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This performance used with permission from Theron Brown. If you're a frequent lister to this program we mention often that Theron Brown is the hardest working performer in show business. From his work as Artistic Director with the I Promise School to his role overseeing the annual Rubber City Jazz and Blues Festival, Theron is intimately involved with making Northeast Ohio a magnet for musical talent. For this performance, Theron brings the Fender Rhodes Mk II to life with his trio. While the Hammond B3 gets the accolades for being the center of Soul Jazz, The Fender Rhodes might not get the credit it deserves for the warmth, authenticity and versatility it delivered to audiences. At least, the ones built before 1983. If you like what you hear today and are looking for more jazz records focused around the Fender Rhodes, All About Jazz has an excellent article on this topic, written by Chris May. For now, though, featuring Zaire Darden on Drums, Jordan McBride on Bass and Theron Brown on Piano and Fender Rhodes and from a sold out April 26th, 2024 performance, it's the Theron Brown Trio – Live at the Bop Stop. There is No Greater Love - Jones Who Shot John? - Wilson Feel Like Making Love - McDaniels Swingin' at the Haven - Marsalis For more information on the program, click on the Live at the Bop Stop Radio Show link at thebopstop.org.
When Denver native and Oberlin Conservatory graduate Mitchell Galligan sits down behind a Hammond B3, people take notice. One of the best young piano and organ players to cross our path in quite some time, Mitchell has performed alongside some of the legends of jazz including Billy Hart, Eddie Henderson and Jamey Haddad. This sold out trio performance features Mitchell on Hammond B3 alongside Tim Picard on Guitar and Ori Jossel on drums. From April 26th, 2024 it's the Mitchell Galligan Trio – Live at the Bop Stop. Green Jeans - Green Somewhere in the Night - Green The Sermon - Smith Ana Maria - Shorter Beyond All Limits - Shaw Our Miss Brooks - Vick 100 Ways - Wakefield/Wright/Coleman
Watch on YouTubeRalph Lofton shares his journey from playing at Sunday school to collaborating with renowned artists such as Aretha Franklin and BeBe & CeCe Winans. He offers insights on mastering the Hammond B3 organ, emphasizes the importance of dynamics, and provides advice to aspiring musicians. Ralph also discusses his upcoming projects and shares personal stories about his musical influences and career challenges. Tune in to hear Ralph's expert tips and experience his incredible talent firsthand.Ralph LoftonFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!
Meet Virgil Straford — a Grammy and Dove-nominated producer with a deep-rooted legacy in gospel music. In this episode, Virgil takes us through his journey from Chicago to Nashville, sharing insights from his decades-long career and collaborations with icons like Yolanda Adams and CeCe Winans. He breaks down the craft of organ playing, the value of the Nashville number system, and what it means to lead as a music director. Don't miss his live demonstration on the Hammond B3! Special thanks to Mount Zion Church in Nashville for hosting and helping bring this episode to life.Virgil Straford InstagramFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!
We are excited to welcome Grammy, Dove, and Stellar Award-winning arranger, songwriter, artist, and worship leader Dwan Hill. The episode dives deep into the art of incorporating the Hammond B3 organ into modern worship music, specifically Contemporary Christian Music (CCM) and Gospel, and sharing good tips on playing live vs in the studio. Dwan shares his musical journey and tips on playing the organ. They also discuss Dwan's involvement with The Choir Room, a community dedicated to gospel choir music. Dwan also offers practical advice for worship leaders looking to integrate organ sounds into their services. Tune in for an educational and inspiring episode that explores the rich heritage and dynamic capabilities of the Hammond B3 organ.Dwan HillThe Choir RoomFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!
In this episode, we welcome Curt Buell back! He covers five crucial techniques every Hammond B3 organist should know for playing in church settings. Topics include glissandos and slides, walking bass lines, inversions and voice leading, church walk-ups, and major/minor blues licks. Curt also shares a preview of his Organ Masterclass, where these techniques are explored in greater detailCurt BuellFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!
We welcome back Curt Buell to the podcast for an in-depth tutorial on the Hammond B3 organ. Curt provides an extensive overview of the organ's features, including its drawbars, vibrato settings, presets, and expression pedals. He demonstrates the dynamic range and the versatility of the B3, offering practical tips and favorite settings for various musical contexts, especially for church and contemporary music. Curt also introduces his organ masterclass, designed to elevate your organ-playing skills with advanced techniques and music theory. Join us for this comprehensive guide to mastering the Hammond B3 organ.Curt BuellFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!
When he isn't touring the country as a member of the free jazz collective ‘The Music Quintet' Coleman Rose makes time as a performer and composer in the Sonny Rollins Ensemble at Oberlin College. Well equipped to live and work in both free and traditional jazz, Coleman showcases the latter here in this sextet featuring works by Wayne Shorter, Cannonball Adderley and John Coltrane. Featuring Coleman Rose on Tenor Sax, Chris Coles on Alto Sax, Mitchell Galligan on Hammond B3, Tommy Lehman on Trumpet, Tim Picard on Guitar, and Ori Jossell on drums, and from a sold out performance from March 29th, 2024, it's the Coleman Rose Sextet – Live at the Bop Stop.
Soundwaves from the Underground at TDR presents an exclusive playlist featuring the powerful sounds of South African metal band Chaos Doctrine, led by frontman Doctor D. This fierce triple release stands as a bold tribute to Black Sabbath, featuring: 1. The Sabbath Doctrine Chapter III – A thunderous tribute to the titans of metal, Black Sabbath, reimagined through Chaos Doctrine’s brutal industrial lens. Featuring an all-star lineup of South African metal vocalists, this track stands as a monumental homage to the genre’s roots. 2. The Rite (Devil Divas and Harps Remix) – A bold reinvention that infuses bluesy undertones with dark, demonic vocals by Bronwyn Bing and haunting harmonica riffs by Craig MacKinnon. This remix is a testament to Chaos Doctrine’s fearless experimentation. 3. The Rite Verse 2 – The epic sequel that pushes the boundaries of Chaos Doctrine’s sound, combining crushing grooves, vintage Hammond B3 organ, and blistering solos for an intense sonic experience. Experience the chaos. Only on Soundwaves from the Underground at TDR. Find more at: linktr.ee/TiemposdeRadio Follow them on: linktr.ee/chaosdoctrine
Join @thebuzzknight for this episode with Robert Walter, founding member of the Greyboy Allstars. He is a prolific keyboardist known for his mastery of the Hammond B3 organ and Fender Rhodes. Walter's career spans three decades and has helped shape the sound of West Coast boogaloo. If you have comments or suggestions, write buzz@buzzknightmedia.com Like this show, share with your friends and leave a review here. Review Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Send us a textEveryone knows and loves Creedence Clearwater Revival. Their run of hits at the end of the '60's, and their enduring popularity, has rarely been equaled. Not so well-known is the story of the clashes that caused their run to end so abruptly. We take a look at how the band split and the many personal and legal issues that led to it. It ain't pretty! Well, we also kept our promise and listened to the new Coldplay album, “Moon Music”. How did it sound to us? Regular listeners won't be surprised at our reaction! In Rock News, we look some more at the issues surrounding Diddy, and look at the problems with the "stage hole" in Melbourne. Our Album You Must Listen to Before You Die is 1977's “Bat Out of Hell” by Meat Loaf. Such a great album!! References: Houston Bernard, “Dancing in the Dirt”, Puff Daddy, Sean 'Diddy' Combs, Chris Martin, Marvel Stadium, Music of the Spheres, Olivia Rodrigo, Donald Trump sneakers, Meat Loaf, Bat Out of Hell, Todd Rundgren, You took the Words Right Out of My Mouth, Two Out of Three Ain't Bad, Jim Steinman, Rocky Horror Picture Show, car sex, El Cerruto California, Doug Clifford, Stu Cook, The Blue Velvets, Tom Fogerty, Fantasy Records, Casey Kasem, Credence Newball, Olympia beer, CCR, Dale Hawkins' Susie Q, Apocalypse Now, Woodstock, Bad Moon Rising, Proud Mary, "Have You Ever Seen The Rain?", Hammond B3 organ, Booker T. & the M.G.'s, “Fortunate Son”, Trump (the) fortunate son, An American Werewolf in London, Evan Almighty, Keith Richards, Saul Zaentz, Allen Klein, “The Royal Albert Hall Concert”, Concord Records, Rockin' All Over the World, Status Quo, Asylum, Warner Bros, Centerfield, Zanz Kan't Dance, Mr. Greed, “Mardi Gras”, Rolling Stone (Jon Landau), “Classic Album Review”, “The 10 Worst Albums Ever”, Rock & Roll Hall of Fame, Pop, Chronicle, US Top 200, Glenn Barros, The Long Road Home Playlist We play all the music/artists discussed during this episode
Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today's guest.But today's story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist's narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today's guest.But today's story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist's narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Jazz88's Peter Solomon spoke with organist Pat Bianchi about his relationship to the Hammond B-3 organ and the influence of the late organist Joey DeFrancesco. Bianchi will perform at the Crooners Main Stage Thursday, November 14th with drummer Byron Landham and guitarist Paul Bollenback, who served as DeFrancesco's rhythm section for many years.
Jazz88's Peter Solomon spoke with organist Pat Bianchi about his relationship to the Hammond B-3 organ and the influence of the late organist Joey DeFrancesco. Bianchi will perform at the Crooners Main Stage Thursday, November 14th with drummer Byron Landham and guitarist Paul Bollenback, who served as DeFrancesco's rhythm section for many years.
durée : 00:59:32 - José Privat - par : Alex Dutilh - Après 3 albums sous son nom, José Privat, pianiste de l'emblématique groupe martiniquais Malavoi revient avec “Clin d'œil”, où il se concentre essentiellement sur son instrument de prédilection, l'orgue Hammond B3. Avant-première de la parution le 26 avril chez Aztec Musique / Pias.
durée : 00:59:32 - José Privat - par : Alex Dutilh - Après 3 albums sous son nom, José Privat, pianiste de l'emblématique groupe martiniquais Malavoi revient avec “Clin d'œil”, où il se concentre essentiellement sur son instrument de prédilection, l'orgue Hammond B3. Avant-première de la parution le 26 avril chez Aztec Musique / Pias.
This week's Deadpod features the second show the band played in 1980, this from the Capitol Theater in Passaic New Jersey on March 30, 1980. Brent is fairly new to the band, and finding his way on some of these tunes.. they open with a relatively new 'Alabama Getaway' which goes into 'Promised Land' for a rockin' start to the evening. 'Cassidy' which follows 'Peggy-O' is a bit rushed, but the 'Loser' that follows is quite good. Brent debuts his 'Far From Me' which still needs some work but shows promise. Another highlight is the 'New Minglewood Blues' where Brent's Hammond B3 sounds especially good. The rest of the set is quite good as well - the 'Althea' is well done and Bobby adds alot of energy to the 'Sailor>Saint' combo to close the set. Grateful Dead Capitol Theatre Passaic, NJ 3/30/1980 - Sunday One Alabama Getaway [5:02] > The Promised Land [4:15] Peggy-O [6:54] Cassidy [4:45] Loser [6:36] > El Paso [4:26] Far From Me [4:01] Tennessee Jed [4:40] New Minglewood Blues [6:33] Althea [7:43] Lost Sailor [6:03] > Saint Of Circumstance [5:56#] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod032924.mp3 Hope that you have a happy Easter weekend! my thanks to Steve for his suggestion of this show.
A conversation with New Orleans styled piano and Hammond B3 player, Joe Krown (solo artist, Kenny Wayne Shepherd, Clarence "Gatemouth" Brown, Luther "Guitar Junior" Johnson) - www.joekrown.com
Another guest mix for Collections! This week we play out a guestmix we got sent in last year with a live gig set recording from Demuir. Hailing from Toronto, Canada, Demuir started off as a child playing around on his Dad's Hammond B3 organ, before beginning to play music seriously at the age of 16, […]
This week on Echoes of Indiana Avenue, celebrate Women's History Month by learning about the legendary jazz women of Indiana Avenue. Listen to an hour of classic music from Indianapolis women who made historical contributions to jazz, including: Debbie Andrews, Sarah McLawler, Flo Garvin and the Hampton Sisters. Jazz vocalist Debbie Andrews gained fame in the 1950s performing with Wes Montgomery's Montgomery-Johnson Quintet. Andrews' brother Sonny Johnson, was the band's drummer. Andrews' talent as a vocalist impressed many musicians, including Duke Ellington, he invited her to tour with his orchestra during the early 1950s. Vocalist and organist Sarah McLawler was among the first wave of jazz musicians to record on the Hammond B3 organ. She attended Crispus Attucks High School and studied music at Indy's Jordan Conservatory. McLawler rose to national prominence in the early '50s with The Syncoettes, a pioneering quartet of women musicians. Pianist and vocalist Flo Garvin was a popular attraction on Indiana Avenue during the 1940s and '50s. Garvin was among the first Black entertainers to host their own television program in Indianapolis. Today, Garvin is best remembered for her 1952 single on King Records, recorded with the Jimmy Coe Orchestra. Aletra, Dawn, Virtue, and Carmalita Hampton began performing in Indianapolis as the Hampton Sisters during the early 1940s. They were members of the famous Hampton Family band, which also included their brother Slide Hampton, a world renown trombonist. Sisters Aletra and Virtue led the group into the early 21st Century.
A conversation with blues musician (piano, Hammond B3 and bass), producer and educator, Bruce Katz (Bruce Katz Band, Gregg Allman, Delbert McClinton, Ronnie Earl) - https://www.brucekatzband.com.
All music used with permission by the Chris Hovan Organic Trio. Beatrice - Rivers Indonesian Nights - Monaco While We're Young - Wilder Your Mama's Got a Complex - Smith Cease the Bombing - Creque Bird of Beauty - Wonder Chris Hovan is an accomplished photographer, journalist and musician who dedicated himself to the drums in his early teens and never looked back. On this week's show the Northeast Ohio native teams up with two Detroit heavyweights and one awesome Hammond B3 Organ for a show that celebrates the well-deserved renaissance and extensive catalog of one of the best instrumental sounds in jazz, funk and soul. Clif Metcalf is a disciple of Hammond B3 legend Tony Monaco and it's evident in this week's performance. Larry Barris is a mainstay in Detroit jazz on guitar and regularly performs with Marcus Belgrave and Teddy Harris, among others. From a January 20th, 2023 performance, enjoy the Chris Hovan Organic Trio – Live at the Bop Stop. Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal. This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media. The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard. For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link. To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop? Donate here! Contact us here
Guitar Geeks Podcast: Mer än du vill veta om gitarrer, förstärkare och allt däremellan.
Vi träffar multiinstrumentalisten Klas Hägglund och pratar om bland annat Yngström, Stonecake, Hammond B3 och Gary Moore. Mycket Nöje! Stort tack till alla som supportar oss via Patreon: https://www.patreon.com/user?u=32426577 och Swish: 1236293344
Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist Length Start Time Introduction 05:42 00:00 1. Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2. Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3. Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca). Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4. "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5. Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6. The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7. Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8. Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9. Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10. Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11. Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12. E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13. Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14. The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15. Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16. Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17. Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18. Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19. Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20. Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21. Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22. Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23. Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24. Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25. Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26. Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27. Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28. Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29. Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30. Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31. Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32. Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33. Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34. Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35. Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36. Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37. Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com
We answer questions under what conditions Al would accept the gift of a Hammond B3 Organ, about the Bloomfield box set, and back to playing the organ. Of course, Nilly the Dog follows each segment with canine input of her own..
BOOST : DJ Tips, Interviews, Mindset, Goals, Motivation and Music Industry Advice
Demuir has maintained his stay at the forefront of the house scene, pushing out releases on stellar labels, and heavily touring, his funk laden sound is always centred around a certain soul emotion, a passion that he pours from himself into his sound which remains globally appreciated. Hailing from Toronto, Canada, Demuir started off as a child playing around on his Dad's Hammond B3 organ, before beginning to play music seriously at the age of 16, with skills covering the keys, bass guitar, drums and percussion instruments. He first fell in love with house music after hearing Derrick May's “Strings of Life”, and by seeing May, DJ Sneak, and Mark Farina at Industry, the legendary Toronto nightclub. The highly anticipated “Visions” LP from Demuir is finally upon us and spans across Demuir's dynamite house textures, crammed with depth and emotion. The eight-track LP on his own Purveyor Underground Limited also features artists such as Fred P - Black Jazz Consortium, Aaron K Gray and TUSH, and a digital-only track in collaboration with Farouki. If you want to release on the biggest labels and DJ for the biggest brands, this video will give you a wealth of insights into how to do just that!
Rock-folk-blues musician Peter Case began busking in San Francisco in the '70s, co-founded the Nerves ("Hanging on the Telephone") in 1974 and the Plimsouls ("A Million Miles Away") in 1978 and has been a solo artist since 1986. Since three albums for Geffen Records, Case has recorded for indie labels such as Vanguard, Yep Roc and, most recently, Sunset Blvd. Records. On his 16th studio album, Doctor Moan (released March 31, 2023), Case trades his acoustic guitar for a piano and Hammond B3 organ with often stunning results. His life and career were examined in the excellent 2023 documentary Peter Case: A Million Miles Away. Links: Peter Case home page Peter Case tour dates Jay Gilbert @ Label Logic Glenn Peoples @ Billboard Billboard podcast page Learn more about your ad choices. Visit megaphone.fm/adchoices
Conception based teachings, the interactions between the bass and drums, and mastering alternate side parking. Adam Scone (Adam Scone, Scone Cash Players, The Sugarman 3) The Florida Room, Episode 6 - Scone Cash Players- https://www.youtube.com/watch?v=hoFnbjkVhwo “Adam Scone is a Hammond Organ specialist. The sound of the Hammond will get inside of your heart and pound out some emotion. Scone transformed from a young wiz kid to a seasoned master due to a few key factors. One was years playing a six night a week gig at a classic organ lounge in New York City. The other was getting the chance to tour the world playing Hammond B3 organ with great bands. First were the incredible tours with Daptone Recording artist Sugarman Three. This exposed him to an international audience at the worlds top Music Festivals. These included Glastonbury in the UK, Montreaux Festival in Switzerland, and the North Sea Festival in the Netherlands to name a few. Scone also played in Jazz and Boogaloo Legend Lou Donaldson's band at the Village Vanguard and the Blue Note in New York City. Scone has also shared the stage or recorded with legends with Jimmy Cobb, George Braith, Ben Dixon, Lee Fields, Fred Thomas & Naomi Shelton. He was also selected a 4 time Jazz Ambassador by Lincoln Center & Kennedy Center for the Arts. a selection that took him to over 35 different countries to play organ. Then he directed his attention to the Organ sound in Rock and Roll, spending five years of relentless touring with southern rock masters JJ Grey & Mofro. Scone played the US's top festivals including Bonnaroo, Austin City Limits and Bumbershoot. Scone's organ playing has appeared on over 50 albums.” Excerpt from https://www.adamscone.com/about Adam Scone: Bandcamp: https://adamscone.bandcamp.com/album/low-slow Instagram: @adamscone Website: https://www.adamscone.com Records: https://adamscone.bandcamp.com/album/low-slow Scone Cash Players: Bandcamp: https://sconecashplayers.bandcamp.com/music Instagram: @sconecashplayers Website: https://www.sconecashplayers.com Records: https://www.coleminerecords.com/collections/scone-cash-players Merch: https://sconecashplayers.bandcamp.com/merch The Sugarman 3: Bandcamp: https://thesugarman3.bandcamp.com Records: https://daptonerecords.com/artists/the-sugarman-3/ Merch: https://thesugarman3.bandcamp.com/merch The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Spotify: https://open.spotify.com/show/5Ndle3K... Apple Podcasts: https://podcasts.apple.com/us/podcast...
The return of the guitar slingin' country livin' and playin' gent who after 30 years of laying it down on concert stages, comes with a full 8 song album of story-telling songs of passion, both up-tempo burners and introspective ballads, and a waltz, to boot. The title song "Talk To Me" finds Mike McCarthy reflective upon the exit of someone close. 45 minutes of Mike with Jeff Woods, for the premiere special of the "Talk to Me" album. May contain sax, mandolin, Hammond B3, guitars, bass, drums, vocals, but absolutely no nuts. Suitable for all family members ;)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to! Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks! This week: Rachel Therrien's Latin Jazz, 100 yrs of Wes Montgomery & Soweto Kinch goes full Symphony.1 Mimi Fox - Mr White's Blues (One for Wes) ORIGIN. As a celebration of the 100th anniversary of Wes Montgomery's birth, guitarist Mimi Fox chose to dive deep into the iconic Hammond B3 trio sound.2 Greg Spero - Jam 6.1 (The Chicago Experiment) ROPEADOPE. Following the global success of The Chicago Experiment, the long awaited fourth in The Experiment Series, Greg Spero brings us 8 unreleased tracks from the original sessions. 3 Rosa Passos - Samba Sem Voce (Storyville). Brazilian bossa nova queen Rosa Passos' highly anticipated album Samba Sem Você recorded at at Copenhagen Jazzhouse on July 7th, 20014 Vusi Mahlasela, Norman Zulu & Jive Connection 'Roots' (Face To Face) STRUT South African singer-songwriter Vusi Mahlasela, from Pretoria, was an important voice during the anti-apartheid struggle, singing for freedom but also for reconciliation and a positive future. 5 Soweto Kinch - Curated Chaos (White Juju) London Symphony Orchestra. Recorded live at the Barbican during last year's London Jazz Festival, White Juju is award-winning British saxophonist and rapper Soweto Kinch's powerful new work for jazz quartet and symphony orchestra, written in response to lockdown, BLM, British history and the culture wars6 Michael Feinberg - Blues Variant (Blues Variant) Criss Cross. Bassist Michael Feinberg Releases his Criss Cross Jazz Debut, Blues Variant. Featuring Noah Preminger, Nasheet Waits, Leo Genovese and Dave Liebman.7 Rachel Therrien - Mojo (Mi Hogar) Outside In. An impressive showcase of the Canadian-born bandleader's range, Mi Hogar marks the first outing of Therrien's newly assembled Latin Jazz Project, an ambitious document of her work with expert musicians of the genre from New York City, Canada, Cuba, Puerto Rico and Venezuela. 8 Nadia Washington - Nabi (Hope Resurgence) Self-Release. Powerhouse vocalist Nadia Washington makes her debut statement with Hope Resurgence,9 Joe Locke - Love for Sale (Makram) Circle 9. Glistening with spirit, ingenuity, musicianship and inquisitiveness, Locke returns to his celebrated quartet on Makram. This lineup includes pianist Jim Ridl, bassist Lorin Cohen and drummer Samvel Sarkisyan.
El órgano Hammond B3 es un instrumento electro acústico creado en los años 30 para substituir a los más onerosos órganos de tubos de las iglesias protestantes.Lo usan Count Basie y Fats Waller y surge como una voz única con Jimmy Smith. Los escuchamos junto a Milt Buckner, Jach McDuff y otros. Hosted on Acast. See acast.com/privacy for more information.
Estreno de 'After We Play', nuevo disco del trompetista y cantante Johnny Britt en el que está acompañado por nombres tan conocidos como los de George Benson, Gerald Albright, Peter White o Will Downing, entre otros. En el repaso a recientes lanzamientos en la música Smooth Jazz reseñamos los álbumes de Les Sabler, Gino Rosaria, Myron McKinley, Tristan y Scott Mayo. Los minutos centrales están protagonizados por el sonido del órgano Hammond B3 del músico británico Paul Moran, director de la banda de Van Morrison.
For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
Today's poem is Hammond B3 Organ Cistern by Gabrielle Calvocoressi. This episode was originally released on November 24, 2021.
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
The Grammy-nominated piano player, organist, and singer wowing crowds at a Monday night Saturn Bar residency has also toured and recorded with EDM star Pretty Lights, the Iguanas, Bonerama, and the Maelstrom Trio, with Skerik and longtime co-conspirator Simon Lott. A classically-trained pianist, he’s equally comfortable with the James Booker/Dr. John/ Allen Toussaint canon or the Hammond B3 organ trio jazz repertoire. While he may be a tall drink of water, BC is relieved that the Troubled Men are sticking to cocktails tonight. Topics include a headphone aversion, Chanukah, a wedding party, DC Harbold, World Cup fever, a birthday party, Debra Howell, the mayor’s recall, a new police chief, deodorant, alternate names, Baton Rouge, supportive parents, the College World Series, a longshot, a childhood autograph, Catholic High, M’s Cafe, the School for Improvised Music, the Knitting Factory, a fist meeting, Glyn Styler, Andy Bourgeois, regionalism, hip hop, self-examination, a novel recording approach, Grammy protocol, playing Red Rocks, a Carlo Nuccio story, a renaissance, Jon Cleary, Liberace, “One Mo’ Time,” and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break Music: "Southern Nights" by BC Coogan Outro Music: "Who's Gonna Help A Brother Get Further" by BC Coogan Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 BC Coogan (Brian) Facebook
#799 - Ike Stubblefield The Ike Stubblefield Interview is featured on The Paul Leslie Hour. Are you here? Answering that question is optional, but we thank you for listening to this episode of The Paul Leslie Hour featuring an interview with the late Ike Stubblefield, who was known to many as a master of the Hammond B3 and keyboards. Ike Stubblefield performed on stage with so many great artists: George Benson, B. B. King, the Four Tops, Eric Clapton, Ike & Tina Turner, The Derek Trucks Band, the Jerry Garcia Band and so many others. He was an incredible musician. It's kind of funny how the interviewer, Paul E. Leslie met Ike Stubblefield. One New Year's Eve Ike stopped Paul on the street outside the Fox Theater. Why? Who knows. Maybe he thought Paul looked funny. You just never can tell. They struck up a conversation and it felt so natural that the idea to do an interview soon came up. They recorded this interview at the now-defunct Sambucca Jazz Cafe in Atlanta. It was a very sad day when we learned Ike Stubblefield passed away in 2021. Ike had a lot of friends and for anyone who say him perform, it was quite an experience. It's our passion keeping interviews like these available to the masses. We've been going for 19 years and counting, but want to double our YouTube audience before we hit 20. Please subscribe on YouTube. It's free to do so. Look up The Paul Leslie, hit subscribe and also hit the bell. www.youtube.com/thepaulleslie And now we take you to that interview with Ike Stubblefield recorded back in the early days of the show. Thanks for listening folks. Remember to make the most of every day. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.
Musician George Winters has performed for audiences for over 50 years across America. The Michigan native is well-known in music venues in southeastern Michigan for his fabulous keyboard skills, especially on a Hammond organ. George plays the keyboard, guitar, and harmonica and also sings. This podcast includes a conversation with George Winters about his long career and several unreleased tracks that include his distinctive mellow jazz and upbeat popular music. Winters shares his story about how his music career started and grew in and around Flint and Detroit, Michigan. In this podcast interview, he talks about how the troubles of the automobile industry affected the life of local musicians in Michigan. The son of a Hammond B3 organ salesman, George got his musical start very early in life in Flushing, Michigan. He entertained the audience during local theater intermission as a child by playing the organ.George shares stories about his interactions with former Detroit Tiger star pitcher Dennis McClain, who also was an organist. Winters tells of his amusing experience delivering a Hammond B3 organ to the home of Mark Farner of the Rock Band Grand Funk Railroad. In recent years he has toured the country in clubs that host dueling pianos. George has produced five compact disc recordings. The first, entitled "The Seed" was completed in 1994 and was recorded in less than two hours. "The Seed" was picked up by major retailers in Michigan, including Harmony House, prompting some local success. George's second effort, "Rhythm," released in 1998, comprises mostly original music with instrumentation including the Hammond B3, drums, bass, guitar, and piano.His love of the dueling pianos concept also began in 1998 at JD's Key Club in Pontiac, MI, and continues to this day. You can see George at select Dueling Pianos clubs - click on "show dates" on his web page for a complete schedule.With the release of his fifth CD, "Back to the B3" George hopes to put his music into more hands than ever, using the internet medium to deliver his creations. "Back to the B3" will be available soon from online retailers such as iTunes, or you can order directly from this website.
This episode pays tribute to the great Hammond B3 organist, Joey DeFrancesco who passed away suddenly at the age of 51. Also in this podcast is great music from James Moody and Hank Jones. Playlist Artist ~ Name ~ Album Joey DeFrancesco ~ Wonderful Wonderful ~ Wonderful! Wonderful! Joey DeFrancesco ~ In the Key of the Universe ~ In the Key of the Universe Joey DeFrancesco ~ A Change Is Gonna Come ~ Project Freedom John McLaughlin, Joey DeFrancesco & Elvin Jones ~ My Favourite Things ~ After the Rain Joey DeFrancesco ~ Work Song ~ Live At the 5 Spot James Moody ~ Lady Bird ~ Our Delight James Moody ~ Old Folks ~ Our Delight Christian McBride Big Band ~ Road Song ~ For Jimmy, Wes and Oliver
Peter Borne, owner of the world's only floating recording studio stops by to plug his summer concert series and in the meantime, cut a commercial live, on the air for Walser Automotive. We breifly turn to electric cars but spend more time talking about an all original 1956 Hammond B3 organ that hadn't been played in 4 decades. See omnystudio.com/listener for privacy information.
Cory Henry joins Nick to discuss his newest record Something To Say which is nominated for a Grammy this year. Additionally, he has garnered 3 additional Grammy nominations for his contributions to Kanye West's Donda and Eric Bellinger's New Light. Cory is recognized by many as one of the preeminent Hammond B3 players in the world. Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps. Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook. Find out more about today's guest, Cory Henry Find out more about your host, Nick Terzo
Today's poem is Hammond B3 Organ Cistern by Gabrielle Calvocoressi.
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