Podcasts about Clive Davis

Returning guest Clive Davis joins us to discuss preparing for the future, challenges he faced, and ways to avoid some challenges altogether.    First Episode: https://www.buzzsprout.com/1115735/episodes/9751971----Continue the conversation with Brian on LinkedInJoin our multifamily investing community with like-minded apartment investors at the Tribe of TitansThis episode originally aired on May 23, 2025----Watch the episode on YouTube: https://www.youtube.com/channel/UCcsYmSLMxQCA9hgt_PciN3g?sub_confirmation=1 Listen to us on your favorite podcast app:Apple Podcasts: https://tinyurl.com/AppleDiaryPodcast Spotify: https://tinyurl.com/SpotDiaryPodcast Google Podcasts: https://tinyurl.com/GoogleDiaryPodcast Follow us on:Instagram: https://www.instagram.com/diary_of_an_apartment_investor Facebook: https://www.facebook.com/DiaryAptInv/ Twitter: https://twitter.com/Diary_Apt_Inv ----Your host, Brian Briscoe, has owned over twenty apartment complexes worth hundreds of millions of dollars and is dedicated to helping aspiring apartment investors learn how to do the same. He founded the Tribe of Titans as his platform to educate aspiring apartment investors and is continually creating new content for the subscribers and coaching clients.He is the founder of Streamline Capital based in Salt Lake City, Utah, and is probably working on closing another apartment complex in the greater SLC area. He retired as a Lieutenant Colonel in the United States Marine Corps in 2021 after 20 years of service.Connect with him on LinkedIn----Clive DavisAfter graduating from Columbia Law School, Clive's corporate career took him from a Wall Street law firm where he began as a transactional lawyer, to a variety of in-house legal and compliance roles in the pharmaceutical industry, including nine years serving as a Chief Compliance Officer. Throughout the entirety of this twenty-year career, he remained actively invested in real estate with a small portfolio of holdings.In answering this self-posed question, Clive decided 2017 was the time and walked away from corporate life in pursuit of his interests and passion as a full-time real estate investment entrepreneur.Since founding Park Royal Capital in 2017 Clive Davis has personally invested in more than 2,500 multifamily rental units, as well as a portfolio of hotels based in Atlanta where he has resided since 2005. Most recently Park Royal Capital acquired two Atlanta multifamily properties totaling 444 units with a combined value of over $70M.Learn more about him at: https://parkroyalcapital.com/, or https://www.linkedin.com/in/clivedavisesq/

Currently starring in Broadway's BOOP! The Musical, Erich Bergen is best known for his performance as Blake Moran on television's Madam Secretary, and for his portrayal of Bob Gaudio in the Clint Eastwood film, Jersey Boys, reprising his performance from the stage production of the hit musical. On Broadway, Erich also starred in Waitress and Chicago, and has also been seen on television in Bull, The Good Fight, Gossip Girl, and more. As a Producer and Director, Erich has spearheaded many live, virtual, and television events including work with NBC, CNN, President Obama, Clive Davis, Glenn Close, Michael Kors, and other high-profile icons and outlets. IG: @erichbergen Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jordan and Alex avoided showering for days to dive into one of the enduring artifacts of San Francisco’s heady heyday: Big Brother and the Holding Company’s 'Cheap Thrills,' or as everyone knows it, “Janis Joplin’s first album.” The pair swap places for once as Jordan passionately reels off hate for Big Brother, whom Alex allows are “fine.” Along the way they’ll digress into The Evil That Men Do (particularly Albert Grossman and Clive Davis), Alex’s favorite Lou Reed vocal ever, why Cannonball Adderley was the best foil Miles Davis ever had, and Paul McCartney's weird musical moment with Steve "The Joker" Miller during the final days of the Beatles. And of course, they’ll be waxing poetic about sweet Janis, one of the Sixties’ saddest (and most joyful) figureheads. Too Much Information: Let’s Full-Tilt Boogie away Dem Ol’ Kozmic Blues oh my god why did we start talking like that. Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Join Irene for an inspiring conversation with the remarkable Barbara Deutsch, live from her home in Los Angeles! Barbara is a powerhouse in life and career coaching with over 30 years of experience. She's worked across North America, helping clients in film, TV, and beyond unlock their potential and advance their careers.  Barbara's journey began in true Hollywood fashion—after performing for her colleagues at Epic Records, she caught the attention of music mogul Clive Davis. This led to a recording contract and a role in the national tour of Godspell. Today, Barbara wears many hats as a career and life coach, writer, performer, and proud grandmother.  As a career coach, Barbara specializes in helping people navigate career transitions, job searches, and personal development. She's also an Adjunct Professor at Syracuse University, where she shares her wealth of knowledge with students.  Barbara is the author of the best-selling book Open Up or Shut Up and is currently working on her next release, 20% Stupid. When she's not coaching, teaching, or writing, she's inspiring others to achieve success and fulfillment in both their personal and professional lives.  Tune in for an unforgettable conversation full of inspiration and wisdom as Barbara and Irene gab away! To learn more about Barbara and sign up for a free introductory life coaching session, visit her website at thebarbaradeutschapproach.com. #ilo_wellnessseries

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

On the April 4 edition of the Music History Today podcast, Jay-Z & Beyonce get married, Keith Richards invents a rock myth, Elvis makes television history, the event that inspired Pride in the Name of Love takes place. Also, happy birthday to Clive Davis & Muddy Waters.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Dion Dimucci has been a Rock 'N' Roll pioneer since the late 1950's with his iconic band Dion and the Belmonts. They scored hit after hit including The Wanderer, Runaround Sue, A Teenager in Love and Abraham, Martin and John making them Rock 'N' Roll royalty. Dion co-wrote a stunningly gorgeous coffee table sized book with his pal Adam Jablin called Dion The Rock 'N' Roll Philosopher: Conversations on Life, Recovery, Faith and Music. There are one-of-a-kind photos in the book with music legends Pail Simon, Eric Clapton, Tony Bennett, Bruce Springsteen, Clive Davis, Lou Reed and more. We discuss: 1. How did you come up with the name Dion and the Belmonts? 2. How was it like growing up in Da Bronx being part of the gang the Fordham baldies? Thanks to you guys I have this beautiful coffee table sized book beautifying…my coffee table. Adam 3. How did Dion and Adam get hooked up with each other & what inspired the co-creation of this book? 4. What Dion feels are the reasons for his early success. 5. What gave him the self-confidence that he was a great singer & the ability to sing to millions of people? 6. As with many Rock Legends, Dion seemingly had it all from an outsider's perspective. The hit songs, the fame, the adulation, screaming girls, the power & money…did he feel he had it all and why does he think he turned to a debilitating addiction and what helped him to overcome it? 7. Paul Simon in the books Forward said they don't see each other often but their phone conversations can go on for an hour & usually drift into the spiritual. What does he mean by that? 8. Was there an Aha moment where all of a sudden he found God? How did his spirituality emerge and sustain over all these years? 9. Eric Clapton in the book's prologue says Dion has an essential ingredient: SOUL…buckets of it. How did this soul start & evolve? 10. In 2020 hindsight, what would Dion change if he had to do it all over again? 10. When did Dion first start wearing the berets he is iconically known for and why do you like that signature look? 11.On Feb. 2, 1959 at the Winter Dance Party, there were 4 groups on the bill. Buddy Holly & The Crickets, Big Bopper, Richie Valens & Dion & The Belmonts. The plane didn't make it home and some like Don Maclean called it "The Day the Music Died." What did those guys mean to Dion and why wasn't he on that fatal plane?

A long drive to Emerald City Comic Con has Dave thinking back on his time as an autograph hunter, meeting Peter Jackson, eating Clive Davis' donuts, and the good fortune that led to time spent with Eddie Vedder and Mike McCready of Pearl Jam from Montreal to New York!https://www.westcoastdavengers.com/direct-edition-podcast  

This captivating interview on Halftime Chat, legendary singer-songwriter Angie Stone delved into her illustrious career and shared intriguing stories. She reminisced about her pioneering days as a member of The Sequence, the first all-female hip-hop group, and how they broke barriers in the industry. Angie also fondly recalled collaborating with the soulful D'Angelo, crafting timeless music that resonates to this day. However, she revealed a conflict that arose with Mary J. Blige over a song she co-wrote with D'Angelo, shedding light on the challenges faced in the music industry. Angie also reflected on her time as part of the acclaimed R&B trio, Vertical Hold, and how it shaped her artistry. She expressed gratitude for her record deal with the legendary Clive Davis and discussed her fulfilling experience on the reality TV series, R&B Divas. Moreover, Angie excitedly announced her plans to release new music in 2023, leaving fans eagerly awaiting her upcoming creations.Angie Stone Interview Playlisthttps://youtube.com/playlist?list=PLwAB7U-jstSYWflyRNvun59vmbYfR2jKxABOUT ANGIE STONEA singer, MC, self-taught keyboardist, and prolific songwriter, Angie Stone's first claim to fame was her membership in the Sequence, a pioneering hip-hop trio who arrived with "Funk You Up" (1979), the second release on Sugar Hill Records and the first rap single by an all-female group. Following a brief period with the post-new jack swing R&B act Vertical Hold, Stone began a fruitful and lasting solo career as one of neo-soul's leading lights, known for providing sharp insight into romantic relationships with her smoky yet upfront voice. She established her solo career with a pair of gold-certified albums, Black Diamond (1999) and Mahogany Soul (2001), and added to her accolades with Grammy nominations in the R&B field for "More Than a Woman" (2002), "U-Haul" (2004), and "Baby" (2007). Increasingly occupied with acting roles, she has continued to record every few years, exemplified by deeply soul-rooted LPs such as Rich Girl (2012), Dream (2015), and Full Circle (2019).Stone subsequently signed to Arista as a solo artist and recorded 1999's Black Diamond, a Top Ten R&B album that was certified gold on the strength of the singles "No More Rain (In This Cloud)" and "Everyday" (one of several songs she has written either for or with D'Angelo).

Alicia Keys is more than just a singer—she's a musical powerhouse, a trailblazer, and a true New York icon. In this episode of The Music in Me, I'm celebrating my favorite NYC artist in honor of my upcoming trip to the Big Apple! We'll dive into Alicia's rise from a piano prodigy in Hell's Kitchen to a global superstar, her game-changing debut with Songs in A Minor, and her legendary anthem Empire State of Mind—the ultimate love letter to NYC. And of course, we'll talk about her latest adventure: Broadway! Her new musical Hell's Kitchen brings her story and her songs to the stage in the most New York way possible. Plus, I've got some surprising facts about Alicia that you might not know! So grab your headphones and get ready to celebrate the music, the magic, and the unstoppable force that is Alicia Keys.ALBUMS MENTIONED: Songs In A Minor (2001)The Diary of Alicia Keys (2003)As I Am (2007)Girl On Fire (2012)SONGS MENTIONED:Fallin'If I Ain't Got YouYou Don't Know My NameNo OneGirl on FireEmpire State of Mind with Jay ZHells Kitchen Tony Performance 2024What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Whitney Houston's self-titled debut album, released on February 14, 1985, introduced the world to one of the most powerful and iconic voices in music history. Blending pop, R&B, and soul, the album showcased Houston's extraordinary vocal talent and set the stage for her legendary career.Featuring timeless hits like "How Will I Know," "Saving All My Love for You," and "Greatest Love of All," the album was both a critical and commercial success, spending 14 weeks at No. 1 on the Billboard 200 and eventually selling over 22 million copies worldwide. The record's lush production, courtesy of Clive Davis and a team of top-tier producers, perfectly complemented Houston's emotive and technically flawless voice.With this album, Whitney Houston not only redefined pop and R&B but also broke barriers, becoming the first debut album by a female artist to produce three No. 1 singles on the Billboard Hot 100. It remains a landmark release, symbolizing the arrival of a once-in-a-generation talent and setting a new standard for vocal excellence in popular music.Listen to the album on SpotifyListen to the album on Apple MusicWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press Discord ServerFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Angie Stone EXPOSES Clive Davis & UMG Before Her Passing – The TRUTH Revealed!

all rights reserved based off the copyright act of 1976 section 107. Angie was speaking out against UMG for her music publishing rights and how she found out someone signed something behind her back and she was getting her $ back! who owns it..? CLIVE Davis..so...iono...just listen..what do you think?v

MSNBC's Ari Melber hosts The Beat on Wednesday, January 29, covering RFK Jr.'s Senate confirmation hearing and exposing government grifting involving Trump and Elon Musk. Governor Josh Green, Juanita Tolliver, Clive Davis, and Adam Serwer join the show

Explore the world of A&R with Pete Ganbarg on this episode of the "MUBUTV Music Business Insider Podcast", Artist and Repertoire A&R Masterclass With Pete Ganbarg Atlantic Records.

In this episode of Hollywood Live with Tanya Hart, Tanya brings the latest updates from Hollywood as the community continues to recover from devastating wildfires. The Grammys are confirmed for February 2nd, and Clive Davis' 50th annual pre-Grammy bash will proceed with a purpose: raising funds for fire relief efforts and honoring the bravery of first responders. Tanya highlights the Recording Academy and MusiCares' commitment of $1 million to support music professionals affected by the fires and their plans to raise even more during Grammy week. Tanya also shares insights into Wendy Williams' recent appearance on The Breakfast Club podcast, where the legendary TV host spoke candidly about her long-standing feud with Diddy. Fans are now clamoring for Wendy to make a comeback to television, and Tanya sends well wishes for Wendy's continued recovery. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mid-80's were a tough time for Elton John.  The singer and pianist who had been a stellar success in the 70's was deep in the clutches of drug addiction, and struggling to perform due to throat issues.  His studio album, "Leather Jackets" had failed to produce a single to reach the top 40.  It seemed that he was finding more controversy in the British tabloids than he was success in the music industry.In the midst of this, however, he produced a stellar live album.  Live in Australia with the Melbourne Symphony Orchestra was John's twenty-eighth official album release, focusing on some of the performers earlier hits.  In the last two months of 1986, Elton John did a series of concerts as a part of his tour of Australia and New Zealand which contained two sets.  The first set was a traditional concert with John and his 14-piece band.  The second set had the band backed by the 88-piece Melbourne Symphony Orchestra with John dressed as Mozart in front of the grand piano.  The Live album captured this symphonic second set.The album was a success, hitting number 24 on the Billboard 200 and certifying gold by January 1988.This concert also marked a change.  It was the last in which Elton John appeared in his elaborate stage costumes.  He also underwent throat surgery in January 1987 which - while successful - permanently altered his voice.  His next few albums would be somewhat more successful, but he would sober up in the early 90's and release his highly successful "The One" album in 1992.Bruce presents this live symphonic hit for this week's podcast. Burn Down the MissionThis song is the concluding track of John's third album, "Tumbleweed Connection."  That was a concept album with the theme of Western Americana.  The lyrics  are a bit vague, but the story tells of a poor community oppressed by some kind of powerful force.  The singer has taken direct action to remedy the situation, and is defending his action of burning down the mission as the only way to defend his family.  Sorry Seems to Be the Hardest WordHailing from his "Blue Moves" studio album, this sad song is characterized by lyricist Bernie Taupin as "that whole idealistic feeling people get when they want to save something from dying when they basically know deep down inside that it is already dead."  Take Me to the PilotOriginally from John's self-titled second album, this song contains lyrics which both John and Taupin admit are nonsensical, but just contain words that sound good together.  Six of the 14 tracks on this live album are from Elton John's second album. Candle In the WindThis song from the "Goodbye Yellow Brick Road" album was never released as a single in the US until it was released in this live version.  Taupin used Marilyn Monroe as an archetype of the famous artist cut down in the prime of life.  He was initially inspired by hearing Clive Davis using the phrase "candle in the wind" in tribute to Janis Joplin.   ENTERTAINMENT TRACK:Theme from the motion picture SpaceballsMel Brooks is at it again, this time with his classic spoof on Star Wars.  May the Schwartz be with you! STAFF PICKS:Throwing It All Away by GenesisLynch kicks off the staff picks with this single from the Invisible Touch album that went to number 4 on the Billboard Hot 100. Genesis guitarist Mike Rutherford wrote the song and lyrics.  The upbeat music is quite different from the melancholy lyrics about a love who is leaving the singer.Don't Let Me Die Young by Andy TaylorRob brings us a solo single from Duran Duran's guitarist.  The video for the song depicts at-risk youth engaged in dangerous activities at night from crime and cars to drugs.  Taylor's album "Thunder" came out in the midst of the hair metal band's height. This single also features Steve Jones of the Sex Pistols.Alone Again Or by The DamnedWayne features a cover song originally recorded in 1967 by the group Love.  The Damned began as a punk group, and moved to post-punk, somewhat goth rock over time.  Love was an inspiration for the Damned, which encouraged them to cover this song.  The horns give the track a Spanish feel.Housequake by PrinceBruce closes out the staff picks with a party song from the double album "Sign O' The Times."  It was the B-side for the single "U Got the Look."  Prince used pitch-shifted vocals to create a higher, more feminine voice for this track.  It was originally going to be on an androgynous alter persona album called "Camille" before it was folded into this double album.   INSTRUMENTAL TRACK:21st Century Common Man, Pt. 1 by Tangerine DreamThis jazz group closes out our podcast this week.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode of The Compendium, we dive into the story of Milli Vanilli, the duo that gave us hits like “Girl I'm Gonna Miss You” and “Girl You Know It's True". They had it all stunning looks, fame, the celebrity lifestyle, only for it all to come crashing down in one of music's biggest scandals. Today we tell you what happened to Milli Vanilli, the truth behind their Grammy award scandal, and how Fab Morvan and Rob Pilatus went from rising stars to infamous symbols of industry deception. We explore the darker side of the music world involving Frank Farian and Clive Davis, Because Milli Vanilli lip-syncing was just the beginning. We give you the Compendium, but if you want more, then check out these great resources:Milli Vanilli – WikipediaBehind the Music: Milli Vanilli – VH1 Documentary EpisodeFrank Farian press Conference - YoutubeMilli Vanilli Press Conference - YoutubeFrom Stars to Scapegoats: The Milli Vanilli Scandal – Rolling Stone FeatureMessage Kyle and AdamConnect with Us:

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we'll talk about the life of a leading figure in the music industry- Quincy Jones. We'll walk through his autobiography, Q, and extract various interesting elements of pop culture and discuss how it fits into various conspiracy theories of the music industry. We'll talk about his traumas from childhood of seeing dead bodies, his pursuit of immortality, Diddy, Michael Jackson, Tupac, Will Smith, Peggy Lipton, Twin Peaks, Kidada Jones, LL Cool J, Charles Manson, Tevin Campbell and more! We'll explore if Quincy Jones was illuminate confirm by his connections to Alchemy, kundalini and various rituals!Links:Sacrifice: Magic Behind the Mic https://amzn.to/4dXyaOe - my book on hip hop conspiracies published in 2014; it's now becoming a non-fiction book apparently. Get it on Amazon or author-narrated Audible audiobook.Will Smith vs Chris Rock: Illuminati Humiliation Ritual & Channeling Spirits! https://www.illuminatiwatcher.com/will-smith-vs-chris-rock-illuminati-humiliation-ritual-channeling-spiritsTwin Peaks Primer- Creation, Location, Music & How to Enter the Grey Lodge! TP01 https://illuminatiwatcher.com/twin-peaks-primer-creation-location-music-how-to-enter-the-grey-lodge-tp01/Diddy Updates: Sex Tapes, Conspiracies, Clive Davis, Usher, Russell Brand, Ashton Kutcher, Epstein, Google & Super Bowl! https://illuminatiwatcher.com/diddy-updates-sex-tapes-conspiracies-clive-davis-usher-russell-brand-ashton-kutcher-epstein-google-super-bowl/*The Dave Chappelle Bird Revelation episode I talk about wasn't actually a podcast- it was a video that got torched when YouTube banned meShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.   

Diddy Clive Davis No Does Blues by Matthew Russell Lee, Inner City Press, Nov 3, 2024 Book: https://www.amazon.com/dp/B0DHP7YF19 Twelve new suits with a dozen Does, Now one must give her name Buzbee files with another judge, Saying the cases are the same Judge says no, not having it, This Jane Doe has struck out Diddy says he will appeal, will Subramanian let out? Diddy do it? Diddy do it? Diddy do it? US says yes TMZ on overdrive, as X feed get erased All party accoutrements, somehow get misplaced Clive Davis leers across the years, Bad Boys' Wizard of Oz Fewer supporters than Eric Adams, Freak Offs not a cause   Stories: Sean Combs Asks for Immediate Gag Order on Witnesses Before Nov 8 Filing in SDNY https://www.innercitypress.com/sdny14combsicp110324.html Documents on Patreon: https://www.patreon.com/posts/115314429 Extras on Substack (& X for Subsribers) https://matthewrussellleeicp.substack.com/p/analysis-sean-combs-bail-appeal-to Book: Diddy Do It? https://www.amazon.com/dp/B0DHP7YF19

Frank starts the third hour talking about the popularity of Uncrustables, a frozen peanut butter and jelly sandwich, among NFL players. He also gives Carmine's football picks for the week and sits down with Jim McCann, Founder of 1-800-FLOWERS and Smile Farms. He's also the author of the new book Lodestar: Tapping Into the 10 Timeless Pillars of Success. They talk about keys to success and lessons from the book. He also gives the Conspiracy of the Day about the connection between the Menendez brothers, Clive Davis and P. Diddy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank starts the show joined by WABC host Dominic Carter to talk about the Los Angeles Dodgers beating the New York Yankees in the World Series. He then talks with Kathy Boufford, an attorney and the author of the new book Divorce Matters: What You Really Need to Know When It's Time to Get a Divorce. They talk about marriage and the importance of having a good divorce. Frank talks with Danny Fingeroth, a veteran cultural critic, editor, educator and writer, whose books include Jack Ruby: The Many Faces of Oswald's Assassin. They talk about the story of Jack Ruby. He later has a discussion with Lenore Skenazy, Founder of Free Range Kids and the President of Let Grow, the non-profit promoting childhood independence. They discuss Halloween myths, trick-or-treating and children's independence. He later gives the UFO Report on Swiss documents revealing UFO sightings and an image revealed of a 'mothership'. Frank starts the third hour talking about the popularity of Uncrustables, a frozen peanut butter and jelly sandwich, among NFL players. He also gives Carmine's football picks for the week and sits down with Jim McCann, Founder of 1-800-FLOWERS and Smile Farms. He's also the author of the new book Lodestar: Tapping Into the 10 Timeless Pillars of Success. They talk about keys to success and lessons from the book. He also gives the Conspiracy of the Day about the connection between the Menendez brothers, Clive Davis and P. Diddy. Frank wraps up the show talking about Halloween. He is also joined by Noam Laden for News You Can Use and radio host Brian Kilmeade to discuss news of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gug-born Los Angeles-based Danish DJ and music producer CARSTEN "SOULSHOCK" SCHACK talks about his journey in hip hop, R&B, and Pop from Aalborg to New York to Los Angeles. He shares stories of working with his producing partner Kenneth Karlin, and with Queen Latifah, Tupac, Whitney Houston, and Clive Davis. And he talks about raising his son after the untimely passing of his wife Maxee Maxwell.Soulshock selects a work by Asger Jorn from the SMK collection.https://open.smk.dk/en/artwork/image/KKS1977-170(Photographer: Bary J Holmes)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

Dr. Boyce Watkins is a Finance PhD, renowned for his expertise in economic empowerment, particularly within the Black community. He is the founder of The Black Business School, which has helped millions of individuals learn to invest and build family wealth. As an educator, speaker, and author of "The 10 Commandments of Black Economic Power," Dr. Watkins offers practical strategies for economic advancement and legacy building. He has been featured in major media outlets, sharing his knowledge on financial literacy and wealth creation. To learn more, visit BoyceWatkins.com. For a free list of his favorite AI stocks, text 'Stock' to 87948.

Sean "Diddy" Combs appeared in a New York court today, where a potential trial date has been set for May 2025. The case has sparked significant media attention, largely due to ongoing allegations not only against Combs but also involving other high-profile figures. In a recent interview with Piers Morgan, singer Jaguar Wright made headlines by accusing several industry giants, including Jay-Z, Beyoncé, R. Kelly, and Clive Davis, of serious wrongdoing. While the veracity of these claims remains unproven, Wright's statements have led many to label her a conspiracy theorist, despite her insistence that she was once closely connected to Combs.

WHAT'S IN THE RUG? TikToker and Jonas Brothers fan Katie Santry went viral last week after a rug buried in her yard led to a police investigation, The Rizzler murdered his verse on an AJ and Big Justice track, Eminem's gonna be a grampie, and Jock Itch Joe got fired from his job at Goodwill for being too "well-endowed," amongst other things. Friend of the show Rob Schulte stands in for Tiff. Check out his pod Vanderpump Robs! On this week's after show: Discussion about "The Substance," Garth Brooks allegations, and some tea. LINKS REGISTER TO VOTE Hailie Jade Slim Shady aka Grand Pappi The Rizzler The Rizzler is featured on an AJ and Big Justice track and has the best verse “What's in the rug?” RugTok Katie Stantry's original video about potential ghost activity in her office The Columbus Dispatch reporter catches us up on the story right after the cadavers smelled something by the rug A neighbor didn't realize they were live-streaming and was heard telling the cops that Katie was making it up The tree was replaced several times by the OG owners and this one was planted 3-5 years ago Another creator who is familiar with TikTok Live video payouts explained that Katie's video about the money being stolen from her account doesn't make sense Theory about the cops lying about finding something on the rug Jock Itch Joe Joe's first video Joe shares all the reasons why he can't go to the hospital Background on Joe's card dealer parents, extended family, why he's avoiding marriage, being well-endowed Jock Itch Joe fears that he has HIV because he once dated a lesbian Explainer on “Jock Itch Joe” GuyNamedJoe1 goes viral after sharing that he's trying to get an STD test before he starts at Goodwill Joe worries that he can't work at Goodwill without a medical evaluation Joe feels comfortable talking about his fungal shell and now wants to share his back moles Jock Itch Joe is fired from his job at Goodwill after one week Joe is managing several girlfriends, his STD, and balding Follow us on TikTok, Instagram and Twitter Find more of Molly's stuff Find more of Tiffany's stuff

In this commentary episode of the Patrick coffin show, Patrick does a review of the players and principles surrounding the bull's eye of the target known as Sean “Diddy” Combs, arrested last month by Damian Williams, the United States Attorney for the Southern District of New York, and William S. Walker, the Acting Special Agent in Charge of the New York Field Office of Homeland Security Investigations.   Diddy was charged with a three-count indictment for racketeering conspiracy, sex trafficking, and transportation to engage in prostitution.     But this case is not about celebrity gossip or the downfall of one or two bad apples.    It is a revelation of the depth of depravity and denial that has always characterized the entertainment industry. The Diddy indictment alleges that between 2008 and 2024, he abused, threatened, and coerced women and others, and led a racketeering conspiracy that engaged in sex trafficking, forced labor, kidnapping, arson, bribery, and obstruction of justice, among other crimes.   In the Hollyweird orbit of Epsteins and Weinsteins, why would a Combs indictment for similar behavior shock us? There are more questions to be asked.   Topics covered in this episode:   Why is no one talking about the “family tree” of mentorship and manipulation by the man who discovered Diddy, R&B producer Andre Harrell, and the man who discover Harrell—the creepy self-described bisexual Clive Davis, founder of Arista Records. How did Diddy's career really start? The litany of people connected to Diddy who showed up dead or seriously ill, like ex-girlfriend Kim Porter, JayZ's pregnant mistress Cathy White, singer Aaliyah, and radio host Wendy Williams. Former insiders to follow: R&B singer Jaguar Wright, comedian Katt Williams, and former Diddy bodyguard Gene Deal. Troubled rappers connected to Diddy: JayZ, Drake, Usher, 50 cent, Tupac Shakur, Biggie Smalls (aka the Notorious BIG), R. Kelly   Rappers are black proxies for largely non-black owners, who seem always to escape justice   Puff Combs' Bay Boy Records (owned by BMG, sold to Sony in 2008, CEO Rob Stringer; Travis Scott's Cactus Jack Records, distributed by Epic Records, owned by Sony Music Entertainment, CEO Rob Stringer; Drake's OVO Sound, an imprint of Warner Records from its formation until 2022, CEO Aaron Bay-Schuck; Tyler, The Creator, Odd Future Records, parent company, Sony Music Entertainmen, CEO Rob Stringer; Legendary DEF JAM records, parent company Universal Music Group, CEO Sir Lucian Grainge; Jay Z's Rock a Fella Records, owned by Universal Music Group, CEO is Sir Lucian Grainge; 50 Cent's G-Unit Records, owned by Universal Music Group, CEO Sir Lucian Grainge; Usher and Justin Bieber's RBMG Island Def Jam Music Group, run by Tunji Balogun, but the parent company is Universal Music Group, CEO Sir Lucian Grainge; Yo Gotti's Collective Music Group CMG, owned by parent company, Universal Music Group, CEO Lucian Grainge; Dr. Dre's Aftermath Records, a subsidiary of Universal Music Group, and distributed through Interscope Records, CEO Sir Sir Lucian Grainge (Dickon Stainer in the UK)   The grandaddy of all the non black music executives is Clive Davis, the main puppet master of Diddy, and the man who launched careers dating back to the 60s, from Tony Orlando, the Bay City Rollers, Aretyha Franklin, Whitney Houston and many others up to: Justin Bieber, perhaps the highest profile troubled artist in this toxic space.

Find my Dilbert 2025 Calendar at: https://dilbert.com/ God's Debris: The Complete Works, Amazon https://tinyurl.com/GodsDebrisCompleteWorks Find my "extra" content on Locals: https://ScottAdams.Locals.com Content: Politics, Kamala Hispanic Support, BLM Atlanta Leader, Wildfire Aid Trump Hoax, LNG Export Pause, Sean Combs, Clive Davis, Hurricane Helene Election Interference, FEMA Helene Response, Nicole Shanahan, Pilgrim's Motivation, Nuclear Powered Data Centers, Kamala Teleprompter Glitch, FEMA Funding Shortfall, NC Hurricane Supply Flights, Pete Buttigieg, Elon Musk, GA Judge Rejects Cyber Experts, Job Numbers Fakery, CNN Harry Enten, Overseas Ballot Fraud Potential, Election Monitors Suppression, Iron Law of Oligarchy, Mike Benz, Intel Asset Migrants, Ireland Wokeness, Josh Shapiro, Butler Trump Rally, Scott Adams ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you would like to enjoy this same content plus bonus content from Scott Adams, including micro-lessons on lots of useful topics to build your talent stack, please see scottadams.locals.com for full access to that secret treasure. --- Support this podcast: https://podcasters.spotify.com/pod/show/scott-adams00/support

I'm going to save you countless hours of online research by catching you up with the Diddy scandal and conspiracies! We'll go through the ACTUAL indictment so you understand what the charges are, which will tie us into the world of Epstein with blackmail sex tapes which I'll explain through the Charles Manson Sharon Tate sex tape conspiracy. We'll look at Diddy bodyguard statements about sex tapes having celebs and politicians as well. Suge Knight enters the chat and spills the beans on Clive Davis allegedly grooming Diddy and how Usher and Bieber are involved. Then we'll go around the room with pop culture celebrity conspiracies: Russell Brand, Ron Burkle, Ashton Kutcher, Bill Clinton, Epstein, Sergey Brin, 23andMe, Nicki Minaj tweets, Usher's deleted tweets and Super Bowl conspiracies about Kendrick Lamar, Lil Wayne and the Suicideboys!Links:BONUS: Diddy 3 Hour Deep Dive- Gangsters, Illuminati Wealth, Blood Sacrifices, Satanism & Synchromysticism https://illuminatiwatcher.com/bonus-diddy-3-hour-deep-dive-gangsters-illuminati-wealth-blood-sacrifices-satanism-synchromysticism/Breaking Social Norms w/ Josie Weishaupt: https://breakingsocialnorms.com/2024/09/26/diddys-pop-culture-conspiracies-kutcher-epstein-jay-z-minaj-more/House Inhabit Substack "The Adrenochrome Witch" article: https://jessicareedkraus.substack.com/p/the-adrenochrome-witch-the-mysteryTin Foil Hat Diddy episode: COMING SOON (follow Tin Foil Hat show updates at https://samtripoli.com/)Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1WANT MORE?...Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks: *PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.  

Did Sean "Diddy" Combs orchestrate a web of sex, drugs and violence scandals that could eclipse the darkest Hollywood tales? After a federal grand jury in New York indicted the 54-year-old, and a judge ordered him to a notorious jail, we examine the history of the torrid accusations and rumours, and ask whether society is finally closing in on wealthy abusers.  Kristi tells of her time at the Playboy Mansion: "I never saw any oil, I never saw naked bodies" but she also recounts the story of when she was propositioned on the floor of the US Senate.  The charges against Combs include sex offenses and transportation for prostitution, with the indictment claiming he "abused, threatened, and coerced women and others around him to fulfill his sexual desires, protect his reputation, and conceal his conduct." His lawyer, Mark Agnifilo maintained at Combs' initial court appearance that his client is "an innocent man with nothing to hide." STORIES 00:00 Start 00:02 This week, we're helped by some unusual props00:48 Diddy's upbringing01:32 Reacting to his experience growing up02:20 Uptown Records, becoming an executive02:57 The birth of Bad Boy Records03:35 Jeffrey Epstein04:20 The song Justin Bieber wrote05:10 This could take down an empire of celebrities05:40 He's got nothing to lose07:10 Rihanna's allegations08:25 "They want to get the bigger fish" 08:40 Clive Davis, who came out in the early nineties09:40 Sexual identities and the Mormons 10:41 Diddy's lawyer defends him 11:35 A thousand bottles of baby oil13:55 Surrounded by yes people14:45 Art Acevedo, dealing with corruption in Miami as Police Chief16:00 "He predicted this about himself"17:22 Diddy's relationship with Clive Davis18:25 Justin Bieber's discomfort19:25 Turning off Michael Jackson music 20:16 The Cassie relationship22:20 Meeting Wendy Williams23:55 Oprah, and the Kardashians25:15 Drug allegations26:58 The party attendee list28:28 "It's all coming to light" 29:10 "I never saw any oil, I never saw naked bodies"30:35 It's still happening to Harvey Weinstein31:58 "I was propositioned on the floor of the Senate" 

On today's episode of PMA, the fellas have FINALLY decided it was time to speak on the DIDDLER...ENJOY!!!

Nick Bryant is a journalist who has covered Epstein, Franklin Scandal, and Diddy for over 20 years. He's known for exposing blackmail, abuse, cover-ups, and literally publishing Epstein's black book on the internet. Today we're discussing what REALLY happened in Franklin, who Epstein was working for, and if P Diddy was an intelligence asset. Welcome to Camp!

Please take our annual listener survey here! There's arguably no executive more synonymous with the music business than Clive Davis. His influence still shapes the industry today. From his creative and business balance, to the outlook for newer genres, and the salacious scandals. In today's episode, we break it all down with Zack O'Malley Greenburg, who interviewed Davis years ago for his 2012 autobiography. Hope you enjoy!Sponsors:TIDAL: This episode is brought to you by TIDAL, who are building the hub for artists to manage and grow their careers. Learn more here.Listen for our Chartmetric Stat of the Week

This is a 17 minute clip of a much longer show, on the show we discuss the many testimonies that imply that Jay Z could be next, and I do now for sure feel Russell Simmons was shaking in Bali this week. Kimora Lee posted below also adding fuel to that fire. The word is Beyonce may be secretly living separate lives from Jay z anticipating divorcing him to save her brand and career and of course all the years of cheating. There is real concern now that Diddy is doing pretrial from jail that he will offer up powerful names that did rape (under age sex) or sex trafficking like Diddy to do a plea deal. I take you through this today. We also go into the detail of the indictment press conference and detention letter. There are clues in it from the search. 50 Cent has just sold his archive footage to Netflix for docuseries for 500 million and it's supposed to be so juicy that the Southern District of NY prosecutors office will use it in Diddy's trial. We also discuss possible ties between what happened with Diddy, the NY key to the City  and Mayor Eric Adam's entire administration practically being investigated at the same time.To hear the whole episode join my community: https://www.patreon.com/DishingDramaWithDanaWilkeySupport the showDana is on Cameo!Support me in buying my merch, you can buy anything on this website and if you type in "dana" in coupon code you get free shipping and I get 50% of proceeds. https://shop.blingisthenewblack.com/collections/danawilkeyFollow Dana: @Wilkey_Dana$25,000 Song - Apple Music$25,000 Song - SpotifyTo support the show and listen to full episodes, become a member on PatreonTo learn more about sponsorships, email DDDWpodcast@gmail.comDana's YouTube Channel

All the links you need https://linktr.ee/themikeypodcast This episode explores the bombshell indictment against Sean "P. Diddy" Combs, covering charges from racketeering and drug trafficking to sex trafficking and bizarre "freak offs." Mikey breaks down the rumors about Diddy blackmailing music industry giants and whether the raids on his properties will lead to his downfall. Mikey connects Diddy's alleged crimes to the shadowy world of high-profile scandals, drawing parallels to Jeffrey Epstein's infamous legacy. We also dive into theories that industry giants like Clive Davis and Lucian Grainge may have had a hand in orchestrating Diddy's downfall. Could this be a case of blackmail gone wrong, or is Diddy simply the next Epstein? #DiddyIndictment #HipHopScandal #DiddyVsEpstein #CelebrityCrime #Racketeering #FreakOffs #TheMikeyPodcast #TrueCrimePodcast #MusicIndustry #DiddyExposed #JeffreyEpste #California #Sacramento

In this episode of Cloudlandia, Our stories highlighted agricultural aspects of central Florida and comparisons of population densities in the U.S. and Canada. We also reminisced on television's evolution from shows like Romper Room to the first color programs. We reflected on limited past options versus today's unlimited streaming and the importance of managing screen time given continual new choices. Additionally, the discussion explored social dynamics considering Dunbar's number theory contrasted against digital reach on platforms. SHOW HIGHLIGHTS Dean discusses the strategic advantages of living in Central Florida, particularly in Winter Haven, which is centrally located and offers easy access to both coasts. We delve into Winter Haven's rich agricultural heritage, highlighting cattle ranches, orange groves, and other rural aspects of Central Florida. There's an interesting comparison between the population densities in the U.S. and Canada, including reflections on Ontario's geographic size and its southern location relative to many U.S. cities. We take a nostalgic look at the evolution of television, from classic shows like "Romper Room" to the advent of color TV with hits like "The Price is Right," and how this contrasts with today's streaming culture. The episode includes reflections on how past limited screen choices have evolved into today's endless streaming possibilities, and the impact of this shift on modern screen time habits. We explore the concept of social reach and relationships in the digital age, discussing the Dunbar number and how platforms like TikTok and Instagram have changed the dynamics of personal connections. Insights are shared from the new book "Casting, Not Hiring," which introduces the VCR formula—Vision, Capability, and Reach—as a framework for modern success. Through real-life examples and personal stories, we emphasize the importance of aligning vision, capability, and reach to achieve significant accomplishments, using figures like Safali Shabari and Max Martin as case studies. The episode also discusses the importance of choosing the right tools and staying committed to ongoing exploration and self-improvement. Finally, the conversation underscores the necessity of conceptual ability to see how one can be useful to others and leverage their capabilities, vision, and reach for collaborative success. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, mr Jackson, you got through Hurricane Week. Dan: Not quite Hurricane Week, Tropical Storm Week, but we did oh. Dean: Tropical Storm A notch down in the hierarchy. Dan: That's one of the good things about living in Winter Haven. It is actually a haven from winter. We are in the center. We are perched on high dry, sandy land, so there's no storm surges, nothing like that yeah, so you're a long way from the coast, aren't you? Well, I'm actually an hour and 15 minutes from either coast. We can get to either side and we can get to virtually almost every beach in two hours. Like it's such a centrally located, we're almost in the exact geographic center of peninsular Florida, so I can get to Jacksonville in three hours and Miami in three hours and pretty much everywhere you want to be within an hour. So it's good. Dean: So I have a question because I've been there. Where is the big cattle ranching country? Is that south of you or north? Dan: It's surrounding us, but sort of north and south in the central. If you think about the middle of Florida, basically aside from the Orlando-Tampa corridor which is like this swath that goes all the way across the state from Tampa to Cocoa Beach, that area is very developed but above and below that the center is much like the Australian outback in terms of the density of population. And north of I-4. In that area there is equestrian and rolling hills and there's a lot of equestrian properties there and ranches. South of that is where you'd find a lot of the cattle ranches, sod ranches, orange groves. All of that is in the center and then you get all the way down to the Everglades and then the Everglades is one of the big national parks, it's the Everglades. Dean: Yeah, alligators I was actually on something that was described as the biggest cattle ranch, not only in Florida, but one of the bigger ones in the United States. Yes, and we drove at least 20 miles on the ranch before we got to buildings. Dan: And it was interesting. Dean: It was interesting. They had a lot of pigs wandering around and I asked them were they in the pig business? And they said no. It's just that every week or so the trail hands would like something besides beef. Dan: Right, go out and wrestle them up a hog Right. Dean: Yeah, yeah, have a barbecue, have a. Dan: Yeah, well, you can actually not too far from here you can do hog hunting, where you can go and hunt hogs in the forest, yeah, all natural. Dean: It's not. So. It's not silicon valley that we're talking about here no, we're really not. Dan: We're talking about, you know, rural florida. This is why I know, yeah, you know you look at Florida and you know people talk about population density and stuff, but there's a lot of land in Florida that is undeveloped. I mean there's a whole south of I-4, there's another highway that goes all the way across the state, called Highway 60, and through Lake Wales, and it's very undeveloped. I mean there's really nothing. All the way from Tampa to Vero Beach is where it goes and it's virtually. It's the only place I've been in Florida where you can, on certain parts of it, look as far as you can see in any direction and see nothing. I mean it's that. And somebody has bought up like 80,000 acres around what's called Yeehaw Junction, which is where the Florida Turnpike intersects with Highway 60. Where the turnpike, the Florida turnpike, intersects with Highway 60. And you could see easily that you could duplicate the entire I-4 corridor, like Tampa and Orlando, along Highway 60 with plenty of room to spare. So I'm not worried about the you know population increase in Florida. Dean: Yeah, it's really interesting. Peter Zion and one of his frequent you know he has his. You know he has videos every three days. Yeah, and you. But he was talking about all the developed countries, which would be mostly European countries, and you know Australia, new, zealand. You know he said that the US is by far the country with the least population density. I agree with that. Dan: Most any state, even Ontario you look at as densely populated as the GTA is. Once you get beyond the GTA it's pretty sparse in Ontario. Dean: Oh yeah, oh yeah I mean, yeah, there's an interesting thing. Just to give you a sense of how big Ontario is. First of all, ontario is a province in Canada, for those listening, and it's roughly about from north to south it's about 1200 miles, and from east to west it's 1400 miles. It's actually it's as big as mainland. It's almost as big as mainland Europe Isn't that amazing Without Russia when I found out. Not counting Russia. Dan: I heard when I found out you could drive north from Toronto the entire distance from Toronto to Florida and still be in Ontario. That's pretty amazing. Dean: Yeah, that gives you a context for it and most people don't realize that Toronto itself is further south than almost 20% of the United States. Dan: People don't realize that Ontario dips down no below that. Dean: No, it wouldn't be that much, but it is south of Minneapolis, south of Seattle, I think, it's south of Portland, you know, and then it's quite a bit south. I think it's south of Boston, it's south of you know everything like that. Yeah, maine all of it. It's about as south as you can get actually, yeah, but I think it's the most populated large city in the world, furthest north large city in the world oh, wow I think it's further south. I think it's further north than moscow oh, wow interesting. Yeah, yeah and yeah, and it's getting bigger, it's getting bigger. Well, there you go. Dan: Well, everyone. I'm waiting with bated breath to hear the great air fryer experiment from the Four Seasons beaches. Dean: Has your air fryer arrived. Dan: Oh, it's on the counter. Dean: Okay, it's on the counter. It's on the counter, it's been plugged in, but it hasn't been used yet. Okay, okay, we sort of inch our way into these new technologies. Dan: I got it, just unpack it and set it there for a little bit and just kind of let it live with it. Dean: Well, it's been a week now and we haven't used it. Why don't we use it? So anyway, but it is sitting on the counter. It's a ninja. Is that the kind you have? Dan: I think I have a breville is the name of uh mine. But did you get the one then? Did you get the one that steven palter posted? I have no idea. Oh okay, that's uh. Dean: So, oh yeah, that's fab you have to appreciate how little I take into this sort of thing, exactly right. Dan: I love that. Dean: There will be a who who's between me and the air. Dan: That's right? Dean: Oh, dan, that's the best Any technology in the world. I can guarantee you there will be a who between me and the technology. And I said what do you think? And I look for people who really love interacting with technology. I want that person between me and the technology and I'll ask them what's it do? What's it do? Dan: I'll tell you what I'm working on. Dean: What will it do for the thing I'm working on? Yeah, yeah, I love that and I've been pretty constant on that. I mean, you know, I was constant on this when I was six years old. I just always let some other human investigate the new technology. Dan: Yeah, and yeah. Dean: So I've lived a disconnected life when it comes to technology. What explains that? Dan: Well, I was thinking, you know about you, and I was thinking how you have the gift of being kind of brought into an era where television wasn't even a thing Like your earliest childhood was electronic free, I thought. But were you like? So you were born in 1944. And so it was six years. Probably Do you remember when you got exposed to your first television. Dean: Yeah, I think I was maybe. Yeah, I think it was around 52. I mean I had seen it, I'd been in other people's houses right they had television, but actually having our own television, I think it's maybe eight years. I was eight, so you got all the way to you. Dan: Think about this. You got all the way to eight years without being exposed to anybody else's visual bombardment of electronic propaganda or otherwise. Right, your visual input into your mind was largely formed through your own imagination. Yeah, you. You had to work, you had to create these visual pictures in your mind. Yeah, did you guys, did you? Dean: listen to radio, and I was assisted by radio. Dan: I remember radio had a big impact on me. Dean: And yeah, oh yeah, sorry, sergeant King of the Yukon. And yeah, there was Amos and Andy. We listened to Amos and Andy, andy, we listened to Edgar Bergen and Charlie McCarthy and then there was one that my siblings, my older siblings, listened to at night, which was called the dark museum, which scared the daylights out of me and the shadow. Dan: We listened to the shadow so was that the family activity no, no. Dean: Here you have to get the full impact okay, sorry sorry. Who knows what evil lurks in the hearts of men. The shadow knows. And then you had a 30 minute. 30 minute example of human evil. You know it was great but you had to do all the visuals. You know I, you were the visual director of all these radio programs. Dan: So was this? Everybody in the family gathered in the living room sitting on the couch listening to the radio like this. Is that what was going on? Dean: Yeah, there was sort of a. Yeah, there was sort of a dining room actually where you could listen. There were a number of radios. There was a radio in the kitchen, there was a radio, I think, someplace else, and it was a big house, a farmhouse, yeah, and I remember listening, imagining, you know, imagining. There was another series called Sky King, sky King, which became a TV station you know, and the Lone Ranger. We had the Lone Ranger. Dan: So there was a lot of variety, uh-huh and so, and then, in 1952, eight years old, you get your first television set. Dean: I think, so I think that would have been about then, yeah. Yeah, because I remember the first presidential election was 52. And I can remember that being on television. Who was the? Dan: president, was that Ike Eisenhower? Dean: Yeah, I like Ike, that was Eisenhower's first term. I like Ike. Dan: Now you know that's a really interesting thing. Do you remember, like your new routine when the television came? Were you watching TV every day from that period on? Or were your parents limiting the TV, or was everybody gathered around and limiting the TV, or was everybody around? Dean: and watch the TV. Yeah, I mean it was a frequent. It was a frequent activity once came in, that's all I can say I don't know, I don't know if I watched every day, but there you know, there were favorite shows. I think Arthur Godfrey was one of the early shows, the variety hour, and yeah, no, children's. I think there wasfrey was one of the early shows, the Variety Hour, and yeah, no, so Children's. I think there was Howdy Doody. Howdy Doody was. Dan: I think one of them Doody time. Dean: Yeah, and I think Soupy Sales was on and yeah. Dan: Yeah, I'm just thinking how. Yeah, I remember Romper Room. I just saw a video of Joe and I at the I Love Marketing event and I was saying we had all the people streaming from all over the world and I was doing a little Romper Room and about half the people in the audience knew about Romper Room and half didn't. Dean: That was kind of interesting. Dan: I remember I see Bobby and Johnny in their magic mirror. I used to hide behind the sofa so she wouldn't see me miss joan miss joan, miss joan. Yeah, so I was thinking about it was good, I mean I mean it was good, but it wasn't. Dean: It wasn't the major part, you know, of your you know it was only during weekdays, it was only at night and uh yeah, and on weekends I don't really there was. I don't know what the years were, but you know you got. You know, somewhere along the line you had jackie gleason and you had ed sullivan and you had other things like that, you know. But I wasn't. I can't say I was captivated because I was usually out. You know, I was outside, we lived in the country and I was out and I had really gotten hooked on reading. So I was doing a lot of reading back then. Yeah, interesting, but it is kind of what about yourself? Dan: I mean, you were born in the television age. I was born in the television age, you're right. And so every day, you know, I mean, yeah, tv was part of every day. And I was just the reason. The context for me thinking about this was thinking about how recent, you know, as each layering availability of content became unlocked kind of thing, our, you know, screen time has dramatically increased. And I was thinking all the way back to you. That's why I was thinking about you is, you know, literally your first six or eight years there were no screens, there were the only, you know, the cinema of the mind. That was your, that was your entertainment, your imagination. But I remember, so when I remember when we got our first color television right Around 19 or some early like that, and I remember the first show that I saw in color was the Price is Right with Bob Barker, and then All in the Family with Archie Bunker. That was, so you know, in the 70s. It was the Jefferson and Sanford and Sand and then all these. You know, the 70s, I think, was the golden era of television, you know, with all these shows becoming. You know, I remember Star Trek and you know all these, the Rockford Files and Starsky and Hutch, all the Love Boat, all these shows, these iconic shows in the seventies. But you only had, you know, basically the three networks was Canada, we had the CBC and TV Ontario. So those were the things and I remember as a kid, when the TV guide would arrive, we subscribed to the Saturday Star, the Toronto Star, that would arrive on Saturdays and that would have the TV guide in there, and I remember they would have it laid out like a you know a. Gantt chart, or whatever the time, the grid of times, to show you what was on. Dean: It was like a matrix. Dan: It was like a matrix you could see yeah, so it would list there were, you know. Dean: Every day had a matrix from yes till night 13 but you only had the three. You only had the three. Dan: There were 13 13 channels, yeah, to choose from three networks. And I remember the you know organizing my saturdays in the winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that winter around the cartoons. You know like okay, so I would have a highlighter which was recently invented in that or newly introduced or whatever to our household, but I would have the highlighter and I would like highlight my. I would do my programming. You know I'm going to watch. I'm going to watch the Justice League at you know eight o'clock and then I'm going to watch the Justice League at you know eight o'clock, and then I'm going to watch Batman at nine, and then I'm going to watch Shazam and then Scooby-Doo, and then it was the we're all about why CBS or ABC's wide world of sports. That was like a big thing. And I remember now how much of my childhood was around synchronous and scheduled programming Because there was no other option. If you wanted to see that show, if you wanted to watch the Waltons that was on my mom's favorite show you had to watch that on Thursday nights or whenever the Waltons were on, you know, and Little House on the Prairie, and it was like your selection, your decisions were made. It wasn't like what should we watch tonight? Of the like now, infinite choices available to us, but we actually spend probably more as a percentage of our time not you, but collectively watching, consuming screen content. It's just been an observation. I've had some of these conversations. I'm getting really conscious of really being aware of my screen time and trying to be more discerning. Dean: I was just thinking now that you've got me thinking about it. I left home in 62 when I was 18. And I can't remember until I was 40 actually having a television during that 20 years or 22 years. I went 22 years and you know I don't remember. I remember people having televisions that I would go and watch things, sports things like that but, I went 22 years so, and then, of course, I haven't watched it in the last six years, so I've got pretty close to 40 years of my life when I didn't watch television Half, almost half my life. So I think it's never been a big deal for me. Dan: Right, think now like I look at kids now, like you think about the technological sophistication and facile nature of technology to eight-year-olds today, compared to Dan Sullivan at eight, you know is pretty amazing. But your experience in the outdoors to the average eight-year-old you know? Dean: it's so funny. I never see very rare. Dan: It's very rare, even in the 70s. Like growing up, you know the whole period of my childhood like from you know, six to 12. Six to 12. You don't see the same sort of pack of kids roaming around on the street that we saw when we were, when I was growing up anyway. I mean, you know, I grew up in the suburbs so we had like a very active, you know social ecosystem. We were outside all day, every day. You know social ecosystem. We were outside all day, every day you know, playing and making things up and riding our bikes and exploring the ravines and the sewers, and our parents never really knew where we were either. I mean we were. The idea was you got up and you had breakfast and you got out and you came home when you got hungry or when the streetlights came on at night. That's the deadline, you know I heard a comedian talking about that that it was so laissez-faire when we were growing up that they had to run ads on TV at night that said it's 1030. Do you know where your children are? Had to remind our parents that they had kids. Oh, so funny and true, you know. Dean: Yeah, it was really interesting, Really interesting. We in London we have our favorite hotel where we stay in London. Dan: And across. Dean: They've taken a whole old industrial area and they've completely transformed it. So they have a hotel and then they have condos and then they have shops and there's a courtyard in the middle and you cross one of the courtyards and there's a Japanese restaurant there. I remember being in there one night and there were six teenage girls, Japanese girls 16, 16, 17. And there were six of them at the table and each of them was on their phone during the entire meal. Dan: Yeah they're all talking in direct with other people. Yeah, so funny, right? Dean: They're not even there even when they're in the presence. It struck me that their world is actually inside the phone. Well, that's my point. Dan: That's the whole point of Cloudlandia. Cloudlandia is the real world. That's where we all live in. Cloudlandia. Dean: Not me. Dan: No, when I say we all, I mean society, everything. I have to have a permanent disclaimer. Dean: You're saying a large number, a large percentage, a large percentage, a large percentage, and Sullivan excluded A large percentage of people. Yeah, yeah. And it's honestly a different world. I mean, yeah, I can't make too many comments on it because I've never really experienced that you know. Dan: So we've got a young guy in our, in our go-go agent platform. He's a young realtor in Guelph, ontario. He's in his mid twenties, just getting started on his career and stuff. He's lived in Guelph his whole life and one of the strategies that we teach people. Dean: Nice city. Dan: Yeah, guelph is a is beautiful, yeah, so he's grown up there. You know, really, you know good looking young guy, very personable. I think he's got a big future. But one of the strategies that we encourage people is to gather their top 150 relationships, the people that if they saw them at the grocery store they'd recognize them by name and stop and have a conversation with them. Right, and the hardest thing, the funniest thing is he, after racking his brain, could only come up with 88 people on his list of 150 people. And I thought to myself like the population of Guelph must be 150,000 people right In the Guelph area I mean, it's pretty good size city. I thought you know you look at this right that there's a kid who has grown up largely in the internet world, right, like largely on in Cloudlandia, and that's the real thing. The reality is that if you go outside of his bedroom and walk around on the street, he only knows 88 mainland people and he's surrounded. I was teasing him that I said are you telling me that you've lived your entire 26 years in Guelph and all you know is 88 people and you're walking around surrounded by 149,920? Npc is a gaming term, dan for non-playing characters, because all of these online video games GTA or Grand Theft Auto and all these things that are kind of photorealistic things. All the people that walk around in the background are called non-playing characters or NPCs. Ground are called non-playing characters or NPCs. And I said that's really what you're telling me is, you've spent your whole life in Guelph and you only when you step outside your bedroom, know 88 people. That's a problem If you're in a business that is a mainland business. Mainland business right. Dean: All houses are 100% firmly planted on the mainland, as are the people that inhabit those homes. Dan: So it only makes sense that you need to get an outpost on the mainland, not in Cloudlandia, you know. Dean: Yeah, I was just thinking, I was just caring of my company company, my team members. There may be some new ones that I don't know, but I certainly know 100. And then my free zone program. I've got 105 in there and you know, some of them. I have to check the list to get their name, but you know I'd be over. I'd be over 150 with those two groups. Dan: Yeah, but there's. Dean: And then there'd easily be another 100 with the 10 times group, and then there would be 20 with Genius Network. Yeah, I'd probably be 300 or 400 anyway. Dan: And it's a really interesting thing. There's a lot of thing around that. Like Robin Dunbar, the evolutionary psychology anthropologist from Oxford, he is the one that coined that or discovered that information that the 150 is the magic number. You know, that's the number of relationships that we can manage where we recognize people and have, you know, a current status in their life kind of thing, in their life kind of thing. And that goes back to our first kind of days of playing the cooperation game where we would be tribal and have 150 people and that was a security thing. If you didn't know the people around you, that was a threat. Right, you had to know everybody. So, that's part of it. If it got to 150 150 what would happen is they would split up and go off and, you know, form other tribes. But that was. There's so many naturally occurring ways that that happens, but I just noticed you know how so much of it is for me personally. Like my Cloudlandia reach is a hundred times or more my mainland reach. Like if you just think about the number of people that I know or know me from in Cloudlandia it's way bigger than the number of people that know me in Winter Haven, florida, in my own backyard, you know. Dean: Yeah, well, it's very interesting. You know good FreeZone partner Peter or Stephen Poulter. You know, with TikTok he's got he's probably got 100,000 people who believe that he's their friend, he's their guide, he's their friend, yeah, yeah, but he wouldn't know any of them. Dan: Right, that's exactly right. Dean: So it's very. Taylor Swift probably has 100 million easy, probably more who know her? Dan: Mr Beast has 350 subscribers. You think about that. That's a measurable percentage of every person on the planet. When you think about that, almost that's, yeah, more than. Dean: It'll be interesting to see what he's like at 40. I wonder he's pushing 30. He's pushing 30, now right. Dan: Yeah, I think 26 or 7. Dean: Yeah, yeah, it'd be interesting to see what that does, because we only have really interactive relationships with a very small. I mean you talk about Dunbar's 150, but actually if you see who it is you hang out with, you know in the course of a year. I bet it's less than 15. Yeah, that's less, yeah, but yeah, yeah that's less, yeah, but yeah, I think, these numbers, you know, these huge numbers that come with quadlandia, do they mean anything? Do they actually mean anything, though, you know? Dan: um, well, I think that what I mean to that? Dean: do they have any? If you have that large of a reach, does it actually mean anything to you? Dan: It certainly from a monetary standpoint it does. From a relationship standpoint it's sort of a one-way thing, yeah, I was talking to one of our social media. Dean: We have a social media team here and I said can you bring me up to date? We have a social media team here and I says can you bring me up to date? I'm out there a lot every day, aren't I On Facebook and TikTok and Instagram and everything I said? I'm out there. And LinkedIn I'm out there a lot. And she says oh, yeah, every day there's probably about you know, five to ten new messages are going out from you and I said, that's interesting Because every once in a while I run into someone and someone says boy, I really liked your Instagram the other day and I said yeah, well, I aim to please. That's your whole thing, yeah, but I have no idea what's going out. Dan: And that's, you know, that's only going to be amplified when you take, when AI starts creating or, you know, repackaging a lot of the let's face it, you've got a lot of content out there. You've spoken a lot of words, You've been, you know, if we capture, everything you say basically is captured digitally right. Dean: Yep, Danny's got a lot to say. You do. Yeah that's right and you've got your. Dan: You've got the whole organization. You're the happiest. He's very expressive. Dean: Yeah, he's very expressive. You got a lot of milk, yeah, yeah. Well, anyway we're. I think we're going to start our next big book. We did the three with Ben Hardy, which have been a huge success. And I sent Ben a note. I said it was your idea to do these things, so without your initiative none of this would have happened. And of course you wrote the three books, so without your writing none of this would have happened and we've had really good results from hot leads coming in to coach from the books. It wouldn't have happened if you hadn't done that. But you know the publisher is giving us a call every month Say do you have a new book, do you need a new writer and everything. But we're ready to go. Dan: We're ready. Dean: And I think so it's going to be. I think it's going to be the one that we're doing with Jeff Madoff casting, not hiring. Yeah, it's a nice punchy, you know, it's another one of the punchy titles and so that will come out in coach form in the first week of September. Dan: So that'll be all printed. Dean: I think it went. I think it goes tomorrow to the printer and it'll be printed up. And you know, I don't know what it is, but I think a lot of people are fooling themselves about reach because they're lacking vision and capability. They think if you have reach, you've got something. But I think, if you don't have all three, you don't have. If you don't have all three, you don't have anything. Dan: Well, I think it's, if you have capability if you have capability. Dean: If you have capability but no vision, no reach, you have nothing. If you have vision but you have no capability and reach, you have nothing. You got to have all three. Dan: Yeah, you know it's very interesting. Chad Jenkins and I were talking, you know he's one of the bigger advocates for the VCR formula vision, capability, reach, about the you know the secret of that for people that you know whether we were to express them in capital V or lowercase v and capital C, lowercase c, capital R, lowercase r to see that where somebody self I see a lot of situations where people have a capital C capability that gets discovered and all of a sudden they're thrust into reach that they have no idea, no vision of what to do with. And it's very interesting. So someone that comes to mind. There's a woman, safali Shabari, who I met in Toronto through Giovanni. She was a guest or speaker at one of his Archangel events capital C capability for parenting and that kind of advice and she got discovered by, you know, Oprah and all the mainstream. So she was kind of thrust into the spotlight that was now shining a light on her capability, which brought her tremendous, acute onset reach that she really doesn't have, in my observation, a vision for how to navigate, you know, or what to do with that. They're an abundant reach asset with no vision. You know, to connect the two and I think that happens a lot. I think that happens a lot, that people get thrust into a spotlight and they, you know, have. And often you can have reach without capability too, and that's a problem too, and that's a problem. But if your reach is a result of somebody discovering your capability, that is a big. That's the formula I was. you know I've often talked about Max Martin as a role model you know the guy who's written all the number one songs on the radio that when I really started looking a little bit deeper into it, what I found out was that it was really through the reach of of Clive Davis that Max Martin's capability became. You know that he became Max Martin capability became. You know that he became Max Martin and because he was just a guy in Sweden producing great music, with a capital C capability of making pop songs, you know, and Clive Davis, when he discovered that he, as the president of Columbia Records and the founder of Arista and Jive Records, all of these subsidiaries, he had tremendous reach to both artists and their audiences. Visionary, to pair his artists with this Max Martin capability to create this capital VCR outcome of you know, all the success that Max Martin has had. And it was only through that pairing of a capital C capability with a capital R reach and a capital V vision then it all really became a big thing. Dean: This is my observation. Dan: This is all like live, you know developing, you know thoughts here around it, because I constantly. I run that filter constantly in background, filter constantly in background. But that VCR formula is, I think, a very relevant collaboration tool, that if people were really aware of their capabilities and had transparency to other people's vision, capabilities and reach, that's where the big connections happen, you know. Dean: Yeah, I think it requires a fair amount of conceptual capability that you can. You can sort of depersonalize your situation enough to understand what your capability would mean to somebody else. And you have to have a conceptual ability to see what reach would mean. For example, I was on a podcast on Friday. I was a guest of someone who is a key player in the land development industry across the United States and he's in COACH. So he asked me a lot of questions about coach and I went through and I explained. He's got 10 years in coach and he talked about what each of those concepts meant to him and everything else. And then his podcast is going to go out to 5,000 key players in the land development land development business in you know probably 25 or 30 states and everything else. And so at the end he says you know, I'm going to send this out and I'll send all the coach information, everything else. And I got off the call and I said that was easy. Dan: That was easy. Yes, that all you had to do was stay in your C lane of your capability. Dean: I just stayed in my lane and said what we had done. And then I talked about where I thought we would be with Coach when I was 100. I'm 80 and Coach was 100. And that's kind of a significant statement. It's not the sort of thing you would hear every day from an 80-year-old of what things were going to be like when they were 100 and much bigger at 100 than at 80. And it was really interesting, but that was like an hour middle house and you know I'm just talking, you know really good conversation, a lot of back and forth and you know, both of us asking the other questions and everything else and I said that's pretty cool that goes out immediately to five thousand. That's immediately goes out to five thousand people. Dan: Uh, yeah, yeah I mean that's pretty mean, you know, when you think about this, so of staying in your, in your lane of that's. Part of the great thing is that these things are largely plug and play, you know, like, and it happens. That's why I say a multiplier. You know, with the formula vision plus capability multiplied by reach, that reach is a multiplier. Dean: Well, they're actually. Yeah, I think what it is that two of them are addition, but the third one's a multiplier. Dan: Yes, that's exactly right. Dean: In other words, you can have vision plus reach multiplied by capability. You can have vision plus capability multiplied by capability. You can have vision and capability, vision plus capability multiplied by reach. You can have vision plus reach multiplied by yeah, yeah, yeah but, I, think it's like two of them are inside of our parentheses. You have, you know yeah, then the other that's multiplied by the third one. Dan: Yeah so it's very. Dean: I'm convinced it's three yes From the triple play. So I'm thinking about a tool right now where I said who's got the big idea, who's got the big idea, who's got the ready-to-use capability, who's got the ready-to-use capability? Dan: And who's? Dean: got the ready-to-use reach? Dan: Yes, you know that's fantastic. That would be a very useful tool. I think that's a really useful framework for collaboration. Yeah, it fits so well with our whole free zone operating system, you know? Dean: yeah, because we're surrounded by those those capabilities. Dan: Everybody's got a capability in the form of, uh, their self-multiplying company that they've already kind of established. To get to that point right, most people undervalue. They mostly undervalue their own capabilities and reach. They don't see them as assets in most cases. Dean: Well, even when they have vision, the vision isn't really useful to anyone else. It's only useful to them Right. Dan: Vision isn't really useful to anyone else. It's only useful to them, right yeah? Dean: I mean your vision has to have a lot of room for other people. Dan: That's what. So, chad and I've been talking about this there's the horizontal vision is within your own capability channel. You know they see vision, maybe within how to improve their capability, or internally. All their vision is within the walls of their own company. But where the real benefit comes is with horizontal vision. I said vertical vision is within your own company vision. I said vertical vision is within your own company. Horizontal vision is being able to see what your capabilities paired up with, recognizing someone else's vision that your capabilities could help or how someone else's reach could enhance your capabilities. You know all of those that vertical or the horizontal vision is where the collaborative creativity comes yeah, yeah, there's so much yeah I think you're right that there's, you know, articulating, the thinking tool that helps you recognize and assess what your unique probably unique ability fits within a capability right. That's a thing in your organizational unique ability and your unique teamwork all fit within that capability channel. Dean: Yeah, it was really funny. I was when was it Thursday? I think I was. When was it Thursday? I think I was invited into a workshop here in Toronto and it was the lead master's group. Okay, so the lead master's group is the lead group of all the people who are still at the signature level after 20, 25 years. Okay, and they haven't jumped to the 10 times. They haven't, you know. Their next group would be 10 times. Dan: And they're a long way. Dean: They're a long way off from free zone Anyway, but we're introducing the triple play straight across the program. This quarter. So everybody's getting the triple play. And there was a group, probably about 40, maybe 40 in the room and I would say, three got it, three got the triple play Understood, yeah. And they said, yeah, well, why would I do this? And I said well to differentiate yourself from everybody else. Yeah well, I'm not sure why I would do that and everything else, and so this is why I put the emphasis you have to have a conceptual ability that's apart from you. You're just seeing something that exists, that's big and it's powerful, but it exists outside of you. It's not you. Somebody else's capability exists outside of you. Somebody's vision exists outside of you. And somebody's reach exists outside of you. And you've got to be able to see this as a reality that exists in the world, whether you want to use it or not. These abilities, these capabilities, vision and reach is outside of yourself. Vision and reach is outside of yourself. And then you have to say if I'm going to use what other people have, how do I have to be useful to them, that they would be agreeable to that, and I think that takes a lot of conceptual ability to see how you could be useful to other people. Dan: Yeah, I agree with that, that's true. Dean: Yeah, I think there's. I mean, if you can only see within your own framework, you're not going to be VCRing anything. Dan: Right, exactly, you're only going to be trying to increase, you know, or improve your own limited vision within your own situation and working on your own capabilities, and only with your own reach. It's real. That's where it's like linear. That's linear, yeah, and you know exponential is plugging in to ready to implement reach, vision and technology or capability. Dean: It's really funny because huh, well, yeah, it's who, not how. But you have to see the who's as existing, completely independent of you. They just exist. They're out there, they're doing their thing and they're not going to be interested in you unless there's a big payoff. In other words, they have to see and it was very interesting because when I talked to like first year and strategic coach, you know first or let's say, signature level first or second and people will say well, you have such great people here at coach, how do you find great people? Dan: And I said you know where I live, you know I live in such and such place. Dean: We don't have great people like you find great people. And I I said you know where I live, you know I live in such and such place. We don't have great people like you have great people. And I said I suspect you do have great people, they're just not looking for you. Yeah right, how? How do you have to be such that other great people would be interested in you as an opportunity? Dan: Yeah, yeah, amazing you have to have something compelling you do you? Dean: have to have something compelling. Yeah, not convincing, but compelling. Dan: That's right, you know, shaped with a what's in it for them. Yeah, viewpoint, you know that's. I think Joe's book is amazing to set. I can't. It's one of those things that I can't believe nobody has written that book until now, you know. But just that whole idea of thinking about your vision, capabilities and reach from a what's in it for them perspective, with other people, what you can do for other people, it's almost one of those things that it's so powerful. Dean: That's true. That's true of all new things, though. Dan: Yeah. Dean: I can't believe somebody hasn't thought about this before. Uh-huh. Right right, right yeah. Dan: Oh man, that was. So there was George Carlin. He had a thing, a little you know comment where he was saying how the English language is so incredible that you'd think everything that's possible to say has already been said, you know. But he said I'm going to say things tonight here that have never been spoken in the history of the world. For instance, he said hey, marge, after I finish sticking this red hot poker in my eye, I'm going to go out and barbecue some steaks. Nobody's ever said those words in the history of the world. So it's not. Everything hasn't been said. I thought that was pretty funny actually. So there, yeah, Well we've spent an hour. Dean: We did a good hour, I think so. Dan: I always enjoy these conversations. Dean: Yeah, and. I'm going to, I think yeah you ought to zero in on the tools. You know that, yeah, and I'm going to. Dan: I think, yeah, you ought to zero in on the tool. Dean: You know that I'll give some thought to it, but this is your tool, not my tool. I'll give some thought to it. I love it, All right. Dan: Okay, talk to you next week. Bye. Dean: Okay, bye.

Andy Vargas, acclaimed successor to the throne of Latino soul music in the U.S., has been making waves in the music industry for over two decades. As Santana's lead vocalist since 2000, he has collaborated with musical titans such as Juanes, Mana, Chris Perez, Frankie J, The Black Eyed Peas, Beyonce, and Enrique Iglesias. Given his first shot by legendary producer and managers Terry Melcher, Bruce Johnston of the Beach Boys, and Lou Adler, Andy inked a record deal at the age of 16 to Ron Fair at RCA, BMG. Here, he wrote and recorded Pop, Latin funk, and R&B Soul music. This caught the interest of Clive Davis and Carlos Santana, who asked him to support the worldwide smash “Supernatural” record. Vargas has crafted a unique music genre, earning him widespread recognition and acclaim. He has also expanded his professional reach by co-founding Malaspalabras Records (MPR) alongside acclaimed comedian George Lopez and music distribution giant, United Masters. MPR is committed to safeguarding artists' rights and launching fresh talents in both conventional distribution and the evolving Web3 arena. This year marks a significant milestone in Andy's journey as a musician. He has earned solo recognition, securing a coveted spot among the illustrious lineup of the Dave Koz Friends at Sea Cruise. For two weeks of musical bliss sailing through the Mediterranean, he'll share the stage with fellow superstar musicians, promising an unforgettable experience for all aboard.% But Andy's musical odyssey doesn't end there. He's set to join his mentor, the legendary Carlos Santana, and the Santana Band for the 2024 Oneness tour, featuring the iconic Counting Crows. This collaboration with musical giants is a testament to Andy's talent and unwavering dedication to his craft. Beyond his musical pursuits, Vargas is dedicated to giving back. In 2015, he founded The Andy Vargas Foundation (AVF), a non-profit organization with a mission to inspire, mentor, and educate underprivileged youth with dreams of making it in the music industry. AVF offers a host of free community programs, such as instrument training, vocal coaching, music composition and production workshops, music business courses, and college scholarships. Amidst these grand ventures, Andy remains deeply connected to his roots, finding solace and joy in performing on his favorite local So Cal stages, Spaghettini in Seal Beach and Herb Alpert's Vibrato, throughout the year. Here, amidst the cozy ambiance and intimate setting, he shares his gift with fans, creating moments of magic that linger long after the last note fades. --- Support this podcast: https://podcasters.spotify.com/pod/show/matt-brown57/support

In this engaging episode of Backstage Sonoma, host Steve Roby had the pleasure of sitting down with the legendary Judy Collins, a distinguished singer-songwriter whose career spans over five decades. Judy begins by recounting her early influences, sharing how her father's career in radio introduced her to the Great American Songbook while her path led her to folk music. Her passion for music, which she sparked in childhood, continues to drive her today, as evidenced by her recent Grammy-nominated album "Spellbound," which features all original material inspired by a long-standing suggestion from Leonard Cohen.  As the conversation unfolds, Judy reflects on the evolution of her music over the years. She credits her broad experiences and serendipitous encounters with influential artists for much of her success. Judy vividly describes how she was first introduced to Joni Mitchell's "Both Sides Now," a song that became a significant part of her repertoire. She also touches on her podcast "Since You Asked," which allows her to explore and share stories with her audience, highlighting a memorable interview with Clive Davis about the artists who have slipped through his fingers. Judy's multidimensional creative life, which encompasses music, painting, filmmaking, and social activism, is a testament to her versatility. She reveals how these different forms of expression intertwine and enrich her artistry. Finally, Judy gives a sneak peek into her upcoming U.S. fall tour, promising fresh shows with a mix of familiar hits and new material from "Spellbound." Her candid advice to aspiring artists underscores the realities of a music career, emphasizing the need for perseverance and a love for the craft. The interview concludes with Roby expressing gratitude for Judy's immense contributions to music, leaving listeners excited for her performance at the Mystic Theater in Petaluma.

Join us as we explore the incredible journey of Kianna Henson, aka KJ Rose. From her roots in Southside Chicago to her academic achievements at Florida A&M, KJ's story is one of passion, perseverance, and profound success. You'll hear firsthand about her early days overcoming stage fright and then balancing a corporate job with session artist gigs and finally her evolution into a sought-after performance coach. She has worked with massive stars like Janet Jackson, Britney Spears, and Justin Timberlake, major brands such as Doritos, Adidas, and Amazon, and has an exciting newly published book, "The Rose Effect: Eight Steps to Delivering the Performance of your Life." KJ's storytelling is both inspiring and educational, offering valuable lessons from her experiences with industry giants such as Clive Davis. This episode is a treasure trove of insights for aspiring artists and anyone curious about the world behind superstar performances. Buckle up for a vibrant, energetic, and deeply inspiring conversation with KJ Rose."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/.Send us a Text Message.Support the Show.

Join us for Part 2 of our conversation with KJ Rose as she reveals her transformative journey, from signing to discovering her true calling in coaching. She shares with the guys her invaluable lessons learned from music industry giants like Clive Davis, and how these experiences shaped her passion for helping other artists find their unique strengths. KJ Rose offers a deep dive into her personalized artist development strategies, including her impactful work with Lil Nas X. Learn how she tailors her coaching to each artist's narrative and strengths, ensuring they shine both in the studio and on stage. And hear about her collaborations with iconic figures like LL Cool J and Nas.From directing performances to fostering brand collaborations, KJ's multifaceted role is crucial in an artist's career journey. Through high-profile campaigns and intimate coaching moments, KJ emphasizes the importance of continuous growth, constructive feedback, and creating supportive environments. Tune in to understand the intricate balance between artistry and branding and get inspired by KJ Rose's dedication to empowering artists at every stage of their careers."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/.Send us a Text Message.Support the Show.

Sylvester Stewart was born in Dallas, Texas, but moved to the Bay area of California before becoming a multi-instrumentalist and changing his name to Sly Stone - the primary driver of the group Sly and the Family Stone.  This was one of the first integrated groups, and one that crossed many genres.  They played what would become known as psychedelic soul, but you can trace the origins of funk, soul, and psychedelic music through Sly and the Family Stone.The first Family Stone album was called “A Whole New Thing,” and it caught good critical coverage.  Unfortunately it was a commercial failure.  Clive Davis asked for a more pop friendly sound, and Sly Stone created an approach to their second album, Dance to the Music, which followed a formula.  Each lead singer would take turns on lead vocals or sing together in unison, the songs would feature a prominent solo for the instrumentalists, and the lyrics would appeal to a wide audience even though they would still focus on peace, love, and opposition to racism.  The group really did not care for the formulaic approach of this album, but it worked when it came to commercial appeal.  “Dance to the Music” became a top 10 pop hit, and it inspired several groups to gravitate towards psychedelic soul, including the Temptations, the Impressions, and the Four Tops.Sly Stone is the primary driver of the group, writing almost all of their songs, serving as a multi-instrumentalist, and as a primary vocalist.  His borhter Freddie Stone is on vocals and guitar, and his sister Rose Stone joins the group for the first time on this album.  Other members are Larry Graham on vocals and bass, Cynthia Robinson on trumpet and vocals, Jerri Martini on saxophone, Greg Errico on drums, and backing vocals by Little Sister (Vet Stone, Mary McCreary, and Elva Mouton).Sly and the Family Stone would release a number of songs to hit the top 10 in the Billboard Hot 100 in the years to come.  The follow-up album to this one is called "Stand!," and is considered the band's high water mark, along with their performance in 1969 at Woodstock.  The band would encounter instability and drug problems as time went on, with the original group dissolving in 1975.  Sly Stone would continue to record as "Sly and the Family Stone" for many years afterwards using rotating musicians, until drug problems basically forced him to retire by 1987.Bruce brings the early funk for this week's podcast. Are You ReadyThis song is an expression of opposition to racism with lyrics like "Don't hate the black, don't hate the white, of you get bit, just hate the bite.  Make sure you heart is beatin' right."Ride the RhythmThis song starts off side two of the album.  It is a straightforward dance song, and has some obvious comparisons to James Brown.  It has a nice mix of horns and "wah wah" guitar.Don't Burn BabyScat was an early precursor to rap music, and this track is a good example of a rapid rhyme scat.  The eastern feel is also reminiscent of George Harrison.  "Don't burn, baby, burn.  Just learn, baby, learn."Dance to the MusicHere is the big hit off the album, and the first Sly and the Family Stone single to reach the top 10 on the Billboard Charts, peaking at number 8.  It is a straight up party record, but was also one of the most influential songs of the late 60's.  The formula used by Sly Stone to make the songs on this record are clear here, even though he and the group did not like that approach. ENTERTAINMENT TRACK:Shape of Things to Come by Max Frost and the Troopers (from the motion picture Wild In the Streets)This dystopian comedy-drama became a cult hit of 1960's counterculture.  Max Frost and the Troopers was a fictional rock band in the film. STAFF PICKS:Ain't Nothing Like the Real Thing by Marvin Gaye and Tammi TerrellLynch starts out the staff picks with a smooth grooving song off the soul duo's album “United.”  Ashford & Simpson wrote and produced this song, which became a hit within a week of its release, going to number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart.Anyone for Tennis by CreamRob brings us the theme song for the 1968 film “The Savage Seven,” an outlaw biker exploitation movie.  Eric Clapton's lyrics depict a callous disregard for all the turmoil going on in the world, with the singers discussing going out for a game of tennis while everything disintegrates around them.She's A Heartbreaker by Gene PitneyWayne features an early 60's crooner who turns to a Motown sound for this go-go hit.  It peaked at number 16 at the time.  It is about a guy who is continually drawn to a woman who breaks his heart every time.  Love Is All Around by The TroggsBruce's staff pick is probably most familiar to fans of the Christmas movie "Love Actually," where an old rocker converts it to a cheesy Christmas song called "Christmas Is All Around."  The Troggs' lead singer Reg Presley wrote it in about 10 minutes, inspired by a broadcast of the Salvation Army Band performing an evangelical song called "Love That's All Around." NOVELTY TRACK:The Unicorn by The Irish RoversThe Irish story of how the unicorn missed its appointment with Noah's Ark was on the charts in 1968, and closes out our podcast this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode of Welcome to Cloudlandia, we have a thought-provoking discussion around AI and its future implications. We introduce Juniper, an advanced voice-based AI capable of tasks from writing to coding, giving insight into emerging technologies. We explore impacts like the attention economy, where value emerges without physical costs. Success stories like Mr. Beast showcase uniqueness and AI's potential to tackle real issues. The episode delivers a well-rounded look at AI capacities and societal changes. References to early smartphone adoption phases parallel today's AI capabilities. SHOW HIGHLIGHTS We discuss the potential of voice-based GPT-4.0 AI, specifically highlighting "Juniper" with a Scarlett Johansson-like voice, and its various applications from writing to coding. We compare the current adoption of AI to the early days of smartphones, emphasizing that we are only beginning to understand AI's full capabilities. We explore historical productivity trends, noting a decline since 1975, and question whether modern technology truly enhances productivity or just alters our perception of it. We debate the role of technology giants like Mark Zuckerberg and Tesla in shaping productivity and economic measurement. We reflect on the mid-20th century advancements such as electrification and infrastructure, and compare them to today's computing power and its economic impact. We discuss the concept of the attention economy and the creation of value from digital products without physical production costs, using digital creators like Mr. Beast as examples. We consider the potential of AI in solving real-world problems such as city traffic congestion and climate understanding, rather than just creating new opportunities. We emphasize the importance of practical solutions and specific use cases to fully leverage the capabilities of advanced AI technologies. We touch on the economic shifts in the digital era, including the rise of digital transactions and the non-tangible realm of digital innovation. We highlight the unique nature of success in the digital world, using examples like Mr. Beast and Taylor Swift, and discuss the challenges and opportunities presented by new technologies. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, who is that person that gives the directions when we start the podcast? Dan: Well, I'm not sure the one that says this podcast this call may be. Dean: You are the first one on this conference phone call, oh my goodness, who is she? Dan: Who is she? She's a bot. She's not real. She's a bot. She's not real. She's not real. She's not real, she doesn't sound. Dean: I've heard worse sounding bots. Dan: Dan, I have been experimenting, playing around with chat GPT-4.0. And I use it primarily in voice mode, meaning, you know, I just say things to it and it has an amazing Scarlett Johansson-like voice that has zero, not at all like Siri or Alexa. You know where those voices definitely sound like. They are bots. This, my GPT-4O I think her name's Juniper is the voice that I chose. She sounds like a real person, I mean, and has like real tone, real inflection, real like conversational feeling to it and I realized that I don't think we really understand what we have here. I mean, I look at it and I think, imagine if that was a real person. Dean: Now, when you say we, who are you talking about? Dan: I mean the collective royal we I I'm sorry I've never been around yeah, I just think we as a when I say we, we as a society or we as the people collectively using this, it reminds me of this Seinfeld episode where Kramer got this or Jerry got his dad, this wizard organizer, and they always use it as a tip calculator, like the least of all the functions that it has. They're just excited that it's a tip calculator, and I feel like that's the current level of my adoption of Juniper. Dean: Yeah, I think the big thing is what you let's say, a year from now, level of my adoption of Juniper, you know, yeah, I think the big thing is what you let's say a year from now. You're using Juniper for a year. What do you think will be different as a result of having this capability, new capability? Dan: Well, I think it's operator, you know, I think it's operator dependent, you know, I think it's up to me what I think if you said to me. You know, I think it's up to me what I think if you said to me listen, I'd like to introduce you to Juniper. She's going to come here and she'll be within. She's going to follow you around. She's going to be here within three feet of you or discreetly out of sight, whatever you, but whenever you call she'll be right there. She is a graduate level. She is a graduate level student. She could pass the bar. She knows everything that's ever been recorded, she speaks every language. She never sleeps, she can write, she can draw, she can do graphics, she can do coding Whatever you like, and she's yours 20 to a month. Have fun, yeah, do you think you'd use it Well? that's my question is that it feels like I'm not using it and I have it. That's essentially what I have. I've got it in my pocket. You know how they said. You know the iPod was launched with the promise of a thousand songs in your pocket. Well, I think this is really like. You know, an MBA or a PhD or whatever you want in your pocket is essentially what we have, and I find it very interesting. Dean: No, I think it's unique, you know, and it's brand new. But what problem did you have that this solves? Dan: Well, I think that it's not per se a problem, but I think that we're I really have been observing and thinking, and I've said it you know in lots of our conversations, that I think that 2020, you know, if we take the 50-year period from 1975 to 2025, that we've pretty much set the stage now for a new plateau launch pad kind of at the same time. I don't. I think that once we understand and people you know, I think it's almost like the iPhone had the app store, that became what Peter Diamandis called the interface moment. Right, that was the you know, that allowed, once people realized that the capabilities of the iPhone to both measure geographically where you are at any precisely at any moment, the gyro thing that can detect movement, the sound, the camera capabilities, the touch screen, all of those things, Well, people realized what the baseline capabilities of the phone were. They were able to architect very specific, you know, starting with games very specific ways to use the capabilities that are very specific ways to use the capabilities that are built into the phone and I think that right now it's almost like it can do anything, and I think that we need to figure out the very specific use cases and I think we'll see people. Dean: You keep saying we, but I don't think we is going to do it. I think you know, who we are. Do we have a cell phone number? Do we have a street address? You know, I think you're having a very interesting personal experience with the new technology. Yeah, I don't know, I don't know if anybody else is going to be in on this, but the big thing is, how are you going to set it up so that you can prove that this is valuable? I mean, let's say, three months from now the time you come back to. Toronto for your next strategic coach pre-zone workshop things you're going to test out and see if the inclusion of this spot with a very sexy Scarlett Johansson voice. This isn't the issue that she sued somebody for. Dan: I think it's, I don't know actually this voice is. It's not exactly her, but it's, you know, it's that tone and things. Dean: So yeah, so. Dan: I don't know that. It's a pleasing voice, much more pleasing and personal than Siri or Alexa, for instance. Yeah, but yeah, I think you're absolutely right it does come down to and I think that's where the paralysis of you know the it can do anything, but you know what would be you know where my mind goes. Dean: It's which, how that I already have, but am I going to assign this capability to so that I don't have to spend any time whatsoever interacting with this bot? But my who's a you know who's a live human being working for a strategic coach would that person actually work? Do this, you know, and actually and I tested out for three months what are you getting done faster? So, for example, we have an AI newsletter that rewrites itself every two weeks and chooses new content, designs it and goes out and it uses up one hour of my Linda Spencer, who's one of my team members on the marketing team, and it's very interesting, I mean we have about 2000 people who read it and they grade it and everything like that. But the only thing I have to do every two weeks she said here's the news, here's the results from the last newsletter, here's the design and contents of the next newsletter, yes or no? And I'll go through. I say, yeah, looks good, send it out, right. Yeah, now, that's not freeing me up, because we never had this capability before. It's a new capability, right, and it's been going for about nine months now and people will talk to me about it and you know everything like that and everything like that. But I haven't seen that it's made a huge difference in the crucial numbers of strategic coach, which are marketing calls. Are we generating great leads that people are talking to us about? Are they signing up for the program? Are they whatever? So the normal measurements. So I think, with any technology, the first thing I would establish before I got interested in the technology is what are the crucial numbers that we have that tell me that our business and myself are moving forward? And then, whatever I'm going to use the new technology for, it has to have an impact on those numbers. Yeah, I think that's yeah, because you know the amount of productivity. I'll use the United States as an example. You mentioned 1975 to 2025, 50 years of individual productivity in the United States was much higher in the 50 years before 1975, since it has been for the last 50 years since 1975. Even though there are these amazing books and that about how productivity is going through the world with the microchip. But the actual numbers which are gathered by the US government, the US Treasury Department, us Department of Labor, indicates that the level of individual productivity has actually gone down in the last 50 years even though the excitement level of productivity has gone through the roof. Dean: By what measurement? What are they deciding? Is product? Dan: Dollars of economic activity per hour per worker. Okay, that's how productivity is measured. Dean: The number of workers. Dan: You have the number of hours they work and the amount of economic dollars that their hour of activity produces. The productivity was much higher total for the entire all workers. Dean: But is it all productivity or personal productivity? Like are you saying no all? Dan: productivity? No, the entire GDP of the economy, measured by the number of workers. Yeah, okay by the number of workers it's going down, it's down. No, yeah, since 1975, it's not as great as it was from 1925 to 1975. So that 50-year period the productivity levels in the United States were bigger than the last 50 years. Dean: Wow, that seems. That's surprising. What do you think that means? Dan: Well, a lot of people are really excited and involving themselves in technological activity that produces absolutely no productivity. Yeah, they're very excited, they're very excited and they're getting very emotionally connected to this activity. But you know, I'm not saying that's not a great thing, I'm not. Maybe they're having more fun, Maybe they're you know, maybe they have. Dean: What actually counts as GDP. Dan: Well, GDP is amount of sales amount of sales. Dean: Okay, so would the advertising sales that Mark Zuckerberg makes for Facebook count as GDP, or is it only in physical, like you know, shippable goods, or whatever? Dan: Well, whatever, uh, you have a dollar spent on something that constitutes a sale to sale. Dean: Okay, so advertising, so Google and Facebook and Netflix and all of those things count as GDP? Sure, okay, all right, then that seems impossible. Dan: It seems impossible, but it's true. Dean: That's pretty wild. Dan: Yeah yeah. I'm not saying that Mark Zuckerberg isn't making a lot of money. I'm not saying Mark. Zuckerberg isn't productive. My feeling is that the technology is created, makes a lot of other people non-productive. Dean: Yeah, and I wonder I mean that's a do you think you know if you measured that in terms of the total population versus the workforce? Is that what? In terms of the total population versus the workforce, is that what you know? I'm just looking for some explanation of this right. Dan: Somewhere along the line, there has to be an economic transaction for it to constitute and everything else. See, this is the difference. Yeah and everything else See this is the difference? China talks about its GDP, but they don't use the same term that everybody else in the world uses. They use the economic value of what they've produced. So they can produce a million machines and they're sitting in a warehouse and they count that as GDP gross domestic product. But there was no sale, it's, you know, they spend it, it was an economic activity. There was a transaction there, but there was no sale. So I think that's the big thing. It doesn't count unless there's a sale. Dean: GDP, doesn't it? Dan: doesn't count as GDP unless there's a sale. Somebody makes money, yeah. Dean: Okay, money Okay, yeah, yeah, I mean, it's pretty. Dan: No, I'm not saying it's not exciting. And here's the. Dean: Thing. Dan: Maybe it's an A&I, it's what I would R&D stage. The last 50 years have been R&D stage. For the next 50 years, which are going to be 100 times bigger of GDP. Okay, that may happen, but it's not happening yet. Dean: Yeah, yeah, I mean it's pretty, yeah, it's pretty wild. I mean you can definitely see, like the capabilities of you know, you can definitely see this replacing many customer service interactions, for sure. For instance, it's like a you can definitely see that going away, that there's not going to be a need for humans manning a customer service telephone center, for instance you know, yeah, I mean if it's good, I mean if it's good you know, and it depends upon the service that's being talked about, but if it's good, you know, maybe it does See, efficiency is not effectiveness. Dan: You know, and effectiveness is that you made a sale. Efficiency is we took all the activities leading up to a sale and we made them more, faster and easier. Yeah, the question is did you get a sale out of it? Dean: Mm-hmm. Dan: Mm-hmm, yeah, so. I don't know, but I think there's a bit of a magician show going with a lot of different kinds of technology, you know. I mean, it was like somebody was saying, you know, they were talking about EVs and specifically they were talking about a Tesla, and specifically they were talking about a Tesla. And he says do you know how much faster zero to 60 is in a Tesla than any gas-powered? Or you know, and I said, to tell you the truth, I don't know. Dean: To tell you the truth. You know. Dan: Geez, you know All the things I've been thinking about since last Monday. I'm sorry, I just didn't get to that one Anyway. And he says well, it's easily a second faster. I said good. I said now, where do you do this? There isn't any way. We're in greater Toronto, the area of greater. Toronto 6 million people, where you can go from 0 to 60 on a city street in two seconds. You know and everything like that. He said, yeah, but boy, you know, I mean, just think of that, how much faster you can go. And I said, yeah, but Teslas don't go any faster in Toronto than any other car, that's true, and usually they're stopped. Dean: Yeah, that's exactly right yeah. Dan: So I think the Tech Magic Show, I think it multiplies people's imagination, but it doesn't multiply their results. You know, I think there's something about it. And I think this is great. I mean what you're telling me. I've had some really boring people on the other end of a phone call and Scarlett Johansson would really liven it up a little bit. Dean: Absolutely yeah, yeah, exactly. Dan: Yeah, I was noticing that Cleveland hired Jack Nicholson and they still use it. It must have been 20 years ago. All the announcements, the regular announcements like don't leave your bags unattended, and things like that, oh right. There's a whole bunch of just what I would call airport announcements, and they have Jack Nicholson doing it and you stop and listen every time it starts. You know it's very effective and I'm sure and I'm sure Scarlett, I'm sure Scarlett Johansson would do a good job too. Dean: Absolutely. Yeah, yeah, it's so, it's so funny. I mean, that seems. I'm just dumbfounded by the fact that productivity has decreased in the 50 years that we're talking about here. Dan: Yeah Well, think of the 50 years, though, and you gave me that great book. Dean: Yeah, you gave me the book that was 1900 to 1950, 1925. Dan: But 1925 to 1975, the entire country was being electrified. They're laying in lines and everybody was the farm that I was on. I was born in 1944. That farm was electrified in 1928. So it was only 16 years that they had electricity. Right, and you know they were putting in the entire water systems. The Tennessee Valley Authority was putting in all these dams and the electric plants. You know Lake Mead as a result of the Hoover Dam. They were putting in all those dams and that just produced enormous jumps and the cars were going in, the gas systems, all the infrastructure for gasoline was going in. It was just a monstrously productive period of time. And then all the production that went into the second world war, which they then had as productive capability after the war stopped and so they had all the manufacturing capabilities you know and you know and so. But there's to see the thing is, the real jump that's happened is the jump in computing. There's no question. Dean: There's been a monstrous jump. Dan: It's a billion times since 1970. It's a billion times. That doesn't translate into money, and money is what productivity is based on. How much more money are you making per hour of human labor? How much more money are you making for our human labor? Now maybe somebody will say well, we got to start counting the robots in our GDP. Something is doing work. Yeah, Just I mean wow, wow, wow, the only problem with you know the only thing about robots, though they're shitty consumers. Dean: Yes, exactly that's so funny. Yeah, they don't buy anything you know. Dan: Yeah, A computer is a good worker, you know. It doesn't take breaks, doesn't get sick you know doesn't form unions anything. You know it doesn't go home, it doesn't have a house, doesn't have furnishings doesn't need furniture doesn't go out to eat. Dean: Right, right. We're definitely in a stage right now where there's opportunities more than ever for economic alchemy, creating money out of nothing, seemingly compared to 1975. I'm not sure how that happened, I think, since in the digital world we're essentially creating money out of ether, you know, out of attention, even in a way that if we just take the attention economy or the portion of the money that is derived from the advertising world in, where it was print ads, television ads, radio ads those were things that were kind of happening in 19, right and, but they were selling sort of physical goods, whereas now I remember having a conversation with Eben Pagan about this, when I did a book Stop your Divorce in 1998, when it was when PDFs were just coming to be a thing where you could create a digital document that didn't require printing a physical book and you could email that or somebody could download it. And I just realized that you know, in that we've literally sold $5 million of a picture of a book not physically printing. These thousands and thousands of books, it's literally no zero physical good. That's why I wondered about whether the GDP is only measuring you, because we're definitely in a time where you can create money from nothing and the way that was driven was from Google AdWords. Dan: You can't create anything from nothing. No, I mean nothing physical, any. You can't create any. I don't think you can create anything from nothing there. No, I mean okay, nothing physical. Okay, that's what I mean. Dean: Yeah, like you look at it, that the book, you know we created the book and turned it into a pdf that was put on a website that there's no physical manifestation of it's, only digital. You can only see it online. People would search on Google for save my marriage or how to stop a divorce, or any of the keywords we could magically get in front of those people on their screen. They could click oh, stop your divorce, how do I do that? They click on that. They read this digital. It didn't cost anything other than what was paid for was that we paid google for the, you know, for sending that, you know the ability to display that person, that opportunity to somebody. We paid google every time somebody clicked on that ad and then they would buy the book and it would automatically take them to a page to download the book. There was no inter, no human interaction and no physical exchange. It was all 100 digital and that was where, you know, I started referring to that as alchemy, really like creating money out of of bits. You know, yeah, yeah, that's so that. Dan: Yeah, I think there's no I think there's uh no question that we've moved into a what I call a non-tangible realm of creating value, creating property and everything else, but at the end of the day it all adds up somewhere where this constitutes an economic transaction and as far as the accountants care, they don't care whether it was something physical or sold or everything. There's taxes that are taken out of that. I don't see the remarkable difference. You're using a different medium, but there is work that goes into that. And you had a big payoff with one, but there were another thousand people right at the same time you were doing that and their results? They put in a lot of work, they put in a lot of effort and it didn't produce any money whatsoever. Efforts go into GDP, your efforts go into GDP and there's way more of them than there is of you. So it brings you the overall results down and you know so and we kind of know. We kind of know that. You know productivity numbers. You know, like, on a year I know people talk about well, that productivity is going to go up by 20% as a result of that. Well, that may be true for a single company, but that's not true for the industry they're in, because their new thing going up by 20% may actually make obsolete 5 or 6 or 20 other companies who have had productivity that a year before, but now they have no productivity at all. So their loss of productivity is balanced against the gain of productivity. Dean: Yeah, that's interesting. I guess you think about that. That could be true in all the casualties of the digital transition here, right Like, what do you look at? Dan: Well, certainly the advertising world, certainly the advertising world, I mean before Mark Zuckerberg and before Google, newspapers like the New York Times. Dean: Daily. Dan: Edition was very thick. Dean: Yeah. Dan: And half of it was advertising. Now it's very thin okay because, they don't have the same. Yeah, but there's winners and losers, you know, in this, and you have a technological breakthrough, you have far more losers than you do winners. Dean: Yeah, I'm looking at like I was just listening to an interview with that Tucker Carlson did with someone I forget who, some former CBS correspondent you know, and they were talking about the new. You know what's really changed now is the reach capabilities you know, like Tucker really primarily being on his own platform but using the reach of x has, you know it's the audience is accessible to everybody, as opposed to him in the beginning of their careers, the only way to get reach was to be signed to a, a digital, or assigned to a traditional network where the eyeballs were. But, now the eyeballs are accessible to everybody and it really becomes these are my words, but it's more of a meritocracy in a way that you're you know that it's available for everybody. The cream definitely can rise to the top if you've got a voice that people resonate with. Dean: Yeah, I mean, and Tucker's a star, tucker's a star. He's got his following, he's got probably a couple million followers. Whatever he was big when he was on Fox and he had the top numbers on Fox and everything like that, but there aren't two of them. Dean: Right, and you can't replace him with an AI either. Dean: No, but what I mean is we pick out the winners. It takes a lot of losers to get to a winner, you know and I think this is more extreme in the Cloudlandia world than it is in the physical world- you know. I mean, I think there's a thing called network effect and the network effect is you can only have one Amazon. Basically, you can only have one Amazon. Because, the nature of Amazon is to suck everybody's customers up into one destination. There aren't five Amazons competing with each other, and that's what digital does. A person like Taylor Swift couldn't have existed 20 years ago. They wouldn't have had the reach. Yeah, that's true, and she's got the reach today. I mean she's coming along and she's got a lot of things going for her. She's very attractive, she's very productive, she pumps out songs all the time and the songs seem to resonate with a mood in the public right now. And everybody's got their cell phones and everybody's got that. And what I'm saying is, if you have one Taylor Swift, you can't have two. Well, yeah, that's. Dean: I mean it's, I wonder you start to see that she's just a, she's one voice, right Like I look at, I've been following rabbit holes like up the chain. You know and I start so Taylor Swift is a good example that many of her biggest hits and biggest success have been in collaboration with Max Martin, who is a producer who I often talk about and refer. Second, he's got the second biggest number of number one songs to his credit, right behind. He just passed Paul McCartney or John Lennon, and only Paul McCartney is ahead of him. Now he's about five songs behind Paul McCartney. What I realized is, you know, there's a way that it's kind of like you get max martin's voice is really what is, you know, behind most of the the most popular music, or much of the most popular music, and yet not many people could pick him out of a lineup. And then then I went another layer up. It just dawned on me, like in the last couple of weeks here, that the real catalyst to Max Martin's success was Clive Davis. Who is? Do you know who? Clive Davis is the former, or still, record executive. Dean: He was the head of so far, your records so far. So far, you're introducing me to a lot of new people. Dan: Okay, great well, I, I just love this that. You know, max martin, I've been saying, as that's the thing, like you think about one thing Max Martin's one thing has been making hit records. Right, that's all he's done. Making pop songs since 1996, or what is first number one. But if you trace it all the way back, the catalyst to it because he was in Sweden, there was a group years ago called Ace of Bass and they had a number one song. But when you go all the way back to how that happened, it was because Clive Davis, who was the head of Columbia Records and all its subsidiaries, arista and Jay Records, and all its subsidiaries, arista and J Records and all of these things, he found that song. He's like a guesser and better. He was guessing that song is going to be a hit and he signed Ace of Base to bring them to America. So he plucked this obscure Swedish band out of and brought them to America and on the wave of that, created the opportunity for Max Martin to work with all these great artists that happened to be under the direction of Clive Davis. And if you go even one layer beyond that, the guy that owns Bertelsmann, you know G Music Group in Germany. They own almost all the record labels, kind of thing. It's him seeing Clive Davis and putting up a million dollars for Clive Davis to start this record label. It's amazing that it all, kind of you know, goes back to capital allocation. Dean: But the big thing is none of that has to do with any productivity. Dan: Yeah, that's the thing I wonder, you know, I mean that really. Dean: No, well, what you're talking about is. You mentioned a name. Yes, and he does this and he's very successful and he's famous for being successful. But at the same time that he was doing what he was doing, there were 9,999 who were waiting on tables and doing this on weekends and nights, yeah, okay, and they weren't making any money at all. So what. I'm saying is when you pick a winner out and you see, see how productive they are using new technology you also have to account for the people who are using the new technology and not making any money at all, and therefore it's not more productive. Yeah. Dan: Yeah. Dean: And I mean, you know we haven't talked about him for a while, Mr Beast. Yeah, and people say, see what you can do when you're 18? You won't see anything because he's so unique. And he has such a set of circumstances that there's nothing that he does that is repeatable by another person. Dan: I mean, yeah, he just became just in the last, I haven't heard anything about him. Dean: Is he still doing stuff? I don't know. Is he still doing stuff? I don't know. Is he still doing stuff? Yeah, yeah, he just became. Or is he retired at 28? Dan: No full steam ahead. Dean: He's got a 300-foot. Dan: He just became the number one subscribed channel in the world. He was the number one individual but there was this T-Series channel in India, which wasn't a person a different thing. Now he's the number one thing. He's now working on an Amazon show. He's taking his stuff to to amazon still full steam ahead with his, with his videos, but he's doing a big game show series in uh with under the amazon banner yeah, yeah, yeah. Dean: it's really interesting because you know again I go back that it seems to me that a lot you know and I've made this statement before is that a new technology comes out, or a new form of a new technology comes out. A whole series of people say I'm going to create a new company based on this technology and I want you know, I need some early investors. I need investors to get there, and so there's a whole industry for doing that in Silicon Valley and other places, and so billions are raised, not just for the one you know, not one investment, but for let's say 50 investments. And none of them go anywhere, none of them go anywhere. Dan: You know, nothing happens, okay, but people did make money because it's based on a Ponzi scheme kind of thing that the early investors get paid out by the late investors who end up pulling nothing and everything else. Dean: None of that represents productivity. Right A lot of action, a lot of excitement, a lot of money, but no productivity. And we're seeing that with AI. Goldman Sachs, the big investment bank, came out that, going on two years since open AI, we just don't see that there's any money to be made with this, except if you're like the chip maker, NVIDIA. They make a lot of money and they're very productive, and I think the reason is that I think that AI, if I look at the next 10 years, I think it's going to be very effective, it's going to be very useful and it's going to be very important for solving complexity problems that we already have on the planet. Okay, and you know, a great example is just large city congestion complexity, like Toronto, I think, may have the worst traffic congestion in North America. Dan: I did notice a big difference in that, even in the five years since I was there. Dean: Yeah. And the main reason is that they're making new cars, but they're not making new roads. Dan: Yeah, and I noticed that they've actually added a lot of bike lanes too, which have taken out some of the actual lanes. Dean: Yeah, Actual lanes, yeah, yeah, so without some new kind of solution to congestion and I think AI is the perfect tool for this and that all the traffic lights, all the traffic lights in the city are a single system and you're just changing the frequency of the lights changing and everything around the car changing the frequency of the lights changing and everything around the country, and there's a sort of a master view, how you know you can reduce the amount of people just stuck in the city by 40% if we just get all the lights. That's a complexity problem. Dan: You know and for example. Dean: The other thing is they haven't. You know, for all. The study of weather is probably the most complex system that we have on the planet and to this day they have no notion what effect clouds have on climate. You know they don't. They really. Clouds are just very complex. So if you had the ability to, I mean, they know different types of clouds and different things that happen when you have different types of clouds. They know that, but there's no unification of their understanding of the cloud system. And so you'd have to apply it to that. Now, you're not creating anything new with this. You're solving an existing problem. With this, you're solving an existing problem. My sense is that the best use of technology is always to solve some problem that you already have not create a new opportunity that's interesting. Dan: So maybe that's how I mean yeah, go ahead. I was just saying maybe that's how I should be thinking about my relationship with juniper yeah, what? Dean:what complexity problems do you have? Dan: Exactly what complexity problems do I already have that Juniper could solve for me? Dean: Yeah, like getting out of bed in the morning. That's a complexity problem. When does my first coffee arrive? Exactly yeah, why am I still thinking about this? Why at this late date. Dan: Oh man, that is so funny. Dean: It is funny. Dan: The funny thing is I posted up on Facebook right before we got on our podcast today. I took a picture of my. I have these. I have these Four Seasons Valhalla coffee cups and I took a. I made a coffee before our here and I posted up a picture of it right Pre-podcast caffeination, prior to the prior to our podcast here. So I'm fully caffeinated. I'm on the, I'm on the juice. Dean: Yeah, I will tell you this. Chris Johnson, great thinker in the FreeZone program he's got it's not his system, he's licensed his system from someone else but he had 32 callers to set up meetings with their primary salespeople for his company and he's in the placement business. He finds really good high-level people to go into construction companies and engineering companies. And he was telling us that his 32 human callers could make 5,500 phone calls and produce a certain result in a day of phoning. And since he's brought in his AI system, they can do 5,500 in an hour and produce a better result of people agreeing to phone calls. Well, that's productivity. Dan: Yeah, I guess. So yeah, pretty amazing huh. Dean: And he let go his 32 humans. Oh, my goodness. Wow, so this is AI making outbound phone calls? These are all AI and they've got complete voice capability of responding to responses and everything else. And then they get better every day. They have sort of upgrades every day for it. And that's productivity, that's productivity. Dan: Yeah, there's, yeah, that's a. That's an amazing story. An amazing story, I mean, you start to see, I just look at the things, even when we had the AI panel at FreeZone in Palm Beach. You're just seeing the things, even what Mike Kamix is able to create and the things that Lior is doing. You just think, man. Dean: I think we're early. Dan: Yeah, absolutely, we're early. Dean: Yeah, I mean I think we're in the first or second year of the internet with us, right? Dan: Exactly, I agree. That's why I say, that's why, in my summation here, I'm kind of thinking you know 2025, give it another 18 months. It's only 18 months old now when you really think about it. Right, this is it's 18 months, and give it another 18 months and we'll see that people you're already starting to see that people are taking the AI capabilities and they're honing it into an interface. That is, a logo maker, for instance, or AI. You know that it's already honed into the ability to specialize in making logos based on your prompts, or and I think that's where that's what I meant by the interface moment is people are going to start carving out, packaging very specific outcomes from the capabilities. Like, if we have these capabilities, what can we do and just deliver that specific outcome, rather than the capability to create that outcome that's why it's funny that that's kind of parallel to what I've been saying. I've seen people that are taking and training large language models based on your you know, all of the you know let's call it all the Dan Sullivan content that's been out there and then touting it as you know, having Dan Sullivan in your pocket, that you can ask Dan anything of it in your pocket, that you can ask Dan anything. But I think the ability to ask you anything isn't as useful as the ability to have Dan ask you things. Yes, I think that's the question. Dean: So in the last quarterly book, and the one we're finishing right now. So it was everything is created backward, where the tool we featured was the triple play, and then the next one is called casting, not hiring, where the tool is the four by four casting tool. We call it the four by four casting tool, and this is where I'm asking them questions. Dan: Right, okay. Dean: I don't see any value whatsoever of them asking me questions. Dan: Right. Dean: Because I'm not getting the benefit of the question. Some software program is handling it, so I'm not learning anything and I've got a rule that I don't involve myself in any activity where I don't learn something new. Dan: Okay. Dean: So there's getting the benefits, but plus we'd be competing with ourselves. Dan: I love it All, right Well off, we go. Dean: I will phone you next week I'll be at the cottage. I'll be looking out at a mystic blue lake while I'm talking. Dan: Oh, wow. Dean: It's really good yeah. Dan: Awesome. Well, have a great week, okay, and I'll talk to you next week. Thanks, thanks, dan. Bye.

Paul and Skip have an audience with music royalty: Mr. Clive Davis. The legendary label exec and current Sony chief reflects on getting his start in rock by signing Janis Joplin, laughs about giving tips on stage craft to a young Bruce Springsteen, and recalls the emotional night Whitney Houston sang for him for the first time. Davis also reveals what he looks for when signing new artists, the act he regrets NOT signing, and his favorite song. See omnystudio.com/listener for privacy information.

EP 594 with Babylon A.D. frontman Derek Davis

Closing a multimillion-dollar deal is an achievement that requires a deep understanding of your own value and the ability to effectively communicate it to others.  In today's fast-paced business environment, it's more important than ever to have a strong sense of your own worth and the unique value you bring to the table. On this Flashback Friday episode of the Share The Wealth Show, we are pleased to welcome back Clive Davis, as he continues to share the strategies he used and his experience in successfully closing multi-million dollar deals with the right mindset. After graduating from Columbia Law School, Clive worked for four years as a corporate transactional lawyer in Banking, Real Estate, M&A and Securities with a global Wall Street law firm, headquartered in NY, NY, with assignments in Menlo Park, CA and Hong Kong, China. Six years In-house counsel experience with a global pharmaceutical company, headquartered in New York. Nine years in Atlanta as a Chief Compliance Officer of a Belgian biopharmaceutical company. Clive holds a Juris Doctorate from the Columbia University School of Law and is admitted to practice in New Jersey, New York, and before the Court of International Trade. He holds a M.A. from SUNY at Albany and a B.A., with high honors, Rutgers University. Throughout the entirety of this twenty-year career, he remained actively invested in real estate with a small portfolio of holdings. Clive decided 2017 was the time and walked away from corporate life in pursuit of his interests and passion as a full-time real estate investment entrepreneur. Since founding Park Royal Capital in 2017 Clive Davis has personally invested in more than 2,500 multifamily rental units, as well as a portfolio of hotels based in Atlanta where he has resided since 2005. Most recently Park Royal Capital acquired two Atlanta multifamily properties totaling 444 units with a combined value of over $70M. So whether you're a seasoned negotiator or just starting out in your career, this episode is packed with valuable insights and strategies to help you close bigger deals with mindset and find your value in the process. So sit back, relax, and enjoy the show! ________________________________ Interested in investing in small multifamily? Learn more about The Microfamily Mavericks mentorship program here: https://noirvestholdings.kartra.com/page/microfamilymavericks Check out our podcast website! Thesharethewealthshow.com Want to leave feedback or suggestions on our show? Take our survey: https://s.surveyplanet.com/c1xu5qdv ________________________________ Quote: “Mindset is so key in this business and not just in real estate, but definitely it's needed.  You have to have the right mindset. You got to figure out what advantages you bring to the table.” - Clive Davis “You've got to know who you are and the value that you bring.” - Clive Davis “Wealth means the freedom to do the things that you deem to be important.” - Clive Davis Connect with Clive! Website - www.parkroyalcapital.com  Linkedin - https://www.linkedin.com/in/clivedavisesq/  ___________________________________________ Let's get connected!  You can find Nicole on  LinkedIn https://www.linkedin.com/in/nicole-pendergrass/ Instagram https://www.instagram.com/nvestornikki/?hl=en Facebook https://www.facebook.com/nvestornikki or Visit her website https://noirvestholdings.com  LEAVE A REVIEW & SHARE THE WEALTH by SHARING this EPISODE with someone who wants to learn the secret strategies of the wealthy and build an abundant life. You can listen to previous episodes of Share the Wealth Show here. https://podcasts.apple.com/us/podcast/share-the-wealth-show/id1622218163 

Welcome back to PPM. Diddy Declassified Dossier #1. Sub to the Patreon to support the show & access upcoming "Diddy Declassified" exclusives: patreon.com/ParaPowerMapping Our objectives: expose Sean “Diddy” Combs's confidential informant credentials examine evidence indicating the Diddler's sex trafficking ring is an intel op run the politically-motivated Tupac assassination back w/ new insights culled from the snowballing Diddy scandals & the Keefe D arrest use the Diddler as a lens w/ which to magnify the Zio powerbloc in the music industry & his enmeshment w/in it use all of the above to sketch the lengthy history of fed law enforcement & intel's efforts to infiltrate, suppress, & break up black liberation, civilian defense, communist, & nat'list movements in the US & abroad, examining the machinations & depredations of the elaborate anti-comm counterintel apparatus that maintains the power structure & status quo thru counterinsurgent, cultural programming, & mass mind control means In Dossier #1, we embark w/ a brief convo about SLANK's musical upbringing, genesis as an MC, & rev potentialities of music... From there, we properly contextualize the Diddler op within the COINTELPRO & F B I War on Black Leaders continuum; SLANK shares about the Hoover black heritage rumors & the counterfeiting dep't in the Bureau that astroturfed & deliberately stirred up shit & feuds within various civil rights & black liberation mvmts from the Harlem Renaissance to the letter sent to MLK Jr purportedly written by a fellow "clergyman" (read: white F B I staff member snake) pressuring him to commit suicide; the Hoover proclivity for kompromat collection & his fabled files; we talk the Clinton Crimeboss's Telecomm Act, music industry corporatization, & its relationship to this tale; we unpack the Ayanna Jackson incident, the NY Studio shooting of Tupac, & the coincidental surveilling presence of feds & informants at both the Tupac & Biggie crime scenes... Kicking off our hard-hitting bio of Sean “Puffy” Combs, we examine his Air Force serviceman Dad's biz ties to Frank Lucas; his likely gang warfare murder when Combs was 3 yrs old; Diddy's internship w/ Andre Harrell at Uptown, his abortive Howard U career & sex assault allegations that date back to his collegiate party promoting days in DC; his possibly incentivized, rumored gay relationship w/ Zio music exec Clive Davis; & we conclude Dossier #1 w/ what may well be an exclusive PPM revelation re Diddy, namely our contention that the Diddler may have been caught up in a major child sex abuse scandal at the Catholic academy he attended as a teen, the implications of which are immense... That before Diddy became the Diddler, he may have been Diddled himself... And if not, there's a strong chance that he landed on the feds' radar or even established contact w/ them at that early age—possibly the beginning of his suspected confidential informant relationship. And much, much more in b/w. I'm privileged to be joined by a scholar w/ a breadth of knowledge re these topics that far exceeds my own. Helping to lead this investigation is someone who can speak to the vitality of hip hop & its revolutionary potential from a place of personal, lived experience. I'm psyched to welcome SLANK to the show—SLANK is a fearsome MC & one part of SLANK & Sunny Ture (recent release: "Nation Time Vol. 2"). SLANK is also a deep historian & a law school grad. The ep opens w/ SLANK's track “Battle Kings”, so if you dig, make sure to check out his projects & give him a follow on Twitter @DabSquad_Slank. Also, a huge shout out to Robert Voyvodic, who took SLANK's & my scribbled chicken scratch Diddler power map & rendered it in glorious, mechanic network graph detail. Def give Robert a follow on Twitter at @rvoy__ & bring him your digital artwork & design needs. Tracks: | SLANK - "Battle Kings" | | Prince Philip Mitchell - "If We Can't Be Lovers" | | Tupac - "Trapped" | | R. Kelly - "I Can't Sleep Baby (If I) Remix" |

In today's Flashback Friday episode of the Share The Wealth Show, Clive Davis will be discussing a common misconception about passing W2 income to your heirs, and his journey of leaving the corporate world to provide his children with more opportunities and choices in life. ✨ After graduating from Columbia Law School, Clive worked for four years as a corporate transactional lawyer in Banking, Real Estate, M&A and Securities with a global Wall Street law firm, headquartered in NY, NY, with assignments in Menlo Park, CA and Hong Kong, China. Six years In-house counsel experience with a global pharmaceutical company, headquartered in New York. Nine years in Atlanta as a Chief Compliance Officer of a Belgian biopharmaceutical company. Clive holds a Juris Doctorate from the Columbia University School of Law and is admitted to practice in New Jersey, New York, and before the Court of International Trade. He holds a M.A. from SUNY at Albany and a B.A., with high honors, Rutgers University. Throughout the entirety of this twenty-year career, he remained actively invested in real estate with a small portfolio of holdings. Clive decided 2017 was the time and walked away from corporate life in pursuit of his interests and passion as a full-time real estate investment entrepreneur. Since founding Park Royal Capital in 2017 Clive Davis has personally invested in more than 2,500 multifamily rental units, as well as a portfolio of hotels based in Atlanta where he has resided since 2005. Most recently Park Royal Capital acquired two Atlanta multifamily properties totaling 444 units with a combined value of over $70M. So, join us as we dive into Clive's journey and the importance of building wealth and creating opportunities for the next generation! ________________________________ Interested in investing in small multifamily? Learn more about The Microfamily Mavericks mentorship program here: https://noirvestholdings.kartra.com/page/microfamilymavericks Check out our podcast website! Thesharethewealthshow.com Want to leave feedback or suggestions on our show? Take our survey: https://s.surveyplanet.com/c1xu5qdv ________________________________ Quote: “If you believe in yourself, failure is not an option.” - Clive Davis “It doesn't matter how highly compensated you are, you cannot pass on a high W2 income to your heirs. So, you've got to be thinking about, If I am blessed to be highly compensated, what am I doing to convert that high W2 income into appreciating assets that are going to contribute to the creation of generational wealth.” - Clive Davis “When I talk about generational wealth, I'm talking about impacting my not yet conceived grandchildren. So, I already know my kids are going to be fine, but I'm talking about leaving something that my grandchildren, who may or may not come to know me, they will be fine based upon the foundation that I've set for them.” - Clive Davis “I wanted them (my kids) to have the privilege to be able to select the thing that they are truly passionate about. I think you should give your children all the privilege that you you're able to and you're blessed to.” - Clive Davis Connect with Clive! Website - www.parkroyalcapital.com  Linkedin - https://www.linkedin.com/in/clivedavisesq/  ___________________________________________ Let's get connected!  You can find Nicole on  LinkedIn https://www.linkedin.com/in/nicole-pendergrass/ Instagram https://www.instagram.com/nvestornikki/?hl=en Facebook https://www.facebook.com/nvestornikki or Visit her website https://noirvestholdings.com  LEAVE A REVIEW & SHARE THE WEALTH by SHARING this EPISODE with someone who wants to learn the secret strategies of the wealthy and build an abundant life. You can listen to previous episodes of Share the Wealth Show here. https://podcasts.apple.com/us/podcast/share-the-wealth-show/id1622218163

RIP guitarist Dickey Betts, a new Tom Mazawey merch scandal, more Diddy allegations, a brand-new Bonerline, Suri Cruise v. Tom, and Jim Bentley returns with another One Hit Wonder list. RIP Dickey Betts. Tom Mazawey joins the show to defend himself from merch-lending allegations. We discuss the boring new Lions uniforms, Michigan's recruitment violation punishment, Denard Robinson's OWI, keep tabs on the Tigers, the Wings end and more. Love died with The Golden Bachelor. Diddy: He allegedly slept with Reginald VelJohnson. He allegedly slept with Clive Davis too. Hey Megan Fox… why you look different? Same question to Lisa Rinna. Did Drake do a nose job? Clint Eastwood looks OLD. Kanye West punched a guy last night. Joy Mode brings you the Bonerline! Use promo code DREW. Call or text 209-66-Boner to communicate with the show. Drew defends himself after being scammed. Politics: Donald Trump was really cold in court today. Two jurors have been bounced. A 16-year-old used the term ‘illegal alien' at school and was suspended for it. Ilhan Omar's daughter has been suspended. Suri Cruise is not a fan of Tom Cruise. We watch Elisa Jordana's cop cam. Tiffany Gomas is hocking right-wing products. A couple whores decided to bang everyone on Spring Break in Cancun. Jim's Picks: 2000's One-Hit Wonders. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Ed Eckstine is a name that has come up during multiple QLS interviews. Now he sits down to talk about not only growing up in a legendary household where icons regularly stopped by, but he shares 50 years of music industry history. Ed recalls working at Quincy Jones Productions before his time with Clive Davis at Arista working with Whitney Houston and Kenny G. Eckstine also talks about his years leading Polygram and Mercury, where he signed acts like Tony! Toni! Toné!, Vanessa Williams, and Brian McKnight. This is a joyful deep dive filled with anecdotes, intersections, laughter, and two hours of insider wisdom.See omnystudio.com/listener for privacy information.

In this podcast extra, MSNBC's Ari Melber interviews record executive and lawyer Clive Davis for the 20th Anniversary of the Clive Davis Institute. This interview was recorded at New York University.