Podcasts about Iko

More like Dyladelphia, am I right? This week, our hosts FiG and Knob are joined by Knob's dad, as we head down the golden road (well, really I-676). It's July 10th, 1987, and the Grateful Dead are playing at JFK Stadium in Philadelphia, PA. Discussions abound about an iguana named Iko, the story of Black Peter, and, of course, the 2024 movie A Complete Unknown. Iko Iko Jack Straw Sugaree New Minglewood Blues Althea My Brother Esau When Push Comes to Shove Cassidy China Cat Sunflower > I Know You Rider Looks Like Rain Terrapin Station > Drums > Space > I Need a Miracle > Black Peter > Around and Around > One More Saturday Night Tangled Up in Blue I'll Be Your Baby Tonight Man of Peace Frankie Lee and Judas Priest John Brown Simple Twist of Fate Ballad of a Thin Man Stuck Inside of Mobile Chimes of Freedom Queen Jane Approximately > Gotta Serve Somebody Joey All Along the Watchtower Touch of Grey

Christian Gustafsson och Jesper Hallberg är tillbaka i etern. I dag med IKO-sportchefen Arsi Piispanen som gäst. Dessutom gås alla rykten i genom och ett embryo till ett lagbygge pusslas ihop. Liam Hawel till Kalmar? Hampus Plato? Joel Svensson? Var hittar man spets? När börjar Arsi presentera spelare

In this Roofing Road Trips® episode, Heidi J. Ellsworth visits with Jack Gottesman and Dyana Sweigart of IKO to discuss impact ratings for roofing shingles and why they matter to both contractors and homeowners. They explain how these ratings are established, the benefits of Class 3 and Class 4 impact-rated shingles, and what led IKO to achieve this designation for its shingle lines. Jack and Dyana also address the ins and outs of reaching this rating and offer insights on how contractors can effectively communicate the value of high-impact shingles to their customers.    Learn more at RoofersCoffeeShop.com!  https://www.rooferscoffeeshop.com/     Are you a contractor looking for resources? Become an R-Club Member today! https://www.rooferscoffeeshop.com/rcs-club-sign-up     Sign up for the Week in Roofing!  https://www.rooferscoffeeshop.com/sign-up     Follow Us!   https://www.facebook.com/rooferscoffeeshop/   https://www.linkedin.com/company/rooferscoffeeshop-com   https://x.com/RoofCoffeeShop   https://www.instagram.com/rooferscoffeeshop/   https://www.youtube.com/channel/UCAQTC5U3FL9M-_wcRiEEyvw   https://www.pinterest.com/rcscom/   https://www.tiktok.com/@rooferscoffeeshop   https://www.rooferscoffeeshop.com/rss     #RoofersCoffeeShop #MetalCoffeeShop #AskARoofer #CoatingsCoffeeShop #RoofingProfessionals #RoofingContractors #RoofingIndustry #IKORoofing

Bethanie welcomes back friend of the show Olivia to discuss the final 2 chapters and the epilogue of Wires and Nerve Volume 2. As the friends mourn the loss of Iko, Cress and Keeney share a heart-to-heart about their true friendships with Iko. Cress reveals that she was once jealous of Iko, that she has grown to love her, and...she made a backup Iko! As Iko reawakens, she must come face-to-face with her lost 'memories', and make some hard decisions regarding the truth about Garan's programming. The friends are finally safe and free from the tourment of Alpha Steele, just in time to celebrate The Annual Peace Festival, and for Iko to finally attend the ball. This podcast is hosted and produced by the Three Sisters Podcast Network.  Logo Art created by Cosmic Nova Flare.  Intro/Outro music composed by Emma Pavvo. 

Bethanie welcomes first time guest Katherine as they discuss Wires and Nerve Volume 2 Chapters 7-8. Cinder confronts Alpha Steele but she's not quite feeling herself. As the gang attempts to aide her, Wolf finally rejoins the fold. But just when our heroes think they've won, Alpha Steele destroys the one thing that could break this group forever. Alone and confused by Iko's loss, Keeney ponders what it truly means to be human. While he questions his strange friendship with Iko, Cress reveals a secret so powerful it could return a smile to everyone in The Eastern Commonwealth...or at least everyone on the Rampion Crew.    This podcast is hosted and produced by the Three Sisters Podcast Network.  Logo Art created by Cosmic Nova Flare.  Intro/Outro music composed by Emma Pavvo. 

Repentance (Star Trek: Voyager, S7 E13) was recommended by Rugger (They/them), who said: A lot of Voyager's preachy episodes fall flat, but this one always makes me pause. When I first watched this episode as a child, it shaped how I see justice. And, plot-wise, Repentance does a great job of combining a dialogue-heavy, philosophical discussion with real pathos for the murderer, Iko, and linking that pathos to an ongoing character arc with Seven.While Trek is expectedly against the death penalty, this episode keeps from being one-sided by the sub-plot with Neelix and Joleg.Repentance first aired on January 31, 2001, written by story by Mike Sussman and Robert Doherty, teleplay by Robert Doherty, and directed by Mike VejarPrisoners are brought onto Voyager from a damaged alien vessel, and the crew must deliver them to their destination – for execution. Seven's nanoprobes are used to help heal a prisoner.The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)Send us your recommendations, or support us on Patreon.Find us at joyoftrek.com · Twitter · Facebook

ARNO believes that machining is now something like Formula 1 racing: every little screw is tuned to increase performance. Thinking outside the box is essential, especially when considering cutting tools and turning. It would be helpful if users could always use the right combination of tools, inserts, and coolant supply. In Formula 1, everything is constantly scrutinised to glean maximum performance. Yet only the driver and the manufacturer who have mastered the overall package can reap the world championship crown. Despite all the optimisations and specifications, cutting tools for turning have yet to reach the end of their potential. Responsible tool manufacturers think about selling as many cutting tools as possible and include the tool holders and cooling supply into the equation. On the other hand, users should be open to tips, let consulting manufacturers approach them, and allow them to enter the production process. The potential that can be achieved in this way can provide a decisive leading edge. Be open to third-party expert tips For example, ARNO Werkzeuge has long been involved in the continued development of tool holders and coolant supply. Thanks to its customer proximity, the family-run company has a wealth of expertise from numerous applications and a wide range of holders with and without coolant supply. Users can rely on the best overall packages for small and large batches, as well as Swiss and fixed headstock lathes. “Here, too, we are not interested in maximising sales figures for high-margin products. We aim to find the best solution for our customers,” assures Sales Manager Dieter Wollensack from ARNO Werkzeuge. As an experienced technical advisor, he focuses on long-term and intensive customer relationships. He detests the promise of ‘double the service at half the price' and pie in the sky. “I sometimes say to my customers: ‘No, that's not possible' or ‘We won't do that' and risk being turned down. I've always been successful with this approach - and ultimately, so have my customers.” Advice or not, process optimisation products must be convincing in practice. For this reason, the overall package consisting of a cutting insert or indexable insert with a matching tool holder and high-performance cooling must always deliver the best customer performance. This is exactly what users should attach importance to their tool partners to understand the processes and have the right overall package for every production situation. For example, universal packages for small batches, high-tech solutions for large batches, and special products for difficult-to-machine materials. Exorbitant promises never help. Innovative when it comes to ‘cost per part' When tool manufacturers adopt this mindset, new products and solutions result. One example is the clamping holders with through-tool cooling for inserts that ARNO Werkzeuge developed in 2022. They are produced using a hybrid manufacturing process that combines additive technology with conventional CNC milling, achieving better surface quality. But why? Coolant flows directly where it's needed. Three precisely aligned channels guide the coolant to the cutting edge from above and underneath without obstructing chip evacuation. The special geometry of the cooling channel creates a nozzle effect that greatly improves cooling compared to conventional channels. The outlet openings are always perfect—they need no adjustment. And since they are much closer to the cutting zone, the coolant significantly reduces the temperature. Experienced users will recognise the benefits immediately: greater process reliability, less vibration, better surface quality and a much longer tool life. Users have sent reports about tool life that is three times longer. Of course, this is not at all suitable for small batches - but when it comes to large batch orders, it's just the right ace in the calculation where everything has to do with the cost per part. Hybrid holder: productive from additive The secret isn't rocket science, but you must figure it out first. The shanks of the hybrid holders from ARNO Werkzeuge are produced using conventional CNC milling. On the other hand, the complex head part of the holder is attached directly to the shank using a 3D printing process. “This gives us new design freedom and outstanding stability,” says Werner Meditz, Head of Technology at ARNO Werkzeuge. The geometric design of the cooling ducts can be precisely optimised so that coolant is guided through the holder to the cutting tool at maximum efficiency and reaches the cutting edge directly from above and underneath. This cools the tool flanks in a way that was previously unthinkable. At the same time, the number of attachments required at the top of the head is reduced to the absolute minimum. The chip breaks as needed and is optimally evacuated - regardless of the cutting depth. “We get a lot more coolant to where it needs to go,” Meditz assures us. The innovative hybrid holder is exactly what clever users want - and this all comes from a tool partner thinking out of the box. Not only high-tech but also ‘basic work.' But even when it's not high-end, machine shops welcome innovative turning tool manufacturers with well-thought-out products. Meeting someone who can also offer the right holders and complete systems for small batches with frequent workpiece changes is refreshing. At ARNO Werkzeuge, you will find a wide range of turning holders for external machining, where the length is easily adjustable using a scale. “The ARNO special design is extremely simple and practical when it comes to adjusting the length and coolant access,” confirms Meditz. The holder and through-tool cooling are easy to install and ensure repeatable process reliability. Their nickel-plated, high-tensile, and precisely finished nature promises top quality and long tool life. The efficient cooling system, which feeds coolant directly to the cutting edge through three channels, not only ensures long tool life but also allows higher cutting speeds with optimised chip control. The machining time savings make the cost calculation look good. Variety of boring bars for internal machining Finally, we come to internal machining. Turning tool manufacturers have already given this much thought. First and foremost, the designers at ARNO Werkzeuge have also considered the customer's situation and developed suitable boring bars for a wide range of applications. The range includes boring bars of steel and solid carbide, each with two possible coolant hole exits. Depending on the turning process, users can choose between a coolant channel from above (IKO) for through holes and a coolant channel from underneath (IKU) for blind holes. Accordingly, chips are guided forward away from the cutting edge (IKO) or behind the cutting edge and flushed out (IKU). This reduces wear. Boring bars come in right or left-hand versions with different shank diameters, a wide variety of clamping holders, and many approach angles. This variety alone shows that the manufacturer thinks from a user's point of view. Combined with suitable mini indexable inserts from ARNO Werkzeuge, components from Dmin 4.8mm can be machined effortlessly, regardless of diameter and material. This is only the standard range, not customised products. This already promises long tool life because all ARNO boring bars are nickel-plated, high tensile and precisely machined, which certainly boosts confidence. Users looking for suitable, long-life productivity-enhancing tools for all their turning operations and processes should be glad that some manufacturers have adapted their thinking to include their customers applications.

In this Roofing Road Trips®, Heidi J. Ellsworth sits down with Jack Gottesman from IKO Residential to discuss how IKO Residential is leading the way with innovation, style and strategic updates. It's time to take a look back at 2024 and discuss exciting developments on the horizon for 2025. From the introduction of new shingle colors to a brand refresh, they'll cover what contractors, homeowners and industry professionals can expect from the shingle experts at IKO.  Learn more at RoofersCoffeeShop.com!  https://www.rooferscoffeeshop.com/     Are you a contractor looking for resources? Become an R-Club Member today! https://www.rooferscoffeeshop.com/rcs-club-sign-up     Sign up for the Week in Roofing!  https://www.rooferscoffeeshop.com/sign-up     Follow Us!   https://www.facebook.com/rooferscoffeeshop/   https://www.linkedin.com/company/rooferscoffeeshop-com   https://x.com/RoofCoffeeShop   https://www.instagram.com/rooferscoffeeshop/   https://www.youtube.com/channel/UCAQTC5U3FL9M-_wcRiEEyvw   https://www.pinterest.com/rcscom/   https://www.tiktok.com/@rooferscoffeeshop   https://www.rooferscoffeeshop.com/rss     #RoofersCoffeeShop #MetalCoffeeShop #AskARoofer #CoatingsCoffeeShop #RoofingProfessionals #RoofingContractors #RoofingIndustry #IKORoofing

As Selene prepares for a diplomatic mission to Earth, she tells Sir Clay her thoughts on his future in leadership.  Iko finally learns more about her past, but it does little to comfort her and instead makes her question her very personality and reality.  This podcast is hosted and produced by Bethanie Finger with Special Guest Silver Sulfage.  Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram.  

► FREE E-Book - https://www.lebestark.ch/startseite-english/kettlebell-code-e-book/► Kettlebell Plus for $1 - https://www.lebestark.ch/startseite-english/become-a-kettlebell-ninja-lebe-stark-bundle-subscription/► 10% Off ProKettlebell - https://prokettlebell.com/?aff=37 (Use code "LEBESTARK" at checkout)► Merch - https://lebestark.myspreadshop.ch/all More info on Denis: https://www.denisvasilevkettlebell.com/ IKO: https://www.kettlebellworld.org/ ___ Links Website: https://www.lebestark.ch Kettlebell Kurse: http://academy.lebestark.ch Lebe Stark IG: http://instagram.com/lebestark Angie IG: http://instagram.com/angie_zoe_ziegler Gregory IG: http://instagram.com/gregory_dzemaili ___ Music - Epidemic Sound - http://epidemicsound.com - StreamBeats - https://www.streambeats.com - StreamBeats License - http://bit.ly/streambeats-license) ___ Hashtags #kettlebells#kettlebellstarkstyle#lebestarkshortclips

Iko and Keeney continue to but heads when they visit Emperor Kai in New Beijing. Kai greets Iko with open arms, making Keeney even more uncomfortable. But the happy reunion is cut short with Scarlet coms to deliver the news that Wolf has joined forces with Alpha Steele.    This podcast is hosted and produced by Bethanie Finger with Special Guest Cassie. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram.  

This week, we're taking a break from our regular episodes for a one-shot game of The Lost Bay. Join us as we try to find our way through the darkness and out of the mall. Special thanks to Kris for writing and running the adventure, and to Danny for coming on to play with us. Kris didn't have any media links he wanted to provide, but Danny can be found with the handle @dannyrmendoza on Twitter and Instagram. Additional thanks to Iko for organizing the All Flesh Is Surplus jam, and to David (Verdant Core) for managing the signup sheet for all of the different games played during the jam. You can find more information about the jam, including a sale which runs until November 1st, at thelostbaystudio.com.  All ambience and background audio is sourced from Tabletop Audio: tabletopaudio.com. We used a bit more profanity than normal during this game, so listener discretion is advised.    Our website is live! Head on over to undercommontaste.com to find links to all of our social media, streaming sites, Patreon, Itch store, and Discord. Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

I händelse av kris eller krig måste vi säkerställa att vi har tillgång till den information som krävs för att upprätthålla och vid behov återstarta samhällsviktig verksamhet. Samhällsviktig information behöver också långsiktigt säkras och bevaras för att inte enskilda råkar illa ut om informationen försvinner. I poddavsnittet pratar Karin Åström Iko och Marie Lennersand om samhällsviktig information och varför Riksarkivet vill se åtgärder för att vi ska ha en bättre beredskap.

Christian Gustafsson, i studion i Oskarshamn, och Jesper Hallberg, i Sheffield i grevskapet Yorkshire, dissekerar en av IKO:s största värvningar genom tiderna.

So much happens! We finally catch up with Wolf and Scarlet, living their happily ever after but Wolf is struggling with the monster within, holding him back from fully committing to Scarlet. Kai has opened a facility that researches and produces the bioelectrical chip designed by Lihn Garin. It is revealed that he is the only Earthen leader to install the chip but Winter is convinced his genuine affection for Cinder/Selene will encourage others. We also learn that Jacin has recently been applying to Earthen medical schools. Meanwhile, in a heated discussion with Keeney, Iko misreads the signals and feels  a spark between them. But her obsession with net dramas has given her a false expectation of romance. Behind the scenes, Alpha Steele and his minions are planning their next move! This podcast is hosted and produced by Bethanie Finger with Special Guest Elizabeth. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram.

Thorne reaches Cress just in time to find out she can handle a couple mutant wolf soldiers all on her own! But having a friendly face, a new medal, and a romantic moment helps. Just like in the net drams! Iko learns what Steele is really after, and why he doesn't trust Selene. Keeney arrives as Steele is unpersuaded to return to Luna and cuts Iko's optic sensors. Cress saves her eyesight and after a quick reboot they learn Steele's group of mutant wolves is much larger than they had anticipated, and they may not be prepared for the fight that awaits them.      This podcast is hosted and produced by Bethanie Finger with Special Guest Ayla. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram.

Wake up with a new set of jazz and jazzy house from renown Funk, Jazz and Soul cratedigger Y.U.K.IKO for 5 Mag's weekly RISE series.

Iko steps in when Cress is too sick to be Thorne's date to a gala in LA celebrating his heroics! After a delightful family reunion, Thorne gives a touching and amusing speech, but when uninvited guests crash the party, Thorne's bravery is put to the test! This podcast is hosted and produced by Bethanie Finger with Special Guest Nat. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Get bonus content on Patreon  

Announcements and dilemmas.    Iko, Thorn and Cress visit an escort shop in Los Angeles, AKA Historic Hollywood, to find replacement parts for Iko's injuries.    Cinder meets with her cabinet leaders on Luna to discuss dissolving the monarchy and turning Luna into a Republic.   This podcast is hosted and produced by Bethanie Finger with Special Guest Ash. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Get bonus content on Patreon  

Back on Earth, Thorne and Cress arrive to rescue Iko, but while Cress has a party to prepare for, Thorne is attempting pull a disappearing act. Cress is able to locate Iko's hover, and in the meantime she should probably get fixed up. Meanwhile, Alpha Steele starts recruiting other Wolf Mutants to aide in his goal of capturing one of the new queen's friends. His plan: trade the hostage to Cinder in exchange for the promise of returning them to their human form.  - This podcast is hosted and produced by Bethanie Finger with Special Guest Olivia. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Get bonus content on Patreon

As Iko calls on Thorne and Cress for help, she contemplates how she got into this mess in the first place! Turns out: it was her idea! Nearly 6 months after the end of the Lunar Revolution, rogue soldiers were refusing to come back to Luna, refusing to listen to their new queen. With Thorne, Cress, Wolf and Scarlet delivering the antidote across the world, and Winter and Jacin being Lunar Ambassadors to Earth, only Cinder and Iko remained on Luna.  Who better to serve the new queen but her nearly indestructible sidekick bestie?!    Wires and Nerves Vol 1 Chapter 2 (The Lunar Chronicles) This podcast is hosted and produced by Bethanie Finger with Special Guest Sierra. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Get bonus content on Patreon

Send us a Text Message.What if realizing you were autistic as an adult could change not only your self-perception but also your life's mission? Meet Iko Edward Fish of Enlightened Consentment, who received his autism diagnosis at 38. His path from struggling with social interactions to becoming a beacon of hope for others on the spectrum is nothing short of inspiring. Listen to his story of growth, spurred by a TEDx talk, which led him to a deeper understanding of himself and a newfound passion for guiding autistic individuals in their dating and relationship journeys.Ever wondered how personal growth can transform not just your emotional state but your entire life trajectory? Discover the moving story of a young man who transitioned from social isolation in college to embracing emotional authenticity. A personal growth program became the turning point, as he confronted years of pent-up anger and sadness, leading to an emotional breakthrough that fueled his dedication to helping others see their inherent worth. This narrative underscores the power of emotional reconnection and the capacity for profound change.Finally, delve into the essential topic of self-love and acceptance following a late autism diagnosis. We cover insights from Enlightened Consentment on fostering successful relationships for those on the spectrum and beyond, emphasizing the importance of seeing autism as a cultural difference. Learn about workshops designed to aid autistic individuals in social interactions, and discover ways to connect with Iko through his guide on overcoming social awkwardness. Join us in spreading awareness and understanding, and hear how you can share your own stories to inspire others.https://tonymantor.comhttps://Facebook.com/tonymantorhttps://instagram.com/tonymantorhttps://twitter.com/tonymantorhttps://youtube.com/tonymantormusicintro/outro music bed written by T. WildWhy Not Me the World music published by Mantor Music (BMI)

Wires and Nerves Vol 1 Chapter 1 (The Lunar Chronicles)   We start the graphic novels spin off to The Lunar Chronicles about 7 months after the end of Winter. Wolf and Scarlet have retired to their farm, Cress and Thorne are delivering the antidote around the world, Jacin and Winter have become Lunar Ambassadors, and Cinder and Kai are ruling their respective countries.   So...what's Iko up to?! - Special Guest Daurie. Logo Art was created by Cosmic Nova Flare on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Get bonus content on Patreon  

Alex's Draft Guide: https://draftsim.com/ikoria-lair-of-behemoths-draft-guide/ Alex's IKO tierlist: https://www.17lands.com/tier_list/db593297907e41af93eedd994e26da28

This Week on Earth Station DCU! Drew Leiter and Cletus Jacobs are bewitched by the Dead Boy Detectives. Lex Luthor and Joker team-up to search for an ancient treasure at the Rock of Eternity in Batman/Superman: World's Finest #25. Catwoman rescues Documentary film maker Justice Jordan from the underwater nation of Tritonis in Catwoman #63. The Justice Society attempts to recruit another villain to their team in the Harlequin's son, while a golden age hero returns to join the team in Justice Society #9. Batman and Nightwing team-up to uncover Iko's real killer in Nightwing #112. Pharm and Graft make their move against Luthor in Superman #11 & 12. All this plus, DC News, Shout Outs, and much, much more! ------------------------ Table of Contents 0:00:00 Show Open 0:01:00 DC News 0:05:05 Batman/Superman: World's Finest #25 0:10:47 Catwoman #63 0:14:40 Justice Society #9 0:19:24 Nightwing #112 0:23:50 Superman #11 0:30:52 Dead Boy Detectives S1 Ep1 – The Case of Crystal Palace 0:40:48 Show Close   Links Batman/Superman: World's Finest #25 Catwoman #63 Justice Society #9 Nightwing #112 Superman #11 Superman #12 The Stonekeeper: A Graphic Novel (Amulet #1) (Cletus's Read More Comics Pick) Earth Station DCU Website The ESO Network If you would like to leave feedback, comment on the show, or would like us to give you a shout out, please call the ESDCU feedback line at (317) 455-8411 or feel free to email us @ earthstationdcu@gmail.com

On this episode Darfox steps in to host for a feverish dakazu. We discuss Gunpla, Famiresu Iko., and more! Then we check out Breakfast with My Two-Tailed Cat, Nyankees, and Nekogahara: Stray Cat Samurai for a Catastic Triple Dip!!! We're doing a manga giveaway for our upcoming 500th episode! You can win a bundel of Panorama of Hell, Invisible Parade, From This Flame, and Children of Mu-Town! To enter, write a review for Manga Machinations, then email us (mangamachinations@gmail.com) with the subject title "500 giveaway" and tell us where the review is! Send us emails! mangamachinations@gmail.com  Follow us on Twitter! @mangamacpodcast Check out our website! https://mangamachinations.com Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new commentary channel! https://www.youtube.com/@MangaMacWatches Timestamps: Intro - 00:00:00 Gundam Plastic Models - 00:04:21 Episode 500 giveaway - 00:11:37 Famiresu Iko. - 00:14:47 The Guy She Was Interested in Wasn't a Guy at All - 00:18:59 Manga Mac Watches - 00:21:28 Next Episode Preview - 00:23:18 Nyankees - 00:25:03 Nekogahara: Stray Cat Samurai - 00:38:26 Breakfast with My Two-Tailed Cat - 00:48:40 Our Rankings - 01:15:05 Outro - 01:17:46 Songs Credits: “Galaxy Groove” by Yarin Primak “Slappy” by Ido Maimon “Whipped Cream” by Steven Beddall “Psychedelic Funkadelic” by Evert Z

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers!Games played: Dr. Tomfoolery-On-The-Telly submitted by Beth Madeley from Oslo, Norway, Growing Up Adult submitted by Jacob McNutt from Nathrop, Colorado, and Dr. Bird Country Doctor submitted by Iko from Oakland, CaliforniaCallers: Jacob from Nathrop, Colorado; Reed from Portland, Oregon; Lex from Queens, New York; Lukas from Adrian, Michigan; Emily from Ann Arbor, Michigan; Iko from Oakland, CaliforniaOutro theme by @creamywadeManolo's comic book, Supportive #1, is available at moslo.xyzThis episode sponsored by:  Factor - Go to FactorMeals.com/gameshow50 and use code gameshow50 to get 50% off your first box plus 20% off your next box!

This week, we're joined by returning guest Iko, host of The Lost Bay Podcast and game designer behind the gothic horror TTRPG The Lost Bay. Join us as we continue our discussion of The Lost Bay, how it has expanded since our last conversation, and where it's going next.  To hear more about The Lost Bay from a mechanical perspective, check out Iko's last visit in Episode 123: https://www.podbean.com/ew/pb-27zq5-1489e82 The Lost Bay was backed on Kickstarter to resounding success. If you're interested in placing a preorder for the game once the crowdfunding campaign has been fulfilled, check out thelostbayrpg.com or thelostbaystudios.com. You can also find links to Iko's amazing indie TTRPG podcast - called The Lost Bay - as well as a link to his Discord server by following these links.   Find links to all of our social media, episodes, Patreon, Itch store, and Discord via our Linktree: linktr.ee/undercommontaste Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

Hosts Jo Firestone & Manolo Moreno play listener-created games with callers!Games played: Dr. Bird Country Doctor submitted by Iko from Oakland, California, Hip 90's Guy submitted by Taylor Kesicki from Chicago, Illinois, and Somebody Once Told Me submitted by Alex Adan from Anchorage, AlaskaCallers: Ben from New York, New  York; Iso from Montreal, Quebec, Canada; Krystian from Cracow, Poland; Addie from Asheville, North Carolina; Gwen & Elena from Baltimore, MarylandOutro theme by by J. Lazar from London, Ontario, CanadaManolo's comic book, Supportive #1, is available at moslo.xyzJo's card game, Fruits, is available at jofirestone.com/fruits

This week, we continue our series on biomes by talking about foothills - that lumpy region between where the land is pokey and where the land is flat. Join us as we discuss terrain, creatures, settlements, and other elements to help you get the most out of this highly versatile biome.   We're now on BlueSky! If you're also on the app, find us @undercommontaste and give us a follow! Find links to all of our social media, episodes, Patreon, Itch store, and Discord via our Linktree: linktr.ee/undercommontaste   Our next episode will be with returning guest Iko, coming to talk about The Lost Bay. The game is finally available on Kickstarter - the campaign has about a week left at time of episode release - and you can find it here: https://www.kickstarter.com/projects/thelostbay/the-lost-bay-suburban-dark-fantasy-rpg    Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

I was joined by Iko who is the creative mind behind the Outer Rim Uprising and Skyrealms, and is currently kickstarting The Lost Bay - a suburban gothic tabletop RPG, setting and collection of adventures set in alternate 90s. Kickstarter: https://www.kickstarter.com/projects/thelostbay/the-lost-bay-suburban-dark-fantasy-rpg Website: https://www.thelostbaystudio.com Twitter: https://twitter.com/thelostbay Instagram: https://www.instagram.com/thelostbaystudio Facebook: https://www.facebook.com/profile.php?id=100023769553522 --- Send in a voice message: https://podcasters.spotify.com/pod/show/diekugames/message

This week, we're continuing our new series on biomes with the coastal! Join us as we talk about freshwater coastlines, sea shores, and everything in between, along with what you might find as you go with the flow or bury your toes in the sand.   A couple of updates, pertaining to friends of the show: The Tome of Intangible Treasures, which Josh from Lone Colossus Games discussed with us last week, was fully funded in a matter of hours and has already shot past SIX stretch goals. You can find that project here: https://www.backerkit.com/c/projects/lone-colossus-games/tome-of-intangible-treasures Another friend of the show and past guest, Iko, just launched his Kickstarter for The Lost Bay yesterday, and it has also funded in just a few hours and hit multiple stretch goals. You can find it here: https://www.kickstarter.com/projects/thelostbay/the-lost-bay-suburban-dark-fantasy-rpg  Congratulations to both Josh and Iko for the great success on your projects!   We're now on BlueSky! If you're also on the app, find us @undercommontaste and give us a follow! Find links to all of our social media, episodes, Patreon, Itch store, and Discord via our Linktree: linktr.ee/undercommontaste   Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.

"From Chicago to Egypt: Collecting Dead Memorabilia and Memories with Jay Blakesburg"Larry Mishkin features a nostalgic recounting of a Grateful Dead concert from March 11th, 1993, at the Rosemont Horizon in Rosemont, Illinois. The discussion covers various aspects of the event, including the venue's challenges, the band's performance, and reflections on specific songs played during the show. Larry also touches on recent music events, such as Phil Lesh and Friends' performances and upcoming Phish summer tour dates. It also highlights an exhibition by photographer Jay Blakesburg and his collection of Grateful Dead memorabilia, along with personal anecdotes related to Dead history.  Grateful DeadMarch 11, 1993 (31 years ago)Rosemont HorizonRosemont, Illinois (Chicago)Grateful Dead Live at Rosemont Horizon on 1993-03-11 : Free Borrow & Streaming : Internet ArchiveFinal night of 3 show run March 9 – March 11 (Tuesday – Thursday)  INTRO:                  Help On The Way                                Track #1                                :20 – 2:06                                 Released on Blues For Allah (1975)                                Played 111 times                                First time:  June 17, 1975 at Winterland, S.F.                                       Last time:  June 22, 1995 at Knickerbocker Arena, Albany, NY       SHOW No. 1:      When I Paint My Masterpiece                                Track #6                                1:36 – 3:12                 "When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971. Dylan himself first recorded the song at New York's Blue Rock Studio when he was backed by Leon Russell and session musicians, including Jesse Ed Davis on lead guitar, appeared on Bob Dylan's Greatest Hits Vol. II, released November 17, 1971, with Russell credited as the producer.             Dylan and The Band performed the song together live, in the early hours of January 1, 1972, at a New Year's Eve concert by The Band; a recording was released as a bonus track on the 2001 CD reissue of The Band's live album Rock of Ages. Douglas Brinkley, while interviewing Dylan for the New York Times in 2020, noted that "When I Paint My Masterpiece" was a song that had grown on him over the years and asked Dylan why he had brought it "back to the forefront of recent concerts". Dylan replied, "It's grown on me as well. I think this song has something to do with the classical world, something that's out of reach. Someplace you'd like to be beyond your experience. Something that is so supreme and first rate that you could never come back down from the mountain. That you've achieved the unthinkable. That's what the song tries to say, and you'd have to put it in that context. In saying that though, even if you do paint your masterpiece, what will you do then? Well, obviously you have to paint another masterpiece". According to his official website, Dylan played the song live 182 times between 1975 and 2019.[4] Five live performances of the song from Dylan's 1975 Rolling Thunder Revue tour were released on the box set The Rolling Thunder Revue: The 1975 Live Recordings in 2019. The live debut occurred at the War Memorial Auditorium in Plymouth, Massachusetts on October 30, 1975 and the most recent performances occurred on the Rough and Rowdy Ways World Wide Tour in 2023. Played 146 timesFirst: June 13, 1987 at Ventura County Fairgrounds, Ventura, CALast: July 9, 1995 at Soldier Field, Chicago My favorite Dylan cover.  Would rotate in first set with other Dylan covers including Queen Jane Approximately, Stuck Inside of Mobile With Memphis Blues Again and Desolation Row.            SHOW No. 2:      So Many Roads                                Track #7                                :39 – 2:21                 So Many Roads was first performed by the Grateful Dead on February 22, 1992. It was then played regularly through to the last performance of the song on July 9, 1995. In total the song was played just over 50 times.Jerry Garcia spoke about So Many Roads in an interview with Dave DiMartino in 1992;“It's Hunter writing me from my point of view, you know what I mean? We've been working together for so long that he knows what I know. The song is full of references to things that have to do with me.... “....Hunter is the only guy that could do that. He can write my point of view better than I can think it, you know what I mean? So that's the kind of relationship we have. And he frequently writes tunes from my point of view that are autobiographical. There actually biographical I guess. He's the one writing them, but even so they express my point of view - and more than that they express the emotional content of my soul in a certain way that only a long-term and intimate relationship with a guy as brilliant as Hunter coughs up ... I can sing that song, feel totally comfortable with it.” Robert Hunter's comments on the origins of this song in the notes in Box Of Rain: Lyrics 1965-1993; “One afternoon, Jerry was playing some unstructured changes on the piano. Figuring they might be forgotten otherwise, I clicked on my tape recorder. Ten years later I found the tape and listened to it, liked it, and set these words to it. Listening to the pitifully recorded and time-degraded tape, Jerry protested that, although he liked the words, his changes were not very good and unfinished besides. This didn't seem to be the base and I requested that he at least give it a run through. The result was one of the better received new GD songs and one that almost got away.” Never released on a Dead studio album but was a centerpiece of the Dead's first Box Set:  So Many Roads, 5 disc retrospective of the band from 1965 to 1995. Many commentators said this was the best one ever.  When I saw the show, we were still just all hearing the song fort the first few times and getting used to it.  Over time, it has become a favorite thanks to Hunter's lyrics and Jerry's playing and singing. Very emotional.    SHOW No. 3:      Iko Iko                                Track No. 9                                4:04 – 5:38                 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts.             The story tells of a "spy boy" (i.e. a lookout for one band of Indians) encountering the "flag boy" or guidon carrier for another "tribe". He threatens to "set the flag on fire". Crawford set phrases chanted by Mardi Gras Indians to music for the song. Crawford himself states that he has no idea what the words mean, and that he originally sang the phrase "Chock-a-mo", but the title was misheard by Chess Records and Checker Records president Leonard Chess, who misspelled it as "Jock-a-mo" for the record's release.             The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko". In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. In 1972, Dr. John had a minor hit with his version of "Iko Iko".  Second set opener.  From intro, it was hard to tell if they were going into Women Are Smarter to Iko.  Really enjoyed Women Are Smarter, but always extra happy when it turns out to be Iko. Great version.  Jerry very energetic and really getting into it.                 Played 185 times                First: May 15, 1977 at The Arena in St. Louis                Last: July 5, 1995 at Riverport Amphitheater in St. Louis (first and last time in St. Louis!!)                 SHOW No. 4:      Space                                Track #15 (note that there are 2 “Space” tracks, this is the first one, Track 15)                                4:25 – 5:42 (The Island – Ken Nordine)                               Ken Nordine (April 13, 1920 – February 16, 2019) was an American voice-over and recording artist, best known for his series of word jazz albums.[2] His deep, resonant voice has also been featured in many commercial advertisements and movie trailers. One critic wrote that "you may not know Ken Nordine by name or face, but you'll almost certainly recognize his voice.”             In 1955, he provided the voiceover on Billy Vaughn's version of "Shifting Whispering Sands", which peaked at number 5 on the Billboard Hot 100. He subsequently attracted wider attention when he recorded the aural vignettes on Word Jazz (Dot, 1957). Love Words, Son of Word Jazz (Dot, 1958) and his other albums in this vein feature Nordine's narration over cool jazz by the Fred Katz Group featuring Chico Hamilton recording under an alias.             Nordine began performing and recording such albums at the peak of the beat era and was associated with the poetry-and-jazz movement. However, it has been observed that some of Nordine's writings "are more akin to Franz Kafka or Edgar Allan Poe" than to the beats.[8] Many of his word jazz tracks feature critiques of societal norms.[9] Some are lightweight and humorous, while others reveal dark, paranoid undercurrents and bizarre, dream-like scenarios. Nordine's DVD, The Eye Is Never Filled was released in 2007.[9]Nordine hosted the weekly Word Jazz program on WBEZ, also carried on other stations, from the 1970s for over forty years.In 1990, Nordine was approached by Jerry Garcia of The Grateful Dead to be the anchor for their New Year's Eve radio broadcast from Oakland, California.[13] For the broadcast he recorded some improvisations with Garcia, drummer Mickey Hart and Egyptian musician Hamza El-Din.[13] This subsequently led to an album Devout Catalyst, released on the Grateful Dead's own label in 1991[13] and Upper Limbo in 1993[14] and an appearance with the band live at a show at Rosemont, Illinois, in March 1993.            Ken Nordine died February 16, 2019.                OUTRO:                Days Between                                Track No. 18                                4:51 – 6:51                 “Days Between,” a late song in the Robert Hunter / Jerry Garcia songbook, was perhaps their last collaboration on a big, significant song, one that ranks with “Dark Star” and “Terrapin Station” as ambitious and intentionally grand. (I was talking the other day with a friend, about Garcia's playing and songwriting, and the thought came up that Garcia, like few others, was unafraid of grandeur, and could successfully pull it off. Same with Hunter.)            It appeared like the ghostly ships it describes, as if gradually from a fog and only slowly revealing itself as something very big, towering above everything around. It's hard to say it any better than Phil Lesh did in his autobiography, Searching for the Sound:“Achingly nostalgic, ‘Days Between' evokes the past. The music climbs laboriously out of shadows, growing and peaking with each verse, only to fall back each time in hopeless resignation. When Jerry sings the line ‘when all we ever wanted / was to learn and love and grow' or ‘gave the best we had to give / how much we'll never know,' I am immediately transported decades back in time, to a beautiful spring morning with Jerry, Hunter, Barbara Meier, and Alan Trist—all of us goofing on the sheer exhilaration of being alive. I don't know whether to weep with joy at the beauty of the vision or with sadness at the impassable chasm of time between the golden past and the often painful present.”            Each verse in the song contains fourteen lines, and each evokes a different season of the year, although not in sequence. The first verse contains the lines “Summer flies and August dies / the world grows dark and mean.” I can't hear that line without thinking about August West, in Wharf Rat, and, by extension, Garcia himself. “The singing man is at his song / the holy on their knees.” Who is the singing man, if not Garcia, when it comes to Hunter and his words?                Played 42 times by the band, always in the second set, almost always out of drums                First:  February 22, 1993 at the Oakland Alameda County Coliseum in Oakland, CA                Last:  June 24, 1995 at RFK Stadium, Washington, D.C. This was just the second time it was ever played “Gave the best we had to give, how much we'll never know” No chorus in this song, just verses that keep building on each other. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

On this episode, we play THE LOST BAY, a suburban gothic tabletop rpg set in an alternate 90s where young, wild, powerful characters fight their way through a weird, uncanny world, from Iko of The Lost Bay Studio. We're also joined by returning player Stella Condrey! Follow the Kickstarter here: https://www.kickstarter.com/projects/thelostbay/the-lost-bay-suburban-dark-fantasy-rpg All our links here: ⁠⁠https://linktr.ee/theweeklyscroll⁠ Live Streams on Twitch: ⁠https://www.twitch.tv/the.weekly.scroll⁠⁠ Instagram: ⁠⁠https://www.instagram.com/the.weekly.scroll⁠ ⁠⁠ Twitter: ⁠https://twitter.com/Weekly_Scroll⁠ ⁠ YouTube: ⁠⁠https://www.youtube.com/@theweeklyscroll

    An unusual second set setlist and an unusual guest highlight this week's Deadpod from February 12, 1989 in Los Angeles.  Following an opening 'Iko, Iko', Bob breaks out 'Monkey and the Engineer' for the final time, although it sounds a bit different than in the past due to Bob's different timing of the verses. 'Alabama Getaway' follows, another unusual second set choice, then again, 'Dire Wolf', if with a bit of a ragged chorus.A nice version of 'Cassidy' follows, then 'Stuck Inside of Mobile With the Memphis Blues Again' - with Dylan adding some vocals when Bobby 'forgets' in the middle of the song..  An interesting 'Other One' follows post-drums, with a Kodo drummer adding some intensity, but it is a bit shorter than usual.. 'Stella Blue' follows and flows into a set closing 'Foolish Heart'. A nice double encore follows, with Dylan taking the vocals for 'Knockin' On Heaven's Door'..   Grateful Dead Great Western Forum Inglewood, CA 2/12/1989 - Sunday Two     Iko Iko** ; Monkey And The Engineer** ; Alabama Getaway** ; Dire Wolf** ; Cassidy** ; Stuck Inside Of Mobile With The Memphis Blues Again** ; Drums > Space > The Other One*** > Stella Blue > Foolish Heart Encore     Not Fade Away** ; Knockin' On Heaven's Door** * with Spencer Davis ** with Bob Dylan (guitar,vocals on Memphis Blues, Heaven's Door; guitar only on the others) *** with Kodo drummer   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod020924.mp3  Thank you for your kind support. 

Join RoofersCoffeeShop LIVE at the 2024 International Roofing Expo to talk about how technology holds the key to finding a way through the current labor shortage. John Van Beek of Labor Central and Jack Gottesman of IKO join Heidi J. Ellsworth to talk about how these two companies are working together to develop solutions. The power of Labor Central connecting crews and roofing companies in conjunction with the performance of IKO roofing systems is accelerating the growth of roofing companies across the country. Watch this live broadcast by tuning into the RoofersCoffeeShop YouTube channel during this year's IRE.   #LaborCentral #IKORoofing #RoofingExpo #RoofersCoffeeShop #RoofingProfessionals #RoofingContractors #RoofingIndustry

Fusebox 241: “Hurkle Durkle” 26:56 – Show Intro, Coffee To Go!, What's In A Hurkle Durkle?, Milt's 7 Days Of Hell, Fusebox Liner,  Grindhouse Resurrection Magazine  Spot 4, Fusebox ID Liner, Shout Out To The ONSUG Guide, Curse Of The Return Of The Search for The Intern, Iko's Found A Bug, WTF! Florida: Banned Dictionaries, […]

This week's Deadpod returns for the second set of the band's performance at the Oakland Coliseum Arena on December 27th, 1989.  Clarence Clemmons makes a surprise appearance on the opening Iko, Iko and adds a great touch here as the band gets the crowd wound up for what is a fine second set. A spacey 'Playin' In the Band' follows - with some extraterrestrial exploration before going into a lovely 'Crazy Fingers'. 'Uncle John's Band' caps off the pre-drums set. The post-drums is highlighted by a truly wonderful 'Morning Dew'.. there was an issue with Jerry's sound at the end but that really doesn't detract from what is a great version.  The boys then surprise the crowd with a double encore -'Johnny B. Goode' and 'Black Muddy River'..   Grateful Dead 1989-12-27 Oakland Coliseum Arena - Oakland, CA Two     Iko Iko [7:43] Playing In The Band [13:11] > Crazy Fingers [8:22] > Uncle John's Band [8:40] > Drums [11:#05] > Space [8:20] > The Wheel [5:01] > I Need A Miracle [3:49] > Morning Dew [11:41] Encore     Johnny B. Goode [3:49] Black Muddy River [5:55]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod010524.mp3 I hope your New Year has started out great!  thank you for your kind support. 

"Stephen Stills & the Dead: Legendary Collaborations Unveiled" Larry Mishkin  discusses various aspects related to the Grateful Dead, December 11th, 2023 show including historical performances, the significance of particular songs like "China Cat Sunflower" into "I Know You Rider," insights into the band's music evolution, and notable appearances by Stephen Stills with the Dead during their performances. Larry also pays tribute to Denny Lane, a musician associated with Wings and the Moody Blues, following Lane's recent passing. Additionally, he delves into the musical significance of the song "Black Queen" by Stephen Stills, its themes, and its rare appearances in Dead concerts. Furthermore, he provides updates and insights into ticket sales for upcoming concerts, specifically for Phish. .Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast     Grateful DeadDecember 12, 1969  (54 years ago, tomorrow)ThelmaWest Hollywood, CAWith Stephen StillsGrateful Dead Live at Thelma Theater on 1969-12-10 : Free Borrow & Streaming : Internet Archive  INTRO:               I Know You Rider                           Track #1                           2:10 – 3:42               Every Deadhead knows this song, but what makes this version unusual is that it is a show opener AND is not preceded by China Cat. In the Grateful Dead universe, few song pairings stick out with such adoration and favoritism among the band's legion of fans more than “China Cat Sunflower” > “I Know You Rider”. The Grateful Dead performed the two-song combination over 500 times throughout their 30-year run, making it one of the more dependable mid-set segues capable of launching a show into orbit at any moment thanks to its dance-friendly tempo and lengthy jams transition jams.It makes it that much more special to note that the “China” > “Rider” combination made its first appearance at the legendary Cafe au Go Go in New York City on September 30th, 1969—54 years ago today, and less than a month before the venue closed its doors in October of that year."I Know You Rider" (also "Woman Blues" and "I Know My Rider") is a traditionalblues song that has been adapted by numerous artists. It has appeared in folk, country, and rock guises and is not overly identified with any particular artist. Modern versions can be traced back to Blind Lemon Jefferson's "Deceitful Brownskin Blues", which was released as a single in 1927. It appears in a 1934 book, American Ballads and Folk Songs, by the noted father-and-son musicologists and folklorists John Lomax and Alan Lomax.[2] The book notes that "An eighteen-year old black girl, in prison for murder, sang the song and the first stanza of these blues." The Lomaxes then added a number of verses from other sources and named it "Woman Blue".[2] The music and melody are similar to Lucille Bogan's "B.D. Woman Blues" (c. 1935), although the lyrics are completely different. By the mid-1960s, rock acts had begun to perform or record the song. James Taylor sang it as "Circle Round the Sun" on his 1968 debut album James Taylor).[2]Big Brother and the Holding Company featuring Janis Joplin were performing it in concert; a rendition from 1966 was released in 1984 on the live album Cheaper Thrills.[2] The Grateful Dead's interpretation was a staple of their live shows from the beginning of the band's existence in 1965, where it would soon be performed as a connected song from "China Cat Sunflower" and represented the group's forging a bridge from their psychedelic music to their more traditional country and folk side.[1] This combination was featured on their 1972 triple live album Europe '72.[1] (The Grateful Dead's segue approach was later used by Bruce Hornsby and the Range in the late 1980s, with "I Know You Rider" following their song, "The Red Plains" The combo was first released by the Dead on the original Europe '72 album.  Although Rider can be found on earlier Dead recordings.               1st – Nov. 3, 1965 at Mother's in S.F.              Last – July 8, 1995, Soldier Field              Total 563   No. 4 most played, not counting Drums and Space, China Cat is No. 3 on that list at 564  Show is at Thelma, a nightclub on Hollywood Blvd. with a very uncertain history.  First, it was a Hungarian restaurant called The Little Gypsy, then it became an upscale restaurant called The Golden Violin.  In mid-60's, the owner turned it into a rock club, Galaxy.  Was located in the middle of a block filled with music venues.  To the east, was Whisky a Go Go (most famous of them all), to the west Hamburger Hamlet (for late night munchies).  Right next door was the London Fog where The Doors, in their formative years, had a residency before Jim Morrison's behaviour got them kicked out – moved to the Whisky to become the house band.  Initially, Galaxy's house band was a fledgling Iron Butterfly.  Became Thelma in the fall of 1969. Was a three night run from 12/10 – 12/12.  Night one is the concert featured on Dave's Picks No. 10 – another great concert, but this one has one thing that the Dec. 10th show does not have – Stephen Stills playing with the boys. Recall this past spring we featured Stephen Stills playing with the Dead on April 16, 1983 at Brendan Byrne Arena in NJ when they played Stills' song, Black Queen and one of my favorite versions of Iko ever recorded by the Dead.  The next night they played Love The One Your With.  Only a 14 year gap in between!  SHOW No. 1:     Casey Jones                           Track #8                           2:48 – 4:15 The first tune Stills came on stage for (although some remember him playing in the first set as well). Just like we discussed last week (Fillmore West on 12.4.69), there is a bridge here between primal dead and americana dead.  This show features a mix of primal dead and new americana tunes.  Casey Jones was an entirely different type of song for the Dead but it rocked and Stills seems very comfortable figuring out his place in the mix.  Garcia/Hunter tuneReleased on Workingman's Dead in spring, 1970. First played on June 22, 1969 at a show in Central Park in NYCLast played on March 27, 1993 at the Kickerbocker Arena in Albany NYTotal played 313 times (No. 42) BUT, after 1972 it dropped off the regular set list rotation.  From 1973 till the end, only played 47 times and by the ‘80's it became a rarity that required good luck to catch:                                                                   1982 – 2x                                         1984 – 2x                                         1992 – 3x                                         1993 – 1x I unfortunately never saw it live.  Very disappointing. Closest I came was the '84 show at Merriweather Post pavilion outside of D.C.  I was with a group of friends on summer tour but did not head out for the east coast swing and missed that show.  But my good buddy Rick was there because he took the long car ride that I avoided.  Miss a little, miss a lot.  Article re Stills and Dead SHOW No. 2:     Good Morning Little School Girl                           Track #9                           7:00 – 8:39 We featured this song last week but had to feature it again, because on this version Stills finds his footing and jams along with Garcia and Weir as well as Pig on the harmonica.  A very cool sound.  Pig kills it as usual.  SHOW No. 3:     Black Queen                           Track No. 11                           2:15 – 3:52 We featured this song on the episode earlier this year featuring the April 16, 1983 mash up show.  This is an earlier version and just as down and dirty as the later version.  A great Stills tune that the Dead feel right at home with. As a reminder,Black Queen is a song written by American singer-songwriter Stephen Stills. It was featured on his self-titled debut solo album released in 1970. The song holds a significant place in Stills' body of work, as it explores powerful themes of love, equality, and racial injustice. Let's delve into the meaning behind this iconic song and unveil the message Stephen Stills intended to convey through his heartfelt lyrics. Black Queen is a passionate ode to the African American community, expressing solidarity with their struggle for equality and justice. The song's opening line, “White knights for the black queen, marching to the stirrings of the breeze,” immediately sets the tone for the uplifting and empathetic message throughout the song. Stills paints a vivid picture of a world where individuals of different races join hands to fight against racial discrimination.Throughout the song, Stills calls for unity and emphasizes the importance of embracing diversity. He acknowledges the strength and resilience of the Black community, praising their ability to overcome adversity and stand tall in the face of systemic racism. With lines like “Black queen, your dreams are on the ground,” Stills recognizes the struggles that African Americans have faced but encourages them to keep fighting for their rights and aspirations.This show and April '83 are the only two times the Dead played the song in concert.  SHOW No. 4:     Turn On Your Lovelight                           Track #12                           :46 – 2:25 A very short version of this tune, considering its 1969 and Pig has the lead, but after only a few minutes, they segue into a killer Cryptical/Other One which apparently was a bit too out there for Stills as he leaves the stage at the transition. Still Pig at his finest singing and rapping as only he could do.  A tune that died with Pig until Bobby brought it back in the early ‘80's and it became more of a regular after that although never as much as it was when Pig was around.  Great jamming with Stills in his final number with the band for the night.  OUTRO:              Cosmic Charlie                           Track #17                           Start – end (just about a minute because it cuts out) Released on Aoxomoxoa in June, 1969.  Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. Very rarely played by the Dead.  Only a total of 45 times.1st – Jan. 16, 1969, Robertson Gymnasium at UC Santa Barbara, Isla Vista, CALast  - Sept. 25, 1976, Cap Center in Landover Maryland. Played 20 times in 1969, 18 times in 1970 and one time in 1971.  The tune then went on hiatus until 1976 when it was played a total of 6 times between June and September.  Thereafter, a tune the deadheads literally begged the Dead to play again.  Around 1983 or 1984, a group started asking for signatures on a petition to the Dead asking them to play the song again.  They would also hand out cards with the song's lyrics so “when” the Dead played it, the Deadheads would be able to sing along.  Alas, they just became Dead trinkets in the same cigar box as my ticket stubs because the Dead never did play it again. Sorry this is a “cut” version of this version, but it's still great music and as any Deadhead who never heard it live would agree, this would have been an amazing tune to hear so even just a little of it is worth the listen.  Enjoy 

178 Winter Chapters 93-94 Part Two (The Lunar Chronicles)In this week's chapters:PART TWO SummaryCinder is ready to sign the Treaty of Bremen, with Iko as her stylist, Keeney as her personal guard, and Kai and Torin as her advisors. Adri and Pearl are uncomfortable at the meeting until they find out the reason they were invited. After Cinder's big reveal she finally lets go of her former life and vows to never think of Adri or Pearl again. The meeting ends with a very special request from the new queen. This podcast is Hosted and Produced by Bethanie A. Finger, with special guest Amanda from Fictional Hangover Podcast. Logo Art was created by Sunlit Tangles on Instagram.Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter. Guest Link: Fictional Hangover Podcast: https://www.fictionalhangover.com/ Fan Art Links: Jacin and Winter: https://www.instagram.com/scottkeenanillo/?hl=enRampion Crew: https://www.instagram.com/the_auntartist/?hl=en Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Chapter Discussion Starts at 39:50In this week's chapters:SummaryScarlet and Wolf catch up with Emilie, who has been tending the farm in Scarlet's absence.They finally admit their true feelings and establish a plan to return to Earth together. But the moment of bliss is ruined by an excited Iko announcing that Cinder is finally awake. Cinder wakes up to a mysterious doctor, a handsome emperor, and a brand new title!This podcast is Hosted and Produced by Bethanie A. Finger, with special guest Leah from The YA Book Chat podcast.  Logo Art was created by Sunlit Tangles on Instagram.Intro/Outro Music was written by Emma Pavvo on Instagram.Fan artists: @peiskios  @ace-artemis-fanartist Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, we are joined by podcaster, zine publisher, and game designer Iko, to talk about his newly released game, The Lost Bay. Join us as we discuss game design, horror in TTRPGs, and a nostalgia for the 90s that never were. Also, please forgive the audio quality in some of the sections; we were having some connectivity issues with Iko in Paris. You can find Iko's work at thelostbaystudio.com, or on Itch at the-lost-bay.itch.io. You can also find him over on Twitter, @thelostbay, or on Discord (link on Itch page).    This week's guest shoutouts were for the following creators: Justin Vandermeer, with Shouting Crow Press (Twitter: @ShoutCrowPress; Itch: Shoutingcrow.itch.io). Justin writes the newsletter "Your RPG Confuses Me", which you can sign up for here: https://rpgconfusesme.substack.com/p/miiru.  Exeunt Press (Twitter: @exeuntpress). You can find their work on Itch at exeuntpress.itch.io, or on their website at exeunt.press/shop. Clayton Nolestine, author and game layout designer. You can find Clayton's articles and layout templates on his website, explorersdesign.com. Iko used one of Clayton's layout designs for the layout of The Lost Bay.   Find links to all of our social media, episodes, Patreon, Itch store, and Discord via our Linktree: linktr.ee/undercommontaste Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.    

*Chapter Discussion Starts at 21:54* (listen for the musical interlude to know the time) In this week's chapters:SummaryAs Kai and the Earthen leaders attempt an escape, the Lunar aristocrats halt their progress. But when Kai presents an ultimatum, the Lunar families must choose between the safety they expect, and the circumstances of their reality. Cress has successfully uploaded the video and Levana's true self, and people are taking notice! As one guard distrusts here, and one technician praises her, she uses the opportunity to recruit for Selene's side!Scarlet and Wolf are once again reunited, and though his face has changed, his heart hasn't. Once an alpha, always an alpha…or something like that. Iko is disappointed that her android mind won't allow her to see Queen Levana's famed beauty, and she hates being left behind while Cinder fights the queen on her own. Good thing the handsome, though slightly annoying, guard Kenney is there for company. Iko and Kenney find Kai and the others and assist in their escape. Kai is beyond relief to learn of Cinder's safety, but their celebration is short lived as their need to evacuate intensifies with every passing moment. This podcast is Hosted and Produced by Bethanie A. Finger, with special guest Cassie from Of Slippers and Spindles Podcast.  Logo Art was created by Sunlit Tangles on Instagram.Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter. LUNAR CHRONICLES AUDIODRAMA: https://youtu.be/ExfnhPLkTQY Guest Link: Of Slippers and Spindles Podast: https://www.instagram.com/ofslippersandspindles/?hl=en Podcast Bestie Commercial: Literary Lushes podcast: https://www.litlushpodcast.com/ Fan Art Links: The two faces of levana: https://www.instagram.com/dooodlink/?hl=en Wolf and Scarlet: @courtmakes_art  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

*Chapter Discussion Starts at 34:00* (listen for the musical interlude to know the time) In this week's chapters:SummaryCinder, Iko, Strom, Scarlet, the mutant soldiers, and the Lunars are at the gates of Artemesia palace. But when the Queen uses Wolf as a distraction, Cinder realizes she can no longer rely on the lie detector function of her cyborg brain.  Cinder instructs her people to target the thaumaturges, hoping to prevent them from controlling Lunars and mutant soldiers. Iko steps in to rescue Cinder from Levana, But even though a video from Cress has weakened the Queen's resolve, they still have an epic battle ahead of themThis podcast is Hosted and Produced by Bethanie A. Finger, with special guest Rachel from Barely Bookish Podcast. Logo Art was created by Sunlit Tangles on Instagram.Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter. Guest Link: https://www.instagram.com/barelybookish/?hl=enPodcast Bestie Commercial: https://www.instagram.com/fictionalhangover/?hl=en Fan Art Links: Iko: https://www.instagram.com/roxiejoy_art/?hl=en Wolf and Scarlet: https://www.instagram.com/the_auntartist/?hl=en  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

*Chapter Discussion Starts at 10:57* (listen for the musical interlude to know the time)In this week's chapters:SummaryKai has helped Cress in her secret mission to help Cinder, and though he is relieved he's alive, he wishes he could do more. Instead, he makes his way to coronate Levana, the Empress of the Eastern Common Wealth. Levana gives Kai an update on his friends and even brings one to the coronation, but Kai isn't sure they're still alliesAs Levana struggles to cope with her impending attack, Cinder prepares to siege the city with her supporters. Reunited with Iko at her side and the Wolf Soldiers ready to fight for her, Cinder is filled with anxiety and determination as the barricades open and the revolution battle begins.This podcast is Hosted and Produced by Bethanie A. Finger, with special guests Beka and Olivia.Logo Art was created by Sunlit Tangles on Instagram.Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter. Guest Link:https://www.instagram.com/oliviazellcrochet/?hl=enPodcast Bestie Commercial: https://www.instagram.com/thebooklifepodcast/?hl=enFan Art Links:Kai and Cinder: https://www.instagram.com/courtmakes_art/?hl=enWolf and Scarlet: https://www.instagram.com/mellendraws/?hl=en Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, Big Sarge talks with The Athletic/New York Times NBA beat writer Kelly Iko about his journey of becoming one of the most well-respected journalists in the NBA circles. Iko also talks about the needs of the Houston Rockets as they begin "Phase Two" of their rebuilding process and gives his thoughts on new head coach Ime Udoka. With the NBA Draft approaching, Iko gives his thoughts on if the Rockets should stay in their current position of fourth overall selection. Sarge also tries to convince Iko that Jabari Smith Jr. may be a better overall player in the future than Victor Wembanyama.

The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The heroic romance is one of the West's most enduring narratives, found everywhere, from religion and myth to blockbuster films and young adult literature. Within this story, adolescent girls are not, and cannot be, the heroes. They are, at best, the hero's bride, a prize he wins for slaying monsters. Crucially, although the girl's exclusion from heroic selfhood affects all girls, it does not do so equally- whiteness and able-bodiedness are taken as markers of heightened, fantasy femininity. Female Heroes in Young Adult Fantasy Fiction: Reframing Myths of Adolescent Girlhood (Bloomsbury, 2023) by Dr. Leah Phillips explores how the young female-heroes of mythopoeic YA, a Tolkienian-inspired genre drawing on myth's world-creating power and YA's liminal potential, disrupt the conventional heroic narrative. These heroes, such as Tamora Pierce's Alanna the Lioness, Daine the Wildmage, and Marissa Meyer's Cinder and Iko, offer a model of being-hero, an embodied way of living and being in this world that disrupts the typical hero's violent hierarchy, isolating individuality, and erasure of difference. In doing so, they push the boundaries of what it means to be a hero, a girl, and even human. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

*Chapter Discussion Starts at 38:06* In this week's chapters: SUMMARY Kai finally has his port screen, allowing him to communicate with his team on Earth and devise a plan that brings into question the Trolly Theory. Cress and Thorne plan to attend the celebrations in Artemesia while Jacin, Cinder, and Iko sneak into the medical labs to steal antidotes for Winter and the rest of the letumosis victims. But when they're almost caught one friend stays behind so the others can escape. This podcast is Hosted and Produced by Bethanie A. Finger, with SPECIAL GUEST Morgan and Sam from Just One More Page Podcast. Logo Art was created by Sunlit Tangles on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter.  Guest Link: https://justonemorepagepodcast.com/ Fan Art Links: https://www.instagram.com/p/BvHW1UahdWP/?hl=en https://www.instagram.com/cosmicnovaflare/  

*Chapter Discussion Starts at 27:25* In this week's chapters: Finally, back with Wolf after his abduction, he awakes after dreaming of Ran and Scarlet. Outraged to learn he has become a monster; Wolf is forced to ‘bond' with a new thauma. It's a mere nine hours until the coronation and Cinder, Cress, Iko, Thorn and Jacin are hard at work preparing to crash the party. While studying video surveillance of the outer sectors, the group is horrified to learn the condition of one of their closest friends. Wolf meets his new thaumaturge, who manipulates his mind into once again pledging his allegiance to the Queen. Wolf fights her control but is soon overpowered and, desperate to avoid pain and suffering, makes his promise to Levana. This podcast is Hosted and Produced by Bethanie A. Finger, with special guest Leah from YA Book Chat Podcast.   Logo Art was created by Sunlit Tangles on Instagram. Intro/Outro Music was written by Emma Pavvo on Instagram. Audio clips from Rebecca Soler's rendition of Winter, A Macmillan Audiobook Production.  Audio clips from FRIENDS, a Fox Studio Production. Guest Link: https://linktr.ee/YABookChat Fan Art Links: Thorne https://linktr.ee/shanlightyear Winter https://www.fanpop.com/clubs/the-lunar-chronicles/images/39296840/title/winter-fanart?card