Podcasts about Orpheus

Enzo Coco"Premio Merano Europa"www.plime.euPremio Letterario Internazionale Merano Europa XVI edizioneIl premio ponte tra la cultura italiana e quella tedesca I Vincitori:Sezione italianaPIERA VENTRE – STELLA RANDAGIA – NN editoreSezione tedescaVERNESA BERBO – Der Sohn und das Schneeflöckchen – Frankfurter VerlangsanstaltSezione Poesia tradottaRICCARDO HELD “I sonetti di Orfeo” – MondadoriSabato 6 giugno al Pavillon des Fleurs di Merano si è tenuta la cerimonia conclusiva della XVI edizione del Premio Letterario Internazionale Merano-Europa.Durante la serata i lettori della giuria popolare hanno posto le proprie schede nelle apposite urne e successivamente si è proceduto allo spoglio e alla proclamazione dei vincitori.Lo scrutinio pubblico dei voti dei 100 lettori (50 di lingua italiana e 50 di lingua tedesca) ha decretato la vittoria delle autriciPIERA VENTRE – STELLA RANDAGIA – NN editoreVERNESA BERBO – Der Sohn und das Schneeflöckchen – Frankfurter VerlangsanstaltDopo i saluti delle conduttrici Valentina Berengo, giornalista culturale e di Roxana Höchsmann, Ufficio stampa dell'Agenzia di Comunicazione Wolkenlos di Vienna, e di Enzo Coco, Presidente dell'Associazione culturale Passirio Club organizzatore del Premio, sono intervenuti i rappresentanti delle istituzioni locali: Antonella Costanzo e Barbara Hölzl, Assessore Comune di Merano, Angelo Giannaccaro, Presidente del Consiglio Provinciale e Assessore regionale alle iniziative per la promozione dell'integrazione europea; Philipp Achammer, Assessore provinciale alla cultura e istruzione lingua tedesca; Marisa Giurdanella, ufficio cultura italiana della Provincia, e in chiusura l'intervento di Aldo Mazza, Presidente della Giuria di selezione.Per la sezione “Poesia tradotta” è stato premiato Riccardo Held per l'opera I sonetti di Orfeo [Die Sonette an Orpheus] di Rainer Maria Rilke (Mondadori). Le motivazioni sono state lette da Valentina Di Rosa – docente Dipartimento studi letterari, linguistici comparati Università Orientale/Napoli, membro del Comitato scientifico di selezione, coordinato da Stefano Zangrando.Ai vincitori delle sezioni narrativa è stato riconosciuto un premio di 5.000 Euro, per i finalisti un premio di 1.000 Euro ciascuno. Al vincitore della sezione Poesia tradotta è stato consegnato un premio di 4.000 euro.Gli altri finalisti in gara:Sezione italianaSaverio Gangemi, “Calura”, RubbettinoPippo Russo, “L'estate di Totò Schillaci”, Derive ApprodiSezione tedesca:Dimitre Dinev “Zeit der Mutigen“ – Kein & AberDidi Drobna “Ostblockherz” – PiperLe terzine finaliste per la narrativa sono state selezionate dalle giurie tecniche:Per la sezione italiana:Alessandro Gazzoli – dottore di ricerca in letteratura italiana – esperto di narrativa del NovecentoGiuliano Geri – editor e traduttore – coordinatore della giuriaMariagrazia Mazzitelli – direttrice editoriale Salani Anna Vallerugo – giornalista e critica letterariaPer la sezione tedesca:Ferruccio Delle Cave – critico letterario e storico – coordinatore della giuriaSepp Mall – scrittore e vincitore dell'edizione 2024 del Premio Merano-Europa – Romanzo in lingua tedescaIngrid Runggaldier – pubblicista e traduttriceMichael Scholz – direttore artistico del festival di letteratura “Poetische Quellen”Le interviste ai finalisti sono state condotte da Valentina Berengo per la lingua italiana, e da Roxana Hôchsmann per la lingua tedesca.L'evento è stato allietato dagli interventi musicali dell'Orchestra d'archi della Merano Pop Symphony Orchestra diretta dal Maestro Roberto Federico.L'Associazione culturale Passirio Club Merano ODV, in collaborazione con l'associazione Südtiroler Künstlerbund, la Biblioteca civica di Merano e il patrocinio e contributo di Regione Autonoma Trentino Alto Adige, Provincia Autonoma Bolzano Alto Adige e il Comune di Merano, ha promosso la XVI edizione Premio Letterario Internazionale Merano Europa riservato ai Romanzi editi, in lingua italiana e tedesca pubblicati nel 2025, e alla Poesia tradotta dall'italiano o il tedesco e pubblicata nel biennio 2024/2025.Il Premio letterario Merano Europa è unico nel suo genere per la particolarità di rivolgersi contemporaneamente alle culture italiana e tedesca. Si connota particolarmente perché si svolge a Merano, una città dalle caratteristiche uniche poiché registra la presenza paritaria di abitanti di lingua italiana e tedesca ed è quindi punto ideale di incontro per le rispettive culture, anche in campo internazionale. Merano in particolare e l'Alto Adige, rappresentano infatti da sempre l'ideale crocevia tra mondo tedesco e italiano.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Jeremy is joined again by author and podcaster Jason Kruppa to examine the 1981 satirical musical Shock Treatment, an "equal" to The Rocky Horror Picture Show sharing its creative team of Richard O'Brien and Jim Sharman and starring Cliff DeYoung, Jessica Harper, Patricia Quinn, Ruby Wax, Charles Gray and Barry Humphries. In this pursuit, they cover such subjects as normcore values, American geography, unlikely screen romances and Britain's most-missed comedian.All Things Must Pass Away: Harrison, Clapton and Other Assorted Long Songs: https://www.amazon.co.uk/All-Things-Must-Pass-Away/dp/1641603259/ref=sr_1_1?crid=1GH04M3HKDZAU&dib=eyJ2IjoiMSJ9.i-VBVCd6OD_u3Bw2P_zGpWMcIYFuRmRvDP2qS92HTKZm7S9xDM2SfWLeEQfew9PI.WfGFmq68oWWoNtnx0GrqJmlrHVmFn3ZeppH5h_ycF5E&dib_tag=se&keywords=all+things+must+pass+away&qid=1780856018&sprefix=all+things+must+pass+away%2Caps%2C137&sr=8-1https://blackwells.co.uk/bookshop/product/9781641608169?utm_source=Waterstones&utm_medium=pdp&utm_campaign=oos-linkTrailer: https://www.youtube.com/watch?v=qIxUhYQlnA8Shock Treatment: https://www.youtube.com/watch?v=60xaXy4YPqQShock Treatment soundtrack: https://www.youtube.com/playlist?list=PL970E92ACC3C89F41Shock Treatment: Live on Stage https://www.youtube.com/watch?v=gN8rFugl1Ks (Part 1) https://www.youtube.com/watch?v=kaeIF2woFe8 (Part 2)The Rocky Horror Picture Show trailer: https://www.youtube.com/watch?v=4plqh6obZW4The Rocky Horror (Picture) Show audience participation overview: https://rockyhorror.fandom.com/wiki/Audience_participationUnproduced Rocky Horror sequels overview: https://en.wikipedia.org/wiki/The_Rocky_Horror_Show_(franchise)#Cancelled_projectsJim Sharman overview: https://en.wikipedia.org/wiki/Jim_SharmanPeep Show: The New Year's Eve Party: https://www.youtube.com/watch?v=3TlwsjGB32cGlam Rock overview: https://en.wikipedia.org/wiki/Glam_rockPhantom of the Paradise: Jessica Harper - Special to Me: https://www.youtube.com/watch?v=5uIHHx2GkFQCrimes of the Future: Purple plastic bars: https://www.youtube.com/watch?v=afUp39Uv4lkRuby Wax overview: https://en.wikipedia.org/wiki/Ruby_WaxDavid Eisenhower overview: https://en.wikipedia.org/wiki/David_EisenhowerRik Mayall Presents: Dancing Queen: https://www.youtube.com/watch?v=vFLF9R7fK_MOrpheus and Eurydice overview: https://en.wikipedia.org/wiki/Orpheus_and_EurydiceSuspiria end credits: https://www.youtube.com/watch?v=KPF-ABw0nzIThe Rime of the Ancient Mariner by Samuel Taylor Coleridge: https://en.wikisource.org/wiki/Lyrical_Ballads_(1798)/The_Rime_of_the_Ancyent_MarinereKubla Khan by Samuel Taylor Coleridge: https://en.wikisource.org/wiki/Oxford_Book_of_English_Verse_1250-1900/Kubla_KhanNetwork trailer: https://www.youtube.com/watch?v=1cSGvqQHpjsThe Year of the Sex Olympics: https://www.youtube.com/watch?v=RoFob79ql7UThe Simpsons: Homer in the Land of Chocolate: https://www.youtube.com/watch?v=ZOziWm_MJ9kSaturn 3 trailer: https://www.youtube.com/watch?v=_O-F2fvHFW4The Crystal Maze: https://www.youtube.com/watch?v=4cwzP4vYoig

Pippa Hudson speaks to Veronica Paeper, who first created and choreographed Orpheus in the Underworld more than four decades ago, and former CAPAB and Cape Town City Ballet principal Janet Lindup, who returns to the stage for a special guest appearance in this revival and plays a mentoring role. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read, and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10 pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

David chats with Gary Abrahams, Director of the Melbourne Shakespeare Company's 2026 production of Eurydice by Sarah Ruhl. Eurydice — a modern, poetic reimagining of the Orpheus myth — at fortyfivedownstairs, running until 14 June. The post Gary Abrahams – June 7th, 2026 appeared first on Sunday Arts Magazine.

Die Oper „El Último Sueño de Frida y Diego“ der US-amerikanischen Komponistin Gabriela Lena Frank wirft einen Blick auf das Künstlerpaar Frida Kahlo und Diego Rivera – und das in ambitionierter Umkehrung des Orpheus- und Eurydike-Mythos. Noch spannender aber: Mit diesem Werk hat eine Oper auf Spanisch Premiere an der Met gefeiert – und das ausgerechnet im kulturell eher auf Abgrenzung bedachten politischen Klima unter Donald Trump. Mit dabei ist auch ein Sänger aus dem SWR-Sendegebiet: der in Ludwigsburg geborene Nils Wanderer. In SWR Kultur berichtet er über seine Erfahrungen.

In 1957, Tennessee Williams returned to the Martin Beck Theatre with Orpheus Descending, a play he had spent nearly two decades trying to get right. Originally produced in 1940 as Battle of Angels, the drama had collapsed amid censorship battles, technical problems, and public outrage. Yet Williams could never leave it behind. In this episode, we trace the remarkable seventeen-year journey of the play, from its disastrous Boston tryout to its rebirth on Broadway under a new title. Along the way, we explore Williams's complicated relationship with success and failure, the creative partnership that shaped his work, and the cast and collaborators who helped bring Orpheus Descending to life, including Maureen Stapleton, Harold Clurman, Boris Aronson, Robert Loggia, Cliff Robertson, and Lois Smith. Featuring archival interviews and firsthand accounts, this is the story of one of Broadway's most ambitious productions, why audiences rejected it, and how its failure marked a turning point in the life of America's greatest playwright. -- Click ⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠ for a transcript with photos, videos, and a list of all resources used. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer. Theme music created by Blake Stadnik. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicolas Ferrante e Orpheus presentano " Prima di distruggerci" su Delta 1 con Daniele Di Ianni.

Orpheus Heyward joins the Real Life Theology Podcast to discuss how Christians should engage and resist culture. Drawing on Romans 12, he explains being a transformed, non‑conformist driven by God's mercy, the ‘‘New Testament sacrificial system,'' and living differently so others see Christ in us.   Download the free RENEW.org App - https://renew.org/renew-app/    Visit RENEW: https://renew.org/   Check out the following from RENEW.org: Events: https://renew.org/resources/events/ Videos: https://renew.org/media/videos/ Podcasts: https://renew.org/media/podcasts/ Articles: https://renew.org/articles/ Free eBooks: https://renew.org/resources/free-ebooks/ Books: https://renew.org/resources/books/ Audiobooks: https://renew.org/resources/audiobooks/ Sermon Tools: https://renew.org/resources/sermon-tools/ Job Board: https://jobs.renew.org/ Renew University: https://renewuniversity.org/ Real Life Theology Conversations: https://renew.org/rltc/ Sign up for our newsletter: https://renew.org/resources/newsletter-sign-up/

In this episode of Domina Tempora, we unleash the wild, sacred power of the Maenads — the raving priestesses and fierce warriors of Dionysus, god of wine, ecstasy, vegetation, and divine madness.Adorned with ivy, snakes, and panther skins, these women were far more than “mad” followers. They were holy initiates who danced in frenzied ecstasy to the thunder of drums, performed miracles that summoned wine from the earth and milk from stones, and wielded superhuman strength in service to their god. As both celebrants and soldiers, they tore apart the enemies of Dionysus — from the dismembered Orpheus to the doomed King Pentheus, whose own mother Agave, still in divine frenzy, carried his severed head as a hunting trophy.We explore their dual nature: bringers of joy and terror, voluntary devotees and those driven mad as punishment, miracle-workers and destroyers. From the tragic fate of Lycurgus to the protective sisterhood shown by the women of Amphissa, the Maenads reveal the untamed, dangerous heart of Dionysian worship — where ecstasy and violence, life and death, blur into one.If the intoxicating pull of divine frenzy, forbidden rites, and the raw power of ancient passion calls to you, my debut novel Clotho Unbound is waiting. In its pages, Clotho — the Fate who has spun death for Zeus across the ages — becomes entangled with Aphrodite in stolen, blasphemous nights of desire that make the Loom of Fate itself tremble. Their love is treason. Their passion could unravel destiny.Clotho Unbound is out now — order your copy today on Amazon (Kindle, paperback, and audiobook coming soon).Direct link:https://www.amazon.com/Clotho-Unbound-Marianne-Fisher/dp/B0GTZ8PZFVThank you for listening.Until next time — may your thyrsus strike true and your frenzy set you free.

Cape Town City Ballet is presenting "Orpheus in the Underworld", based on Offenbach's music and choreographed by Veronica Paeper. On People of Note this week, Rodney Trudgeon spoke to Tracy Li, the Artistic Manager at CTCB, about the production and about her career in ballet

While the show is on hiatus, we're sharing some episodes from our Bunker 9 Bonus Feed! We'll be back on Tuesday, June 2, 2026!Bunker 9 - Episode 74: We Love Hadestown (w/ Dylan Hunter)Nearly three years ago, we recorded an episode about the myth of Orpheus and Eurydice. Our guest was the fabulous Dylan Hunter, who came on the podcast to discuss the Tony Award-winning Broadway musical, Hadestown. Unfortunately, at the time neither co-host had seen the musical, so the topic was largely tabled. Two years and nine months later, we finally have that conversation. Major Spoilers for HadestownContent Warning: This episode contains mention of death, starvation, and climate change. Support the showNo portion of this episode may be used for AI training purposes or to create derivative works without express written permission from the creators and co-hosts Darien Smartt or Davis Smartt. 

A podcast introducing the exciting new Spanish-language opera with music by Gabriela Lena Frank to a libretto by Nilo Cruz: what would happen if the myth of Orpheus and Euridice were reenacted by the famous Mexican painters Diego Rivera and Frida Kahlo? Some Seattle Opera personnel attended the Chicago performances of this magic realist opera, coming to Seattle Opera January 2027. Michaela Calzaretta, chorus master and head of music staff, discussed FRIDA & DIEGO with Alex Minami, co-director of programs and partnerships, and Alicia Moriarty, director of production.

Mit der antiken Sage von Orpheus, dem Dichter und Sänger, beginnt der Mythos des Künstlers – der Mann als Genie. Diesen Mythos erzählt die Inszenierung der Barock-Oper „L'Orfeo“ bei den Schwetzingen SWR Festspielen. Am Ende zerreißen Frauen den Künstler, der sie erst zur Inspiration braucht und dann zum Material macht. Wie sollen Künstlerinnen auf diesen Männermythos reagieren? Kopieren, konterkarieren, ignorieren? Warum findet man in den meisten Erzählungen so wenig Künstlerinnen? Mit Beate Söntgen, Professorin der Leuphana-Universität, begann in Deutschland die feministische Kunstgeschichte.

I know. You're sick of hearing about yet another huge Hollywood blockbuster about a skateboarding rock star who reenacts the legend of Orpheus in a possibly post-apocalyptic Seattle made of shipping containers. But I promise, this one is different. Matt and Tristan talk, Shredder Orpheus. 

Visit Renew.org to sign up for our email newsletter and be the first to know about new content, books and resources.  https://renew.org/ Join RENEW.org at an upcoming event: https://renew.org/resources/events/ Join RENEW.org's Newsletter: https://renew.org/resources/newsletter-sign-up/ Orpheus Hayward explains the authority and purpose of Scripture through 2 Timothy 3:16, showing how God-breathed Scripture teaches, reproves, corrects, and trains believers for every good work. He applies this to church leadership, the preacher's role as God's herald, and uses a pilot-and-tower analogy to encourage trusting Scripture in life's uncertain moments.

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Long before therapists' couches or self-help books, music was the original soul-medicine — a divine force capable of shaping character, harmonising societies, and even bending the fabric of reality itself.In this episode of Domina Tempora, we journey across ancient civilisations to uncover how music was revered as far more than entertainment. From the earliest playable flutes unearthed at Jiahu in China (7000–5700 BC) and Minoan lyres on Crete, to the profound teachings of Plato and the Yue Ji in China, we explore how music was seen as essential for forming the soul and cultivating virtue.We meet the legendary musicians who wielded its power: Orpheus, whose songs could charm beasts, move stones, and nearly conquer death itself — only to lose Eurydice forever when doubt made him look back. His music soothed Hades, inspired mystery rites, and gave birth to the Orphic way of life. Across the seas, we encounter Narada, the divine troubadour of Hindu tradition, whose veena and devotional hymns carried enlightenment, bhakti, and cosmic knowledge between gods and mortals. And in ancient China, we discover Ling Lun and Kui, who tuned the world to the cries of phoenixes and the rhythms of harmony under the Yellow Emperor.From ritual protection of the infant Zeus on Delos to the first orchestras that brought spirits and humans into accord, this episode reveals music as a sacred technology — magical, moral, and transformative.If tales of divine passion, forbidden desire, and the power of ancient forces stir something deep within you, step into the world of my debut novel Clotho Unbound. In its pages, Clotho — the Fate who has spun death for Zeus for eons — finds her threads entangled with Aphrodite in stolen, blasphemous nights that make the Loom of Fate tremble. Their love is treason. Their passion could unravel destiny itself.Clotho Unbound is out now and available to order on Amazon (Kindle, paperback, and audiobook coming soon).Grab your copy today:https://www.amazon.com/Clotho-Unbound-Marianne-Fisher/dp/B0GTZ8PZFVThank you for listening.Until next time — may your strings stay in tune and your threads hold strong.

In the Greco-Roman world, gods were known to tame soundscapes, or acoustic landscapes. Zeus, Apollo, Orpheus, and other Classical deities demonstrated their power by bringing order to chaotic sound worlds, replacing cacophony with harmony. In late antiquity, Christians took up this archetype and applied it to Jesus. For many early Christians, the advent of Christ resembled the modern phenomenon of a musical key change, but on a grand scale: Jesus initiated a recalibration of the cosmic soundscape, ushering in a new world. However, according to many Christians in late antiquity, this universal key change was not yet complete. Late ancient Christians believed that they could participate in the ongoing sonic work of Christ by Christianizing the acoustic landscapes of the world.In Sounds for a New World: The Christianizing Soundscapes of Late Antiquity (Oxford UP, 2026), Dr. Philip Abbott explores how late ancient Christians envisioned themselves as participants in the worldwide retuning effort, harmonizing the Classical world to the new Christian reality. Rejecting the sounds of traditional Greco-Roman and Persian cultures, Christians advocated a variety of sonic practices to realize their grand retuning endeavor, including shouting, singing, silent meditation, chanting, and even belching. From the Latin West to the Syriac East, late ancient Christians formed a polyphonous chorus of diverse voices all joining in the great harmonizing work of Jesus as they Christianized the soundscapes of the world.For years, scholars have noted the monumental changes that took place in early Christianity during the so-called Constantinian Revolution. But Dr. Abbott turns our attention to an unexplored aspect of this transitional moment, arguing that it was not simply a political or religious revolution - it was a revolution of the senses. Central to this sensorial transformation was sound. As Christianity gained imperial power in the fourth century, Christians began the process of re-tuning the world for Christ. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

The boys discuss the anti-trust case against Live Nation, MP obsesses about the LPT map, and Ben brings the love. Front and center is a playlist of brand new indie rock tracks that will sync your cycles and beat you at Scrabble.EPISODE PLAYLIST:Cashier, "A Curse I Know So Well"Snarls, "No Lock, No Prayer"Tanzana, "Pulse Pose Position"Palette Knife, "Honors English"Lily Seabird, "Demon In Me"Ain't, "Grazer"Hater, "Mosquito"Latchkey Kids, "Orpheus (ft. Tom May)"Beck Zegans, "I Want You"Chroma, "Coalminer's Granddaughter"Heartworms, "Just to ask a Dance"cruush, "Great Dane"BONUS TRACK: Palette Knife, "Phoenix Down"Cities added to the map this episode: 3

Send us Fan MailPaper Discussed in this Episode: How artificial intelligence applied to digital pathology could guide treatment personalization in breast cancer. T. Ruelle, T. Grinda, L. Del Mastro, M. Lacroix-Triki, B. Pistilli & G. Gessain. ESMO Real World Data and Digital Oncology 2026.Episode Summary: In this journal club episode, we step into the reality of computational pathology and explore how artificial intelligence is fundamentally transforming breast cancer diagnostics. We examine a comprehensive review detailing how AI not only assists overburdened healthcare systems but also unlocks invisible genomic data straight from a standard $5 hematoxylin-eosin (H&E) glass slide. What happens when a machine can predict complex DNA mutations just by evaluating the structural architecture of cells?In This Episode, We Cover:• The Diagnostic Bottleneck: Understanding the critical worldwide shortage of pathologists colliding with a projected 3.2 million global breast cancer diagnoses by 2050, and why the system is under unprecedented strain.• The Biomarker Battle: Why the human visual cortex struggles to quantify faint immunohistochemistry stains, and how AI acts as a perfect "digital colorimeter". We discuss its near-perfect concordance in assessing crucial biomarkers like Ki-67, ER, PR, PD-L1, and the newly established HER2-low status.• Seeing the Invisible (Predictive AI): How deep learning transcends visual diagnostics to predict treatment outcomes, such as a patient's response to neoadjuvant chemotherapy. We also discuss AI's ability to infer Homologous Recombination Deficiency (HRD) and BRCA1/2 mutations by identifying macroscopic footprints like laminated fibrosis.• Decoding Genomic Assays: The potential to replace expensive, tissue-consuming genomic tests like Oncotype DX with AI models (such as Orpheus) that predict recurrence risk straight from digitized slides, achieving accuracy that rivals the tests themselves.• Roadblocks to Reality: The major clinical friction preventing global rollout. We discuss the steep infrastructure costs of whole-slide scanners, the danger of AI bias across diverse hospital datasets, and the ethical "black box" problem requiring the evolution of transparent, agent-based AI.Key Takeaway: Computational pathology is moving far beyond basic diagnostic assistance. By successfully reading the structural language of biology, AI proves it can extract costly, invisible molecular data from standard biopsies, fundamentally changing the economics and accessibility of global personalized healthcareSupport the showGet the "Digital Pathology 101" FREE E-book and join us!

Written by Mere Smith and directed by Terrence O'Hara, this episode originally aired March 19, 2003.  EXTRA BITS Trevor is currently working on creating an art piece for every single episode of Buffy and you can find everything that's been released so far here. You can also find many of his fun Lego animations all over the internet! Kristin co-hosts another show called "So...I'm Watching This Show" with Wil Brooks. You can check them out here. Please rate, review and subscribe! Help us get those fancy numbers :)

The Orpheus Male Chorus of Phoenix presents its "American Roadtrip: Songs from Every Mile" concert from April 11th through the 26th at various locations throughout the Valley. The group's Artistic Director, Brook Larson (right) and Michael DeRoche (left), who sings in the chorus, joined KBACH's Greg Kostraba (center) to talk about the program, which commemorates America's 250th Anniversary and the centennial of Route 66.Tickets and more information about the concerts are available at the ensemble's website.Concert Dates & LocationsApril 11 @ St. Matthew UMC | MesaApril 12 @ Pinnacle Presbyterian Church | ScottsdaleApril 19 @ Camelback Bible Church | Paradise ValleyApril 26 @ American Lutheran Church | Sun City

What makes a Faust story? Michael, Ethan, and special guests Josiah & Jacob discuss this ontological question and all things Faust in this special episode.In this episode:Michael begins confrontationally.Is this episode Faust? Is this podcast Faust?Ethan is NOT in Law School.Is capitalism Faust?The Bible is inevitable.Josiah brought it up. Totally. It was Josiah. He's very smart. The Josian Anti-Faust idea (C) 2026.Demon, Helen, Margaret - Where are the lines of demarcation between them?Two questions: 1) What are you willing to sacrifice [to get what you want; and is it your very soul]? 2) What do you worship?(Josiah came up with the smart thing again. (C) 2026.)What you worship you will sacrifice.Ethan cheats with Wikipedia.Vein.American Faust: do we win?(Sorry for the Beetlejuice summoning.)If it looks like an exchange but is a gift, it's grace. If it looks like a gift but is an exchange, it's vampi-- Faust.When you're having night terrors, fart in the Devil's face and confess the Apostles' Creed.Shout-out to Reading Revisited!Every time he comes on this podcast, Jacob makes it a different podcast and/or a deal we need to wiggle out of.There are other things in Detroit other than Eminem.Let it be known, we can be charitable to a garbage fire.The answer is a tautology. Or cake.Here's each work we discuss: Is it Faust?The Age of Innocence, by Edith Wharton: Is it Faust?The book of Job: Is it Faust?It's A Wonderful Life: Is it Anti-Faust? Is it Faust?Jesus tempted in the desert: Is it Faust? Is it Anti-Faust? Is Faust a fan-fiction of Jesus?Genesis 3: Is it the OG Faust?A Christmas Carol, by Charles Dickens: Is it Faust?Trust, by Hernan Diaz: Is it Faust?The Secret History, by Donna Tartt: Is it Faust?The Picture of Dorian Gray, by Oscar Wilde: Is it Faust?"The Ballad of Reading Gaol," by Oscar Wilde: Is it Faust?Of One Blood, by Pauline Hopkins: Is it Faust?Hadestown, by Anaïs Mitchell: Is it Faust? Orpheus & Euridice: Is it [proto-]Faust?Dracula, by Bram Stoker: Is it Faust?Hades & Persephone: Is it Faust?Interview with the Vampire: Is it Faust?Underworld: Is it Faust?"The Devil Went Down to Georgia," by Charlie Daniels: Is it Faust?Robert Johnson: Is he Faust?O Brother, Where Art Thou?: Is it Faust?Oedipus: Is he Faust?Piranesi, by Susanna Clarke: Is it Faust?Devil's Advocate: Is it Faust?Beetlejuice: Is it Faust?Macbeth, by William Shakespeare: Is it Faust?The Waterboy: Is it Faust?Rick & Morty: Is it Faust?Doctor Who: Is it Faust?Peter Pan, by J.M. Barrie: Is it Faust?Ghosts, S4E22-S5E1: Is it Faust?The Passenger, and Stella Maris, by Cormac McCarthy: Are they Faust?Previously featured on Michael & Ethan in a Room with ScotchNo Country for Old Men, by Cormac McCarthy: Is it Faust?Grimm's Fairy Tales, e.g. "The Devil's Sooty Brother," "Bearskin," "The Devil and His Grandmother," "The Gravemound," "The Peasant and the Devil," "Doctor Know-all," "The Spirit in the Bottle": Are they Faust?Irish Fairy Tales, and Russian Stories: Are they Faust?Luther throwing his inkwell at the Devil: Is it Faust?"The Little Mermaid," by Hans Christian Andersen: Is it Faust - WAIT, we'll talk about it later!"The Magic Thread": Is it Faust?Click: Is it Faust?The Merchant of Venice, by William Shakespeare: Is it Faust?Breaking Bad: Is it Faust?Rapid(-ish) Fire:Fullmetal Alchemist"Ain't No Rest for the Wicked," by Cage the ElephantBetter Call SaulMelmoth the Wanderer, by Charles Maturin - WAIT, we might also talk about that later(?)It FollowsThe Imaginarium of Doctor ParnassusDeath Note"Button, Button," by Richard Matheson"The Monkey's Paw," by W.W. JacobsThe Third Man[, by Graham Greene]The Screwtape Letters, by C.S. LewisThe Lion, the Witch and the Wardrobe, by C.S. LewisThat Hideous Strength, by C.S. LewisThe Magician's Nephew, by C.S. LewisOut of the Silent Planet, by C.S. LewisPerelandra, by C.S. LewisThe Book of the New Sun, by Gene WolfeHamlet, by William ShakespeareLove's Labours Lost, by William Shakespeare"Goblin Market," By Christina RosettiHowl's Moving Castle, by Diana Wynne JonesParadise Lost, by John MiltonThe Tempest, by William Shakespeare"Calliope," by Neil GaimanRavelstein, by Saul BellowPreviously featured on Michael & Ethan in a Room with ScotchKPop Demon HuntersThe Life and Opinions of Tristram Shandy, Gentleman, by Laurence SternePreviously featured on Michael & Ethan in a Room with ScotchDon Quixote, by Miguel de CervantesPreviously featured on Michael & Ethan in a Room with ScotchThe Brothers Karamazov, by Fyodor DostoevskyCrime and Punishment, by Fyodor DostoevskyLolita, by Vladimir NabokovFrankenstein, by Mary ShelleyLiar, LiarBruce AlmightyBigDarby O'Gill and the Little PeoplePhantom of the Opera[, by Gaston Leroux]"Alastor," by Percy Bysshe ShelleyLes Miserables, by Victor Hugo"Young Goodman Brown," by Nathanael HawthorneWittenberg, by David Davalos - DON'T BOTHERStranger Things (especially Season 5)Next time Michael and Ethan will discuss “Johannes Cabal and the Blustery Day,” by Jonathan L. Howard! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Sounds of Justice, the fourth series in the Global Campus “To the Righthouse” podcast programme,  explores the deep and often surprising connections between music and human rights. Taking inspiration from The Routledge Companion to Music and Human Rights, it travels across genres, geographies and histories to look at the roleof music in advancing empathy, solidarity, identity and resistance to injustice.Aimed at music-makers, change-makers and anyone with an interest in music, social justice and the connections between them, Sounds of Justice is an invitation to listen afresh, to imagine anew and to be moved to action.  The series is hosted by Ignacio Saiz who designed it in collaboration with advisors Angela Impey and Julian Fifer. It brings together leading voices from across the music, social justice and human rights fields, including Manfred Nowak, George Ulrich, Shana Redmond, Rasika Ajotikar, Christina Hazboun, Rachel Harris, Mansoor Adayfi, César Rodríguez-Garavito and Rebecca Dirksen.The first episode  teases out the different dimensions of the relationship between music and human rights. The four guests, all co-editors of the Routledge Companion, explore what the language of music and the values of human rights have in common; and how music's capacity to connect us to our common humanity while attuning us to difference can power ongoing struggles for justice.About the hostIgnacio Saiz is a human rights advocate and independent advisor to international organizations. He previously led the Center for Economic and Social Rights and held senior positions at Amnesty International. A lifelong passion for music has led him to explore how its power can be harnessed to advance human rights, including as creator and host of Sounds of Justice.* Julian Fiferis former Executive Director of Musicians for Human Rights. As cellist and founder of the Orpheus Chamber Orchestra, he conceived a method of orchestral music-making using democratic principles and collective leadership. The artistic outcomes have been documented by Deutsche Grammophon on 55 Orpheus recordings.* Angela Impeyis Emerita Professor of Ethnomusicology at SOAS, University of London and co-editor of the Routledge SOAS Studies in Music series. She has published widely on music and social justice in Africa, including the award-winning Song Walking: Women, Music, and Environmental Justice in an African Borderland.* Manfred Nowakis Professor of International Human Rights Law at the University of Vienna and Secretary General of the Global Campus of Human Rights, a network of some 100 universities in all world regions, based in Venice.* George Ulrichis Academic Director of the Global Campus of Human Rights (Venice, Italy). His research interests relate to the philosophy of human rights, global justice, and human rights and development cooperation.

While our last episode discussed Orpheus through the lens of archetypal creativity, this episode focuses on the grief elements of the story as depicted in Ovid’s version of the story. We share our own grief stories and explore the hazards experienced when people do not allow themselves to grieve. This episode we will be reading from: Metamorphoses – by Ovid⁠⁠⁠ Parables and Portraits – by Stephen Mitchell Orpheus. Euridice. Hermes. – by Rainer Maria Rilke You can listen to El Maleh Rachamim prayer on My Jewish Learning here. This prayer asks God to grant rest to departed souls and is often recited at funerals. Our intro/outro music a sample of Seikilos Epitaph with the Lyre of Apollo, by Lina Palera, under an Attribution-NonCommercial-ShareAlike 3.0 International License. You can find the full version at ⁠⁠⁠⁠⁠FreeMusicArchive.org⁠⁠⁠⁠⁠. Banner Image: Kratzenstein orpheus.jpg – Wikipedia Email: jungianeverafter@gmail.com Twitter: @JEA_Podcast Discord: https://discord.gg/GEdn4TPgHR Ko-fi: https://ko-fi.com/jungianeverafter

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Dante has now crossed Lethe and is ready to face Beatrice head on. She has moved to get ready for this eye-to-eye conversation. She's positioned nearer the griffin, a complicated symbol that may have more than one interpretation.Join me, Mark Scarbrough, as we explore both Beatrice (particularly her emerald eyes) and this dual-natured beast that seems to become more difficult to interpret with its every move in the poem.To support this podcast, consider a one-time donation or a small monthly stipend through this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:19] My English translation of PURGATORIO, Canto XXXI, Lines 112 - 126. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.[02:44] Beatrice has moved . . . but where?[05:09] With her emerald eyes, Beatrice and Dante finally escape the Francesca episode.[09:15] Dante is the Orpheus who can look into the eyes of his Eurydice.[10:49] Here are at least two additional interpretations for the griffin.[13:58] Beatrice's eyes are the methodology of revelation (and mystery).[16:41] The passage drops the first hint about Jesus' transfiguration.[18:50] Reflection is transfiguring, as in the craft of poetry.[19:34] Rereading the passage: PURGATORIO, Canto XXXI, lines 112 - 126.

Comprehensive conversation about the profound impact of Bruce Arnold and his band Orpheus on American music as told by his son.

Tonight's reading is drawn from Book X, Fable I of Ovid's Metamorphoses — the story of Orpheus and Eurydice. After Eurydice's death, Orpheus descends into the underworld and is granted a single, fragile mercy: he may lead her back to the living world, provided he does not look back until they have crossed fully into the light. What follows is not a story about disobedience, but about devotion under strain — about love asked to endure silence, uncertainty, and distance without reassurance. This is a soft-spoken, live-ish reading offered as part of our 28 Nights of Dark Devotion — a series exploring love, longing, sacrifice, and return in their quieter, shadowed forms.

A Public Fit Theatre Company is an award-winning ensemble theatre based in Las Vegas, Nevada.In this episode of Behind the Buzz, Producing Director Joe Kucan and Artistic Director Ann-Marie Pereth are joined by actors Nicole Unger and Adam Dunson from Sarah Ruhl's Eurydice, a theatrical take on the myth of Orpheus. They talk about myth and music and life after death.Side note: no mandolins were harmed in the recording of this podcast.Behind the Buzz is a production of A Public Fit Theatre Company. Copyright 2026, all rights reserved. Hosted on Acast. See acast.com/privacy for more information.

The highly renowned classical clarinetist, David Singer, has performed many times at Carnegie Hall. He was a principal member and soloist with the Grammy Award-winning Orpheus Chamber Orchestra for 36 years and is featured on many of the group's 70 CDs on Deutsche Grammophon. David began with Orpheus when the group was playing for free. He has played with many of the world's greatest classical musicians, including legends like Yehudi Menuhin, Itzhak Perlman, Rudolf Serkin, and Yo-Yo Ma among others.David has also performed at the White House with Music from Marlboro and The Lincoln Center Chamber Music Society for Presidents Carter and Clinton.  David's recently published memoir, From Cab Driver to Carnegie Hall, is more than a musician's autobiography; its inspiring narrative will resonate with anyone who has faced life's challenges head-on. It's an ode to the power of never giving up while giving oneself every chance to succeed. I've read David's book and found it to be a fascinating, uplifting reflection of a life in music that's been full of challenges, triumphs, and the transformative power of music. If you enjoy stories about artists succeeding despite difficult obstacles, I highly urge you to read David's entertaining memoir. 

This is a free preview of a paid episode. To hear more, visit stayorgo.substack.comThis week, I'm inviting you into a quieter, more intimate conversation. After a month filled with heavier topics—ADHD, misogyny, and partner violence—I found myself needing to pause. This episode emerged from that space. There's no outline, no script—just me, speaking from the heart.In it, I explore what it means to stay grounded as a deeply sensitive person in an increasingly fractured world. I reflect on a local production of Hadestown that unexpectedly cracked something open in me, illuminating the profound choice we face between fear and trust. We follow the tragic story of Orpheus and Eurydice, and what it reveals about how easily doubt can derail us—even when we are on the cusp of something beautiful.If you are navigating the unknown, especially in the realm of divorce or deep personal change, I believe you'll resonate with this idea: that trusting your soul's call, even when you can't yet see where it leads, is itself the act of creating a new world. And that turning back, out of fear or uncertainty, is something we all understand—and still, we get to begin again.This episode is both a personal check-in and a wider call to all of us doing the brave work of building something new. Whether you're in a place of exhaustion, reflection, or decision, I hope this conversation offers you a quiet companion on the path forward.Show NotesSubscribe to Stay or Go on SubstackQ&A with Anaïs Mitchell (writer & composer of Hadestown) and Rachel Chavkin (director of Hadestown)Hades TownJourney of Souls - Dr. Michael NewtonText 90MIN to 33777 to book a 90-Minute Session with me. ✨Text STAYORGOCOMMUNITY to 33777 to join the community. ⚡️Text EMAILME to 33777 for the free tarot guide using ChatGPT.

"I think you need a witch."   Ian Carlos Crawford, Zachary Patton Garcia, Jamie Jirak, and Philip Ellis talk Angel season 4's "Orpheus"   CONTACT:  slayerfestx98@gmail.com Support us on Patreon: www.patreon.com/slayerfest98 Buy our stuff on etsy: https://www.etsy.com/shop/Slayerfestx98 Like us on Facebook: www.facebook.com/Slayerfestx98 Follow us on Bluesky: https://bsky.app/profile/slayerfestx98.bsky.social Follow us on TikTok: https://www.tiktok.com/@slayerfestx98 Follow us on insta: https://www.instagram.com/slayerfestx98/ Follow us on Twitter: https://x.com/slayerfestx98 Follow us on YouTube: https://www.youtube.com/@Slayerfestx98  

Bridget, Caitlin, and Hilda discuss "Tender Cruelty," book 9 in Katee Robert's Dark Olympus series. Longtime listeners know Hilda's feelings on this series, but what do Bridget and Caitlin think? Did this book live up to what they were hoping for? Well, listen now and find out.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

A new week means new questions! Hope you have fun with these!The cookbook "Mastering the Art of French Cooking" was written, in part, by which American?What first lady founded a clinic for substance abuse recovery in Rancho Mirage, California?How many points does snowflake have?Which musical, that won the best musical Tony, tells a version of the ancient Greek myth of Orpheus and Eurydice?Who won the first Golden Globe Award for Best Podcast?What prequel to the Hunger Games, was one of the best selling books of 2025?Merv Griffin adapted his song ‘A Time for Tony' into the iconic theme for what TV show?What is the name of the multiplayer-focused game that was a spinoff to Elden Ring?Wild dogs found almost exclusively in Australia are known by what name?According to legend, Roman Emperor Caligula once declared war on which god?Magic The Gathering wants to engage with a whole new crew of nerds by pairing with what Franchise that has 60 years of nerdery to draw from?In Greek Mythology, the story of Lycaon is one of the earlier stories where a man is turned into what animal?The Greenhouse Effect is caused by the buildup of what gas compound in the atmosphere?Which British panel game show that is going into its 21st season was created by little Alex Horne?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Episode #406 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth delve into the emotional power of ballads throughout gaming history. From satirical power ballads to heartbreaking laments, and interactive folk songs to sweeping orchestral endings, we're covering the full spectrum of vocal storytelling. Whether it's karaoke confessions, ending credit tearjerkers, or sirens serenading you during boss fights, ballads give composers space to explore melody and lyrics in ways that humanize virtual worlds and create those intimate moments we never forget. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS This is a Power Ballad from Grand Theft Auto: Vice City [Lex Horton feat. Darren Ritchie, 2002] Lament of Orpheus from Hades [Darren Korb, 2020] Without You from Sonic X Shadow Generations [Jun Senoue feat. Casey Lee Williams, 2024] We Are As One from Bayonetta 3 [Hiroshi Yamaguchi feat. Rachael Hawnt, 2022] Amidst a Dream from Judgment [Kiyo feat. Nao Toyama, 2018] Theme Song from Love And Deepspace [Sarah Brightman, 2024] Why from Crisis Core: Final Fantasy VII Reunion [Yoshihiko Nishio feat. ayaka, 2022] What We Did in Colorado from Wasteland 3 [Nathan Long feat. William Whitmore, 2020] Fear Not This Night from Guild Wars 2 [Jeremy Soule feat. Asja Kadric, 2012] Baka Mitai from Yakuza 0 [Mitsuharu Fukuyama feat. Takaya Kuroda, 2015] Wherever You Are from Digimon Story: Time Stranger [Yuichi Ohno & Atsushi Masuda feat. reche, 2025] Maybe Tomorrow from Xenosaga Episode III: Also sprach Zarathustra [Yuki Kajiura feat. Emily Curtis and the Tokyo Philharmonic Chorus, 2006] Bewitching Eyes from Hades II [Darren Korb feat. Erin Yvette, Ashley Barrett & Judy Alice Lee, 2025] Girl In The Tower from King's Quest VI: Heir Today, Gone Tomorrow [Mark Seibert feat. Bob Bergthold & Debbie Seibert, 1992] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

Send us a text'Theatre Workshop or The Ballad of Ewan And Joan' tells the true story of Theatre Workshop, an innovative theatre and performance company and the individuals who founded and ran it from its formation in Manchester in the 1930s to its move to London in the 1960s including theatremaker and folk singer Ewan MacColl and actor, director Joan Littlewood.  Theatre Workshop is written by Manchester born playwright Jane Walker and performed by an ensemble cast. In 'Theatre Workshop or The Ballad of Ewan and Joan' by Jane Walker you can hearMichael Ashtiany as Ewan MaccollFrancesca Anderson as Joan LittlewoodCharlie Richards as Newsboy and Kenneth TynanTom Rope as Archie Harding and Gerry RafflesKathryn Georghiou as Shelagh Delaney and Rosalie WilliamsRebecca Bugeja as Jean Newlove and Avis BunnageJane Walker as Womanand Chris Gregory as Colonel PennymanOther voices were played by members of the cast'Theatre Workshop or the Ballad of Ewan and Joan' was directed by Chris Gregory and Jane WalkerIt was recorded at Orpheus Studio in London by Richard "Orpheus" CampbellProduction, sound design and editing were by Chris Gregory for Alternative StoriesCasting was by Chris Gregory and Jane WalkerMost of the characters depicted in this play are based on real people who played important roles in the Theatre Workshop story. This play however, is a work of fiction and the conversations you heard are imagined based on real events and do not purport to accurately represent actual conversations or interactions between individuals.The excerpts from Agit-prop and Theatre Workshop plays were used with the permission of Manchester University Press and performed by members of the cast'Dirty Old Town' was used with the permission of Proper Records Ltd'Scarborough Fair' is a traditional song performed by members of the cast'Fare Thee Well" is a traditional song performed by members of the castOther music used in this production is copyright free and sourced from Epidemic Sounds.The script for 'Theatre Workshop or The Ballad of Ewan and Joan' is copyright Jane Walker and may not be used in whole or part except with the permission of the author.To find out more about Jane Walker and her work please visit her website https://www.enajwrites.co.ukTo find out more about our production company, Alternative Stories, please visit the link below https://linktr.ee/AlternativeStoriesYou can find out more about Theatre Workshop and its history by following this link https://en.wikipedia.org/wiki/Theatre_WorkshopTo support our work and receive early, ad-free access to Alternative Stories shows  join our Patreon . Click the link here to find out more and join us. ⁠⁠https://www.patreon.com/AltStories⁠⁠⁠ By joining our Patreon you'll also get our entire back-catalogue of episodes ad-free, plus new episodes 2-days early, plus bonus content and more for The Dex Legacy and all our shows, including Wasteland - A Dex Legacy Story, Burnout, Spec Fic Radio Theatre and Writing Worlds. Support the show

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on December 20, 2025. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

Episode: 1491 In which business schools study a leaderless orchestra.  Today, we have no leader.

Beyond the Taboo: Uncovering the Secrets of Cuckolding and Hot Wifing Join us on this episode of Shameless Sex as we dive into the fascinating world of cuckolding and hot wifing with the charismatic Orpheus Black. With his unique blend of wisdom, insight, and storytelling, Orpheus will guide us through the intricacies of these often-misunderstood practices and reveal the surprising benefits they can bring to your relationships. Here's what you'll learn from this episode: • The real deal on cuckolding and hot wifing: what they are, how they work, and why they're not just for the adventurous few • How these practices can actually strengthen your relationship and bring you closer to your partner (yes, you read that right!) • The female perspective: exploring the equivalent practices and how they can be just as empowering for women • The secret to navigating cuckolding and hot wifing safely and lovingly, without sacrificing your emotional well-being • How to tap into your own desires and ignite a deeper passion in your relationships As a healer, scholar, and storyteller, Orpheus Black has spent years helping people break free from societal limitations and tap into their true power and freedom. With his passion, precision, and charisma, he'll inspire you to think differently about your desires and relationships. You can learn more about his work at https://orpheusblack.com By tuning in to this episode, you'll gain a deeper understanding of the complexities of human desire and the surprising ways that cuckolding and hot wifing can bring people closer together. So, are you ready to push beyond the taboo and explore the secrets of cuckolding and hot wifing? Get ready to have your mind blown and your desires ignited. Orpheus Black is about to take you on a journey that will leave you breathless, curious, and ready for more... Learn more about the Intimacy Rewired program on episode #458 or click here: ⁠⁠https://www.intimacyrewired.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. And mention Shameless Sex to get $100 off! Do you love us? Do you REALLY love us? Then order ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ now! Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shamelesssex.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to snag your copy Support Shameless Sex by sending us gifts via our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wish List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Other links: Get up to 50% off any annual membership at ⁠⁠⁠⁠⁠⁠http://Masterclass.com/shameless⁠⁠⁠⁠ Get 10% off + free shipping with code SHAMELESS on Uberlube AKA our favorite lubricant at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://uberlube.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 10% off while learning the art of pleasure at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://OMGyes.com/shameless⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 15% off all of your sex toys with code SHAMELESSSEX at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://purepleasureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

What terrifying trials did Jason and the Argonauts have to overcome to win the famous Golden Fleece from a fire-breathing dragon, in one of the greatest greek myths of all time? When and where does this thrilling story come from? How does it tie together the tales of Odysseus, Orpheus, Achilles and Circe? Is there any historical evidence for the story of Jason and the Argonauts? What are the origins of Medea, the beautiful but vindictive sorceress who Jason marries? Did the Greeks still worship the Olympian gods in the more skeptical Hellenistic age? How did the coming of Alexander the Great transform the Greeks' understanding of the divine? And, were the Olympian gods really once mortal kings and queens of an earlier age, or were they planets..? Join Tom and Dominic as they conclude their epic journey into the glorious heart of Greek mythology, as they explore their evolution in an increasingly skeptical Hellenistic world, and answer the question; why did the Greek myths endure and captivate audiences throughout history, in a way that no other culture's mythology did? Try Adobe Express for free now at https://www.adobe.com/uk/express/spotlight/designwithexpress?sdid=HM85WZZV&mv=display&mv2=ctv or by searching in the app store. LRB are offering six months access to their full archive for just £12, plus a free tote bag. Visit https://LRB.me/history Learn more at https://www.uber.com/onourway Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Video Producer: Oli Oakley  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Can you handle the face-to-face intensity of face fucking, sitting, and queening? In this episode of Shameless Sex, we dive head-first (pun intended) into the world of face-centric kink with the incomparable Orpheus Black. This isn't Orpheus' first rodeo with us – he's back for his sixth visit, and we're thrilled to have him share his mastery of the erotic arts. Here's what you can expect to learn: • The nuances of face fucking, face sitting, and queening: what sets them apart, and why people are drawn to these intense, intimate experiences • Safety first: essential precautions and potential risks to consider when exploring these kinks • Top tips for maximizing pleasure and connection during face fucking, face sitting, and queening – from dildo dynamics to queening techniques • The best props and toys to elevate your face-centric play • Orpheus' expertise on the intersection of trauma, transformation, and conscious kink By tuning in, you'll gain a deeper understanding of the complexities and joys of face-centric kink, as well as practical advice for exploring these desires with confidence and care. Whether you're a seasoned kink enthusiast or just curious about the world of face fucking, sitting, and queening, this episode is sure to inspire and educate. Orpheus Black is a true master of his craft – a mystic, magician, and visionary who weaves ancient wisdom into the fabric of modern eroticism. With a presence that's both commanding and intimate, Orpheus has a gift for cracking open the deepest, most vulnerable parts of our beings. Don't miss this opportunity to learn from him and discover the transformative power of conscious kink. So, are you ready to face your desires head-on? To learn more or work with Orpheus: ⁠https://orpheusblack.com⁠ Follow him on IG @⁠orpheus.black.12⁠ Get his new book: ⁠https://orpheusblack.com/the-enso-book⁠ Listen to these episodes to learn more about our answer to today's sex question:⁠ #336 How to Have the Ultimate Pleasure (and Health) at any Age ⁠ ⁠#370 How to Repair Sexual Function ⁠ And as we said in the intro: can't make it to Los Gatos? Dr. Castillo also works with people online! AND you get a 15% discount if you mention "Shameless Sex" when scheduling an appointment. Go to ⁠https://swanmd.com ⁠to learn more. Get premium access to our behind the scenes episodes here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shamelesssex.supportingcast.fm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Do you love us? Do you REALLY love us? Then order ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ now! Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shamelesssex.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to snag your copy Support Shameless Sex by sending us gifts via our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wish List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Other links: Get 10% off happy, healthy, soaking wet bits with code SHAMELESS at ⁠⁠⁠⁠⁠vb.health⁠⁠⁠⁠⁠ Get 10% off + free shipping with code SHAMELESS on Uberlube AKA our favorite lubricant at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://uberlube.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 10% off while learning the art of pleasure at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://OMGyes.com/shameless⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 15% off all of your sex toys with code SHAMELESSSEX at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://purepleasureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠