Podcasts about Karaj

Iranian media say several explosions have been heard in the capital, Tehran, and the neighbouring city of Karaj. We look at the current situation in Middle East conflict.Also, Japanese voters are getting ready to take part in the country's General Election on Sunday. How will it affect Japan's economy? We speak to business owners and find out what do they expect from this election? And we look at the US election campaign in Texas, plus we learn about the very first online banner ad which went live exactly 30 years ago.You can contact us on WhatsApp or send us a voicenote: +44 330 678 3033. We would love to hear from you!

03.10 A baszk baszkul egész pontosan „baszkul beszélő ember”: euskaldunak.  04.30 Honnan jöttek a baszkok? Hova mennek? Bede Gipuzkoán. Koában. Donostián. Tiában. 06.30 San Sebastián (Donostia) eléggé kurva jó hely. Szép fekvés, jómód, elképesztő életminőség.  11.15 Baszkot nem látsz dolgozni. 12.00 Baszk véralgebra.  14.30 Jellegzetes baszk fejek. 16.00 Kis nép, karakteres kultúra. A baszk mást sportol, mást eszik, mint a spanyol vagy a francia. 18.00 Jellegzetes baszk sportok. 18.45 Jamon Serrano, a sportág nagy és színes egyénisége. 20.00 Mindenki állandóan sportol. 23.15 Az Eb-döntőn a két spanyol gólt is baszk vagy baszk kötődésű rúgta. Nico Williams szülei mezítláb átgyalogoltak a Szaharán. 24.45 Európa két nagy eredménye az utóbbi harminc éveben: az észak-ír és a baszk helyzet megoldása. Az ETA-terrorkorszak emléke, Patria sorozat (egyébként nem Netflix, hanem HBO illetve Max). Etás a csákányt. 29.30 Oprendszervallásháború. Elnézést, Uj Péter? Akkor Ubuntu! Vissza 1994-be. 34.30 Háromoldalas pdf-fájl kiprintelése 2024-ben. 37.00 San Sebastiánban nincs nápolyi pizza és specialty coffee. De hamburger se nagyon. 42.00 Magyar gasztronyomorúság: top 10 lángosozó, top 11 hekkező, lángosos fagylalt. Viszont halkolbászfesztivál lesz Nagykörűben.  45.00 A bonitótól a marhahúson át a cseresznyéig minden olcsóbb a baszkföldi piacon, mint Magyarországon. 48.00 Helyreigazítás. Nem költők a hülyék, inkább Winkler. 52.00 A chuleta-meccset viszont Winkler nyerte. Karaj is. De főleg kotlett. A Torrentéből szerzett műveltség korlátai.  53.00 Beszólt a szarvasbogár, lefejeltem. 55.15 Újabb eredmények nemzeti sportunkban, a büntetőfékezésben. Újabb autósüldözés súlyos sérülésekkel. Tök fölöslegesen. Több autós üldözést! Több sérültet! 58.30 Új hungarikum: gyerekfelrúgás. 59.30 A baszkok értik a büntetőfékezést? A gyerekfelrúgást? See omnystudio.com/listener for privacy information.

pWotD Episode 2575: Ebrahim Raisi Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 1,188,373 views on Monday, 20 May 2024 our article of the day is Ebrahim Raisi.Ebrahim Raisolsadati (Persian: ابراهیم رئیس‌الساداتی; 14 December 1960 – 19 May 2024), commonly known as Ebrahim Raisi (Persian: ابراهیم رئیسی [ebɾɒːˈhiːm-e ræʔiːˈsiː] ), was an Iranian politician who served as the eighth president of Iran from 2021 until his death in 2024. A Principlist and a Muslim jurist, he became president after the 2021 election.Raisi began his clerical studies at age 15, but his exact qualification is disputed. Raisi served in several positions in Iran's judicial system, including as Prosecutor of Karaj, Prosecutor of Hamadan and Deputy Prosecutor and Prosecutor of Tehran. Raisi was criticized for his role in the 1988 executions of Iranian political prisoners; United Nations special rapporteurs and other organizations accused him of crimes against humanity. The U. S. Office of Foreign Assets Control sanctioned him after Iran shot down an American drone in 2019.He was later Deputy Chief Justice (2004–2014), Attorney General (2014–2016), and Chief Justice (2019–2021). He was Custodian and Chairman of Astan Quds Razavi, a bonyad, from 2016 until 2019. He was a member of Assembly of Experts from South Khorasan Province, being elected for the first time in the 2006 election. He was the son-in-law of Mashhad Friday prayer leader and Grand Imam of Imam Reza shrine, Ahmad Alamolhoda.Raisi ran for president in 2017 as the candidate of the conservative Popular Front of Islamic Revolution Forces, losing to moderate incumbent president Hassan Rouhani, 57% to 38%. Raisi successfully ran for president a second time in 2021 with 63% of the votes, succeeding Rouhani. According to many observers, the 2021 Iranian presidential election was rigged in favour of Raisi, who was considered an ally of Supreme Leader Ali Khamenei. Considered a hardliner in Iranian politics, Raisi's presidency saw deadlock in negotiations with the U. S. over the Joint Comprehensive Plan of Action (JCPOA) and large-scale protests throughout the country in late 2022, triggered by the death of Mahsa Amini on 16 September. During Raisi's term, Iran intensified uranium enrichment, hindered international inspections, and supported Russia in its invasion of Ukraine. Iran also launched a missile and drone attack on Israel during the Gaza conflict and continued arming proxy groups like Hezbollah and the Houthi movement. Often seen as a frontrunner to succeed Khamenei as Supreme Leader, Raisi died in 2024 following a helicopter crash near Varzaqan.This recording reflects the Wikipedia text as of 01:44 UTC on Tuesday, 21 May 2024.For the full current version of the article, see Ebrahim Raisi on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Salli Standard.

Iran,[a] also known as Persia[b] and officially the Islamic Republic of Iran (IRI),[c] is a country in West Asia. It is bordered by Iraq to the west and Turkey to the northwest, Azerbaijan, Armenia, the Caspian Sea and Turkmenistan to the north, Afghanistan to the east, Pakistan to the southeast, the Gulf of Oman & the Persian Gulf to the south. With almost 90 million people in an area of 1.648 million square kilometres (0.64 million square miles), Iran ranks 17th in the world in both geographic size and population. The country is divided into five regions with 31 provinces. The nation's capital and most populous city is Tehran, with around 16 million people in its metropolitan area, other major urban centres include Mashhad, Isfahan, Karaj, and Shiraz. Ира́н (ایران [ʔiˈɾɒn]), с 1979 года Исла́мская Респу́блика Ира́н (перс. جمهوری اسلامی ایران‎ — Джомхури́-йе Эслɒми́-йе Ирɒ́н), до 1935 года также Пе́рсия — государство в Передней Азии. Столица — город Тегеран.На западе граничит с Ираком, на северо-западе — с Азербайджаном, Арменией, Турцией, на севере — с Туркменистаном, на востоке — с Афганистаном и Пакистаном[7]. С севера Иран омывается Каспийским морем, с юга — Персидским и Оманским заливами Индийского океана.

In this katha by Baba Mohinder Singh Bhari wale (Damdami Taksal wale) talks about the Anand Karaj Laavan. Any issues please contact me on kam1825@hotmail.com I would also like to thank my sponsors who have donated towards the podcasts financially. Thank you with your continuing support this podcast can become self sustaining

Une conférence des RDV des Transformations du Droit - 7ème édition, 5 et 6 octobre 2023. Pré-inscrivez-vous sur transfodroit.com pour être informé(e) de l'édition 2024 ! Durant ce temps fort du Salon, des professionnel.le.s, juristes de formation, présenteront leur parcours atypique, leur pratique professionnelle et partageront leur expérience avant d'échanger avec la salle. Acteurs du changement, Médiateurs, entrepreneurs Technophiles ayant effectué un virage à 180°C... Venez découvrir nos moutons à 5 pattes ! Intervenants de cette deuxième session :  - Cécile Russeil, Directrice juridique Ubisoft  - Wendy Kool-Foulon, Directrice RSE et Juridique Groupe Verallia  - Eleïssa Karaj, Directrice Digital Allen & Overy  - Betty Huberman, Directrice de projet SIAJ (Systèmes d'information de l'aide juridictionnelle), Ministère de la Justice  - Sumi Saint Auguste, Directrice de la prospective Lefebvre Sarrut. Facilitateur : Stephane Baller – Administrateur Open Law – Avocat of Counsel – De Gaulle Fleurance Avocats & Notaires.

What can we learn from the multigenerational wisdom of Gaelic tradition bearers about reconnecting our communities to places where we live, to our past and to our future in the changing climate? To explore these questions, Our Story Weaver, Lesley Anne, talked to Gaelic Officer for CHARTS, Àdhamh Ó Broin, about his journey into Gaelic tradition-bearing and activism, the role of land-based ritual in modern world and seven-generation thinking. The interview was inspired by the Spring equinox event, “Dùthchas Beò revitalising reciprocity with the Gaelic landscape”. This took place at ancient sacred sites of Kilmartin and Knapdale in Argyle and was a collaboration between Àdhamh and SCCAN's network coordinator for Argyle and Bute, Marie Stonehouse. Resources: CHARTS https://www.chartsargyllandisles.org/ Dùthchas Beò event https://www.eventbrite.co.uk/e/556630325287 Gaelic pronunciation https://learngaelic.net/dictionary/index.jsp “The Good Ancestor – How to think long term in short-term world” by Roman Krznaric https://www.romankrznaric.com/good-ancestor “Body Keeps the Score” by Bessel van der Kolk https://www.goodreads.com/en/book/show/18693771 Transcript: [00:00:36] Kaska Hempel: Hello, it's Kaska, one of your Story Weavers. I'd like to take you to one of my favourite places in Scotland, Kill Martin Glen in Argyll. Imagine it's an early spring afternoon and you're standing at the wide bottom of a shallow glen surrounded by gentle hills. Dotted with trees on the verge of bursting into leaf. [00:01:01] Kaska Hempel: Birds fleet around in their branches and chatter with the spring excitement. You listen for the trademark territorial cuckoo calls, but they've not made it back from Africa yet. They'll be along in May, together with the blue bells. The sound of cars passing through the village breaks through the nature's spring soundscape, but it comes back even stronger after every wave of traffic. [00:01:26] Kaska Hempel: You look down the wide grassy glen and the skies moving medley of blue and the gray cloud. The sun hits your face with a fleeting kiss as the shapes shift above your head. In front of you is a circle of standing stones manmade, but they've somehow become part of the landscape covered in colourful mosaic of lichens. [00:01:50] Kaska Hempel: The more than 350 similar ancient monuments within a six mile radius of this village, with 150 of them prehistoric standing witness to more than 5,000 years of human history of this place. Your bare feet sink into cold, wet grass, and it feels like this place along with all the generations who'd passed through it is embracing you like a long lost friend. [00:02:18] Kaska Hempel: This is how I imagined the setting of Dùthchas Beò, a Spring Equinox event, which took place at ancient sacred sites of Kilmartin and Knapdale. It explored a revitalizing reciprocity with a Gaelic landscape. It was a collaboration between the Gaelic Officer Àdhamh Ó Broin from Argyll and Isles Culture, Heritage and Arts organisation, and SCCAN's Network Coordinator for Argyll and Bute, Marie Stonehouse. [00:02:46] Kaska Hempel: So what can we learn from the multi-generational wisdom of Gaelic tradition bearers about reconnecting our communities to places where we live, to our past and to our future in this changing climate? To answer these questions, our Story Weaver Lesley Anne talked to Àdhamh about his journey into Gaelic tradition bearing and activism, the role of land-based ritual in modern world and seven generation thinking. [00:03:14] Kaska Hempel: But before we go any further, I would like to profusely apologize for my Gaelic pronunciation in this introduction. I'm a complete novice at this. Now, to start us off, Àdhamh introduces two concepts at the core of Gaelic identity and culture. [00:03:32] Àdhamh Ó Broin: Dùthchas, which is the name of the event. Dùthchas Beò. Dùthchas, coming from the concept of dùth, which is an old word for people, and dùthaich, which is country. Land that is inhabited by people and therefore dùthchas is that inimitable connection with the place where your people have sprung. Now, for me though, this is quite difficult to articulate fully. Because I don't have a great sense of dùthchas with the place that my people came from because they're all gone. [00:04:07] Àdhamh Ó Broin: They're all either cleared or forced to leave through economic circumstance. And I've been getting back up to my mother's area in, in Latheron Parish, in Caithness and getting my bare seat in the ground and trying to encourage the dùthchas to return to me there. And I've been doing the same in Ireland as well. But Argyll, the area that I grew up in, in the area that I'm probably most well known for being a tradition bear in, I don't have any ancestor connection to, so I've been adopted by the land there. [00:04:36] Àdhamh Ó Broin: I feel very, very welcome there and I feel respected and appreciated by the land, by some people in the area. But for people who perhaps let's just see, you know, your from the Isle of Barra. And you know, you can trace back several generations on all sides. And so you and your people have always been from Barra. Then that sense of dùthchas is incredibly strong because you not only still inhabit the land of your ancestors, but you can trace the movements of your ancestors, you know, right across the landscape. [00:05:05] Àdhamh Ó Broin: So that's the dùthchas thing. It's ancestral relationship with land and feeling of connection with it. So if dùthchas is the land and your relationship with it and your right to remain on that land and being in relationship with that land, then dualchas is the manner in which you described that relationship. So dualchas is you know, your stories, your songs, your Proverbs, your local history, all that side of things. [00:05:27] Àdhamh Ó Broin: But it's specifically that which is inherited from generations before you. You know, so dùthchas is the land and your relationship to that and dualchais is the stories of the consistent relationship with that land as told by your ancestors. So they're utterly crucial to the, well, my name's if I was to introduce myself in sort of Ancestral styles you might put it in Is mise Àdhamh, mac Sheumais bhig, 'ic Sheumais mhóir, 'ic Diarmuid, 'ic Sheumais, 'ic Mhurchaidh, 'ic Sheumais. [00:05:58] Àdhamh Ó Broin: That's referencing seven generations of my father's line and all the way back to Wicklow in Ireland. And so I suppose that if you're referencing seven generations back and honouring your ancestors, that far back then you're kinda making a commitment to be a good seventh generation. If we're lucky enough to get to that stage with the state things are in, but you know, so, that's who I am in the Gaelic sense in terms of professional end of things. [00:06:28] Àdhamh Ó Broin: My work goes from very organic tradition bearing, picking up things that are about to get lost and keeping them and hopefully passing them on. So that's culture, songs, stories, Proverbs, anecdotes, words, idioms. It goes from that right across to consulting on films. At the moment, is mise Oifigear Cultair Ghàidhlig, i'm Gaelic Culture officer at CHARTS Argyll and the Isles, so we're a member led arts organisation and in that I have remit for Gaelic culture. [00:07:07] Lesley Anne Rose: I mean, that sounds like one of the best jobs in the world, but you've also got the role of a tradition bearer. I'd love it if you could share a little bit more about what that role actually involves, and how, if anything, your journey to becoming a tradition bearer is in any way linked to your climate change journey. [00:07:24] Àdhamh Ó Broin: Yeah. I'd always been environmentally focused since I was a child. You know, I think like anybody else with their head on straight, you know, they have spent a reasonable amount of time watching David Attenborough as a child, you know? So, you know, it came from that. And I remember there was a programme called Fragile Earth. [00:07:41] Àdhamh Ó Broin: I used to watch that every time it was on, and I was sort of ethically vegetarian, you know, was brought up that way with my father, in fact. Growing up and I just always had one eye on that. Grew up in the country and just felt intrinsically connected to nature and it was bonkers that they were mistreating it. I mean, it just didn't make any sense whatsoever. [00:07:59] Àdhamh Ó Broin: My father's people are all Irish, my mother's folk are predominantly from Highland Caithness, although I grew up in Argyll so a wee bit of a kind of Gaelic mix there. Highlanders and Irish folk are essentially one people, the Gaelic people, and folk from the Isle of Man as well. So it's really, it's an ethnicity, you know, and it happens to now be [00:08:14] Àdhamh Ó Broin: quite divided by geopolitical boundaries, but the vast majority of people on the ground in the Highlands and Islands saw themselves as Gaels you know. But I never got that immediate everyday sense of who I was. I'm not a first language Gaelic speaker. As a child growing up in Cowal, I didn't have the language or culture passed down by my parents, but was very strongly encouraged by my only grandmother to pick the language of our people back up. [00:08:44] Àdhamh Ó Broin: I came home to there after 10 years in Glasgow, and found that the language is on its very, very last legs, local dialect in central Argyll. And so I began to, as I said before, collect all these things that were getting lost and interviewing old people, some of whom couldn't speak the language fluently, but had loads of memories of it being spoken in words and praises and all sorts of things. [00:09:11] Àdhamh Ó Broin: And then I brought up my children, with myself, my wife and three kids, all of them are fluent Gaelic speakers. And myself, my wife. Our three. Our first language speakers. I've never spoken any English in the house to them, so that means that the dialect of central Argyll is a living language once again, even though all the native speakers have unfortunately now passed away. [00:09:33] Àdhamh Ó Broin: I suppose what happened was that. Because I had to struggle so hard to get the language back. I mean, not that it was difficult learning it, it felt like just placing bits of the jigsaw puzzle back into my brain, you know where they belong. Back into my soul. But you know, it's still challenging to do that with a young family and working and all the rest of it. [00:09:51] Àdhamh Ó Broin: So as the years rolled on, that momentum of learning the language never left me. Once I had the language fluently, then I started going around the Highlands and, and recording, you know, tradition bearers and recording the dialects that were dying, you know, and many of my friends, my old friends and in different glens and islands and what have you have now passed on. [00:10:16] Àdhamh Ó Broin: I'm very thankful to them for holding onto the language long enough for me to be able to learn it from them. But, I don't have that sense of intergenerational transmission. And so it's been a sense of rather than just what's normal and, you know, been happening for generations, it's been a sense of urgency and necessity that's caused me to tradition bear. [00:10:35] Àdhamh Ó Broin: I saw a lot of things that were being lost, as I said, and I didn't see anybody else holding onto them, and I saw they were about to go, you know, and you're talking about spruilleachd, it's like, you know, almost like the crumbs that are left after you've touched yourself a slice of bread. You know, the breads actually long gone, but these crumbs are still there. [00:10:54] Àdhamh Ó Broin: And if you pick them up, you can more or less sort of, you know, get a chewable bite out them, you know. And that's I suppose what tradition bearing is all about in a minoritized culture that is, you know, lost sort of 95% of its richness and speakership. So, tradition bearing for me is something that I've stumbled into backwards in an accidental fashion and now realize that I'm a tradition bearer and now realise that there aren't that many people like me, especially in the mainland, and it's almost like you're gathering up all the family photographs as you run outta the burning house, and then you're standing outside them all and suddenly you're the keeper of the photographs. But actually, you know, you hadn't even looked at them in 20 years, you know, and suddenly it's like, well, these are really important because everything else is gone. [00:11:40] Àdhamh Ó Broin: Ultimately, if they're valuable things, somebody needs to pick them up and safeguard them. [00:11:46] Lesley Anne Rose: That's lovely. There's so much sort of vivid imagery that you've shared with us. Thank you. That phrase you used about, I came to it backwards. I would just like to pick that a little bit more in relation to climate change. [00:11:56] Lesley Anne Rose: Partly from interviewing someone up in Skye who is also a tradition bearer and they used the really beautiful metaphor or analogy that tradition bearing is the same as rowing a boat. Although you are, you are going forwards, but all the time you are looking backwards. And they were very keen to impress that tradition bearing isn't something that's about sort of stuck in the past about old sepia photos. It is very much a role that has a responsibility to look forwards as well. And just again, in terms of that sort of, onus around climate and looking after the land and tradition and people, how do you see that role of a tradition bearer in safeguarding the future, if you like, as well as the past? [00:12:37] Àdhamh Ó Broin: Yeah, it's a great question. And I would agree strongly with the person that you'd spoken to there. I would just add that I'm not scared to look back to the past. I think in the modern world, people, they almost feel like they need to virtual signal about technology to say we are okay with technology. [00:12:52] Àdhamh Ó Broin: Yes, we are grasping it all. Yes, we want it all, we're not against it. But you see, as anybody who's aware of environmental degradation, we know that technology in and of itself is not necessarily a good thing unless it is weighed up with the potential consequences and ramifications of its overuse. [00:13:07] Àdhamh Ó Broin: We know that from the industrial revolution. You don't have to constantly convince people that Gails aren't old quarry people in sweaters, you know, stuck on crofts who never ever go anywhere else. We, you know, we know that's not true, but that comes from a long, long period of internalized colonialism. And you know, people were told it was holding back and told that, you know, if you were from the Highlands and Islands, you're just a daft Teuchter and all the rest of it. [00:13:31] Àdhamh Ó Broin: You know, it's inbuilt in people so I understand it, but I think we need to get away from it. It's actually ok to value old things and it's okay to think for some people to feel much more comfortable with old things and older people and older traditions than they do with a lot of the traps in the modern world. [00:13:49] Àdhamh Ó Broin: I'm certainly one of them, you know. So in terms of the environmental connection though, I don't believe climate change is happening or there's nasty things going on with the environment in the world. Because if anything that I've been told in a top down fashion by, you know, academic institutions or governments or organisations, I believe that there's something fundamentally wrong with the natural patterns in the world because our lore doesn't fit the weather anymore. [00:14:19] Àdhamh Ó Broin: That's why I believe it. You look at phrases and things used to describe the weather that have been in place for decades, if not centuries, if not longer than that, and they don't fit anymore. There's one, for instance, you know, [00:14:34] Àdhamh Ó Broin: I'm paraphrasing that, I can't remember the exact phrases, but if there's snow in the ditches in early February, then you know that the worst of the winter's actually over. But if it's really dry and warm and sunny at that point, then you know that you're gonna get a right, nasty, flurry of snow still. [00:14:51] Àdhamh Ó Broin: And of course, every year you don't necessarily get that sort of thing. You don't get these signs, you don't get these things happening where you can just set your watch by it practically. And so that for me is where tradition bearing and keeping this language used, allows us to map out what's going on with the weather and what changes are happening because these phrases are a set of orienteering points that you can map the wheel of the year through. [00:15:16] Àdhamh Ó Broin: And if things are out of place then you've got that ability to explain quite explicitly how by reference to these things that have been in place for centuries. [00:15:25] Lesley Anne Rose: I mean I love that idea. That sort of local knowledge is just as important and should be taken just as seriously as any sort of top-down information and just how empowering that is and how respectful that is to both our ancestors, but also our own knowledge as well. [00:15:40] Lesley Anne Rose: I'd just like to expand upon in what you've just explained. The first phrase that you said, which I made my ears prick up. Tradition bearers aren't afraid of the past. And certainly what I found with a lot of the climate change work that I've done within communities and on a wider scale as well, there's been a real push to heal the past. To tell untold stories of the past, if you like. [00:16:03] Lesley Anne Rose: Before any planning for any more sustainable, just future. And I just wondered, is there a role there or do you see a role within the tradition bearers that is actually healing the past, respecting the past, telling the story of the past, understanding the past as a natural first step before we can even begin to think about a just transition or a more sustainable future? [00:16:30] Àdhamh Ó Broin: In terms of the past and healing. Things that have happened. I mean, we carry it all in our dna. We carry it all in our bodies, you know, keeps the score. It's about your life experiences. And I can't remember the author there, but it's about how your body essentially is a carrier for all the trauma you experience through your life. Well, all the good things and the bad things. But we're also carriers of all that our ancestors have experienced because, well, where else can it go? [00:16:56] Àdhamh Ó Broin: You know, depending on people's religious beliefs, maybe some of it does dissipate when the soul leaves the body. But who knows? Who knows? It's all speculation. But I don't think there's any doubt that ancestral trauma is a real thing, and I feel it implicitly whenever I go over to Ireland and I visit mass grave sites from the genocide there are otherwise known as the famine, you know, all the rest of it. I find myself having to go through very, very heavy leaving phases for all these things. [00:17:26] Àdhamh Ó Broin: I've got one cousin still left in the place my mother's people belong to. Otherwise, I have to walk through the ruins of the houses of my people who are forced to leave as economic migrants. The idea is that you're having to walk through all these shadows of past brutalities and you're having to somehow through all that hurt and pain. [00:17:50] Àdhamh Ó Broin: Extract from the cold ashes of the hearths of your ancestors, the embers that are worth taking with you, and carry them carefully out of these ruins and find somewhere appropriate to start a new fire with them. And that's really hard. You know, nobody gives you a guide book for these things. [00:18:07] Àdhamh Ó Broin: It's ancestral work. Well, it's both ancestral cultural imperative. And as when I'm communicating with a lot of my indigenous friends, you know, they'll talk about their elders. And I think, yeah, lucky sods, whatever, because they've still got elders. I mean, you think of the hellish grief that so many indigenous people have been through, and you think of that, and yet they still have so many people around the world. [00:18:30] Àdhamh Ó Broin: So many indigenous people have still retained that intergenerational connection where their elders are still important to them. And in so many Western societies, they're just getting packed into old folks homes. And I mean, these are the gold of the human race. You know, the golden generation. You've got knowledge that is, it's irrevocable because it only comes from life experience. [00:18:50] Àdhamh Ó Broin: My elders are people that i've bumped into, because I was looking for people like them and ended up forming really close friendships. And so when I talk about my elders, you know, I'll talk about. Somebody up in Melness in the far north of Sutherland, even though my people don't come from there. [00:19:09] Àdhamh Ó Broin: I talk about a friend of mine who just passed away at the new year. There was a fisherman from Applecross. You know, I'll talk about, the fellow who was the last speaker of my dialect in mid Argyll, who passed away heading for three years ago now. And yet none of these people are blood related to me. [00:19:27] Àdhamh Ó Broin: So you're having to sort of cradle these last embers and you're having to try and support people who are already old and knackered and used to their knowledge being sidelined. You're having to hold them and hold space for them to give them the chance, and breathe that last bit of life in so that they can bestow something to you as a legacy that you can pass on your children and start the intergenerational transmission again. [00:19:54] Àdhamh Ó Broin: That's the one thing that's different for myself and other people who have lost the intergenerational structure to folk who have managed to maintain right relationship with their elders, is that there's no guidebook. And when you're seeking these things out and you're wondering how to take them into the future, there is no hard and fast rules and you're having to fly by the seat of your pants with nothing but your instinct and your intuition. [00:20:18] Lesley Anne Rose: You've described that just so very beautifully, that connection that you have with land and how that influences your role. Within that, do you feel that a tradition bearer is very much a sort of role for rural setting? Can people live in that urban setting and have that same sense of tradition and tradition bearing? [00:20:35] Lesley Anne Rose: As you can clearly, if you've got that much sort of wider daily, deeper connection to the natural landscape, [00:20:41] Àdhamh Ó Broin: I think you can, and the manner in which they can is to lean perhaps slightly more than you might in a rural setting with a thinner population to lean on people more in an urban setting. When you think about, for instance, Glasgow, I went school in Glasgow and here I would say that tenement life was an incredible setting where traditions came and went. [00:21:11] Àdhamh Ó Broin: Were upheld and let go of, you know, where there was a sense of etiquette. You know, even it was just about who was cleaning the landing, you know, and people looked after one another's kids and the kids all ran about the dunnys out the back and you know, there was a absolute sense of community. [00:21:28] Àdhamh Ó Broin: There's a sense of everybody looking after one another. Yeah. Terrible problems with drink, domestic violence, unemployment, poverty. Absolutely. It was all there. But the fact of the matter is people dealt with it undoubtedly as a community, you know, working Glaswegian people undoubtedly had a sense of identity that was pretty unique and it's still there. [00:21:48] Àdhamh Ó Broin: And that the lovely thing is that if you get out and about in Glasgow, you stand and talk to somebody at a bus stop or on a bus or in a pub, you'll still get that richness of expression and humor and story. An anecdote in history. And there's no doubt that in terms of richness of expression and sense of place, there are people in Glasgow that are just as capable of carrying that forward as there would be in a rural setting. [00:22:15] Àdhamh Ó Broin: And, you know, a crofting community in Lewis or wherever, it's a different flavour, but it's the process of tradition bearing. The idea of holding onto things that are valuable and passing them forward intentionally. Because they helped to express a sense of place and a sense of history and a sense of what it means to be a person within that space. [00:22:36] Àdhamh Ó Broin: And that's really what tradition bearing's all about. I'm trying to get back to this idea at the moment and, you know, the event with yourselves was part of that. I would love it if people could accept this idea that actually there's not a single person on planet Earth that isn't a tradition bearer because all of our history and all of the way that we as individuals have experienced things are all unique perspectives. [00:23:00] Àdhamh Ó Broin: The difference between not being a tradition bearer and being a tradition bearer is activating the tradition bearing mechanism within you to appreciate and be aware in a daily sense that what you know and what you've experienced and the perspective you've built through that is actually, it's a form of tradition bearing, and you don't have to be a great talker, a great storyteller. [00:23:28] Àdhamh Ó Broin: A great singer. You simply have to be willing to pass it on and pass it on in as digestible a format as possible. So tell people the fascinating things. Tell people the exciting things. Tell people the difficult things. Don't shy away. From, you know, the fact that there could be a big story under seemingly incidental details. [00:23:50] Àdhamh Ó Broin: I've said in the urban sense, you lean on people because they're all around you, you know, and maintaining community and being able to actually struggle against malign influences, you know, such as climate change. It is about staying in communication with people. So you need to lean on people in an urban setting because it's too easy to just sit in your box and stare at screens, you know? [00:24:11] Àdhamh Ó Broin: And before screens came into things, there was a verve and an intensity to urban life, which has since died off because people are stuck with the latest opiate of the masses, which is no longer religion. It's now social media. Now, rural communities would maybe say that they relied on each other more, but that's simply because of a different type of infrastructure. [00:24:32] Àdhamh Ó Broin: There's a less recognisable infrastructure, and so people relied on one another in a practical sense, perhaps more, but there's no doubt that you're more socially isolated in a rural setting when houses are further apart. So you rely on the the land there, you have the opportunity to sit quietly and listen to the rhythms of the land. [00:24:52] Àdhamh Ó Broin: So that could be the wind, that could be the larks singing above your head, you know, it could be bees flying past your ears, could be seagulls, could be whatever. And exposing yourself to these rhythms dictates the manner in which you tradition bear. So if you are somebody who has long held exposure to a rural setting and either generations of it or just something you've done yourself to try and return to that tradition, then you'll find your tradition in the manner which you do it. [00:25:19] Àdhamh Ó Broin: If it's not set by ancestral accumulation of expression, then it's set by natural rhythms. Because technology does provide artificial rhythms. It provides hums and buzzes and things that are imperceptible, we don't even know are happening. And glares and things that interrupt the bio clock. Our sleeping patterns. So getting out and paying close attention to the rhythms of nature and allowing that to start to reprogram you again, learning your own ancestral language, whatever. [00:25:49] Àdhamh Ó Broin: And if you're English, you already speak your ancestral language which is a fantastic advantage. Even looking into local dialect that's been lost, whatever, learning these things and exposing yourself to the natural rhythms. So traditional rhythms and natural rhythms. Then programs the manner in which you tradition bear. [00:26:04] Àdhamh Ó Broin: So the urban thing is there's a more intense mix of people and it's possibly more immediately social and it's noisier and it's more active, and the rural ones quieter, but they're both still perfectly valid forms of tradition bearing. You just need to lay yourself open to it and believe that the things that you feel are beautiful and worthwhile and necessary to tell are gonna be equally so for others. [00:26:27] Lesley Anne Rose: I mean, that's just a lovely lesson for anyone to take into life about our story being beautiful and to believe in it and to tell it. And I suppose on a wider level, and this isn't me, I hope, putting words into your mouth, what you seem to have articulated about tradition bearing is it's about holding, telling and holding that story of the community. [00:26:46] Lesley Anne Rose: And honouring and respecting it and making sure everyone has voice within that, and whatever setting that is. The story is, I suppose, the glue that holds communities and people together. And we all know that strong, resilient communities are gonna be essential in terms of a changing climate and a just transition, which makes that role of that story holding, that tradition bearer, just even more important as we move into changing times. [00:27:11] Lesley Anne Rose: I think what would be really nice now if you just give us some examples or just talk through actually some of the work that you've done. Now, you mentioned that you've collaborated with Marie Stonehouse, who's the SCCAN Regional Climate Action Network Coordinator for Argyll and Bute, and that you recently did a celebration of the Equinox. [00:27:28] Lesley Anne Rose: I wondered if you could just talk us through that event, what you did, the thinking behind it. [00:27:34] Àdhamh Ó Broin: Marie was great craic and we got on a call similar to this one and before we'd gone even 20 minutes I think we'd already come up with this idea. And i've been stepping into ceremony with different indigenous nations, you know, consistently over the last. [00:27:56] Àdhamh Ó Broin: So six, seven years. And initially, of course, people would probably say, well, how could you possibly know how to hold ceremony with indigenous people on a land that's lost all that ceremony? That's been entirely Christianized. And since then, secularized. How would you know how to hold natural ceremony and well, I didn't have a clue what to do to bring people into ceremonies, the first clue. [00:28:27] Àdhamh Ó Broin: But I knew that I had to bring my kids through some kind of coming of age because we've lost coming of age ceremonies. And it's strange though, that perhaps people are so questioning of the idea of ritual and ceremony when they're perfectly happy to get married. Perfectly happy to go through that whole rig ma role, which really speaking for many folk is completely bizarre and unnecessary. [00:28:49] Àdhamh Ó Broin: I mean, I'm married myself, but you know, a lot of other people won't be, and when they find that it's perfectly adequate and they just love the person they're with, and that's great. Don't need to go through the rig ma role. But for some people the rig ma role is very Important. It's like, again to use this analogy, a set of orienteering posts. That you can work through so you can disengage your creative mind for a moment and just be brought through different stages in order for your brain and your soul and your heart to turn through the rotations of the wheel and move through the experience, without having to necessarily guide yourself through it. [00:29:20] Àdhamh Ó Broin: And that's what ritual's all about. So let's take this concept back a few notches and let's think about, I think I was saying to the folk when we were out the other day for the event with Marie, Dùthchas Beò. I said to the folk at the beginning about this idea of ritual and it's like, well, let's say you haven't seen very elderly, very knowledgeable, very beautiful soul, a relative for 30, 40 years because you've been overseas working and you only just return. [00:29:50] Àdhamh Ó Broin: And I said to them, well, you know what would you do? What was the first thing you would do? And they're like, well, we'd go and visit. Right. Okay. And what do you think you would do when you visited? Well, I'd definitely take something with me like, you know, a nice, you know, packet of shortbread or, you know, I'd bake some scones or something. [00:30:07] Àdhamh Ó Broin: Right. Nice. I like your thinking there. Great. And then what would you do once you got there? Well, you know, we'd have the kettle on. Have a cup of tea, maybe have a wee dram. Right, exactly. And then what would you do? Oh, well, I think we would just, we'd just talk. We'd just chat. Right. Okay. So you've pretty much set out the steps that are necessary to get back into good right relationship with somebody. [00:30:33] Àdhamh Ó Broin: So I said, well, why would it be any different with the land? [00:30:39] Àdhamh Ó Broin: You know? And everyone's like, ah, the man's got a point. Now you think about it, right? You visit the land, you get back in familiarity and you say, look, I'm back. I know I've been away so long and I'm really sorry, but look. Quite frankly us is a species in the Western world. We've been away quite a long time. [00:30:57] Àdhamh Ó Broin: So just letting you know I'm back. I wonder if I could come and visit you again sometime. And when you come and visit, well, you bring an offering, you know, and you make that offering to the land because the lands your host, you know the land's giving you beauty. It's giving you fresh water to drink sometimes. [00:31:16] Àdhamh Ó Broin: It's giving you bird song. It's entertaining you. It feels beautiful, and you get fresh water to drink out of aruns and rivers and bogs, and it's giving you everything you could possibly need. You've got berries to pick and eat. It's feeding you. It's giving you a libation. And what, you show up and don't offer anything. I mean, what? What? It's just rude, but for me it's incredibly verging on pragmatic. [00:31:37] Àdhamh Ó Broin: The idea of ritual and ceremony in the land. It's what I do. I return to the land and I make some small offerings, and I offer a wee dram and I have a wee dram myself and I have a conversation with the land. And I go to places where people have been having conversations for centuries. So I'm not the first one showing up here and going, oh, I'm, I'm gonna have some mad new age ritual happening. No, quite the opposite. I'm showing up in a place, say the place we went to for Dùthchas Beò. For the event. Where there's a frustration cross. So Christian Pilgrims have come off the road for hundreds of years and said their prayers and there's a well there. [00:32:13] Àdhamh Ó Broin: And they've done their absolutions and then carried on along the way. The Christians, let's be honest, could be crafted back in those early days, they picked sites that were already in use and went, right, you know, we'll have it, you know, and we've continued to accept it would be Christianized. So before that place we went to. Kilmory Oib it's called. Ób Chille Mhoire. That place would've had a pagan past. [00:32:35] Àdhamh Ó Broin: I say Pagan, that's what we call it now. It would've had a land-based religious practice. And so for hundreds, maybe even thousands of years, people have been coming and making offerings and doing their absolutions and saying their prayers at that point. So me going back there and doing that and making these offerings and spending that time and getting back into conversation with the land and reestablishing a working relationship and perhaps even after time, it becomes a friendship. [00:33:00] Àdhamh Ó Broin: And I certainly found it out. When I went to these places to start with. I mean, I was just stotting about. Not really sure what to do because, you know, it takes time, it takes consistency and it's the same when you go into somebody's house and especially an old person, they kinda go, this person's all about. [00:33:15] Àdhamh Ó Broin: The intentions are. I mean, the land's the same, the land does the same thing. And eventually you realize that you're incredibly comfortable there and you go through the same ritual every time, and you just feel held by the land. You feel supported in what you're doing and you can confess all your fears and doubts and it just hears you and it holds you. [00:33:32] Àdhamh Ó Broin: Now, some people might do that, if they're a Christian, they might do it in a Christian way. They might make their players to Jesus, to God, that's absolutely grand. That works just fine as well. You know, if they're Muslim, they might decide to roll out their prayer mat and say their prayers in that spot. [00:33:45] Àdhamh Ó Broin: You know, brillant. That doesn't make a blind bit of difference to me because ultimately it's, you know, it's about reestablishing regular, meaningful relationship with the land, whatever the flavour of that may be, and doing that with other indigenous people who still have that practice and have had that practice handed down to them. [00:34:06] Àdhamh Ó Broin: Remarkable the amount of things that they recognize in my practice. Go, that's exactly what we do. How'd you know how to do that? And I go, I dunno, the land just kept me right. I dunno how to do that. No, I don't. I dunno. I couldn't even answer that. They, they're like, you're on the right path because that's how we do things and you know, we've got thousands of years tradition on our site, you know. [00:34:28] Àdhamh Ó Broin: So stepping into ceremony and offering indigenous people when they visited, the chance to take their socks and shoes off and to get into relationship and to come and visit our great elder who is the land, you know, to come and visit mother earth. And so folk from the Maori nation, Mohawk from the, uh, Wet'suwet'en and Co-Salish and Tlingit and Gumbaynggirr people from Australia and Karajá people from the Amazon rainforest you know, Mapuche from Chile and people from the Andes and you know, and also Basque folk you know and Welsh folk, and Irish folk, you know. [00:34:49] Àdhamh Ó Broin: So we've had all kinds of people that belong to indigenous nations and have an ongoing relationship with the land. Come to Argyll and get into a relationship with our land and leave their blessings and bring their energy. And every single time I've had someone visit, I've learned something. All of these indigenous people, which has then fed back into my practice. [00:35:11] Àdhamh Ó Broin: Now remember my friend Clark Webb, a fantastic language revitaliser of Gumbaynggirr people in Australia. And he says to me, how do you introduce yourself to the land? And I was like, well, I sometimes take a little saliva and I rub it on a rock. If I come to a sacred place that has a longstanding, you know, standing stone, I find myself rubbing my saliva. [00:35:27] Àdhamh Ó Broin: And he was like, ah. He said, because when our people come to the land, we take sweat off our brow and rub it on the land to introduce ourselves to land. So how did you know how to do that? I'm like, well, I don't know, maybe I saw something about you doing that or like your other indigenous peoples doing that. [00:35:42] Àdhamh Ó Broin: I dunno where it came from, but it was intuitive and it stuck and then it turned out other people did similar things and then it got the stage where i was like, well this is all very well, you know, with having fantastic guests from all around the world. But ultimately if we're going to. We're gonna turn this situation around and get people paying attention to their environment and investing in the environment and thinking of it is something that is crucially important because otherwise they're held by nothing. [00:36:10] Àdhamh Ó Broin: They exist in a vacuum, you know, then we need to start sharing this stuff. And so that's how we got to the point where when I started talking with Marie, then it seemed natural. You use the partnership between CHARTS and SCCAN. As the point to begin to share this with folk that belong to these islands and not just special guest appearances as it were. You know, so more like an open mic, rather a touring act. [00:36:38] Lesley Anne Rose: That's lovely. I mean, what you've just explained really has made it very accessible for people who are confused. Don't know how to begin that to reconnect with our landscape, wherever that is, whether that's an urban park or the coast or a forest. [00:36:55] Lesley Anne Rose: I would really love to return to what you mentioned at the start about seven generations and seven generation thinking. Which is a concept that really chimes with me because I live in a community that's seven generations old. So it's a really nice hook for the residents here to think about what we need to do now. [00:37:13] Lesley Anne Rose: To be good ancestors and think in terms of the coming seven generations and what they'll need from us. So in terms of that sort of seven generation thinking, if you want to unpack that a bit more, but also this might be a bit of a cheesy question, but if you could go back seven generations, what would you thank your elders for? [00:37:33] Lesley Anne Rose: And then I suppose equally because, you know, the kind of subject we're talking about is a changing climate. If you could imagine your children's, children's, children's seven generations coming back in time to you now, what do you think they would ask you for? [00:37:48] Àdhamh Ó Broin: Yeah, quite challenging. I think they'll articulate this because I suppose if I had carried on, in the vein that was set for me, then I would've just carried on into more isolation and you know, more of a socially fragmented state. I have a half brother, but I'm an only child from my parents, and by the time it got to me, they were sort of an accidental couple. I'm an accidental baby, you know, my parents split up very quickly after that. So there's a lot of accidentality to my situation and my people being quite distinct. [00:38:25] Àdhamh Ó Broin: You know, highland, lot of them, part of the free church, and then Irish Catholics, which is a classic Glasgow story in fact. But, everything had fragmented to the most incredible degree. The time it got to meet my Irish people. The Irishness had been completely jettisoned by the time it came to my father. Absolutely jettisoned. [00:38:41] Àdhamh Ó Broin: Anything Irish had been thrown in the bin, you know, to save further generations from the trauma of, I mean, you know, 1920s Glasgow and the anti-Catholic, anti Irish racism is absolutely horrific. The Razor gangs flying about and all rest of it. So the time it came down to me, there really couldn't have been much more lost. [00:39:02] Àdhamh Ó Broin: So when I look back through those seven generations, you know, if I go from myself, I go to my father who was a World War II vet, I go to his father who was a World War I vet, and my father had PTSD. My grandfather died of his wounds. He was machine gun gas kicked by a horse, my father's PTSD that affected his entire life. [00:39:25] Àdhamh Ó Broin: He campaigned lifelong for nuclear disarmament. You know, he used to debate with Jimmy Reid down at the Clyde side. You know, my father is right in the thick of it all. Hung around with Roy McLellan, the publisher, and Alasdair Gray, you know, and Tom Lennon, all these people in Glasgow authors at the time. All the rest of it. And a lot of the Glasgow artists as well. [00:39:42] Àdhamh Ó Broin: And that was because of the experiences in the war. And then his father, my father sat at his bedside, you know, he was 12 and so his father died of his first World War wounds, you know, and then his father died after a pulmonary embolism, after being assaulted in a police cell. He was a policeman. [00:39:59] Àdhamh Ó Broin: An Irishman come over to Glasgow who was a police inspector ultimately, and then, you know, his father before that then is the genocide survivor, you know, survivor of the famine in Ireland. And when I'm looking back through all these, you know, the amount of trauma that's come down to me and I'm the first generation to turn back round and face it all. [00:40:17] Àdhamh Ó Broin: So looking back to those seven generations thinking what would I thank them for, what would I ask them for, I would thank them for their forbearance. I would thank them for the fact that I've even had the chance to be here. It is absolute fluke that I'm here and that my ancestors are not lying, you know, skeletal in a mass grave in Ireland. [00:40:39] Àdhamh Ó Broin: You know, it is absolute fluke that my grandfather was not shot or gassed to death in the first World War, that he survived long enough for him and my grandmother to have my father. It's incredible that my father's tank wasn't the one that was blown up on the first day of action, but it was his best friend's tank next to him that was blown up and that he made it through and got back here and happened to completely randomly bump into my mother. [00:41:05] Àdhamh Ó Broin: You know, and then I look at my mother's side, and I think of her father, you know, walking miles to school on his bare feet in the Highlands. And then a generation back and terrible alcoholism and domestic abuse. I look through all these things and they're still unremarkable, my situation. I mean, it's just the same as anybody else's [00:41:22] Àdhamh Ó Broin: when we look back and see all the trauma and all the horror and all the brutality, you know. And what I would just want to say to those generations, you know, back there, is just, as I said, thank you for your forbearance and thank you for whatever you've put into me that has ultimately got to the point where I'm now able to turn around and look at this and deal with it because I don't want my kids having to deal with it. [00:41:44] Àdhamh Ó Broin: I mean, they will have to, because I didn't start doing it until they were already on the scene. I probably passed negative things to them as well. But you know, as a parent, you know, you're always just trying to filter. You can't block out all the bad stuff. You just try and sieve as much of the crap out as you can, you know, and only pass on the joy. [00:42:02] Àdhamh Ó Broin: I mean, that doesn't work, but that's what you're trying to do. So seven generations back. I'm saying thank you. I would love to ask questions about the language, about the dialect, about words. That's the geeky bit coming through. Seven generations into the future. How do I think i'll stand up as a seventh generation ancestor, as somebody sort of what is great, great, great, great grandfather. [00:42:25] Àdhamh Ó Broin: I simply just hope that i'll be remembered as the generation that turned around started sorting the trauma out. You know, I mean, I'm just a vessel. I have no interest in self-aggrandizement of any kind. I had a minor celebrity when I was working at Outlander. It just didn't suit me at all. I went out of my way to deconstruct that. [00:42:44] Àdhamh Ó Broin: I just sort of took it to bits, and started ignoring all the opportunities to put myself in the limelight, and I just wanted to push the story in the limelight, when I pushed the lower into the limelight, the language, the culture. I wanted to be an advocate for my people, the Gaelic people. We are an ethnic group. [00:42:58] Àdhamh Ó Broin: We've been absolutely marginalized and brutalized and thrown onto the front line of every flaming British conflict over the last 250 years. And I hope seven generations on, that the people are looking back on me as an ancestor will hopefully find something of value that I did to try and struggle against all this and try and turn it around and hopefully I wouldn't have been too esoteric in what I've left behind. They will make some sort of sense of it. [00:43:25] Lesley Anne Rose: Thank you for sharing that. I mean, you shared quite a bit of personal trauma within your family and that's a precious thing to share, so thank you. It strikes me as well, you've mentioned there about that we're the generation that turns things around and of course we've all got a lot of intergenerational trauma. [00:43:40] Lesley Anne Rose: But also the land itself, the earth itself has got a lot of trauma. So I think kind of our healing is inexplicably intertwined with the healing of the planet as well. And certainly, I mean, I won't even start talking about a wellbeing economy or an economy that puts wellbeing at its heart, but it's clear really that wellbeing for us and for the planet has to be at the heart of, you know, all of our decisions moving forward. [00:44:04] Àdhamh Ó Broin: Yes. And it also has to not just become one or more commodity. You know, the language is commodified, wellbeings commodified. I mean, you know, we've got to actually value it for its own sake, you know, as for what it actually is and what it potentially provides. [00:44:18] Lesley Anne Rose: Yeah. No, that's a valuable thing to add. Thank you. Is there anything else that we haven't covered that you would like to share or talk about? [00:44:25] Àdhamh Ó Broin: Just the situation as a tradition bearer with language and culture is absolutely identical to the situation of, you know, an environmental protection worker, a campaigner, whatever. [00:44:39] Àdhamh Ó Broin: You know, anyone listening who doesn't have much of a connection, but is very, very committed to looking after the land, looking after the sea, looking after the air. [00:44:48] Àdhamh Ó Broin: Your work you're doing is actually literally identical. You honestly couldn't squeeze a horse hair in between it, it's absolutely identical. And you think, oh, maybe I'm working with more things that are bit more technical, more scientific or more, you know, maybe more sort of physical, practical, you know, ultimately these are all facets of the one thing. [00:45:07] Àdhamh Ó Broin: There is a living earth, you know, there is a great father creative spirit and there's a receptive mother earth spirit. You know, in whatever faith you have there is probably something similar to that. Everything that exists naturally has come to exist naturally on earth has done so of its own volition. [00:45:27] Àdhamh Ó Broin: The self-perpetuating, beautiful life force of this world fills up spaces without any rationale or preconception of what it does, but itself perpetuates. And humans, indigenous culture and language came to be in just that same manner. So when the people first came upon the earth, that we know regard as Gaelic, came upon it with a different language, the earth was mute. [00:45:58] Àdhamh Ó Broin: Other than the sounds of the wind and the birds, the way the earth felt on the feet, the type of rocks that were there, you know, the kind of rain, be it heavy or misty. And through these experiences that the land there gave to the gail, the gail's language changed to reflect that set of experiences. [00:46:21] Àdhamh Ó Broin: And so the land gifted language to the gail. And so in turn, the gail came to gift language back to the land by describing our experiences and naming the land. And so when you look at the place names, you can see how the land gave language to the gail and how the gail gifted it back to the land. And so the land, environmental protection, we are so dedicated to is a land that has been named and interacted with by indigenous peoples since the beginning of human history. [00:46:54] Àdhamh Ó Broin: By protecting that land and not having it overrun by forestry or affluent running out the rivers or over fishing. Or you know, no apex predators to deal with deer issues, what all these things that people wanna try and fix, they are returning the natural rhythms in the natural state to the land, and they're therefore making it all the more appropriate ones, more to be described by the language that has been birthed by it. [00:47:22] Àdhamh Ó Broin: So it's all part of the one living pastiche and we're all working on our little corner. Because sometimes people go, oh you're not really doing all that much with the environmental stuff. You don't do that much practical. I don't see you in marches, I don't see you hanging off boats. Ah. I'm taking care of my little corner of this struggle that most people don't realize is connected, but I hope I have illustrated how it is. [00:47:45] Lesley Anne Rose: That's a really beautiful last image to take away. You're a natural storyteller. I can hear that. Absolute authentic resonance with people and place in your voice and in the language. It's just beautiful to listen to you. Thank you. I just want to say a huge thank you for your time today. We've touched on so much and I suppose a standout for me about trusting in the wisdom of our bodies and equally trusting in [00:48:08] Lesley Anne Rose: the knowledge of our ancestors and also the knowledge within the earth itself. And it's as simple as just striking up a conversation and listening and speaking, and spending time with each other. But also the importance of tradition bearers in holding, healing, documenting, and then passing on the stories of communities and how that is the glue that holds communities together and builds community cohesion. [00:48:34] Lesley Anne Rose: And that's a massive gift that we can leave for future generations. So yeah. Thank you for taking the time for speaking to us and you certainly are one of our brilliant 1000 better stories. [00:48:46] Àdhamh Ó Broin: Oh yeah, you're most welcome. Ultimately, if in doubt, just get your socks and shoes off. You can't do the hard intensive work if you don't sit quietly and gather the energy and the land will help with that. Gu robh móran math agaibh. It's been a great pleasure. Cheers for now.

The two hundred-tenth episode of the DSR Daily Brief.   Stories Cited in the Episode China Covid: More than 88 million people in Henan infected, official says Iranians protest in front of Karaj prison as more executions loom Nigeria: Gunmen abduct more than 30 in train station attack Germany garages searched in suspected chemical attack plot Pro-Bolsonaro rioters storm Brazil's top government offices Brazil Congress storming: How did we get here? Bolsonaro Supporters Lay Siege to Brazil's Capital Brazil launches sweeping probe after pro-Bolsonaro riots Canadian province's most inappropriate 911 calls include clogged drain Learn more about your ad choices. Visit megaphone.fm/adchoices

Hentet fra Wolfgang Wee Uncut #317: Mahmoud Farahmand (født i Karaj i Iran) er en norsk politiker som har vært stortingsrepresentant fra Telemark siden 2021.

Hentet fra Wolfgang Wee Uncut #317: Mahmoud Farahmand (født i Karaj i Iran) er en norsk politiker som har vært stortingsrepresentant fra Telemark siden 2021.

The wildly successful world premiere of Iranian-American Sanaz Toossi's award-winning play and production English (2022) captivated audiences who had never before seen their story captured in live performance. Set in a TOEFL classroom in Karaj, Iran in 2008, English occurs during a period of political transformation resulting in travel restrictions and family separations. The play focuses on the many personal, cultural and political questions raised by “foreign” language acquisition that are both specific and expansive upon its Iranian context. In conversation about this theatrical work, the award-winning English creative team discusses these topics and the process from script to production. Speakers Knud Adams, Director, English (2022) Sanaz Toossi, Iranian-American Playwright, English (2022) Moderated by Robert H Vorlicky, Visiting Professor of Theater, NYUAD Marsha Ginsberg, Scenic Designer, English (2022); Associate Arts Professor of Theater, NYUAD

Wolfgang Wee Uncut #317: Mahmoud Farahmand (født i Karaj i Iran) er en norsk politiker som har vært stortingsrepresentant fra Telemark siden 2021. #Iran #Amini #wolfgangweeuncut

EXPERTS DAVID RIGOULET-ROZE Politologue - Chercheur associé à l'IRIS Rédacteur en chef de la revue « Orients stratégiques » FARIBA HACHTROUDI Journaliste et auteure iranienne AZADEH KIAN Sociologue franco-iranienne Auteure de « Femmes et pouvoir en Islam » HASNI ABIDI Politologue - Directeur du CERMAM Centre d'Études et de Recherche sur le Monde Arabe et Méditerranéen Il y a trois semaines, une jeune femme de 22 ans, Masha Amini, décédait à l'hôpital après avoir été arrêtée par la police des mœurs de Téhéran pour « port de vêtements inappropriés », des mèches de cheveux dépassaient de son voile. Depuis les Iraniens descendent chaque jour dans les rues de Téhéran et d'autres villes du pays aux cris de « Jin, Jiyan, Azadî » ( « Femme, vie, liberté » ). Dans les manifestations, beaucoup d'hommes mais aussi de femmes, jeunes très souvent, retirent et brûlent leur voile en signe de protestation malgré la répression et les balles. Un vent de contestation qui loin de s'éteindre gagne depuis le week-end dernier les universités du pays mais aussi les écoles. Dans une vidéo publiée lundi sur les réseaux sociaux, des jeunes filles, la tête non voilée, scandent « Mort au dictateur », en référence au guide suprême Ali Khamenei, dans une école de Karaj, à l'ouest de Téhéran. D'autres séquences montrent des écolières quittant les salles de classe pour défiler dans divers endroits de la ville lors de manifestations éclair, afin d'éviter d'être repérées. Car malgré la chape de plomb imposée par le régime, des vidéos et témoignages laissent également entrevoir la violence exercée par les forces de l'ordre contre les manifestants, notamment contre les étudiants qui se sont soulevés ces derniers jours. Au moins 82 personnes ont été tuées et des centaines d'autres blessées depuis vendredi dans la répression des manifestations qui ont éclaté à Zahédan, dans le sud-est de l'Iran, selon Amnesty International qui précise que les pannes d'Internet en cours dans le pays rendent de plus en plus difficile la confirmation des décès. Les autorités iraniennes avancent elles un bilan d'environ 60 morts depuis le 16 septembre parmi lesquels 12 membres des forces de sécurité. Plus d'un millier de personnes ont été arrêtées et plus de 620 relâchées dans la seule province de Téhéran, d'après un bilan officiel. Des chiffres qui seraient bien en deçà de la réalité alors que le régime, comme en 2019 et en 2009, fait tout pour contenir la révolte. Dans ce contexte, la France a appelé hier ses ressortissants à quitter le pays « dans les plus brefs délais ». Selon le ministère des Affaires étrangères, « tout visiteur français, y compris binational, s'expose à un risque élevé d'arrestation, de détention arbitraire et de jugement inéquitable ». Cette alerte survient au lendemain de la diffusion d'une vidéo d'« aveux » d'espionnage de deux enseignants français arrêtés en mai dernier en Iran. Dans cette séquence, une jeune femme s'exprimant en français indique s'appeler Cécile Kohler et être agent de renseignement opérationnel à la direction générale de la sécurité extérieure (DGSE, service de renseignement français). Elle affirme qu'elle et son conjoint étaient en Iran « pour préparer les conditions de la révolution et du renversement du régime iranien ». Le Quai d'Orsay a dénoncé une « vidéo révoltante » qui « met en scène de faux aveux, extorqués sous la contrainte » et a demandé la « libération immédiate » de ces « otages d'État ». Les familles du couple de Français ont alerté, vendredi, sur les « conditions inhumaines de détention (…) pour des motifs fallacieux », avec une « pression psychologique inimaginable ». Alors que se passe-t-il en Iran ? Quelles sont les raisons de la révolte des Iraniens et des Iraniennes ? Comment la diaspora iranienne participe-t-elle à ce combat ? Que sait-on des Français détenus en Iran ? Enfin pourquoi l'armée iranienne bombarde-t-elle depuis quelques jours quotidiennement des groupes kurdes établis dans le Kurdistan irakien voisin ?

Nouveau rebondissement dans l'affaire des rapports des violences faites ou présumées faites aux femmes. À son tour, Julien Bayou, côté NUPES, démissionne de ses fonctions de secrétaire national dans son parti EELV. Julien Bayou est accusé de violences morales. Mais Jean-Michel Aphatie précise qu'il faut faire la différence entre lui et Adrien Quatennens. Explications de son point de vue sur ce sujet. Présentation, ce lundi, du budget qui conditionne la politique économique pendant un an. François Lenglet fait remarquer une dissonance particulière entre les paroles et les actes. Le déficit est le même que celui de l'année dernière. En 2023, la France va emprunter 270 milliards d'euros pour financer ce déficit et substituer les emprunts qui arrivent à échéance. C'est un record absolu. Abnousse Shalmani s'est intéressée à l'autre geste - devenu viral - de la révolte en Iran. Hadis Najafi, 23 ans, s'est engagée dans les manifestations dans sa ville natale, Karaj, à 40 kilomètres de Téhéran. La dernière vidéo d'elle : en train de faire un chignon et d'attacher ses cheveux. Elle va mourir quelques minutes plus tard de six balles dans la tête, le cou et la poitrine. Dix jours après la mort de Masha Amini, qui a lancé cette vague de contestation, la tension n'est pas retombée. Le régime n'a pas l'intention de reculer. C'est la répression. Du lundi au vendredi, à partir de 18h, David Pujadas apporte toute son expertise pour analyser l'actualité du jour avec pédagogie.

In this katha by Giani Harbhajan Singh (Dhudhikey) talks about the correct manner to perform an Anand Karaj. Any issues please contact me on kam1825@hotmail.com I would also like to thank my sponsors who have donated towards the podcasts financially. Thank you with your continuing support this podcast can become self sustaining

Na Man Marai Na Karaj Hoi, ਨਾ ਮਨੁ ਮਰੈ ਨ ਕਾਰਜੁ ਹੋਇ (Sri Guru Granth Sahib Page 222 Sabad 593)

Azt vallja, hogy a főzés és az evés nem pusztán az éhség csillapítását szolgálja. Akkor jó, ha egyaránt örömét leli benne a szakács és a vendég. A konyha számára nem kötelezettség, hanem szenvedély – ugyanakkor nem tagadja azt sem, hogy annak , aki szó szerint letesz valamit az asztalra, bizony jól esik a dicséret. A gasztronómia számára talán több is mint hobbi, ráadásul úgy, hogy tele van munkanaptárja- és természetesen, mint számos háziasszony- egyben édesanya is. A hagyományok ápolása és a kísérletezgetés jól megférnek nála egymással. Internetes receptárában igyekszik a régi képeket újra cserélni, és ha szükséges, frissíteni az ételleírásokat is. Ha az utóbbiak toplistájáról most én összeállítok egy menüt, akkor az talán érzékeltet valami ez elmondottakból: Favágó leves, Karaj savanyú káposztával és burgonyával tepsiben sütve, Csokoládés kókuszos tejbegríz szelet. Üdvözlöm Önöket a zenei séf, Máry Szabó Eszter nevében is. Nagy György András vagyok. Most Veresegyházon jártam, mégpedig Malmos Szilviánál. Recept: 4 főre ugyanennyi nagy szelet csont nélküli karajt kiklopfolunk, sózzuk , borsozzuk. A szeletek egyik felére tölteléket helyezünk, ami jól összedolgozott 10 dekányi szobahőmérsékletű vajból és kétszer annyi reszelt sajtból áll, szintén sóval, borssal valamint aprított petrezselyemzölddel ízesítve. Egy-egy sonkaszelettel folytatjuk a sort. Ezekre összesen 2-3 főtt tojás kerül, karikára vágva. A húst saját magával, vagyis a szabadon maradt felével borítjuk be, hústűvel rögzítjük, hogy ne folyjon ki a töltelék. A szokásos módon - de lehetőleg duplán - panírozzuk (tehát liszt, tojás, zsemlemorzsa). Végül nem marad más hátra, mint forró olajban, fedő alatt kisütni. Kép: A gasztroblogger a konyhájában | Szerkesztő: Nagy György András

Jen la fina epizodo de la Malfamuloj. Dankon pro akompani nin ĝis nun. Vi scias ke ni amas vin... pli malpli. #esperanto #esperantapodkasto #esperantopodcast #adiaŭ

Playwright Sanaz Toossi has two shows running off-Broadway this spring, and both are comedies that take place in Karaj, Iran. "English" (running now through March 20), set in the present day, centers on a small class of English-language learners whose teacher is played by Marjan Neshat. Neshat will also appear in "Wish You Were Here" (April 13 through May 22), which follows a group of friends living through the Iranian Revolution and the Iran-Iraq War. Toossi and Neshat join us to discuss both shows. This episode is guest-hosted by Kerry Nolan.

Les solutions LegalTech se multiplient sur le marché depuis quelques années. A la situation antérieure d'expérimentation et de découverte pour les professionnels du droit, la maturité technologique substitue peu à peu le besoin de choisir et d'investir dans des solutions pérennes à l'échelle. Finie la R&D, il est temps d'industrialiser ! Ce panel d'intervenants proposé lors du Congrès RDV des Transformations du Droit en novembre 2021 avait vocation à mettre en discussion des acheteurs et des vendeurs de LegalTech pour aborder ces nouveaux sujets et amorcer une nouvelle réflexion pour nous tous, acheteurs et vendeurs de solutions Legaltech. Animateurs : - Vincent Henderson (Consultant-expert en direction des opérations digitales) - Stéphane Baller (Avocat of Counsel - Stratégie & Développements chez De Gaulle Fleurance & Associés). Intervenants Côté fournisseurs de solutions :  - Marie-Alice Godot-Sorine, LegalPilot | MAGS LES AVOCATS, CEO  - Jean-Philippe Cornet, Rubato avocats, Fondateur  - Charlotte Hugon, VBD, Co-fondatrice Intervenants Côté acheteurs / utilisateurs :  - Isabelle de La Gorce Crafoord, PwC Société d'Avocats, Avocat Associée - Partner | Transaction M&A  - Eleïssa Karaj, August Debouzy, Chief Digital Officer  - Christian Le Hir, Natixis, Directeur Juridique - Chief Legal Officer  - Sophie CLANCHET, Associée chez SCP SOPHIE CLANCHET - Past Présidente du Réseau EUROJURIS France.

Nous avons invité le collectif Women Initiatives in LegalWorld à organiser un moment de réflexion et d'échange sur le sujet de la place des femmes dans la Legaltech, l'innovation et le Droit, pendant le Congrès #transfodroit 2021 et nous n'avons pas été déçus des interventions ! A écouter et partager. Intervenant.e.s: - Justine Menu, co-fondatrice Women Initiatives in LegalWorld, Directrice Marketing Associée Entre Confrères, Co-animatrice - Dominique Attias, ancienne Vice-Bâtonnière de Paris et membre de la Commission Harcèlement et Lutte contre les Discriminations au Barreau de Paris, Co-animatrice - Louis Larret-Chahine (co-fondateur Predictice) - Eleïssa Karaj, Chief Digital Officer au Cabinet August Debouzy, co-fondatrice  Women Initiatives in LegalWorld - Elise Fabing, Avocate au Barreau de Paris, Cabinet Alkemist.

Bonjour et bienvenue dans Du Vent Sous La Robe, le podcast qui vous emmène à la rencontre d'acteurs innovants qui construisent le droit de demain. Pour cette vingt-huitième interview, j'accueille Justine Menu. Quand j'étais en cabinet, je me suis souvent interrogée sur les meilleures façons d'acquérir de nouveaux clients, mais aussi et surtout, sur comment faire pour leur assurer la meilleure expérience possible et ainsi les satisfaire et les fidéliser. Bon, soyons honnête, le plus gros problème quand on est avocat, c'est le temps. On passe notre vie à courir après et à se demander comment faire pour arriver à faire tout ce qu'on doit faire dans sa semaine, tout en dormant un peu (et idéalement, en ayant une vie sociale !). Alors, je me suis demandée si les outils digitaux pouvaient nous aider à consacrer plus de temps et d'attention à la relation client. Plutôt que de vous donner la réponse, je vous invite à vous faire votre propre opinion en écoutant Justine. En effet, dans cet épisode, elle nous livre une multitude de conseils et astuces pour acquérir, satisfaire et fidéliser sa clientèle grâce aux outils digitaux, mais pas que ! Après avoir été Directrice Marketing de Juri'Predis, Justine a fondé Kit, un outil de gestion de la relation client, mais elle est également Directrice marketing associée d'Entre confrères, une legaltech qui conseille, forme et accompagne les avocats à se transformer pour développer et pérenniser leur activité. Elle a aussi co-fondé, avec Eleïssa Karaj, WIL, une communauté qui met en avant les initiatives et les portraits des femmes dans le monde du droit. Bref, vous l'aurez compris, Justine est une de ces femmes passionnées, que rien n'arrête ! Alors foncez l'écouter !     Pour aller plus loin : - Les ateliers de co-développement Du Vent Sous La Robe ;  - Les précieux retours d'expérience de professionnels du droit qui sont passés à l'action en participant à des séances de co-développement ;  - Un article sur le co-développement publié dans Village de La Justice ;  - Justine Menu ;  - KIT ;  - Entre Confrères ;  - Juri'Predi's ;  - Sondage « Ce que pensent vraiment les français des avocats » - Justifit ;  - WIL, la communauté qui met en avant les initiatives et les portraits de femmes dans le monde du droit !  - Episode du podcast consacré à Jessica Bathelier ; - Bold Avocats   - 1, 2 et 3 articles sur comment rédiger un objet d'email efficace ;  - Article sur la cartographie du parcours client .  

Apresentamos mais um episódio do projeto Cosmogonias Decoloniais – Caminhos de Abya Yala, uma parceria entre os podcasts História Presente, do LPPE-IFCH/UERJ, e O Mundo Visto do Sul, do NIEAAS-IFCS/UFRJ, com o apoio do AUDIOLAB/UERJ, no objetivo de resgatar algumas das narrativas dos povos originários de Abya Yala. Neste programa, trazemos, como convidado especial, o professor Marcos Barreto, Professor do curso de Pedagogia da Universidade Estácio de Sá e Prefeitura Municipal de Niterói, Rio de Janeiro, que nos fala da importância do mito para o povo karajá. Pesquisa e narração de Gabriel de Assis. Coordenação do projeto Jacqueline Ventapane. Vinheta Leonardo Pereira. Arte da capa Patrick Dansa. O próximo episódio será publicado no podcast O Mundo Visto do Sul, do NIEAAS/UFRJ. Você pode acompanhar o professor Marcos Barreto pelas redes sociais: Instagram - @mbarretoreal YouTube - Canal Foco e Escopo Facebook - facebook.com/barretomr1 Twitter - https://twitter.com/BarretoMR Vinhetas produzidas a partir das músicas: * Aztec Music - Sacred Jungle e SOUNDS OF THE FOREST; * Iny Cantos Tradicao Karaja - Cheyehyhe * Latin Vientos Andinos feat Ramon Stagnaro. #cosmogonia #povosoriginarios #karaja #hetohoky #mitos #lendas #AbyaYala #decolonialidade #educacao --- Send in a voice message: https://anchor.fm/lppe/message

Saade Karaj Kive Banange

This week Derek reads a Blog post by Ardi Karaj called “The Learning Release." Ardi offers a new way to look at the MVP. Stay for a little surprise at the end. We think you’ll dig it. The post After Hours: “The Learning Release” by Ardi Karaj appeared first on Retro Time.

Ayooo! Peyman is back and we dive into what Texas life is all about. Did you know horses can have a mustache?

Nesse episódio conversamos com pessoas que participam da luta anti nuclear no Brasil, com foco na construção da usina nuclear no município de Itacuruba, Pernambuco. O empreendimento será instalado em área habitada por comunidades tradicionais de quilombolas e indígenas, com previsão de intenso uso de águas do rio São Francisco para fins de resfriamento da unidade. Todo processo tem corrido de forma sigilosa, sem maiores informações aos moradores. Há ainda intensa propaganda por parte de políticos e grupos interessados, na tentativa de vender para a população o projeto como uma maneira de gerar desenvolvimento econômico para a região. Entenda porquê não é bem assim:00:00:52 Apresentação Gabriela Rodrigues00:02:43 Apresentação da comissão00:05:53 Apresentação Sandriane Lourenço00:08:33 Apresentação José da Cunha00:10:00 Delimitação de área indígena00:15:16 Por que ser contra a energia nuclear?00:35:22 Medida provisória 99800:40:17 Como alcançar os objetivos da luta antinuclear00:48:16 "Not in my backyard!"00:54:22 Mensagem final

Uma conversa sobre os desafios na luta por garantia ao direito à vida, de mulheres negras e indígenas durante a pandemia. Eliana Karajá é Conselheira Distrital de Saúde Indígena e Conselheira Municipal de Saúde do Município de Aragarças - Goiás, representando povos indígenas em questões relacionadas à doenças sexualmente transmissíveis. Também é uma das coordenadoras da ASIVA, Associação Indígena do Vale do Araguaia (GO) e membra do Coletivo das mulheres Inã, onde vem trabalhando desde 2020 na distribuição de EPIs nas aldeias do município, durante a pandemia. Realização: Think Olga; Pesquisa e edição: Laura Samily; Vinheta: Da Gorilla Studios. Siga: @think_olga no Instagram e cesse: https://lab.thinkolga.com/saude-das-mulheres/ para ver o conteúdo do laboratório na íntegra. Este projeto está sendo desenvolvido com o apoio do Consulado Geral da Irlanda e da Embaixada e Consulados dos EUA no Brasil.

Chapter 5 discribes how I hired smugglers from the Kirdish underground to get out of Iran and my experiences in a boarder city called Urumeh. Iran Flag The map shows Iran, an Islamic state between the Caspian Sea in the north and the Persian Gulf in the south. The country is officially named the Islamic Republic of Iran. Until the 1980s in the Western world, Persia was historically the common name for Iran. Persia was a monarchy until 1979 when the last Persian Shah Reza Pahlavi was overthrown in a popular uprising, headed by Ayatollah Khomeini. Iran borders Afghanistan, Armenia, Azerbaijan, Iraq, Pakistan, Turkey, and Turkmenistan. It shares maritime borders with Bahrain, Kuwait, Oman, Saudi Arabia, and the United Arab Emirates. With an area of 1,648,195 km², Iran is almost three times the size of France or somewhat smaller than the US state of Alaska. Large parts of the country occupy the Iranian Plateau (or Persian Plateau, a geological formation in Western and Central Asia). A broad portion of Iran's coastal regions at the Persian Gulf is part of the Arabian plate. The highest mountain in Iran is Mount Damavand at 5,610 m (18,410 ft), a potentially active volcano in the Alborz mountain range south of the Caspian Sea, about 70 km northeast of Tehran. Most rivers in Iran are relatively short, shallow streams, the only navigable river is the Karun (Karoun) with a length of 725 km. The country has a population of 82 million people (est. 2019). The largest city and capital is Tehran. Other major cities are Mashhad, Isfahan, Karaj (a suburb of Tehran), Tabriz, Shiraz, Ahvaz, and Qom. Spoken language is Persian (Farsi, official). The official religion is Shia Islam. Regions of Iran Iran is divided into five regions with thirty-one provinces. The five administrative regions are Tehran, Isfahan, Tabriz, Kermanshah, and Mashhad.

Bonjour et bienvenue dans Du Vent Sous La Robe, le podcast qui vous emmène à la rencontre d’acteurs innovants qui construisent le droit de demain. Pour cette dix-septième interview, j’accueille Eleïssa Karaj. Eleïssa est Chief Digital Officer au sein du Cabinet August Debouzy et sa mission est de sensibiliser et d'accompagner les équipes du cabinet dans une démarche d'innovation et de transformation digitale.   Dans cet épisode, elle nous parle notamment : - Des innovations qu’elle a mise en œuvre au sein du cabinet August Debouzy ; - De comment insuffler de l’innovation en cabinet d’avocats ; - Des clés pour une transformation réussie ; - De la formation de l’avocat/juriste augmenté ; - Et de son engagement pour la diversité et la parité dans la tech.   Pour aller plus loin : - Episode du podcast sur le co-développement ; - Les ateliers de co-développement Du Vent Sous La Robe ; - Le calendrier de l’Avent de l’innovation légale Du Vent Sous La Robe ; - Mon profil Linkedin ; - August Debouzy ; - Start you up ; - Luminance, l’outil de due diligence dont parle Eleïssa ; - Episode du podcast consacré à Enke Kebede Partie 1 ; - Episode du podcast consacré à Enke Kebede Partie 2 ; - Episode du podcast consacré à Alexis Deborde ; - Livre de Michelle de Stefano, Legal upheaval ; - Thèse professionnelle de Marie Potel-Saville sur le legal design ; - Article d’Eleïssa Karaj, Legal Tech, Innovation and Lawyers : a story of love & hate ? ; - Rapport de Kami Haeri sur l’avenir de la profession d’avocat .

The WAP-energy is high in this one: Karaj ist nicht nur DJ und 069-Represent, sondern hat sie viel zu melden. In dieser Folge unterhält sie sich mit mir über Zugehörigkeit als Tochter einer Deutschen und eines Iraners, kritisches Denken innerhalb der eigenen Bubble und die Gefahr hinter der Idealisierung einzelner Vorbilder.

Karaj gesinjoroj, En la plej proksimaj tagoj okazos ŝanĝoj en la funkciado de niaj elsendoj kaj la tuta elsendoplatformo. Tiukuntekste ni transdonas parolon al nia redakcia stabano, la ĉefrespondeculo pri la funkciado de la pola-retradio.org, Bruce Crisp el Kanado. Li klarigas la kernon de ŝanĝoj.

Hi diddly ho fans, welcome to our new episode...A long time ago in a galaxy far far away, a meteor crashed into a planet. This week we talked about Chicxulub, yes that the asteroid that slammed into Earth 66 million years ago left behind more than a legacy of mass destruction.Out of the ashes, comes a nostalgic game….we talk about DAYS OF THUNDERRRRRR!!!!! An old NES game that was remade from scratch. An unreleased, never-before-seen title co-authored by Chris Oberth at Mindscape. It took a lot of floppy disks and a ton of nostalgia...one must wonder...will we ever see more old games resurrected.And finally, we talk about Chinese theatres and how they are going to be really affected by the coronavirus. More than 40% of surveyed Chinese cinemas say they are “very likely to close” in the near future.This week in gaming DJ jumps into an old game with a twist….Mortal Kombat 11 Aftermath complete with Robocop and other Mortal Kombat characters.. and Professor enjoys hovercraft racing while shooting down aliens in Crysis Warhead.Until next time...Chicxulub collision left behind more than a legacy of mass destruction-https://www.sciencenews.org/article/chicxulub-collision-earth-crust-hot-water-microbes-million-years-https://advances.sciencemag.org/content/6/22/eaaz3053-https://www.liebertpub.com/doi/10.1089/ast.2019.2045A lost NES game rises out of the ashes...-https://gamehistory.org/days-of-thunder-nes-unreleased/Chinese theatres might close forever-https://variety.com/2020/film/asia/thousands-chinese-cinemas-could-close-permanently-1234621949/Games PlayedProfessor– Crysis Warhead – https://store.steampowered.com/app/17330/Crysis_Warhead/Rating: 4/5DJ– Mortal Kombat 11: Aftermath – https://store.steampowered.com/app/1273971/Mortal_Kombat11_Aftermath/Rating: 4/5Other topics discussedChicxulub crater (impact crater buried underneath the Yucatán Peninsula in Mexico. Its center is located offshore near the town of Chicxulub, after which the crater is named. It was formed when a large asteroid or comet about 11 to 81 kilometers (6.8 to 50.3 miles) in diameter, known as theChicxulub impactor, struck the Earth.)- https://en.wikipedia.org/wiki/Chicxulub_craterQuartz (hard, crystalline mineral composed of silicon and oxygen atoms. Quartz is the second most abundant mineral in Earth'scontinental crust, behind feldspar.)- https://en.wikipedia.org/wiki/QuartzOld Faithful (cone geyser located in Yellowstone National Park in Wyoming, United States. It was named in 1870 during theWashburn-Langford-Doane Expedition and was the first geyser in the park to receive a name.)- https://en.wikipedia.org/wiki/Old_FaithfulEarly human migrations are the earliest migrations and expansions of archaic and modern humans across continents and are believed to have begun approximately 2 million years ago with the early expansions of hominins out of Africa of Homo erectus.- https://en.wikipedia.org/wiki/Early_human_migrationsSphere of Influence (A sphere of influence (SOI) in astrodynamics and astronomy is the oblate-spheroid-shaped region around a celestial body where the primary gravitational influence on an orbiting object is that body.)- https://en.wikipedia.org/wiki/Sphere_of_influence_(astrodynamics)Orbital Mechanics (the application of ballistics and celestial mechanics to the practical problems concerning the motion of rockets and other spacecraft. The motion of these objects is usually calculated from Newton's laws of motion and law of universal gravitation.)- https://en.wikipedia.org/wiki/Orbital_mechanicsCircumstellar habitable zone (CHZ) (or simply the habitable zone or Goldilocks Zone, is the range of orbits around a star within which a planetary surface can support liquid water given sufficient atmospheric pressure.)- https://en.wikipedia.org/wiki/Circumstellar_habitable_zoneWolfe Creek Crater (well-preserved meteorite impact crater (astrobleme) in Western Australia.)- https://en.wikipedia.org/wiki/Wolfe_Creek_CraterA 70-kilometer-wide crater in Western Australia has officially earned the title of Earth’s oldest known recorded impact. Yarrabubba crater is a spry 2.2 billion years old.- https://www.sciencenews.org/article/australia-crater-is-earth-oldest-recorded-meteorite-impactCretaceous–Paleogene extinction event (also known as the Cretaceous–Tertiary (K–T) extinction, was a sudden mass extinction of three-quarters of the plant and animal species on Earth, approximately 66 million years ago.)- https://en.wikipedia.org/wiki/Cretaceous%E2%80%93Paleogene_extinction_eventChris Oberth (game programmer who created early titles for the Apple II family of personal computers, handheld electronic games for Milton Bradley, and games for coin-operated arcade machines published in the early 1980s.)- https://en.wikipedia.org/wiki/Chris_OberthAnteater (an arcade game designed by Chris Oberth and released in 1982 by Tago Electronics.)- https://en.wikipedia.org/wiki/Anteater_(video_game)Days of Thunder (1990NASCAR racing simulation video game loosely based on the 1990 movie Days of Thunder. The game utilized elements from the movie, using a movie license from Paramount Pictures for its graphical elements, plot, and music soundtrack.)- https://en.wikipedia.org/wiki/Days_of_Thunder_(1990_video_game)Days of Thunder (1990 American sportsaction drama film released by Paramount Pictures, produced by Don Simpson and Jerry Bruckheimer and directed by Tony Scott.)- https://en.wikipedia.org/wiki/Days_of_Thunder8-inch and ​51⁄4-inch disks (The 8-inch and ​51⁄4-inch floppy disks contain a magnetically coated round plastic medium with a large circular hole in the center for a drive's spindle.)-https://en.wikipedia.org/wiki/Floppy_disk#8-inch_and_%E2%80%8B5_1%E2%81%844-inch_disksDOSBox (emulator program which emulates an IBM PC compatible computer running a DOS operating system.)- https://en.wikipedia.org/wiki/DOSBoxDays of Thunder ((known as Days of Thunder: NASCAR Edition on the PlayStation 3 and Days of Thunder: Arcade on the Xbox 360) is a stock car racing video game produced by Paramount Digital Entertainment and developed by Piranha Games for PlayStation 3 and Xbox 360.)- https://en.wikipedia.org/wiki/Days_of_Thunder_(2011_video_game)70% of Dubai companies expect to go out of business within six months due to coronavirus pandemic.-https://www.cnbc.com/2020/05/21/coronavirus-dubai-70percent-of-companies-expect-to-close-in-six-months.htmlGyms close down due to coronavirus-https://www.news.com.au/finance/business/other-industries/golds-gym-goes-bankrupt-amid-coronavirus-lockdowns/news-story/b9e1d777d622d06094962a746fe1d597Covid 19 coronavirus: Avatar, Lord Of The Rings filming resumes in NZ-https://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=12330716Sheeva (Sheeva is a character in the Mortal Kombat fighting game series who made her debut in Mortal Kombat 3. Originally appearing as a character in Mortal Kombat 11's Story Mode, Sheeva is set to return as a playable character through DLC as part of the Aftermath DLC.)- https://mortalkombat.fandom.com/wiki/SheevaFujin (Fujin (風神) is a character in the Mortal Kombat fighting game series. Fujin returned as a DLC character in the Aftermath Story Mode DLC in Mortal Kombat 11, marking his return to the franchise as a playable character for the first time in almost 14 years.)- https://mortalkombat.fandom.com/wiki/FujinRoboCop (Alexander James "Alex" Murphy, also known as OCP Crime Prevention Unit 001 or better known as RoboCop, known for the franchise of the same name, is a playable guest character in Mortal Kombat 11. RoboCop makes his debut as part of the "Aftermath" DLC expansion.)- https://mortalkombat.fandom.com/wiki/RoboCopMortal Kombat 11: Aftermath all character friendships- https://www.youtube.com/watch?v=HCMZf80HWxACrysis Warhead – Hovercraft Pursuit- https://www.youtube.com/watch?v=wyGqaTj3BFsVideoFromSpace - SpaceX spacesuits - Take a deep dive- https://www.youtube.com/watch?v=dr0on1Ij7JUNASA resumes human spaceflight from U.S. soil with historic SpaceX launch-https://www.reuters.com/article/us-space-exploration-spacex-launch/nasa-resumes-human-spaceflight-from-us-soil-with-historic-spacex-launch-idUSKBN2360D2'Total Recall' at 30: Arnold Schwarzenegger recalls gruesome wrist-cutting injury on set-https://sports.yahoo.com/arnold-schwarzenegger-total-recall-injury-subway-chase-182055632.htmlDr Dolittle 1967 Film Soundtrack "Talk To The Animals" sung by Rex Harrison in the 1967 Musical Film Dr Dolittle.- https://www.youtube.com/watch?v=YpBPavEDQCkList of actors considered for the part of the Doctor (Many actors have been considered for the part of The Doctor in Doctor Who.)-https://en.wikipedia.org/wiki/List_of_actors_considered_for_the_part_of_the_DoctorWhite hat (computer security) (The term "white hat" inInternet slang refers to an ethical computer hacker, or a computer security expert, who specializes in penetration testing and in other testing methodologies that ensures the security of an organization's information systems.)- https://en.wikipedia.org/wiki/White_hat_(computer_security)Cliff Stoll - Cliff Stoll's Robot Forklift for carrying boxes of Klein Botles- https://www.youtube.com/watch?v=kg6woZULFeMThe Greatest Showman (The Greatest Showman is a 2017 American musicalbiographical drama film directed by Michael Gracey in his directorial debut, written by Jenny Bicks and Bill Condon and starring Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, and Zendaya.)-https://en.wikipedia.org/wiki/The_Greatest_ShowmanShout Outs30 May 2020 – Crew Dragon Demo-2 was launched into space - https://www.geekwire.com/2020/spacex-nasa-reset-countdown-second-try-launch-first-crewed-dragon/SpaceX launched two NASA astronauts to the International Space Station today, becoming the first company to send humans to orbit on a commercial spaceship. The first attempt to launch on 27 May 2020 was aborted at T−16:53 minutes due to bad weather caused by Tropical Storm Bertha. Demo-2 is the first crewed orbital spaceflight launched from the United States since the final Space Shuttle mission, STS-135. The mission launched spacecraft commander Douglas Hurley and joint-operations commander Robert Behnken to the International Space Station (ISS). “SpaceX, Dragon, we’re go for launch, let’s light this candle,” Hurley said to SpaceX mission control just before liftoff. The Crew Dragon capsule used in the launch was named Endeavour, in honor of its namesake Space Shuttle. SpaceX CEO Elon Musk was emotional, to the point that he sometimes found it hard to speak during a post-launch news conference.“This is something that should really get people right in the heart, of anyone who has any spirit of exploration,” he said. “It’s something that humanity should be excited about and proud of occurring on this day.” The live stream was watched online by 3 million people on NASA feeds, and the SpaceX feed peaked at 4.1 million viewers.30 May 2020 – Michael Angelis passes away at 76 - https://deadline.com/2020/05/michael-angelis-obituary-voice-thomas-the-tank-engine-1202947847/British actor Michael Angelis, whose soothing voice graced more than two decades of the children’s series Thomas the Tank Engine, has died. The Liverpool native took over the voicing duties from Ringo Starr as the narrator of the UK version of Thomas the Tank Engine And Friends in 1991. He narrated 13 series of the popular children’s TV show in Britain from 1991 to 2012 as well as several other products and media related to the franchise. . The program’s name was later shortened to Thomas and Friends. Angelis died from a heart attack at his home in Berkshire.1 June 2020 – Total Recall turns 30 - https://www.indiewire.com/2020/06/watch-total-recall-amazon-prime-stream-of-the-day-1202234059/The film inspired by the Philip K. Dick short story “We Can Remember It for You Wholesale,” tells the story of a construction worker bored with his humdrum life, seeming everyman Douglas Quaid starred by Arnold Schwarzenegger (not exactly the paragon of “everyman,” but hey, that’s Hollywood) who suddenly finds himself embroiled in espionage on Mars and unable to determine if the experiences are real or the result of memory implants. With a budget of $50–60 million, Total Recall was one of the most expensive films made at the time of its release, although estimates of its production budget vary and whether it ever actually held the record is not certain.Remembrances2 June 1785 – Jean Paul de Gua de Malves - https://en.wikipedia.org/wiki/Jean_Paul_de_Gua_de_MalvesFrench mathematician who published in 1740 a work on analytical geometry in which he applied it, without the aid of differential calculus, to find the tangents,asymptotes, and various singular points of an algebraic curve. He further showed how singular points and isolated loops were affected by conical projection. He gave the proof of Descartes's rule of signs which is to be found in most modern works. It is not clear whether Descartes ever proved it strictly, and Newton seems to have regarded it as obvious. De Gua de Malves was acquainted with many of the French philosophes during the last decades of theAncien Régime. He was an early, short-lived, participant, then editor (later replaced by Diderot) of the project that ended up as theEncyclopédie. Dennis Diderot called him "profound geometrician" at his funeral. He died in Paris.2 June 1970 – Albert Lamorisse - https://en.wikipedia.org/wiki/Albert_LamorisseFrench filmmaker, film producer, and writer of award-winning short films which he began making in the late 1940s. He also invented the strategic board game Risk originally released as La Conquête du Monde (The Conquest of the World) in France in 1957. Lamorisse's best known work is the short film The Red Balloon (1956), which earned him the Palme d'Or Grand Prize at the Cannes Film Festival, and an Oscar for writing the Best Original Screenplay in 1956. In the mid-sixties Lamorisse shot parts of The Prospect of Iceland, a documentary about Iceland, which was made by Henry Sandoz and commissioned by NATO. He died in a helicopter crash in Karaj while filming the documentaryLe Vent des amoureux (The Lovers' Wind), during a helicopter-tour in 1970 at the age of 48.2 June 1990 – Rex Harrison - https://en.wikipedia.org/wiki/Rex_HarrisonSir Reginald Carey Harrison, known as Rex Harrison, was an English actor of stage and screen. Harrison began his career on the stage in 1924. He made his West End debut in 1936 appearing in the Terence Rattigan play French Without Tears, in what was his breakthrough role. He won his first Tony Award for his performance as Henry VIII in the play Anne of the Thousand Days in 1949. He won his second Tony for the role of Professor Henry Higgins in the stage production of My Fair Lady in 1957. In addition to his stage career, Harrison also appeared in numerous films. His first starring role was opposite Vivien Leigh in the romantic comedy Storm in a Teacup . His other roles since then include Cleopatra as Julius Cesar, My Fair Lady ( reprising his role as Henry Higgins which earned him the Academy Award for Best Actor), and the title role of the English doctor who talks to animals, Doctor Dolittle (1967). Harrison was not by any objective standards a singer (his talking on pitch style he used in My Fair Lady would be adopted by many other classically trained actors with limited vocal ranges); the music was usually written to allow for long periods of recitative, or "speaking to the music". Nevertheless, "Talk to the Animals", which Harrison performed in Doctor Dolittle, won the Academy Award for Best Original Song in 1967. He died from pancreatic cancer in Manhattan,New York City at the age of 82.2 June 2017 – Peter Sallis - https://en.wikipedia.org/wiki/Peter_SallisEnglish actor, known for his work on British television. He was the voice of Wallace in the Academy Award-winning Wallace and Gromit films and played Norman "Cleggy" Clegg in Last of the Summer Wine from its 1973 inception until the final episode in 2010, making him the only actor to appear in all 295 episodes. He also voiced Rat in The Wind in the Willows animated series, appeared in Danger Man in the episode "Find and Destroy" as Gordon; the BBCDoctor Who serial "The Ice Warriors" as renegade scientist Elric Penley and in an episode of The Persuaders! "The Long Goodbye" . While a student in 1983, animator Nick Park wrote to Sallis asking him if he would voice his character Wallace, an eccentric inventor. Sallis agreed to do so for a donation of £50 to his favourite charity. The work was eventually released in 1989 and Aardman Animations' Wallace and Gromit: A Grand Day Out went on to win a BAFTA award.Sallis reprised his role in the Oscar- and BAFTA Award-winning films The Wrong Trousers in 1993 and A Close Shave in 1995. His last role as Wallace was in 2010's Wallace and Gromit's World of Invention. Sallis then retired due to ill health, with Ben Whitehead taking over the role. He died from natural causes in Denville Hall, London at the age of 96.Famous Birthdays2 June 1774 – William Lawson - https://en.wikipedia.org/wiki/William_Lawson_(explorer)English-born Australian explorer, land owner, grazier and politician who migrated to Sydney,New South Wales in 1800. Along with his close friends and colleagues Gregory Blaxland and William Wentworth, he pioneered the first successful crossing of the Blue Mountains by European settlers. Lawson commenced his exploration of the Blue Mountains alongside Blaxland and William Charles Wentworth on 11 May 1813. He kept a journal of the expedition titled, 'W Lawsons Narrative. Across Blue Mountains'. After the crossing, Lawson, like Blaxland and Wentworth, was rewarded with a grant of 1,000 acres (4 km²) of land by Governor Macquarie. He selected his land along the Campbells River, part of the Bathurst settlement for which he was appointed Commandant until his retirement in 1824. Whilst Commandant he continued to undertake expeditions, and in 1821, with Constable Blackman, discovered the Cudgegong River and further explored Mudgee and its outlying regions. In 1963 Lawson was honoured, together with Blaxland and Wentworth, on a postage stamp issued by Australia Post depicting the Blue Mountains crossing. He was born in Middlesex.2 June 1904 – Johnny Weissmuller - https://en.wikipedia.org/wiki/Johnny_WeissmullerAustro-Hungarian-born American competition swimmer, water polo player and actor. He was known for playing Edgar Rice Burroughs' ape man Tarzan in films of the 1930s and 1940s and for having one of the best competitive swimming records of the 20th century. Weissmuller was one of the world's fastest swimmers in the 1920s, winning five Olympic gold medals for swimming and one bronze medal for water polo. He was the first to break the one minute barrier for 100-meter freestyle, and the first to swim 440-yard freestyle under five minutes. He won fifty-two U.S. national championships, set more than 50 world records (spread over both freestyle and backstroke),and was purportedly undefeated in official competition for the entirety of his competitive career. After retiring from competitions, he became the sixth actor to portray Tarzan, a role he played in twelve feature films. Dozens of other actors have also played Tarzan, but Weissmuller is by far the best known. Weissmuller's distinctive Tarzan yell is still often used in films in his legacy. His acting career began when he signed a seven-year contract with Metro-Goldwyn-Mayer and played the role of Tarzan in Tarzan the Ape Man (1932). The movie was a huge success and Weissmuller became an overnight international sensation. The author of Tarzan, Edgar Rice Burroughs, was pleased with Weissmuller, although he so hated the studio's depiction of a Tarzan who barely spoke English. In a total of 12 Tarzan films, Weissmuller earned an estimated $2,000,000 and established himself as what many movie historians consider the definitive Tarzan. When Weissmuller finally left the role of Tarzan, he immediately traded his loincloth costume for a slouch hat and safari suit for the role of Jungle Jim for Columbia. He made 13 Jungle Jim films between 1948 and 1954. He was born in Szabadfalva (Freidorf).2 June 1961 – Liam Cunningham - https://en.wikipedia.org/wiki/Liam_CunninghamIrish stage and screen actor. He is known for playing Davos Seaworth in the HBO epic-fantasy series Game of Thrones. Cunningham has been nominated for the London Film Critics' Circle Award, the British Independent Film Award, has won two Irish Film & Television Awards, and shared a BAFTA with Michael Fassbender, for their crime-drama short film Pitch Black Heist. Cunningham came to international prominence with his role as Captain Ryan in the critically acclaimed, independent horror film,Dog Soldiers. Cunningham was producer Philip Segal’s first choice to portray the Eighth Doctor in the TV movie of Doctor Who (1996), but was vetoed by Fox executives. He was born inEast Wall,Dublin.4 June 1950 – Clifford Stoll - https://en.wikipedia.org/wiki/Clifford_StollClifford Paul "Cliff" Stoll, American astronomer, author and teacher. He is best known for his investigation in 1986, while working as a systems administrator at the Lawrence Berkeley National Laboratory, that led to the capture of hackerMarkus Hess, and for Stoll's subsequent book The Cuckoo's Egg, in which he details the investigation. Stoll has written three books, articles in the non-specialist press and is a frequent contributor to the mathematics YouTube channel Numberphile. In 1986, while employed as a systems administrator at the Lawrence Berkeley National Laboratory, Stoll investigated a tenacious hacker—later identified as KGB recruit Markus Hess—who stole passwords, pirated multiple computer accounts, and attempted to breach US military security. After identifying the intrusion, Stoll set up a honeypot for Hess, eventually tracking him down and passing details to the authorities. It is recognized as one of the first examples of digital forensics. In his 1995 book Silicon Snake Oil and an accompanying article in Newsweek, Stoll called the prospect of e-commerce "baloney". Stoll also raised questions about the influence of the Internet on future society, and whether it would be beneficial. Stoll sells blown glass Klein bottles on the internet through his company Acme Klein Bottles. He stores his inventory in the crawlspace underneath his home and accesses it when needed with a homemade miniature robotic forklift. He runs the company out of his home. He was born in Buffalo, New York.Events of Interest2 June 1835 – 1835 – P. T. Barnum and his circus start their first tour of the United States - https://www.historyandheadlines.com/june-2-1835-pt-barnums-circus-starts-first-tour-us-business-may-21-2017/On June 2, 1835, American showman and huckster Phineas T. Barnum began his first tour of the US with his circus, later called “The Greatest Show on Earth,” and then “Barnum and Bailey’s Circus,” “Barnum and Bailey’s Greatest Show on Earth,” and finally “Ringling Brothers, Barnum and Bailey Circus.” Barnum became a showman in 1835 after his lottery business was shut down, ending a lucrative racket. He went to New York and started showing his first exhibit, an elderly, blind, black woman he touted as being 160 years old and formerly the nurse of George Washington. (The woman died the following year, age about 80.) He is widely credited with coining the adage "There's a sucker born every minute",although no proof can be found of him saying this. Barnum sometimes toured with his prize acts, including Colonel Tom Thumb, a diminutive midget Barnum claimed as the World’s Smallest Man.2 June 1910 – Charles Rolls, a co-founder of Rolls-Royce Limited, becomes the first man to make a non-stop double crossing of the English Channel by plane. - https://www.aircraftinteriorsinternational.com/features/remembering-royces-pioneering-flight.htmlAt 6.30pm on 2 June 1910, aviation pioneer Charles Stewart Rolls took off alone in his flimsy biplane from Swingate aerodrome, near Dover, to achieve the world’s first non-stop double crossing of the English Channel by aeroplane. According to a report in the Daily Telegraph newspaper, Rolls reached an altitude of 900ft and a speed of “quite forty miles an hour” as he approached the coast of France. By 7.15pm, he was flying over the small French town of Sangatte, where the present-day Channel Tunnel emerges. Leaning out of his aeroplane, he threw overboard three weighted envelopes, each containing the message: ‘Greetings to the Auto Club of France He was over Sangatte, France, at 19.15 and back in Dover at 20.00. The journey had taken 95 minutes and he circled the Castle in triumph! Over 3,000 people witnessed the event, after which Charles was carried through the town shoulder high. The Aero Clubs of both England and France presented him with special awards. London’s Madame Tussauds even began making a waxwork of him.2 June 2003 – Europe launches its first voyage to another planet, Mars. The European Space Agency's Mars Express probe launches from the Baikonur space center in Kazakhstan. - https://en.wikipedia.org/wiki/Mars_Express#LaunchThe mission, called Mars Express, will map the planet, use a powerful radar to probe its surface for evidence of water, and measure water concentrations in the atmosphere. The spacecraft was launched on June 2, 2003 at 23:45 local time from Baikonur Cosmodrome in Kazakhstan, using a Soyuz-FG/Fregat rocket. The Mars Express and Fregat booster were initially put into a 200 km Earth parking orbit, then the Fregat was fired again to put the spacecraft into a Mars transfer orbit. The Mars Express was the first Russian-launched probe to successfully make it out of low Earth orbit since the Soviet Union fell. The space vehicle, which cost $350 million was initially put into Earth orbit, and about 90 minutes later was given the final push to send it on a six-month journey to Mars — the ESA's first interplanetary mission. Mars Express is to remain in its Martian orbit for at least one Martian year, 687 Earth days.IntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link -https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes -https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094RSS -http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rssInstagram - https://www.instagram.com/nerds_amalgamated/General EnquiriesEmail - Nerds.Amalgamated@gmail.comRate & Review us on Podchaser - https://www.podchaser.com/podcasts/nerds-amalgamated-623195

A carreira de um missionário é marcada por várias fases. Períodos de transição entre algumas dessas fases fazem parte da vida de todo e qualquer missionário. Nesse episódio vamos conhecer a jornada missionária do Italo Franklin e o trabalho que ele realizou entre uma comunidade Karajá no Tocantins. O que ele está lendo: “Liderança Inspirada” – Cindy Tutshc; “Guia Prático para Descobrir a Vontade de Deus” – Troy Fitzgerald; “Missão Carajás” – Paulo Pinheiro. Versão escrita do episódio 70Baixar Desafios mensais no YouTube: Desafios 1 a 5 Já conhece a Corrente do Livro? Agora você pode pegar livros emprestados gratuitamente. Clique aqui para participar. Italo e uma criança Karajá Italo e crianças da comunidade Karajá Italo e jovens da comunidade Karajá

Karaj aŭskultantoj, mi petas de vi pardonon pro la malrapida aperiĝo de la ĉapitroj. Mi iom malsaniĝas kaj tial perdas la voĉon. Oni kontrolis ĉu mi trafis la kronviruson, kaj dankinde mi tiun ne trafis, tamen mi trafis ion kio ŝtelas de mi la voĉon. Mi esperas rapide resaniĝi! ### Ĉapitro 17 el "La Eksterordinara Lando Oz", de L. Frank Baum, tradukita de Donald Broadribb. Kunhavigu viajn pensojn al la gastiganto kiel voĉmesaĝon pere de la hejmpaĝo de la podkasto: https://anchor.fm/Esperanto Legu la plenan libron ĉi tie: https://drive.google.com/file/d/16lEL_FotzTOJ04fARS3_K4CI2b6a2PPt/view?usp=drivesdk,

História de hoje: A lenda de Aruanã, o surgimento do povo Karajá Inspirada nas versões disponíveis em: xapuri.info/mitos-e-lendas/a-lenda-de-aruana-o-criador-do-povo-karaja/ (Fonte também da foto que ilustra o episódio. A autoria da foto é de Adilvan Nogueira) pib.socioambiental.org/pt/Povo:Karajá E museuparanaense.pr.gov.br/arquivos/File/kozak/plotagemE_cvs.pdf Resolvi contar uma história de um povo indígena também como homenagem ao Abril Vermelho. Estão rolando lives e publicações de vários povos indígenas esse mês. Vale seguir a @midiaindia e a @radioyande para conhecer mais. Quer sugerir uma história, enviar a sua, um desenho, comentário, crítica ou sugestão? Escreve para historiasdaanalu@gmail.com que eu vou ler com muito carinho! Narração: Ana Lu Rocha *Caso você seja ou conheça o/a detentor/a dos direitos autorais das obras e queira que o material seja retirado do ar, favor entrar em contato pelo email historiasdaanalu@gmail.com e os áudios serão excluídos.  **Para quem vai mostrar a história para crianças, pode ser interessante ouvir sozinho/a antes, para saber se você concorda que o conteúdo seja adequado à idade. À princípio, todas as histórias que eu vou contar ou poesias que lerei aqui eu considero de classificação livre (a não ser que eu faça algum aviso na descrição e no início do áudio), mas como não sou especialista na área, fica o aviso, para que cada um possa avaliar conforme suas preferências.

It's difficult to stay consistently motivated to do something. Vesal from Karaj, Iran, has been motivated to study architecture for the past 6 years and nothing is stopping her.On today's episode of the Successful Archi Student's Podcast, Vesal and I talk about how you can stay persistently motivated to study architecture, how you can prepare for architecture school and what you should fear before starting.Vesal shares her experiences and journey with us on episode 22.Prefer listening/reading? Check out the show notes:https://successfularchistudent.com/22▼GET THE FREE ARCHI STUDENT SUCCESS CHECKLIST▼→ https://successfularchistudent.com/ ←Get my new ebook! “How to Ace Any Project in Architecture School” https://successfularchistudent.com/how-to-ace-any-project/

Un repaso libre a la Transglobal World Music Chart de diciembre del 2019, confeccionada a través de la votación de un panel de divulgadores de las músicas del mundo de todos los continentes, del que los hacedores de Mundofonías somos cocreadores y coimpulsores. A free review of the Transglobal World Music Chart for December 2019, determined by a panel of world music specialists from all the continents of which the Mundofonías‘ presenters are co-creators and co-promoters. · Mamadou Kelly - Sinewe - Les bateaux · Totolag Kastom Group & John Wilson - Nawat titi (Dance of Vin Walwal) - N?v?nek: Ground music from Torba province, Vanuatu [VA] · Farafi - Senzenina - Calico soul · Orchestre Bana Luya - Kin 78 two - Kinshasa 78 [VA] · Roberto Fonseca - Kachucha - Yesun · Blato Zlato - Gaidine sviryat / Karaj majcho - In the wake · Lamia Bedioui & Solis Barki - Ezzaffi: Kalosórisma / Welcome - Fin'amor · Yandong Grand Singers - Al lemc leengh (Cicada song) - Everyone listen close / Wanp-wanp jangl kap · Petroloukas Halkias & Vasilis Kostas - Zagorisio - The soul of Epirus · Ballake Sissoko & Baba Sissoko - Bi djeliya - Sissoko & Sissoko · Aziza Brahim - Leil - Sahari Imagen /Image: Aziza Brahim por / by Ana Valiño

La Chief Digital Officer du Cabinet August Debouzy revient sur les prix StartYouUp et sur le village de la legaltech 2019. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In the second part of my interview with Artida Karaj, we get specific about the How of frameworkless transformation. She drops a ton of cool wisdom in this part, including: Start with leaders. Without C-Level buy-in, its just talk. Co-create goals - internal team members and leadership Create the environment for innovation by creating an outcome culture - the solution matters less than the results. Allow collaboration, decision making, trying and learning, people growth Allow that this will take time - years, not weeks or months - to mature and expand fully Create enablers - people who can spread the word Enforce ‘customer seat at the table' - the customer is not a LOS, it is the actual customer. Technology is not a cost centre, it is a partner

In the second part of my interview with Artida Karaj, we get specific about the How of frameworkless transformation.   She drops a ton of cool wisdom in this part, including: Start with leaders.  Without C-Level buy-in, its just talk. Co-create goals - internal team members and leadership Create the environment for innovation by creating an outcome culture -  the solution matters less than the results.   Allow collaboration,  decision making, trying and learning, people growth Allow that this will take time - years, not weeks or months - to mature and expand fully Create enablers - people who can spread the word Enforce ‘customer seat at the table’ - the customer is not a LOS, it is the actual customer. Technology is not a cost centre, it is a partner

This week, I meet with coach, colleague, and friend Ardita Karaj to discuss her take on large enterprise transformation. Ardita is very well known in the international Agile community. I've had the pleasure of working with her in the past and I admire her enthusiasm, intelligence and empathetic approach to Agile. She also has a no-nonsense approach to and instinct for business. My favourite quote from the day is "It used to be 'the big eats the small'. Now, 'the fast eats the slow'. This is a two-part interview; in the first part, we discuss Ardita's background, letting teams and individuals have the freedom to choose their own approach and tools, and the foundations of frameworkless transformation. Enjoy, and stay tuned for Part II later this week!

This week, I meet with coach, colleague, and friend Ardita Karaj to discuss her take on large enterprise transformation. Ardita is very well known in the international Agile community. I've had the pleasure of working with her in the past and I admire her enthusiasm, intelligence and empathetic approach to Agile. She also has a no-nonsense approach to and instinct for business.  My favourite quote from the day is "It used to be 'the big eats the small'.  Now, 'the fast eats the slow'. This is a two-part interview; in the first part, we discuss Ardita's background, letting teams and individuals have the freedom to choose their own approach and tools, and the foundations of frameworkless transformation. Enjoy, and stay tuned for Part II later this week!

Socially conscious, and thoroughly gifted Karaj joins us to play some cuts off his letest album, American Canyon. A compilation of songs inspired by open spaces, Western states, and oil & water. We talk about his exploration of the disparities & divisions in the world, and how they influence his unique music.

In this episode of Radio Khiaban, Nicki from Karaj sings for a crowd in the park. We also hear about Molouk Zarrabi who was a pioneer in theatre and singing, and a taboo breaking character in the mid-20th Century.  ***** Radio Khiaban is an online platform dedicated to Iranian women singing in the public spaces of Iran. You can find more information on www.radiokhiaban.com Follow us on Instagram 

In this episode of Radio Khiaban, Nicki from Karaj sings for a crowd in the park. We also hear about Molouk Zarrabi who was a pioneer in theatre and singing, and a taboo breaking character in the mid-20th Century.  ***** Radio Khiaban is an online platform dedicated to Iranian women singing in the public spaces of Iran. You can find more information on www.radiokhiaban.com Follow us on Instagram 

Episode 2 takes you through the journey of how we met, the beauty and the many challenges we faced with our Anand Karaj (Sikh marriage ceremony). We found the creation of this episode ever so healing and beautiful... reminding us of how blessed we are to have one another as best buddies and to have had the experience we did on our wedding day! 

Karajá, Suyá, Kamayurá, Xavante, Guató, Waimiri e Atroari: esses são alguns nomes de mais de mil povos originais que viviam onde hoje conhecemos como Brasil. Quase 520 anos após a chegada dos imigrantes ilegais, esses povos foram dizimados, tiveram suas terras roubadas e hoje ainda estão perdendo os limitados direitos que têm.Hoje, dos dois a quatro milhões de indígenas que viviam por aqui, sobraram somente pouco mais de 895 mil, ou seja, 0,47% da população segundo o último Censo do IBGE de 2010. Essas pessoas ainda lutam por direitos básicos, como reconhecimento, direito às próprias terras e também por maner suas culturas, tradições e dignidade como cidadãos.No episódio de hoje vamos falar sobre povos indígenas no Brasil, demarcação de terras, programas de apoio e bancada ruralista. Então, invoque seu espírito guerreiro e venha conhecer o Brasil na aldeia do PQPCast!#MulheresPodcasters#AtivismoNaWeb---**Convidado**- Samuel Araújo (Twitter - @samguaja) https://twitter.com/samguaja---**Links de referência**- A situação atual dos índios do Brasil https://www.coladaweb.com/geografia-do-brasil/a-situacao-atual-dos-indios-do-brasil- Indígena no Brasil https://brasilescola.uol.com.br/brasil/o-indigena-no-brasil.htm- Programa piloto para a proteção das florestas tropicais (PPG-7) https://uc.socioambiental.org/programas/programa-piloto-para-a-prote%C3%A7%C3%A3o-das-florestas-tropicais-ppg-7- Terras indígenas: o que é? http://www.funai.gov.br/index.php/nossas-acoes/demarcacao-de-terras-indigenas- Indígenas - gráficos e tabelas https://indigenas.ibge.gov.br/graficos-e-tabelas-2.html - Deslocamento compulsório da população indígena https://www.coladaweb.com/geografia-do-brasil/deslocamento-compulsorio-da-populacao-indigena- Cacique kaingang lamenta mudanças na Funai: ‘Nossa luta já estava difícil, agora ficou ainda mais’ https://www.sul21.com.br/ultimas-noticias/geral/2019/01/cacique-kaingang-lamenta-mudancas-na-funai-nossa-luta-ja-estava-dificil-agora-ficou-ainda-mais/- Guató, último povo a ter terra demarcada pode ser primeiro a perdê-la sob Bolsonaro https://brasil.elpais.com/brasil/2019/01/10/politica/1547127207_473507.html- Bebê morto com tiro na cabeça é um cruel símbolo da situação dos povos indígenas no Brasil https://brasil.elpais.com/brasil/2018/09/26/politica/1537978764_156884.html---**Episódios relacionados do PQPCast**- PQPCast #218 - Por que cotas abrem acesso a espaços de direito de pessoas com deficiência, negros, trans e TDAHs? http://www.pqpcast.com/blog/218-cotas- PQPCast #214 - Por que o Estado Brasileiro não é laico nem plurirreligioso? http://www.pqpcast.com/blog/214-estado-laico- PQPCast #192 - Por que racismo é mais que sangue e colorismo de pele? http://www.pqpcast.com/blog/192-racismo- PQPCast #205 - Por que o eurocentrismo cobriu a história do Islam com um véu de incompreensão?http://www.pqpcast.com/blog/205-islam- PQPCast #211 - Por que ciganos vivem o preconceito de um povo excluído? http://www.pqpcast.com/blog/211-cigano- PQPCast #206 - Por que somatizar sintomas mentais afeta sua saúde física? http://www.pqpcast.com/blog/206-somatizacao- PQPCast #216 - Por que a gamificação combate os vilões da saúde mental na vida real? http://www.pqpcast.com/blog/216-gamificacao- PQPCast #45 - Porque Depressão não é Mimimi! http://www.pqpcast.com/blog/s03e25- PQPCast #136 - Por que prevenir o suicídio em 13 Reasons Why? (spoilers) http://www.pqpcast.com/blog/136-13reasons- PQPCast #186 - Por que nossas tribos polarizam o pensamento de massa? http://www.pqpcast.com/blog/186-tribalismo---Assine nosso Feed: http://feeds.feedburner.com/pqpcast**Twitter**- PQPCast: [@_pqpcast] https://twitter.com/_pqpcast- Thata: [@thata_finotto] https://twitter.com/thata_finotto- Natália: [@nahmattos] https://twitter.com/nahmattos- #PodcasterProcura: [@PodProcura] https://twitter.com/podprocura**Facebook**- Página De Por Quê? Pra PQP! https://www.facebook.com/pqpcast- Grupo Ouvintes do PQPCast https://www.facebook.com/groups/ouvintesdopqpcast/**Instagram**- PQPCast: [@pqpcast] https://www.instagram.com/pqpcast/**Telegram**- Canal #PodcasterProcura [@PodProcura] https://t.me/PodProcuraEdição: Andrey Mattos https://twitter.com/matttos_Apoio cultural: Kairós Soluções Empresariais http://kairoscorp.com.br/

Rashin Soodmand was 13 years old when her father, Pastor Hossein Soodmand, was executed by the Iranian government for the crime of apostasy—leaving Islam to follow another faith. Listen as she shares how her family’s life was changed, but also how proud she is of a father who chose to lay down his life rather than deny Christ. Listen as she recalls the man her father was, loving his congregation and loving his family, and how people were drawn to his kindness and love. Rashin will tell how church leaders encouraged Pastor Hossein to take his family, leave Iran and go somewhere safer; hear his exact words as he flatly refused, saying that to do so would discourage the hearts of his congregation. She’ll also describe the last time she saw her dad, and the day she heard that he’d been executed. This is Part 1 of our conversation with Rashin; click here to hear the second half of her story, including how God has used the loss of her father to equip her to minister to hurting people inside and outside of Iran to this day. To learn more about the current ministry activities of Rashin and her husband, Amir, visit the Torch Ministries web site.

NEWS [59:05] Live - Gatwick chaos as drones causes runway to close [1:09:54] 737 Passenger Plane Slams Into Drone During Landing [1:13:30] Vanuatu Uses Drones to Deliver Vaccines to Remote Island [1:16:51] ATAC Civilian Hawker Hunter Crashes Off Honolulu, Pilot Injured During Ejection [1:27:31] Incident: Taban MD88 at Karaj on Nov 16th 2018, Went Around from Very Low Height at Wrong Airport [1:31:38] Incident: Belavia B735 at Kiev on Dec 9th 2018, Damaged Runway Lights and Right Engine Cowl on Landing FEEDBACK [1:40:53] John - Some Comic Relief from YouTube [1:45:32] Mike - Precision Approach Technique Question [2:05:14] Plane Tale - Flown West [2:27:34] Texas Charlie - North Pole Warns of Pilot Shortage as Reindeer Leave for Commercial Sleighlines [2:30:44] David - Uncomfortable Landing at Southampton to Save a Few Minutes Time? [2:48:43] Chuck, Gus, Sean - Popeyes Selling 'Emotional Support Chickens' for Philadelphia Fliers [2:51:36] Capt Steve - Update - Audio [2:54:27] Matt - Update on His Progress VIDEO Audible.com Trial Membership Offer - Get your free audio book today! Give me your review in iTunes! I'm "airlinepilotguy" on Facebook, and "airlinepilotguy" on Twitter. feedback@airlinepilotguy.com airlinepilotguy.com ATC audio from http://LiveATC.net Intro/outro Music, Coffee Fund theme music by Geoff Smith thegeoffsmith.com Dr. Steph's intro music by Nevil Bounds Capt Nick's intro music by Kevin from Norway (aka Kevski) Doh De Oh by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100255 Artist: http://incompetech.com/ Copyright © AirlinePilotGuy 2018, All Rights Reserved Airline Pilot Guy Show by Jeff Nielsen is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

"Cheezy" Jeff Morgan and Ardita Karaj chat with Agile Amped about their AATC2016 session "Test Driven: Deliberate Collaboration", where the two will perform live automation test-drive development (ATDD) for all to see. One goal of their presentation is make visible the fact that much of what people consider collaboration is really hand-offs: the developer plugs away at the code in her corner then chucks it over to the tester, who's often afraid to even touch the code. In their session, Cheezy and Ardita want to demonstrate what real team collaboration looks like. Chief technology officer and a cofounder of LeanDog, Jeff “Cheezy” Morgan has been teaching classes and coaching teams on agile and lean techniques since early 2004.  Ardita Karaj is a passionate Agile coach, trainer, change agent and consultant in the Toronto area. Working at EPAM Systems, she brings more than 15 years of software development experience from different commercial and public organizations.  SolutionsIQ's Neville Poole hosts. About Agile Amped The Agile Amped podcast series engages with industry thought leaders at Agile events across the country to bring valuable content to subscribers anytime, anywhere. To receive real-time updates, subscribe at YouTube, iTunes or SolutionsIQ.com. Subscribe: http://bit.ly/SIQYouTube, http://bit.ly/SIQiTunes, http://www.solutionsiq.com/agile-amped/ Follow: http://bit.ly/SIQTwitter Like: http://bit.ly/SIQFacebook

1. Canção sem palavras/Song without words (Mendelssohn). Maria João Pires, piano. Antonio Meneses,cello. Ao vivo no/Live at Wigmore Hall. 2. Canto da tradição Karajá/ Karaja indian chant. 3. It doesn´t mean a thing (Duke Ellington). Django Reinhardt, Stéphane Grappelli & The Quintet of the Hot Club of France 4. Courante da/from "Partita for 8 Voices" (Caroline Shaw). Roomful of Teeth. Brad Wells, diretor/director. Fancy my sets? So please click LIKE and also FOLLOW. You can subscribe with iTunes. :: Gostou? Então clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações. www.facebook.com/heloisafischer helofischer@gmail.com

1 - "Jardin sous la pluie" de/from "Estampes" (Debussy). Benyamin Nuss, piano. 2 - "Sorbet N. 5: wood and metal chimes" (Evelyn Glennie). Evelyn Glennie, percussão/ percussion. 3 - "Quarteto Fantasia" (Britten). Arcadio Minczuk, oboe. Emmanuele Baldini, violino. Peter Pas, viola. JOhannes Gramsch, cello. 4 - Canto da tradição Karajá/ Brazilian indian chant. 5 - "Lee" (Sporto Kantès). Sporto Kantès.

1 - Canto da tradição Karajá/ Karaja indian chant 2 - Scherzo do/from "Quarteto de Cordas N. 1/ String Quartet N. 1" (Tchaikovsky). Jerusalem String Quartet 3 - Teasure. Matmos e/and So Percussion. 4 - Danza de/from "Notturno e Danza" (Rautavaara). Pekka Kuusisto, violino/violin. Paavali Jumppanen, piano. 5 - Canto do Azulão do Paraná/ Brazilian birdcall 6 - Pascal Rag (Paul Chihara).Pascal & Ami Roge, piano duo. 7 - Imagina (Tom Jobim/Chico Buarque). Chico Buarque e/and Monica Salmaso, voz/voice.

1 - "Drumming, Part III" (Steve Reich). So Percussion. 2 - Canto da tradição karajá/ Karajá indian chant. 3 - "Più mosso" de/from "Katabasis, concerto para violino e orquestra Op. 131" (Jaime Zenamon). Camerata Filarmônica de Goiás. Alessandro Borgomanero, violino e direção/ violin and direction. 4 - "O que é que a baiana tem?" (Dorival Caymmi). Carmen Miranda. 5 - "Rio, Part XIV" (Keith Jarrett). Keith Jarrett, piano. Gravação ao vivo no Rio de Janeiro em abril 2011/ Live recording, Rio de Janeiro, April 2011.

1 - Canto Karajá/ Karajá indian chant 2 - "La Ronde des Lutin" (Antonio Bazzini). Charlie Siem, violino/violin. Caroline Jaya-Ratnam, piano. 3 - "Tages Kafé" (Suzanne Vega). Mats Höjer, voz/voice. 4 - "Baristas" (Stephen McNeff). O Duo: Owen Gunnell & Oliver Cox, percussão/ percussion. 5 - Canto do canário belga/ Brazilian birdcall 6 - "Gavotta" da/from "Sinfonia N. 1" (Prokofiev). Dresden Philharmonic. Kurt Masur, regente/ conductor. Gostou? Então clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Fancy my sets? So please click LIKE and also FOLLOW. You can always subscribe with iTunes. www.facebook.com/heloisafischer www.vivamusica.com.br

1 - "Misirlou" (Michalis Patrino). Quatour Ebène. 2 - Canto da tradição Karajá/ Karaja indian chant 3 - "Saudade das selvas brasileiras 1" (Villa-Lobos). Zélia Chueke, piano. 4 - Canto do canário timbrado espanhol/ Brazilian birdcall 5 - Trecho/excerpt do/from "Nocturne" (Sigismund Neukomm). Emmanuele Baldini, violino/ violin. Alexander Baillie, cello. Max Uriarte, piano. Gravação ao vivo/ Live recording Pelotas (RS), maio/may 2011. 6 - "Marcha Lyra Sanjoanense" (José Lino de Oliveira França). Companhia dos Inconfidentes. Marcelo Ramos, regente/ conductor. Gostou? Então expresse seu gostar clicando em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Do you fancy my sets? So please express it clicking LIKE and also FOLLOW. You can always subscribe with iTunes. http://www.facebook.com/heloisafischer http://www.vivamusica.com.br

1- "Leck mich im Arsch, K. 231/ K.38" (Mozart). Chorus Viennensis. 2 - "Ná!" (André Mehmari). André Mehmari, piano. 3 - Canto da tradição Karajá/ Karajá indian chant. 4 - "Uniko: II. Plasma" (Kimmo Pohjonen-Samuli Kosminen). Kronos Quartet. Duo Kimmo Pohjonen, acordeão/ accordion & Samuli Kosminen, samplers. 5 - "Me myself and I" (Irving Gordon-Allan Roberts-Alvin S Kaufman). Billie Holiday. Gostou? Então expresse seu gostar clicando em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações////// Do you fancy my sets? So please express it clicking LIKE and also FOLLOW. You can always subscribe with iTunes. http://www.facebook.com/heloisafischer http://www.vivamusica.com.br

1 - "Maracatu do Chico Rei" (Francisco Mignone). Quarteto Carioca de Violões/ Carioca Guitar Quartet. 2 - Trecho de "Ijuóho", canto da tradição Karajá/ Chant from the brazilian Karaja indians-excerpt. 3 - "L´album de Lili - Swimming" (Charles Koechlin). Irmela Nolte, flauta/ flute. Sabine Liebner, piano. 5 - Canto do sabiá una/ Sabia una birdcall. 6 - "Aos vinte e sete" (Edu Krieger). Edu Krieger, voz e violão/ voice and guitar. 7 - "Nightclub 1960" (Astor Piazzolla. Duo Graffiti (Cassia Carrascoza, flauta/ flute. Ronaldo Bologna, marimba).