Podcasts about whiting creative nonfiction grant

“Travel does not require leaving your city or state or country, but it does require leaving your comfort zone. And that can happen a block or two away from where you live.” –Chloe Cooper Jones In this episode of Deviate, Rolf and Chloe talk about why a section about “slum tourism” was cut out of Rolf’s newest book The Vagabond’s Way (2:30); how so much of what we talk about when we talk about travel has industrialized middle-class presumptions (7:30); the motivations and ethical considerations that underpin seeking out disadvantaged neighborhoods as a traveler (15:00); how preconceived narratives and “cultural extraction” often motivates people’s experience in a city, in ways that do not always benefit the city (25:00); what “dark tourism” and “voluntourism” are, and what the ethical ramifications are for travelers (32:00); and the difference between articulating ideals, and the work of acting on those ideals (45:00). Chloe Cooper Jones (@CCooperJones) is the author of Easy Beauty: A Memoir. She has been a Pulitzer Prize finalist in Feature Writing, and was the recipient of a Whiting Creative Nonfiction Grant, as well as a Howard Foundation Grant from Brown University. Notable Links: Integrating love of travel & love of home (Deviate episode 210) The Vagabond's Way, by Rolf Potts (book) The Most Beautiful Walk in the World, by John Baxter (book) Slum tourism (tours to poor areas of a city) Poetics, by Aristotle (dramatic theory) Republic, by Plato (Socratic dialogue) Immanuel Kant (philosopher) Slumdog Millionaire (2008 movie) Apartheid (system of institutionalized racial segregation) Favela (slum in Brazil) Yelp (crowd-sourced business review app) Dark tourism (tourism to places associated with tragedy) 1990 Hesston tornado outbreak (Kansas weather event) Tuol Sleng Genocide Museum (tourism attraction in Cambodia) Saw (movie franchise) Voluntourism (volunteering-themed travel) Hurricane Katrina (2005 Gulf Coast weather event) Lower Ninth Ward (New Orleans neighborhood) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

  Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025).       *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.

Carina del Valle Schorske is a writer, translator, and wannabe backup dancer. Her debut essay collection, The Other Island, is forthcoming from Riverhead Books. It was recently awarded a Whiting Creative Nonfiction Grant. She writes about Caribbean culture, literary politics, diasporic dramas, and the songs she can't stop singing to herself. Her essays have been published many places including The Believer, The Cut, The Point, and the New York Times Magazine, where she is now a contributing writer. As a translator, she focuses on Puerto Rican poetry, especially the work of Marigloria Palma. Her own poetry has been featured in a variety of small journals and anthologies, and supported by fellowships from CantoMundo, MacDowell, and the Bread Loaf Writers' Conference. Recorded October 17, 2023 at the Shapiro Center at Wesleyan University Edited by Michele Moses Music by Dani Lencioni Art by Leanne Shapton Sponsored by the Shapiro Center for Creative Writing and Criticism at Wesleyan University, New York Review of Books, Lit Hub, and Knopf

The past few years have brought a huge resurgence in labor organizing across the U.S.—efforts which, from Chris Smalls' founding of the Amazon Labor Union to Cecily Myart-Cruz's work as president of United Teachers Los Angeles, have been driven in large part by members of the Black working class. In award-winning historian Blair LM Kelley's BLACK FOLK, she shows conclusively that this legacy of Black labor organizing stretches back to before Emancipation. Highlighting the lives of the laundresses, Pullman porters, domestic maids, and postal workers whose established networks of resistance are still alive today, her narrative treats Black workers not just as laborers or activists, but as people whose daily experiences mattered in their own right. This event took place on July 27, 2023. Kelley demonstrates that the church yards, factory floors, railcars, and postal sorting facilities where Black people worked were sites of possibility, and, as she suggests, Amazon package processing centers, supermarkets, and nursing homes could be the same today. BLACK FOLK is thus not just an epic of American history writ large—it's a vision, too, of our possible future. For this virtual launch event, Kelley will be joined by Robin D.G. Kelley. Get a copy of BLACK FOLK: https://bookshop.org/a/1039/978163149... Blair LM Kelley is the director of the Center for the Study of the American South and codirector of the Southern Futures initiative at the University of North Carolina. Her first book, Right to Ride, won the Letitia Woods Brown Memorial Book Prize, and she received a Whiting Creative Nonfiction Grant to support her writing of Black Folk. She lives in Durham, North Carolina. Robin D. G. Kelley is Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA. He is the author of Hammer and Hoe, Race Rebels, Freedom Dreams: The Black Radical Imagination, and Thelonious Monk: The Life and Times of an American Original, among other titles. His writing has been featured in the Journal of American History, American Historical Review, Black Music Research Journal, African Studies Review, New York Times, The Crisis, The Nation, and Voice Literary Supplement. Watch the live event recording: https://www.youtube.com/watch?v=xBv1CGteQLc Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

“I think what one of the things that's interesting to me is like when we think about what causes distress and a life that goes awry, there's so much attention to different causes, but the way that the story, or the diagnosis, or the treatment interacts with our identity, I think, is not thought about as much. Like, the way that the very intervention itself changes our sense of who we are feels like it gets neglected. There's this sense that, you know, the diagnosis is describing something that is always solid and real and less thought given to like, well, how does that diagnosis interact with a mind? And how does the mind change knowing that the mind has been characterized this way?” You might recognize Rachel Aviv's name from The New Yorker, where she's been a staff writer for a decade, covering subjects like medical ethics, psychiatry, criminal justice, and education. She's been a finalist for the National Magazine Awards twice, and in 2022 she won one for profile writing. In 2022, she also published Strangers to Ourselves: Unsettled Minds and the Stories That Make Us, a recipient of the Whiting Creative Nonfiction Grant and named by The New York Times as one of the ten best books of the year. In It, Aviv tells the story of four people and the treatment they underwent—or not—for their mental illness. It's a gorgeously told, layered exploration of all that we don't know about the brain and the mind, and how various treatment modalities restructure our lives—including the stories we tell about who we are. Okay, let's get to our conversation. MORE FROM RACHEL AVIV: Strangers to Ourselves: Unsettled Minds and the Stories That Make Us Read Rachel in The New Yorker Follow Rachel on X To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Notes and Links to Chloé Cooper Jones' Work        Chloé Cooper Jones is a professor, journalist, and the author of the memoir Easy Beauty, which was named a best book of 2022 by The New York Times, The Los Angeles Times, The Washington Post, TIME Magazine, and was a finalist for the 2023 Pulitzer Prize in Memoir. She was also a Pulitzer Prize finalist in Feature Writing in 2020. She is a contributing writer for The New York Times Magazine, a Whiting Creative Nonfiction Grant recipient and a Howard Foundation Fellow. She lives in Brooklyn, New York.      For Episode 197 of The Chills at Will Podcast, Pete welcomes Chloé Cooper Jones, and the two discuss, among other things, her early relationship with reading, writing, seeking beauty, her parents' influences on her world views, formative and transformative writers (and “fun trash” she read), and salient topics from her powerful memoir, such as muses and aesthetes, pop culture and philosophy, bigoted views on women as those with disabilities, and the pertinent trips that Chloé took in seeking beauty, catharsis, and hope.      Buy Easy Beauty: A Memoir   Chloe's Website   Chloe's Pulitzer-Prize Nominated Article for The Verge- “Fearing for His Life”   People Magazine 2022 Article about Easy Beauty-“Author Chloé Cooper Jones, Who Has a Visible Disability, On Deciding to Claim Space For Herself and Her Son” At about 1:35, Chloe lets the listener in on her mindset in hearing about her second Pulitzer Prize nomination, including the beauty of combining family pursuits and career    At about 6:55, Chloe gives out information regarding where to buy her book, and her contact information, including Greenlight and Books are Magic, and Lawrence, KS' The Raven Bookstore   At about 8:45, Chloe talks about her childhood and its focus on beauty as impressed upon her by her parents in their different ways; she calls “having a rich interior life a survival mechanism”    At about 13:15, Pete shouts out a short story idea from Chloe's father that was emblematic of his mind   At about 14:00, Chloe details some of the reading that excited and challenged her as she grew up, and “the fun trash” too   At about 16:40, Chloe lists Diane Williams and Cormac McCarthy, among many others, as formative writers   At about 17:30, Pete asks Chloe about David Foster Wallace and some other nonfiction she may have read; she notes how “exciting” his sportswriting was, and Janet Malcolm and John McPhee as other great influences   At about 20:20, Chloe shouts out the recently-released and incredibly versatile work of Andrew Leland-The Country of the Blind, Rachel Aviv's work, and Jessamine Chan's School for Good Mothers   At about 22:10, Chloe responds to Pete's question about if she felt represented in what she read growing up, and she answers the question using Coming Home as one anomaly   At about 26:30, Chloe reflects on the use of the word “disabled” and its myriad meanings    At about 28:05, Chloe answers Pete's questions about the balance between disabled people educating others and well-meaning people and possible dehumanizing actions; she cites a telling excerpt from Andrew Leland's book   At about 33:30, Pete cites Elaine Scarry and how Chloe connects ideas of processing beauty and ignorance   At about 34:15, Pete lays out the structure for the book as based on trips Chloe took, and he and Chloe discuss the importance and circumstances of the first trip chronicled, the trip to see Beyonce at San Siro; Chloe builds on the idea and definitions of “easy beauty”   At about 41:55, Pete compliments Chloe's genuine writing about her son and motherhood   At about 42:55, Chloe explains the power of Beyonce and her “radical presence”   At about 45:50, The two discuss the freeing nature of Chloe's reporting trip to see Roger Federer, which leads to further discussion of how Chloe's melds philosophy and more aesthetic ideals with a more pop(ular) sensibility   At about 51:10, Chloe discusses an opening scene from the book that engendered strong feelings for her, as well as pervasive beliefs    At about 54:45, Chloe reflects on what was different about her reaction to the above conversation and the phenomenon of “The Neutral Room”   At about 56:35, The two discuss the book's “Indifferent Man”   At about 59:20, Chloe gives background on her trip to Rome and seeking beauty and connections to her father's philosophies    At about 1:04:15, The two discuss Chloe's trip to Cambodia, and she discusses the evolving nature of her research and searching questions, as catharsis and society's desire for witnessing violence become topics   At about 1:13:10, Pete notes the emphasis on capitalism in “dark tourism” and the seeming normality of dark tourism sites   At about 1:14:35, The two discuss a final scene dealing with perspective and Chloe's mother and a trip to Miami   At about 1:19:25, Chloe responds to Pete's question about how she deals with writing on profound and deeply painful and tragic topics   At about 1:23:45, Chloe talks about upcoming events and projects, including working with Matty Davis in Bentonville, AR    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 198 with Sarah Thankam Mathews (Thungun) who is the author of the novel All This Could Be Different, which was shortlisted for the 2022 National Book Award and the 2022 Discover Prize, and nominated for the Aspen Literary Prize. She is formerly a Rona Jaffe Fellow in fiction at the Iowa Writers Workshop, and a Margins Fellow at The Asian American Writers Workshop. 

Episode 196 Notes and Links to Rachel Howzell Hall's Work       On Episode 196 of The Chills at Will Podcast, Pete welcomes Rachel Howzell Hall and the two discuss, among other things, her devotion to reading throughout her life, her love of crime writing and thrillers, the draw of her favorite writers, and ideas raised and dealt with in her writing, including themes of loneliness, identity, racism, traumas both historical and individual, gentrification, and fear.      Rachel Howzell Hall''s debut novel, A Quiet Storm, was published in 2002 by Scribner to great notice, and was chosen as a “Rory's Book Club” selection, the must-read book list for fictional television character Rory Gilmore of The Gilmore Girls.    She is the critically acclaimed author and Los Angeles Times Book Prize finalist for And Now She's Gone, which was also nominated for the Lefty-, Barry- and Anthony Awards. A New York Times bestselling author of The Good Sister with James Patterson, Rachel is an Anthony-, International Thriller Writers- and Lefty Award nominee and the author of They All Fall Down, Land of Shadows, Skies of Ash, Trail of Echoes and City of Saviors in the Detective Elouise Norton series as well as the author of the bestselling Audible Original, How It Ends.    Rachel is a former member of the board of directors for Mystery Writers of America and has been a featured writer on NPR's acclaimed Crime in the City series and the National Endowment for the Arts weekly podcast; she has also served as a mentor in Pitch Wars and the Association of Writers Programs.    She lives in L.A. with her husband and daughter.       Buy What Never Happened   Rachel's Website   Review of What Never Happened from Kirkus Reviews  At about 1:20, Rachel talks about her mindset in the days leading up to the publication of What Never Happened on August 1, 2023; she also    At about 4:20, Rachel talks about the realism she seeks in her writing, particularly the book's ending   At about 5:30, The two discuss the book's bold opening   At about 6:15, Rachel gives background on her early reading and writing and love for LA, as well as her lifelong fascination with crime   At about 8:55, Rachel talks about the power of Stephen King's work, particularly It   At about 10:20, Rachel talks about her experience at UC Santa Cruz   At about 11:00, Rachel discusses representation in the work she read growing up, and her desire to reflect different realities in her work in her specific way   At about 13:30, Rachel cites Laura Lippman, Megan Abbott and Gillian Flynn as writers whose treatment of “complex female characters” inspires her and her own work; she also cites Dennis Lehane and his “twists”; Eric Larson (telegraphs) and Jon Krakeur, too, are nonfiction writers who have influenced her    At about 16:30, Rachel responds to Pete's question about how she sees genre and she highlights “sense of place” by Jordan Harper and Tod Goldberg   At about 19:20, Rachel talks in general and specifically about What Never Happened regarding writing the balance between plot/theme/allegory, etc.   At about 22:05, Rachel discusses the book's setting and seeds for the book, including the draw of Catalina Island for someone who grew up in Los Angeles    At about 24:15, Rachel talks about the pandemic and obituaries and their effects on the books   At about 25:15,    At about 26:40, Pete and Rachel discuss Southland and their shared love for the show, as Pete connects the show's in medias res to the book's beginning   At about 29:00, The two discuss complications in the book and important characters in Coco's life, including her spurned and threatening ex-husband   At about 31:55, Rachel talks about how the tragedies that Coco experienced affects her as a “people pleaser”   At about 33:45, Rachel and Pete give a little historical background on Catalina Island, its landscape and unique social climate; Rachel shares some interesting historical anecdotes and trivia based on her research and some of her rationale in building upon themes in the book with regard to the island   At about 39:50, Rachel vouches for the historical veracity of the racist wording used in the Avalon newspapers in the archives Coco searches in the book   At about 42:00, The two shout out Gwen, who Rachel calls “everyone's sassy aunty”    At about 43:00, Pete quotes a great line from Gwen   At about 44:00, Rachel characterizes Noah, and how he views Coco   At about 46:30, Pete lays out a series of crimes that terrorize the island in the book, in tandem with the beginning of the Covid epidemic; Rachel expands upon ideas of the despicable things done in quarantine   At about 49:00, Pete highlights the cascading problems and scares that complicate Coco's life as the book goes on   At about 50:15, Pete recounts an early scene with a cab driver that is prophetic   At about 51:30, Pete outlines some key themes of the book-racism, gentrification, etc.: and Rachel expands on ideas of classicism and ideas of loneliness, as well as Garden of Eden   At about 54:10, Pete and Rachel   At about 55:40, Pete asks Rachel about writing in different voices-obituary, narration, etc.,-as well as the genesis of the book's title   At about 58:50, Rachel imagines who would play Coco if a movie of What Never Happened took place   At about 59:35, Rachel talks about exciting future projects    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Check out the next episode, which airs on August 1 Chloe Cooper Jones is a contributing writer at The New York Times Magazine; She is also a Pulitzer Prize finalist in Feature Writing for “Fearing for His Life,” a profile of Ramsey Orta, the man who filmed the killing of Eric Garner, and the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University, with both grants in support of her 2023 book, Easy Beauty.    The episode will air on August 1.

Notes and Links to Jessica Cuello's Work      In Episode 195, Pete welcomes Jessica Cuello, and the two discuss, among other topics, her deep love for poetry and the French language, the power of libraries, transformational work by Jamaica Kincaid, the history of Mary Shelley, her mother, Mary Wollstonecraft, and the chaotic and amazon lives led by the family members, ideas of guilt, trauma, misogyny, feminist power, death, doomed love, and identity.     Jessica Cuello's most recent book is Yours, Creature (JackLeg Press, 2023). Her book Liar, selected by Dorianne Laux for The 2020 Barrow Street Book Prize, was honored with The Eugene Nassar Prize, The CNY Book Award, a finalist nod for The Housatonic Book Award, and a longlist mention for The Julie Suk Award. Cuello is also the author of Hunt (The Word Works, 2017) and Pricking (Tiger Bark Press, 2016). Cuello has been awarded The 2022 Nina Riggs Poetry Prize, two CNY Book Awards, The 2016 Washington Prize, The New Letters Poetry Prize, a Saltonstall Fellowship, and The New Ohio Review Poetry Prize. In addition, Cuello has published three chapbooks: My Father's Bargain (2015), By Fire (2013), and Curie (2011). In 2014 she was awarded The Decker Award from Hollins University for outstanding secondary teaching. She is poetry editor at Tahoma Literary Review and teaches French in CNY.      Buy Yours, Creature   Jess' Website   Review of Yours, Creature At about 2:30, Jessica responds to Pete asking about where to buy Yours, Creature, and her social media/contact information   At about 3:40, Jessica talks about her relationship with language and literature, as well as books like Jamaica Kincaid's that changed her trajectory, and her relationships with libraries, small towns, and urban areas   At about 11:10, The two discuss teaching foreign language and evolving pedagogy   At about 12:05, Jessica answers Pete's questions about any links between French-which she teaches-and her own writing    At about 14:30, Pete talks about Mary Wollstonecraft and his knowledge or lack thereof in asking Mary about the links between her and her daughter, Mary Shelley; Jessica talks about seeds for her interest in the Marys   At about 20:10, The two discuss the frenetic life, particularly her teens and 20s, of Mary Shelley   At about 21:20, Pete asks about the rationale for the poetry collection's title; Jessica speaks to its significance    At about 22:55, Pete speaks about the epistolary form of the letters and wonders about the formality of much of the work   At about 24:10, Jessica gives background on her structure for the book and its iterations    At about 25:50, Pete lays out the book's first poem and birth and death; he reads from Page 4 and asks Jessica about ideas of revenge; she speaks of an evocative image   At about 28:30, Jessica cites evidence of Shelley's father, Godwin, and the stories he wrote about her life and the violence he perpetrated    At about 30:25, Pete reads from some early poems, laying out the divide between mother and stepdaughter   At about 31:00, The theme of loss is discussed   At about 31:50, Jessica reflects on her usage of initials for the males in the collection, particularly Godwin   At about 34:50, The two concentrate on a poem that deals with “threes” and the family dynamic after Mary Wollstonecraft's death and ideas of guilt   At about 37:10, Jessica explains a blank in a poem and its meanings and her rationale   At about 38:40, Jessica explains a legend about Mary Shelley and Percy's trysts    At about 40:25, Pete reads telling and moving lines about grief from the collection   At about 41:20, Men in Shelley's life are discussed in their flightiness, and Pete asks Jess about what shone through for Mary in loving Percy   At about 44:15, Pete highlights strong imagery, and Jess talks about Fanny, a half-sister of Mary, and ideas of women not wanting to “inconvenience” others   At about 47:25, Traumas of many types are discussed    At about 49:00, Jessica responds to Pete's wondering about “the creature” and its origins and meanings; Jessica and Pete reflect on the creature as “feminine”    At about 52:30, The two discuss the ways women's bodies are viewed, as Pete cites important lines from the collection   At about 54:00, Pete asks about any future project that Jessica is working on     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Check out the next episode, which airs on August 1. Chloe Cooper Jones is a contributing writer at The New York Times Magazine; She is also a Pulitzer Prize finalist in Feature Writing for “Fearing for His Life,” a profile of Ramsey Orta, the man who filmed the killing of Eric Garner, and the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University, with both grants in support of her 2023 book, Easy Beauty.    The episode will air on August 1.

“A willingness to fail is an important part of difficult beauty. Because difficult beauty will arrive first not as beauty at all.” –Chloe Cooper Jones In this episode of Deviate, Rolf and Chloe discuss the philosophical concept of "easy beauty" and "difficult beauty" in the context of travel (2:30); how our relationship to places changes over time with repeated exposure (15:00); how art and travel, home and adventure, became important aspects of Chloe's life (23:00); how the archetype of the "Hero's Journey" evokes aspects of home as well as travel (35:30); Chloe's investigation and experience of "dark tourism" in Cambodia, and how it gave her perspective on how other people view her disability (45:15) and how there's no easy way to navigate the polarities of the self, but trying to do so can result in a hard-won experience of beauty (1:08:00). Chloe Cooper Jones (@CCooperJones) is the author of Easy Beauty: A Memoir. She has been a Pulitzer Prize finalist in Feature Writing, and was the recipient of a Whiting Creative Nonfiction Grant, as well as a Howard Foundation Grant from Brown University. Notable Links: Bernard Bosanquet (English philosopher) Sublime (philosophical concept) Paris Writing Workshops (Rolf's summer writing classes) The Vagabond's Way, by Rolf Potts (book) Lake Como (lake region in Italy) "The Loss of the Creature," essay by Walker Percy Teotihuacan (pyramid site in Mexico) Pico Iyer (travel writer) Zen and the Art of Motorcycle Maintenance (book) Quality (philosophical concept) "Such Perfection," (Believer essay by Chloe Cooper Jones) The High Line (elevated greenway park in New York City) Roland Barthes (French literary theorist) Souvenir, by Rolf Potts (book) The Sheltering Sky, by Paul Bowles (novel) Heroes of the Fourth Turning (2019 play by Will Arbery) "The Grateful Acre," monologue from Arbery's play Hero's journey (narrative template) Minangkabau people (ethnic group in Sumatra) Wanderjahre (journeyman tradition in Germany) Gyoza (Chinese dumplings) Thich Nhat Hanh (Vietnamese Buddhist monk) Killing Fields (genocide sites in Cambodia) Poetics, by Aristotle (philosophical treatise) Catharsis (purging or purification of emotions) The Philosophy of Horror, by Noël Carroll (book) Dark tourism (phenomenon of travel to tragic places) Tuol Sleng (Cambodian genocide museum) Francis Galton (English explorer and geographer) Tuk-tuk (auto-rickshaw common in SE Asia) Sørumsand (provincial town in Norway) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Chloé Cooper Jones (Easy Beauty) joins Jordan to talk about avoiding mandates, about writing through pain and trauma, and about finding the neutral room in one's own mind. MENTIONED: "Everything is copy" -- Nora Ephron sacral agenesis Richard Serra Chloé Cooper Jones is a writer based in New York City. In 2020, Chloé was a Pulitzer Prize finalist in Feature Writing for “Fearing for His Life,” a profile of Ramsey Orta, the man who filmed the killing of Eric Garner. She was the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University. Both grants were in support of her debut memoir, Easy Beauty. She lives in Brooklyn, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rachel Aviv is a staff writer at The New Yorker, where she writes about medicine, education, criminal justice, and other subjects. In 2022, she won a National Magazine Award for Profile Writing. A 2019 national fellow at New America, she received a Whiting Creative Nonfiction Grant to support her work on this book, Strangers To Ourselves. She lives in Brooklyn, New York. Recommended Reading: “Wants” by Grace Paley Stoner by John Williams Madness and Modernism by Louis Sass Learn more about your ad choices. Visit megaphone.fm/adchoices

In conversation with Isaac Fitzgerald Freelance journalist Chloé Cooper Jones was a 2020 Pulitzer Prize finalist in feature writing for ''Fearing for His Life,'' a profile of the man who filmed NYPD officers killing Eric Garner. Also a philosophy professor, she has published articles in a wide array of periodicals, including The Believer, GQ, Vice, and New York magazine. She is the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University, and her work has been anthologized in The Best American Travel Writing and The Best American Sports Writing. A memoir about motherhood, disability, and underlying societal expectations, Easy Beauty follows Jones's painful literal and figurative worldwide journeys to reclaim spaces she'd been denied. Isaac Fitzgerald appears frequently on The Today Show and is the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His writing has appeared in The New York Times, The Guardian, The Best American Nonrequired Reading, The Boston Globe and numerous other publications. His debut memoir, Dirtbag, Massachusetts, is forthcoming in July, 2022. He lives in Brooklyn. (recorded 5/12/2022)

Writer, Speaker and Producer Dev Ramsawakh talks with Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—about Easy Beauty , her groundbreaking memoir about disability, motherhood, and a journey to far-flung places in search of a new way of seeing and being seen. “I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.” So begins Chloé Cooper Jones's bold, revealing account of moving through the world in a body that looks different than most. Jones learned early on to factor “pain calculations” into every plan, every situation. Born with a rare congenital condition called sacral agenesis which affects both her stature and gait, her pain is physical. But there is also the pain of being judged and pitied for her appearance, of being dismissed as “less than.” The way she has been seen—or not seen—has informed her lens on the world her entire life. She resisted this reality by excelling academically and retreating to “the neutral room in her mind” until it passed. But after unexpectedly becoming a mother (in violation of unspoken social taboos about the disabled body), something in her shifts, and Jones sets off on a journey across the globe, reclaiming the spaces she'd been denied, and denied herself. From the bars and domestic spaces of her life in Brooklyn to sculpture gardens in Rome; from film festivals in Utah to a Beyoncé concert in Milan; from a tennis tournament in California to the Killing Fields of Phnom Penh, Jones weaves memory, observation, experience, and aesthetic philosophy to probe the myths underlying our standards of beauty and desirability, and interrogates her own complicity in upholding those myths.

Raising Greener Teens is a part of the EcoParent Podcast Network: https://www.ecoparent.ca/podcasts I'm your host Manda Aufochs Gillespie and this is the Raising Greener Teens podcast, where we as parents take all the curiosity, self-empowerment, and other parenting tools that got us this far and apply them to understanding our teenagers better and hopefully shepherd them to becoming curious, self-empowered, caring and courageous citizens of the future. In this episode I interview author Jennifer Block about her most recent book Everything Below the Waist: Why Health Care Needs a Feminist Revolution.I'd suggest this is one of the most important books a woman will ever read. But what does it mean for our teenagers, especially our daughters? We will learn more today. And then, at the end, my daughter will Teen Splain the issue. Stay tuned. Stay curious. About the Episode:American women visit more doctors, have more surgery, and fill more prescriptions than men. In Everything Below the Waist, Jennifer Block looks at the stories behind some scary stats to question why one third of mothers give birth by major surgery; roughly half of women lose their uterus to hysterectomy; and life expectancy of women are declining relative to women in other high-income countries, and relative to the generation before them. Our teenagers are growing up in a world where feminism has some serious unfinished business in women's healthcare. Jennifer Block leads us in a discussion of how we might help guide our teenagers to enter adulthood, eyes open to the possibility of improving healthcare for all people. She covers it all and then my teenager simplifies it in her “Teen Splain”.Guest Bio & Links:Jennifer Block is an independent journalist focused on women and health. Her work has appeared in The Washington Post Magazine, Pacific Standard, The Cut, Newsweek, The Los Angeles Times, and many other publications. Her first book, Pushed, led a wave of attention to the national crisis in maternity care and was named a Best Book of 2007 by Kirkus Reviews. A reporter with Type Investigations, Block won several awards for her investigative reporting on the permanent contraceptive implant Essure, which has since been discontinued. For early chapters of Everything Below the Waist, she won a Whiting Creative Nonfiction Grant. She lives in Brooklyn, New York, with her son.Learn more about Jennifer Block and her books and writing at jenniferblock.com.Host Bio & LinksAre you a parent to a teenager? For most parents, the teenage years can be the most challenging. Parenthood will make the best of us rethink our fundamental values and question our preconceived beliefs. The Raising Greener Teens podcast invites listeners to use their skills of curiosity, research, and humour to further develop as experts in the care of their family and to help guide the teens in their care to do the same.Host Manda Aufochs Gillespie is the author of Green Mama & Green Mama-to-be, creator of the award-winning website thegreenmama.com, and founder of Folk University (folku.ca) and FolkU radio. She interviews doctors, naturopaths, sex educators, brain researchers, drug counsellors, parents who seem to be doing it better, and all sorts of interesting people in this series to provide inspiration to parents of teens and pre-teens, and—hopefully—teens themselves. Join Manda and her teenage daughter as they ask the experts: Is this the way it's supposed to be?About the EcoParent Podcast Network:The EcoParent Podcast Network helps busy families live a healthier, greener lifestyle. Our host experts are imperfect, real, busy parents just like you who share ways to lower our collective carbon footprint and practical strategies that make a difference to your family's health, the planet and to our children's future. We offer raw, honest conversations and actionable advice across our six podcasts: pregnancy & birth, pediatric wellness, kids' nutrition, green beauty, healthy home, and raising greener teens. Join us and get inspired to live a more sustainable, healthy life! www.ecoparent.ca/podcastsPartnerships:Audio magic on this episode was performed by Carlay Ream-Neal, and was edited by Emily Groleau.

KRISTEN RADTKE is the author of the graphic nonfiction book Imagine Wanting Only This. The recipient of a 2019 Whiting Creative Nonfiction Grant, Radtke is the art director and deputy publisher of The Believer. Her new graphic book is called Seek You. This episode's sponsor: This episode is sponsored by: Scribd. Go to try.scribd.com/maris for a 60-day free trial. HelloFresh. Go to HelloFresh.com/marisreview12 and use code marisreview12 for 12 free meals, including free shipping! Talkspace: Get $100 off your first month with Talkspace. Visit talkspace.com and use promo code MARISREVIEW. Literati. Redeem your free trial at literati.com/marisreview. Indeed: At Indeed.com/maris, get a $75 credit. Offer valid through JUNE 30TH. Terms and conditions apply. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristen Radtke is the author of the graphic nonfiction books Seek You: A Journey Through American Loneliness (July 2021), for which she received a 2019 Whiting Creative Nonfiction Grant, and Imagine Wanting Only This (2017) as well as the forthcoming graphic novel Terrible Men, all from Pantheon. She is the art director and deputy publisher of The Believer magazine.  Her work has appeared in The New York Times, Harper's, Marie Claire, The Atlantic, The Guardian, Elle, Vogue, NPR.org, and many other places. Find her on Twitter @kristenradtke and on Instagram @kristenradtke_. If you're enjoying Thresholds, please leave us a review on Apple Podcasts! If you're looking for more episodes, check out our backlist at www.thisisthresholds.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize and National Book Award finalist Deborah Baker’s is a biographer and essayist and has wrote for the Los Angeles Times. She was awarded a Guggenheim Fellowship and awarded a Whiting Creative Nonfiction Grant to complete her book, The Last Englishmen: Love, War and the End of Empire. Which is our discussion today. Her extraordinaire style of writing, places the reader into the story not just a bystander. So let’s begin our journey through the Indian subcontinent at the closing of the British Empire.

Pulitzer Prize and National Book Award finalist Deborah Baker's is a biographer and essayist and has wrote for the Los Angeles Times. She was awarded a Guggenheim Fellowship and awarded a Whiting Creative Nonfiction Grant to complete her book, The Last Englishmen: Love, War and the End of Empire. Which is our discussion today. Her extraordinaire style of writing, places the reader into the story not just a bystander.So let's begin our journey through the Indian subcontinent at the closing of the British Empire.

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine's Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus' Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine's Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine's Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus' Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine's Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. On this program, we talk about her new translation of Augustine’s Confessions, published by The Modern Library in June 2017. Publishers Weekly has called it “delightfully readable while still densely theological. In this lively translation filled with vivid, personal prose, Ruden introduces readers to a saint whom many will realize they only thought they knew.” Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don’t have the time or the courage to master Biblical Hebrew or Koine Greek, then Sarah Ruden is the best guide you are likely to find: friendly, informal, yet with a scholarly grasp of just how unrealizable perfect translation is.” Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the South African Education and Environment Project, an education-enrichment nonprofit in Cape Town. She was a scholar in residence for three years at Yale Divinity School and a Guggenheim fellow and is now a visiting scholar at Brown University. In the fall of 2016, she received the Whiting Creative Nonfiction Grant for her work on Augustine’s Confessions. Ruden made use of her experience in publishing several book-length translations of pagan literature to write Paul among the People: The Apostle Reinterpreted and Reimagined in His Own Time (Pantheon, 2010). Her translation of Aeschylus’ Oresteia is part of The Greek Plays, a Modern Library collection (2016). She has begun a new translation of the Gospels for The Modern Library, taking into account linguistic, literary, and historical research that has been poorly represented in standard translations. Garrett Brown has been the host of New Books in Biblical Studies since April 2015. He works as a book publisher and occasionally blogs at noteandquery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices