Podcasts about Anastasio

Ho incontrato Marco Lancs, batterista, produttore e direttore musicali per tanti artisti della nuova generazione (Achille Lauro, Alfa, Anastasio, Rosa Chemical, X Factor) per farmi raccontare il percorso che l'ha portato sui grandi palchi e nelle produzioni televisive.Inoltre, un tour dettagliato del suo kit per il concerto con Alfa al Forum di Assago.► I miei Corsi Online https://suonarelabatteria.com

Join thousands of other listeners on our Substack, The Foodletter!   In this episode, Brooke chats with Tyler Anastasio about the essentials of creating a show-stopping charcuterie board. Tyler shares her journey from meal prep business owner to charcuterie artist, inspired by her love for food and art. The conversation dives into her top tips for curating boards that are both delicious and visually stunning, perfect for any occasion. Whether you're new to charcuterie or a seasoned host, you'll gain insights on ingredient selection, presentation, and creating a balanced flavor profile.   Key Takeaways [08:52] Start with Favorites: Begin with ingredients you and your guests love, then add one or two adventurous items to introduce variety. [09:26] Invest in Quality: Choose high-quality cheeses and meats, as they are the stars of the board. Gourmet cheese counters are great resources. [17:50] Portion Guide: Use one ounce of meat and two ounces of cheese per person as a baseline to prevent overbuying. [20:19] Flavor Balance: Include sweet (honey, jam, fruit), salty (meats, cheeses), and acidic (pickles, mustard) elements to create harmony. [22:28] Presentation Matters: Create visually appealing boards by grouping items in color-blocked piles and using a triangular layout for structure. [24:29] Favorite Ingredients: Tyler's go-to additions include Marcona almonds, dried dates, Rogue River Blue cheese, and pickled sweet peppers. [26:55] Use What You Have: Don't hesitate to get creative with pantry staples and leftovers to complete your board.   Notable Quotes (08:55) “Start with ingredients you already know you love. Charcuterie boards are so customizable.” (09:26) “If you're going to splurge, invest in quality meats and cheeses—it's a celebration!” (14:12) “The sweet and salty combo is essential for balance on the board.” (22:46) “Presentation can feel intimidating, but a simple triangular layout makes all the difference.”   Resources Visit the official WildSalt Studio website Follow WildSalt Studio on Tiktok Follow WildSalt Studio on Instagram Follow Female Foodie on Instagram

All eyes were on Washington, DC, this past weekend, when Elon Musk joined Donald Trump’s inauguration events bigly, as our once and current president would say. The news was flowing throughout, including changes to the nascent DOGE project and a very controversial hand gesture. Also controversial? Musk’s ongoing video game scandal, in which influential gamers have accused Musk of not actually getting to the upper echelon of a few games by himself. To discuss DC, host David Papadopoulos is joined by series regulars Max Chafkin and Dana Hull, and Bloomberg video game reporter Cecilia D’Anastasio later joins to talk about her new story on the affair.See omnystudio.com/listener for privacy information.

Recorded live from the DFSIN Ontario Central PD Day, this heartfelt episode of Discovery Series: Unplugged features Anastasio Miras, Life and Health Insurance Advisor at DFSIN. Anastasio shares his deeply personal journey into the insurance industry, inspired by his father, Dimitros "Jim" Miras. From watching his dad study for his CFP to stepping into the family business, Anastasio reveals the challenges and triumphs of succession planning in the advisor world. Explore the importance of building a lasting legacy for your practice, the lessons Anastasio learned from loss and love, and the actionable steps advisors can take to ensure continuity for their clients. Don't miss this touching and insightful conversation about life insurance, discipline, and the enduring impact of family values.

La nostra serie Imperatores, sugli imperatori romani : https://youtube.com/playlist?list=PLpMrMjMIcOkkIDocjNI3Q7gCk-4bOiVVO

Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace un año: Telefónica plantea a los sindicatos incluir en el ERE a más de 5.120 empleados de sus tres filiales en España, lo que supone despegar a i tercio de la plantilla. Hace un año: Multa de 30.000 euros a Yelmo Cines por impedir a los usuarios acceder a sus salas con comida del exterior. Hoy se cumplen 1.016 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es jueves 5 de noviembre de 2024. Día Internacional de los Voluntarios. El 5 de diciembre se conmemora el Día Internacional de los Voluntarios, una fecha que busca resaltar la importante labor que realizan todas aquellas personas que deciden de forma desinteresada tender una mano amiga para hacer de nuestro mundo un lugar mejor. El Día Internacional de los Voluntarios se celebra desde el año 1986. Entre los grupos de voluntariado, uno de los más importantes es el de las Naciones Unidas, que al igual que otras organizaciones presta sus servicios, capacidades físicas y conocimientos, en favor de todas aquellas personas y lugares del mundo que lo estén necesitando. El Día Internacional de los Voluntarios fue creado para fomentar que las personas que quieren ayudar a los demás encuentren vías para hacerlo. Y para ello, los países y los gobiernos deben establecer objetivos claros al respecto, cooperar para conseguir tener redes eficaces de voluntarios. 1492.- Colón, en su primer viaje, llega a la isla que los indígenas llamaban Quisqueya y que él denominó La Española. 1813.- En las llanuras de Araure (actual Venezuela), Bolívar obtiene una victoria sobre las tropas realistas. 1901.- Nace Walt Disney, dibujante y cineasta estadounidense. 1918.- El conde de Romanones preside de nuevo el Gobierno español, etapa marcada por los conflictos autonomistas de Cataluña. 1933.- EEUU: Abolición de la "Ley Seca", vigente durante 13 años. En otro 5 de diciembre pero de 1946, la ONU se instala definitivamente en Nueva York, tras permanecer desde abril de 1945 en la ciudad de San Francisco. 1995.- El socialista Javier Solana, designado secretario general de la OTAN. 1998.- Julio Anguita se despide de su cargo de secretario general del PCE en el Congreso del partido. Francisco Frutos toma el relevo dos días después. 2012.- Gerardo Díaz Ferrán, expresidente de CEOE y viajes Marsans, ingresa en prisión por orden del juez Velasco como imputado en la Operación Crucero y le impone una fianza de 30 millones de euros. 2017.- La UE aprueba una lista de paraísos fiscales compuesta por 17 países, Panamá entre ellos. 2019.- Huelga masiva en Francia contra la reforma de las pensiones. santos Crispina, Anastasio, Dalmacio y Sabas. La Asamblea Nacional tumba al Gobierno de Francia. Bruselas niega conocer el presunto blanqueo de Reynders y se muestra dispuesta a colaborar con la policía. Rutte advierte contra el apoyo ruso al programa nuclear norcoreano. Aldama dice al Supremo que pactó con Ábalos un piso de 1,9 millones a cambio de contratos "preadjudicados" Los alumnos españoles, a la cola en matemáticas y ciencias al inicio de la ESO. El Gobierno, el PP, Canarias y Ceuta retoman dos meses después la crisis migratoria de los menores no acompañados. El PSOE celebra el retorno a las negociaciones mientras el PP enfría las opciones de acuerdo. La presión migratoria se mantiene en Canarias y Ceuta, que piden un reparto solidario para asistir a los menores. Los jóvenes canarios se enfrentan al alquiler más caro de la historia con los salarios más bajos del país. El alquiler medio de una vivienda es de 1.024 euros mensuales, un 11,3% más que el año anterior, mientras que el salario medio no supera los 843 euros mensuales. El Gobierno de Canarias anticipa el cierre de «un gran número de empresas» si se impone la reducción de jornada. Domínguez propone al Ejecutivo central que ponga en práctica incentivos a la productividad vinculados a la mejora de las condiciones laborales. La patronal insta a bajar el IGIC y alerta de que la renta canaria se aleja de la UE CEOE Tenerife demanda esfuerzos en materia presupuestaria, reducción de la burocracia y lucha contra la economía sumergida. Canarias cerrará el año con unos 15,5 millones de extranjeros y más de 22.000 millones en gasto de estos turistas. Los registros oficiales confirman el esplendor del negocio turístico en Canarias y España, con récord en la llegada total de turistas a las islas en 2024, en torno a los 18 millones, y con nueva marca en recepción de extranjeros: muy lejos de la anterior, de 14,3 millones en 2017. El alumnado canario, por debajo de la media en Matemáticas y Ciencias en la UE y la OCDE. Un día como hoy nació en 1946.- José Carreras, tenor español. Alfonsina y el mar. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Entrevista en el programa EL Remate de La Diez Capital radio al analista político, Manolo Fernández. - Sección en el programa El Remate de La Diez Capital radio donde analizamos la actualidad informativa con el periodista, Francisco Pallero y la Economista, Cristina A. Secas.

On this week's episode: James visits the Coolidge Corner Theater in Brookline, Massachusetts to feel "The Tingler" experience first-hand!New England's film industry is booming with multiple projects constantly under production. Projects include commercials, television shows and full-length feature films. Jamie and James are hosts of The Hub on Hollywood, an iHeartRadio podcast. The Hub on Hollywood discusses New England's growing film industry, as well as entertainment news and reviews. SUBSCRIBE & FOLLOW US ON INSTAGRAM & TikTok! Listen to new episodes of The Hub on Hollywood podcast on the iHeartRadio app!

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Our guest this week is Diane Anastasio, program manager & shepherd at Shepherdess Land & Livestock in Ojai, California. Diane describes how, although not growing up in agriculture, their Austrian and Italian family heritage is expressed through their practice of shepherding today, and how other creative endeavors like weaving and dancing tie in as well. We also talk about Diane's early experiences in agriculture at shearing school and New Cowgirl Camp, balancing an agrarian's need for urban and rural community, and what it's like to be a contract sheep grazier for fire mitigation on the hot hillsides of California.

Giggio Attanasio meglio conosciuto come Gigio Pizza, ci viene di nuovo a trovare per raccontarci della sua vita da YouTuber e content creator. Torna  @GigioAttanasio   @gigiothepizzaguy   @vloggigioattanasio7663  Anastasio e ci racconta la vita dello youtuber e content creator italiano a Dublino. Inscriviti al nostro canale YouTube https://www.youtube.com/@unavitadalontano?sub_confirmation=1 Scarica i nostri podcast Spotify Podcast: https://open.spotify.com/show/5sl7uHUUws7GusGqkQ3WrZ?si=DP8-GhJfSgGc4_gAnHUgcQ Apple Podcast : https://podcasts.apple.com/ie/podcast/una-vita-da-lontano/id1510592414 Tutti gli altri Social : Linktree: https://linktr.ee/unavitadalontano Website : https://unavitadalontano.com Twitter : @Ulontano Instagram: https://www.instagram.com/unavitadalontano/ Twitch: https://www.twitch.tv/unavitadalontano Facebook: https://www.facebook.com/groups/unavitadalontano TikTok : www.tiktok.com/@unavitadalontano LinkedIn: https://www.linkedin.com/company/una-vita-da-lontano/ #expatlife #unavitadalontano #expatfamily #podcast #appplepodcast #spotify #shotwithiphone #shotoniphone #youtubeindia #gigiopizza #pizzafattaincasa

En un reciente debate radial, Guillermo Domenech, senador uruguayo por el partido Cabildo Abierto, hizo una serie de declaraciones que han generado controversia.  En diversas oportunidades ha demostrado su postura en el Congreso, basándose en sus creencias religiosas y en contra de la comunidad LGBTQIAP+ y temas de género. Todos los miércoles, a las 8.20 am les espero en mi columna para hablar de sexualidad, vínculos y sexoafectividad en @notifyok, por @gambaonline @cosquinrockfm @soniderafm Pueden encontrarme en Instagram como @lic.noeliabenedetto ⁠⁠⁠https://www.instagram.com/p/Cfq_p9jLuqy/?igshid=YmMyMTA2M2Y=

Happy Hour if officially legal again in the state of Indiana! Celebrate at any Huse Culinary spot like St. Elmo or Harry & Izzy's!See omnystudio.com/listener for privacy information.

Embark upon an exciting adventure into learning about some very famous pirates and some fun facts about pirates. Great for summer pirate studies! Don't forget to check out our Summer Book Collection at: www.SlothDreamsBooks.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/slothslovetoread/message

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy se cumplen 842 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es viernes 14 de junio de 2024. Buenos días Ucrania, Gaza e Israel. Día Mundial del Donante de Sangre. El Día Mundial del Donante de Sangre se celebra el 14 de junio de cada año, con la finalidad de sensibilizar y concienciar a la población mundial acerca de la importancia de donar sangre, para contribuir con la salud de pacientes que requieren transfusiones. Asimismo, se pretende promover el establecimiento de sistemas e infraestructuras, destinadas a incrementar las donaciones de sangre y productos sanguíneos seguros para transfusiones, con el apoyo de los gobiernos y las autoridades sanitarias. La fecha de esta efeméride conmemora el nacimiento de Karl Landsteiner, patólogo y biólogo austríaco que descubrió y tipificó los grupos sanguíneos, motivo por el cual se le concedió el Premio Nobel de Medicina en el año 1930. 1699.- Presentación en la Real Sociedad de Londres de la primera máquina de vapor, por el mecánico inglés Thomas Savery. 1808.- Guerra de la Independencia: la escuadra francesa del almirante Rossilly, surta en Cádiz, se rinde a las fuerzas navales de Ruiz de Apodaca. 1905.- La tripulación del acorazado ruso Potemkin se rebela y fusila al comandante y a varios oficiales. 1914.- I Guerra Mundial: una escuadrilla de aviones alemanes bombardea Londres y causa más de 500 víctimas. 1928: nace Ernesto Che Guevara, guerrillero, médico y político cubano de origen argentino. 1940: el Ejército franquista (de España) ocupa la ciudad internacional de Tánger con el fin de garantizar su neutralidad. 1982.- Final de la Guerra de las Malvinas: el Ejército argentino se rinde ante las fuerzas británicas. 1984.- Los ministros de Interior de España y Francia, José Barrionuevo y Gastón Deferre, firman los "Acuerdos de Castellana", punto de partida de la colaboración antiterrorista hispanofrancesa. 1992.- El ciclista navarro Miguel Indurain gana la 75 edición del Giro de Italia, primer español que lo consigue. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. santos Anastasio, Valerio, Metodio, Eliseo y Félix. G7 que ha comenzado en Italia. Con 30 escaños, Agrupación Nacional es la delegación más numerosa del nuevo Parlamento Europeo. La Justicia europea insiste y avala que los interinos puedan pasar a ser fijos sin convertirse en funcionarios. La inflación repunta al 3,6% en mayo y los alimentos se moderan 3 décimas, hasta el 4,4%. El Tribunal Europeo ‘responde’ al canario: los interinos deberán convertirse en personal fijo. Se trata de una medida que busca acabar con el abuso de temporalidad. El Índice de Precios de Consumo (IPC) subió al 3,4 % en Canarias en mayo en tasa interanual ante el aumento de precios de alimentos y bebidas no alcohólicas, que creció un 5,3 % en un año. El Parlamento de Canarias pide a la Policía que localice a Koldo García. Garrido, repudiado. Rosa Dávila: “Todo esto no le viene bien ni es conveniente para el club y tampoco para la Isla”. Pedro Martín: “Se ha de dar ejemplo dentro y fuera del terreno de juego”. El cartel de los Balcanes: el grupo que traficaba con el 50% de la cocaína de Europa y que tenía una de su base en Canarias desmantelado. Un 14 de junio de 1973 nació Coti, cantante y compositor argentino. Nada Fue Un Error.

Programa de actualidad con información, formación y entretenimiento conectando directamente con los oyentes en La Diez Capital radio. Dirigido y presentado por Miguel Ángel González Suárez. www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy se cumplen 842 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es viernes 14 de junio de 2024. Buenos días Ucrania, Gaza e Israel. Día Mundial del Donante de Sangre. El Día Mundial del Donante de Sangre se celebra el 14 de junio de cada año, con la finalidad de sensibilizar y concienciar a la población mundial acerca de la importancia de donar sangre, para contribuir con la salud de pacientes que requieren transfusiones. Asimismo, se pretende promover el establecimiento de sistemas e infraestructuras, destinadas a incrementar las donaciones de sangre y productos sanguíneos seguros para transfusiones, con el apoyo de los gobiernos y las autoridades sanitarias. La fecha de esta efeméride conmemora el nacimiento de Karl Landsteiner, patólogo y biólogo austríaco que descubrió y tipificó los grupos sanguíneos, motivo por el cual se le concedió el Premio Nobel de Medicina en el año 1930. 1699.- Presentación en la Real Sociedad de Londres de la primera máquina de vapor, por el mecánico inglés Thomas Savery. 1808.- Guerra de la Independencia: la escuadra francesa del almirante Rossilly, surta en Cádiz, se rinde a las fuerzas navales de Ruiz de Apodaca. 1905.- La tripulación del acorazado ruso Potemkin se rebela y fusila al comandante y a varios oficiales. 1914.- I Guerra Mundial: una escuadrilla de aviones alemanes bombardea Londres y causa más de 500 víctimas. 1928: nace Ernesto Che Guevara, guerrillero, médico y político cubano de origen argentino. 1940: el Ejército franquista (de España) ocupa la ciudad internacional de Tánger con el fin de garantizar su neutralidad. 1982.- Final de la Guerra de las Malvinas: el Ejército argentino se rinde ante las fuerzas británicas. 1984.- Los ministros de Interior de España y Francia, José Barrionuevo y Gastón Deferre, firman los "Acuerdos de Castellana", punto de partida de la colaboración antiterrorista hispanofrancesa. 1992.- El ciclista navarro Miguel Indurain gana la 75 edición del Giro de Italia, primer español que lo consigue. Patrocinio del santo de cada día por gentileza de la Casa de las Imágenes, en la calle Obispo Perez Cáceres, 17 en Candelaria. santos Anastasio, Valerio, Metodio, Eliseo y Félix. G7 que ha comenzado en Italia. Con 30 escaños, Agrupación Nacional es la delegación más numerosa del nuevo Parlamento Europeo. La Justicia europea insiste y avala que los interinos puedan pasar a ser fijos sin convertirse en funcionarios. La inflación repunta al 3,6% en mayo y los alimentos se moderan 3 décimas, hasta el 4,4%. El Tribunal Europeo ‘responde’ al canario: los interinos deberán convertirse en personal fijo. Se trata de una medida que busca acabar con el abuso de temporalidad. El Índice de Precios de Consumo (IPC) subió al 3,4 % en Canarias en mayo en tasa interanual ante el aumento de precios de alimentos y bebidas no alcohólicas, que creció un 5,3 % en un año. El Parlamento de Canarias pide a la Policía que localice a Koldo García. Garrido, repudiado. Rosa Dávila: “Todo esto no le viene bien ni es conveniente para el club y tampoco para la Isla”. Pedro Martín: “Se ha de dar ejemplo dentro y fuera del terreno de juego”. El cartel de los Balcanes: el grupo que traficaba con el 50% de la cocaína de Europa y que tenía una de su base en Canarias desmantelado. Un 14 de junio de 1973 nació Coti, cantante y compositor argentino. Nada Fue Un Error. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección en el programa El Remate con el Director de Capital Radio Gran Canaria, Pepe Rodríguez. Analizamos el Estado de la Isla de Gran Canaria, nos adentramos en la deuda de 12 millones de la Sociedad de Promoción de la ciudad de Las Palmas y conocemos la última hora de la U.D. Las Palmas. - Seguimos conociendo a Yamil Omar Walls, pintor, escultor, actor de cine y teatro. - Callejeando con Cleo Costa por la isla de Tenerife en la Diez Capital Radio.

El escenario principal del primer episodio de "Historias a pie de Micro" es un castillo del siglo XV. Junto a sus muros conviven en la actualidad la historia de un soñador que creó su obra cumbre, la de un juglar que pinta cuadros y la de muchas personas que trabajan por convertir ciertos territorios olvidados en un valioso patrimonio con vocación de futuro. Acompáñanos en un viaje al pasado para hablar del presente y del futuro. "500 años atrás" Guión y narración: Luis Blanco Dirección: Chema Martínez y Luis Blanco Producción Ejecutiva: Chema Martínez Diseño Sonoro: Formato Podcast La voz de las memorias de Anastasio es de Rubén Gutiérrez. La voz del indicativo de “Historias a pie de micro” es de Beatriz López. Las canciones que suenan en este episodio son: "Animales" y "Emboscada", de Alberto Acinas "Por la senda de los Cerezos en Flor", y "Tres impresiones para guitarra de 12 cuerdas", de Amarok. "Galliarde" y "Otoñal", de Renato Di Prinzio. "12 de octubre", de Robert Santamaría. Queremos agradecer la colaboración de Juan Carlos García y de su familia por abrirnos las puertas de su castillo y de su historia. Formato Podcast es una agencia especializada en la creación de podcasts para empresas y en la producción de ficciones y documentales sonoros. www.formatopodcast.com

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

My guest today is the bassist, songwriter, bandleader and all around awesome human being Karina Rykman.  A self-taught bassist and guitarist, Karina started playing in bands in and around New York City when she was barely a teenager, and was touring as a member of legendary keyboardist Marco Benevento's band while still attending college.  The stint in Benevento's band prepared Karina for forming her own trio and hitting the road, a period during which she caught the eyes and ears of some major players, among them Phish guitarist and band-leader Trey Anastasio.  Last year, she released her debut album, ‘Joyride,' a dizzying collection of psychedelic indie, alternative and jam-based tunes that made my top 10 list of rock albums for 2023. Anastasio co-produced the album, and lent his inimitable guitar stylings to half of the tracks.  Throughout ‘Joyride,', Karina's bass playing reveals the depth and breadth of her musical influences, and her always vibrant, sometimes playful, and occasionally dreamy vocals lead the listener on a journey through her colorful imagination.  Listeners in the Buffalo, NY area will be able to catch Karina and her trio as part of the Rail Rider Jamboree Festival on Saturday, March 23, at Holiday Valley in Ellicottville. Learn more and grab your tickets at railriderjam.com.  Welcome to Why Music Matters, Karina Rykman!

ESSENTIEL, le rendez-vous culture Laurence Goldmann reçoit : Anastasio Karababas, historien, pour son livre « Sur les traces des juifs de Grèce » aux éditions VA Editions, Constance Lagrange, dessinatrice, pour sa bande dessinée « Le canari » dans la collections Traverse au Seuil.

Surprise! We're not quite through with Oysterhead yet. Weexamine the two "bonus" Oysterhead tracks created by Stewart Copeland shortly after the 2001 tour wrapped. Soya phones in from yet another hotel room and tells stories from the Oysterhead tour, including hanging with the men of Oysterhead and integrating with the Phish crew that largely staffed the tour, as well as the mysteries of Les's Shadow of a Man helmet, Trey's Matterhorn, and Stewart's snare drum sound. Get involved:InstagramFacebookEmailBurn your money 

For this episode of the Cinematic Void Podcast, we continue with our ongoing Film Programmer series. Jim sits down and talks to the Program Director of The Coolidge Corner Theatre, Mark E. Anastasio aka Midnite Mark. Mark discusses how he entered the weird and wild world of film programming along with how he curates the ongoing and long-running Coolidge After Midnite series as well as the other repertory film programming at the venue, the various offsite events he coordinates, and the Coolidge's brand new expansion.

Hoy hablaremos de la desconocida vida del primer influencer con estudios, el doctor Bartolomé Beltrán Pons, que ya inventó lo de las consultas telefónicas y que no te cogieran el teléfono antes del COVID. El pequeño Bartolomé nació en Mallorca el 30 de noviembre de 1949. Lo llamaron así porque ya nació con las onditas en el pelo de un señor de 55 años. Era hijo de un alto alto altísimo mando de la Guardia Civil, de 2’10 por lo menos, y por eso pudo mandar a estudiar a su hijo a la universidad cuando la mayoría de los españoles sacaban a los suyos del colegio para trabajar en cuánto sabían escribir su nombre para no firmar el DNI con un X. La madre sabía que su pequeño tenía nombre para no tener amigos ni en Balay, pero también sabía que tenía un grandísimo talento porque un día le hizo un pollo y el niño en vez de coger 🎶E HINCARLE EL DIEEEENTE, LE HISO DÓ OPERASIONE Y ARA ANDA ER POLLO PERFECTAMENTE🎶 Nuestro pequeño amigo era más listo que la voz en off de Saber y Ganar y tenía más carisma que Meryl Streep, que los profesores empezaron llamándolo Bartolo y lo acabaron llamando Don Bartolomé. En 1968, cuando terminó el Bachillerato a los 18 años se fue a Valladolid a estudiar Medicina donde aprendió a escribir tan bien su nombre que no se sabía si ponía Bartolomé Beltrán, Bromazempam 1 gr o Paracetamol y mucha agua. Al terminar en 1973 decidió especializarse en TOCOGINECOLOGÍA, porque el Dr. Beltrán era un auténtico BATMAN: muy reservado con su vida privada, vestía siempre de oscuro y hacía guardía por las noches. Recién terminaita la carrera en 1978 fue jefe del equipo quirúrgico de la Seguridad Social en Ginecología, que pa que te pongan de jefe saliendo por la puerta de la facultad o eres muy bueno o en España había 4 ginecólogos y uno que le quedaba el último de Anatomía de Grey. En 1980 fue enviado durante el gobierno de Adolfo Suárez a Nicaragua para instalar un Hospital de Campaña tras el derrocamiento del dictador Anastasio Somoza, que no que el hombre fuera malo, es que tú piensas la que le han tenido que dar tó su vida llamándose Anastasio y normal que eso saliera por algún sitio. Por lo visto Anastasio había dejao la sanidad como Ayuso las residencias de ancianos en la pandemia. Fue en 1982 cuando dio el salto a los medios de comunicación con el programa de radio “La salud es lo que importa”, porque Bartolomé tenía una boquita que lo mismo te recetaba Vicks Vaporub, que te vendía un maletín de primeros auxilios con tiritas que parecen que llevan loctite o unos pedales de bicicleta para hagas deporte sentaito en el sofá por la teletienda. Bartolomé tenía más negocios que el dueño de UNILEVER. Fue miembro de todas las sociedades médicas españolas que os podáis imaginar y asesor del Ministerio de Sanidad y consumo, coordinaba publicaciones de revistas científicas, escribía en periódicos, publicaba libros, era director de prevención de servicios médicos de A3media, era como tu suegro, se metía en tó. Ya en esta época tenía había aprendido a peinarse las onditas del pelo y le dio una tortícolis que el pobre no se curó nunca, que salía en todas las fotos como si le estuvieran hablando y no se enterara. En 1995, la empresa de su propiedad, VITAPLAN S.L. se hizo con el 84% del Real Club Deportivo Mallorca, convirtiéndose en su presidente hasta 1998. Beltrán era el Florentino de antes. El Mallorca subió a primera, al año siguiente quedó quinto y llegó a la final de la Copa del Rey. Luego Antonio Asencio, el dueño de Antena 3 se lo compró y Bartolomé siguió con sus cositas de médicos. Estuvo casado y tuvo al menos 2 hijos, porque uno en un tuit, que se ve que lo conocía, le da las condolencias a su esposa y a sus hijos, así, en plural. Hay una foto por ahí que sale Bartolomé con dos más y por lo visto 1 es su hijo, que con esa cara que tiene, no me extraña que lo haya escondío. Desgraciadamente, el 17 de febrero de 2024 el riñón le filtró menos que la jarra de agua Britta y el Dr. Beltrán nos dejaba a los 74 años de edad, aunque ustedes siempre podrán recordarlo cada vez que su suegro se metá en tó o vean a un pollo andar perfectamente.

Lo Que Nos Cuenta El Cuento - Anastasio, Giovanni Boccaccio by Radiotelevisión de Veracruz

Te invitamos a colaborar con nuestro proyecto a través de una contribución económica. Al hacerlo, tendrás la oportunidad de unirte a nuestro exclusivo grupo de OG's, disfrutar episodios privados y muchas otras ventajas. Si te interesa, puedes contribuir por medio de: - iVoox (apoyar): https://www.ivoox.com/podcast-massiveball-tu-podcast-nba-espanol_sq_f1583803_1.html - Patreon: https://www.patreon.com/massiveball Si estás interesado en promocionar tu marca o producto en nuestro podcast, te invitamos a conocer más en advoices.com/podcast/ivoox/583803. ¡Será un placer colaborar contigo! ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/583803

Te invitamos a colaborar con nuestro proyecto a través de una contribución económica. Al hacerlo, tendrás la oportunidad de unirte a nuestro exclusivo grupo de OG's, disfrutar episodios privados y muchas otras ventajas. Si te interesa, puedes contribuir por medio de: - iVoox (apoyar): https://www.ivoox.com/podcast-massiveball-tu-podcast-nba-espanol_sq_f1583803_1.html - Patreon: https://www.patreon.com/massiveball Si estás interesado en promocionar tu marca o producto en nuestro podcast, te invitamos a conocer más en advoices.com/podcast/ivoox/583803. ¡Será un placer colaborar contigo! ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/583803

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=7698L'INIZIO DEL SECOLO BUIO DEL PAPATO di Luisella ScrosatiLa Chiesa, maestra di verità, ha sempre dovuto convivere con il fatto che spesso i suoi pastori e i suoi figli abbiano preferito la via dell'eresia. Analogamente, la Chiesa santa non solo vive abitualmente a contatto con il peccato dei suoi figli, purificandoli con i sacramenti e innalzando preghiere incessanti per la loro conversione, ma non di rado si trova ad affrontare periodi storici durante i quali il lezzo di gravi peccati sembra prevalere sul profumo dell'incenso, persino in coloro che sono chiamati al sacerdozio supremo.Non solo eresie, dunque. Mentre in Oriente l'11 marzo 843, con una solenne processione di chiusura del Sinodo di Costantinopoli, fortemente voluto da Teodora (ca 815-867), madre dell'imperatore Michele III e reggente, venne definitivamente archiviato il capitolo iconoclastia, in Occidente ombre sempre più fitte si abbatterono sul Papato. L'alleanza con l'Impero carolingio, che aveva prodotto generosi frutti, stava però finendo con l'assorbire la Chiesa nelle logiche temporali e con un modo di vivere decisamente mondano.Le prime avvisaglie di una crisi ormai prossima si ebbero per la successione di papa san Leone IV (790-855). Il nuovo eletto, Benedetto III (810-858), che venne letteralmente condotto a forza in Laterano per accettare la nomina, prima di essere ordinato vescovo (era prete cardinale) dovette attendere la conferma degli imperatori carolingi Lotario I (795-855) e Ludovico II il Giovane (822/825-875). Ma i due legati pontifici proposero in segreto agli imperatori di non confermare Benedetto III, bensì di prendere le parti di Anastasio Bibliotecario (ca 810-879), decisamente più favorevole a che la dinastia franca giocasse un ruolo più decisivo nella vita della Chiesa. Per un breve periodo si ebbero perciò un Papa legittimo, Benedetto III, e un antipapa, Anastasio.Dopo appena tre anni di pontificato, a Benedetto successe un grande papa, san Niccolò (o Nicola) I, detto appunto Magno (ca 820-867), che era stato consigliere di Benedetto. Poco più di nove anni di pontificato, durante i quali il Papato acquistò grande vigore. Papa Niccolò affrontò con grande fermezza lo scisma del patriarca di Costantinopoli, Fozio (ca 810-897), e fu coraggioso e inamovibile nel difendere l'indissolubilità del matrimonio, quando Lotario II respinse la moglie Teutberga per sposare la concubina Waldrada. Un pontificato all'insegna della fortezza fu anche quello di Giovanni VIII (ca 820-882), che tentò in tutti i modi di resistere alle ingerenze imperiali. Una breve, intensa luce, prima del piombare delle tenebre.LA SEDE APOSTOLICA PREDA DI INTERESSI DI PARTEPer un periodo di un secolo e mezzo, infatti, ben 44 papi si succedettero al Soglio pontificio, con pontificati mediamente molto brevi, finanche a durare solo qualche mese o qualche settimana (dall'896 al 904 ci furono addirittura nove papi); solo un papa meritò di essere canonizzato (Adriano III), mentre una dozzina furono uccisi o morirono in situazioni non chiare. La Sede Apostolica divenne preda di interessi di famiglie aristocratiche, che imponevano per lo più candidati incapaci, immorali, senza alcun vero interesse per il bene della Chiesa. Era questo l'esito di una troppo stretta commistione tra il Regno e la Chiesa, con sacerdoti che abbandonavano il gregge per partire in guerra con i loro signori, o per servirli a corte; i vescovi venivano scelti più per l'obbedienza al signore che alle leggi della Chiesa; le abbazie finivano nelle mani di dignitari laici; i beni della Chiesa diventavano benefici affidati dai signori ai propri vassalli; la simonia era il pane quotidiano. Sul piano sociale, continue scorrerie di Normanni, Magiari e Saraceni assestavano colpi ad un Impero ormai morente: spargevano sangue, seminavano paura, provocavano rovina, colpendo spesso e volentieri monasteri, chiese e proprietà ecclesiastiche.La desolazione era ovunque e i vescovi cercavano di puntellare un edificio che crollava in ogni sua parte. Come nel Sinodo di Trosle (909), dove i vescovi descrivevano la situazione drammatica che caratterizzava buona parte dell'Impero carolingio: «Le città sono spopolate, i monasteri in rovina e in fiamme; la buona terra è diventata un deserto. Gli uomini vivono come primitivi, senza legge e senza timor di Dio, abbandonandosi interamente alle passioni, così che ognuno compie ciò che sembra giusto ai propri occhi in spregio alle leggi umane e divine e ai comandamenti della Chiesa; i potenti opprimono i deboli; il mondo è pieno di violenza contro i piccoli e gli indifesi; gli uomini rubano i beni che appartengono alla Chiesa e si divorano l'un l'altro come i pesci del mare».IL CASO DI PAPA FORMOSOIn questo scenario di desolazione, la Sede Apostolica si trovò spesso occupata da papi non solo non all'altezza, ma decisamente indegni, e gli artigli del potere ormai dettavano legge. Il caso di papa Formoso (ca 816-896) è da questo punto di vista eclatante. Formoso si era trovato in mezzo ad una situazione difficile, che gestì in modo confusionario, riuscendo a inimicarsi il mondo intero: prima sostenne Guido II di Spoleto (855-894) per la corona imperiale e incoronò anche il figlio, Lamberto II (880-898), garantendo così la successione; poi cercò aiuto nel re di Baviera, Arnolfo di Carinzia (ca 850-899), per mettere fine alle continue razzie di Guido nei territori della Chiesa, riconoscendo Arnolfo legittimo imperatore. Ma alla morte di Guido, il giovanissimo Lamberto, forte del sostegno della madre Ageltrude, reclamò la sua incoronazione. E Formoso la riconobbe, inviando però in segreto un'ambasciata ad Arnolfo, perché intervenisse. Arnolfo scese in Italia, "liberò" Roma, ma mentre era in marcia contro il Ducato di Spoleto fu colpito da una paralisi. Formoso venne probabilmente avvelenato e morì il 4 aprile 896.La sua morte però non mise fine alla confusione. Bonifacio VI (†896), che era stato scomunicato due volte sotto Giovanni VIII, probabilmente per condotta immorale, venne eletto papa in non si sa quale modo; tant'è che ancora oggi è dibattuto se sia stato realmente un papa della Chiesa cattolica. Il suo pontificato durò appena quindici giorni. Quindi venne eletto Stefano VI, che era in sostanza una marionetta nelle mani dei Duchi di Spoleto. E infatti si prestò per quello che la storia ha battezzato come il vergognoso "Sinodo del cadavere" (897): una vendetta macabra di Lamberto e di sua madre, che riesumarono il corpo di papa Formoso, lo rivestirono degli abiti pontificali, per processarlo alla presenza di Stefano VI, di cardinali e vescovi. Al cadavere vennero elencati sette capi d'imputazione; per ovvia mancanza di difesa, l'interessato fu condannato, le tre dita della mano destra con cui impartiva le benedizioni vennero mutilate, e il cadavere ingiuriato, portato in giro per Roma e infine gettato nel Tevere. Un vilipendio ripugnante anche per quei romani che non ebbero particolare ammirazione per papa Formoso. I quali, di fronte a tanta crudeltà ed empietà, insorsero. Stefano VI venne fatto prigioniero dal popolo indignato, condotto in prigionia a Castel Sant'Angelo e alla fine strangolato.Ma questo era solo l'inizio della profonda umiliazione del Papato nel secolo buio.

At a young age, Gabriela Anastasio fell in love with stone while visiting the work sites of her father's landscaping business. Throughout her childhood, she began to associate a new patio or an updated blue-stone trim around a pool with good fortune, and years later, in 2021, she launched her home accessories brand, Anastasio Home, with a single category: stone trays. The brand quickly gained popularity for its expanding offering of upcycled, luxury home accessories, produced by the company's factory in India. That being said, Anastasio's journey to building her business was anything but linear. After graduating with a degree in art, she spent over a decade in public relations, eventually working her way up to director of communications at the luxury watch brand, Tudor. Combining the skill set she gained from her early career with her art education and love of stone, Gabriela decided to bet on herself, and soon after, Anastasio Home was born.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It seems antithetical to describe anything Claypool-related as pleasant, but that's the word which comes to mind for this jaunt. The vocal layering is a highlight here, as well as the imadery produced by the lyrics. Feel the gravel between your toes and dance your way through this episode of Primus Tracks!Get involved:InstagramFacebookEmailBurn your money

Produzione e Sound Design - Matteo D'Alessandro: https://www.instagram.com/unclemattprod/Canale Youtube: https://www.youtube.com/channel/UC-Idufifk1hamoBzkZngr1wGruppo Facebook : https://www.facebook.com/groups/624562554783646/Gruppo Whatsapp: https://whatsapp.com/channel/0029VaD1eQk8vd1WyYUzH01cIl nostro Instagram: https://www.instagram.com/bibliotecadialessandria/?hl=itGruppo Telegram : https://t.me/joinchat/Flt9O0AWYfCUVsqrTAzVcg

Il Giustino RV 717 is a 1724 opera by Vivaldi set to a libretto by Nicolò Beregan, also set by Albinoni and Handel. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica.The aria of Anastasio, Vedrò con mio diletto, has become a famous piece sung at concerts and on recordings by countertenors such as Philippe Jaroussky and Jakub Józef Orliński and by contraltos as Sonia Prina. Sinfonia of Act I, Scene V, is also used by Vivaldi as the main motif of the first movement of La Primavera ("Spring") from his concerti The Four Seasons.The opera was revived in modern times in 1985 in a production directed by Alan Curtis and performed at the Teatro Olimpico in Vicenza, at the Opéra Royal of the Palace of Versailles, and at the Teatro La Fenice in Venice. According to data reported by Le magazine de l'opéra baroque, a subsequent performance in concert form was held at the Mégaron Musikis in Athens in 2007, while a further revival on stage, for a total of twelve performances, took place, between 2008 and 2009, at the Oldenburgisches Staatstheater.In July 2018, a concert performance was given at the Festival International d'Opéra Baroque de Beaune — with the Accademia Bizantina conducted by Ottavio Dantone. In August 2018, a full costume version of Il Giustino, directed by Deda Cristina Colonna and conducted by Peter Spissky and the Camerata Øresund, figured as one of the central pieces in the Næstved Early Music Festival.

We continue our Primus-adjacent chronology with the 2001 release by Oysterhead, The Grand Pecking Order. This record came about after Les Claypool, Trey Anastasio, and Stewart Copeland reconvened at Trey's barn in Vermont many months after their only planned gathering, a one-off (at the time) show in May 2000 in New Orleans. In this episode, we chart the band's formation and development of the record, and we also do our due diligence to the record's first track, Little Faces, including mining the first performance for some nuggets that would resurface on this studio cut. Find Lalo @LaloFierro on Instagram! Lalo modles Les's bass parts, and makes some fascinating observations about technique and style. Get involved:InstagramFacebookEmailBurn your money

This week on Clear Lake Connections Podcast presented by UTMB Health: Meet Noelle Anastasio, Ph.D. Associate Professor at UTMB Health's Center for Addiction Sciences and Therapeutics, and Holly Chapman, graduate student in the Human Pathophysiology and Translational Medicine Program and co-founder of Community Overdose Response and Recovery Effort (CORRE)   In this week's episode Dr. Anastasio and Holly tell the listeners all about the opioid epidemic happening right now. Dr. Anastasio explains what an opioid is, the history of the opioid epidemic, and what every person should know about these drugs. Holly discusses the number of overdoses in the United States, Texas and in the Clear Lake Area which leads them to predict some future trends. Dr. Anastasio and Holly share why Fentanyl is so dangerous and the many places they are finding it. Lastly, Dr. Anastasio and Holly explain what Narcan is, the effect on the body, how to use it, and where to get it to save lives.

"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore.  So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer.  Amazing musician, tremendous Sax player and great singer.  Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman.  The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick).  Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023                Saratoga Springs Performing Arts Center (“SPAC”) INTRO:                  Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube                 Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year.                 Phish began covering the song in 2009                First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY                To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect)                 TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs.                 The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1:           First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube  “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows  SHOW #2:           Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites.  James Casey                       ARTICLE Show #3:             Dear PrudencePhil & Friends (Casey singing)  Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4:           No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO:                Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times 

Welcome back to 40 for 40! We pick up in 2006 and look at the GRAB show (Gordon, Russo, Anastasio, Benevento) from Essex Junction, VT. Please consider subscribing to Osiris Premium on Memberful, or to Osiris Premium on Apple Podcasts. Thanks for your support.  The Helping Friendly Podcast is hosted and produced by Jonathan Hart, Brian Brinkman, RJ Bee, and Megan Glionna. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Philadelphia is full of family-owned businesses that get passed down from generation to generation. For the Anastasio family, their seafood and produce business of the early 20th century blossomed into something completely different. Now, the family runs Anthony's Italian Coffee & Chocolate House at the historic Italian Market in South Philly. So, how have they kept evolving for four generations? City Cast Philly host Trenae Nuri and producer Abby Fritz took a trip down to Anthony's and chatted with current owner Anthony Anastasio about his family's legacy.  This interview originally aired on November 30, 2022. Know a legacy business in Philadelphia we should explore next? Send us an email at philly@citycast.fm. Or leave us a voicemail at 215-259-8170. Want some more Philly news? Then make sure to sign up for our morning newsletter, Hey Philly. We're also on Twitter and Instagram! Follow us @citycastphilly. Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giorgia Meloni: “Governo nel momento più complicato dalla seconda guerra mondiale. Sono sfortunata”. Ma è proprio così?Il presidente di 3-I Claudio Anastasio (nominato dal governo) si dimette dopo aver copiato un discorso del Duce.Borseggiatrici a Milano. Ma perché dopo l'arresto tornano subito in libertà (e a “lavoro”)?Dovremo ristrutturare le nostre case entro il 2030. C'è l'ok del Parlamento Europeo. Per scriverci: dailyfive@cncmedia.itSeguici su Instagram:@emiliomola1@cnc_mediaDaily Five, ogni giorno dal lunedì al venerdì alle 17:00 con Emilio Mola.Una produzione CNC MediaDirezione creativa e post produzione Likeabee Creative CompanyMusica Giovanni Ursoleo

Il punto con la capogruppo del Pd al Senato Simona Malpezzi e il senatore di FdI Marco Scurria.

Come si fa oggi a realizzare il sogno di diventare un cantante e vivere di musica? Di talent, promozione e cambiamenti nella scena musicale ne abbiamo parlato con il rapper Anastasio.

In this episode, Dr. Leah and Taraleigh talk with bassist Karina Rykman about her immense love of live music and journey of becoming a professional musician herself. She shares her philosophy of saying yes to aligned offers, even when fear and imposter syndrome pop up. She discusses how she is a “rejector of traditional ways of being” and how she learned to play bass and guitar strictly by watching and listening to her musical influences. Karina recounts her early live music experiences and discovers that attending Bonnaroo in 9th grade with the Anastasio family was what really hooked her in the jam scene. For the “Did you Know” Dr. Leah shares how certain live music can feel like a coming “home” and the entry into a world never thought possible. Taraleigh encourages listeners to reflect on their hook into live music in the “Daily Jam.” Karina Rykman plays bass, sings, jumps around, and laughs a lot. In doing so, she has garnered a rare attention and avid listenership. Straddling the worlds of jam rock and indie pop drenched in psychedelia, Karina's effervescent presence comes to life in musical form. With only six singles released, Karina has built a reputation as an unmissable live act. Her debut single “Plants” reached over a million streams, with the other singles not far behind. She can hardly contain herself about her yet-to-be-released debut studio record, as the best is truly yet to come. Karina's power trio sounds larger than the sum of their parts. With Adam November (Guitar/Looper/Effects) and Chris Corsico (Drums), Karina has headlined clubs across America, bringing her rapturous unbridled energy to her reciprocally passionate fans. In 2016, Karina joined Marco Benevento's band on bass. With Benevento, she's opened for Vulfpeck, Dispatch, The Claypool Lennon Delirium, Guster, and many more. We'd be remiss to exclude her television appearances on The Today Show, America's Got Talent, a feature on ABC7, and most recently, in the 8G Band on Late Night with Seth Meyers. Catch Karina live at https://www.karinarykman.com/tour.This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. Please leave us a rating or review on iTunes and join our Facebook group to dive deeper into the conversation of live music and health and wellness.Groove Therapy is brought to you by Osiris Media. To discover more podcasts that connect you more deeply to the music you love, check out osirispod.com.You can find both Taraleigh and Dr. Leah on Instagram at @rockinglife__ and @drleahtaylor respectively.Visit SunsetLakeCBD.com and use the promo code GROOVE for 20% off premium CBD products. Hosted on Acast. See acast.com/privacy for more information.

Philadelphia is full of family-owned businesses that get passed down from generation to generation. For the Anastasio family, their seafood and produce business of the early 20th-century blossomed into something completely different. Now, the family runs Anthony's Italian Coffee & Chocolate House at the historic Italian Market in South Philly. So, how have they kept evolving for four generations? City Cast Philly host Trenae Nuri and producer Abby Fritz took a trip down to Anthony's and chatted with current owner Anthony Anastasio about his family's legacy.  Know a legacy business in Philadelphia we should explore next? Send us an email at philly@citycast.fm. Or leave us a voicemail at 215-259-8170. Want some more Philly news? Then make sure to sign up for our morning newsletter. We're also on Twitter and Instagram! Follow us @citycastphilly. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Boston Public Radio: We began the show by talking with listeners about Democrats' performance in the midterms. Art Caplan talked about colleges and universities grappling with mental health crises among students. Caplan is the Drs. William F and Virginia Connolly Mitty Professor and founding head of the Division of Medical Ethics at NYU School of Medicine in New York City. Charlie Sennott discussed Russia's retreat from Ukraine, and President Joe Biden's meeting with China's President Xi Jinping. Sennott is a GBH News analyst, and editor-in-chief at the GroundTruth Project. Mark Anastasio and Ned Hinkle shared the Coolidge Corner Theatre and Brattle Theater's Noirvember programming. Anastasio is the Director of Special Programming at Coolidge Corner Theatre. Hinkle is the creative director at The Brattle. Revs. Irene Monroe and Emmett G. Price III talked about Florida Gov. Ron DeSantis' turn to white evangelicals, and 2022 midterm election wins for Muslim Americans. Monroe is a syndicated religion columnist and the Boston voice for Detour's African American Heritage Trail. Price is founding pastor of Community of Love Christian Fellowship in Allston, the Inaugural Dean of Africana Studies at Berklee College of Music. Together, they host the “All Rev'd Up” podcast. Corby Kummer shared his thoughts on Colorado becoming the latest state to approve free meals to students, and talked about National Pickle Day. Kummer is the executive director of the Food and Society policy program at the Aspen Institute, a senior editor at The Atlantic and a senior lecturer at the Tufts Friedman School of Nutrition Science and Policy. We ended the show by asking listeners how early is too early to turn the heat on.

ITFH goes LIVE as host Matt Cooper chats with Dan Anastasio (Rose-Hulman Institute of Technology), Dan Burkey (University of Connecticut) and Sandy Petit (University of South Florida) in beautiful Golden, CO at the 2022 ChE Summer School. Their discussion of ChE Summer Schools of the past ends up going in many directions, including favorite workshops, a quest for clothes hangers, an early memory of Milo Koretsky, and go-to karaoke jams. Bonus appearance by hype person Lucas Landherr (Northeastern University)!

And you thought Don't Worry Darling had problems!! This week our real life Girl In The Green Scarf Lauren Anastasio of STASH joins Gaby to break down the 2009 "aspirational" and/or "lesson-learned" film Confessions Of A Shopaholic starring Isla Fisher and Hugh Dancy. The movie premiered to much discourse and scandal on the heels of the 2008 economic recession and was branded "tone deaf" and "bragging." Articles galore ripped the romantic comedy a new one for its tasteless timing and privileged POV. Lauren and Gaby get into the real mental illness(es) behind "shopaholism," the relationship between department stores and sex, the accurate depictions of debt collecting/skiptracing, and post-pandemic "revenge spending."   Links: http://content.time.com/time/arts/article/0,8599,1879111,00.html https://www.latimes.com/archives/la-xpm-2009-feb-03-fi-shopaholic3-story.html https://www.newsweek.com/rich-are-feeling-luxury-shame-85301 John Oliver on debt collecting: https://www.youtube.com/watch?v=hxUAntt1z2c Listeners to get $25 free on Stash from Lauren, with code LAURENSTASH Gaby Dunn Instagram: @GabyRoad BWM Instagram: @bwmpod BWM Facebook group: http://tinyurl.com/badwithmoneyfb The BWM Discord channel: https://discord.gg/dAdxj4JMER Find Gaby on Patreon: patreon.com/gabydunn Shop gabydunn.com/shop for merch! Bad with Money is produced, edited, sound engineered and mixed by Cumulus Podcast Network. The theme song was performed by Sam Barbara and written by Myq Kaplan, Zach Sherwin, and Jack Dolgen. Additional music by Joey Salvia. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En la página de ciencia hablamos con el paleontólogo Francisco Ortega para conocer la fauna que habitó la cuenca del Duero hace 45 millones de años. Nuestro invitado nos acerca a una serie de líneas de investigación que actualmente está liderando en un marco multidisciplinar. ¿Sabías que había varios tipos de cocodrilos y las aves eran de grandes tamaños? Francisco ortega es investigador y profesor de la UNED. En el segundo tramo del programa viajamos a Andalucía para hacernos eco de "Carretera y Fanta", primer disco de la formación El Barbas. Para saber más sobre el disco y el futuro de la banda hablamos con "Chuscas", vocalista de la formación. Tramo del audio: Editorial:4'20 Paleontología: 6'50. El Barbas: 37'50. En el programa sonó la canción "El burro viejo", de EL Barbas ( 33'18). Compartimos en formato podcast el pasaje que le dedicamos a la figura histórica de Justiniano y a a la Recuperatio Imperii. Para acercarnos al contexto y entender este proceso histórico contamos con la participación del bizantinista Aitor Fernández Delgado. Viajamos a la Antigüedad tardía y conocemos de cerca a un personaje que parece infinito, Justiniano. Aitor nos muestra la personalidad del emperador de Oriente, así como sus pasos políticos y militares. También nos mostrará el mundo del Derecho, clave para comprender de donde venimos. No se olvidará de figuras tan singulares como la de Anastasio, Procopio de Cesaréa y Teodora. Este podcast corresponde al programa emitido el pasado 11 de mayo de 2022 en nuestro canal de twitch (https://www.twitch.tv/elcafedelalluvia) ¿Te gustan nuestros contenidos? ¡Te necesitamos! Hazte socio/a de El Café de la Lluvia para permitir que nuestro medio de comunicación sea sostenible en el tiempo. Descubre todos los beneficios que tiene hacerse miembro de nuestra comunidad en: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ -- Todo esto y mucho más en mucho más en nuestra web: https://elcafedelalluvia.com/ Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia - Enlace de telegram: https://t.me/cafelluvia - Newsletter: https://elcafedelalluvia.com/suscripcion-newsletter/ - Canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia - Twitch: https://www.twitch.tv/elcafedelalluvia

Compartimos en formato podcast el pasaje que le dedicamos a la figura histórica de Justiniano y a a la Recuperatio Imperii. Para acercarnos al contexto y entender este proceso histórico contamos con la participación del bizantinista Aitor Fernández Delgado. Viajamos a la Antigüedad tardía y conocemos de cerca a un personaje que parece infinito, Justiniano. Aitor nos muestra la personalidad del emperador de Oriente, así como sus pasos políticos y militares. También nos mostrará el mundo del Derecho, clave para comprender de donde venimos. No se olvidará de figuras tan singulares como la de Anastasio, Procopio de Cesaréa y Teodora. Esta intervención corresponde al programa emitido el pasado 4 de mayo de 2022 en nuestro canal de twitch (https://www.twitch.tv/elcafedelalluvia) ¿Te gustan nuestros contenidos? ¡Te necesitamos! Hazte socio/a de El Café de la Lluvia para permitir que nuestro medio de comunicación sea sostenible en el tiempo. Descubre todos los beneficios que tiene hacerse miembro de nuestra comunidad en: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ -- Todo esto y mucho más en mucho más en nuestra web: https://elcafedelalluvia.com/ Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia - Enlace de telegram: https://t.me/cafelluvia - Newsletter: https://elcafedelalluvia.com/suscripcion-newsletter/ - Canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia - Twitch: https://www.twitch.tv/elcafedelalluvia

If you're a fan of the band Phish (a phan), you probably know Don Hart or at least have heard the fruits of his labor. He's lead guitarist Trey Anastasio's composer and arranger and Don's transformed some of Trey and Phish's most beloved and well-known tunes into orchestral masterpieces.All of that work culminated in the Beacon Jams - a pandemic-inspired eight-show live stream residency at an empty Beacon Theater in New York City. Trey and his friends didn't repeat a song the entire run and the repertoire ranged from Phish compositions with the Trey Anastasio Band to incorporating a string quartet, at times pushing Don to turn around those parts in less than a week.Among some of the highlights In this light and eye-opening conversation, Don tells us what that experience was like, how he goes about arranging Trey and Phish's music, and which tune was the most challenging to adapt (it might surprise you!)-Follow Alex on Instagram

Sumario Informe Enigma Part.1 Dirige y Presenta: Jorge Ríos Escúchanos cada viernes de 23:00h a 01:00h en directo en Radio Platja d'Aro. Síguenos a través de nuestras redes sociales o contacta con nosotros en el siguiente correo electrónico: enigma-rpa@hotmail.com Contacto Yolanda Martínez: 647552954 Contacto Divina Luz: 639003704 1/ La escritora Macarena López-Roberts y la periodista Angie Calero son las autoras de “Honor“, novela que trae de nuevo al presente el crimen de los marqueses de Urquijo, Por este crimen, fue condenado Rafael Escobedo, como autor del asesinato. Diego Martínez Herrera y Javier Anastasio de Espona fueron acusados de ser cómplices, aunque Anastasio huyó del país con un dinero prestado por Mauricio López-Roberts y Melgar, marqués de Torrehermosa, quien fue acusado y condenado a 10 años de prisión por encubrimiento. Hoy, hablamos con Angie Calero con quién descubriremos la otra cara de este magnicidio.

Welcome to the Eat Local New York Podcast, episode #123. My guest this week is David Anastasio, owner of Peach Tree Sandwich Company in DeWitt, New York. Thank you for checking out the podcast. Make sure to stay connected with us online at EatLocalNewYork.com and on social media on TikTok, Instagram, Facebook, Youtube, and Discord at Linktr.ee/EatLocalCNY

Join WRGW News and Ryan Anastasio for an exit interview with GW's soon to be former president Thomas LeBlanc Reporting by Ryan Anastasio Recording by Courtney Kushnir Editing by Henry Long Produced and Directed by Scott Rosenberg

Welcome KARINA RYKMAN, bassist of Marco Benevento's trio, to Episode 046. A dynamic solo artist, skilled with both the bass and guitar, a lightning bolt of youthful exuberance, dedicated metalhead, hip-hop enthusiast, Phish kid, podcaster, quintessential New Yorker, and all-around swag factory. Karina is riding the wave of her new single/video "No Occasion", and she checks from NYC via telephone for an illuminating conversation that details her meteoric ascent from the Upper East Side towards near-total domination. Introducing KARINA RYKMAN @ 9:30 / Interview @ 12:30 The wide-ranging conversation starts with taking the temp of NYC, as the Big Apple springs to life out from under fifteen months of pandemic protocols. Karina talks about her role as co-host of the weekly podcast 3 From the 7, alongside Raffaela Kenny-Cincotta (Assistant Editor, Relix). She gives us the scoop on her solo musical endeavors, new video "No Occasion", and the evolution of her performing under her own name with bandmates Adam November and Chris Corsico. The only child of Columbia professors, we hear all about Karina's halcyon days discovering the magic of the riff, her passion for heavy metal and hip-hop alike. The origin story of picking up an axe, and where her ear, heart, and spirit led her; including NYU, where she developed her own music biz course curriculum, and later Rocks Off NYC, where she produced rock boat cruises around the island of Manhattan. In addition to her experiences making music with a once-in-a-generation-genius like bandleader Marco Benevento, we get a look deeper inside Karina's journey. From superjams with Nels Cline, John Medeski, Billy Martin and Benevento, to hanging with Anthrax and Testament on their titanic anniversary tour. Karina reflects on her hesher roots logging stage and studio time with nascent heavy bands like ShitKill, White Collar Crime LLC, as well as Crescent Moon (Dave Dreiwitz power trio), and underground kings The Sound of Urchin.  Rykman shows proper respects to her fuzz bass heroes past and present, as well as the lineage of women who've rocked before her, and her budding friendship with Laura Lee (Khruangbin). She details her special connections with mentors and gurus like Dreiwitz, Tomato (The Sound of Urchin), Alex Skolnick (Testament), among other movers, shakers, virtuosos and luminaries. Lastly, Karina touches on her relationship with Trey, Sue and the Anastasio kids, her decade-plus passion for all things Phish, and so much more. Thank you to the incredible Ms. Karina Rykman! Ep. 046 is available on most podcast platforms!   Vibe Junkie JAM "Pepper" Marco Benevento (Butthole Surfers cover, Karina on vocals)  Live from Ardmore Music Hall Sept.2018   Please support Upful LIFE on PATREON ! www.patreon.com/upfullife EMAIL the SHOW! B.Getz@UpfulLIFE.com PLEASE LEAVE A REVIEW on iTunes/Apple Podcasts! Listen on Spotify ! Theme Song: Mazel Tov by CALVIN VALENTINE