Podcast appearances and mentions of Alex Proyas

1993, Alex PROYAS, tout droit sorti de chez PROPAGANDA, prend son envol avec son deuxième film, l'adaptation cinématographique du graphic novel radical THE CROW de James O'BARR.Dans le rôle principal, le fils d'une légende, Brandon LEE.Après RAPID FIRE, il souhaite s'éloigner du film d'action traditionnel pour embrasser des rôles plus complexes.Dans ce film qui raconte la vengeance d'un homme meurtri, revenu d'entre les morts pour punir ses bourreaux, Alex PROYAS nous invite à un opéra rock d'une beauté crépusculaire.Le drame survenu lors de son tournage fera entrer directement le film dans la légende.Chronique d'un film pour qui le mot culte n'est pas usurpé.Et on n'oublie pas :

Beyond the Gun – Creative Partnerships There's a distinct difference between being cast as an actor in a theatre production and working as a creative collaborator and developing your own work. This session examines how actors can step into producing and move into the developmental life of a project—contributing ideas, shaping the script, and influencing the work as it develops. Actors such as Ngoc Phan, Nicholas Brown, Julia Robertson, Amy Ingram, and Cameron Hurry have expanded their work into producing, writing and directing. This conversation explores how actors can evolve their practice, build a reputation for meaningful creative input, and become initiators and collaborators whose contributions extend beyond performance into the heart of the work itself. Amy is a multi-award-winning actor and theatre-maker based in Brisbane, later this year she will appear in the return season of Pride And Prejudice at QTC and the World Premiere of Suzie Miller's Strong Is The New Pretty touring Nationally. Ngọc is an award-winning actor, director and playwright. Her diverse theatre work includes Vietgone, Boy Swallows Universe and Good Grief (Queensland Theatre), Laurinda (MT), Love Stories (Brisbane Festival/QPAC), Horizon (Playlab Theatre), Medea (Shock Therapy Productions), We're All Gonna Die, Away, A Streetcar Named Desire and Stunt Double (The Farm). Julia Robertson is a multidisciplinary theatre maker, director and actor living and working on Gadigal land. She is the Artistic Director of the award-winning devising group Little Eggs Collective, a recipient of the Ensemble Theatre's Sandra Bates Award for Directing, and a Young Artists Program finalist with Opera Australia. Julia was recently nominated for Best Direction of a Musical at the Sydney Theatre Awards for The Producers (Hayes Theatre Co. / Riverside Parramatta). In 2026, Julia will direct the premiere production of STELLA, The Musical in Melbourne, as well as The Addams Family for Hayes Theatre Co. She will also work as Movement Director on 84 Charing Cross Road for the Ensemble Theatre, and as Assistant Director on Suzie Miller's new work Strong Is the New Pretty for Sydney Theatre Company, Queensland Theatre and Brisbane Festival. Nicholas Brown is a NIDA graduate who has forged an impressive international career across film, television and theatre as an actor, writer, singer, songwriter and leading man with major roles in Bollywood films, Australian drama and as a much-loved ABC Play School presenter. He plays a lead role in upcoming Alex Proyas science fiction musical film R.U.R. As a playwright, Nicholas won the prestigious Nick Enright Prize for Playwriting in the 2024 NSW Premier's Literary Awards for his play Sex Magick which was performed in the 2023 Griffin Theatre season. It was also nominated for a 2025 AWGIE and a 2024 Sydney Theatre Award. Cameron Hurry is a Brisbane based actor and writer. He completed his actor training at the University of Southern Queensland. Cameron's theatre credits include: Pride and Prejudice (Queensland Theatre Company), Unconditional (Playlab Theatre), Three Little Words (Ad Astra), Twelfth Night (4MBS Brisbane Shakespeare Festival), Dance Nation (THAT Production Company), Grand Horizons (PIP Theatre), Frankenstein (Fractal Theatre), Macbeth (JUTE Theatre), Picnic at Hanging Rock (Brisbane Arts Theatre), and Aladdin and the Mysterious Magical Lamp, Jane Eyre, Little Women, Shadowlands (Harvest Rain Theatre Company). His film and television credits include: Spit, Boy Swallows Universe, The Bureau of Magical Things, Young Rock, and Wanted. Cameron has received the Matilda Award for Best Performance in a Supporting Role – Independent Production (Grand Horizons) and has a proud member of MEAA for 20 years.

The Johns catch up on some emails before diving into the trippy, thriller, sci fi, noir, fever dream: Dark City.  Will they find Shell Beach?  Or will they be put to sleep?  Listen and find out!

Welcome to Steam Powered Movies! The podcast hosted by Dana & Mike Fraedrich where we watch steampunk films and then talk about them. This month we screened the 1998 Alex Proyas creation "Dark City" starring Rufus Sewell, Jennifer Connelly, and Kiefer Sutherland. What is happening in this movie? Is it steampunk?? Is it a masterpiece??? Tune in to find out!If you enjoy this podcast, please leave us a review!Join the Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7St3aZ2cxS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On Bluesky ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@steampoweredmovies.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram & Threads ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SteamPoweredMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.SteamPoweredMovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more info on Dana's books & events visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.WordsByDana.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠All music by Mike Fraedrich (c) 2022Produced by Mike Fraedrich

Send us Fan MailWe're diving deep into Alex Proyas' 1998 neo-noir sci-fi thriller Dark City — and we came out the other side completely won over. This one is a full recommendation from both of us, and if you've been sleeping on it, this episode is your sign to finally watch it.We start at the beginning with a conversation about the film's complicated theatrical release, including the infamous studio-mandated voiceover that opens the original cut and how the Director's Cut restores Proyas' intended vision. It's a fascinating case study in how test screenings and studio interference can shape — and sometimes undermine — a film's impact, and we get into all of it.From there we work through the film itself: Rufus Sewell's compelling lead performance, a career-best turn from Kiefer Sutherland as the hunched and unsettling Dr. Schreber, and Jennifer Connelly bringing real emotional weight to what could have been an underdeveloped role. We also spend time on the Strangers — their design, their purpose, and the genuinely eerie mythology Proyas builds around them.At its core, Dark City is a film about memory and identity — what makes us who we are, and whether those things can be manufactured or taken away. We explore how those themes hold up today and why they give the film a philosophical depth that sets it apart from other genre films of the era.We also get into the production side — the remarkable practical effects work, the budget constraints that paradoxically pushed the filmmakers toward more creative solutions, and the clear cinematic DNA connecting Dark City to everything from Metropolis to Blade Runner to The Matrix (which filmed on the same sets just a year later). And we close out celebrating the film's legacy, its critical reappraisal over the years, and why physical media is still the best way to experience this one properly.Dark City deserved a much bigger audience in 1998. Better late than never.Oh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

Esta noche rendimos homenaje a una de las entidades primigenias más inquietantes de la historia del cine; los Extraños, una mente colmena invocada desde las calles mutantes de Dark City, la mítica película de 1998 escrita y dirigida por Alex Proyas. ¿Cuántas ciudades oscuras vagan a la deriva por el universo desconocido? Prepárense para disfrutar del pavoroso viaje en busca del secreto perdido de la individuación humana. La sintonización ha dado comienzo. Y si quieren formar parte de nuestro culto tentacular, recuerden visitar el perfil de iVoox de Noviembre Nocturno y pulsar sobre el botón de apoyar. Quién sabe, quizás algún día podamos invocar al Gran Soñador Submarino... ^(;,,;)^ Hazte mecenas aquí > https://go.ivoox.com/sq/11421

Send us Fan MailEpisode 259 of the Hey You Guys Podcast is here, and this week, Liam and Rob look back at one of the most influential movies that most people have never seen.....or heard of? It's hard to escape the similarities between Alex Proyas', Dark City and the Matrix, but the surprising news is that, Dark City showed up a full year before The Matrix's monumental impact on both cinema and popular culture. Did the success of The Matrix ultimately bury Dark City? It's a possibility. But what about now? Does this long overlooked cult classic deserve another chance? How does it hold up nearly 30 years later? Listen in via your podcast platform of choice to find out. 

Esta noche rendimos homenaje a una de las entidades primigenias más inquietantes de la historia del cine; los Extraños, una mente colmena invocada desde las calles mutantes de Dark City, la mítica película de 1998 escrita y dirigida por Alex Proyas. ¿Cuántas ciudades oscuras vagan a la deriva por el universo desconocido? Prepárense para disfrutar del pavoroso viaje en busca del secreto perdido de la individuación humana. La sintonización ha dado comienzo. Y si quieren formar parte de nuestro culto tentacular, recuerden visitar el perfil de iVoox de Noviembre Nocturno y pulsar sobre el botón de apoyar. Quién sabe, quizás algún día podamos invocar al Gran Soñador Submarino... ^(;,,;)^ Hazte mecenas aquí > https://go.ivoox.com/sq/11421 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Esta noche rendimos homenaje a una de las entidades primigenias más inquietantes de la historia del cine; los Extraños, una mente colmena invocada desde las calles mutantes de Dark City, la mítica película de 1998 escrita y dirigida por Alex Proyas. ¿Cuántas ciudades oscuras vagan a la deriva por el universo desconocido? Prepárense para disfrutar del pavoroso viaje en busca del secreto perdido de la individuación humana. La sintonización ha dado comienzo. Y si quieren formar parte de nuestro culto tentacular, recuerden visitar el perfil de iVoox de Noviembre Nocturno y pulsar sobre el botón de apoyar. Quién sabe, quizás algún día podamos invocar al Gran Soñador Submarino... ^(;,,;)^ Hazte mecenas aquí > https://go.ivoox.com/sq/11421

Presented here in one convenient package is the entirety of The Cinemania Society's Conclave 21, wherein they analyze Alex Proyas' 1998 solipsistic sci-fi neo-noir masterpiece, "Dark City."   Written & performed by Daniel Scribner Andy Slack Hope Bravo Andrea Palladino Zacharia Berks Ethan Ireland   Music by Karl Casey at White Bat Audio Incidental music and sound effects courtesy of Epidemic Sound   LEGAL NOTICE: The Cinemania Society is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents appearing in this audioplay are either the product of the authors' imagination or are used in a fictitious manner. Any resemblance to actual persons, living, dead, or living dead; or actual events is purely coincidental and/or part of a work of parody that should not be construed as making statements or allegations of actual fact. All celebrity voices are impersonated unless otherwise stated.

"Ein Mann soll eine Reihe von Frauen ermordet haben, kann sich aber an nichts erinnern. Nachdem sein Gedächtnis nach und nach zurückkehrt, kommt er dem Geheimnis der stets dunklen Stadt auf die Spur."

During their conclave on Alex Proyas' 1998 sci-fi neo-noir, "Dark City," the gang pursues some clues that bubble up from the depths Scrutinizer Zacharia's subconscious, leading them to discover a horror only recently perpetrated in the food court, then onward into the depths of the Mysterious Mall of Misery...   Written & performed by Daniel Scribner Andy Slack Hope Bravo Andrea Palladino Zacharia Berks Ethan Ireland   Music by Karl Casey at White Bat Audio Incidental music and sound effects courtesy of Epidemic Sound   LEGAL NOTICE: The Cinemania Society is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents appearing in this audioplay are either the product of the authors' imagination or are used in a fictitious manner. Any resemblance to actual persons, living, dead, or living dead; or actual events is purely coincidental and/or part of a work of parody that should not be construed as making statements or allegations of actual fact. All celebrity voices are impersonated unless otherwise stated.

Charlie & George are taking a stroll down the shadowy alleys of Dark City! They are looking back at the 1998 cult-classic sci-fi noir from The Crow's Alex Proyas. They look at the film's origins, influences, philosophical themes, plus it's similarities with The Matrix, which was released a year later. There's also alternative casting in Coulda Woulda Shoulda and some breathy Kiefer Sutherland impressions.

We continue our Australian month with Spirits of the Air, Gremlins of the Clouds, the stark 1989 feature debut of Alex Proyas. Before The Crow or Dark City, Proyas delivered this sun-blasted sci-fi Western set in a post-apocalyptic desert where the wind blows land desert bakes.A lone wanderer, Smith (Norman "The Norm" Boyd), emerges from the dunes and collides with siblings Felix and Betty Crabtree (Michael Lake and Melissa Davis), who survive on beans, religious fervor, and flying mania. Smith's arrival fractures their fragile world, igniting jealousy, spiritual dread, and Felix's obsessive dream.Cullen Gallagher and Rob Spencer join Mike to explore Proyas's theological undercurrents, and the film's singular place in late-'80s Australian cinema. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

We continue our Australian month with Spirits of the Air, Gremlins of the Clouds, the stark 1989 feature debut of Alex Proyas. Before The Crow or Dark City, Proyas delivered this sun-blasted sci-fi Western set in a post-apocalyptic desert where the wind blows land desert bakes.A lone wanderer, Smith (Norman "The Norm" Boyd), emerges from the dunes and collides with siblings Felix and Betty Crabtree (Michael Lake and Melissa Davis), who survive on beans, religious fervor, and flying mania. Smith's arrival fractures their fragile world, igniting jealousy, spiritual dread, and Felix's obsessive dream.Cullen Gallagher and Rob Spencer join Mike to explore Proyas's theological undercurrents, and the film's singular place in late-'80s Australian cinema. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Scrutinizer Zacharia awakens in a bathtub to discover things may not be what they seem, which prompts him to call the Society to a Conclave analyzing the 1998 sci-fi neo-noir film "Dark City," by Alex Proyas. Spooky!   Written & performed by Daniel Scribner Andy Slack Hope Bravo Andrea Palladino Zacharia Berks Ethan Ireland   Music by Karl Casey at White Bat Audio Incidental music and sound effects courtesy of Epidemic Sound   LEGAL NOTICE: The Cinemania Society is a work of fiction. Unless otherwise indicated, all the names, characters, businesses, places, events and incidents appearing in this audioplay are either the product of the authors' imagination or are used in a fictitious manner. Any resemblance to actual persons, living, dead, or living dead; or actual events is purely coincidental and/or part of a work of parody that should not be construed as making statements or allegations of actual fact. All celebrity voices are impersonated unless otherwise stated.

Was The Matrix the first film to ask whether our reality is manufactured? No! There are huge parallels between Dark City and The Matrix, with both films using some of the same themes, visuals, and even sets. In this episode of Four Play, we dive into Dark City (1998): Alex Proyas' noir-drenched sci-fi cult classic that arrived one year before The Matrix and explored memory, identity, and control in ways that still feel unsettlingly modern. Is Dark City just a forgotten cyberpunk curiosity or is it one of the most important science fiction films of the 1990s? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jim and John find themselves in Dark City, a neo-noir sci-fi flick directed by Alex Proyas of the Crow fame. The story follows a man with amnesia with psychic abilities who is a murder suspect that is on the run from fancy hat wearing ghouls called the Strangers - yep there's a lot going on in this one. The Cold Ones gang get into all the reasons why the movie is great: incredible set design, a mind-bending story, Rufus Sewell's dreamy face, this movie has it all! After the guys wrap up the movie talk, they share some thoughts on Welcome to Derry and the possibility of having a deeper dive discussion of HBO's hit show. So, sit back, crack a cold one and enjoy the chat.

We're taking a look at two dark films from Alex Proyas. First up, we discuss the tragic death of Brandon Lee on the set of THE CROW, but then dive into all the things we love about the film. Then, we wonder about Kiefer's acting style in DARK CITY.

We're taking a look at two dark films from Alex Proyas. First up, we discuss the tragic death of Brandon Lee on the set of THE CROW, but then dive into all the things we love about the film. Then, we wonder about Kiefer's acting style in DARK CITY.

The term often used to describe the 1998 Alex Proyas film, 'Dark City' is "Proto-Matrix" given the many similarities between the two movies. Fair or not, they do have a lot in common but I think the comparison does a disservice to what is still a very clever and well made genre-film that largely holds up today (minus some questionable early CG effects). The 4K re-release gives it a fresh coat of paint, looking extremely sharp on modern televisions, accentuating the mostly dark and moody imagery of this sci-fi film noir, and given it's title this is all very fitting. Alex Proyas has some bid ideas here; what is the human soul? Are we the sum of our memories? Can memories be distilled into chemistry? Is love transcendent? Many of these themes are explored with depth, with answers to many of the films mysteries being laid bare in mostly satisfying way. Performances are strong, with everyone seemingly understanding the assignment, though there isn't much for the female characters to do here. Which is unfortunate as what we do get from Jennifer Connelly is intriguing, if lacking depth. On the whole, despite being pretty weird, this is still a very fun movie, if a bit silly at times, that was unfortunately overshadowed by the phenomenon that was 'The Matrix' dropping the following year.

Mit zwei meiner Lieblingsgäste darf ich heute über DARK CITY (1998) schnacken, der sich vom kommerziell gefloppten Kinospektakel zum heißgeliebten Hit im Heimkino entwickelte. Aber verdient Alex Proyas' düsteres Science-Fiction-Märchen all seinen späten Ruhm? Das können natürlich weder Filmkritiker Stefan Jung (filmcontext), GenZ-Literaturpapst Fynn Benkert (Gelesen. Der Literaturpodcast) noch Yours truly entscheiden. Wohl aber können wir über die gelungenen und weniger gelungenen Aspekte des Films diskutieren. Dabei stellt sich heraus, dass uns im Zweifelsfall der "Style" doch mehr bedeutet als die "Substance". Nur die Frage, ob Kiefer Sutherlands hier oder in seiner späteren Hitserie 24 besser aufgehoben ist, konnten und wollten wir nicht final klären. Sorry, Stefan!

Alex Proyas's Dark City is a movie about a guy who wakes up in a hotel with no memory of who he is. That's all we'll say, as it's best to go into this movie blind. We really enjoyed it though, and spent most of this episode ranting about how great the movie is!Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChair- TikTok: https://www.tiktok.com/@sandrofalceZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

We revisit The Crow (1994)—Alex Proyas' gothic revenge classic starring Brandon Lee—to ask if it's still iconic in 2025. We dive into the tragedy and legacy, the Detroit Devil's Night setting, cult status, graphic novel roots (James O'Barr), unforgettable soundtrack (The Cure, Nine Inch Nails, Stone Temple Pilots), and why Eric Draven remains a timeless antihero. Expect a fun, spoiler-light review & analysis with quotes, best kills, style/cinematography talk, and how the film compares to sequels/remakes. If you love '90s cult films, goth aesthetics, comic-to-film adaptations, or Brandon Lee tributes—this one's for you!Your hosts- Kevin, Nathan, and GillProduced by NathanCheck out the video format of this episode on YouTubeFollow Straitjacket Talk on InstagramFollow Straitjacket Talk on Letterboxd-Kevin (KevWrapt)Nathan (NathanEdits)Gill (livingdeadgill)Follow Gill on Goodreads“Dismember” Theme Music by Nathan

MKAU Interviews: Alex Proyas (Director/Writer/Producer) // Supanova Comic Con & Gaming

Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers'. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin'. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber', and you can see the through lines. Like ‘Dumb and Dumber' we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn't the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then. Next Month: We seem to be unable to escape the 90's, and why would we want to when there's still so much to see! For November we take a look at a proto-Matrix movie by Alex Proyas - things get weird (probably) in the 1998 film ‘Dark City'.

Vamos con la primera sesión doble de la temporada y arrancamos con dos cómics completamente diferentes por procedencia, época, planteamiento y prácticamente lo que se os ocurra. Abrimos fuego (a tope) con El Cuervo, la obra de James O’Barr de 1989, que supuso uno de los puntales del cómic independiente de su época y que ganaría una inmensa popularidad a nivel mundial gracias a la adaptación al cine de Alex Proyas en 1994. Por otro lado, tenemos Yo, asesino, de Antonio Altarriba y Keko, de 2014, una malsana autoficción en tono de thriller, perturbadora por un lado, pero con cierta ironía por otro, que se convertiría en la primer parte de la llamada trilogía del ego. Dos tebeos profundamente desiguales que nos han gustado de manera desigual. Os esperamos a un click. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 388 de ELHDLT Selección musical: 🎶 Color Me Once, de Violent Femmes 🎶 Burn, de The Cure 🎶 Dead Souls, de Nine Inch Nails

Released in 1994 and directed by Alex Proyas, The Crow is more than just a revenge tale. It's a journey through grief, justice, and the supernatural. Based on James O'Barr's graphic novel, the film tells the tragic story of Eric Draven and Shelly Webster who are murdered by a Detroit gang. A year later Eric is resurrected from his grave to avenge their deaths and soothe the guilt he feels for failing to protect his fiancé. With its haunting visuals, unforgettable soundtrack, and the tragic real-life story of Brandon Lee—whose performance became his legacy—the film carved out a permanent place in pop culture. In this episode of History of the 90s we track The Crow's journey from comic book series to cult classic. Show Info:  Instagram: ⁠⁠@that90spodcast⁠⁠  Email: ⁠⁠90s@curiouscast.ca⁠⁠  Tik Tok:⁠ ⁠90spodcast⁠ Guest Info: Alisha Mughal, journalist, film critic and author of ⁠It Can't Rain All The Time: The Crow⁠ ⁠ www.alishajournalist.wordpress.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Mind-Bending Mystery: Dark City! Join the CineNerds gang as they dissect the 1998 cult classic film 'Dark City' directed by Alex Proyas.   Get an in-depth analysis of the noir-inspired plot, memorable characters, and the film's iconic twist ending. Tune in for CineNerds' expert discussion on the themes, symbolism, and lasting impact of this sci-fi masterpiece! #CineNerdsPodcast #DarkCity #AlexProyas #CultClassic #SciFi #FilmNoir #MindBender #MovieMasterpiece

Junk Food Dinner is back for the summer... just the summer of '87! That's right, we've got a trio of very different flicks from the year 1987! Up first, before he directed The Crow and Dark City, director Alex Proyas made a very small, very weird but very beautiful post-apocalyptic flick set in the Australian outback with a very long title; Spirits of the Air: Gremlins of the Clouds.Then, Charles Bronson is back to take out the drug pushers who are killing our kids in Death Wish 4: The Crackdown!And finally, a group of kids looking to party and a female punk band run afoul of an undead killer in an abandoned hospital in Doom Asylum!All this plus Suncoast is back, Bush (the band) is back, Parker gets angry at the movies, we pay our respects to Ozzy, action figure chat, fast food chat and so much more!LISTEN NOW!MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

Welcome back to Not A Bomb! This is the podcast where we explore some of cinema's biggest box office failures and decide whether they deserve a second chance. We are celebrating five years of discussing cinematic flops! The time has come for the Not A Bomb Podcast to unravel the mystery of one of sci-fi cinema's most underrated masterpieces—Dark City! With the release of a stunning new 4K restoration from Arrow Video, there's no better moment to revisit this mind-bending film. Blending noir aesthetics with the haunting tones of German Expressionism, Dark City laid the groundwork for films like The Matrix, and the hosts are here to break it all down. Troy and Brad dig deep into the film's twisted narrative, bold visuals, and philosophical undertones—plus, they weigh in on how Arrow's 4K edition stacks up. Don't miss this episode—download now and see if you share the Not A Bomb verdict on this cult classic!Dark City is directed by Alex Proyas and stars Rufus Sewell, Kiefer Sutherland, Jennifer Connelly, Richard O'Beirn, Ian Richardson, and William HuntMerch store! Head over to the Not A Bomb Tee Public store and check them out. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

German Expressionism, immaculate miniatures, William Hurt being the coolest, and the tragedy of a torn slip sleeve. We're rediscovering Alex Proyas's 1998 cult masterpiece Dark City, recently released in an incredible new 4K UHD from Arrow Video. Plus announcements, confessions, recent watchlists, and more.   Find us on Instagram

On this week's episode Will, Ian & Nora are joined by GIANNI MAGNA to seek Vengeance! It's a a Hangman's Joke, vengeance, love, reality, life.Luckily it can't rain all the time, thanks to- THE CROW (1994) R 102 minutesDirected by: Alex Proyas. Starring: Brandon Lee, Michael Wincott, Ernie Hudson, Bai Ling, David Patrick Kelly, Laurence Mason, Anna Thompson, Angel David, Rochelle Davis, Michael Massey, Tony Todd, Jon Polito, Bill Raymond, Marco Rodriguez and Many Other Talented People!00:00:30- Welcome GIANNI!00:01:00- First Thoughts00:11:00- GUESTIONS00:13:00- THE CROW (1994)00:20:30- Tasty Morsels00:27:00- Rating/Review01:22:30- Totals01:23:30- Next Week/Thank You Gianni/Bye!Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/THELastActionCritics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @TheLastActionCriticsemail:   Thelastactioncritics@gmail.com⁠⁠⁠⁠Youtube.com⁠⁠⁠⁠Next Week: The Big Hit (1998) (avaialble on hulu/disney+)

“I have a new primary user now…me.”The title character from M3GAN being bratty.When the first trailers for the original M3GAN arrived, nobody quite expected it to be one of the horror movie sensations of recent years. But it sure did! Or, we should say, she sure did. Because like all the best horror movie protagonists who go by their first names alone (Freddy, Jason, you get the picture), M3GAN became a pop culture force all her own.And for all the fun ridiculousness contained in that film (and, presumably, in the sequel, M3GAN 2.0 which is now in theaters), it actually raised some interesting philosophical questions. Of course, here at Does it Fly? we're interested in the actual mechanics of building and designing M3GAN herself, but we also are fascinated by the implications of using a realistic A.I. as a therapeutic device. Maybe M3GAN isn't the most nuanced subject for those conversations, but we dive into them, nonetheless.We also had some of the most fun we've had this year in our final section, putting M3GAN “on trial” for her actions, with our hosts, Dr. Hakeem Oluseyi (prosecution) and Tamara Krinsky, Esq. (ok, not really, but she's a hell of a defense attorney in this case) throw vibes out the window this week, so we'll see you in court!All this and more in the latest episode of Does it Fly? right here…https://youtu.be/nteIYlCFAUISUGGESTED VIEWING If you're reading this, you already saw M3GAN, right? Good. If not, despite its somewhat campy reputation, it really is a fun piece of sci-fi with a horror edge and it absolutely deserved to be the box office hit it was. Just note that we hadn't seen M3GAN 2.0 at the time of recording.While 2004's I, Robot isn't beloved by Asimov purists (see our “further reading” section below), it's better than its reputation suggests and comes from frequently underrated director Alex Proyas, so that's good enough for us if you want a little context for the “three laws of robotics” discussed here.Tamara also brings up Steven Spielberg's Minority Report as a film about a technology that has theoretically good intentions…until it's put into practice and immediately abused. FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! Building Your M3GAN (please do not do this)There are three elements of M3GAN that are rooted in science fact but ultimately keep her as science fiction.Fine Motor ControlWe've mentioned the incredible work in humanoid (and canine) robotics being done by Boston Dynamics before, but they don't quite have the dexterity of M3GAN…yet.“Apparent Reasoning”Getting into all of the ins and outs of artificial intelligence and the debates surrounding it is beyond the scope of this show, but even ardent A.I. supporters admit that “true general intelligence” or the ability for machines to actually reason, isn't a thing…yet. Read more here.Power DensityEven assuming these other things were possible, the battery life of M3GAN is beyond the current “power density” of anything out there…for now.Asimov's LawsAs Tamara references, courtesy of Asimov's short story collection, I, Robot…see if you can spot how many of these M3GAN breaks!A robot may not injure a human being or, through inaction, allow a human being to come to harm.A robot must obey orders given it by human beings except where such orders would conflict with the First Law.A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.Kids, Technology, Attention Spans…As Hakeem and Tamara discuss, while technology can be used therapeutically for kids, like anything else, there are potential drawbacks, particularly with attention spans. The Fisher-Price bear hackEven though this happened over a decade ago, it's still a warning light to heed!Hakeem's Favorite AstronautOK, yes, Cady Coleman does seem pretty awesome.WANT MORE FROM DOES IT FLY?For other humanoid robot fun with deep and potentially terrifying implications, have you seen our Blade Runner episode? Or might we suggest RoboCop?The new How to Train Your Dragon is currently in theaters and we took a look at the evolutionary possibilities of dragons right here.FOLLOW US!Stay in the loop! Follow DOES IT FLY? on:♦ YouTube: https://www.youtube.com/@doesitflypod?sub_confirmation=1♦ TikTok: https://www.tiktok.com/@doesitflypodAnd don't forget to follow Roddenberry Entertainment for more sci-fi insights:♦ Instagram: https://www.instagram.com/roddenberryofficial/♦ Facebook: https://www.facebook.com/roddenberry♦ Bluesky: https://bsky.app/profile/roddenberrypod.bsky.socialFor Advertising Inquiries: doesitfly@roddenberry.com

Physical Media weeks don't get much more packed this week and there is a lot to get to with Erik Childress and Peter Sobczynski. Titles include a trio of youth tales involving the film that took back cheerleading, a slasher film getting a new updating soon and the infamous creation of the Brat Pack. There's a Hammer mystery, sci-fi and Peter Cushing as Doctor Who. Peter talks about a somewhat forgotten film noir with Robert Mitchum as well as a musical version of The Philadelphia Story. They look back with a bit of fondness for an innocuous spoof of singing cowboy movies plus the inaugural releases of Dreamworks. All of this is wrapped in a pair of upgrades for two films that played their Chicago Critics Film Festival including the Alex Proyas sci-fi film Roger Ebert called the best film of 1998 and the William Friedkin masterpiece lost for many years but is now immortalized in the Criterion Collection.3:45 - Criterion (Sorcerer (4K), Thirty Two Short Films About Glenn Gould (4K))25:39 - Warner Archive (His Kind of Woman, High Society (4K))40:23 - WB (Lethal Weapon (4K Steelbook))46:59 - Kino (Rustlers' Rhapsody, The Peacemaker (4K), Mousehunt (4K), Road Trip (4K))1:20:02 - Sony (St. Elmo's Fire (4K), I Know What You Did Last Summer (4K Steelbook))1:40:18 - Shout Factory (Bring It On (4K))1:48:11 - Severin (Jack the Ripper 4K, Unknown World (4K), Total Extermination: The Peter Cushing Doctor Who Collection)2:03:19 - Arrow (Dark City (4K))2:14:17 – New Theatrical Titles On Blu-ray (The Monkey (4K), Novocaine (4K), A Minecraft Movie, Snow White (4K), Eephus)2:20:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Hot patootie, bless my soul! Because we're joined by the legendary Aussie actor, Steve Bastoni! (Say what?! *faints*) This week, everybody's favourite former-Neighbour, Matrix reloader, and Bad Boy Prophet of Doom joins AW to review the Prophets of Rage's sole titular effort, before praying-upon Bad Boy Johnny and the Prophets of Doom with the original Australian cast.Plus, we chat wrestling crocs, Steve's awkward experiences performing as the titular Rocky Horror, playing real-life criminals, the Peninsula Film Festival, honesty with mates, why we don't need to see people make omelettes, being mistaken for characters, and heaps more in this stunningly honest and warm interview!--SOCIALS--Steve: https://www.instagram.com/stevebastoni/Peninsula Film Festival: https://www.peninsulafilmfestival.com.au/Disney's Hercules on the West End Tickets: https://www.herculesthemusical.co.uk/TnT/Bloop Networkhttps://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 *****#saveneighbours!  ★ Support this podcast on Patreon ★

GIVE YOUR B*TCH A SMACKIN' - https://smackinsunflowerseeds.com/LILCUMMER/Support us on Patreon: https://www.patreon.com/CumpostingPodcastKite & Rosa are joined by Donald Parkinson (bald head like an eagle) - founder of the Marxist Unity Group (MUG) caucus of the DSA (Democratic Socialists of America) and editor of Cosmonaut Magazine to discuss his revisionist politics as well as 'Mission Impossible: The Final Reckoning', a 2025 action spy film directed by Christopher McQuarrie from a screenplay he co-wrote with Erik Jendresen. It is the direct sequel to Mission: Impossible – Dead Reckoning Part One (2023) and the eighth installment in the Mission: Impossible film series. The film stars Tom Cruise as Ethan Hunt, alongside an ensemble cast including Hayley Atwell, Ving Rhames, Simon Pegg, Esai Morales, Pom Klementieff, Henry Czerny, and Angela Bassett.[8][9] In the film, Hunt and his Impossible Mission Force team work to prevent the Entity, a rogue AI, from unleashing global destruction against humanity. We also review 'I, Robot' (stylized as i, ROBOT) is a 2004 American science fiction action film directed by Alex Proyas. The screenplay by Jeff Vintar and Akiva Goldsman is from a screen story by Vintar, based on his original screenplay Hardwired, and named after Isaac Asimov's 1950 short-story collection. The film stars Will Smith in the main role, alongside Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, and Alan Tudyk, as the robot, Sonny. Unajoy YouTube: https://www.youtube.com/@unajoyRosa's

Step into the shadows with Don, Ken, and Jon as they unravel the twisted architecture of memory and identity in Dark City. In this episode, the trio digs deep into the dark alleys of Alex Proyas' mind-bending noir-sci-fi hybrid. They shine a flickering light on a city trapped in eternal night, where time is illusion and reality is rewritten by unseen hands. With nods to The Matrix and German Expressionism, the crew dissects the film's fragmented narrative, haunting set design, and philosophical undercurrents. From Kiefer Sutherland's twitchy scientist to Rufus Sewell's reluctant antihero, they break down the performances, ponder the ethics of memory manipulation, and question whether free will stands a chance in a world built on lies. Whether you're a longtime fan or a first-time visitor to Shell Beach, this conversation will have you questioning everything—especially what it means to be human.

Ben and Rob wake up in ‘Dark City', the dark sci-fi fantasy from Alex Proyas, director of ‘The Crow'. Released a year before ‘The Matrix', ‘Dark City' tells the story of John Murdock (Rufus Sewell), a man who has lost his memory in a city that never sees the sun where memory and time itself are the playthings of a race of alien beings known only as The Strangers. ‘Dark City' was a critical success but a complete box-office bomb, with Alex Proyas ultimately blaming a studio that didn't support the film correctly. But what on earth made ‘Dark City' the cult classic sci-fi fantasy that film forgot, when it's so nearly ‘The Matrix'? Why does the theatrical version spoil almost all of the movie in the opening seconds? Can Ben make peace with this plot!? And what's Richard O Brien from Rocky Horror doing in here?CONSUUUME to find out all this and much MUCH more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcast

Horror adjacent ?  Horror ?  This new series in which the boys weigh in on a film that isn't listed as horror, but maybe should be.  Previously a patreon exclusive episode, now you can hear where Alex Proyas' cult film The Crow, lands in the hallowed halls of horror.www.RuminationsRadioNetwork.comwww.instagram.com/ruminationsofredrumhttps://twitter.com/OfRedrumwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNhttps://www.patreon.com/RuminationsRadioMusic and Production by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork Charles Langley and Mitch Proctor for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadio ★ Support this podcast on Patreon ★

“Buildings Burn, People Die, But Real Love is Forever!”We're closing out April Showers in unforgettable fashion—with a rain-drenched, emotionally charged 90s classic that's also one of Henrique's all-time favorite films. Join Henrique and David as they descend into the stormy streets of Detroit for a tale of loss, vengeance, and gothic heroism in 1994's The Crow. Directed by Alex Proyas and starring Brandon Lee, Michael Wincott, and Ernie Hudson, this supernatural action film tells the story of musician Eric Draven, who returns from the grave exactly one year after he and his fiancée were murdered—to seek justice as the vengeful spirit known only as The Crow.

It's another patron episode! This month we've been directed to watch 1998's Dark City, a flop at the time but a cult classic in the decades since. Directed by friend of the show Alex Proyas from The Crow and starring Rufus Sewell and William Hurt, Dark City asks the same question we've all been asking ourselves: what if The Matrix had the guy from Hellraiser? And boy, does it deliver. Come float along with us and see for yourself how telekinesis can be used poorly, whether spirals are always as mysterious as you might think, and why sometimes less is more with 1998's Dark City.

Send us a textWe remember loving this movie in the 90s. As kids, this movie was serious kick-ass awesomeness. It may have been the best comic book movie of the 90s! Sure the bar was low but that doesn't change the fact that we remember a dark and bruting look, a 90s grunge soundtrack, a whose who of bad guy actors, and unfortunately a career-defining and final performance from Brandon Lee. If this movie is not as good as we remember we just might go goth and brude in our rooms for a week writing awful gloom poetry with the volume on our ghetto blaster turned up. All the way up.Do You Remember Liking This Movie?

On the 97th episode of the Slice By Slice podcast, Jesse and Josh start off Part 1 of their Supernatural Thrillers series with a deep dive into 1994's The Crow. Recorded on 2/23/2025. IntroNews and AnnouncementsCorrections and UpdatesWhat We WatchedTale of Two TragediesJames O'BarrBrandon LeeFilm DiscussionsThe Crow (1994)Outro

AntiTrash is over in a big way this week. We are back at our usual trash selves with Alex Proyas's I, Robot. The Will Smith vehicle from 2004 seemed to be watched by everybody? But has time been kind to it? We talk AI, sentience, awkward racism parallels, and much, much more in our analysis of Alex Proyas's I, Robot. Tune in now to hear our discussion!

Send us comments, suggestions and ideas here! This week's episode sees us dust off the old VHS copy of the late 90s gnostic science fiction classic “Dark City,” written and directed by Alex Proyas. This is what your mom was talking about when you told her you wanted to see ‘The Matrix' but she said “No, we have it at home,” with some scenes almost matching shot for shot visually. Perhaps more remarkably is how Dark City tackles similar themes on loan from ancient gnostic philosophy but does so in a way faithful to its science fiction roots in German expressionism where it finds inspiration in the fertile imaginations of Fritz Lang and Albin Grau, the creators of Metropolis and Nosferatu respectively. The result is a film which beneath its slick, noir surface is a thoughtful meditation on the dark side of spirituality, evolution and the destiny of the human soul. In the first half of the show we discuss some of the occult roots of the science fiction genre itself and what it has to do with the Aeon of Horus championed by Aleister Crowley before cutting into the dense symbolism in the film's opening using the Tarot as our guide. In the extended show we visit the abode of Netzach and go deeper into Greek and even Hindu mythology to unpack some of the symbolism used in the film before discussing the overlap between The Strangers and their shadowy, real-life counterparts who manipulate our destiny from the circles beyond time. We hope you brought your Kabbalah glasses because we'll be talking shop in this one. Thank you and enjoy the show! In this week's episode we discuss:The Occult Roots of Science FictionImmanentizing the Eschaton German ExpressionismThe Black BrotherhoodThe Allegory of the Cave The Hotel, MalkuthMannequins of Hod The Automat Scene Mercury / Hermes Gematria In the extended show available at www.patreon.com/TheWholeRabbit we go quite a bit further and discuss: Maia, Eldest Sister of the PleiadesVenus PudicaThe Sacred DeerThe Scales of LibraEmma AphroditeAdonism and Luciferianism The StrangersBrotherhood of Saturn and FOGCThe Tepaphon and GOTOSMen in BlackGanymede and AquariusPrometheus and Icarus The Hand of GodThe Wheel Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitX: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources:Tepaphon:https://josephmax.wordpress.com/2010/09/05/tepaphone-the-magickal-death-ray/Steven Flowers, Fraternitas Saturni:https://www.amazon.com/Fraternitas-Saturni-History-Doctrine-Brotherhood/dp/Support the show

In this episode of Tech Talks Daily, recorded at the IT Press Tour in Malta, I am joined by Antoine Simkin, co-founder of Digi Film Corporation.  Antoine Simkine is also the lead producer and managing director of the Paris-based Les Films d'Antoine, which was founded in 2004. He was also the executive producer of the VFX of about one hundred feature films such as “The City of Lost Children”, “Amelie”, “Alien Resurrection” by Jean-Pierre Jeunet, “The Ninth Gate” by Roman Polanski, “Ronin” by John Frankenheimer, “Joan of Arc” by Luc Besson, and “The Man Who Cried” by Sally Potter. Antoine Simkine has then worked for 20th Century Fox as VFX producer during the final phase of development of “I Robot” by Alex Proyas. With a unique background in cinema and digital visual effects, Antoine brings a fascinating perspective on the challenges and solutions for long-term data preservation in our rapidly evolving digital age. Antoine shares his journey from pioneering digital visual effects in the 1980s and 90s to tackling one of the industry's most pressing issues: the longevity of digital data. Reflecting on his experience working with formats like Sony DIR and DTF tapes, he highlights the challenges of data migration, evolving standards, and the risks of losing critical digital assets. His work with Digifilm Corporation introduces an innovative approach to solving these problems by blending the permanence of film with the precision of digital encoding. We explore how Digifilm's Archifix solution offers a robust alternative to traditional storage methods, ensuring data preservation for decades, if not centuries. Antoine provides insight into the diverse applications of this technology, from the cinematic world to industries such as nuclear power, defense, and architecture, where the need for secure, offline data storage is paramount. As data volumes grow exponentially and regulations around data integrity and security tighten, Antoine's vision for the future of Digifilm highlights the critical importance of balancing technological advancements with sustainable, long-term preservation strategies. Could this approach be the missing piece in solving the global data storage puzzle? What role could Digifilm play in securing our digital heritage for future generations? Listen, reflect, and join the conversation. Learn more at https://digifilm-corp.com/home

We are back this week with our monthly edition of the Art Angle Roundup, where co-hosts Kate Brown and Ben Davis are joined by a guest to parse some of the biggest headlines of the month. This week, Naomi Rea, newly appointed editor in chief of Artnet News joins the show. Kate and Naomi just returned from reporting on the ground at Art Basel Paris, which came just one week after Frieze London and Frieze Masters, where a clearer picture of the art market was taking shape. Before we get to that, speaking of London, there was big news that activists were sentenced to prison time for the souping of a very famous Vincent Van Gogh painting. The trio discusses what the implications of this punishment are for the activists using soup-throwing and other tactics to get their message across, and if it's working at all. Next, we dive into the state of the art market, which has been the subject of many think pieces, often providing contradictory views. Finally, we dig into the man of many controversies: Elon Musk. He has been the subject of multiple accusations of alleged plagiarism in the past couple of weeks. First, Alex Proyas, who directed the 2004 adaptation of the short story I, Robot, called out Musk's Tesla on social media, writing simply: “Hey Elon, can I have my designs back please?” and shared a side-by-side image of his work on the film next to those of newly-released prototypes of Optimus, Cybercab, and Robovan at a long-awaited October 10 event intended to showcase Tesla's future products to investors. Just days later, the producers of Blade Runner 2049 filed a lawsuit suing Tesla for using imagery from that film without permission. In fact, Alcon Entertainment denied a request from Tesla and Warner Bros Discovery to use images from its film, and then Musk went ahead and used A.I.-generated references anyway. Alcon Entertainment called it “a bad-faith and intentionally malicious gambit.”

The Spoop Boiz are joined by their avenging angel/college pal Caitlyne to celebrate the 30th anniversary of their favorite gothy sadboy revenge tale - The Crow!  They explore the original James O'Barr indie comic book, director Alex Proyas' music video visuals that brought this trashfire dystopian classic to life, the soundtrack's impact on the MTV grunge generation, and star Brandon Lee's stunning charisma and tragic legacy.  Put on your face paint, grab your leather duster, and rock out with your caw-k out. Support us on Patreon: https://www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Spotify, iHeartRadio and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook and Twitter @WatchIfYouDare

“Bruce Greenwood, who's surprisingly not crooked in this movie? That blew my hair back!” - Steve On this week's episode, the Summer Blockbuster Extravaganza rolls into Will Smith City with a conversation all about the absolutely dreadful I, Robot! And to help dive into this dull-ass flick, the gang welcomes back to the show, friend and film critic, Angelica Jade Bastién! Why did they want to make this movie so damn serious and not let any comedy on the screen? Is Will Smith's character listening to “Superstition” on loop every morning? Why couldn't they pump a few more bucks into these digital effects? Was Bridget Moynihan's direction just to play the character as if she was a secret robot? And why in the world weren't Shia LaBeouf's scenes cut for time? PLUS: Was the most expensive visual effect in this movie really digitally removing Will's johnson from the shower scene?  I, Robot stars Will Smith, Bridget Moynihan, Bruce Greenwood, James Cromwell, Chi McBride, Adrian Ricard, Fiona Hogan, and Alan Tudyk as Sonny; directed by Alex Proyas. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. Be sure to pick up your tickets for our summer time WORLD WIDE DIGITAL EVENT where we'll be talking all about the action classic SPEED! Head over to Moment dot co slash We Hate Movies and get your tickets now— and don't forget to bundle in your ticket for the Q&A After Party that's going down right after the show that night! Can't make it to the live show? No problem! The show will be available for replay for a full TWO WEEKS after air. So you've got 14 days to check out the show after it happens! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new SHEENPRIL, Night Vision & Too Old For This Shit designs!   Original cover art by Felipe Sobreiro.