-gives-us-xenomorphs-pov/  If you'd like to support the show head on over to our Patreon and for as little as $1 a month you can become a member and get the show a bit earlier than everybody else. And if you want more show then for $5 a month you can get The After Party, where we keep talking for another 30+ mins every week!

On February 4th, Scream 3 celebrates its 25th anniversary. To properly honor his top film of the franchise, Ryan invites everyone in the Patreon who ranks the film as the best in the series or their favorite sequel to share what makes it so special. Also, Ryan also speaks about the history of Scream 3 and how its reputation has shifted over time. In addition, Ryan covers the news that Scott Foley and Matthew Lillard will return to the franchise in Scream 7.  Listen to the full episode on Patreon.com/screamwithrcs Introduction Scream 3's Shifting Reputation  The Return of Roman and Stu Guest Scream Story & Speed Round All of the Scream 3 Fans Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Editor: @albertmpadilla  Taylor Swift Song of the Week: “Invisible String” (folklore)

After a rollercoaster of experiences, including building my first PC and facing some personal struggles, I'm back with a fresh perspective and ready to dive into the world of entertainment and gaming. My hiatus taught me a lot, paving the way for exciting new PC gaming content and potentially even live streaming adventures. Plus, I've caught up on some shows and am eager to share my thoughts, especially with thrilling plans on the horizon for our Dragon Age series and Warhammer Space Marine 2 playthrough.Join me as we celebrate some electrifying news in the entertainment industry! Scream fans, brace yourselves for the much-anticipated return of Matthew Lillard as Stu Mercer, alongside Scott Foley as Roman Bridger in Scream 7. On the flip side of the awards spectrum, the Razzie nominations are out, with Joker 2 leading the pack for all the wrong reasons. From worst actor nods to a lighthearted look at the less glamorous side of award season, there's plenty to chuckle about. Meanwhile, I'm on a mission to catch all the Oscar Best Picture nominees before the big night on March 2, 2025.In the gaming sphere, Microsoft's Developer Direct has dropped some bombshells, including the announcement of Ninja Gaiden 4 and a revamped Ninja Gaiden 2. Doom the Dark Ages and the news surrounding the closure of Multiversus are hot topics, as is the state of Bioware amid Mass Effect teasers and Dragon Age challenges. As the Nintendo Switch 2 makes waves with its sleek design, the TV scene is buzzing with Uma Thurman's role in Dexter Resurrections and Netflix's renewal of The Lincoln Lawyer. Tune in for all the latest buzz and insights!Music Produced by BlackOutBeatz414: https://www.youtube.com/@BlackOutBeatz414Facebook: www.facebook.com/GeekVisionz/Twitch: www.twitch.tv/geekvizentYouTube: https://www.youtube.com/@GeekvisionzEnt.

Matthew Lillard and Scott Foley are back for Scream 7! How? Why? What? Well we have a few theories. What do you think of this development? Join us on Patreon for spoilers, early access, and exclusive content! https://www.patreon.com/c/scaretalk #scream #scream7 #horrornews #matthewlillard #stumacher

Welkom bij Nerd Culture #194 waarin we diep duiken in de wereld van films, series en alles nerdy! Deze week staat in het teken van horror, en daarom hebben we een speciale gast: Shelly van Seventer! Samen met haar bespreken we het laatste nieuws, waaronder Matthew Lillard's terugkeer in Scream 7 en de eerste beelden van Guillermo del Toro's Frankenstein. Daarnaast neemt Shelly ons mee in haar top vijf horrorfilms en blikken we vooruit op de spannendste horrorfilms van 2025.  Scream 7 pakt uit met terugkeer Matthew Lillard Matthew Lillard is officieel bevestigd voor Scream 7, wat speculaties aanwakkert over de terugkeer van zijn personage, Stu Macher. Lillard heeft altijd beweerd dat Stu nog leeft, en zijn Instagram-post lijkt dit te bevestigen. Het is echter onduidelijk of hij echt Stu speelt of dat de film op een andere manier oud-acteurs terugbrengt. Naast Lillard keert ook Scream 3-acteur Scott Foley terug, wat vragen oproept over hoe deze personages worden ingepast. Scream 7, geregisseerd door originele schrijver Kevin Williamson, verschijnt op 27 februari 2026 en brengt Neve Campbell en Courteney Cox terug, samen met nieuwe castleden zoals Joel McHale. Eerste blik op Oscar Isaac als Dr. Frankenstein Netflix heeft een eerste beeld vrijgegeven van Guillermo del Toro's Frankenstein, met Oscar Isaac als Victor Frankenstein. De film verschijnt in november. In een boodschap tijdens het Next on Netflix-evenement deelde del Toro dat hij al 50 jaar met het verhaal bezig is en het als een autobiografie beschouwt. De getoonde beelden tonen Isaac tegenover Mia Goth als een aristocrate en Jacob Elordi als het monster, met lang zwart haar en grijze, gehechte huid. De cast omvat ook Christoph Waltz en Charles Dance. De film is onderdeel van del Toro's samenwerking met Netflix, waaronder Pinocchio en Cabinet of Curiosities. Wat mogen we in 2025 verwachten qua horror films? In deze podcast blikken we vooruit op de spannendste horrorfilms van 2025. We beginnen met The Monkey, gebaseerd op Stephen King's korte verhaal, die op 21 februari verschijnt. Vervolgens bespreken we Opus, een mysterieuze psychologische horrorfilm die op 14 maart in de bioscoop komt. Daarna duiken we in The Conjuring: Last Ride, het nieuwste deel in de populaire franchise. Ook Final Destination 6 staat op de planning, een terugkeer na 13 jaar afwezigheid. Tot slot kijken we uit naar Return to Silent Hill, de langverwachte gameverfilming die fans van psychologische horror zeker zal aanspreken. Timestamps: 00:00:00 Intro 00:04:54 Wat hebben we gekeken/gelezen/geluisterd? 00:05:01 Sector 31 00:10:20 Meiden van de Keileweg 25 jaar later 00:16:11 Severance 00:21:16 Mobile Suit Gundam Trailer 00:23:50 Will Smith speelt The Matrix scene na in nieuwe muziekvideo 00:26:09 Benedict Cumberbatch toch in Avengers: Doomsday 00:34:49 Henry Cavill in beeld om het Star Wars universum te betreden 00:38:54 Matthew Lillard keert terug voor Scream 7 00:44:19 Eerste setfoto van Guillermo del Toro's Frankenstein 00:47:57 Locked Trailer 00:50:30 Top vijf horrorfilms van Shelly 01:11:23 Vooruitblik 2025

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Netflix revealing its 2025 slate withe first looks at its projects, Benedict Cumberbatch revealing he is in Avengers: Doomsday while Chris Evans revealing he is out of it, the MJ Biopic is a mess,  Jake Gyllenhaal leading a new M. Night Shyamalan movie, Anthony Mackie's comments about Captain America 4, The Russos running X-Men franchise, no Superman Super Bowl trailer, the Magazine Dreams, Sinners and Happy Face trailers, Tarantino talking 2019 as the last year of real movies, the Sofia Gascon  vs Fernanda Torres Oscars drama, Companion review and more.#Superman #Marvel #Oscars #TheHotMic #JohnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:58 Netflix Reveals 2025 Slate- What Stood Out to Jeff and John?11:41 John Leguizamo Cast in Christopher Nolan's "The Odyssey"15:43 Jake Gyllenhaal to Star in Next M. Night Shyamalan Movie22:20 No 'Superman' Trailer in Super Bowl - Why is WB Making This Decision?27:54 John and Jeff Debate if WB Should Promote Superman on Joe Rogan Experience33:42 Anthony Mackie's Captain America 4 Comments- Much Ado About Nothing???44:28 Chris Evans Says He Is Not in Doomsday, But Doctor Strange is In It Now46:30 BREAKING: Jeff Sneider Reveals Harris Dickinson Considered for Cyclops in X-Men50:40 Will The Russos Really Run X-Men for the MCU?53:00 Brandon Sklenar Rumored for NOVA Series Lead, Rocha's Rumors58:53 Karla Sofía Gascon's Racist and Islamaphobic Tweets Resurface from 20201:11:39 Michael Jackson Biopic Is A "Dumpster Fire" with Reshoots of Third Act1:16:20 Matthew Lillard and Scott Foley in 'Scream 7'1:18:20 Zack Cregger Officially Doing a Resident Evil Reboot1:19:28 Blake Lively and Ryan Reynolds New Controversial Updates1:23:10 Magazine Dreams, Sinners Trailers1:28:22 Quentin Tarantino's Comments about Studios Killing Release Windows1:30:35 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  

In this week's episode, I'm joined by Scott Foley, a long-time colleague and a close friend.Scott is one of the most ambitious and curious people I know. We're constantly talking about new technology or potential business ideas, and this conversation was no exception. In this conversation, we cover a wide range of topics, beginning with the impact of high-interest rates on student loans—a challenge many people face—and why more people are choosing to start families later in life. We also discuss how AI can enhance productivity, Scott's tips for maximising ChatGPT, his top book recommendations for aspiring entrepreneurs, and explains the new platform he's built to improve financial literacy for everyday people in the UK.Expect to learn:01:30 The Student Loan Crisis 16:11 The UK's Economic Challenges 19:30 What Property Prices Mean for Starting a Family 23:00 Wealth Inequality 26:00 Understanding Investing 29:08 The Future of Pensions 38:29 Introducing Money Talks 50:08 The Impact of Overregulation on Homeowners 51:14 Exploring the Potential of AI in Daily Work 58:35 Personal Goals and Ambitions 01:05:35 Brainstorming Business Ideas 01:18:31 The Importance of Continuous Learning and DoingDiscover ScottWebsite - https://www.mymoneytalks.co.uk/LinkedIn - https://www.linkedin.com/in/scott-foley-mcsi-aa2003117/Get In TouchLinkedIn - www.linkedin.com/in/jay-lawrence-5a4b3357/Website - ambitiousmindspodcast.comInstagram - www.instagram.com/ambitiousmindspodcast Hosted on Acast. See acast.com/privacy for more information.

Join Host Shane, Co-Host Russell, and Dave as we continue our Scream deep dive for Halloween, with Scream 3 (2000)! Written by Ehren Kruger, Characters by Kevin Williamson; Directed by Wes Craven; Starring Liev Schreiber, Kelly Rutherford, Neve Campbell, Courtney Cox, Patrick Dempsey, Scott Foley, Parker Posey, Patrick Warburton, David Arquette, and more! Join us on Patreon for just $1 per month, and you can help us continue to talk about movies! patreon.com/draftyQ Check out our Amazon Wishlist! Buy stuff for us! https://www.amazon.com/hz/wishlist/ls/322RUIF15J9O0?ref_=wl_share

National Be a dork day.  Entertainment 1995.  Rosetta Stone found in Eygypt, Killer bees in US, Zebulon Pike sets out on expediton.  Todays birthdays - Rembrandt, Linda Ronstadt, Alicia Bridges, Willie Ames, Forest Whitaker, Brigitte Nielsen, Scott Foley, Brian Astin Green, Gabriel Iglasias.  Gianni Versace died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/Dork for you - Pepper Jill & JackWaterfalls - TLCSold - John Michael MontgomeryGangaam style - PsiBirthdays - In da club - 50 Cent    https://www.50cent.com/ When will I be loved - Linda RonstadtI love the night life - Alicia BridgesCharles in Charge TV themeExit - Its not love - Dokken    https://dokken.net/Follow Jeff Stampka on Facebook and cooolmedia.com

Our own beloved James Novak (Dan Bucatinsky) joins to break down an infamous episode and what it was like to find out he was the one killed off. Plus, Katie and Guillermo explore James' career while acting on Scandal and simultaneously writing on Grey's Anatomy. And to wrap things up, Scott Foley shares his thoughts on the episode and having to kill James.  What do you think, Gladiators? Email us at UTT@Shondaland.com or leave us a voicemail at 805-298-1474 to share your thoughts about the show, about food, about life, but mostly about the show. We would love to hear from you!See omnystudio.com/listener for privacy information.

For Mike White's second credited episode, it's Friday the 13th! Apparently, this is an occasion Dawson's friends have long known is one he likes to mark with scarifying pranks, and that telling him in so many words that they don't like it will not make him stop. Given her new status as Dawson's platonic friend, Jen assumes she will also be on the receiving end of some of this mischief, even though Dawson keeps telling her he actually had nothing planned. Cliff doesn't have anything planned either, beyond just asking Jen on a date and then immediately getting stressed out about it because he doesn't know if he'll be able to live up to the standard set by...Dawson? (Again we must ask if Cliff knows he's a character being played by Scott Foley.) Who will be at Dawson's Friday the 13th séance, and what will go down? Find out in our podcast on "The Scare"! JOIN THE AWT CLUB

Since Scott Foley, aka Jake Ballard, was notorious for fart noises in set, which spread through the rest of the Scandal cast, it's only appropriate that this episode comes with a content warning: Gas. But when Scott, Katie and Guillermo aren't discussing mouth noises, they deep dive into how Scott got cast on Scandal, then RE-CAST on Scandal, and the infamous basketball scene with President Fitz.  What do you think, Gladiators? Email us at UTT@Shondaland.com or leave us a voicemail at 805-298-1474 to share your thoughts about the show, about food, about life, but mostly about the show. We would love to hear from you!See omnystudio.com/listener for privacy information.

Juliet and Greg cover Episodes 103-106, reliving both iconic and iconically uncomfortable moments from Felicity's first weeks at college. Those moments include the time Felicity's tape to Sally played at the dorm party (cringe), and Felicity and Noel's kiss after a particularly intense game of Boggle. Then, Juliet and Greg are joined by Scott Foley to talk about how he nearly played Ben before ultimately getting the role of Noel, working as an actor on Warner Bros. shows, and how playing Noel impacted his career. Finally, Juliet is joined by cultural critic Evan Ross Katz to contextualize Felicity among the broader WB canon, and discuss how many of these shows were ahead of their time. Next time: 107-108. Watch on Hulu. Hosts: Amanda Foreman, Greg Grunberg, and Juliet Litman Executive Producers: JJ Abrams and Matt Reeves For Bad Robot Audio: Executive Producer Christina Choi, Producer Shaka Tafari For The Ringer: Executive Producer Sean Fennessey, Executive Producer Juliet Litman, Senior Producer Kaya McMullen, Producer Erika Cervantes Original Music: Eric Phillips Sound Design: Kaya McMullen Mixing and Mastering: Scott Somerville Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another royal photo in question. The new controversy after a Kate Middleton sighting. Plus, Prince William's comments today as King Charles leaves a royal event early. Then, Oprah emotional detailing her weight loss journey. The biggest takeaways from her Primetime special on weight loss injections. And, does Bruno Mars have a $50 million gambling debt to pay off? The casino goes on the record. Plus, Ariana Grande pays up. How much she's giving her ex in their divorce. Then, Christina Applegate on how her MS battle is affected her daughter. And, inside Dr. Dre's big Hollywood honor. Plus, getting wild with TV's “Critter Fixers”. Then, Chris Hemsworth takes on the “Mad Max” saga. A first look at the prequel with Anya Taylor Joy playing a young Charlize Theron. And, Scott Foley stripping? His new TV show that has him taking it all off. Plus, what he's revealing about a possible “Felicity” spin-off. Then, Sydney Sweeney on channeling Angie at the Oscars as she takes ET behind the scenes of her gory new role.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy Holidays Creek Talkers!

Sleuthing with the Enemy AKA Spoiler Alert 3..2..1 In this week's podcast, the girls delve deeper into Netflix's "The Fall of the House of Usher" and enthusiastically discuss the captivating voice of Bruce Greenwood. Rae takes another intriguing detour into the world of "Scream," with a specific focus on "Scream 3," where she openly confesses her enduring fascination with Scott Foley's characters, including Roman Bridger and Jake Ballard, much to Jonnelle's chagrin. After nearly two seasons of promising, the girls finally delivered their promise to provide video. During their discussion of episode eight, they reiterated their belief that Leo and Phoebe are the weakest links on the team. Piper and Krell drag Leo over his subpar work performance, while Prue takes pride in being the sister with the most common sense. Jonnelle is absolutely certain that Cole, aka Belthazor, is a "Hotep". Tune into the dysfunction!

It's an Alright Scary tradition to revisit the Scream franchise just in time for Halloween, and this year we're Marying out on “Scream 3”! Despite a reputation for being a bit of a slump in the saga, we found a lot to appreciate—specifically Parker Posey. Neve's back in her signature earth tones, Gail's bangs have been slashed, Scott Foley inspires an important ranking of the Great Scotts of the era, and despite the lack of Kevin Williamson, the script has some surprisingly astute commentary about the dark underbelly of Hollywood (especially as a Miramax production).Want even more Alright Mary? Become a Matreon at the Sister Mary level to get access to our DRUK S5 coverage all season, plus movie reviews and past seasons of US Drag Race, UK, Canada, Down Under, Philippines and more.Join us at our OnlyMary's level for EVEN MORE movie reviews, brackets, and deep dives into our personal lives!Patreon: www.patreon.com/alrightmaryEmail: alrightmarypodcast@gmail.comInstagram: @alrightmarypodJohnny: @johnnyalso (Instagram)Colin: @colindrucker_ (Instagram)Web: www.alrightmary.comThis episode is sponsored by BetterHelp. Get 10% off your first month at betterhelp.com/alrightmary!

SCREAM month begins with what many fans consider to be the first misstep of the franchise. But we're here to celebrate what we love about this slasher sequel! When your cast includes David Arquette, Parker Posey, Scott Foley, AND Liev Schreiber, how can you go wrong?!Join the Best of the Rest discord: https://discord.gg/86P7jJXNPb Merch: https://www.teepublic.com/user/botrcast Email: bestoftherestpod@gmail.com Social Media @BotRCast on Twitter, Instagram, Facebook Bonus content: Youtube Theme song (vocals) by Mark Benavides: Instagram Music by Mitch: Twitter, SoundCloud Logo by Alex Brinegar: https://beardodoesdesign.com/ Additional artwork by Phillip Chacon, C7Productions: Instagram

Dylan and Connor are joined by Dana Steingold (The Cottage, Beetlejuice). The twins and Dana CLICKED during this free-wheeling, footloose, and fancy-free chat. Listen in for tales of Stagedoor Manor, Felicity's impact on Dana's NYU (and haircut?) journey, and how friend of the pod Max Jenkins factors into it all. It's a theatre lovers delight as they dive into originating in Beetlejuice on Broadway and tracking the show's wild resurrection. But that's not all. We touch on Avenue Q, the Godspell Broadway production that never was, timing being everything, The Peanut Butter Players, Sudafed on Glee, Frozen on Tour, and female duets in the theatre canon. We also discuss Scott Foley in a robe. Are you so ready? See Dana star in The Cottage now through October 29!Follow Dana on Twitter & InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by ConnorSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

In this week's episode, Eliot is swept off her feet by the handsome Sean. In the real world, Zach and Donald are swept off their feet as they recall the WB's Felicity and their misunderstood TV series.See omnystudio.com/listener for privacy information.