Podcasts about alabama getaway

Happy New… August. This week, our hosts FiG and Knob are heading to Oakland for the Grateful Dead's December 31st, 1979 show at the Oakland Auditorium Arena. Discussions abound about the Sphere, pitch wheels, and a Samson that just won't quit. Jack Straw >  Franklin's Tower Mama Tried >  Mexicali Blues Tennessee Jed Looks Like Rain >  Alabama Getaway >  Promised Land  Sugar Magnolia >  China Cat Sunflower >  I Know You Rider Samson & Delilah Ship of Fools Lost Sailor >  Saint Of Circumstance >  Deal  Althea >  Minglewood Blues Uncle John's Band >  Drums >  Space > Not Fade Away >  Stella Blue >  Sunshine Daydream Good Lovin'

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week's Deadpod features the second show the band played in 1980, this from the Capitol Theater in Passaic New Jersey on March 30, 1980.  Brent is fairly new to the band, and finding his way on some of these tunes.. they open with a relatively new 'Alabama Getaway' which goes into 'Promised Land' for a rockin' start to the evening. 'Cassidy' which follows 'Peggy-O' is a bit rushed, but the 'Loser' that follows is quite good. Brent debuts his 'Far From Me' which still needs some work but shows promise. Another highlight is the 'New Minglewood Blues' where Brent's Hammond B3 sounds especially good. The rest of the set is quite good as well - the 'Althea' is well done and Bobby adds alot of energy to the 'Sailor>Saint' combo to close the set.      Grateful Dead Capitol Theatre Passaic, NJ 3/30/1980 - Sunday     One     Alabama Getaway [5:02] > The Promised Land [4:15] Peggy-O [6:54] Cassidy [4:45] Loser [6:36] > El Paso [4:26] Far From Me [4:01] Tennessee Jed [4:40] New Minglewood Blues [6:33] Althea [7:43] Lost Sailor [6:03] > Saint Of Circumstance [5:56#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod032924.mp3 Hope that you have a happy Easter weekend! my thanks to Steve for his suggestion of this show. 

Happy Boxing Day! This week on the Help on the Way pod, our hosts Game, FiG and Knob are heading to Oakland for the Grateful Dead's December 26th, 1981 at the Oakland Auditorium Arena. Discussions abound about Phil Lesh's 84th birthday clusterf*ck, A Day at the Dentist, and which New Jersey icons could rock The Other One. Alabama Getaway > Promised Land Candyman Little Red Rooster Big Boss Man Me And My Uncle > Big River Bird Song It's All Over Now Big Railroad Blues Let It Grow Scarlet Begonias > Fire On The Mountain Estimated Prophet > He's Gone > Drums > Space > Truckin' > Black Peter > Around And Around > One More Saturday Night Don't Ease Me In 

California! This week on the Help on the Way Podcast, our hosts Game and Knob are heading to Watsonville, California to listen to the Grateful Dead's September 24th, 1983 show at the Santa Cruz County Fairgrounds. Discussions abound about the Phil Lesh Quintet, a fast Bird Song, and some rumors that Dead and Company might be playing The Sphere... Alabama Getaway > Promised Land They Love Each Other Me and My Uncle > Mexicali Blues Bird Song Hell In A Bucket Deep Elem Blues > Looks Like Rain > Keep Your Day Job China Cat Sunflower > I Know You Rider Women Are Smarter Ship of Fools Truckin' > Drums > Uncle John's Band > Throwing Stones > Not Fade Away > Brokedown Palace Finiculi Finicula One More Saturday Night 

    An unusual second set setlist and an unusual guest highlight this week's Deadpod from February 12, 1989 in Los Angeles.  Following an opening 'Iko, Iko', Bob breaks out 'Monkey and the Engineer' for the final time, although it sounds a bit different than in the past due to Bob's different timing of the verses. 'Alabama Getaway' follows, another unusual second set choice, then again, 'Dire Wolf', if with a bit of a ragged chorus.A nice version of 'Cassidy' follows, then 'Stuck Inside of Mobile With the Memphis Blues Again' - with Dylan adding some vocals when Bobby 'forgets' in the middle of the song..  An interesting 'Other One' follows post-drums, with a Kodo drummer adding some intensity, but it is a bit shorter than usual.. 'Stella Blue' follows and flows into a set closing 'Foolish Heart'. A nice double encore follows, with Dylan taking the vocals for 'Knockin' On Heaven's Door'..   Grateful Dead Great Western Forum Inglewood, CA 2/12/1989 - Sunday Two     Iko Iko** ; Monkey And The Engineer** ; Alabama Getaway** ; Dire Wolf** ; Cassidy** ; Stuck Inside Of Mobile With The Memphis Blues Again** ; Drums > Space > The Other One*** > Stella Blue > Foolish Heart Encore     Not Fade Away** ; Knockin' On Heaven's Door** * with Spencer Davis ** with Bob Dylan (guitar,vocals on Memphis Blues, Heaven's Door; guitar only on the others) *** with Kodo drummer   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod020924.mp3  Thank you for your kind support. 

We're ga ga for Onondaga! This week on the Help on the Way pod, our hosts Game, FiG, and Knob are heading to Syracuse for the Grateful Dead's May 17th, 1981 show at the Onondaga Auditorium. Discussions abound about Phil's new podcast, Bobby's slide solos, and Knob's Dad's take on the Philly Spectrum. Alabama Getaway > The Promised Land Peggy-O Mama Tried > Mexicali Blues They Love Each Other > New Minglewood Blues Candyman > Looks Like Rain Big Railroad Blues > Little Red Rooster China Cat Sunflower > I Know You Rider Cold Rain And Snow > Samson And Delilah Ship Of Fools Estimated Prophet > He's Gone > The Other One > Drums > Space > Saint Of Circumstance > Wharf Rat > Sugar Magnolia (I Can't Get No) Satisfaction

There's gold in the hills, so we're heading back to California. This week our hosts Game, FiG, and Knob are heading to San Rafael for the Grateful Dead's October 30th, 1983 show at the Marin County Veterans Auditorium. Discussions abound about Phil's new podcast, the new Grateful Dead Gravity Infuser, and Game's favorite song: Day Job. Alabama Getaway > Greatest Story Ever Told Friend Of The Devil New Minglewood Blues Tennessee Jed Cassidy West L.A. Fadeaway Hell In A Bucket > Might As Well Bertha > Samson & Delilah Ship of Fools Playin' In The Band > Drums > Truckin' > Spoonful > Black Peter > Sugar Magnolia Day Job 

Put some shredded cheese on your chili, we're heading to Cincinnati. This week, our hosts Game, FiG, and Knob are heading to River Bend Music Center for the Grateful Dead's June 24th, 1985 show. Discussions abound about Knob's adventure with Billy and the Kids, the Book of Iko Ikos, and whether or not 1985 is an underrated year. Alabama Getaway > Greatest Story Ever Told They Love Each Other New Minglewood Blues Tennessee Jed My Brother Esau Loser Let It Grow Iko Iko > Samson & Delilah > He's Gone > Smokestack Lightning > Cryptical Envelopment > Drums > Comes A Time > The Other One > Cryptical Envelopment > Wharf Rat > Around & Around > Good Lovin' U.S. Blues 

Four-Years of musical memories and the latest cannabis newsLarry Mishkin  celebrates the fourth anniversary of the Deadhead Cannabis Show and discusses the Grateful Dead's performance of "Alabama Getaway" in 1980.  He mentions Taylor Swift's sold-out concert at Soldier Field, drawing parallels between the passionate following of Swifties and Deadheads.  He reminisces about the time when Warren Zevon opened for the Grateful Dead and discusses their cover of "Werewolves of London"  and expresses his love for the strain Pre-98 Bubba Kush. Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast

One of my favorite tours, the Spring tour of 1980 will give us one more fine show on this week's Deadpod. From the old Boston Garden on May 12, 1980 the boys shook the rafters on this Monday night with a rocking first set.  They come out blazing with a great 'Jack Straw>Alabama Getaway>El Paso' opening trifecta. While this is an unusual combo, Jerry and Brent in particular shine on these opening tunes. A nice 'Althea' follows, then Bobby takes the lead on 'Lazy Lightning> Supplication'. We get a short but sweet Brent number in 'Far From Me' before Bobby takes us back down to Minglewood. The closing China>Rider is excellent, highlighted for me, by Jerry's emotion when he is on that northbound train.  Grateful Dead Boston Garden Boston, MA 5/12/1980 - Monday     One     Jack Straw [5:21] > Alabama Getaway [4:53] > El Paso [4:12] Althea [8:16] Lazy Lightnin' [3:22] > Supplication [4:44] Far From Me [3:37] New Minglewood Blues [7:08] China Cat Sunflower [5:04] > I Know You Rider [6:07]  You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod052022.mp3   Thanks for your kind support, and stay in touch!

Grateful Dead Live at Uptown Theater on 12-05-1979  Prior to the Dead's April 1980 release of the Go to Heaven album they  tried out a lot of new material.  Larry Mishkin and Rob Hunt  discuss the album and dissect the lyrics of Alabama Getaway and all the references to Billy "Bojangles" Robinson who was best known for his dancing and playing the role of the major domo in many 1930's movies. They also talk about  South Dakota not honoring the will of the voters on a technicality,Produced by PodConXDeadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinJim Marty - https://podconx.com/guests/jim-martyRob Hunt - https://podconx.com/guests/rob-huntDeadhead Cyclist - https://deadheadcyclist.com/Photo courtesy of Jay Blakesberg

We listen to tracks from Feb. 27, 1981 at the Uptown Theater in Chicago. The Grateful Dead in the Gone To Heaven era playing a great set. We hear a matrix recording that is just exquisite. Alabama Getaway, Cassidy, and Sugar Magnolia are heard.

In this week’s episode we explore Dick’s Picks Vol. 13, from Nassau Coliseum in Uniondale, NY on May 6, 1981. A return to the 80’s & the Brent era, this is a puzzling installment in the larger volume that features a lot of repeated tracks, before showcasing some stellar jamming in a bonus segment late in the show. Highlighting Set I, we hear an inspired Brent on “Alabama Getaway,” and a fiery Jerry on “Jack-A-Roe,” before the two collaborate for a fantastic jam in “Deal.” In Set II we hear the first “Lost Sailor -> Saint Of Circumstance” of the Dick’s Picks series, before the latter fades into a 30+min wild bonus segment of “Scarlet Begonias -> Fire On The Mountain” from 1979, which heard Brent push his ideas on the band to fascinating results. Returning to Nassau, the “He’s Gone -> Caution (Do Not Stop On The Tracks) -> Drums -> Jam -> The Other One -> Goin’ Down The Road Feeling Bad> Wharf Rat” segment is filled with surprises and improv, making it a highlight for the era and the volume. In the dark ages of the early-80s, this volume showcases what made this era confounding and also fascinating all at once. Steven and Rob focus on the joy/challenge of virtual tour listening projects, the band’s songwriting shifts & creative malaise at this time, the curiosities of Bob Weir’s political beliefs, and the best shows that surrounded this version.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 14 in anticipation of our next episode which will drop on Monday, September 7. See acast.com/privacy for privacy and opt-out information.

Featured Songs: 1. 00:38 - Row Jimmy - 06-01-19 - Shoreline Amphitheatre - Mountain View, CA 2. 09:06 - Comes A Time - 06-08-19 - The Gorge - George, WA 3. 18:59 - Althea - 06-23-19 - Citi Field - New York, NY 4. 31:18 - Alabama Getaway - 06-29-19 - Cellairis Amphitheatre - Atlanta, GA 5. 35:56 - Morning Dew - 07-05-19 - Folsom Field - Boulder, CO See omnystudio.com/listener for privacy information.

Set 1:Alabama Getaway ->The Promised LandThey Love Each OtherCassidyLoserIt's All Over NowEasy To Love YouBig Railroad BluesLooks Like RainDon't Ease Me InThe Music Never Stopped

I'm joined by guest Phil Stacey as we discuss the Grateful Dead album Go to Heaven. Show notes: - Recorded at CompCon world HQ - The Dead transitioning into a new decade, the '80s - Cover may have given fans the wrong idea - Short outing at only 38 minutes - One of the least favorite studio albums among Dead fans - Phil: A real mish-mash - Contractual obligation: Third studio album in four years - AOR was getting big - The Godchauxs were gone - Brent Mydland brings a smooth Michael McDonald vibe that is off-putting - Grateful Dead keyboard players : Spinal Tap drummers - Some Dead classics on this album: Alabama Getaway, Althea - Didn't make another studio album for seven years - Jay might go see Dead & Co. with Phil at some point - Phil: This is their second-worst album - Lost Sailor doesn't work - Three straight Weir/Barlow songs - Saint of Circumstance could be an '80s sitcom theme song - Bob Weir loves the short shorts - Hey, we used to wear them, too - Mickey Hart eventually got into world music - Mydland's Easy to Love You could have been a pop hit - Album ends with a rave-up cover of Don't Ease Me In - Phil: In defense of U2's Zooropa - When we next convene, we'll talk about late '80s Dead Completely Conspicuous is available through Apple Podcasts and anywhere else you get podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

We start out October with a show from across the pond in London, England on October 3rd, 1981. A well-played, rockin' first set gives a few hints as to the improvisation that will follow in set 2 next week. 'Alabama Getaway' is the opener, not uncommon for the time, and while the sound is a bit dicey at first things clear up nicely for the rest of the set. There's a really nice 'Peggy-O' here, and the 'Little Red Rooster' is a real rocker. 'Bird Song' has some very nice moments from Garcia, and the jam between 'China Cat' and 'I Know You Rider' is quite good as well. Brent is quite featured in the mix throughout, although Bobby's guitar is often a bit too low.       Grateful Dead Rainbow Theater  London, England Date     10/3/81 - Saturday     One     Alabama Getaway > The Promised Land ; Peggy-O ; Me And My Uncle > Big River ; Tennessee Jed > Little Red Rooster ; Bird Song > Looks Like Rain ; China Cat Sunflower > I Know You Rider   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod100419.mp3   I do thank you for listening, and those of you who are able to support the Deadpod!     p.s. I'm supposed to be getting some copies of the new release of 6/17/91 'Saint of Circumstance' CD set. Keep watching this space for details on how you could enter to win a copy ! details on the release are here: https://store.dead.net/special-edition-shops/giants-stadium/saint-of-circumstance-giants-stadium-east-rutherford-nj-6-17-91-digital.html  

It’s truly funny that the same brainless Trump supporters that walk around not allowing anyone to make decisions about their guns are willing to make decisions about a woman’s reproductive rights. If you ever thought hypocrisy wasn’t alive and kicking in the United States, you need only go to Alabama that single handily walked this country back five decades.

This show, a special request to honor a brother who passed, comes to us from the New Haven Coliseum in New Haven Connecticut on April 23rd, 1983. I considered only playing set number two, as it exists in soundboard form, but this first set has such spirited playing that although it is an audience copy I quite enjoyed it - I hope you do as well.   The 'Alabama Getaway' jumps out of the box and shows the boys mean business on this night. Jerry's licks are fast and hot and it flows naturally into the 'Greatest Story'. While the vocals on 'Candyman' (and several others) are a bit far away, I suggest turning it up! :) 'New Minglewood' smokes.. this is one of the better versions I think... A nice little Garcia jam follows the return to Tennessee.. Bobby sounds a little rushed ;) during 'Lightnin>Supplication' ...the sweet lead into a hot Supplication makes up for it. A lovely 'Peggy-O' follows, then Brent gets to bring out 'Far From Me'. The first set ends with a amped up 'Music Never Stopped', I can't imagine many were in their seats..        Grateful Dead New Haven Coliseum New Haven, CT 4/23/83 - Saturday   One   Alabama Getaway [5:19] > Greatest Story Ever Told [4:02] ; Candyman [6:31] ; New Minglewood Blues [7:43] ; Tennessee Jed [8:07] ; Lazy Lightnin' [3:38] > Supplication [6:21] ; Peggy-O [7:55] ; Far From Me [4:16] ; The Music Never Stopped [8:35]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod041219.mp3   this goes out in memory of Mike Winters..   Thanks for your support of the Deadpod!

This year, the resistance strikes back.  Join Taliesin and Raina as they discuss battle plans.

We have a very fine second set to usher in the start of 'full eclipse' weekend on this edition of the Deadpod! Shows at the Uptown in Chicago were usually great, and this one was no exception. They start with a song they hadn't played since 1965! - Little Red Rooster - while you may have grown tired of it - the audience that night couldn't say the same :) The rest of the set is well played and I really enjoy hearing Brent as he fits into his role with the band at this early stage of his tenure. The highlight here is the wonderful 'Comes A Time'  in the midst of a Playin' sandwich - excellent emotion and playing. The boys do a wonderful Alabama Getaway finale here! Shame that didn't happen more often, then treat the crowd to a Johnny B Goode encore .. I'm sure they were feeling it this night..      Grateful Dead Uptown Theatre Chicago, IL  8/19/80 - Tuesday   Two Little Red Rooster [7:42] > China Cat Sunflower [6:00] > I Know You Rider [6:10] > Estimated Prophet [10:09] > Eyes Of The World [8:20] > Space [5:20] > Drums [13:21] > Space [1:08] > Playing In The Band [9:18] > Comes A Time [10:00] > Playing In The Band [5:56] > Around And Around [4:12] > Alabama Getaway [4:42] Encore Johnny B. Goode [4:19]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod081817.mp3   Thank you for your kind support of the Deadpod!    Please be careful and don't look at the sun during that eclipse!    Ain't No Time to Hate! 

This week, Adam is joined by Josh Kraushaar and Kyle Trygstad to preview Tuesday's special Senate election in Alabama and discuss the reactions from President Trump and other Republican officeholders to the violence in Charlottesville.

Episode 051 - December 2016 Set 1 Bertha (1971-08-26)Sugaree-> Little Red Rooster (1983-10-17)Mama Tried (1976-09-25)Row Jimmy (1974-06-18)Same Thing[1] (1993-03-27)Cassidy (1989-06-21)Peggy-O (1974-08-04)Let It Grow-> Althea (1980-06-20)Empty Page[1] s (1971-08-26)Broken Arrow[1] (1993-03-09)Bird Song (1972-10-18)From The Heart Of Me (1979-02-03)Dancin' In The Streets-> Wharf Rat-> Dancin' In The Streets-> Around & Around (1976-10-14)Alabama Getaway-> Promised Land (1987-04-19)[1] Dead Fantasy Debut

Episode 008 - April 2015 Set 1Alabama Getaway->Promised LandWalkin' BluesDupree's Diamond BluesWest L.A. FadeawayMe & My Uncle->Big RiverJust A Little LightJust Like Tom Thumb's BluesWhen I Paint My MasterpieceMr. CharlieDoin' That Rag->Cryptical EnvelopmentFeel Like A StrangerPassengerSaint Of CircumstanceHey Jude->Dear Mr. Fantasy->Hey JudeBuilt To LastCosmic Charlie

Episode 027 - January 2016 Set 1Cold Rain and Snow (1976-12-26)One More Saturday Night -> Jack Straw (1991-12-28)Promised Land (1978-12-30)Dupree's Diamond Blues (1985-12-31)Big Boss Man[1] (1989-12-31)When Push Comes To Shove[1] (1986-12-27)Mama Tried[1] (1976-12-31)Mexicali Blues[1] (1972-12-31)Me & My Uncle -> Big River (1978-12-31)Foolish Heart -> Man Smart (Woman Smarter) (1991-12-28)Casey Jones (1972-12-31)Smokestack Lightning[1] (1970-12-28)Big Railroad Blues[1] (1984-12-29)Alabama Getaway-> Greatest Story Ever Told (1979-12-28)Throwing Stones-> One More Saturday Night (1991-12-28)[1] Dead Fantasy Debut

As we head into the home stretch on 2015, I've decided to bring you another one of my favorites from 1980... this show took place at the University of Florida, Alligator Alley, on November 29th, 1980. This is a day after the show included on '30 Trips Around the Sun' and a day before the show immortalized on Dick's Picks' 8, Atlanta , 11/30/80. The boys were definitely on a roll and I hope you'll enjoy this fine audience recording of this performance this week and set 2 next week.  Being 1980 they roll out with a rocking Alabama Getaway into Promised Land. A wonderful Candyman follows, then Bobby takes over for a New, NEW Minglewood Blues, followed by a nice, lazy Row Jimmy. Mama Tried into Mexicali follows but then we have an excellent Althea. Sailor ->Saint leads us into the set closing Don't Ease Me In..    Grateful Dead Alligator Alley Gym - University of Florida Gainesville, FL 11/29/80 - Saturday One Alabama Getaway [4:30] > The Promised Land [3:58] ; Candyman [7:18] ; New Minglewood Blues [7:02] ; Row Jimmy [11:00] ; Mama Tried [2:30] > Mexicali Blues [4:36] ; Althea [8:14] ; Lost Sailor [6:30] > Saint Of Circumstance [6:38] > Don't Ease Me In [3:46]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod121115.mp3     I do want to thank the kind friends who have donated to the Deadpod and who are my partners in bringing this music to you. Thank you so much!!!    Remember to keep that LoveLight on and Be Kind :)           

This week's Deadpod is the result of a request from one of my long time listeners' who reported that his wife had one of those annoying incidents where some lout dumped a beer on her during this, her very first Grateful Dead show and nevertheless remained tolerant enough to accompany him to yet another Dead show 15 years later where the same thing happened to the poor lady! Despite all that this is a great show, and I'm happy to bring it to you this week, this comes from Falls Church NY from May 8th, 1980. It opens with a rockin' Alabama Getaway, and shows that the boys are ready to rock on this night! Other highlights for me include a fine 'High Time' and a great version of 'Lazy Lightnin'->Supplication'.. I'll be playing the second set of this show next week..    Grateful Dead Glens Falls Civic Center Glens Falls, NY 5/8/80 - Thursday Set One Alabama Getaway [4:21] > The Promised Land [4:10] ; Friend Of The Devil [9:15] ; Mama Tried [2:28] > Mexicali Blues [4:11] ; High Time [8:06] ; Lazy Lightnin' [3:54] > Supplication [7:06] ; Ramble On Rose [7:35] ; Lost Sailor [6:09] > Saint Of Circumstance [6:07]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod081415.mp3  

This week, set 2 of a wonderful recording of a rockin' show from the Summer of 1980 - 6/20/80 from Anchorage Alaska. This is really a wonderful classic set of Grateful Dead music for the period, and this second set starts out with a fabulous Alabama Getaway into Greatest Story Every Told. The crowd knows they're in for a treat here as the boys rock this one out! Ship of Fools follows and then a wonderful version of Estimated Prophet - the band really lights this one up. This flows not surprisingly into 'The Other One' but the drums and space that follows is quite interesting and lead into a really funky Brent intro into a sweet 'Not Fade Away' - no throwaway set closer here. Black Peter follows , then the boys step on the pedal again to end the set with a great 'Around and Around' into 'Johnny B. Goode'. They return with a 'Don't Ease' me encore to say goodnight to their Alaskan guests..       West High Auditorium, Anchorage, AK (6/20/80) set 2   Alabama Getaway Greatest Story Ever Told Ship of Fools Estimated Prophet The Other One drums Not Fade Away Black Peter Around and Around Johnny B. Goode Don't Ease Me In     You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod061915.mp3     Have a wonderful week my friends! and THANK YOU for your support!!!!!  

Happy New Year! Well close enough ;) that said I decided to bring out one of the band's famous NYE performances for this week's (and next week's) Deadpod. This is from 12/31/79 at the Oakland Auditorium Arena in Oakland CA. While many would argue that this was not the best show of this NYE run (after all 12/28/79 was released as Road Trips Vol 3 #1, and 12/26/79 was Dick's Picks #5) there is still something magical about these NYE performances. This week we will listen to set 1, then sets 2 and 3 next week. Set one starts off strong with a great Jack Straw (listen to what sounds like the reference to Clive Davis of Arista Records in the "We used to sing for silver.. line :) Jack Straw flows into a big Franklin's Tower, albeit Jerry blows more than one lyric here.. Other highlights in this first set include a very nice 'Looks like Rain' and a rockin' Promised Land which closes out set 1... Grateful Dead Oakland Auditorium Oakland, CA 12/31/79 - Monday Set One Jack Straw [6:05] > Franklin's Tower [16:53] ; Mama Tried [2:36] > Mexicali Blues [4:42] ; Tennessee Jed [8:40] ; Looks Like Rain [8:09] > Alabama Getaway [7:04] > The Promised Land [4:46] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod122713.mp3 Thank you for listening to the Deadpod in 2013, and I look forward to the shows to come in 2014! Thanks to those of you who have kindly contributed to the Deadpod that keeps us on the air! Happy New Year to all my friends! Be safe and happy!!

Listen to Allen Tullos read from the introduction to "Alabama Getaway."

Just an short update show keeping track of Junior and his activities in support of the oil leak in the gulf.

This week's Deadpod has two unusual occurances - first a show from 1986 - a year I usually find quite depressing and an audience tape to boot! I think when you give this show a listen you'll understand why I decided to ignore my prejudices and post this classic show! This one starts with a smokin' Alabama Getaway into Greatest Story.. there's a *fine* Dire Wolf and I was always a fan of Brother Esau.. the rest of the set is very well played as well, and closes with the second Box of Rain in a week after having not been played since '73.. the crowd goes predictably wild.. :)I hope you enjoy the performance..Grateful Deadthe Spectrum, Philadelphia PA3/24/86 MondayAlabama Getaway [4:33] > Greatest Story Ever Told [4:00] ; Dire Wolf [3:06] ; Little Red Rooster [7:57] ; Brown Eyed Women [4:57] ; My Brother Esau [4:36] ; Ramble On Rose [6:52] ; El Paso [5:11] ; Box Of Rain [4:59]You can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod121809.mp3Have a great week - as always many thanks for your kind support !

This week's Deadpod starts with one of my all-time favorite Shakedown Streets - this one really blows the doors off the place then seques into a fine Samson & Delilah..After a sweet Ship of Fools we're treated to a great ride on the Terrapin Express!! This set seems a real precursor of the fine shows to follow in 1980 and I hope you enjoy it as much as I do.. the double encore, Alabama Getaway into Promised Land, shows me the band had a great time this night as well!Grateful Dead - December 11, 1979Soldiers & Sailors Memorial Hall - Kansas City, KSSet 2:TuningShakedown Street ->Samson & DelilahShip of FoolsTerrapin Station ->Lost SailorSaint Jam ->Saint Of Circumstance ->Estimated Jam ->Drums ->Not Fade Away ->Black Peter ->Sugar MagnoliaEncore:Alabama Getaway ->The Promised LandYou can listen to this week's Deadpod here:http://media.libsyn.com/media/deadshow/deadpod121109.mp3

This week we get a nice recording of a wonderful early 80's show - this one comes to us from Alpine Valley, August the 8th, 1982. This week we'll hear the first set (and the opener of the 2nd), next week we'll finish up the show.. I really enjoyed the Alabama Getaway openers of this period and this is no exception. I also think you'll like the Little Red Rooster, Looks Like Rain and Peggy-O in this first set for sure. Samson and Delilah close out the set in an unusual position for this song, but one that works well. There are a few flubs and recording problems - the Loser is cut at the beginning unfortunately - but nevertheless an enjoyable listen, I think.Grateful Dead Alpine Valley Music Theatre East Troy, WI8/8/82 - Sunday One Alabama Getaway [4:47] > The Promised Land [4:27] ; They Love Each Other [8:18] ; Mama Tried [2:44] > Mexicali Blues [5:02] ; Loser [#4:33] ; Little Red Rooster [7:49] ; Brown Eyed Women [5:25] > Looks Like Rain [8:26] ; Peggy-O [7:06] ; Samson And Delilah [7:47]Two Far From MeYou can listen to the Deadpod here:http://media.libsyn.com/media/deadshow/deadpod031408.mp3Be well friends and thanks for your support..