Podcasts about associate arts professor

Brandon J. Dirden is an actor and director who has appeared in TV shows like The Americans and plays like the Tony Award-winning All The Way (he played Martin Luther King Jr. alongside Bryan Cranston as Lyndon B. Johnson). He's also a director — most recently of Yale Repertory Theatre’s production of Eden. The play takes place in 1920s Manhattan. It focuses on two families living in the same apartment building. Eustace Baylor comes from the south and falls in love with Anetta Barton. Anetta’s family is from the West Indies. Her father, Joseph, does not approve of Eustace. This hour, we talk to Brandon about the complex racial dynamics in Eden and the power of theater. GUEST: Brandon J. Dirden: actor, director and Associate Arts Professor in the Graduate Acting Department at New York University’s Tisch School of the Arts. He directed Yale Repertory Theatre’s production of Eden, which runs until February 8th. You can learn more about Yale Repertory Theatre's production of Eden on their website.See omnystudio.com/listener for privacy information.

In these next few episodes, we are recording in collaboration with my fellow podcaster and now friend Ethan from Artistic Finance. Today we are talking with Jeanette Oi-Suk Yew. Jeanette is an award-winning designer for theatre, opera, dance, musical, music performances, installation, and immersive experiences. As a designer, she aims to create a visual environment that is organically integrated into the landscape and language of the production.  Her works have been seen across US cities and internationally at Havana (Cuba), Prague (Czech Republic), Lima (Peru), Edinburgh (Scotland), Tokyo (Japan), Graz (Austria), Shanghai (China), Paris (France), and Bloemfontein (South Africa). Jeanette is the Associate Arts Professor and Head of Lighting Design Training with NYU's Department of Drama Production & Design Studio (P&D), and is a member of Woodshed Collective and Caborca, a member of USA29, and is a recipient of the NEA/TCG Career Development Program. Artistic Finance with Ethan Steimel We want to hear from YOU and provide a forum where you can put in requests for future episodes. What are you interested in listening to? Please fill out the form for future guest suggestions here and if you have suggestions or requests for future themes and topics, let us know here! @theatreartlife Thank you to our sponsor @clear-com

Welcome DAN CHARNAS! His latest book - Dilla Time: The Life and Afterlife of J Dilla, The Hip-Hop Producer Who Reinvented Rhythm (2022) - is a New York Times Bestseller. Award-winning music and business journalist, author of four books, producer of records and television. Associate Arts Professor at the Clive Davis Institute of Recorded Music at NYU. In the 1980's, Dan was part of the opening team at The Source magazine, in the 1990's he worked A&R for Rick Rubin at American Recordings. 3:00 - The Upful Update 9:30 - introducing DAN CHARNAS & Dilla Time 17:45 - INTERVIEW (102min) The product of four years of research and nearly 200 interviews, Dilla Time emerged from a course on J Dilla developed by Charnas at NYU in 2017, but its roots go back to Charnas's time in the record business, when he first made the trip to Detroit to work with the producer then known as Jay Dee.  A huge fan of both Dilla & this expansive book, I'd been waiting since Feb.2022 to speak with Dan about this project, his process, & the Church of Dilla. I've been through the 430-page tome twice, listened to him on numerous podcasts in preparation for this conversation, still Dan was kind enough to give me nearly 100 minutes of his time and thoughtfully answered each inquiry with intention. This topic was so wide-ranging and engrossing that we didn't have the time to get into his long, colorful career path, we stuck exclusively to Mr. Yancey. As a music journalist and lifetime hip-hop head, Dan Charnas is nothing short of a North Star to me; as such it was an honor, privilege, and educational exercise to host him on Episode 062 of The Upful LIFE Podcast. Funk It's Dilla Time Mixtape 2022   33-hour J Dilla Anthology courtesy of Mista Vee   Vibe Junkie JAM Oblighetto - Brother Jack McDuff (J Dilla remix)   EMAIL the SHOW!  PLEASE LEAVE A REVIEW on Apple Podcasts! Listen on Spotify ! Theme Song: "Mazel Tov"- CALVIN VALENTINE

The wildly successful world premiere of Iranian-American Sanaz Toossi's award-winning play and production English (2022) captivated audiences who had never before seen their story captured in live performance. Set in a TOEFL classroom in Karaj, Iran in 2008, English occurs during a period of political transformation resulting in travel restrictions and family separations. The play focuses on the many personal, cultural and political questions raised by “foreign” language acquisition that are both specific and expansive upon its Iranian context. In conversation about this theatrical work, the award-winning English creative team discusses these topics and the process from script to production. Speakers Knud Adams, Director, English (2022) Sanaz Toossi, Iranian-American Playwright, English (2022) Moderated by Robert H Vorlicky, Visiting Professor of Theater, NYUAD Marsha Ginsberg, Scenic Designer, English (2022); Associate Arts Professor of Theater, NYUAD

Thinking Cap Theatre's Artistic Director Nicole Stodard Ph.D talks with Gwendolyn Alker Associate Arts Professor and Director of Theatre Studies in the Department of Drama, Tisch/NYU about Fornes' legacy, identity politics, feminism, the landmark play Fefu and Her Friends and Alker's latest work on Fornes' Evelyn Brown. GWENDOLYN ALKER'S BIO Gwendolyn Alker is an Associate Arts Professor and Director of Theatre Studies in the Department of Drama, Tisch/NYU. She is the former Editor of Theatre Topics and the former managing editor of Women & Performance. As a scholar and dramaturg, she has taught and advocated for the work of María Irene Fornés over the last two decades. Dramaturgical credits include the New York Fornés Festival (2010), which she curated and organized, the award-winning documentary The Rest I Make Up by Michelle Memran (2018), and JoAnne Akalaitis' Maria Irene Fornes Marathon at The Public Theatre (2018). Publications on Fornés include “Teaching Fornes: Preserving Fornesian Techiques in Critical Context” published in Theatre Topics in 2009, as well as “Fornesian Animality: María Irene Fornés' Challenge to a Politics of Identity” published in the Journal of Dramatic Theory and Criticism (2020). Most recently, she dramaturged and re-assembled the Fornés lost great work, Evelyn Brown (A Diary) as part of Princeton's Atelier series during the Fall of 2021. Evelyn Brown will be debuted as part of La Mama's Spring 2023 season. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Kathy Engel, poet, has worked for forty years at the nexus between social justice movements and art/imagination. Her books include Ruth's Skirts, poems and prose, We Begin Here: Poems for Palestine and Lebanon, co- edited with Kamal Boullata, The Kitchen with art by German Perez, and the chapbook, Banish The Tentative. Her newest book, The Lost Brother Alphabet, was published by Get Fresh Books, 2020. Kathy founded with a group of women in 1983, and became the first director of the international women's human rights group, MADRE. She is also co- founder, producer, and consultant for numerous projects, campaigns, organizations. She works as Associate Arts Professor in the Department of Art & Public Policy, Tisch School of the Arts, NYU. She is a 2020 Pushcart nominee. The mother of two amazing daughters, she lives in Sagaponack, New York, with her partner, the artist educator Jonathan Snow. www.kathyengelpoet.com instagram: kellajaja "The Lost Brother Alphabet" available at: https://gfbpublishing.org/shop?olsPage=products%2Fthe-lost-brother-alphabet https://momeggreview.com/2021/04/02/the-lost-brother-alphabet-by-kathy-engel/ https://ghostfishingnyu.info/ To Kneel https://portside.org/2019-06-28/falling http://lalela.place/2020/08/11/a-retreat-in-collaborative-poetics/ check out: https://www.livingdictionaryproject.com check out: https://www.theenclavehabitat.org/

“If you want to be it, you have to see it.” Michael McElroy, 2019 Tony Awards Acceptance Speech__________________________________Episode 1:  Michael McElroyWelcome to the Antiracist Artist Podcast, a podcast for activists, advocates and allies working to make our communities equitable through artistry. Each episode we are joined in conversation by an artist or arts facilitator who has been paving the way, in hopes of learning from their expertise and experience. Through action and unity, we can create a better tomorrow today. Let’s go!__________________________________Hello and welcome to the Antiracist Artist Podcast. I’m your host, Taylor Ybarra, and I’m so glad to have you a part of the conversation. In this episode of the Antiracist Artist Podcast we have the opportunity for an in-depth conversation with Michael McElroy, Founder/Musical Director and Arranger for Broadway Inspirational Voices (BIV) a multi-racial gospel choir comprised of Broadway performers. Michael has an impressive resume as an arranger, performer, Associate Arts Professor and Head of Vocal Performance in the New Studio on Broadway, and Director of the Office of Diversity Initiatives at NYU's Tisch School of the Arts.During this episode, Michael and I talk about:How BIV was created out of the need to have a healing space for people of all walks of life to perform gospel music in order to give back to the community.Michael’s creation of a class entitled Roots to Rep, in order to host a space of learning about the lineage of musical forms, spanning from the beginnings of American slavery to modern day, in order to give artists the tools necessary to understand the origins of the musical cannon and what it was born out of.Through his position as the Director of the Office of Diversity Initiatives at New York University, he challenges the artistic space to not only be diverse in their students but also in the lessons, materials, and the teaching force.By being a founding member of the Black Theatre United (BTU), Michael helps to create an organization due to a direct need to shine the light on work which furthers humanity and which helps to create systems of empowerment for people of color, the disenfranchised, the marginalized.Michael’s definition of antiracisim and how it intersects with his own artistry.And so much more!Resources & Organizations Mentioned:Broadway Inspirational Voices (BIV)Broadway Cares/Equity Fights AIDSCovenant House New YorkRonald McDonald House New YorkJen Waldman StudioNew Studio on BroadwayBlack Theatre United (BTU)Musicians United for Social Equity (MUSE)NYC NextA Moment for Broadway PerformanceEpisode Transcript Each episode, we invite our guests to choose an organization to uplift, one that is creating a meaningful impact toward a more equitable, inclusive, accessible and antiracist future. In honor of Michael in this episode, we have donated to NYCNext and MUSE. You can donate and learn more about each of these organizations via the links above.This podcast is made with, by, and for those of us in this fight together, and I invite you to be a part of this podcast community with us. You can stay connected with us at AntiracistArtist.com, on Instagram @antiracistartist, or by emailing antiracistartist@gmail.com. Let us know why antiracist artistry is important to you, what questions you would like to dig into, and who you’d like to hear from in future episodes. __________________________________The Antiracist Artist Podcast is hosted by Taylor Ybarra, produced by Subito Politico Productions, LLC, and edited by Andrew Alcaraz. To stay connected with the Antiracist Artist Podcast, please visit us at AntiracistArtist.com, on Instagram @antiracistartist, or via email at antiracistartist@gmail.com. We’d love to hear from you!Our podcast is made possible with the support of folx like you. You can get exclusive content and access to the show by becoming a patron at patreon.com/antiracistartist. This episode’s donation was made possible in part by the generosity of Jenny Hoofnagle.Theme music features vocals by Esteban Suero, Forest VanDyke, Kennedy Kanagawa, Jamison, & MinJi Kim._________________________________________________Get SocialConnect with us! | Instagram @antiracistartist | FaceBook @AAPcommunity | Twitter @AAPcommunity _______This episode features the following artists/arts facilitators:Esteban Suero | IG @estesuero / @theofficialerosForest VanDyke | IG - @forestvandykeKennedy Kanagawa | kennedykanagawa.com | IG @thisiskennedyJamison | www.courtneyjamison.com | IG @iamcourtneyjamison | TW @thecjamisonMinJi Kim | IG @minjilikesdogsandmusicMaricela Juarez | www.maricelajuarez.com | IG @remarkablymari 

In this episode, I will be talking to Jonathan Hart Makwaia. Jonathan is a vocalist, composer and voice researcher, an Associate Arts Professor in the Department of Drama at New York University, a long-time performer, composer and musical director for the Roy Hart Theatre and currently President of the Roy Hart International Arts Centre in the South of France. ‍ Jonathan shares his perspective on Listening — when supporting someone on their Vocal exploration or their performance creation, when preparing his own performances, and some of the subtle layers of listening. And why he doesn’t like the word listening. :) You can find his music here (Spotify). And this is the link to the Roy Hart International Arts Center.

IN THIS EPISODE, we talk about how Fay's method, The Lucid Body, is really human training disguised as acting training, developing compassion in the face of turmoil and trauma, the "shadow" and working with it, how chakras apply to everyone (actors and otherwise!) way more practically than their woo-woo associations imply, how to forgive and develop compassion and why it's essential, and SO MUCH MORE. . . .  Fay Simpson is a celebrated and visionary artistic director, acting teacher, and the founder of The Lucid Body. Informed by her 20-year career in dance and theatre, Fay created The Lucid Body as a process of introspection, exertion, and mental challenge which empowers actors to express their fullest potential. She conducts private classes and training workshops for other teachers at her Manhattan studio, The Lucid Body House. She is currently writing the 2nd edition of her book The Lucid Body; A Guide for the Physical Actor which has been hailed as “one of the ten most essential books for the actor.” . . . An award-winning performer and writer, Fay is currently an Associate Arts Professor in the NYU Tisch Graduate Acting Program, Fay has taught at The Yale School of Drama, The New School, Michael Howard Studios, The Studio/NY, Marymount Manhattan College, and the Actor’s Center. She is also the Artistic Director of the not-for-profit Impact Theatre, which she co-founded in 1990 as a collective of physical theatre artists devising work with a social bite. . . . . Show notes: Website The Lucid Body Buy the book Impact Theatre Monthly performance salons Drop-in classes in NYC Online intro class Three-week The Lucid Body intensive in Bali (co-led by Fay) . . . This episode is sponsored by Let [A Podcast] Out. Wanna start your own podcast but don’t know where to begin? Let [A Podcast] Out is a comprehensive workshop for anyone looking to host, produce, and launch a podcast of their own. This 8 module workshop is designed to answer every question you have about podcasting. Former WANTcast guest Katie Dalebout is the OG of podcasting and the person I go to when I’m feeling lost or alone in this crazy podcasting world. Her goal is to make the whole pod process easier to navigate, and to help you dial down the logistics so you can focus on crafting the best content.   Head over to LetAPodcastOut.club and Use code WANT for $25 off the course.  

Daniel Shiffman is a programmer, a project lead with the Processing Foundation, and an Associate Arts Professor at the Interactive Telecommunications Program at NYU's Tisch School of the Arts. Dan uses the popular Processing Language to teach people to code on his popular (an wild and wacky) YouTube Channel "The Coding Train."

Dr. Sheril Antonio is an Associate Arts Professor in the department of Art and Public Policy and the Associate Dean of the Kanbar Institute of Film & Television. From 2008/9, she served as the chair of the Clive Davis Department of Recorded Music and was that department'€™s inaugural chair in 2003/4. She also served as chair of the Graduate Film Program in 2001/2 and for two years from 2013/15 the interim chair of the Goldberg Department of Dramatic Writing. Her courses include Anatomy of Difference: The Other in Film, The World Through Art, and Language of Film. She received Curricular Development Challenge Grants for two courses: Issues in Contemporary African-American Cinema (taught 1992-1995) and The Summer Film & Video Program for High School Students (designed in collaboration in 1995). She is an advisor and frequent lecturer whose presentations include: a live online debate about the movie Precious with Stanley Crouch; The Double Down Film Show, Future Filmmakers Workshop; Advisory Board of Ghetto Film School, The Cinema High School; and the NAACP. She has been interviewed for television, radio, and print, including Studio 360: Girls on Film and WNYC 93.9FM, Orpheus: to Hell and Back. The Clive Davis Institute - is the first and only program of its kind to provide professional business and artistic training toward a BFA in Recorded Music. We aim to provide students with the necessary skills — business, creative, and intellectual — so that they might emerge as visionary creative entrepreneurs in the evolving music industry. Ghetto Film School - Article in the New York Times : Young Moviemakers Meet Old Masters at the Frick Dr. Antonio is the author of Contemporary African American Cinema, 2001. Her other works include: Do Hollywood Films Truly Reflect Life in America?; a feature essay for the inaugural issue of Black Camera: The Urban-Rural Binary in Black American Film and Culture, Indiana University Press 2009, New Black Cinema: When Self-Empowerment Becomes Assimilation, Bertz Verlang, 2006; and Matriarchs, Rebels, Adventurers, and Survivors: Renditions of Black Womanhood in Contemporary African American Cinema, Sight & Sound, Supplement, July 2005; as well as blogs for Huffington Post and Stackstreet. EDUCATION NEW YORK UNIVERSITY DOCTOR OF PHILOSOPHY, CINEMA STUDIES MASTER OF FINE ARTS, LIBERAL STUDIES BACHELOR OF FINE ARTS, FILM & TELEVISION Thank You for checking out Hollywood Breakthrough Show This podcast main purpose is to serve up positive information. Join us at Hollywood Breakthrough Show, as we interview some of the most talented people in the business, which names you may, or may not know! But you have seen their work! Whether they're well- established veterans of the business, or current up and comers, these are the people who are making a living in Hollywood. Screenwriters, directors, producers and entertainment industry professionals share inside perspective on writing, filmmaking, breaking into Hollywood and navigating SHOW BUSINESS, along with stories of their journey to success!   HELP SPREAD THE WORD PLEASE! SCREENWRITERS, DIRECTORS, AUTHORS we would love to help spread the word about your Film, Book, Crowdfunding, etc., Contact us! (EMAIL: Info@hollywoodbreakthrough.com ) See Videos of all interviews at HollywoodBreakthrough.com Please subscribe in iTunes and write us a review! Follow us on  Social Media Sites | Twitter @TheBreakThur|  Facebook: facebook.com/HollywoodBreakthroughPodcast Subscribe! Or, Please contact us for Interviews or Sponsorship of an episode!  Hollywood Breakthrough Show Website (EMAIL: Info@hollywoodbreakthrough.com )   View Apps Sponsor: Press and hold links to visit the page Hollywood Hero Agent Fenix Hill Pro Scottie The Baby Dino          

Clara Fernández-Vara SM '04, an Associate Arts Professor at the Game Center at New York University, discusses her book Introduction to Game Analysis. In one respect,Introduction to Game Analysis is a history of modern gaming, covering everything from Monopoly to Minecraft. While its intended audience is those considering an academic career in game theory, the book sets out a strong argument for critics of the field who might not yet deem it worthy enough for funding at major research universities. Read more: http://bit.ly/1o0MsxF Podcast transcript: https://bit.ly/2GzS2HO