Tower of Babble

Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.

When dealing in the world of prequels, it's impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we've yet to see on ‘Andor' - “There's some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That's without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn't much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.

Show Notes'Star Wars: Episode III – Revenge of the Sith' 20th Anniversary Poster from Matt FergusonAndor Season 2's Ghorman Language Sounds Familiar For A ReasonAndor Season 2 Finally Explains Why Saw Gerrera Needs His Breathing Device In Rogue One

It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!

Hard to believe that 'Constantine' came out 20 years ago. That being said, as the movie tells us, time stops when you're dead, so what IS 20 years anyway? And as long as we're asking questions, the biggest one related to this movie is "why was it a flop?". Julian and Jeremy try to answer that very question, as well as unpack this extremely dense film that makes no effort to hold the audience's hand. And despite some rocky elements, 'Constantine' holds up as a surprisingly comic accurate rendition of the titular character, even if we weren't aware of it when it first released. Keanu, despite missing some of the obvious character flourishes like the blond hair and a British accent, is still able to capture the essence of the character: an extremely talented magician/occultist, with tortured soul (literally), who's a bit of a dick, and loves a good smoke. All in all, it's a pretty fun ride, and an example of movies that just aren't really made anymore (despite rumours of a sequel) from a different era of Hollywood and comic book movie making. Special Announcement: After a lot of discussion and contemplation, Jeremy Kozier has made the decision to step back from the show. Though the door is open for him to return at any time, and he may yet still appear on an occasional basis, there is is no official timeline on when or if he will return full time. While we understand this may come as a shock to some listeners, Jeremy expresses his appreciation for the support we've received over the years and values the countless hours of conversation we've enjoyed over that time. I, Julian want to thank him for his dedication and passion. Despite not always seeing eye to eye, it's that difference in opinion that made for quality podcasting and his presence on the show will be missed dearly. This news comes during a period of change here at Tower of Babble, as previously announced, we look to implement new ideas and rejuvenate a show that has been on the air for well over a decade. The work continues on the relaunch of the Tower of Babble Podcast, and I appreciate the patience from our listeners and fans as this process continues. I remain extremely excited about the potential of the future of the show and in the interim the occasional bonus episode will still be hitting the feed and content from our sister show, Small Screen Star Wars will continue unabated. Thank you, Jeremy and thank you to everyone who has listened to us argue far too often over the years. Your willingness to listen truly means a lot to us.

Julian, once again joined Axel, from the Daily DVR Podcast to discuss a grab-bag of topics, including 'Captain America: Brave New World' and it's milk toast approach to politics, 'Daredevil: Born Again' and how Marvel is comparatively seemingly more willing to actually have a political point of view (so far) with the series, DC and their James Gunn plans, and the latest with 'Severance' (note that this was recorded prior to S2E8). Find more from Daily DVR here: https://dvrpodcast.com/category/dailydvr/

With the news that ‘Lanterns' has officially begun shooting, coming with the official first look at our new Hal Jordan and John Stewart, Jeremy couldn't wait to dive into a conversation all about Green Lantern and the many twists and turns that lead us to this moment. DC Studios is certainly busy, putting together a slate of movies and shows to launch the new DC Universe. While the first looks have been met with mixed reception, this one being no different, time will still tell how successful this new era will be. Especially with ‘Superman' not yet in theatres. At the very least, it's nice to see the production ramping up, meaning we're THAT much closer to seeing the emerald knights on screen again. Plus, Julian looks back at the recent Academy Awards ceremony, and the extremely unlikable best actor acceptance speech.

Surprise! Another episode of Daily DVR (or maybe not so much of a surprise if you listened to our recent Tobies episode)! Julian was invited to join a panel over on friend of the show, Axel's feed to discuss everyone's top 10 in television from last year, plus a few disappointments for some added spice. If you felt like you could have listened to another 2+ hours of TV talk after this year's Tobie Awards (and I cant' blame you), then do we have an episode for you! Listen as a cast of characters from around the internet uncover the best of the best from the small screen in 2024!

It is once again that special time, where we come together to celebrate our favourite films and shows from the last year. As part of the ceremony, your hosts look back at some of the concerns worrying Hollywood about 2024 to see if any progress had been made (the answer is mostly no). When it comes to the awards themselves, as is tradition, Jeremy refused to do a list. Which really means he has the privilege of a front row seat as Julian delivers his selections. Plus enjoy an unexpected side tangent celebrating the 20th anniversary of 'Resident Evil 4' (do you feel old yet?).

Well that's all folks! Well possibly anyway. We don't yet have official word on whether Disney and Lucasfilm will bring back 'Skeleton Crew' for another season. So as it stands, this is the story. Overall pretty great, and while we can gripe a bit about the lack of an epilogue to really tie up loose ends, on the whole this finale was satisfying. All four of the kids had an arch that felt complete and inclusion of the parents helped put a bow on that (despite Wendle largely still being an idiot). The episode had strong pacing, as none of the character centric moments felt rushed, though again, it could have maybe done with a few more minutes of run time to make sure that everyone got a fair shake. KB, for instance, got short shrift. The ending itself leaves a lot of story left to be told, and thankfully given it's placement in the timeline, even if we don't get a second season, there should be plenty of opportunity to pick up on some of the loose threads in future Star Wars projects. All in all, 'Skeleton Crew' is one of the strongest outings from Lucasfilm in awhile and it's our sincere hope that it represents a sign of what's to come from the recently maligned studio.

Penultimate; everyone's favourite TV word. When it came to 'Game of Thrones', we became accustomed to this next-to-final episodes being a big splash, before a relatively calm finale. That tradition has carried forward into all sorts of different series but Star Wars has never been one to follow the trends. So here we are, 'Skeleton Crew' now only has one episode remaining, and the big question is, did this week's lead-up do enough work setup a satisfying conclusion. In our humble opinions, yes, but that's largely on the back of what is, standing alone, a pretty amazing 30 minutes of Star Wars fun. This episode is full of twists and unexpected turns that left us genuinely surprised. The big factor here though is of course Jod (Jude Law), who has now gone full heel, which has us concerned whether the show has the balls to commit to this turn or unwind it all in the last few moments. Either way, not knowing is part of the fun and as they proved this week there are certainly a lot of ways this show can go to stick the landing. Time will tell!

After a very strong outing last week (maybe the best of the season!), which revealed the pirate lair and cracked the mystery wide open, 'Skeleton Crew' follows that up with the shortest episode so far, which provides neither much plot progression nor anything beyond overly simplistic character beats. Despite that, there is at least one extremely interesting reveal, that begs the question, "why wait this long to reveal this?". With now two episodes left to close out the season, and especially with this week really feeling like it was dedicated to setting up a bombastic finale, we can look forward to the kids meeting the pirate hoard back on At Attin very soon! And from all of us here at the show, we want to wish a Happy New Year to everyone in a Galaxy Far Far Away (do they celebrate galactic new year?), and to all the Small Screen Star Wars and Tower of Babble fans all around the globe. Here's to a much better year in 2025!

Don't let it be said that The Tower of Babble Podcast is not generous. Julian and Jeremy are in the giving spirit for the festive season, and in that spirit, they sat down on a wintery weekend morning to discuss in detail a Christmas movie that doesn't get enough attention, the Nicolas Cage vehicle, ‘The Family Man'. Both enjoyed this movie, mostly carried by the great performances, which seems to present a pretty clean moral message. But if you look a layer deeper (which the guys were happy to oblige) it reveals a pretty odd and mixed perspective on what it actually means to have an "ideal life". Luckily that tonal weirdness matches Cage's energy quite well, and ultimately creates a very enjoyable movie. But the ToB gifts don't stop there as your hosts shift gears to provide a bonus conversation around James Gunn's new ‘Superman' teaser. Happy holidays everyone!

After a fairly odd WWII/French resistance inspired episode last week, we turn the page to something almost as weird - a luxury spa built on top of a pirate haven. Starting smartly with some needed character work and lore building, the episode then turns into a fairly wacky romp that draws similarities to the Canto Bight side quest from 'The Last Jedi', complete with alien species and visual easter-eggs aplenty. But what really works here is the humour. They seemed to have nailed a tone that allows for effortless comedy, while when needed, are able to ratchet up the tension effectively. Speaking of which, while we thought last week's heel turn from 33 was good, it doesn't hold a candle to this week's finish, surpassing it in every way. We couldn't be more excited to see what happens next!

Halfway through the season and 'Skeleton Crew' maintains its strong momentum, even if this fourth episode isn't necessarily a home run. The kids find themselves on a dark mirror-like version of At Attin that has been ravaged by generations of war. Unfortunately, this solid story idea is undercut by being executed slightly too simplistically, even for a kids show. That being said, there are some great moments here. The world-building, was interesting and a we get a few satisfying twists in the larger adventure, including a terrifying final moment. Of course we can't forget about Neel, who finally gets the attention he deserves, sieving upon the opportunity and becoming the internets new favourite adorable Star Wars character (at least until Grogu shows up again).

With the two-episode premiere out of the way, 'Skeleton Crew' can start finding its groove, and while this episode is enjoyable, the show might need to keep searching for what exactly that groove is for at least another week. Despite getting to spend a full, though somewhat short, episode with Jude Law, it's the kids (and especially Nick Frost's SM 33) that continue to steal the show. It's probably just a matter of time, but Jod (Jude Law) has yet to fully land as a character. A handful of charming scenes gets him going in the right direction though. Overall, this is a relatively safe step along the path for a show that has yet to get into the meaty parts of the adventure. Our prediction? Things really pick up in earnest next week. Stay tuned!

Ahoy me mateys! Star Wars is back on TV and this time it's pirate themed baby! Julian and Rachel return to recap and review this two-part series premiere, and are happy to report that the show is off to a great start. Star Wars has been in a difficult place as of late. Something that has been discussed a lot as of late. Each new piece of content announced or released is under a microscope, and probably rightfully so, considering the mixed levels of quality we've been getting from Lucasfilm of late. Amongst all that angst, 'Skeleton Crew' was not at the top of a lot of fans wish-lists, but sometimes low expectations can do wonders. Despite a somewhat slow first episode, the series seems to quickly figure out what it wants to be (Treasure Island in space basically) and hits it's stride through it's second episode. The child cast is charming with great chemistry, but it's Nick Frost's droid character that really steals the spotlight so far. Be warned shipmates, thar be full spoilers ahead!

For the most part, genre entertainment news has been relatively light. Yes we've had a round of castings for DC projects, and Kevin Fiege is slowly opening the kimono for X-Men info, but on the whole nothing earth shattering (who knows, we might see a planet shatter whenever the ‘Superman' trailer finally comes). This makes for a perfect time to defer the 200th episode of the show and take a look at the state of things over at DC and Marvel. They are both looking to emerge from a slump, despite taking very different approaches (though I'm sure DC would have loved a $1B hit that allowed them to have their cake and eat it too). The guys unpack the similarities and differences and sprinkle in a few different news bits along the way. All that and so much more on this week's Tower of Babble Podcast!

It's been two months since we did our “State of Star Wars” episode where we essentially eviscerated the current situation in regards to the decision making process at Lucasfilm and their seeming inability to get a movie into production, among other things. Well in that time, we've had a smattering of news stories of all stripes, which Julian and Rachel cover in this episode, but what really prompted another Bonus Episode was the latest piece, again from The Hollywood Reporter, exploring the situation in further depth on the movie side of the business at Lucasfilm. Your hosts deep dive on all of it, and then cap things off with something much more lighthearted. Next up, ‘Skeleton Crew' in December, where we'll be breaking down every episode. Stay tuned!

When it comes to vampires, California seems to be synonymous. At least for a certain generation that grew up with ‘Buffy'. Which is part of the reason ‘The Lost Boys' seems to slide right into the vampire genre like a sharp fang through a soft fleshy neck, despite coming out nearly a decade prior. Well that and all the vampire tropes this movie expertly plays with. Join Julian, as he walks through this cult classic not-so-horror flick that continues to resonate all these years later. Plus, monologues on the wide world of home projector setups, why horror movies aren't for everyone, and much more on this very special bonus ToB Film Club episode! Next Month: We return to the 21st century (barely) as we travel through time with the Gregory Hoblit film, ‘Frequency' from 2000.

Julian and Jeremy sit down to discuss the surprisingly good Menendez Brothers series on Netflix, and try to better understand the draw of true crime content. Later they get into the HBO hit 'The Penguin', as well as the state of the 'Terminator' franchise. The guys also get into it about what exactly is going on with Tom Holland and his mixed messaging around 'Spider-Man 4' and the situation with the 'Blade' movie. All that and so much more on this episode of the Tower of Babble Podcast!

Between the chaos surrounding 'Joker 2', the hate pouring out of fandoms like Star Wars and Lord of the Rings, and the commercial failures of critical darlings like 'Transformers: One', and 'Furiosa', it's easy to understand why it's so hard to predict success in these wildly uncertain times in Hollywood. Todd Phillips 'Joker' made over one billion dollars in 2019, and took home the Best Actor Oscar for it's trouble, but the sequel, which adds the massively popular Lady Gaga to the mix is set to be a massive box office bomb. Why? Julian and Jeremy examine that question, and try to put things in context with the recent Variety article about Hollywood executives cow-towing to angry fans. All this and more on this episode of The Tower of Babble Podcast!

Following the cancellation of ‘The Acolyte', many fans are taking a step back and asking questions about the state of the franchise. And rightly so, considering the confused state that many have been left in. Especially considering that Lucasfilm continues to leave us in the dark, with no official word following the recent cancellation. They've also done very little to inspire trust in their current creative process given the number of high profile project announcements that have never come to fruition. Meanwhile, the fandom is imploding on itself. Creators and influencers in the community are pitted against each other, seemingly in a fight for influence over control of the narrative surrounding each new project. Debates over what is or isn't "Star Wars" wage on the internet as fans dodge bad-faith landmines across their social feeds. Julian and Rachel look at where things stand with Star Wars today, how we got here, and what the future might hold.

Julian is joined by Matt Tworek to review 'Alien: Romulus', the latest installment in the long running space-horror franchise. A film that returns to the roots of the franchise, with a much stronger focus on the suspense and atmospheric horror of the 1979 original. But any good Alien movie today isn't complete without at least a little bit of action, ala 'Aliens' and this movie doesn't disappoint in that regard either. All-in-all this is a strong outing in a franchise that has seen a lot of ups and downs over the years. And yes, realizing that this all comes a bit late considering the movie released last month, to make up for the missed time, the guys have also brought a list of their favourite movies featuring aliens (any alien will do, we aren't picky here).

With the news of 'The Acolyte' and it's cancellation sending ripples through the media world, it was only natural that there might be some reflection on the larger state of the television landscape. Julian and Jeremy pier out into a dark and dreary graveyard of cancelled shows and failed streaming services to take stock of the current situation. The assessment? The "Golden Age of TV" is over. What comes next is still to be determined. Plus, a grab-bag of news stories from around Hollywood to help lighten the mood.

'Deadpool & Wolverine' is quickly rising through the box office charts and is on pace to set some records. It may even finish the summer as the highest grossing movie and that would certainly be an accomplishment. Particularly for an R rated film. That being said, that's not the reason Julian and Jeremy decided to continue their conversation on the movie following the review earlier this week. No, the reason is that the movie is so dense, so unique in it's approach, that it took a few more days to process what exactly it even is. Hopefully this follow up conversation puts things to bed for good this time. But the Marvel mayhem does not end there. No sir, the guys then turn to San Diego Comicon to discuss the massive announcements out of Marvel's Hall H panel. Surprisingly, Harrison Ford pretending to be the Hulk on stage wasn't the biggest news, he was upstaged by RDJ himself as we learn that he's returning to the MCU as Dr. Doom, and bringing back the Russo brothers to direct (don't worry they only cost like $180 million between them). Is this good news, bad news, or something in between?

There haven't been many Marvel movies of late that have had the level of anticipation of 'Deadpool & Wolverine'. Not only is it capping of a Deadpool trilogy, it is introducing Deadpool to the MCU, AND it it's bringing back who else but Hugh Jackman as Wolverine for the cherry on top. Plus, with the less than ideal reception to the direction the MCU has taken of late, the expectations were very high for this movie, to say the least. And though we typically preach keeping expectations in check when going into a movie like this, even we had a hard time containing it. Julian and Jeremy unpack every spoilery detail in an in-depth review that covers everything from THAT cameo (you know which one), to whether the movie "saved the MCU", and everything in between.

With the decision to go with another flashback episode last week, ‘The Acolyte' season finale had a lot of work to do to wrap up all the loose threads left dangling. Unfortunately, the series largely didn't leave itself enough time to conclude those plotlines in a satisfying way. Yes, the lightsaber combat continues to be amazing, and despite some very good character work in episode 6, the series continues to lack the patience (and runtime) to give the major emotional beats time to breath. The finale was no better, as it blew through some pretty big character moments, especially for Osha, without take a moment to really let them sink in. Despite that, there are still some standout moments here and some intriguing breadcrumbs to follow into a possible season 2 (which has not yet been confirmed). Julian and Rachel unpack every revelation, head-scratcher, and character cameo as they break it all down scene-by-scene.

Unfortunately, the flashback format worked against this episode from the start. Not enough interesting new information was revealed to justify breaking the momentum the show had leading into this week. After an incredible action episode, 'The Acolyte' followed that up with a great character episode that teased a fascinating finish, despite there still being many threads left dangling. Due to the decision to place this second flashback episode, this time from the Jedi's perspective, in this penultimate slot in the season, we're now left with only one episode left to wrap everything up. The episode itself does feature some beautiful shots and some intriguing ideas, but it's a little too shaggy, given how much weight was put into these reveals earlier in this season, to ultimately feel satisfying. With a steep hill yet to climb, plot-wise, it'll be interesting to see if the show can stick the landing.

After last week's action-heavy episode left our jaws on the floor from the sheer spectacle and shocking character deaths, 'The Acolyte' uses this follow-up episode to give us a breather. With the main characters now split between three different plotlines, we spend our time jumping between a series of one-on-one conversations, reminiscent of 'Game of Thrones' when it was at it's best. The most interesting of which is Osha and The Stranger/Qimir, as we see the beginnings of the temptation to the dark side. Never before has the Star Wars leaned into the "from a certain point of view" concept more in live action than in this episode. We finally start exploring that "Sith" perspective that has been teased by the creators. Some may call this "filler", but for our money, this is some of the best Star Wars you can get. Listen as Julian and Rachel unpack every nuanced line of dialogue and character beat in this week's Small Screen Star Wars podcast!

Star Wars fans rejoice! ‘The Acolyte' has delivered some of the best lightsaber action we've seen in many years. Unfortunately, the good comes with the bad. At least for the characters on the show. As expected, with The Master/The Stranger fully entering the story, it meant that some Jedi weren't long for this world. That proved to be true more than I think anyone expected. However, as Jecki herself said only last week, “It's always an honor to get to witness anything or anyone transform into the Force”. Though I'm not sure she meant so soon. This episode was chock full of brutal and surprising deaths and deep cut lore references, that I'm sure satisfied even the nerdiest of Star Wars fans. And despite a character reveal we all saw coming, many interesting questions remain unanswered as we head into the final three episodes of the season. Julian and Rachel break it all down, and predict what role the Sith have yet to play in this story.

After a bit of a detour last week, spending an entire episode in flashback, we return to the main adventure. This week's episode, "Day", is largely a positive step forward for the series, bringing fun (if sparse) lightsaber action, improved character development, and an enhanced sense of place, as they spend less time in cramped sets and more time shooting on location. That all being said, it's the big finish that will leave the biggest impression. Unfortunately, the decision to cut things off right when the action was ramping up felt like a bit of a cheat. With a relatively short run time this week, and a story that really felt like it was hitting it's stride as we got closer to the end of the episode, the choice to not follow through on that momentum with a satisfying finish, instead using a cliffhanger, comes across as a means to brag about an extra episode in the season, as opposed to serving the story in the moment. Oh, there was also some very cool cameos this week. Listen as Julian and Rachel unpack it all!

After starting off the series with a series of Jedi murders to set the tone, with episode 3 we flash back 16 years to Osha and Mae's secret origin. Which just happens to feature a coven of witches, Jedi space cops testing Padawans, and large force related questions about the twin's parentage. All under twin moons in eclipse. Though not perfect from an acting and pacing perspective, the intrigue offered by the force related mysticism, and what exactly happened that night that "Mae set a fire", helps keep up the shows momentum. It's hard to predict where we are going next, and that's a refreshing thing when we're talking about a prequel in a galaxy far, far away. Listen as Julian and Rachel unpack it all... after a short negativity cleanse.

After a very short hiatus (RIP ‘The Bad Batch', we already miss thee), Small Screen Star Wars is back to cover the latest Star Wars series on Disney+. After a heavy dose of animation, we return to live action. Our last taste being ‘Ahsoka' late last year, which was met with mixed reviews. However, that's about where the similarities with recent live action Star Wars end, as ‘The Acolyte' takes us to an entirely new era. Back nearly 100 years BBY to the age of the High Republic, where Jedi are a dime a dozen, and the Sith have been presumed extinct for a millennia. This is all framing for a dramatic murder mystery as we're introduced to a new intrepid bunch of Jedi playing detective as they try to figure out who is training force user assassins in secret. As is tradition it seems, the first two episodes were dropped as part of the premiere and Julian and Rachel are here to break it all down and recap every scene as they look ahead and try to piece together the mystery as it unfolds.

It's hard to believe that it's been nearly a decade since we were thrust against the back of our collective theatre seats with the release of 'Mad Max: Fury Road', which is now regarded as one of the greatest action movies ever made. The return to the wasteland brought with it the introduction of a new character to accompany our titular Max, Charlize Theron's Furiosa stole the spotlight and now, 9 years later, has been rewarded with a prequel film that explores the "odyssey" of her life before the events of Fury Road. With such a formidable connection between these two films, it really only makes sense to discuss them as a whole. Julian and Jeremy unpack 'Furiosa: A Mad Max Saga' in context with it's predecessor to look at the whole picture. A series of films so epic is scope and ambition that it is a disservice to not mention them both in the same breath. Note that spoilers for 'Furiosa' are gated at approximately the halfway mark of the episode (Timestamp 00:35:33). Welcome back to the unhinged mind of George Miller. We couldn't wait to talk about this one. Witness Me!

Last year on Star Wars Day (May the 4th), Lucasfilm Animation surprised us with 'Tales of the Jedi' a mini-series of shorts dedicated to showing some untold stories from before the fall of the Jedi. This seems to have become somewhat of a tradition, as this year, on the same day, we got 'Tales of the Empire'. A darker twist on the same concept. This time though, it was bit more focused. Two stories, told in three parts each, for a total of six shorts. The first story follows Morgan Elsbeth and her journey of revenge, which begins with her as a young girl on Dathomir to where we fist met her in 'The Mandalorian' season three. Unfortunately, despite another noticeable step forward in animation quality throughout, this first story-arch leaves a lot to be desired. While 'Tales of the Jedi' revealed secrets of Jedi's pasts, Morgan's doesn't really provide the audience with any new information. Instead, just expanding on a lot of which we already knew or could have inferred. The second half of 'Tales of the Empire' however does pack more of a punch. We follow Barriss Offee, a young Jedi Padawan we had not seen since she framed Ahsoka for the Temple bombing in 'The Clone Wars', as she's recruited to become an Imperial Inquisitor. These final three episodes are filled with fascinating glimpses into the Inquisitorius Program, insightful dialogue into the psyche of the fallen Jedi that make up their order, and some genuine twists that keep you guessing throughout. Listen as Julian and Rachel unpack each mini-episode, and discuss the package as a whole.

Surprise! The ToB Podcast is back from a Star Wars caused hiatus, and just in time to cover one of the biggest nerd culture phenomena so far in 2024. We're talking of course about the revival of one of the greatest animated shows of all time with 'X-Men '97'. With only one episode remaining until the grand finale of season 1, Julian and Jeremy discuss how impressive it is that despite the lofty expectations fans had for this show, it managed it exceed them by nearly every measure. A rare treat. The guys discuss some of the biggest moments from the show as well as the creative work behind it that makes it tick. Afterwards, things shift somewhat as the discussion turns to the first reveal of David Corenswet's Superman, which was met with middling responses. All that and so much more on this week's Tower of Babble Podcast! Plus, stay tuned after the end the show for some bonus content.

Congrats to Ray Mills for some great selections on our Death Pool. Thank you to everyone who participated. Good riddance Hemlock, Scorch, Rampart, and many other terrible Imperials.

REMINDER: Don't forget to participate in our Bad Batch Death Pool! With no characters biting the dust in this week's episode, there's still time to place your predictions for who comes out of the series still breathing. It's easy, just follow this link and place your picks: https://forms.gle/vcBCTsH2eeHykYE87

Death Pool: You think you know who will live or die in the final two episodes of the series? Prove it! Follow THIS LINK (https://forms.gle/vcBCTsH2eeHykYE87) to participate in the death pool and be part of the show! You can also find an imbedded version of the submission form below on the podcast episode web page.

After this week, 'The Bad Batch' is only left with three more episodes before the series wraps up entirely. Last week's two-parter set the stage for a clear endgame - The Batch need to find Tantiss Base and rescue Omega. With that in mind, this week sets up an intriguing idea off the jump - perhaps the former Admiral, now prisoner, Rampart, knows the location. Unfortunately, the episode spins it's wheels with a "mission of the week" format without really moving the plot along in any significant way, and uses information the audience already knows as if it's a big reveal. This would have been a great episode in the middle of the season, but not for the fourth from last episode. The action and visual fidelity were top notch as always, but at this point in the series that's not enough to carry the story at this critical stage.

This final season of 'The Bad Batch' is coming at us fast. It was less than a month ago that we were treated to a dramatic two-part episode that left the team reeling, and now again this week another two-part episode drops, and it's another doozy. First, with "Identity Crises" we spend time back on Tantiss with Doctor Emerie Karr as she takes over for Nala Se on Project Necromancer. It's the first time a current or former member of The Batch doesn't appear on screen, as we instead spend the entire episode on Tantiss learning more about the insidious work being done there. It's gripping dramatic television. Next, with "Point of No Return", the stakes ramp up to 1000 as the Empire strikes out against Pabu in an attempt to recapture Omega. The action here is stunning and where the episode leaves off sets up a thrilling final few episodes as we lead into the series finale.

The trailer for this final season of 'The Bad Batch' teased the return of a fan favourite character from 'The Clone Wars'. A Sith assassin who has been part of Star Wars since the Tartakovsky animated shorts, who seemingly died in a novel adapted from an unused story from an animated series, only to return in all her glory as neither Sith nor Jedi. That's right folks Asaj Ventress returns to the screen as the titular "harbinger" of bad news. Julian and Rachel discuss Asaj's big return, what the information she delivers about the "m-count experiments" means for Omega, and whether we think this is the last we see of this assassin turned bounty hunter.

After an exciting two-parter last week, where the larger clone conspiracy plotline was brought to the fore, we return to something a bit more quaint. This week's episode falls more into the "mission of week" type format. Something we got pretty used to from seasons 1 and 2, but haven't seen much of this season. That is likely due to the fact that this is the final season, and there just isn't as much time to spend on episodes that don't really drive plot or character development. This week's A and B plot format attempted to tackle both of those tasks, but largely fell short of being a satisfying enough on either level. We see Hunter and Wrecker working with fan favourite bounty hunter, Fennec Shand, as they look for clues on the Empire's "M-Count experiments". Meanwhile, Omega tries to help Crosshair heal is hand tremors. Julian and Rachel unpack the episode scene by scene as well as discuss the first trailer for 'The Acolyte'.

Julian finds some time to link up with Jeremy between the weekly ‘The Bad Batch' reviews to discuss the winners from this year's Oscars, the big wins from ‘Oppenheimer' and the state of the ceremony itself. The guys also review ‘Dune: Part Two' and preview ‘X-Men ‘97'. Plus some general Marvel and DC news to keep things flowing. All that and so much more on this week's Tower of Babble Podcast!

The larger clone struggle returns to center stage with the return of some fan favorites, in what feels like a sequel to the stellar “Clone Conspiracy” episode from season 2. This two-part episode ramps up tension quickly and then relieves it with exciting action set pieces framed by gorgeous scenery. Crosshair and Omega continue to play a vital role at the center of the plot, and with the assassin clones becoming a larger part of the mystery, we are eager to learn more about how everything ties together. These episodes do a great job of clarifying the stakes for the remainder of the season while also planting seeds for things we know are still coming.

The exciting escape last week left us with the unresolved conflict between Crosshair and the rest of his former squad. In the podcast we discussed how it would be a good idea for the show to slow down for a moment and let Crosshair hash things out with Hunter and Wrecker before jumping back into a larger plot driven narrative. Fortunately it seems like the folks over at Lucasfilm Animation were way ahead of us, as they did just that this week. With a return to Pabu for a reset, the team meets up with Echo to gather additional intel on the whereabouts of Tantiss. The mission takes Crosshair back to the events of "The Outpost" for a spiritual sequel, which feels more than appropriate considering where Crosshair is now in his character arc. Julian and Rachel break down every moment of discord whilst Crosshair does the difficult work of earning back trust.

Last year, Julian was forced to look back at the Oscar alone. This was back when Twitter was still called Twitter and they still had a feature called "Spaces". He wondered aloud at that time, "what would next year's Oscars show look like?". Well Fast-forward one year and you have your answer. Things are quite different, for one thing Twitter is now called "X" for some stupid reason, and more importantly Julian is no longer alone. In the spirit of this year's ToB effort to expand the cast and bring more people into the show, he's instead joined by long time friend of the show, Axel Foley from the 'Daily DVR Podcast'. The original format returns as the two hosts take a look at each of the Best Picture nominees before moving into predictions for who they think will take home the hardware, as well as who they think SHOULD win the awards.

With the extra large premiere out of the way, Julian and Rachel can settle back into the traditional weekly cadence. Unfortunately life finds a way to disrupt well laid plans. As such, this podcast drops a day later than usual - apologies. The episode itself was high stakes and thrilling from the jump, and had a potent finish that gave us a good reset for the rest of the season. We got to explore a new planet, Lau, which is already under a heavy Imperial presence and ruled by the iron fist of Captain Mann, a greasy Imperial leader who is out to enrich himself while stationed on a backwater world. The setting makes for an intriguing backdrop as Omega, Crosshair, and Batcher look for a way off the planet.