Podcasts about AOR

On-Location Interview with Rachel Moss of Attorneys On Retainer - On-Location at NRA Annual Meetings 2026 – GunFreedomRadio, from the 2026 NRA Annual Meetings & Voices of the Second Amendment Media Row in Houston, TX. Rachel is a criminal defense attorney with Attorneys for Freedom, dedicated to protecting clients' rights and advancing the liberty movement. An ASU Law graduate, she blends advocacy, service, and faith. Attorneys on Retainer (AOR) is the Ultimate Prepaid Legal Self-Defense Program Owned by a Law Firm. AOR is backed by Attorneys For Freedom, an independent AZ law firm exclusively representing clients in self-defense cases, offering representation in all 50 states and DC in collaboration with local co-counsel. (GFR ais an affiliate of AOR engaged in marketing and receive compensation when someone joins AOR using our promo code: GFR.) Recorded live from the 2026 National Rifle Association Annual Meeting in Houston, TX. This special Voices of the Second Amendment series captures the energy, insight, and passion of one of the most influential gatherings in the firearms community. From the Voices of the Second Amendment Media Row, GunFreedomRadio brings you exclusive, on-location interviews with industry leaders, advocates, educators, and everyday Americans who are shaping the conversation around our constitutional rights. These candid discussions highlight innovation, responsibility, and the shared commitment to protecting and preserving the Second Amendment, and each episode offers a unique perspective—amplifying the voices that inform, inspire, and impact the future of freedom in America. The 2026 NRA Annual Meetings & Exhibits took place at the George R. Brown Convention Center on April 16-19, 2026 in Houston, Texas. The Exhibit Hall showcased over 14 acres of the latest guns and gear from the most popular companies in the Industry.  Originally Aired 5.22.26

Nuevo programa cargado de novedades dentro del mundo del Hard Rock , Heavy Metal , AOR... Un repaso a la actualidad mas caliente combinado con algunos clásicos de pasado, presente y futuro Han sonado en el programa: -Zan/Cody , Crashdiet , Confess , Savaged , Art Nation , Iconic , Robin Beck , Jhon Diva & the Rockets Of Love , Dan Byrne , Five Finger Death Punch , Living Wrekage , Corey Taylor , Lordi/Noora Si os gusta el programa aporta tu granito de arena dale al ❤️ comparte y comenta... ✔️X: @radiohardrock75 ✔️Instagram: https://www.instagram.com/radiohardrockpodcast/ ✔️e-mail: radiohardrock75@gmail.com

HOLLYROCK — ROCK EN EL CINE Vol. 2 Volvemos a uno de esos formatos que mejor representan el espíritu de HOLLYROCK: Cine y música caminando juntos. Porque hay canciones que no solo recordamos por cómo suenan… sino por la escena, el personaje o la película con la que quedaron unidas para siempre. En este nuevo volumen viajamos por el cine de los 80, 90 y algunos títulos más recientes para hablar de películas muy distintas entre sí: acción, comedia, thriller, terror, cine de culto… pero todas conectadas por algo muy importante: grandes canciones de rock, hard rock, heavy y AOR. Desde clásicos absolutos como Rocky IV, Cocktail, Casino o Flashdance… hasta joyas más ocultas como Real Genius, Iron Eagle o Sin escape. Y como siempre en HOLLYROCK, no se trata solo de poner canciones. La idea es volver a esas películas, recordar por qué funcionaban tan bien, hablar de sus actores, de su ambiente, de lo que transmitían… y escuchar cada tema dentro de su contexto cinematográfico. Hay cine de videoclub. Hay películas de culto. Hay nostalgia ochentera. Y también algún descubrimiento moderno. Todo unido por guitarras, escenas inolvidables y bandas sonoras que ayudaron a definir generaciones enteras. Así que prepara las palomitas, sube el volumen… y vuelve al cine con nosotros. Canciones que suenan en este programa Michael Sembello – Maniac → Flashdance (1983) Night Ranger – The Secret of My Success → El secreto de mi éxito (1987) Megadeth – Angry Again → El último gran héroe (1993) Robert Palmer – Addicted to Love → Cocktail (1988) Ratt – Round and Round → El luchador (The Wrestler, 2008) Dio – Hide in the Rainbow → Iron Eagle (1986) Robert Tepper – No Easy Way Out → Rocky IV (1985) INXS & Jimmy Barnes – Good Times → Jóvenes ocultos (The Lost Boys, 1987) Aldo Nova – Blood on the Bricks → Máximo riesgo (Cliffhanger, 1993) Noora Louhimo – Diving Deep → Comeback (2023) Motörhead – Born to Raise Hell → Cabezas huecas (Airheads, 1994) Cher – If I Could Turn Back Time → Deadpool 2 (2018) Judas Priest – Turbo Lover → Copycat / Copicat (1995) American Pearl – Automatic → Scream 3 (2000) Fleetwood Mac – Go Your Own Way → Casino (1995) Damn Yankees – Silence Is Broken → Sin escape (Nowhere to Run, 1993) The Primitives – Crash → Dos tontos muy tontos (Dumb and Dumber, 1994) Y&T – Summertime Girls → Real Genius (1985) Un viaje por películas míticas, joyas ocultas, cine de acción, thrillers, comedias noventeras y clásicos de los 80… siempre acompañados de canciones que ayudaron a hacerlas todavía más inolvidables.

HOLLYROCK — ROCK EN EL CINE Vol. 2 Volvemos a uno de esos formatos que mejor representan el espíritu de HOLLYROCK: Cine y música caminando juntos. Porque hay canciones que no solo recordamos por cómo suenan… sino por la escena, el personaje o la película con la que quedaron unidas para siempre. En este nuevo volumen viajamos por el cine de los 80, 90 y algunos títulos más recientes para hablar de películas muy distintas entre sí: acción, comedia, thriller, terror, cine de culto… pero todas conectadas por algo muy importante: grandes canciones de rock, hard rock, heavy y AOR. Desde clásicos absolutos como Rocky IV, Cocktail, Casino o Flashdance… hasta joyas más ocultas como Real Genius, Iron Eagle o Sin escape. Y como siempre en HOLLYROCK, no se trata solo de poner canciones. La idea es volver a esas películas, recordar por qué funcionaban tan bien, hablar de sus actores, de su ambiente, de lo que transmitían… y escuchar cada tema dentro de su contexto cinematográfico. Hay cine de videoclub. Hay películas de culto. Hay nostalgia ochentera. Y también algún descubrimiento moderno. Todo unido por guitarras, escenas inolvidables y bandas sonoras que ayudaron a definir generaciones enteras. Así que prepara las palomitas, sube el volumen… y vuelve al cine con nosotros. Canciones que suenan en este programa Michael Sembello – Maniac → Flashdance (1983) Night Ranger – The Secret of My Success → El secreto de mi éxito (1987) Megadeth – Angry Again → El último gran héroe (1993) Robert Palmer – Addicted to Love → Cocktail (1988) Ratt – Round and Round → El luchador (The Wrestler, 2008) Dio – Hide in the Rainbow → Iron Eagle (1986) Robert Tepper – No Easy Way Out → Rocky IV (1985) INXS & Jimmy Barnes – Good Times → Jóvenes ocultos (The Lost Boys, 1987) Aldo Nova – Blood on the Bricks → Máximo riesgo (Cliffhanger, 1993) Noora Louhimo – Diving Deep → Comeback (2023) Motörhead – Born to Raise Hell → Cabezas huecas (Airheads, 1994) Cher – If I Could Turn Back Time → Deadpool 2 (2018) Judas Priest – Turbo Lover → Copycat / Copicat (1995) American Pearl – Automatic → Scream 3 (2000) Fleetwood Mac – Go Your Own Way → Casino (1995) Damn Yankees – Silence Is Broken → Sin escape (Nowhere to Run, 1993) The Primitives – Crash → Dos tontos muy tontos (Dumb and Dumber, 1994) Y&T – Summertime Girls → Real Genius (1985) Un viaje por películas míticas, joyas ocultas, cine de acción, thrillers, comedias noventeras y clásicos de los 80… siempre acompañados de canciones que ayudaron a hacerlas todavía más inolvidables.

This week the people demanded it, and we complied! Therefore, we give you “Grave Mistake: ZEBRA Shoulda Been Huge!!!”. This is our celebration of an amazing power trio from New Orleans / Long Island that has been largely forgotten in the pantheon of rock n' roll. They also happen to be very musically proficient, with a bona fide guitar god in the band that rarely gets the praise he deserves!  This episode is rooted in our Should Have Been category. This is a band that Captain Content casually mentioned a few weeks ago and our socials lit up like a Christmas tree. While their first album went gold in the US, they have been largely forgotten in the hard rock world today. We think they should be remembered as titans of rock alongside the likes of RUSH and TRIUMPH! Songs this week include: Zebra - “Tell Me What You Want” from Zebra (1983) Zebra - “As I Said Before” from Zebra (1983) Zebra - “No Tellin' Lies” from No Tellin' Lies (1984) Zebra - “Drive Me Crazy” from No Tellin' Lies (1984) Zebra - “Better Not Call” from 3.V (1986) Zebra - “Wait Until The Summer's Gone” from Zebra Live (1990) Zebra - “K.K. Is Hiding” from IV (2003) Zebra - “Walk With You” from Live At City Winery (Boston, MA 10/11/25) (2025) Zebra - “Who's Behind The Door” from Zebra Live (1990) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

EPYSODE 83: Lane Changer by Michael Fennelly. Guest: Michael Fennelly. Additional commentary by Uncle Herff. This week it's our final stop on our "Fennelly Fest" as we turn our attention to Lane Changer, the underappreciated solo LP from Michael Fennelly. Moving beyond the lush studio experimentation of The Millennium and the punchy pop-rock of Crabby Appleton, Fennelly steps into a more personal, grounded sound blending West Coast sensibilities with the polish of early AOR. With sharp songwriting and a reflective tone, Lane Changer captures an artist navigating both creative evolution and an ever-shifting music industry. Fennelly shares firsthand insight into the making of the record, the influences behind its sound, and why a record this strong slipped quietly out of view. Want an added bonus? Michael allowed us to use one of his unreleased tracks for the epysode! A hidden gem of the mid-'70s, this album is the sound of an artist finding his footing just as the road ahead begins to change. I hope you dig Lane Changer as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon for as little as $2/month using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X @VinylRelicsPod Email me @ ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured. *denotes track is not available on Spotify. https://open.spotify.com/playlist/1jTUuz4j7BZ13qss0BjYtS?si=a73afce1d9b7470a THE MILLENNIUM “It Won't Always Be The Same” CRABBY APPLETON “Go Back” THE FACES “Wicked Messenger” MICHAEL FENNELLY "Lane Changer" MICHAEL FENNELLY "Touch My Soul" MICHAEL FENNELLY "Won't You Please Do That" MICHAEL FENNELLY "Over My Dead Body" MICHAEL FENNELLY "Dark Night" MICHAEL FENNELLY "Easy To Love" MICHAEL FENNELLY "Shine A Light" MICHAEL FENNELLY "Bad Times" MICHAEL FENNELLY "Flyer" MICHAEL FENNELLY "Watch Yerself" MICHAEL FENNELLY "Give Me Your Money" *MICHAEL FENNELLY “Turn To Me” *MICHAEL FENNELLY “Stranger's Bed” *MICHAEL FENNELLY “Terror Of Love” (previously unreleased) *MICHAEL FENNELLY “Old Rock ‘n' Rollers” (previously unreleased) MICHAEL FENNELLY “Go Back” (acoustic demo) MICHAEL FENNELLY “I Don't Think That I'll See That Time Again” (acoustic demo) MICHAEL FENNELLY “The Other Side” (acoustic demo) ??MYSTERY ARTIST?? Tune in next week to find out... *NEWPORT ELECTRIC "Now It's All This" (to be released fall 2026) *MICHAEL FENNELLY “Tomorrow We Love” (previously unreleased) Learn more about your ad choices. Visit megaphone.fm/adchoices

¡¡¡Edición 499 ya disponible!!! Durante toda la semana puedes escucharlo en las emisoras de la Onda Local de Andalucía y por supuesto en tu plataforma de podcasts favorita. ¿Qué vas a escuchar? Lo mejor del HardRock, HeavyMetal, Power… y demás. Si quieres saber la playlist exacta, con las bandas y los temas, este es el enlace: https://corazonpurpurarock.blogspot.com/2026/05/programa-499.html Síguenos por las redes: YouTube: https://www.youtube.com/@corazonpurpurarock Instagram: https://instagram.com/corazonpurpurarock Facebook: https://www.facebook.com/corazonpurpurarockradio Twitter: https://twitter.com/cpurpurarock Contacto: corazonpurpurarockradio@gmail.com https://corazonpurpurarock.blogspot.com/ Sobre Corazón Púrpura Rock: Está dirigido y presentado por Gracia Santiago. Es un programa de radio musical semanal: heavy metal, hard rock, power metal, rock alternativo, AOR, rock melódico, metal… Se emite en la Onda Local de Andalucía. Además de tener una versión podcasts en varias plataformas. Nació en 2014 en Córdoba (España). Esta es nuestra 12ª temporada.

Esta semana, el programa respira nostalgia y futuro al mismo tiempo. Todo empieza con el dibujo de Fernando Nadales, un Discman que no es solo un objeto: es un símbolo. Una puerta abierta a esa época en la que llevábamos la música en la mochila, en los bolsillos, en la vida misma. Captura exactamente lo que representa Rebel Heart: la emoción de escuchar, de sentir, de recordar. Y desde ahí, el programa despega con una playlist que es pura identidad: novedades de 2026, himnos del AOR moderno, rescates gloriosos y clásicos que siguen latiendo. Grand Wild, Daniel Gazzoli Project, L.E.G.A.C.Y., Fighter V, Mindfeels, Xtasy, Iconic, Creye… y también los gigantes que sostienen la historia, como Boulevard, Jeff Paris o White Sister Este episodio es un puente entre generaciones: el Discman que nos formó, y las nuevas bandas que mantienen vivo el fuego. Es Rebel Heart en estado puro: melodía, emoción y verdad. Aquí no vienes a escuchar canciones. Vienes a recordar quién eres cuando la música te toca de verdad. Hay dibujos que no son simples ilustraciones: son puertas a un recuerdo, a una época, a un sonido que nos marcó para siempre. Y eso es exactamente lo que ha hecho Fernando Nadales con este nuevo trabajo dedicado al Discman. Este dibujo es un homenaje a todos los que crecimos con la música en las manos, no en la nube. A los que llevábamos discos en la mochila como si fueran tesoros. A los que descubrimos el rock melódico, el AOR, el hard rock… en un reproductor que nos acompañaba a todas partes. PLAYLIST: Danny Veras .Sintonia Rebel Heart 2026 Grand · Wild Heart · Wild Heart (Single) · 2026 Daniel Gazzoli Project · The Place of My Heart · The Place of My Heart (Single) · 2026 L.E.G.A.C.Y. · My Inner Peace · Midnight Riot · 2026 Romeo · True Confessions · True Confessions (Single) · 2026 Boulevard · · Talk to Me · Into the Street · 1990 Fighter V · Foolish Heart · Deja Vu · 2026 Blue Tears · · Thunder in the Night · Live in the UK · 2026 DJV · (Danny Veras) Guilty of It · Never Ending Road · 2020 Mindfeels · Run Away · 2WO · 2026 Jeff Paris · One Night Alone · Wired Up · 1987 Xtasy · · Time We Won't Forget · Phoenix · 2026 Lou Gramm · · Walk the Walk · Single · 2026 Iconic · Cry No More · Single · 2026 White Sister · Don't Say That You're Mine · White Sister · 1984 Scheff · Tolle · Adriaens · · Let's Rise · Let's Stop the World · 2026 Voon Groove · · Undefeated · Single · 2026 Häven · · Dancing Rainbow · Single · 2026 Creye · · Clay · IV: Aftermath · 2026 Treat · Paper Tiger · Coup de Grace · 2010 Dual Equation · · Make Up Your Mind · Dual Equation · 2020 Frontline · · After You're Gone · Single · 2026 Andy and The Rockets · · Wild Ones · Casino · 2025

Nuevo programa cargado de novedades dentro del mundo del Hard Rock , Heavy Metal , AOR... Un repaso a la actualidad mas caliente combinado con algunos clásicos de pasado, presente y futuro Han sonado en el programa: -MSG , Fighter V , Invasion , Sha-Boom , Starbeast , Vendetta XIII , Battle Beast , Cemetery Skyline , Velveteen Queen , Erick Gronwall , Europe , Tarzen , Hell in the club. Si os gusta el programa aporta tu granito de arena dale al ❤️ comparte y comenta... ✔️X: @radiohardrock75 ✔️Instagram: https://www.instagram.com/radiohardrockpodcast/ ✔️e-mail: radiohardrock75@gmail.com

¡¡¡Edición 498 ya disponible!!! Durante toda la semana puedes escucharlo en las emisoras de la Onda Local de Andalucía y por supuesto en tu plataforma de podcasts favorita. ¿Qué vas a escuchar? Lo mejor del HardRock, HeavyMetal, Power… y demás. Si quieres saber la playlist exacta, con las bandas y los temas, este es el enlace: https://corazonpurpurarock.blogspot.com/2026/05/programa-498.html Síguenos por las redes: YouTube: https://www.youtube.com/@corazonpurpurarock Instagram: https://instagram.com/corazonpurpurarock Facebook: https://www.facebook.com/corazonpurpurarockradio Twitter: https://twitter.com/cpurpurarock Contacto: corazonpurpurarockradio@gmail.com https://corazonpurpurarock.blogspot.com/ Sobre Corazón Púrpura Rock: Está dirigido y presentado por Gracia Santiago. Es un programa de radio musical semanal: heavy metal, hard rock, power metal, rock alternativo, AOR, rock melódico, metal… Se emite en la Onda Local de Andalucía. Además de tener una versión podcasts en varias plataformas. Nació en 2014 en Córdoba (España). Esta es nuestra 12ª temporada.

This week on the Agents of Recovery Podcast Coach Wendell and Coach Blu welcome AOR first guest, Drew Boa, a leading expert in overcoming pornography addiction from The Husband Material Academy, sharing his personal journey, therapeutic approaches like Internal Family Systems, and practical tools for recovery. Discover how understanding inner parts, healing childhood wounds, and embracing sexuality can transform lives and relationships. This is a powerful episode! Chapters00:00 Introduction to the Agents of Recovery Podcast01:14 Welcoming Drew Boa: The First Guest02:30 Drew's Journey: From Struggle to Healing04:35 Understanding the Inner Child12:02 The Impact of Early Exposure to Pornography14:54 The Power of Internal Family Systems21:55 Healing Through Self-Compassion24:32 The Ripple Effect of Healing on Relationships28:14 Creating Safe Spaces for Open Conversations30:32 Understanding Sexual Arousal and Desire31:51 The Impact of Pornography on Relationships33:52 Navigating Shame and Deception in Relationships35:57 The Need for Equal Support in Healing39:00 Healing After Betrayal: A Threefold Approach41:47 Validating Feelings and Finding Freedom45:52 The Transformative Power of Community and Support47:53 Introducing Husband Material: A Movement for Change54:06 The Journey of Recovery and EmpowermentFor More ResourcesOutgrow Porn Book - https://outgrowporn.comHusband Material Program - https://husbandmaterial.comHusband Material Book - https://outgrowporn.comSam Jolman - The Sex Talk You Never Got - https://samjolman.com guest linksWebsite - https://husbandmaterial.comInstagram - https://instagram.com/drewboa

Rebel Heart 62 llega como un nuevo capítulo en esta historia que cada semana a semana, Paco y Señor Melódico hacen que este espacio donde el AOR, el hard melódico y la emoción pura se encuentran sin pedir permiso. Cada emisión es un viaje, pero esta… esta tiene algo especial: una mezcla perfecta entre la elegancia del género, la actualidad más brillante del 2026 y esos guiños al pasado Aquí no se pinchan canciones: se construyen atmósferas, se abren ventanas a recuerdos, se encienden luces que estaban apagadas. Rebel Heart es un refugio, una comunidad, un latido compartido. Si Rebel Heart tiene alma sonora, Fernando le da rostro, color y memoria visual. son pequeñas piezas de culto, auténticos pósters ochenteros Zenón es el puente entre el programa y la familia Rebel Heart, es el guardián del pulso social del programa, el que hace que Rebel Heart no sea solo un espacio radiofónico, sino una comunidad vibrante y en expansión. PLAYLIST Danny Veras- Rebel Heart - sintonia (2026) Sundell Brothers – Sandy – Archive – 2001 White Skies – Black Tide – Two Worlds Collide – 2022 Pride of Lions – Unbridled – Single – 2026 Generation Radio – Love History – Take Two – 2026 Theleganttes – Mi gravedad – Single – 2026 Bruce Turgon – Any Other Time – Outside Looking In – 2005 Degreed – Matter Of The Heart – Curtain Calls – 2026 Danny Veras – Mystery in Your Eyes – Never Ending Road – 2020 3zks – Dame tu luz – III – 2026 Creye – Aligned – IV Aftermath – 2026 Champlin Williams Friestedt (CWF) – Runaway Dancer II – Runaway Dancer II – 2020 Xtasy – No One Like You – Phoenix – 2026 Robby Valentine – No Turning Back – The Magic Infinity (Expanded Edition) – -1993 - Tyketto – Bad For Good – Closer To The Sun – 2026 Boys From Heaven – Hold Your Heart – Single – 2026 L.E.G.A.C.Y. – City of Unbroken Dreams – Midnight Riot – 2026 L.E.G.A.C.Y. – Night & The Glow – Midnight Riot – 2026 Lionville – Supernatural – Supernatural – 2024 Alias – Haunted Heart – Alias – 1990 Golden Farm – Fire And Ice – Angel's Tears – 2001 Backlash – Time To Impact – Tumbleweed – 2026 Wheels of Fire – All In – 9.29 – 2026

¡¡¡Edición 497 ya disponible!!! Durante toda la semana puedes escucharlo en las emisoras de la Onda Local de Andalucía y por supuesto en tu plataforma de podcasts favorita. ¿Qué vas a escuchar? Lo mejor del HardRock, HeavyMetal, Power… y demás. Si quieres saber la playlist exacta, con las bandas y los temas, este es el enlace: https://corazonpurpurarock.blogspot.com/2026/04/programa-497.html Síguenos por las redes: YouTube: https://www.youtube.com/@corazonpurpurarock Instagram: https://instagram.com/corazonpurpurarock Facebook: https://www.facebook.com/corazonpurpurarockradio Twitter: https://twitter.com/cpurpurarock Contacto: corazonpurpurarockradio@gmail.com https://corazonpurpurarock.blogspot.com/ Sobre Corazón Púrpura Rock: Está dirigido y presentado por Gracia Santiago. Es un programa de radio musical semanal: heavy metal, hard rock, power metal, rock alternativo, AOR, rock melódico, metal… Se emite en la Onda Local de Andalucía. Además de tener una versión podcasts en varias plataformas. Nació en 2014 en Córdoba (España). Esta es nuestra 12ª temporada.

Nuevo programa cargado de novedades dentro del mundo del Hard Rock , Heavy Metal , AOR... Un repaso a la actualidad mas caliente combinado con algunos clásicos de pasado, presente y futuro Han sonado en el programa: -Crowne , Alicate , Thomas Carlsen's Transmission , The Cruel Intentions ,Airbourne , Dirkscheneider And The Old Gang , Metalite , Armored Saint , The Rasmus , Charlie Edward , Perfect Plan , Kiss . Si os gusta el programa aporta tu granito de arena dale al ❤️ comparte y comenta... ✔️X: @radiohardrock75 ✔️Instagram: https://www.instagram.com/radiohardrockpodcast/ ✔️e-mail: radiohardrock75@gmail.com

AOR self-defense attorney’s explain nthe nuance of the law to keep you out of jail i na self-defense scenario

The old guys are back with Classic Rock, AOR, and Metal Trivia from your hosts in Delaware and California.  Bits: "Rapid Fire", "Six N 30", and "Intellectual Poetry".  This episode was recorded on April 6, 2026, the day before Dan's big trip to Las Vegas.  Please like, subscribe, and share this Podcast to every Quality Human you know and the other non-Quality Humans that you know as well.  Thank You!Hard Rocking Trivia Show Free Spotify Playlists:Hard Rock & Classic Metal (1970-1971)https://open.spotify.com/playlist/7vh7VODZ9qBuvMibmCdL5U?si=gVao89ayTOiGf8UUBVZGQAHard Rock & Classic Metal (1972)https://open.spotify.com/playlist/1WFrtgu4PSr2V3qgCBlxyq?si=QdlYFOhJSeKqLmV9D9-XGAHard Rock & Classic Metal (1973)https://open.spotify.com/playlist/5yShyeA2wjz4LXbPPTFnEc?si=EG1HuLokSbeIhsWaJHCNUwHard Rock & Classic Metal (1974)https://open.spotify.com/playlist/0EItGPWcuX8Bp9RYmYBxex?si=Ph_vRyvLQJaq0WqNpsC7GgHard Rock & Classic Metal (1975)https://open.spotify.com/playlist/47MiCbqHu52sg2a5Wq2GJj?si=cPhMwulzQY6MdGft2yKtHQHard Rock & Classic Metal (1976)https://open.spotify.com/playlist/0AsPagPgufK6wQVfSHVgKZ?si=ry0ToJqTRlKw6wzdJUgrkwHard Rock & Classic Metal (1977)https://open.spotify.com/playlist/7B1FOoFGODi2WLDDbF3V2w?si=b6jbEpJaSTatk8dsg_Y1IQHard Rock & Classic Metal (1978)https://open.spotify.com/playlist/2MQQqyYSNNhltjUPDefAxE?si=V8_9r6DiSvqmUfNlOe9eHgHard Rock & Classic Metal (1979)https://open.spotify.com/playlist/4jozEA8GjWvXFKBevkGdjH?si=9b1ZNg9YRxSaQ1xD-v2KTQHard Rock & Classic Metal (1980)https://open.spotify.com/playlist/5JNv7S1oAX8GdQ1Jnazrti?si=Mzsk7yzdRLK52ZkjV4J5Yg

Corey Morrissette is back with Sean and Todd for Part Two, and we're coming in hot. We pick up with a conversation about the radio industry — specifically how corporate ownership reshaped music selection and stripped DJs of the autonomy they once had to break new artists and take real risks. We talk about what it used to mean to hear a song on the radio for the first time, and how that experience has largely been replaced by pre-determined playlists built for engagement metrics rather than music discovery.On a more hopeful note, Corey shares his plans to host a show called Hoser Rock Hour on a community cooperative radio station — and honestly, the concept is exactly what radio needs more of. We also get into album-oriented rock stations and how AOR formats used to be the ones deciding which songs became singles, not the labels. It's a fascinating piece of music industry history that doesn't get talked about enough.From there we get into concert war stories, and this is where things really get going. We talk about seeing the Headpins live, with Darby Mills commanding a stage the way very few performers can. We swap memories of Pantera opening for Skid Row in Montreal — a lineup that, on paper, sounds almost too good to be true — and we get into the Killer Dwarfs, including a wild story about a vocal showdown between Sebastian Bach and Russell Dwarf that you genuinely have to hear to believe. These are the kinds of nights that remind you why live music matters.Then we take on one of rock's great what-ifs: was there actually a rivalry between Randy Rhoads and Eddie Van Halen? Two of the greatest guitarists of their generation, both rising at exactly the same time — it's the kind of question that sounds like it should have a dramatic answer. The reality might surprise you.Things take a genuinely unexpected turn when we get into Mary Shelley's writing group — yes, that Mary Shelley — and the remarkable fact that the circle of writers who gave us Frankenstein and Dracula were all in the same room, cooking up horror together. Corey also recommends Guillermo del Toro's Frankenstein film, which he found to be a faithful and beautifully crafted adaptation. It's one of those historical footnotes that sounds made up but absolutely isn't.We close things out with a look back at 1994 — one of the most stacked years in modern music history. Green Day, Soundgarden, Pearl Jam, Nirvana's MTV Unplugged, Oasis, Smashing Pumpkins, R.E.M., Beck — we go through the releases and argue about which ones still hold up. Along the way, Seanorama drops an unexpected piece of history about Leonard Cohen's "Dance Me to the End of Love" that genuinely stopped the conversation cold.It's been an absolute blast having Corey on for both parts. More to come.Support the show at patreon.com/seangeekpodcast. You can find Corey and his work, including The Elder Podcast, wherever you listen to podcasts.Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/seangeekpodcastWe are a part of the Boneless Podcast Network: https://goboneless.lovable.app/Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

The McGraw Show 3-31-26: Data Center NIMBY, The Pageant, AOR vs. Rolling Stone and Disney Adults by

5 Forgotten AOR Songs This week Alan from Modern Musicology launches a new side-project! In this series of shows, I'll tell stories behind some of the albums in my collection. This week, we're talking about 5 Forgotten AOR Songs! These are tracks that got airplay on Album Oriented Rock radio stations back in the day but have mostly been left behind, frozen like a moment in time.  You'll hear about two men who walked away from bands at the height of their popularity, a band that was poised to be huge but never quite got there, a singer with a big voice who never quite found her audience, and a new band that maybe sounded a little too much like bigger, more established band.  What's your favorite forgotten song from the AOR era? Drop me a line at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

The world of pharma marketing continues to evolve with multiple ongoing challenges: creating more results with less resources, navigating political and economic uncertainties, overcoming a less than favorable industry public perception and adapting to the ever-present impact of AI. What remains in place throughout all of these variables is the client and AOR relationship. In this podcast we discuss multiple ways in which this relationship can evolve to help foster stronger, truer strategic partnership resulting in greater wins and achievement for both sides. Check us out at: mmm-online.com Follow us: YouTube: @MMM-onlineTikTok: @MMMnewsInstagram: @MMMnewsonlineTwitter/X: @MMMnewsLinkedIn: MM+M To read more of the most timely, balanced and original reporting in medical marketing, subscribe here.Music: “Deep Reflection” by DP and Triple Scoop Music. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An interview with Paul Rees, author of "Raised On Radio: Power Ballads, Cocaine & Payola – The AOR Glory Years 1976-1986." He talks about how the Album Oriented Rock began, the definitive AOR music in the opinion of those he interviewed and himself, his favorite anecdote and interviews for the book, the connection to the current popularity of other music from the later-1970s and earlier-1980s, and more.See omnystudio.com/listener for privacy information.

By early 1976, things were looking bleak for Rush. Despite their relentless touring schedule and 3 albums - Rush, Fly By Night, Caress of Steel - the record company wasn't happy. The band called the Caress of Steel Tour the Down The Tubes Tour as their crowds got smaller and their record didn't sell. Mercury records wanted radio friendly hits or something more like the Zeppelin-y first record or they would drop the band. Instead of changing their sound and bowing to the powers that be, they decided to do their own thing. That thing was a full side of an album with 7 distinct parts of a suite called 2112. Instead of sappy love songs, they created a planet that had come under the rule of The Solar Federation whose priests rule thanks to a supercomputer that has all the answers and has taken away individuality and creativity. It doesn't sound like a chart topper does it? However, the hard rock, prog rock and AOR fanbase absolutely loved it, eventually sending it to triple platinum. From the epic Overture and fan favorite The Temples of Syrinx to the coda Grand Finale, the boys take you on a tale of the individual vs. the system (borrowed from Ayn Rand). Alex Lifeson's guitar work shows why he's so beloved and why fans in the 80s wondered what happened to him? Neil Peart's drumming is extraordinary but so are his lyrics which create a world through intelligence, faith and forthrightness. But that's not the whole album. A Passage to Bangkok talks about all the places you can visit to score some good pot. The Twilight Zone is an ode to their favorite sci-fi show while Something for Nothing teaches that you can't wait around for someone to give you a break - you have to make your own. Alex and Geddy Lee each take a stab at writing the music and lyrics on their own on Lessons and Tears, respectively, but the real magic comes when all 3 meld their own powers into something that is much greater than the sum of the parts. It's the album that not only put Rush on the map but saved their careers and set them up for success for decades. Yes - we will be checking them out this summer and we will be talking about it - watch this space for updates!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠RareVinyl.com⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠⁠bit.ly/UAWILRocks⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

By early 1976, things were looking bleak for Rush. Despite their relentless touring schedule and 3 albums - Rush, Fly By Night, Caress of Steel - the record company wasn't happy. The band called the Caress of Steel Tour the Down The Tubes Tour as their crowds got smaller and their record didn't sell. Mercury records wanted radio friendly hits or something more like the Zeppelin-y first record or they would drop the band. Instead of changing their sound and bowing to the powers that be, they decided to do their own thing. That thing was a full side of an album with 7 distinct parts of a suite called 2112. Instead of sappy love songs, they created a planet that had come under the rule of The Solar Federation whose priests rule thanks to a supercomputer that has all the answers and has taken away individuality and creativity. It doesn't sound like a chart topper does it? However, the hard rock, prog rock and AOR fanbase absolutely loved it, eventually sending it to triple platinum. From the epic Overture and fan favorite The Temples of Syrinx to the coda Grand Finale, the boys take you on a tale of the individual vs. the system (borrowed from Ayn Rand). Alex Lifeson's guitar work shows why he's so beloved and why fans in the 80s wondered what happened to him? Neil Peart's drumming is extraordinary but so are his lyrics which create a world through intelligence, faith and forthrightness. But that's not the whole album. A Passage to Bangkok talks about all the places you can visit to score some good pot. The Twilight Zone is an ode to their favorite sci-fi show while Something for Nothing teaches that you can't wait around for someone to give you a break - you have to make your own. Alex and Geddy Lee each take a stab at writing the music and lyrics on their own on Lessons and Tears, respectively, but the real magic comes when all 3 meld their own powers into something that is much greater than the sum of the parts. It's the album that not only put Rush on the map but saved their careers and set them up for success for decades. Yes - we will be checking them out this summer and we will be talking about it - watch this space for updates!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠RareVinyl.com⁠ and use code UGLY to save 10% off one ENTIRE ORDER! ⁠bit.ly/UAWILRocks⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Theo Delaney's guest is writer Paul Rees the former editor of Kerrang and Q who now writes acclaimed books on music and sport including excellent biographies of Robert Plant, Elliott Smith and the trailblazing West Bromwich Albion trio of Cunningham, Regis and Watson. His latest book Raised On Radio is a comprehensive history of AOR music. A huge West Brom fan, among his chosen scorers are Bob Taylor, Zoltan Gera and the aforementioned Regis. @paul_rees_author@paulreesQ@LifeGoalsTD@theodelaney https://paul-rees-author.com/https://www.theodelaney.com/life-goals-links

Why did so many AOR singers sound like Steve Perry? Because he set the template.In this highlight from Booked On Rock, author Paul Rees (Raised on Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976–1986) explains how the Journey frontman's soaring vocals, emotional delivery, and arena-ready style became the gold standard for AOR frontmen throughout the late '70s and '80s. From power ballads to radio dominance, Perry helped define the sound of an era.Listen to Episode 364 - FM Radio's Golden Decade: The Rise of AOR

This week, we've got the touch. We've got the power. There's no easy way out, but we won't stop believin'! Oh yeah, it's time once again for some of that amazingly inspirational AOR arena rock montage music! This time around, it has a St. Patty's Day spin to it. Be all you can be, feel the burn, and drink some green beer! This episode is rooted in all 3 categories of lost, forgotten, and should have beens. These bands all provide fist pumpingly perfect sounds of AOR / Arena Rock gold from the late 70s to now. Their music pairs perfectly with action and teen coming-of-age movies and was a big part of our youth! We hope we turn you on to something new! Songs this week include: Orion The Hunter – “Stand Up” from Orion The Hunter (1984) Giuffria – “Line Of Fire” from Giuffria (1984) Midnite City – “Girls Gone Wild” from In At The Deep End (2023) GTR – “Here I Wait” from GTR (1986) New England – “Don't Ever Want To Lose Ya” from New England (1979) Streetheart – “Too Hot To Stop” from Dancing With Danger (1983) Big Red Fire Truck – “No Easy Way Out” from Tokyo Karaoke Bar (2026) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Generation Radio return with “Take Two”, the eagerly awaited follow-up to their acclaimed debut, delivering another masterclass in AOR/West Coast rock infused with just the right touch of the Nashville sound. Produced by founding members Jay DeMarcus (Rascal Flatts) and Jason Scheff (former Chicago), the band features an all-star lineup: Steve Ferrone (Tom Petty & the Heartbreakers, Average White Band) joins on drums, replacing the formidable Deen Castronovo (who returned to Journey as full-time member), while Tom Yankton (guitar, vocals) and Chris Rodriguez (guitar, vocals) round out the powerhouse ensemble. DeMarcus said: “It was so much fun getting to make another record! We've been working on this one for a while and we can't wait for everyone to hear what we've been up to. Once again, we have contributions from all band members. These guys are amazing and it's a honor to make music with them, I believe this record is our best work yet.” Jason Scheff added: “Here we go! Take Two, round two. We had such a great reception on our first record we've been chomping at the bit to get this one finished and released. I'm extremely proud to show that we have a band that is still at the top of our game”. “In what other industry can you deliver as kids and be able to go back in and create the quality of what you've been recognized for? I truly believe this work stands up to any of the records we've ever made creating some of pop and country's biggest hits. I can't wait to see how the public reacts to this one!”, he continued. “Take Two” is rich with pristine harmonies, unforgettable hooks, and timeless songwriting -hallmarks of the genre delivered with class and authenticity. Tracks like the cinematic, harmony-laden “Montana Sky”, the hook-filled “The Melody”, and the emotionally charged ballad “Hate This Heart” showcase the band's signature blend of melodic precision and heartfelt performance. Adding depth to the album's appeal, Generation Radio also offers reimagined versions of timeless classics that shine in their live sets: Whitesnake's “Here I Go Again”, Chicago's “You're The Inspiration”, Kenny Loggins' “I'm Alright”, and a rock version of Rascal Flatts' classic “These Days”. With “Take Two”, Generation Radio not only honours the legacy of AOR and West Coast rock -they elevate it, combining elite musicianship and genre-crossing influences into a record that's as fresh as it is nostalgic.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Generation Radio return with “Take Two”, the eagerly awaited follow-up to their acclaimed debut, delivering another masterclass in AOR/West Coast rock infused with just the right touch of the Nashville sound. Produced by founding members Jay DeMarcus (Rascal Flatts) and Jason Scheff (former Chicago), the band features an all-star lineup: Steve Ferrone (Tom Petty & the Heartbreakers, Average White Band) joins on drums, replacing the formidable Deen Castronovo (who returned to Journey as full-time member), while Tom Yankton (guitar, vocals) and Chris Rodriguez (guitar, vocals) round out the powerhouse ensemble. DeMarcus said: “It was so much fun getting to make another record! We've been working on this one for a while and we can't wait for everyone to hear what we've been up to. Once again, we have contributions from all band members. These guys are amazing and it's a honor to make music with them, I believe this record is our best work yet.” Jason Scheff added: “Here we go! Take Two, round two. We had such a great reception on our first record we've been chomping at the bit to get this one finished and released. I'm extremely proud to show that we have a band that is still at the top of our game”. “In what other industry can you deliver as kids and be able to go back in and create the quality of what you've been recognized for? I truly believe this work stands up to any of the records we've ever made creating some of pop and country's biggest hits. I can't wait to see how the public reacts to this one!”, he continued. “Take Two” is rich with pristine harmonies, unforgettable hooks, and timeless songwriting -hallmarks of the genre delivered with class and authenticity. Tracks like the cinematic, harmony-laden “Montana Sky”, the hook-filled “The Melody”, and the emotionally charged ballad “Hate This Heart” showcase the band's signature blend of melodic precision and heartfelt performance. Adding depth to the album's appeal, Generation Radio also offers reimagined versions of timeless classics that shine in their live sets: Whitesnake's “Here I Go Again”, Chicago's “You're The Inspiration”, Kenny Loggins' “I'm Alright”, and a rock version of Rascal Flatts' classic “These Days”. With “Take Two”, Generation Radio not only honours the legacy of AOR and West Coast rock -they elevate it, combining elite musicianship and genre-crossing influences into a record that's as fresh as it is nostalgic.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

AOR's golden age is one of the most electrifying eras in rock history.From 1976 to 1986, album-oriented rock dominated FM radio, filling arenas and airwaves with massive hooks, soaring power ballads, and legendary bands. But behind the music was a wild world of record label power, payola scandals, larger-than-life personalities, and an industry fueled by excess.In this episode of Booked On Rock, Eric Senich sits down with Paul Rees, author of Raised on Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976–1986. Together, they explore the rise of AOR and the stories behind the music that defined a generation.Paul shares incredible insights into the artists, the radio programmers, and the record executives who helped shape the sound of FM rock during its peak. From arena-filling anthems to the behind-the-scenes chaos that fueled the industry, this conversation dives deep into the decade when melodic rock ruled the airwaves. If you love the sound of classic FM radio, this is the era that changed rock forever.Purchase a copy of Raised on Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986Visit Paul Rees's websiteVisit Paul Rees's Substack site----------

In this riveting episode of Stories of Sacrifice: The Baron 52 MIA Mystery, titled “The Baron 52 Enigma: Captured in Laos – Signals of Survival But Buried by Bureaucracy,” we unravel the haunting 1973 shootdown of a U.S. Air Force EC-47Q spy plane over Laos, just days after the Paris Peace Accords promised an end to the Vietnam War. Through a chronological deep dive, hosts explore the mission's fateful night, the crash's immediate aftermath—including SAR efforts observing only partial remains—and the rapid KIA designation that left families reeling. We spotlight the families 50-year emotional battle for truth, from congressional advocacy with Sen. Bob Smith to frustrations with bureaucratic stonewalling.At the heart of the episode is lead researcher John Bear's groundbreaking work: decoding declassified NSA intercepts (REFNO 1983) hinting at the capture of four “pirates,” bolstered by NSA correlation studies tying them directly to Baron 52. Bear breaks down the Vinh Window SIGINT program, explaining how PAVN relays from southern Laos funneled signals to Vinh hubs for RC-135 interception—aligning with the 5.5-hour post-crash timeline. We map the PAVN order of battle, from Group 210 (210th AAA Regiment) and the 377th Air Defense Division to the 471st Division and Binh Tram 35 HQ at Tang Cat (Km 48), pinpointing its proximity to the crash site and Km 44 in the intercepts, raising survival odds to very high.The episode pulls no punches on dismissals: critiquing DIA analyst Robert Destatte's linguistic ambiguities, DPAA contractor Guy Bentz's 2016 review flaws (e.g., incorrect AOR, ignored correlations and forensics like buried revolvers implying egress), and DPAA's resource excuses. Insights from interviews with Dr. Roger Shields, Sen. Bob Smith, and Lt. Col. Lionel Blau, plus recent media coverage, reveal systemic failures. We conclude with calls for renewed probes, VNOSMP veteran interviews, and honoring the unfulfilled 1996 Wold pledge—because the truth can't stay buried forever.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El de hoy es sin lugar a dudas el episodio más extenso de toda la historia del AOR Diamonds. Pero es que la ocasión bien lo merece: para empezar, por esos primeros 500 episodios, que se dice pronto. Y en segundo lugar, por mis 50. Porqué sí, porqué este 2026 me sitúa en el arranque de una nueva década, la de los 50. Así que sean ustedes bienvenidos y bienvenidas a esta fiesta, la de mis 50. Os esperan 3 horas y media de fiestón, con los que son 50 temas del AOR de mi vida. Es la sintonía perfecta que va a servir para celebrar la vida, ¡y qué banda sonora! 3 horas y media de trayecto con 50 temazos y muchas anécdotas y momentos que me apetece rememorar y recordar con tod@s vosotr@s en este programón. Es el programa más extenso que jamás haya grabado para el Diamantes, y os aseguro que es la vez en la que he abierto mi vida del modo que lo hago. A todos y todas los que habéis estado. A todos y todas los que estaréis. Mi gratitud eterna. No están en orden de aparición: Glory - Strangeways - Signal - Alias - Saraya - Journey - TNT - Frontline - Work of Art - Stage Dolls - Masquerade - China - King Of Hearts - H.E.A.T - La Fase - Alien - Scorpions - Kiss - Harem Scarem - Night Ranger - FM - Giant - Foreigner - Def Leppad - Danger Danger - Firehouse - Poison - Eyes - Mr.Big - Sic Vikki - Sangre Azul - Dokken - Whitesnake - Alice Cooper - Slaughter - Warrant - Winger - M.S.G - XYZ - Vixen - Shooting Star - Gotthard - Bon Jovi - Mark Free - Fire with Fire - Treat - Unruly Child - Hurricane - EuropeEscucha este episodio completo y accede a todo el contenido exclusivo de AOR Diamonds. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/75094

We're back to take stock of one of the biggest bands to explode out of the 1980's as we decide The Best and Worst of Bon Jovi!  In this episode, we kick off Part 1 covering every studio album from the self-titled 1984 debut through 2002's Bounce. The goal was simple: each of us picked one favorite and one least favorite track from every album — no live albums, no compilations — and let the arguments fall where they may. We start with Bon Jovi and 7800° Fahrenheit. These 2 first albums straddled the line between AOR vibes, solid riffs, keyboard overkill, and rushed timelines for recording. The discussion revolves around early identity, flashes of future greatness, and whether these records are overlooked gems or simply necessary growing pains. Then it's into the arena-stratosphere era with Slippery When Wet and New Jersey, where a string of hits vaulted the band into stadiums and MTV dominance. We examine whether the massive singles define the albums or overshadow deeper cuts. The early '90s shift begins with Keep the Faith, marking a reinvention in the grunge era, and continues with the darker, more introspective These Days. These records sparked some of the most interesting debate: growth vs accessibility, musicianship vs hooks, and whether deeper cuts like “Dry County” outshine the radio staples. We wrap Part 1 with the comeback of Crush and the post-9/11 tone of Bounce. We hope you enjoy The Best and Worst of Bon Jovi Part 1 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to take stock of one of the biggest bands to explode out of the 1980's as we decide The Best and Worst of Bon Jovi!  In this episode, we kick off Part 1 covering every studio album from the self-titled 1984 debut through 2002's Bounce. The goal was simple: each of us picked one favorite and one least favorite track from every album — no live albums, no compilations — and let the arguments fall where they may. We start with Bon Jovi and 7800° Fahrenheit. These 2 first albums straddled the line between AOR vibes, solid riffs, keyboard overkill, and rushed timelines for recording. The discussion revolves around early identity, flashes of future greatness, and whether these records are overlooked gems or simply necessary growing pains. Then it's into the arena-stratosphere era with Slippery When Wet and New Jersey, where a string of hits vaulted the band into stadiums and MTV dominance. We examine whether the massive singles define the albums or overshadow deeper cuts. The early '90s shift begins with Keep the Faith, marking a reinvention in the grunge era, and continues with the darker, more introspective These Days. These records sparked some of the most interesting debate: growth vs accessibility, musicianship vs hooks, and whether deeper cuts like “Dry County” outshine the radio staples. We wrap Part 1 with the comeback of Crush and the post-9/11 tone of Bounce. We hope you enjoy The Best and Worst of Bon Jovi Part 1 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

For this episode we welcome former Q/Kerrang! editor-in-chief Paul Rees to RBP Towers to discuss his riveting new book Raised on Radio: Power Ballads, Cocaine & Payola. An oral history of AOR (or Album-Oriented Rock), Raised on Radio gives us an eagerly-awaited chance to enthuse about an oft-maligned genre we all happen to adore. The conversation takes in most of AOR's major practitioners, from Kansas and Toto to Journey and Survivor, and incorporates clips from John Tobler's 1979 audio interview with Tom Scholz and Brad Delp of Boston. After we've exhausted these guilty-till-proved-innocent pleasures, Mark quotes from newly-added library pieces about Siouxsie & the Banshees (1982) and Chic's Bernard Edwards (1987), then Jasper talks us out with his reflections on archive interviews with George Clinton (1997) and Brutalist composer Daniel Blumberg (2025). Many thanks to special guest Paul Rees. Raised on Radio is published by Constable and available now from all good bookshops. Pieces discussed: More Than a Feeling: The 20 Greatest AOR Tracks of All Time!, American revolution: Aerosmith, Boston, Kansas and co., Hard Pop, Suburban Rock, Hall & Oates: Blue-Eyed Philadelphia Soul, The Buzz On Boz Scaggs, Nirvana: Smells like Success, Boston (1979), Heart, Siouxsie & the Banshees, Bernard Edwards, George Clinton: Funkamental and The Brutalist's score.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Los Estudios Romanones reciben a Yenesi, que estrena nueva cara, y a la tiktokera más viral del momento, Amanda. Anajú Bitxo nos coge el teléfono para darnos contenido, y el padre de Amanda hace una breve llamada, con cierta preocupación. El episodio termina con una selección musical comisariada por Garay en torno a Patty Pravo, un estudio hiperbólico en torno a standards, covers, originales y delirios AOR varios que lanzamos a las generaciones futuras, como testimonio del Siglo XX.Escucha este episodio completo y accede a todo el contenido exclusivo de Podcast El Programa de Sita Abellán. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/30132

There's a magic and intrigue about rock music and radio from the mid to late 70's into the 80's. I'm talking Foreigner, Boston, Journey, Genesis and so many more in the genre known as AOR. That stands for Album Oriented Rock. Paul Rees has published an incredible oral history of those years with his new book, "Raised On Radio: Power Ballads, Cocaine and Payola - The AOR Glory Years." I'm a bit of a music (and radio) nerd so I've been loving my experience with this book. Paul talked to all of the heavy hitters from the time period and got the behind the scenes stories we, as fans, don't usually get to hear. I hope you enjoy our conversation.

We are back! Episode 86 has us breaking down Bloodgood's third album, Rock in a Hard Place. While it has some really heavy moments, this album brought the band more into the melodic AOR category. Even though the band isn't happy with the final mix, it still has some great songwriting and musicianship.  Links:  Web: http://geeksrockcast.com/ Merch: https://geeksrockcast.threadless.com/ IG: https://www.instagram.com/geeksrockcast FB: https://fb.com/christiangeeksrockcast geeksrockcast@gmail.com   

Live from the Attorneys for Freedom Law Firm outside Phoenix AZ, Mark talks with self-defense attorneys Joey Hamby and Rachel Moss from Attorneys on Retainer. Incredibly enlightening national broadcast discussing various self-defense cases and the results of same. Why you need a lawyer if you use a gun in self-defense and various scenarios discussed. Mark is in AZ for the annual AOR membership convention being held in the Mesa Convention Center on Friday and Saturday.  Enjoy this riveting conversation!

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It's happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim … Def Leppard's vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn't work looking at a garden that wasn't symmetrical … the story of Toto's Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record's a hit I'll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986' here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Geoff Downes has lent his keyboard wizardry to many of the biggest and best bands of the last 50 years. He was a trendsetting new-waver with the Buggles popularizing synth pop alongside Trevor Horn. Then they were famously recruited to join Yes, changing that band's sound for a decade. And, while with Asia, he showed how good "corporate" AOR rock (not to mention supergroups) could be. There have been several other side-projects (DBA), one-offs (Trapeze), and production jobs (GTR, Thompson Twins) along the way as well that has kept him active and in demand. Yes's 2011 comeback album, Fly from Here, which reunited that 1980 version of the band that created the much-loved Drama album, has recently been reimagined and released on vinyl for the first time as Fly from Here: Return Trip. Geoff gives us the scoop on everything and more. Enjoy!  Official website for the progressive rock band YES The Hustle Podcast | creating podcasts | Patreon

Riding Shotgun With Charlie #247 Lauren Snyder & Joey Hamby Attorneys On Retainer   Sometimes the universe dictates the timing of doing a show. I met Lauren Snyder at Gun Rights Policy Conference in Phoenix in 2019. I was able to film a show with fellow Attorneys On Retainer employee, Sarah Riggle RSWC #189, but we didn't have time for Lauren. At GRPC in Salt Lake City in 2025, we were able to make it happen. But we also got to have Joey Hamby, one of the AOR attorneys who specializes in self defense cases. We're also able to get it out just before they have an AOR conference in Mesa, AZ, in February 2026.   Lauren first hit my radar a number of years ago. While at a Second Amendment rally in Phoenix, she connected to Cheryl Todd (RSWC #060) because they both have a vintage look. She got involved with Women For Gun Rights when it was called The DC Project.  There is a video out there of her testifying against gun bills in Arizona. But after the politician said he didn't think people should be carrying, she sat in front of him and then he had to retract what he said and told her he didn't mean she shouldn't carry. Of course, this was the first time she ever testified for anything and she was thrown right into the mix of it.    Growing up on Long Island, her family wasn't really into firearms. Working at a tattoo shop when she was young, she met a few guys who were Ron Paul libertarians. They also taught her about firearms and safety, but the process in New York was very difficult to exercise her rights. Not really knowing anything other than Democrats and voting for John Kerry in her first election, she quickly turned to the libertarians and the idea of true freedom.     Eventually, Lauren found herself living in Florida and got more into firearms. She made more friends and got into shooting and carrying. There wasn't a lot going on for any activism at the time. After meeting her now-husband on Facebook, she moved to Arizona to be with him and got much more involved. With Women For Gun Rights, she has made the trip to DC to lobby and talk with politicians. She didn't think she had a story worth sharing but she did have a stalker and that was when she started taking firearms, training, and self defense more seriously. That is the story she shares with us.    Joey Hamby has been a hunter and shooter since he was a kid. He was a junior life member of the NRA, so yeah, since he was young. He loves shooting, hunting, and going out and plinking. Since 1994, he's been practicing law. One of the things that separates AOR from other services is that they are not insurance. They are a legal team that specializes in self defense.    Over the years, he's had many interesting cases, of course. He tells us about some of them. But he really gets into why it's important to have training and knowledge if you're going to carry. There have been more than several cases they've taken where they defend someone who has the moral imperative to defend themselves or their family but end up being wrongfully charged for doing so.    We really get into things with Joey and self defense of all types. If using self defense of any type is involved, there are things that are going to happen with the defender where they're treated like the criminal until things can be sorted out. Often we think self defense is going to be cut and dry, but it can and does get messy for everyone involved. Joey does a wonderful job talking about this and some current events.    There's a lot to self defense. Everyone needs to have an attorney in their phone address book. If you don't, get one. Join a program like AOR. Meet the attorneys for that program and get to know them. You're really doing yourself a favor.    Favorite quotes: "I was a willful participant in the indoctrination into libertarianism." "I know I have physical limitations… so my ability to protect myself…are very important to me." "If we don't remain in the legislative process…these are the people who are going to erode our rights." "There's a lot of differences, but all we do is self defense." "You need to plan in advance. You also need to plan what's going to happen afterwards." "If you use a weapon in self defense, you should just expect to get arrested." Women for Gun Rights  https://womenforgunrights.org/   https://www.laurenliberty.com/ https://attorneysonretainer.us/ https://attorneysforfreedom.com/ Second Amendment Foundation https://secure.anedot.com/saf/donate?sc=RidingShotgun Citizens Committee for the Right to Keep and Bear Arms https://www.ccrkba.org/     Please support the Riding Shotgun With Charlie sponsors and supporters.    US Law Shield Legal Defense for Self Defense. Use "RSWC" as the discount code and get 2 months for free! https://www.uslawshield.com   Patriot Mobile Use this link and get one month for free! https://patriotmobile.com/partners/rswc   Or listen on: iTunes/Apple podcasts https://podcasts.apple.com/us/podcast/riding-shotgun-with-charlie/id1275691565

The Church are a bit of an enigma in the rock world. Though best known for their breakout 1988 song Under The Milky Way off of Starfish. Prior to that they'd had an unexpected Australian anthem in An Unguarded Moment. But they didn't want to be a pop band - they saw themselves as members of the new psychedelic movement. So the cover of Heyday (released in Australia late 1985 but in the US January 28, 1986) you can see the lads sporting some paisley shirts against a Persian Rug. But at that point, they'd already abandoned their psychedelic leanings for their own AOR stylings. The album Heyday, produced by Peter Walsh (Simple Minds) provides some entrancing guitar work with lyrics from Steve Kilbey that go from seeing behind the curtain of fame (Disenchanted) to unending sadness (Tristesse) to vain plastic surgery junkies (Youth Worshipper). Peter Koppes and Marty Wilson-Piper offer intricate and jangling guitars which make for 120 Minutes gold on MTV and can even put you into a bit of a trance. Myrrh and Tantalized proved to be all time favorites of Church fans and are still part of the band's setlist to this day. However, though songs like Columbus and Already Yesterday may have been enjoyed by fans of the band, they failed to crack the charts the way the record company had hoped. Still, the band were able to tour the US with Echo & The Bunnymen which helped them break down some doors and win some fans. Though they were dropped by their record companies after Heyday, this led to them being picked up by Arista, which led to Starfish and success in the US and around the world. It may not be multi-platinum but Heyday would help define the sound of The Church, allowed them to write songs together and create a foundation that built towards greater success. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

As agency owners settle into 2026, it’s easy to operate on autopilot—chasing the next tactic without reconnecting with what made the business work in the first place. In this episode, Chip and Gini make the case for looking backward before charging forward. Chip admits his first agency started because “consultant” sounded better than “unemployed.” But the real question isn’t just why you started—it’s why you decided to keep building. That motivation should be informing your strategy today. Gini shares how she once believed she wanted a large agency with hundreds of employees and global clients. When she hit 30+ people, she realized she’d built something she didn’t enjoy leading. She was buried in HR issues instead of doing the work that energized her. The Great Recession forced a reset, and she restructured the business around her strengths. Her advice: figure out what brings you joy in the business, and protect time to do more of it. Otherwise, you risk drifting into micromanagement or burnout. The episode also digs into practical growth tactics from the early days that still work. Gini recalls how she built her pipeline by developing relationships with business development leads at large agencies. When prospects came in below their fee threshold, they’d refer the work her way—a principle that remains just as relevant today. Both hosts encourage owners to revisit their “things I’d never do” list from when they started. It’s worth checking whether you’ve quietly drifted into those same patterns over time. Key takeaways Chip Griffin: “Agency owners often ask me, what should I do next? And the answer is very different depending on what you’re trying to accomplish with the business.” Gini Dietrich: “We say this to clients all the time, go back to the basics. It works. And it works for your agency, too.” Chip Griffin: “You need to do what’s right for you. And so, I think that the key to that is really going back to your roots, understanding what motivated you to get started, what drove that success in the early days.” Gini Dietrich: “You want to focus on the things that you are great at, and the things that make you the happiest, and the things that are most motivating to you, because that’s how your business will grow.” Turn ideas into action Write down why you started your agency and what drove your early success. Block 30 minutes to identify patterns from those early days that you could leverage again for growth or business development today. Identify one thing that energizes you most about the work—then carve out time to do more of it. Even if it’s behind the scenes (like strategic brainstorming or quarterly client reviews), injecting that spark back into your role helps prevent burnout. Make a quick list of “things I swore I’d never do” when you started. Check whether you’ve drifted into any of those patterns on inertia—and decide if it’s a learned lesson or a habit worth breaking. Related Do you remember why you started your agency? Why one-size-fits-all advice doesn't work for agencies View Transcript The following is a computer-generated transcript. Please listen to the audio to confirm accuracy. Chip Griffin: Hello and welcome to another episode of the Agency Leadership Podcast. I’m Chip Griffin. Gini Dietrich: And I am Gini Dietrich. Chip Griffin: And Gini, I’m thinking way, way back, way back decades now to why I started my agency. Gini Dietrich: Oooh. Decades, huh? Chip Griffin: And I can’t remember ’cause I’m too old now, so. No, Gini Dietrich: you can too remember. Chip Griffin: Well, I mean, the honest answer is that I started my first agency was because I was unemployed. And it was better to describe myself as a consultant than unemployed. Yeah. Sure. And then than accidentally started accumulating business. Yeah. But I, but I do think it, it is a helpful exercise for us to go back and, and think about why we started the businesses or, or maybe not, in some cases, like mine, because I was unemployed, is not the greatest explanation. So you know more why did I decide to, to, to build it into an actual business. Gini Dietrich: Why? To keep going. Yeah. I think that’s good, especially as we’re, we’re thinking about starting out the new year and remind ourselves, you know, of the reasons that we started this. Some of us do it because we’re, we’re unemployed. Some of us did it because we found a better, we, we think we had a better way of doing things. Some of us did it because we have a problem with authority. Some of us did it ’cause we’d make terrible employees. I mean, there are lots of different reasons, but I think reaching back into our archives in our brains and thinking about why we did it or why we, I think that you’re right, why we continue to do it is a, is a really good exercise. Chip Griffin: Yeah, I mean, I, and, and I’ve said over and over again over the years that, that I think too many agencies operate on inertia, as opposed to any kind of a, a fundamental strategy. And so, you know, it’s very easy to say as, as I’m sure many people ask you as they do me, well, what’s the, what’s my next step? Here’s where my agency is now, what, what should I do next? And the answer is very different depending on what you’re trying to accomplish with the business. So trying to think back to those early days and what motivated you to start the business. Evaluate it because it, that may have changed, right? You, you may have started it because it served a particular need in the moment, and maybe it’s different today, but thinking about that and thinking about what you really want from the business is usually a better way to come up with strategic decisions than it is to say, well, what do other agencies like mine do when they get to this stage of growth or to this challenge? It’s, you really need to to match it up because otherwise, what’s the point of taking on all of that risk and stress of being a business owner? Gini Dietrich: Yeah. I mean, a really good example of that is I really thought I wanted to build a great big agency with hundreds of employees and, and clients around the globe and all of the, all of the things. And as I started to grow and we got to about 30 ish, 33, 32 people, I realized that’s not what I wanna do. Right. It was not enjoyable. I had built a company that I was not thriving in, that I didn’t enjoy leading. You know, I was dealing mostly with HR issues and not doing the work. And so the, the Great Recession did afford me the opportunity, unfortunately and fortunately to kind of take a step back and, and think about what kind of business do I want to have? And what kind of business do I want to lead? And while we’re back up to that same size, it’s a different structured business that allows me to focus in on the things that I do best and do the things that I enjoy versus HR ’cause that is not something I enjoy at all. Chip Griffin: I, I think I’ve yet to meet an owner who likes, enjoys doing HR or accounting or those sorts of things. Not fun. There are some who do it well. But don’t enjoy it. But I, I don’t think I’ve found any that actually enjoy doing it. So, but, but I think that, you know, as you think back to those early days and you think about what motivated you, it can often help you to figure out, you know, what is, what is that spark that you need in the business for you to either continue enjoying it for a longer period of time or bring back some of that, that joy that you had in those early days. Because I know a lot of agency owners these days are, are frustrated and, you know, trying to figure out how to change things for the better. And I think part of the way you inform yourself of that is by thinking back to those early motivations and figuring out how you can inject more of that into your business today. Gini Dietrich: Mm-hmm. Yeah, I think it’s, I think it’s really important to do that. And I think there, you know, for me personally, I get really passionate and enjoy my job when I’m learning and doing new things. So artificial intelligence, of course, has been a great big thing for me because I’ve really enjoyed learning it and understanding it and implementing it into my business and then taking it to clients. You know, last month we launched the PESO operating system, AI edition, where the AI prompts you instead of you prompting it. So it will say, what are your business objectives? What are you trying to achieve? What are your audiences? What are your messaging? And then it builds a PESO program for you that’s fully integrated versus you saying I need you to act like a marketing director who can, who understands PESO and can build this and this. It’s that. So I like, those are the kinds of things that really get me excited. And building those kinds of things gets me excited and motivated. So it’s, it’s easy because I understand that about myself. It drives my team crazy ’cause they’re like, oh, she’s got something new. Or my, their favorite thing is, I had an idea. And they’re like, oh no, no, not again. But that’s what keeps me, yeah, that’s what keeps me motivated. So finding a way to understand what brings you joy in the business, I think is incredibly important. So that without exhausting your team, of course, but doing it in a way that keeps you motivated and, and not burned out. Chip Griffin: Yeah. One of the things that always used to, to drive my teams nuts was I would say, you know, over the weekend I was playing with this new thing. And, and you could just see the looks on their faces and they’re like, oh, this is a lot more work for me now. Gini Dietrich: This is gonna be fun. Yep. Chip Griffin: This is, yep. Yep. They, they never seemed to appreciate it the way that I had hoped they would when I came to them. Correct. With these, these brilliant brainstorms of mine. Gini Dietrich: Yes. Chip Griffin: I, and I think as, as you know, founders of agencies, most of us come in with some sort of that. Idea that, that we want to be creative or strategic or those kinds of things. And as we end up in more of a management role, we have less and less opportunities to do it. So I, I think that, that rather than giving up on that dream, we need to figure out how we can sprinkle enough of that in there to keep ourselves motivated. We can’t give up the, the management piece. We can’t give up the business development piece. Many of us would like to. But the, the reality is that, unless you’ve built a fairly large agency, you just don’t have the ability to pull yourself out of that, as a solo owner. But it doesn’t mean that you have to give up on those things entirely. You can carve out a piece of time to work on that, and if you are structuring your role in such a way that you’re enjoying what you’re doing, it also means that you’re frankly less likely to be doing the, the, the bad things that founders of businesses can do, which is micromanagement and tinkering with things that you don’t really belong in because you, because you’re not occupying yourself with the things that really motivate you. And instead, you’re continuing to try to do every aspect of the business. And that’s where you start to, to run into team morale problems quite often. Gini Dietrich: Yeah. You know, I think one of the biggest lessons I’ve learned over the years is that, yes, I can do the work, and yes, I can probably do it pretty well, but is it really something that I should be focused on? And if not, is it something that I can pay an expert to do because in the long run, it’ll cost me less money, less time, less resources, all of the things. And I know as small agency owners, it’s really hard to say, gosh, I’m gonna have to spend $2000 or $3,000 a month on an expert. When in fact it might save you, you know, 15 or 20 grand on the backend. So I think you have to think about these things as investments in your business and investments in your time so that you can focus on the things that, that you are great at and the things that make you the happiest and the things that are most motivating to you, because that’s how your business will grow. Chip Griffin: Absolutely. And if, if that happens to be being creative and strategic, then, then you can, you shouldn’t be doing it day to day in all likelihood for clients. Sure. But you should find ways to do it either as part of, you know, quarterly or annual client reviews. Or internal brainstorming sessions that you’re engaging in. There’s a lot of things you can do behind the scenes to be useful and, and to, to exercise those muscles in a way that that gives you satisfaction. But doesn’t put you on the front lines so that you’re, you know, now the, the one that the, the client decides they’re gonna call every time they’ve got an issue. Because that, that ends up eating up a lot of your time in a way that probably you’re not going to enjoy. So sometimes it’s doing things behind the scenes that gets you the, the most value, or doing annual in person with the client. But they understand it’s special that you’re here, this is not. Mm-hmm. Mm-hmm. This is not something they can or should expect every week. Gini Dietrich: Yeah. You know, I, I know I’ve talked about this before on the podcast, but we do quarterly planning with our clients. We do a quarterly look back, and then we, you know, say, okay, based on metrics and data and all that and your priorities, here’s what we’re suggesting for quarter two or in the next quarter. And that has afforded many opportunities. A, for me to, to work in my where I’m, where I’m strong, but it also almost always gets us more money. So when you’re, when agency owners are like, oh, should I do a cost of living raise every year? Should I increase by 10 or 15% every year? That kind of goes away because you are getting new projects every quarter based on the the plan and the strategic strategy and creativity that you’re providing to the clients every quarter, because they’re like, oh gosh, yeah, we should actually do that. And some, and sometimes they’ll say, we don’t have extra budget. Can we move some things around? Which is okay, but most of the time they’ll say, you know, we, we have a little extra budget. Let’s focus on doing that. We have to launch a new website. Here’s some extra budget for that. We have to do a series of webinars to maintain our CEUs. Let’s here’s a little extra budget for that. So there are things and opportunities for you to, for lack of a better term, term upsell when you’re doing these quarterly meetings versus waiting for the annual. Chip Griffin: Yeah. And, and so, you know, finding a way to, to inject yourself in those things is a valuable exercise. Absolutely. From that, look back to the early days. But the other thing that that can be helpful in looking back to your early days of your agency is, you know, what helps drive your early success? Because a lot of times when we’re trying to find solutions to our current growth issues, we can find clues in some of those early days and mm-hmm. A lot of that, you know, in the early days of, of most agencies, it may be that low hanging fruit from personal networks and things like that. But there are usually other patterns that you might be able to see there that might help you to understand what are, what are the basics that you need to go back to? How do you, how do you employ some of those rather than, than focusing on, you know, all of the fancy new things that you see, you know, some, you know, genius podcast hosts talking about as far as how to grow an agency and instead say, Hey, this is what worked for me. Yep. Because you may find something that works again today. Gini Dietrich: Yeah, absolutely. I mean, we say this to clients all the time, but going back to the basics. It works. And it works for you too, so absolutely you should think about those kinds of things. Chip Griffin: Yeah. I mean, you didn’t get here by accident. Well, maybe you got, maybe it’s a little bit of an accident sometimes that happens. Maybe, yeah. Some of it. But, if you’ve had any longevity at all, even a few years of longevity as an agency owner, there are patterns that you can find usually that started in those early days. That you can lean into for understanding and rather than trying to do something wild and different, focus on the things that you know, you’ve proved can work for your business. Gini Dietrich: Yeah. One of the things, if I were to dig back into the archives, one of the things that worked extremely well for us is I had developed relationships with people who did business development at the large agencies, and what I found is that if they had an RFP or a current client or a prospect come in and say, we only have a quarter of a million dollars to spend. They’re not even gonna look at that. And so they started just referring that business to us, which is how I grew the business. Mm-hmm. So if I think about that now, how could we replicate that kind of, you know, pipeline development? It was extremely effective. And I, I gift that to all the listeners too. Like there are larger agencies in all of your cities that they have a certain threshold, and if any something comes in below that, they are happy to refer business. So there is, there is one way for you to start thinking about how am I going to, you know, keep myself motivated? How am I gonna keep my pipeline full? How am I gonna keep cash coming in? That’s one of the things that you can think about. Chip Griffin: Yeah, and thinking those things through. I mean, sometimes it’s not a one for one where you did exactly the same way you did it originally, but you take that nugget of an idea. And you know, things like, finding other people who can refer you business that’s not quite a fit for, for them, but might be for you. It’s a good reminder to be out there and having conversations with your peers. With people even that you might perceive sometimes as competitors, because there are often opportunities. In the work that I do with agencies, it’s not uncommon for some of the other consultants in the space to refer clients to me that are a better fit for my background and the kinds of agencies that I work with and vice versa. Because you know, we all have our specialties. And as an agency you have your specialties, so it is very common for many agencies to have grown this way. So certainly something to be looking at today, particularly if you’re struggling to find that new business in 2026. Gini Dietrich: Yeah, I think I really love the advice of thinking back to how you got to where you are and some of the things that you did, and going back to basics a little bit, because those are the things that are going to continue to work. And to your point, maybe tweak a little bit to make a more, be more effective in ’26. Chip Griffin: I mean, it also puts you in the right mindset, I think, because if you’re thinking back to those early stages, that tends to be when many agencies have the most growth, when things are most exciting. And so if you can try to bring back even a sprinkling of that, that can be really helpful. Particularly when times are tougher, or you’re looking for the inspiration to take things to the next level or whatever challenge you may be facing today, those lessons can be extremely valuable and also motivating at the same time. Gini Dietrich: Absolutely. Yeah. I used to, I used to get mad at companies that would hire big PR firms for like brand awareness and, you know, sending news releases and they didn’t get any coverage. They didn’t get any results. And I would get, I would get angry and I would call the company and be like, you’re so stupid. I would never do that today. But I had such a, I was just so naive and passionate about what we were doing, that it didn’t bother me to call and be like, we can do this significantly better for you. And in some cases they laughed and hung up on me. And in some cases, like we became agency of record. Like we took AOR away from Fleischman Hillard one year from a big, big company with a big, big company. And it was because I made a phone call where I was like, I can’t believe that you’re spending this kind of money and getting these kinds, these lackluster results. They were like, all right, let’s listen. I don’t think I would do that today, but it worked. Chip Griffin: Right. But, thinking back to those things can help you do two things. One is to think some of the positive things that you can do or the affirmative steps, right. That you can take. But the, but sometimes looking back to, to how you got started can also be reminders not to do certain things. Gini Dietrich: Sure, sure. Chip Griffin: So, particularly if you’ve started an agency and maybe you worked at an agency previously when you started, you probably had this laundry list of things. I would never do these things as an agency. And I, I think back to my first agency and some of the agencies that I had worked with previously, you know, did a lot of what I felt was nickel and diming of you in terms of back in the day charging you for faxes and photocopies. Sure. Yes. And all sorts of little expenses. And so, you know, I was committed back then to making sure that my invoices were always clean and simple and fixed, and I just worked in the cost of all of these things. Into my total cost of doing business so that I never had to aggravate a client. Fast forward to today. If I found myself doing that, I, by looking back, I would say, wait a minute. Let me think about that. Am I, am I being true to what my vision was of the business? And if not, is that because I’ve actually learned something and it does make sense to do what I thought was wrong back then. Because I mean, you can learn and grow. There’s nothing wrong with that. Sure. Or have you just fallen into the trap because you walked around and you saw other people doing it. So you said, well, I’m gonna start charging for faxes too. And if you’re charging for faxes in 2026, by the way, Gini Dietrich: we have a problem, but Chip Griffin: we have a huge problem because, what the heck are you using that fax machine for? Let alone that you’re charging for it. And by the way, where did you find a fax machine? Because I haven’t seen a fax machine in person in a really long time, except maybe like at the back of a doctor’s office. The, you know, Gini Dietrich: the bank and the doctor’s office. Yeah, I think that’s it. Chip Griffin: Well, I haven’t, I don’t, I kind, I haven’t been inside a bank in a long time, but Gini Dietrich: yeah, Chip Griffin: everything’s, everything’s electronic now. Gini Dietrich: Yeah. There’s no need for that. Chip Griffin: But yeah, think, think back to those, those motivations that you may have had that rather than I want to do this, it was, I never want to be the kind of agency that does this. Because it, it is really so easy to fall down those rabbit holes over time without even realizing that you’re just, you’re doing the same things that, that you didn’t ever want to see when you started your business. Gini Dietrich: Yeah. And I think it’s so easy to sit on social media, and you’ll get served ads from experts who say this is the way that you should do things. And in some cases it might work. And in some cases you might be like, there’s no way. And I think it’s really easy to listen to somebody and say, yeah, but we went from $3 million in debt to making $3 million a day, like, you know, these wild claims. And then you kind of get sucked into that. I think if you’re really true to who you are and what kind of agency you want to build, that’s going to enable you to say, this just doesn’t feel right to me. I’m not, I’m just gonna… great if he’s really making $3 million a day, I need to just bypass this one. Chip Griffin: Because you need to do what’s right for you. And so, I think that the key to that is, is really going back to your roots, understanding what motivated you to get started, what drove that success in the early days. And by understanding the, the early months or years of your agency, the more that you can inform some of the decisions that you’re making going forward one way or the other. Gini Dietrich: Absolutely. Absolutely. Yeah. Think about it. It’s a good way to start ’26. Chip Griffin: Nice positive way. We, we managed to get through an episode here without beating up on our listeners. We didn’t start the year on a negative note, did we? We started positive. We did. Think about, we think about what has worked for you previously. Yes. And do more of that. Do more. So we will do more of this on a future episode of the Agency Leadership Podcast. But in the meantime, I’m Chip Griffin. Gini Dietrich: I’m Gini Dietrich. Chip Griffin: And it depends.

As agency owners settle into 2026, it’s easy to operate on autopilot—chasing the next tactic without reconnecting with what made the business work in the first place. In this episode, Chip and Gini make the case for looking backward before charging forward. Chip admits his first agency started because “consultant” sounded better than “unemployed.” But the real question isn’t just why you started—it’s why you decided to keep building. That motivation should be informing your strategy today. Gini shares how she once believed she wanted a large agency with hundreds of employees and global clients. When she hit 30+ people, she realized she’d built something she didn’t enjoy leading. She was buried in HR issues instead of doing the work that energized her. The Great Recession forced a reset, and she restructured the business around her strengths. Her advice: figure out what brings you joy in the business, and protect time to do more of it. Otherwise, you risk drifting into micromanagement or burnout. The episode also digs into practical growth tactics from the early days that still work. Gini recalls how she built her pipeline by developing relationships with business development leads at large agencies. When prospects came in below their fee threshold, they’d refer the work her way—a principle that remains just as relevant today. Both hosts encourage owners to revisit their “things I’d never do” list from when they started. It’s worth checking whether you’ve quietly drifted into those same patterns over time. Key takeaways Chip Griffin: “Agency owners often ask me, what should I do next? And the answer is very different depending on what you’re trying to accomplish with the business.” Gini Dietrich: “We say this to clients all the time, go back to the basics. It works. And it works for your agency, too.” Chip Griffin: “You need to do what’s right for you. And so, I think that the key to that is really going back to your roots, understanding what motivated you to get started, what drove that success in the early days.” Gini Dietrich: “You want to focus on the things that you are great at, and the things that make you the happiest, and the things that are most motivating to you, because that’s how your business will grow.” Turn Ideas Into Action Write down why you started your agency and what drove your early success. Block 30 minutes to identify patterns from those early days that you could leverage again for growth or business development today. Identify one thing that energizes you most about the work—then carve out time to do more of it. Even if it’s behind the scenes (like strategic brainstorming or quarterly client reviews), injecting that spark back into your role helps prevent burnout. Make a quick list of “things I swore I’d never do” when you started. Check whether you’ve drifted into any of those patterns on inertia—and decide if it’s a learned lesson or a habit worth breaking. Related Do you remember why you started your agency? Why one-size-fits-all advice doesn't work for agencies View Transcript The following is a computer-generated transcript. Please listen to the audio to confirm accuracy. Chip Griffin: Hello and welcome to another episode of the Agency Leadership Podcast. I’m Chip Griffin. Gini Dietrich: And I am Gini Dietrich. Chip Griffin: And Gini, I’m thinking way, way back, way back decades now to why I started my agency. Gini Dietrich: Oooh. Decades, huh? Chip Griffin: And I can’t remember ’cause I’m too old now, so. No, Gini Dietrich: you can too remember. Chip Griffin: Well, I mean, the honest answer is that I started my first agency was because I was unemployed. And it was better to describe myself as a consultant than unemployed. Yeah. Sure. And then than accidentally started accumulating business. Yeah. But I, but I do think it, it is a helpful exercise for us to go back and, and think about why we started the businesses or, or maybe not, in some cases, like mine, because I was unemployed, is not the greatest explanation. So you know more why did I decide to, to, to build it into an actual business. Gini Dietrich: Why? To keep going. Yeah. I think that’s good, especially as we’re, we’re thinking about starting out the new year and remind ourselves, you know, of the reasons that we started this. Some of us do it because we’re, we’re unemployed. Some of us did it because we found a better, we, we think we had a better way of doing things. Some of us did it because we have a problem with authority. Some of us did it ’cause we’d make terrible employees. I mean, there are lots of different reasons, but I think reaching back into our archives in our brains and thinking about why we did it or why we, I think that you’re right, why we continue to do it is a, is a really good exercise. Chip Griffin: Yeah, I mean, I, and, and I’ve said over and over again over the years that, that I think too many agencies operate on inertia, as opposed to any kind of a, a fundamental strategy. And so, you know, it’s very easy to say as, as I’m sure many people ask you as they do me, well, what’s the, what’s my next step? Here’s where my agency is now, what, what should I do next? And the answer is very different depending on what you’re trying to accomplish with the business. So trying to think back to those early days and what motivated you to start the business. Evaluate it because it, that may have changed, right? You, you may have started it because it served a particular need in the moment, and maybe it’s different today, but thinking about that and thinking about what you really want from the business is usually a better way to come up with strategic decisions than it is to say, well, what do other agencies like mine do when they get to this stage of growth or to this challenge? It’s, you really need to to match it up because otherwise, what’s the point of taking on all of that risk and stress of being a business owner? Gini Dietrich: Yeah. I mean, a really good example of that is I really thought I wanted to build a great big agency with hundreds of employees and, and clients around the globe and all of the, all of the things. And as I started to grow and we got to about 30 ish, 33, 32 people, I realized that’s not what I wanna do. Right. It was not enjoyable. I had built a company that I was not thriving in, that I didn’t enjoy leading. You know, I was dealing mostly with HR issues and not doing the work. And so the, the Great Recession did afford me the opportunity, unfortunately and fortunately to kind of take a step back and, and think about what kind of business do I want to have? And what kind of business do I want to lead? And while we’re back up to that same size, it’s a different structured business that allows me to focus in on the things that I do best and do the things that I enjoy versus HR ’cause that is not something I enjoy at all. Chip Griffin: I, I think I’ve yet to meet an owner who likes, enjoys doing HR or accounting or those sorts of things. Not fun. There are some who do it well. But don’t enjoy it. But I, I don’t think I’ve found any that actually enjoy doing it. So, but, but I think that, you know, as you think back to those early days and you think about what motivated you, it can often help you to figure out, you know, what is, what is that spark that you need in the business for you to either continue enjoying it for a longer period of time or bring back some of that, that joy that you had in those early days. Because I know a lot of agency owners these days are, are frustrated and, you know, trying to figure out how to change things for the better. And I think part of the way you inform yourself of that is by thinking back to those early motivations and figuring out how you can inject more of that into your business today. Gini Dietrich: Mm-hmm. Yeah, I think it’s, I think it’s really important to do that. And I think there, you know, for me personally, I get really passionate and enjoy my job when I’m learning and doing new things. So artificial intelligence, of course, has been a great big thing for me because I’ve really enjoyed learning it and understanding it and implementing it into my business and then taking it to clients. You know, last month we launched the PESO operating system, AI edition, where the AI prompts you instead of you prompting it. So it will say, what are your business objectives? What are you trying to achieve? What are your audiences? What are your messaging? And then it builds a PESO program for you that’s fully integrated versus you saying I need you to act like a marketing director who can, who understands PESO and can build this and this. It’s that. So I like, those are the kinds of things that really get me excited. And building those kinds of things gets me excited and motivated. So it’s, it’s easy because I understand that about myself. It drives my team crazy ’cause they’re like, oh, she’s got something new. Or my, their favorite thing is, I had an idea. And they’re like, oh no, no, not again. But that’s what keeps me, yeah, that’s what keeps me motivated. So finding a way to understand what brings you joy in the business, I think is incredibly important. So that without exhausting your team, of course, but doing it in a way that keeps you motivated and, and not burned out. Chip Griffin: Yeah. One of the things that always used to, to drive my teams nuts was I would say, you know, over the weekend I was playing with this new thing. And, and you could just see the looks on their faces and they’re like, oh, this is a lot more work for me now. Gini Dietrich: This is gonna be fun. Yep. Chip Griffin: This is, yep. Yep. They, they never seemed to appreciate it the way that I had hoped they would when I came to them. Correct. With these, these brilliant brainstorms of mine. Gini Dietrich: Yes. Chip Griffin: I, and I think as, as you know, founders of agencies, most of us come in with some sort of that. Idea that, that we want to be creative or strategic or those kinds of things. And as we end up in more of a management role, we have less and less opportunities to do it. So I, I think that, that rather than giving up on that dream, we need to figure out how we can sprinkle enough of that in there to keep ourselves motivated. We can’t give up the, the management piece. We can’t give up the business development piece. Many of us would like to. But the, the reality is that, unless you’ve built a fairly large agency, you just don’t have the ability to pull yourself out of that, as a solo owner. But it doesn’t mean that you have to give up on those things entirely. You can carve out a piece of time to work on that, and if you are structuring your role in such a way that you’re enjoying what you’re doing, it also means that you’re frankly less likely to be doing the, the, the bad things that founders of businesses can do, which is micromanagement and tinkering with things that you don’t really belong in because you, because you’re not occupying yourself with the things that really motivate you. And instead, you’re continuing to try to do every aspect of the business. And that’s where you start to, to run into team morale problems quite often. Gini Dietrich: Yeah. You know, I think one of the biggest lessons I’ve learned over the years is that, yes, I can do the work, and yes, I can probably do it pretty well, but is it really something that I should be focused on? And if not, is it something that I can pay an expert to do because in the long run, it’ll cost me less money, less time, less resources, all of the things. And I know as small agency owners, it’s really hard to say, gosh, I’m gonna have to spend $2000 or $3,000 a month on an expert. When in fact it might save you, you know, 15 or 20 grand on the backend. So I think you have to think about these things as investments in your business and investments in your time so that you can focus on the things that, that you are great at and the things that make you the happiest and the things that are most motivating to you, because that’s how your business will grow. Chip Griffin: Absolutely. And if, if that happens to be being creative and strategic, then, then you can, you shouldn’t be doing it day to day in all likelihood for clients. Sure. But you should find ways to do it either as part of, you know, quarterly or annual client reviews. Or internal brainstorming sessions that you’re engaging in. There’s a lot of things you can do behind the scenes to be useful and, and to, to exercise those muscles in a way that that gives you satisfaction. But doesn’t put you on the front lines so that you’re, you know, now the, the one that the, the client decides they’re gonna call every time they’ve got an issue. Because that, that ends up eating up a lot of your time in a way that probably you’re not going to enjoy. So sometimes it’s doing things behind the scenes that gets you the, the most value, or doing annual in person with the client. But they understand it’s special that you’re here, this is not. Mm-hmm. Mm-hmm. This is not something they can or should expect every week. Gini Dietrich: Yeah. You know, I, I know I’ve talked about this before on the podcast, but we do quarterly planning with our clients. We do a quarterly look back, and then we, you know, say, okay, based on metrics and data and all that and your priorities, here’s what we’re suggesting for quarter two or in the next quarter. And that has afforded many opportunities. A, for me to, to work in my where I’m, where I’m strong, but it also almost always gets us more money. So when you’re, when agency owners are like, oh, should I do a cost of living raise every year? Should I increase by 10 or 15% every year? That kind of goes away because you are getting new projects every quarter based on the the plan and the strategic strategy and creativity that you’re providing to the clients every quarter, because they’re like, oh gosh, yeah, we should actually do that. And some, and sometimes they’ll say, we don’t have extra budget. Can we move some things around? Which is okay, but most of the time they’ll say, you know, we, we have a little extra budget. Let’s focus on doing that. We have to launch a new website. Here’s some extra budget for that. We have to do a series of webinars to maintain our CEUs. Let’s here’s a little extra budget for that. So there are things and opportunities for you to, for lack of a better term, term upsell when you’re doing these quarterly meetings versus waiting for the annual. Chip Griffin: Yeah. And, and so, you know, finding a way to, to inject yourself in those things is a valuable exercise. Absolutely. From that, look back to the early days. But the other thing that that can be helpful in looking back to your early days of your agency is, you know, what helps drive your early success? Because a lot of times when we’re trying to find solutions to our current growth issues, we can find clues in some of those early days and mm-hmm. A lot of that, you know, in the early days of, of most agencies, it may be that low hanging fruit from personal networks and things like that. But there are usually other patterns that you might be able to see there that might help you to understand what are, what are the basics that you need to go back to? How do you, how do you employ some of those rather than, than focusing on, you know, all of the fancy new things that you see, you know, some, you know, genius podcast hosts talking about as far as how to grow an agency and instead say, Hey, this is what worked for me. Yep. Because you may find something that works again today. Gini Dietrich: Yeah, absolutely. I mean, we say this to clients all the time, but going back to the basics. It works. And it works for you too, so absolutely you should think about those kinds of things. Chip Griffin: Yeah. I mean, you didn’t get here by accident. Well, maybe you got, maybe it’s a little bit of an accident sometimes that happens. Maybe, yeah. Some of it. But, if you’ve had any longevity at all, even a few years of longevity as an agency owner, there are patterns that you can find usually that started in those early days. That you can lean into for understanding and rather than trying to do something wild and different, focus on the things that you know, you’ve proved can work for your business. Gini Dietrich: Yeah. One of the things, if I were to dig back into the archives, one of the things that worked extremely well for us is I had developed relationships with people who did business development at the large agencies, and what I found is that if they had an RFP or a current client or a prospect come in and say, we only have a quarter of a million dollars to spend. They’re not even gonna look at that. And so they started just referring that business to us, which is how I grew the business. Mm-hmm. So if I think about that now, how could we replicate that kind of, you know, pipeline development? It was extremely effective. And I, I gift that to all the listeners too. Like there are larger agencies in all of your cities that they have a certain threshold, and if any something comes in below that, they are happy to refer business. So there is, there is one way for you to start thinking about how am I going to, you know, keep myself motivated? How am I gonna keep my pipeline full? How am I gonna keep cash coming in? That’s one of the things that you can think about. Chip Griffin: Yeah, and thinking those things through. I mean, sometimes it’s not a one for one where you did exactly the same way you did it originally, but you take that nugget of an idea. And you know, things like, finding other people who can refer you business that’s not quite a fit for, for them, but might be for you. It’s a good reminder to be out there and having conversations with your peers. With people even that you might perceive sometimes as competitors, because there are often opportunities. In the work that I do with agencies, it’s not uncommon for some of the other consultants in the space to refer clients to me that are a better fit for my background and the kinds of agencies that I work with and vice versa. Because you know, we all have our specialties. And as an agency you have your specialties, so it is very common for many agencies to have grown this way. So certainly something to be looking at today, particularly if you’re struggling to find that new business in 2026. Gini Dietrich: Yeah, I think I really love the advice of thinking back to how you got to where you are and some of the things that you did, and going back to basics a little bit, because those are the things that are going to continue to work. And to your point, maybe tweak a little bit to make a more, be more effective in ’26. Chip Griffin: I mean, it also puts you in the right mindset, I think, because if you’re thinking back to those early stages, that tends to be when many agencies have the most growth, when things are most exciting. And so if you can try to bring back even a sprinkling of that, that can be really helpful. Particularly when times are tougher, or you’re looking for the inspiration to take things to the next level or whatever challenge you may be facing today, those lessons can be extremely valuable and also motivating at the same time. Gini Dietrich: Absolutely. Yeah. I used to, I used to get mad at companies that would hire big PR firms for like brand awareness and, you know, sending news releases and they didn’t get any coverage. They didn’t get any results. And I would get, I would get angry and I would call the company and be like, you’re so stupid. I would never do that today. But I had such a, I was just so naive and passionate about what we were doing, that it didn’t bother me to call and be like, we can do this significantly better for you. And in some cases they laughed and hung up on me. And in some cases, like we became agency of record. Like we took AOR away from Fleischman Hillard one year from a big, big company with a big, big company. And it was because I made a phone call where I was like, I can’t believe that you’re spending this kind of money and getting these kinds, these lackluster results. They were like, all right, let’s listen. I don’t think I would do that today, but it worked. Chip Griffin: Right. But, thinking back to those things can help you do two things. One is to think some of the positive things that you can do or the affirmative steps, right. That you can take. But the, but sometimes looking back to, to how you got started can also be reminders not to do certain things. Gini Dietrich: Sure, sure. Chip Griffin: So, particularly if you’ve started an agency and maybe you worked at an agency previously when you started, you probably had this laundry list of things. I would never do these things as an agency. And I, I think back to my first agency and some of the agencies that I had worked with previously, you know, did a lot of what I felt was nickel and diming of you in terms of back in the day charging you for faxes and photocopies. Sure. Yes. And all sorts of little expenses. And so, you know, I was committed back then to making sure that my invoices were always clean and simple and fixed, and I just worked in the cost of all of these things. Into my total cost of doing business so that I never had to aggravate a client. Fast forward to today. If I found myself doing that, I, by looking back, I would say, wait a minute. Let me think about that. Am I, am I being true to what my vision was of the business? And if not, is that because I’ve actually learned something and it does make sense to do what I thought was wrong back then. Because I mean, you can learn and grow. There’s nothing wrong with that. Sure. Or have you just fallen into the trap because you walked around and you saw other people doing it. So you said, well, I’m gonna start charging for faxes too. And if you’re charging for faxes in 2026, by the way, Gini Dietrich: we have a problem, but Chip Griffin: we have a huge problem because, what the heck are you using that fax machine for? Let alone that you’re charging for it. And by the way, where did you find a fax machine? Because I haven’t seen a fax machine in person in a really long time, except maybe like at the back of a doctor’s office. The, you know, Gini Dietrich: the bank and the doctor’s office. Yeah, I think that’s it. Chip Griffin: Well, I haven’t, I don’t, I kind, I haven’t been inside a bank in a long time, but Gini Dietrich: yeah, Chip Griffin: everything’s, everything’s electronic now. Gini Dietrich: Yeah. There’s no need for that. Chip Griffin: But yeah, think, think back to those, those motivations that you may have had that rather than I want to do this, it was, I never want to be the kind of agency that does this. Because it, it is really so easy to fall down those rabbit holes over time without even realizing that you’re just, you’re doing the same things that, that you didn’t ever want to see when you started your business. Gini Dietrich: Yeah. And I think it’s so easy to sit on social media, and you’ll get served ads from experts who say this is the way that you should do things. And in some cases it might work. And in some cases you might be like, there’s no way. And I think it’s really easy to listen to somebody and say, yeah, but we went from $3 million in debt to making $3 million a day, like, you know, these wild claims. And then you kind of get sucked into that. I think if you’re really true to who you are and what kind of agency you want to build, that’s going to enable you to say, this just doesn’t feel right to me. I’m not, I’m just gonna… great if he’s really making $3 million a day, I need to just bypass this one. Chip Griffin: Because you need to do what’s right for you. And so, I think that the key to that is, is really going back to your roots, understanding what motivated you to get started, what drove that success in the early days. And by understanding the, the early months or years of your agency, the more that you can inform some of the decisions that you’re making going forward one way or the other. Gini Dietrich: Absolutely. Absolutely. Yeah. Think about it. It’s a good way to start ’26. Chip Griffin: Nice positive way. We, we managed to get through an episode here without beating up on our listeners. We didn’t start the year on a negative note, did we? We started positive. We did. Think about, we think about what has worked for you previously. Yes. And do more of that. Do more. So we will do more of this on a future episode of the Agency Leadership Podcast. But in the meantime, I’m Chip Griffin. Gini Dietrich: I’m Gini Dietrich. Chip Griffin: And it depends.

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