Podcasts about hammond b3

Watch on YouTubeLet's visit The Choir Room in Nashville for a short surprise bonus Worship Keys Podcast episode! Marcus Perry explains how each Choir Room gathering is different, emphasizes planning while leaving room for the Holy Spirit, compares the community-style format to church services, and details his live setup: CP88, Hammond B3 with Leslie, and a MacBook Pro running Logic Pro, MainStage, and Ableton with a custom template and interface feeding to the audio board.The Choir RoomSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

**Lyrics Below — “One Of These Days”** is a joyful, expectant song about looking beyond this present life toward the day when the trumpet sounds and we enter forever into the presence of the Lord. The verses begin with quiet, everyday images—morning light, waking from a dream, and a traveler walking the narrow way—before opening into the declaration, *“One of these days I'm gonna fly.”* Musically, this 2026 Remix is rooted in classic 1970s Southern rock, moving at 115 BPM in G major with a warm blend of blues, country, gospel, and roots rock. Strummed acoustic guitar and clean electric guitar give way to rich Hammond B3, rolling gospel-blues piano, melodic bass, natural drums, congas, hand percussion, and strong Southern-rock male harmonies in the choruses. A major instrumental feature is the extended harmonized double-lead guitar section, with two electric guitars weaving lyrical major-key melodies, sustained bends, call-and-response phrases, and soaring harmony lines. The result is a warm, melodic Southern-rock worship song filled with anticipation for the day when faith becomes sight and there is joy forevermore in the presence of Jesus. [Intro] [strummed acoustic guitar, clean electric guitar lead riff] [Verse 1] Morning dove taps on my window Curtain moves, sunlight in my eyes Thoughts slowly rise like a whisp of smoke I was living in a dream until I awoke [Chorus] One of these days I'm gonna fly One of these days when the trumpet sounds Joy unspeakable, full of glory there In the presence of the Lord is joy forevermore [Verse 2] Ramlin' man, roamin' on the narrow way Singing songs of praise, oh happy day He lifts his head, his gaze begins to rise He turns to me and says, "Keep your eyes on the prize" [Chorus] One of these days I'm gonna fly One of these days when the trumpet sounds Joy unspeakable, full of glory there In the presence of the Lord is joy forevermore [Instrumental Break] [Chorus] One of these days I'm gonna fly One of these days when the trumpet sounds Joy unspeakable, full of glory there In the presence of the Lord is joy forevermore [Outro] One of these days I'm gonna fly One of these days I'm gonna fly One of these days when the trumpet sounds

**Because You First Loved Me** **Lyrics Below.** “Because You First Loved Me” is a 1970s-inspired Christian funk singer-songwriter song built around a warm, rhythmic groove of clean electric guitar, vintage Rhodes piano, punchy melodic bass, Hammond B3, congas, timbales, and layered background harmonies. The song is a declaration of love and gratitude to Jesus Christ, recognizing that our love for Him is a response to the love He first showed us. It moves from worship and surrender into praise, the pursuit of His presence, and the desire for the fire of His love to continually burn within our hearts. **Scripture Reference — 1 John 4:19** *“We love him, because he first loved us.”* [Intro] [clean rhythmic electric guitar, punchy bass, steady drum kit] [Verse 1] [tenor male vocals] (Ooh) Going to take a little time right now Before your presence I will bow (Yeah, yeah) Yesterday, today, and forever you never change For your love is everlasting [Chorus] [layered vocal harmonies enter] I love you Lord (Mmm-hmm) Because you first loved me, yes you did For there is no one like you Your holy presence I'll pursue (Oh yeah) [Verse 2] Going to bring an offering of praise With holy hands I will raise To the God of Abraham I cry The name of Jesus I glorify [Chorus] I love you Lord (Mmm-hmm) Because you first loved me, yes you did For there is no one like you Your holy presence I'll pursue (Oh yeah) [Bridge] [instrumental break with guitar scratches and bass fills] [Chorus] I love you Lord (Mmm-hmm) Because you first loved me, yes you did For there is no one like you Your holy presence I'll pursue (Oh yeah) [Outro] Going to stir the fire in my heart, Lord With the fire of love is where I need to start With the sacrifice of praise Sing praise to the ancient of days I love you Lord Because you first loved me, yes you did For there is no one like you Your holy presence I'll pursue I love you Lord Because you first loved me, yes you did I love you Lord Because you first loved me, yes you did [guitar riff fades]

Lyrics Below.“Wild Wild World” is a laid-back Southern rock worship song with a strong 1970s feel, blending melodic twin guitars, rolling piano, Hammond B3, and a steady rootsy groove. The song contrasts the danger and darkness of this fallen world with the safety, comfort, and protection found in the Lord Jesus Christ, the Good Shepherd. With imagery of wolves, lambs, shelter, and the roaring lion, it points to the spiritual battle believers face while declaring the peace and security of abiding in the presence of God. Lyrics: It's a wild, wild world out there Wolves are all around It's a wild, wild world out there Devil like a roaring lion seeking whom to devour The Lord is my shepherd And I am one of His lambs Beside still waters I will abide Jesus the shepherd at my side It's a wild, wild world out there Wolves are all around It's a wild, wild world out there Devil like a roaring lion seeking whom to devour Yahweh my hiding place A shelter from every storm The secret place of the Most High Is where I will abide It's a wild, wild world out there Wolves are all around It's a wild, wild world out there Devil like a roaring lion seeking whom to devour The Lord is my sun and shield Of whom shall I fear? Your rod and staff they comfort me And I've never felt so free It's a wild, wild world out there Wolves are all around It's a wild, wild world out there Devil like a roaring lion seeking whom to devour It's a wild, wild world out there Wolves are all around It's a wild, wild world out there Devil like a roaring lion seeking whom to devour It's a wild, wild world out there It's a wild, wild world out there

Lyrics Below “A Righteous Man's Blues” is a soulful Gospel-blues song built on a driving Southern blues shuffle with an early-1970s Latin-rock influence. Warm sustained electric-guitar lines answer the vocals with expressive bends and melodic blues-Latin phrasing, while rolling gospel piano and Hammond B3 bring a rich church-rooted foundation. A melodic bass line, natural drums, congas, timbales, cowbell, and hand percussion give the track a deep rhythmic pulse. Female gospel-soul backing vocals answer the lead in call-and-response and expand into fuller harmonies during the chorus. The song's message is one of perseverance, faith, and complete trust in Jesus through confusion, adversity, spiritual opposition, and life's storms. [Verse 1] Everywhere I'm looking, Lord, I just can't find my way Everywhere I'm looking, Lord, I just can't find my way So I'm gonna put my trust in every word You say [Verse 2] Storm clouds are brewing, heavy rain is gonna fall Oh, storm clouds are brewing, heavy rain is gonna fall Still I'm gonna trust You, Lord, through it all [Verse 3] The enemy surrounds me, and I'm feeling lost Oh, the enemy surrounds me, and I'm feeling lost I'm gonna put my trust in Jesus and the power of the cross [Verse 4] Blessed is the man who walks in righteousness Oh, blessed is the man who walks in righteousness He's gonna see the goodness of the Lord The goodness of the Lord! [Verse 5] Woke up this morning, couldn't shake these blues Woke up this morning, Lord, couldn't shake these blues Then I remembered Jesus paid my dues [Chorus] Come to the Master, He's gonna save your soul Oh, come to the Master, He's gonna save your soul He's gonna lift your burden and make you whole [Chorus] Come to the Master, He's gonna save your soul Oh, come to the Master, He's gonna save your soul He's gonna lift your burden and make you whole [Outro] Come to the Master, He's gonna save your soul Oh, come to the Master, He's gonna save your soul He's gonna lift your burden and make you whole Make you whole Make you whole @ 2016 Shiloh Worship Music

Cette chanson est un chant chrétien de louange et de témoignage, centré sur la fidélité de Dieu et sur la conviction que rien ne peut nous séparer de Son amour. Les couplets évoquent Moïse devant la mer Rouge, Daniel dans la fosse aux lions et David face à Goliath, montrant comment Dieu ouvre un chemin, protège Son peuple et donne la victoire même lorsque toute issue semble impossible. Le refrain exprime une foi personnelle et déterminée : personne ne peut m'éloigner de l'amour du Seigneur, car Il m'a donné une vie nouvelle. Le style musical est un folk-rock chrétien de la côte Ouest des années 1970, avec une forte influence roots et blues. L'arrangement repose sur deux guitares acoustiques puissantes placées largement à gauche et à droite, une guitare électrique 6 cordes au son clair et chaleureux qui répond aux phrases vocales, une basse mélodique, une batterie naturelle, un orgue Hammond B3 et de riches harmonies vocales masculines à deux, trois et quatre voix. L'ensemble a un caractère chaleureux, organique, mélodique et entraînant, avec des passages de guitare bluesy sobres et expressifs.

“You Saved My Soul” is a Southern rock worship song built around a testimony of redemption, moving from darkness into the light of Christ. The arrangement features authentic early-1970s Southern-rock guitar work, clean arpeggiated riffs, bluesy double-stops, melodic twin-guitar lines, warm Rhodes, rolling blues-and-gospel piano, Hammond B3, active congas, melodic bass, and natural driving drums. Strong 3- and 4-part harmonies lift the choruses, while the guitar, piano, and organ breaks give the song a soulful, rootsy character. At its heart, the song is a direct declaration of gratitude to Jesus for salvation, new life, and the gift of eternity I was lost in the darkness I did not know where to go But you Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light I was wandering in the darkness Well, I was blind as I could be My mind was blown by the things I've been shown And I suddenly want to live I want to live for eternity I was lost in the darkness I did not know where to go But you Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light I was looking for something To fill the emptiness inside So I laid down my pride and I invited you inside And I received your free gift of eternal life I was lost in the darkness I did not know where to go But you Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light You're a treasure discovered You're the pearl of great price Now I'm singing a new song 'cause I said so long to this world All of its lies I was lost in the darkness I did not know where to go But you Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light Saved my soul and made me whole And you took me from the darkness and you brought me to the light © 2006 and Sound Recording © 2026

Performance used with permission from the artist and venue. A glimpse of gospel, jazz, and soul from the great legends is what inspires the sound of pianist Theron Brown's music. You will get more than just a glimpse of this, however, on this episode of the program. Because not only do we get Theron showing off his talents on the Piano and Fender Rhodes, but Northeast Ohio Legend Cliff Barnes joins Theron on the Hammond B3. Add in Akron based Trumpeter Tommy Lehman and James Johnson III on Drums and it is an unforgettable performance. From a sold-out July 18th, 2025 performance, it's Theron Brown featuring Cliff Barnes…Live at the Bop Stop.

Today marks a massive milestone for LINER NOTES as this episode officially kicks off Year 9 of the podcast. For the past 8 years, this show has been about pulling back the curtain on the creative process, and I couldn't think of a better artist to help us launch this anniversary season than keyboard wizard Larry Goldings. Larry has been a definitive voice on the Hammond B3 for over three decades, shaping the sound of modern jazz organ. He joins me today to break down his incredible new organ trio record, Rhombus on Smoke Sessions Records with his bandmates Peter Bernstein and Bill Stewart—delving into the unique chemistry of the trio and how he continues to find fresh terrain in a classic format.  

En esta nueva edición de nuestro podcast presentamos 'Sleight of Hand', el nuevo álbum del saxofonista Steve Cole. Repasamos otros recientes lanzamientos en la música Smooth Jazz firmados por Randy Brecker, Architects of Sound, Andy Snitzer, Sergio Pereira y Hil St Soul. Los minutos centrales están protagonizados por el sonido del órgano Hammond B3 del músico británico Paul Moran, director de la banda de Van Morrison.

YHI + McBride = Ray Charles?! Christian McBride - bassist, Grammy winner and one of the greatest musical minds working today - joins Adam and Peter on You'll Hear It to share his desert island album.If you know Christian, you know that his musical hero is James Brown. But Christian isn't bringing a James Brown pick. Instead, he's bringing one from his hero's hero ... Ray Charles.This album was a risky move for Charles - unlike anything else he'd released at that time. At the peak of his power, he set aside the qualities that made him famous: his voice and his piano.This one's a deep cut. But once you listen, you'll never hear Ray Charles the same way again.Chapters Legend:

  • Psalm 51:6 — "You desire truth in the inward parts." • Mark 9:24 — "Lord, I believe; help my unbelief." • Psalm 34:18 — "The Lord is close to the brokenhearted."   There's a kind of worship that doesn't need a microphone. It doesn't need a Hammond B3. It doesn't need a choir or a praise team.   It's the worship that happens when you finally tell God the truth.   Not the church truth. Not the rehearsed truth. Not the "I'm blessed and highly favored" truth.   I'm talking about the real truth. The truth you don't post. The truth you don't testify about. The truth you don't want anybody to see. The truth that lives in the inward parts. God says, "That's what I want." Because God can't heal what you pretend isn't hurting.

Send us Fan MailBarrett Tasky is one of those rare gems you discover right in your back yard.  Tasky has an amazing broad base of music, recording and performance that culminates in his latest project, Barrett's Hidden Agenda.  The man literally plays a multitude of instruments.  His studio has everything from a standup bass to a Hammond B3.  He is adept at mandolin, guitar, saxophone---the list goes on.  Tasky writes songs in the Americana vein of songwriting.  His style is personal and inspirational.  In this episode Tasky lifts the curtain on his writing routine.  We get to discover how he creates through the use of self-imposed deadlines.  Even a wonderful idea surrounding the creation of a song in celebration of his birthday.  Thoughtful, funny and inspirational, Barrett Tasky is a good person for any aspiring songwriter to study and also reach out to for advice. https://www.barrettshiddenagenda.com/https://thebarbandbarrettshow.com/https://superheroaudio.com/Support the showWe are always grateful to have you listening to STRUNG OUT.    Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM  (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

Send a textBarrett Tasky is one of those rare gems you discover right in your back yard.  This episode title (based on a comment of Barrett's) is accurate in that, like a pyramid of Egypt, Tasky has an amazing broad base of music, recording and performance that culminates in his latest project, Barrett's Hidden Agenda.  The man literally plays a multitude of instruments.  His studio has everything from a standup bass to a Hammond B3.  He is adept at mandolin, guitar, saxophone---the list goes on.  Tasky writes songs in the American vein of songwriting.  His style is personal and inspirational.  "When you are looking down, that's when you know you are flying" is just one of the great lyrics people will be able to delight to when listening to this interview.  He is a true craftsman in more than one way.  Not only performing music in various groups, including a duo with his wife Barb, but keeping "an ace in the pocket" with running a woodworking business (http://thewoodwizzard.com) handed down to him by his father.   Creative and challenging work for anyone who has had a beloved piece of furniture refinished or reupholstered.  You want the right sort of artist in charge.  Tasky takes that tradition and applies it to all of his musical endeavors, including working with the founders of the Steel Bridge musical group in Sturgeon Bay, WI.  Like a pyramid, Tasky has a lot of secret chambers, hidden halls and is a great artist to discover.  And just like Howard Carter looking in on Tutankhamen's tomb for the first time, you are going to be treated to some "wondrous things!"   https://www.barrettshiddenagenda.com/https://thebarbandbarrettshow.com/https://superheroaudio.com/Support the showWe are always grateful to have you listening to STRUNG OUT. Here are some important links:SUPPORT THE SHOW:https://www.buymeacoffee.com/MartyfineaKMARTIN'S WEBSITE:http://www.MARTINMcCORMACK.COM (note---you can get my weekly bulletin when you sign up on the list!)MARTIN'S MUSIC: Music | Martin Laurence McCormack (bandcamp.com)Martin McCormack | SpotifyMARTIN'S YOUTUBE CHANNELMartin McCormack - YouTubeFACEBOOKFacebook...

In this episode, I'm joined by Simon Oslender, and I'm not exaggerating when I say his playing lit me up the first time I heard it: pure joy, but with real depth underneath. We talk about growing up in a deeply musical home, starting on drums, and the exact “big bang” moment when a John Mayall live DVD (and Tom Canning on Hammond B3) made Simon lock in on the organ for life.We get into Simon's early recording experiments, how he writes (often away from the instrument, grabbing voice memos before ideas disappear), and his relationship with theory—especially his favorite framing: theory shouldn't tell you what to do, it should explain what you're hearing. And then we go deep on the dream-team reality of All That Matters: recording with Steve Gadd and Will Lee and how that session turned into a tour, and what it takes to keep your head straight when your heroes show up fully prepared to play your music.Music from the Episode:On a Roll (Simon Oslender)In Good Hands (Simon Oslender)Cruisin' (Simon Oslender)Quite Logical (Simon Oslender)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Performance and Works used with permission from the artist and venue. Mixing jazz, blues and funk with a healthy dose of the Hammond B3, the Pittsburgh based Norside produces a sound best described as Rust Belt Funk. Whether they're playing alongside contemporaries such as The New Mastersounds and Bar Kays, or pushing boundaries with the Steeltown Horns, Norside embodies the commitment to giving the Hammond B3 room to breathe and pushing musical boundaries. For this performance, they're joined by pre-eminent Northeast Ohio trumpeter Tommy Lehman. By this point in the program, Tommy needs no introduction but he travels extensively both as a member of Alla Boara and The Admirables and as the leader of multiple groups under his own name. Featuring Tommy Lehman on Trumpet, Skip Sanders on the Hammond B3, Steve Ippolito on Drums and Glenn Strother on Guitar, and from a March 13th, 2025 performance, it's Norside featuring Tommy Lehman…Live at the Bop Stop.

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Performance used with permission from Alex Anest. The Detroit based Alex Anest Trio explores both original tunes and compositions from some of the greats on this organ trio performance. And its territory Alex knows well with appearances on over three dozen albums under his belt including a half dozen as a group leader. Alex anchors the group's sound on guitar, but Jim Alfredson mans the Hammond B3 and David Ward brings the funk on drums. From a January 9th, 2025 performance it's the Alex Anest Trio – Live at the Bop Stop.

Performance used with permission from Marc Ribot. The Hammond B3 sound sits, at least to me, at the core of Soul Jazz. The Hammond in the right hands expresses a depth and authenticity to music that other instruments struggle to match. Guitarist Marc Ribot would take this thought one step further and assert that the depth and authenticity of the Soul Jazz movement of the late 1970s and the New York punk movement going on at the same time had similar expressiveness, even if the two scenes had different circles and different core motivations. Expressing these commonalities are something he's been chasing ever since, and we're fortunate enough to hear the fruits of that effort on this program. It's doubly special because the Jazz Bins feature Greg Lewis on the Hammond B3 and New Orleans native Joe Dyson on drums. From two sold out performances on April 13th, 2024, it's time to find out what sits at the intersection of Soul Jazz and Punk with Marc Ribot's Jazz Bins…Live at the Bop Stop.

Brian Auger honestly states in this podcast, “Being a professional musician and making a living at it wasn't planned, it just happened.” British Keyboard artist Brian Auger has played with the best of the best - Jimi Hendrix, Jimmy Page, Sonny Boy Williamson, Rod Stewart, Eric Burdon, John McLaughlin , Eric Clapton, Steve Winwood, Spencer Davis just to name a few. His groups were The Trinity with Julie Driscoll and the Oblivion Express as well as playing in many sessions with major artists. In this insightful podcast Brian takes us from being bombed by Hitler's troops  as a young boy in the streets of London to his becoming a world class musician specializing in the Hammond B3 organ. Brian sums up his approach to playing music with the following quote:     “I'm never dissatisfied with the reaction to albums because there are certain albums that I made in the ‘70s and the ‘60s that sold poor and people want them. It seems to pick up different generations as it goes along. I don't worry about that. I just worry that the tracks that we would put, have a meaning to them, they mean something to me. Each album is like a page in my musical diary: Where I am musically at that time. I am not looking to write something for any kind of need in the marketplace or anything like that. I am just trying to make the best music that I can make and put it out there.”

This performance used with permission from Theron Brown. If you're a frequent lister to this program we mention often that Theron Brown is the hardest working performer in show business. From his work as Artistic Director with the I Promise School to his role overseeing the annual Rubber City Jazz and Blues Festival, Theron is intimately involved with making Northeast Ohio a magnet for musical talent. For this performance, Theron brings the Fender Rhodes Mk II to life with his trio. While the Hammond B3 gets the accolades for being the center of Soul Jazz, The Fender Rhodes might not get the credit it deserves for the warmth, authenticity and versatility it delivered to audiences. At least, the ones built before 1983.  If you like what you hear today and are looking for more jazz records focused around the Fender Rhodes, All About Jazz has an excellent article on this topic, written by Chris May. For now, though, featuring Zaire Darden on Drums, Jordan McBride on Bass and Theron Brown on Piano and Fender Rhodes and from a sold out April 26th, 2024 performance, it's the Theron Brown Trio – Live at the Bop Stop. There is No Greater Love - Jones Who Shot John? - Wilson Feel Like Making Love - McDaniels Swingin' at the Haven - Marsalis For more information on the program, click on the Live at the Bop Stop Radio Show link at thebopstop.org.

When Denver native and Oberlin Conservatory graduate Mitchell Galligan sits down behind a Hammond B3, people take notice. One of the best young piano and organ players to cross our path in quite some time, Mitchell has performed alongside some of the legends of jazz including Billy Hart, Eddie Henderson and Jamey Haddad. This sold out trio performance features Mitchell on Hammond B3 alongside Tim Picard on Guitar and Ori Jossel on drums. From April 26th, 2024 it's the Mitchell Galligan Trio – Live at the Bop Stop. Green Jeans - Green Somewhere in the Night - Green The Sermon - Smith Ana Maria - Shorter Beyond All Limits - Shaw Our Miss Brooks - Vick 100 Ways - Wakefield/Wright/Coleman

Watch on YouTubeRalph Lofton shares his journey from playing at Sunday school to collaborating with renowned artists such as Aretha Franklin and BeBe & CeCe Winans. He offers insights on mastering the Hammond B3 organ, emphasizes the importance of dynamics, and provides advice to aspiring musicians. Ralph also discusses his upcoming projects and shares personal stories about his musical influences and career challenges. Tune in to hear Ralph's expert tips and experience his incredible talent firsthand.Ralph LoftonFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Meet Virgil Straford — a Grammy and Dove-nominated producer with a deep-rooted legacy in gospel music. In this episode, Virgil takes us through his journey from Chicago to Nashville, sharing insights from his decades-long career and collaborations with icons like Yolanda Adams and CeCe Winans. He breaks down the craft of organ playing, the value of the Nashville number system, and what it means to lead as a music director. Don't miss his live demonstration on the Hammond B3! Special thanks to Mount Zion Church in Nashville for hosting and helping bring this episode to life.Virgil Straford InstagramFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

We are excited to welcome Grammy, Dove, and Stellar Award-winning arranger, songwriter, artist, and worship leader Dwan Hill. The episode dives deep into the art of incorporating the Hammond B3 organ into modern worship music, specifically Contemporary Christian Music (CCM) and Gospel, and sharing good tips on playing live vs in the studio. Dwan shares his musical journey and tips on playing the organ. They also discuss Dwan's involvement with The Choir Room, a community dedicated to gospel choir music. Dwan also offers practical advice for worship leaders looking to integrate organ sounds into their services. Tune in for an educational and inspiring episode that explores the rich heritage and dynamic capabilities of the Hammond B3 organ.Dwan HillThe Choir RoomFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

In this episode, we welcome Curt Buell back! He covers five crucial techniques every Hammond B3 organist should know for playing in church settings. Topics include glissandos and slides, walking bass lines, inversions and voice leading, church walk-ups, and major/minor blues licks. Curt also shares a preview of his Organ Masterclass, where these techniques are explored in greater detailCurt BuellFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

We welcome back Curt Buell to the podcast for an in-depth tutorial on the Hammond B3 organ. Curt provides an extensive overview of the organ's features, including its drawbars, vibrato settings, presets, and expression pedals. He demonstrates the dynamic range and the versatility of the B3, offering practical tips and favorite settings for various musical contexts, especially for church and contemporary music. Curt also introduces his organ masterclass, designed to elevate your organ-playing skills with advanced techniques and music theory. Join us for this comprehensive guide to mastering the Hammond B3 organ.Curt BuellFree eBookThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

When he isn't touring the country as a member of the free jazz collective ‘The Music Quintet' Coleman Rose makes time as a performer and composer in the Sonny Rollins Ensemble at Oberlin College. Well equipped to live and work in both free and traditional jazz, Coleman showcases the latter here in this sextet featuring works by Wayne Shorter, Cannonball Adderley and John Coltrane. Featuring Coleman Rose on Tenor Sax, Chris Coles on Alto Sax, Mitchell Galligan on Hammond B3, Tommy Lehman on Trumpet, Tim Picard on Guitar, and Ori Jossell on drums, and from a sold out performance from March 29th, 2024, it's the Coleman Rose Sextet – Live at the Bop Stop.

Join @thebuzzknight for this episode with Robert Walter, founding member of the Greyboy Allstars. He is a prolific keyboardist known for his mastery of the Hammond B3 organ and Fender Rhodes. Walter's career spans three decades and has helped shape the sound of West Coast boogaloo. If you have comments or suggestions, write buzz@buzzknightmedia.com Like this show, share with your friends and leave a review here. Review Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Send us a textEveryone knows and loves Creedence Clearwater Revival. Their run of hits at the end of the '60's, and their enduring popularity, has rarely been equaled. Not so well-known is the story of the clashes that caused their run to end so abruptly. We take a look at how the band split and the many personal and legal issues that led to it.  It ain't pretty! Well, we also kept our promise and listened to the new Coldplay album, “Moon Music”.  How did it sound to us? Regular listeners won't be surprised at our reaction! In Rock News, we look some more at the issues surrounding Diddy, and look at the problems with the "stage hole" in Melbourne. Our Album You Must Listen to Before You Die is 1977's “Bat Out of Hell” by Meat Loaf.  Such a great album!!  References:  Houston Bernard, “Dancing in the Dirt”, Puff Daddy, Sean 'Diddy' Combs, Chris Martin, Marvel Stadium, Music of the Spheres, Olivia Rodrigo, Donald Trump sneakers, Meat Loaf, Bat Out of Hell, Todd Rundgren, You took the Words Right Out of My Mouth, Two Out of Three Ain't Bad, Jim Steinman, Rocky Horror Picture Show, car sex, El Cerruto California, Doug Clifford, Stu Cook, The Blue Velvets, Tom Fogerty, Fantasy Records, Casey Kasem, Credence Newball, Olympia beer, CCR, Dale Hawkins' Susie Q, Apocalypse Now, Woodstock, Bad Moon Rising, Proud Mary, "Have You Ever Seen The Rain?", Hammond B3 organ, Booker T. & the M.G.'s, “Fortunate Son”, Trump (the) fortunate son, An American Werewolf in London, Evan Almighty, Keith Richards, Saul Zaentz, Allen Klein, “The Royal Albert Hall Concert”, Concord Records, Rockin' All Over the World, Status Quo, Asylum, Warner Bros, Centerfield, Zanz Kan't Dance, Mr. Greed, “Mardi Gras”, Rolling Stone (Jon Landau), “Classic Album Review”, “The 10 Worst Albums Ever”, Rock & Roll Hall of Fame, Pop, Chronicle, US Top 200, Glenn Barros, The Long Road Home Playlist  We play all the music/artists discussed during this episode 

Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today's guest.But today's story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist's narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On legendary Danish organist Anders Koppel.Great music often runs in the family, and as proof, we have our first father-son episodes of Spotlight On. Last November, we had Benjamin Koppel, son and collaborator of today's guest.But today's story starts decades ago when Anders played Newport with his band Savage Rose. Fast forward to now, and Anders is back at the Hammond B3, making magic with Benjamin on alto sax and the incredible Brian Blade on drums.This trio came together naturally. Benjamin and Brian have been close friends and collaborators since 2011. Something special clicked when they invited Anders to join them on the organ. Their latest album, Time Again, swings hard while aiming for the heart.(The musical excerpts heard in the interview are from the album Time Again by Benjamin Koppel, Brian Blade, & Anders Koppel)–Dig DeeperLearn more about Anders Koppel at wisemusicclassical.comPurchase Time Again on Qobuz or Bandcamp, and listen on your streaming platform of choiceTime Again teaser videoCheck out Benjamin Koppel at benjaminkoppel.com and his check out his label Cowbell MusicBenjamin Koppel plays jazz with a novelist's narrative (Spotlight On podcast)The Savage RoseBrian Blade | DrummerAll About Jazz Organ: Inside the Hammond B-3Kenny Werner | PianistNewport Jazz Festival - 1969–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Jazz88's Peter Solomon spoke with organist Pat Bianchi about his relationship to the Hammond B-3 organ and the influence of the late organist Joey DeFrancesco. Bianchi will perform at the Crooners Main Stage Thursday, November 14th with drummer Byron Landham and guitarist Paul Bollenback, who served as DeFrancesco's rhythm section for many years.

durée : 00:59:32 - José Privat - par : Alex Dutilh - Après 3 albums sous son nom, José Privat, pianiste de l'emblématique groupe martiniquais Malavoi revient avec “Clin d'œil”, où il se concentre essentiellement sur son instrument de prédilection, l'orgue Hammond B3. Avant-première de la parution le 26 avril chez Aztec Musique / Pias.

This week's Deadpod features the second show the band played in 1980, this from the Capitol Theater in Passaic New Jersey on March 30, 1980.  Brent is fairly new to the band, and finding his way on some of these tunes.. they open with a relatively new 'Alabama Getaway' which goes into 'Promised Land' for a rockin' start to the evening. 'Cassidy' which follows 'Peggy-O' is a bit rushed, but the 'Loser' that follows is quite good. Brent debuts his 'Far From Me' which still needs some work but shows promise. Another highlight is the 'New Minglewood Blues' where Brent's Hammond B3 sounds especially good. The rest of the set is quite good as well - the 'Althea' is well done and Bobby adds alot of energy to the 'Sailor>Saint' combo to close the set.      Grateful Dead Capitol Theatre Passaic, NJ 3/30/1980 - Sunday     One     Alabama Getaway [5:02] > The Promised Land [4:15] Peggy-O [6:54] Cassidy [4:45] Loser [6:36] > El Paso [4:26] Far From Me [4:01] Tennessee Jed [4:40] New Minglewood Blues [6:33] Althea [7:43] Lost Sailor [6:03] > Saint Of Circumstance [5:56#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod032924.mp3 Hope that you have a happy Easter weekend! my thanks to Steve for his suggestion of this show. 

A conversation with New Orleans styled piano and Hammond B3 player, Joe Krown (solo artist, Kenny Wayne Shepherd, Clarence "Gatemouth" Brown, Luther "Guitar Junior" Johnson) - www.joekrown.com

Another guest mix for Collections! This week we play out a guestmix we got sent in last year with a live gig set recording from Demuir. Hailing from Toronto, Canada, Demuir started off as a child playing around on his Dad's Hammond B3 organ, before beginning to play music seriously at the age of 16, […]

This week on Echoes of Indiana Avenue, celebrate Women's History Month by learning about the legendary jazz women of Indiana Avenue. Listen to an hour of classic music from Indianapolis women who made historical contributions to jazz, including: Debbie Andrews, Sarah McLawler, Flo Garvin and the Hampton Sisters. Jazz vocalist Debbie Andrews gained fame in the 1950s performing with Wes Montgomery's Montgomery-Johnson Quintet. Andrews' brother Sonny Johnson, was the band's drummer. Andrews' talent as a vocalist impressed many musicians, including Duke Ellington, he invited her to tour with his orchestra during the early 1950s. Vocalist and organist Sarah McLawler was among the first wave of jazz musicians to record on the Hammond B3 organ. She attended Crispus Attucks High School and studied music at Indy's Jordan Conservatory. McLawler rose to national prominence in the early '50s with The Syncoettes, a pioneering quartet of women musicians. Pianist and vocalist Flo Garvin was a popular attraction on Indiana Avenue during the 1940s and '50s. Garvin was among the first Black entertainers to host their own television program in Indianapolis. Today, Garvin is best remembered for her 1952 single on King Records, recorded with the Jimmy Coe Orchestra.  Aletra, Dawn, Virtue, and Carmalita Hampton began performing in Indianapolis as the Hampton Sisters during the early 1940s. They were members of the famous Hampton Family band, which also included their brother Slide Hampton, a world renown trombonist. Sisters Aletra and Virtue led the group into the early 21st Century.

A conversation with blues musician (piano, Hammond B3 and bass), producer and educator, Bruce Katz (Bruce Katz Band, Gregg Allman, Delbert McClinton, Ronnie Earl)  - https://www.brucekatzband.com.

All music used with permission by the Chris Hovan Organic Trio. Beatrice - Rivers Indonesian Nights - Monaco While We're Young - Wilder Your Mama's Got a Complex - Smith Cease the Bombing - Creque Bird of Beauty - Wonder Chris Hovan is an accomplished photographer, journalist and musician who dedicated himself to the drums in his early teens and never looked back. On this week's show the Northeast Ohio native teams up with two Detroit heavyweights and one awesome Hammond B3 Organ for a show that celebrates the well-deserved renaissance and extensive catalog of one of the best instrumental sounds in jazz, funk and soul.   Clif Metcalf is a disciple of Hammond B3 legend Tony Monaco and it's evident in this week's performance. Larry Barris is a mainstay in Detroit jazz on guitar and regularly performs with Marcus Belgrave and Teddy Harris, among others.   From a January 20th, 2023 performance, enjoy the Chris Hovan Organic Trio – Live at the Bop Stop.   Live at the Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction, music therapy, and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn, create, inspire, and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio, and the studios of WBWC FM on the campus of Baldwin-Wallace University in Berea, Ohio. Additional production at the Bop Stop is provided by Graham Rosen. Technical editing for the program is provided by Dr. Pete Naegele, Shawn Gilbert, and Darren Thompson through Gilazar Media.   The executive producer and writer is Daniel Peck, with additional consulting production on behalf of The Music Settlement by Bryan Kennard.   For extended versions of all of our shows, our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   To reach out directly, email liveatthebopstop@gmail.com. I'm Daniel Peck. Join me again next time... Live at the Bop Stop. Want to Support The Bop Stop?  Donate here!   Contact us here

Vi träffar multiinstrumentalisten Klas Hägglund och pratar om bland annat Yngström, Stonecake, Hammond B3 och Gary Moore.  Mycket Nöje! Stort tack till alla som supportar oss via Patreon: https://www.patreon.com/user?u=32426577 och Swish: 1236293344

We answer questions under what conditions Al would accept the gift of a Hammond B3 Organ, about the Bloomfield box set, and back to playing the organ. Of course, Nilly the Dog follows each segment with canine input of her own..

Demuir has maintained his stay at the forefront of the house scene, pushing out releases on stellar labels, and heavily touring, his funk laden sound is always centred around a certain soul emotion, a passion that he pours from himself into his sound which remains globally appreciated. Hailing from Toronto, Canada, Demuir started off as a child playing around on his Dad's Hammond B3 organ, before beginning to play music seriously at the age of 16, with skills covering the keys, bass guitar, drums and percussion instruments. He first fell in love with house music after hearing Derrick May's “Strings of Life”, and by seeing May, DJ Sneak, and Mark Farina at Industry, the legendary Toronto nightclub. The highly anticipated “Visions” LP from Demuir is finally upon us and spans across Demuir's dynamite house textures, crammed with depth and emotion. The eight-track LP on his own Purveyor Underground Limited also features artists such as Fred P - Black Jazz Consortium, Aaron K Gray and TUSH, and a digital-only track in collaboration with Farouki. If you want to release on the biggest labels and DJ for the biggest brands, this video will give you a wealth of insights into how to do just that!

For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it.  The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith."  To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth.   Brian Charette knows.  He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity.  On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was.   It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time.   Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   Photo credit: fair use.   #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview

Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it.  The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith."  To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth.   Brian Charette knows.  He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity.  On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was.   It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time.   Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   Photo credit: fair use.   #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview

Today's poem is Hammond B3 Organ Cistern by Gabrielle Calvocoressi. This episode was originally released on November 24, 2021.

The Grammy-nominated piano player, organist, and singer wowing crowds at a Monday night Saturn Bar residency has also toured and recorded with EDM star Pretty Lights, the Iguanas, Bonerama, and the Maelstrom Trio, with Skerik and longtime co-conspirator Simon Lott. A classically-trained pianist, he’s equally comfortable with the James Booker/Dr. John/ Allen Toussaint canon or the Hammond B3 organ trio jazz repertoire. While he may be a tall drink of water, BC is relieved that the Troubled Men are sticking to cocktails tonight. Topics include a headphone aversion, Chanukah, a wedding party, DC Harbold, World Cup fever, a birthday party, Debra Howell, the mayor’s recall, a new police chief, deodorant, alternate names, Baton Rouge, supportive parents, the College World Series, a longshot, a childhood autograph, Catholic High, M’s Cafe, the School for Improvised Music, the Knitting Factory, a fist meeting, Glyn Styler, Andy Bourgeois, regionalism, hip hop, self-examination, a novel recording approach, Grammy protocol, playing Red Rocks, a Carlo Nuccio story, a renaissance, Jon Cleary, Liberace, “One Mo’ Time,” and much more. Intro music: "Just Keeps Raining" by Styler/Coman Break Music: "Southern Nights" by BC Coogan Outro Music: "Who's Gonna Help A Brother Get Further" by BC Coogan Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s T-shirts & tanks here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook GR8 ESCAPE BAKING COMPANY Promo Code:TROUBLED15 BC Coogan (Brian) Facebook

This episode pays tribute to the great Hammond B3 organist, Joey DeFrancesco who passed away suddenly at the age of 51. Also in this podcast is great music from James Moody and Hank Jones. Playlist Artist ~ Name ~ Album Joey DeFrancesco ~ Wonderful Wonderful ~ Wonderful! Wonderful! Joey DeFrancesco ~ In the Key of the Universe ~ In the Key of the Universe Joey DeFrancesco ~ A Change Is Gonna Come ~ Project Freedom John McLaughlin, Joey DeFrancesco & Elvin Jones ~ My Favourite Things ~ After the Rain Joey DeFrancesco ~ Work Song ~ Live At the 5 Spot James Moody ~ Lady Bird ~ Our Delight  James Moody ~ Old Folks ~ Our Delight Christian McBride Big Band ~ Road Song ~ For Jimmy, Wes and Oliver

Peter Borne, owner of the world's only floating recording studio stops by to plug his summer concert series and in the meantime, cut a commercial live, on the air for Walser Automotive. We breifly turn to electric cars but spend more time talking about an all original 1956 Hammond B3 organ that hadn't been played in 4 decades. See omnystudio.com/listener for privacy information.