Podcast appearances and mentions of Scott Foley

Though widely recognized for his roles on TV shows like “Felicity” and “Scandal,” Scott Foley left an indelible mark on the “Scream” franchise as Roman Bridger — the only solo Ghostface killer — in “Scream 3.” Tune in to hear all about making the 3rd film in this popular slasher franchise, his thoughts on Roman's backstory and connection to Sidney, what it was like filming that final battle with Neve Campbell, and he even sheds new light on his character's return in “Scream 7.”*NOTE: We're releasing this episode 4 days ahead of schedule, so our next episode will be released on Monday, Mar. 2.

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. With “Scream 7” coming out on February 28th, this week we are featuring the previous films in the franchise. On today's episode, Mirandia Berthold is reviewing “Scream 3” from 2000 starring Neve Campbell, Courtney Cox, David Arquette, Patrick Dempsey & Scott Foley.

Boss up, settle down, we have a wish list – we just want Scream 7. In this episode, Ryan recites his wish list for Scream 7, as well as announcing wishes sent in by followers and patreons. Additionally, Ryan covers the news that Scream 7 will not be screened early for film critics. Ryan explains why this is necessary to prevent spoilers like the killer reveal being leaked for "SCREAM VI" in 2023, and in order to avoid unethical film critics' attempts to unfairly hurt the movie out of performative activism for Melissa Barrera. Then, Ashley joins Ryan to continue naming Scream 7 wish list items and to cover the Taylor Swift song, "WI$HLI$T." Ryan's Wishlist Listener and Patreon Wish Lists Why SCREAM 7 Won't Screen for Critics Ryan & Ashley's Wishlist Items "WI$HLI$T" Follow us at @SCREAMwithRCS at Facebook, Instagram, and X. Subscribe at Patreon.com/screamwithrcs Also, tune into the Happy Horror Time podcast on Thursday for a special interview with SCOTT FOLEY! 

On episode 47 of 'SCREAM ALONG: The Podcast', Eric & Rick discuss the 'SCREAM 7" marketing machine. This past week saw tons of new promotional items for the upcoming slasher flick, including, the official  Super Bowl commercial which will run during the big game, different variations of new TV spots, marketing materials popping up in theatres across the globe, official popcorn buckets and cups for Canada and the US, and so much more. Plus, the SCREAM 30th Anniversary event, which held a showing of the original film, including a panel with Neve Campbell, Isabel May and Kevin Williamson. The guys also chat about other news making waves in the horror/slasher world including a confirmed 'Heart Eyes' sequel, 'Ready or Not 2' official poster, trailer drop and so much more! 'SCREAM 7', directed by Kevin Williamson, hits theatres February of 2026. Watch the trailer here. Check out Small Town Weirdo's one of a kind horror and pop culture merch here.  Contact: ScreamAlongEricandRick@gmail.comFollow SCREAM ALONG on Instagram and XFollow Eric and Rick on X

Blake Lively's lawyer speaks out. New texts unsealed, legal strategy, and why “Heated Rivalry” is being brought into the case. Then, the Beckham family feud and the wedding disaster that started it all. The wedding DJ tells his side of the story. The mother/son dirty dance that left the bride in tears. Was it Marc Anthony's fault? Plus, A$AP Rocky breaks his silence on his feud with Drake…over Rihanna? And, how Martin Short nearly ruined Selena Gomez's wedding. Then, how “American Idol” is shaking things up. The show goes next level in Nashville. Plus, the new TV show that is bringing back 90s style comfort viewing vibes. Scott Foley's new series that's giving his “Felicity” flashbacks. And, an all new ET Then & Now with “A Different World” star Cree Summer returning to her showbiz roots.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On episode 46 of 'SCREAM ALONG: The Podcast', Eric & Rick breakdown the new 'SCREAM 7' TV spot -  including new set pieces and chase scenes. The guys also dissect the official movie poster, new alternate movie posters; including what they hope to see with marketing of the film, the blue plaid killer theory, who they think won't survive, a call back to the original trilogy marketing and more. 'SCREAM 7', directed by Kevin Williamson, hits theatres February of 2026. Watch the trailer here. Watch the new TV spot 'Legacy" hereContact: ScreamAlongEricandRick@gmail.comFollow SCREAM ALONG on Instagram and Threads Contact: ScreamAlongEricandRick@gmail.comFollow SCREAM ALONG on Instagram and XFollow Eric and Rick on X

Catching up with Scott Foley; Rebecca Hall talks 'The Beauty'; Sarah Jessica Parker talks coping with age-related blurry near vision Learn more about your ad choices. Visit podcastchoices.com/adchoices

Catching up with Scott Foley; Rebecca Hall talks 'The Beauty'; Sarah Jessica Parker talks coping with age-related blurry near vision Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wonder Project and Amazon MGM Studios' hit series House of David tells the story of the ascent of the biblical figure, David, who eventually becomes the most renowned and celebrated king of Israel. Season one captivated over 44 million viewers worldwide, reaching #1 on Prime Video in the U.S., and now season two is exclusively available on the Wonder Project subscription on Prime Video in the U.S., with the upcoming season finale on Sunday, November 16. Jon Erwin serves as co-director, writer, and executive producer on the series.In season two of House of David, Israel nears collapse as Saul's reign falters. David rises from shepherd to warrior, caught between loyalty and destiny, while the Age of Iron transforms warfare. As families fracture, forbidden loves spark, and alliances shift, faith and power collide in a struggle that will decide Israel's future. In the season finale, family loyalties are tested while Israel hurtles toward a kingdom-shaking reckoning.   House of David was based on an idea by Jon Erwin, acclaimed, multi–GMA Dove Award-winning director, writer, producer and entrepreneur, who is also the Founder and Chief Creative Officer for Wonder Project. Wonder Project's subscription on Prime Video offers audiences more than 125 licensed titles and over 1,000 hours of hand-picked films and TV series across multiple genres that embody the company's mission: to entertain the world with courageous stories, inspiring hope and restoring faith in things worth believing in. The service also includes a curated section offering the TV-edited versions of popular films while also making the original versions available—underscoring Wonder Project's commitment to increasing choices for premium co-viewing experiences. Upcoming Wonder Project originals on the subscription include It's Not Like That, a family drama series with Amazon MGM Studios starring Scott Foley and Erinn Hayes; the inspiring music documentary for KING + COUNTRY: No Turning Back, about the extraordinary rise of global music superstars Joel and Luke Smallbone; Redemption, chronicling the faith journey of members of The Ohio State football team's 2024 championship season; and a festive holiday special hosted by Little Big Town's Kimberly Schlapman.Jon Erwin is the first and only director to receive an A+ CinemaScore® four times. His 2023 film JESUS REVOLUTION grossed $52M worldwide and was a breakout hit for Lionsgate. Along with his brother Andrew, Jon co-wrote, produced and co-directed films like MOMS' NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $83 million at the box office. In 2019, Jon and Andrew launched Kingdom Story Company. The first film from that venture was I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by AMERICAN UNDERDOG in 2021, which told the story of NFL MVP and Hall of Famer Kurt Warner.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Wonder Project and Amazon MGM Studios' hit series House of David tells the story of the ascent of the biblical figure, David, who eventually becomes the most renowned and celebrated king of Israel. Season one captivated over 44 million viewers worldwide, reaching #1 on Prime Video in the U.S., and now season two is exclusively available on the Wonder Project subscription on Prime Video in the U.S., with the upcoming season finale on Sunday, November 16. Jon Erwin serves as co-director, writer, and executive producer on the series.In season two of House of David, Israel nears collapse as Saul's reign falters. David rises from shepherd to warrior, caught between loyalty and destiny, while the Age of Iron transforms warfare. As families fracture, forbidden loves spark, and alliances shift, faith and power collide in a struggle that will decide Israel's future. In the season finale, family loyalties are tested while Israel hurtles toward a kingdom-shaking reckoning.   House of David was based on an idea by Jon Erwin, acclaimed, multi–GMA Dove Award-winning director, writer, producer and entrepreneur, who is also the Founder and Chief Creative Officer for Wonder Project. Wonder Project's subscription on Prime Video offers audiences more than 125 licensed titles and over 1,000 hours of hand-picked films and TV series across multiple genres that embody the company's mission: to entertain the world with courageous stories, inspiring hope and restoring faith in things worth believing in. The service also includes a curated section offering the TV-edited versions of popular films while also making the original versions available—underscoring Wonder Project's commitment to increasing choices for premium co-viewing experiences. Upcoming Wonder Project originals on the subscription include It's Not Like That, a family drama series with Amazon MGM Studios starring Scott Foley and Erinn Hayes; the inspiring music documentary for KING + COUNTRY: No Turning Back, about the extraordinary rise of global music superstars Joel and Luke Smallbone; Redemption, chronicling the faith journey of members of The Ohio State football team's 2024 championship season; and a festive holiday special hosted by Little Big Town's Kimberly Schlapman.Jon Erwin is the first and only director to receive an A+ CinemaScore® four times. His 2023 film JESUS REVOLUTION grossed $52M worldwide and was a breakout hit for Lionsgate. Along with his brother Andrew, Jon co-wrote, produced and co-directed films like MOMS' NIGHT OUT, WOODLAWN, and the surprise hit I CAN ONLY IMAGINE, which became the #1 independent film of 2018, earning more than $83 million at the box office. In 2019, Jon and Andrew launched Kingdom Story Company. The first film from that venture was I STILL BELIEVE, a biopic about CCM megastar Jeremy Camp which was released by Lionsgate in 2020, followed by AMERICAN UNDERDOG in 2021, which told the story of NFL MVP and Hall of Famer Kurt Warner.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

On episode 45 of 'SCREAM ALONG: The Podcast', Eric & Rick breakdown the new 'SCREAM 7' trailer and discuss possible opening scene, mother and daughter dynamic, friend groups, the return of Gale, Mindy and Chad and how the three may be working together as a unit to help Sidney, use of tech while having a pulse on the times, possible killer theories and much more!'SCREAM 7', directed by Kevin Williamson, hits theatres February of 2026. Watch the trailer here. Want to visit the Macher house IRL? Click here for info and to secure your tickets.  Contact: ScreamAlongEricandRick@gmail.comFollow SCREAM ALONG on Instagram and XFollow Eric and Rick on X

Send us your movie recommendations!This week, Captain and Wilson hop aboard the USS Tiger Shark as they discuss the 2002 horror, "Below," directed by David Twohy. It stars Bruce Greenwood, Matthew Davis, Olivia Williams, Holt McCallany, Scott Foley, and Zach Galifianakis.The film discussion begins around 16:30.

The most terrifying scream is always the last. Ben is BACK as Summer Slasher month continues with the 2000 sequel SCREAM 3. Sidney Prescott (Neve Campbell) must confront a killer who's using the Stab 3 film set as their hunting ground. With old friends and new victims caught in the chaos, a shocking connection to her past is revealed. Also this week: Lance's miserable movie theater experience, the "problem" with the Scream Lore, the multiple different drafts of this wacky movie, and Ben will take a Blue String Thing if you got it. All this--and a whole lot more--on this week's episode of NEON BRAINIACS! "All I know is that in the third one, all bets are off." ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Scream 3 (2000) Directed by Wes Craven Written by Ehren Kruger Starring Neve Campbell, David Arquette, Courteney Cox, Lance Henriksen, Patrick Dempsey, Parker Posey, Scott Foley, and Patrick Warburton ----- 00:00 - Intro & Opening Banter 36:50 - "The Shpiel" 59:00 - Film Breakdown 02:09:28 - Stump The Brainiacs & Outro

National Be a dork day.  Entertainment 1987.  Rosetta Stone found in Eygypt, Zebulon Pike sets out on expediton, Duck billed platypus put on display.  Todays birthdays - Rembrandt, Linda Ronstadt, Alicia Bridges, Willie Aames, Forest Whitaker, Brigitte Nielsen, Scott Foley, Brian Astin Green, Gabriel Iglasias.  Gianni Versace died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Dork for you - Pepper Jill & JackAlone - HeartI know where I'm going - The JuddsBirthdays - In da club - 50 Cent    https://www.50cent.com/ When will I be loved - Linda RonstadtI love the night life - Alicia BridgesCharles in Charge TV themeExit - Three words away - Wes Ryan    https://wesryan.pro/countryundergroundradio.comHistory & Factoids webpage

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The more that you have that evolving relationship with the natural world, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have. The more we rely on that black-and-white thinking of either being in grief or being out of it, where we have a loss and we have to move on, or we don't and we're fine. The more that happens, the more difficult it is to flow into what we really need in terms of emotional flexibility to get through the staggering changes that are starting to happen regarding climate issues.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion,Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Oceanthatshe made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in a complex and delicately balanced relationship of connection to everything else on the planet. We begin to recognize, write into, and speak into the complex interdependence and interconnection of every gesture that we make on the planet. Most storytelling that I really respond to, whether it's from my own culture or from previous civilizations, acknowledges that we are in this complex relationship where every gesture we make is connected to the lives of every other creature on the planet. The more narratives we allow to be complex in that way and interconnected, the more we begin to change our brain chemistry around how we protect ourselves and everything that is in relation to us. The more that you have that evolving relationship with it, that's dynamic and alive to the moment you're in, and that's not afraid of the feelings of fear, hopelessness, grief, or pain that attend paying close attention to the world as it is evolving around you, the better we are able to be flexible in the relationship we need to form with fixing what we can and holding onto what we have.”Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Guernica, The LA Review of Books, Al Jazeera, and the anthology Elementals. She has received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and a 3Arts Make a Wave grant. Her work includes her memoir The Mourner's Bestiary, the short film Becoming Ocean that she made with Scott Foley, and her novel All the Water in the World.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this week's episode, Eliot is swept off her feet by the handsome Sean. In the real world, Zach and Donald are swept off their feet as they recall the WB's Felicity, and their misunderstood TV series.See omnystudio.com/listener for privacy information.

Episode 131 is on the scene and we review our coverage that consisted of three different tracks in three different states in three days. Julian was on the scene Friday night to kick off the 69th season of racing at Ace Speedway in North Carolina. We review AJ Sanders and Dennis Holdren's epic mini stock race, Blake Stallings defending his late model championship by winning the opener and Cory Pack's dominating Limited Late Model win.Both Lug Nutz were on the scene for the new era at Franklin County Raceway in Virginia. Kaleb Hall and Gary Smith got the crowd up off their feet in the first Stock 4 event in a photo finish. Hall grabbed the win after having to come from the back after a spin. Doodle Lang and Scott Foley dueled it out in the Mini Stock Division after Dennis Holdren fell out. Kyle Dudley and Jimmy Mullins dominated Limited and Supers while Gary Smith won in Legends, Wes Givens won the second Stock 4 race and the East Coast Flatheads went to Wayne Lawson.Darlington Raceway in South Carolina concluded the weekend. We discussed William Byron's failed attempt at the perfect race, Denny Hamlin going back to back, Ryan Blaney multiple drives to the front, ill timed caution flags and other storylines from Throwback Weekend.In our fourth installment of our Kulwicki Development Driver Program, we welcome Pro Late Model Racer Noah Eisenhower. Eisenhower is pursuing a motorsports engineering degree at Purdue University and is also the cousin of the nation's 34th president. Get to know his story this week!We also breakdown the SMART Modified Tour Rumble in Rougemont which saw Ryan Newman return to victory lane after a tough start to the season. We discuss the battle between Paulie Hartwig III and Mike Christopher Jr, Joey Coulter's charge through the field, Burt Myers struggles and get you prepared for Saturday's next stop the Hickory Hundred at Hickory Motor Speedway in NC. The zMAX CARS Tour season goes to a new venue this weekend at Cordele Motor Speedway in Georgia. We tell you who may have the upper hand in this event which is seemingly a huge wild card!We also review some of the winners around the southeast short track scene, the ASA STARS event at Dominion, ARCA West in Tucson and we preview this weekend's short track action around the region in Short Track Spotlight along with our Xfinity, Truck and Cup Series mini preview and picks at Bristol for this weekend.

In this episode, I'm joined by fellow finance professional Scott Foley to discuss the viral debate between Daniel Priestley and Gary Stevenson on The Diary of a CEO.With wealth inequality at the forefront of global discourse, is a wealth tax really practical? We unpack and explain their clashing views on economic freedom, taxation, and government policy.We explore the most controversial solutions to narrowing the wealth gap and discuss some bold ideas such as a 100% inheritance tax, a land value tax, and taxing unrealised gains,We also look at the impact of AI, globalisation, and property prices on the economic landscape—and what it all means for the future of wealth creation and distribution.00:03 Debate Breakdown: Daniel Priestley vs. Gary Stevenson01:39 Key Points of Agreement and Disagreement04:05 Economic Freedom and Entrepreneurship04:29 Wealth Inequality and Taxation11:00 Global Economic Policies and Their Impact17:05 Profit Shifting and Consumption Tax32:07 Inheritance Tax and Wealth Distribution35:46 Unlocking Unrealised Gains36:34 100% Inheritance Tax and Its Implications38:39 Property Prices and Housing Crisis42:30 Why Gary is Wrong about the History of Property Ownership44:05 The Truth About the UK Under High Taxation49:41 Land Value Tax as a Solution01:00:58 Quantitative Easing and Inequality Hosted on Acast. See acast.com/privacy for more information.

Movie recommendations or comments for us? Text us here!We're watching the 2025 romantic comedy La Dolce Villa this week. Eric heads off to Italy to stop his daughter from buying a crumbling villa for a euro. He is unsuccessful, but like a good dad, sticks around to help with the renovations. While restoring the house, Eric and Liv discover futures for themselves that they could not have imagined back in Ohio.We're pretty sure this is a Netflix original. It stars Scott Foley, Violante Placido and Maia Reficco.Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

Scream a little louder! We're celebrating the 25th anniversary of “Scream 3,” the final chapter (for a while!) in Wes Craven's iconic slasher trilogy. Join us as we revisit the Hollywood horrors facing Sidney Prescott (Neve Campbell), Gale Weathers (Courteney Cox), and Dewey Riley (David Arquette). We'll dissect the killer's motives, discuss the addition of stars like Patrick Dempsey, Parker Posey, and Scott Foley, and ponder how real life events changed the direction of the film. Was “Scream 3” a fitting end? Or did the script changes by Ehren Kruger fall short of Kevin Williamson's original vision? Joining us for this discussion is one of our favorite guests, Mark J. Parker of the Release Date Rewind podcast, who is not only the king of anniversaries, but has also been with us on every single Scream episode we have done to date! Hit play and let's scream about it together!Links For Guest: Release Date Rewind Podcast

Ryan celebrates the podcast's milestone 200th episode. Ryan and his guests discuss the news about Scream 7, Scott Foley and Matthew Lillard joining the cast, Mason Gooding's recent comments, and Sarah Michelle Gellar's return to Buffy the Vampire Slayer in a reboot. In this episode, Ryan announces a new creative producer, Ashley Summers from the Squirrel and Spud shop. Guests include Amar Karim, Sarah Campbell, Jacob Randall from the Happy Horror Time Podcast, as well as “the Straight Bros” from episode 150, Josh Carr and TJ Jones. Subscribe on Patreon.com/screamwithrcs Introduction Podcast Milestone “Long Live” A Buffy Reboot with Sarah Michelle Gellar Scream 7 Hopes “The Straight Bros”  Scream 7 Talk Scott Foley and Matthew Lillard Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Editor: @albertmpadilla  Producer: @ninnetimes @squirrelandspud9  Taylor Swift Song of the Week: “Long Live” (Speak Now) Guests: @AmarKarim @HappyHorrorTime @jacobthefool @sar.campbell @mistajahh @joneshiphop  Horror Hotties calendar by The Horror Fried Podcast

Join us in this latest episode of Back To The Blockbuster as we dive into the latest movie news that has everyone talking! We start off with the controversy surrounding Karla Sofía Gascón—what's the scoop and how is it impacting her career and Emilia Pérez's Oscar chances? Next, we discuss the evolving “It Ends With Us” lawsuits involving Blake Lively and Justin Baldoni that's making waves in Tinseltown. Then, we shift gears to the thrilling casting announcements for “Scream 7,” featuring the return of the dead cast announcements of Matthew Lilliard and Scott Foley, and get you hyped for Christopher Nolan's epic adaptation of “The Odyssey”—who's been added to the cast, and what can we expect? As we explore the world of reboots, we'll give you all the details on “The Faculty” reboot and take a look at the highly anticipated trailers for “The Fantastic Four: First Steps,” “Jurassic Park Rebirth,” and “Final Destination: Bloodlines,” and “Hurry Up Tomorrow.” Finally, we wrap up our episode with box office predictions “Heart Eyes” Don't miss out on our insights and analysis—tune in for all this and more in today's episode!

We're welcoming Destiny as the newest member of our geek squad!

It's Oscar season and we have some thoughts on the very small number of nominated films that we've bothered to watch!We also talk Phantom Liberty, The Lake House, The Substance, Nosferatu, Scream 7, Robbie Williams, Alien: Earth, Book of the New Sun Book Two, and more!Matthew Lillard returns for Scream 7... somehow - https://www.darkhorizons.com/matthew-lillard-returns-for-scream-7/So does Scott Foley - https://www.darkhorizons.com/scott-foley-returns-for-scream-7/Alien: Earth will probably annoy Matt - https://arstechnica.com/culture/2025/01/alien-earth-teaser-gives-us-xenomorphs-pov/  If you'd like to support the show head on over to our Patreon and for as little as $1 a month you can become a member and get the show a bit earlier than everybody else. And if you want more show then for $5 a month you can get The After Party, where we keep talking for another 30+ mins every week!

On February 4th, Scream 3 celebrates its 25th anniversary. To properly honor his top film of the franchise, Ryan invites everyone in the Patreon who ranks the film as the best in the series or their favorite sequel to share what makes it so special. Also, Ryan also speaks about the history of Scream 3 and how its reputation has shifted over time. In addition, Ryan covers the news that Scott Foley and Matthew Lillard will return to the franchise in Scream 7.  Listen to the full episode on Patreon.com/screamwithrcs Introduction Scream 3's Shifting Reputation  The Return of Roman and Stu Guest Scream Story & Speed Round All of the Scream 3 Fans Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Editor: @albertmpadilla  Taylor Swift Song of the Week: “Invisible String” (folklore)

Matthew Lillard and Scott Foley are back for Scream 7! How? Why? What? Well we have a few theories. What do you think of this development? Join us on Patreon for spoilers, early access, and exclusive content! https://www.patreon.com/c/scaretalk #scream #scream7 #horrornews #matthewlillard #stumacher

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Netflix revealing its 2025 slate withe first looks at its projects, Benedict Cumberbatch revealing he is in Avengers: Doomsday while Chris Evans revealing he is out of it, the MJ Biopic is a mess,  Jake Gyllenhaal leading a new M. Night Shyamalan movie, Anthony Mackie's comments about Captain America 4, The Russos running X-Men franchise, no Superman Super Bowl trailer, the Magazine Dreams, Sinners and Happy Face trailers, Tarantino talking 2019 as the last year of real movies, the Sofia Gascon  vs Fernanda Torres Oscars drama, Companion review and more.#Superman #Marvel #Oscars #TheHotMic #JohnRocha #JeffSneider ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:58 Netflix Reveals 2025 Slate- What Stood Out to Jeff and John?11:41 John Leguizamo Cast in Christopher Nolan's "The Odyssey"15:43 Jake Gyllenhaal to Star in Next M. Night Shyamalan Movie22:20 No 'Superman' Trailer in Super Bowl - Why is WB Making This Decision?27:54 John and Jeff Debate if WB Should Promote Superman on Joe Rogan Experience33:42 Anthony Mackie's Captain America 4 Comments- Much Ado About Nothing???44:28 Chris Evans Says He Is Not in Doomsday, But Doctor Strange is In It Now46:30 BREAKING: Jeff Sneider Reveals Harris Dickinson Considered for Cyclops in X-Men50:40 Will The Russos Really Run X-Men for the MCU?53:00 Brandon Sklenar Rumored for NOVA Series Lead, Rocha's Rumors58:53 Karla Sofía Gascon's Racist and Islamaphobic Tweets Resurface from 20201:11:39 Michael Jackson Biopic Is A "Dumpster Fire" with Reshoots of Third Act1:16:20 Matthew Lillard and Scott Foley in 'Scream 7'1:18:20 Zack Cregger Officially Doing a Resident Evil Reboot1:19:28 Blake Lively and Ryan Reynolds New Controversial Updates1:23:10 Magazine Dreams, Sinners Trailers1:28:22 Quentin Tarantino's Comments about Studios Killing Release Windows1:30:35 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  

Join Host Shane, Co-Host Russell, and Dave as we continue our Scream deep dive for Halloween, with Scream 3 (2000)! Written by Ehren Kruger, Characters by Kevin Williamson; Directed by Wes Craven; Starring Liev Schreiber, Kelly Rutherford, Neve Campbell, Courtney Cox, Patrick Dempsey, Scott Foley, Parker Posey, Patrick Warburton, David Arquette, and more! Join us on Patreon for just $1 per month, and you can help us continue to talk about movies! patreon.com/draftyQ Check out our Amazon Wishlist! Buy stuff for us! https://www.amazon.com/hz/wishlist/ls/322RUIF15J9O0?ref_=wl_share

Our own beloved James Novak (Dan Bucatinsky) joins to break down an infamous episode and what it was like to find out he was the one killed off. Plus, Katie and Guillermo explore James' career while acting on Scandal and simultaneously writing on Grey's Anatomy. And to wrap things up, Scott Foley shares his thoughts on the episode and having to kill James.  What do you think, Gladiators? Email us at UTT@Shondaland.com or leave us a voicemail at 805-298-1474 to share your thoughts about the show, about food, about life, but mostly about the show. We would love to hear from you!See omnystudio.com/listener for privacy information.

For Mike White's second credited episode, it's Friday the 13th! Apparently, this is an occasion Dawson's friends have long known is one he likes to mark with scarifying pranks, and that telling him in so many words that they don't like it will not make him stop. Given her new status as Dawson's platonic friend, Jen assumes she will also be on the receiving end of some of this mischief, even though Dawson keeps telling her he actually had nothing planned. Cliff doesn't have anything planned either, beyond just asking Jen on a date and then immediately getting stressed out about it because he doesn't know if he'll be able to live up to the standard set by...Dawson? (Again we must ask if Cliff knows he's a character being played by Scott Foley.) Who will be at Dawson's Friday the 13th séance, and what will go down? Find out in our podcast on "The Scare"! JOIN THE AWT CLUB

Since Scott Foley, aka Jake Ballard, was notorious for fart noises in set, which spread through the rest of the Scandal cast, it's only appropriate that this episode comes with a content warning: Gas. But when Scott, Katie and Guillermo aren't discussing mouth noises, they deep dive into how Scott got cast on Scandal, then RE-CAST on Scandal, and the infamous basketball scene with President Fitz.  What do you think, Gladiators? Email us at UTT@Shondaland.com or leave us a voicemail at 805-298-1474 to share your thoughts about the show, about food, about life, but mostly about the show. We would love to hear from you!See omnystudio.com/listener for privacy information.