Podcasts about Orpheus

What terrifying trials did Jason and the Argonauts have to overcome to win the famous Golden Fleece from a fire-breathing dragon, in one of the greatest greek myths of all time? When and where does this thrilling story come from? How does it tie together the tales of Odysseus, Orpheus, Achilles and Circe? Is there any historical evidence for the story of Jason and the Argonauts? What are the origins of Medea, the beautiful but vindictive sorceress who Jason marries? Did the Greeks still worship the Olympian gods in the more skeptical Hellenistic age? How did the coming of Alexander the Great transform the Greeks' understanding of the divine? And, were the Olympian gods really once mortal kings and queens of an earlier age, or were they planets..? Join Tom and Dominic as they conclude their epic journey into the glorious heart of Greek mythology, as they explore their evolution in an increasingly skeptical Hellenistic world, and answer the question; why did the Greek myths endure and captivate audiences throughout history, in a way that no other culture's mythology did? Try Adobe Express for free now at https://www.adobe.com/uk/express/spotlight/designwithexpress?sdid=HM85WZZV&mv=display&mv2=ctv or by searching in the app store. LRB are offering six months access to their full archive for just £12, plus a free tote bag. Visit https://LRB.me/history Learn more at https://www.uber.com/onourway Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Video Producer: Oli Oakley  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

R.F Kuang's Katabasis has reignited the discourse around journeying into the underworld as a storytelling device. We've covered many stories in the past with the theme of Katabasis (namely Inanna and Persephone), so why not deep dive into the various versions of Orpheus' myth especially with Supergiant Games' Hades II coming out! Join us as we trace Orpheus and Eurydice's story from Pindar to Virgil and Ovid all the way to Supernatural, Buffy the Vampire Slayer and Hadestown as we ask the age old question- why did Orpheus turn?  Show notes for this episode can be found on our website at: https://talesfromtheenchantedforest.com/2025/09/24/katabasis-the-myth-of-orpheus/ You can also find us on: Bluesky Mastodon Instagram   TikTok

French film scholar James Williams

Can you handle the face-to-face intensity of face fucking, sitting, and queening? In this episode of Shameless Sex, we dive head-first (pun intended) into the world of face-centric kink with the incomparable Orpheus Black. This isn't Orpheus' first rodeo with us – he's back for his sixth visit, and we're thrilled to have him share his mastery of the erotic arts. Here's what you can expect to learn: • The nuances of face fucking, face sitting, and queening: what sets them apart, and why people are drawn to these intense, intimate experiences • Safety first: essential precautions and potential risks to consider when exploring these kinks • Top tips for maximizing pleasure and connection during face fucking, face sitting, and queening – from dildo dynamics to queening techniques • The best props and toys to elevate your face-centric play • Orpheus' expertise on the intersection of trauma, transformation, and conscious kink By tuning in, you'll gain a deeper understanding of the complexities and joys of face-centric kink, as well as practical advice for exploring these desires with confidence and care. Whether you're a seasoned kink enthusiast or just curious about the world of face fucking, sitting, and queening, this episode is sure to inspire and educate. Orpheus Black is a true master of his craft – a mystic, magician, and visionary who weaves ancient wisdom into the fabric of modern eroticism. With a presence that's both commanding and intimate, Orpheus has a gift for cracking open the deepest, most vulnerable parts of our beings. Don't miss this opportunity to learn from him and discover the transformative power of conscious kink. So, are you ready to face your desires head-on? To learn more or work with Orpheus: ⁠https://orpheusblack.com⁠ Follow him on IG @⁠orpheus.black.12⁠ Get his new book: ⁠https://orpheusblack.com/the-enso-book⁠ Listen to these episodes to learn more about our answer to today's sex question:⁠ #336 How to Have the Ultimate Pleasure (and Health) at any Age ⁠ ⁠#370 How to Repair Sexual Function ⁠ And as we said in the intro: can't make it to Los Gatos? Dr. Castillo also works with people online! AND you get a 15% discount if you mention "Shameless Sex" when scheduling an appointment. Go to ⁠https://swanmd.com ⁠to learn more. Get premium access to our behind the scenes episodes here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shamelesssex.supportingcast.fm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Do you love us? Do you REALLY love us? Then order ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ now! Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠shamelesssex.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to snag your copy Support Shameless Sex by sending us gifts via our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wish List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Other links: Get 10% off happy, healthy, soaking wet bits with code SHAMELESS at ⁠⁠⁠⁠⁠vb.health⁠⁠⁠⁠⁠ Get 10% off + free shipping with code SHAMELESS on Uberlube AKA our favorite lubricant at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://uberlube.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 10% off while learning the art of pleasure at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://OMGyes.com/shameless⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 15% off all of your sex toys with code SHAMELESSSEX at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://purepleasureshop.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Its a new semester which means a new season! On this episode Orpheus sits down with WKWC's very own Derik Hancock to talk about the growing use of Ai and how it is effecting the industry and us 

Enjoy a classic story in English and learn 13 uses of ‘long' - in 5 minutes. FIND BBC LEARNING ENGLISH HERE: Visit our website ✔️ https://www.bbc.co.uk/learningenglish Follow us ✔️ https://www.bbc.co.uk/learningenglish/followus LIKE PODCASTS? Try some of our other popular podcasts including: ✔️ 6 Minute English ✔️ Learning English from the News ✔️ Learning English Conversations They're all available by searching in your podcast app.

Hello everyone. In this episode I talk about the stories of Cliodhna and Ciabhan, Orpheus and Eurydice, and Savitri and Satyavan.

Liebe Leserinnen und Leser,vor knapp 2 Jahren wurde an dieser Stelle mit großer Begeisterung Rebecca F. Kuangs Werk "Babel. Or the Necessity of Violence: An Arcane History of the Oxford Translator's Revolution" vorgestellt.R. F. Kuangs neuer Fantasyroman "Katabasis" ist eine neue Schrift in der Reihe der klassischen Höllenromane und -beschreibungen, die wir längst nicht alle gelesen, von denen wir aber immerhin die Titel und vielleicht noch eine Synopsis gehört haben: Dantes "Inferno", in dem der Schriftsteller selbst, geleitet vom Poeten Virgil, die Kreise der Hölle durchschreitet um am Ende der Hölle zu entfliehen. Oder auch die Geschichte von Orpheus und Eurydike, die weniger erfolgreich verlief, denn obwohl der Deal zur Wiederauferstehung von Eurydike klar war, musste sie doch zurückbleiben, weil sich Orpheus auf dem Weg nach draußen nach ihr umdrehte. Dann gibt es noch die Sage über Äneas, der nach dem Fall Trojas flieht und auf seinen Irrfahrten mit der Seherin Sybille in die Unterwelt hinabsteigt. Dies sind nur einige Beispiele über die Reise in die Unterwelt/Hölle/Hades/Inferno mit anschließender Wiederkehr.Und auch R. F. Kuangs Heldin in "Katabasis" - doch eher hemdsärmelig Alice Law genannt, wird nicht alleine in die Unterwelt reisen. Warum sie die Reise überhaupt plant: Alice arbeitet in Cambridge an ihrem Doktortitel. Für ihr Ziel (universitärer Erfolg und eine entsprechende Laufbahn) hat sie sich einen als "schwierig" geltenden Doktorvater herausgesucht: Prof. Jacob Grimes. Dessen Seele hat sie bei einem Experiment aus Versehen in die Hölle geschickt. Während des Experiments ist sein Körper explodiert. Danach hat sie ihre Spuren beseitigt und das Ableben des Professors wurde als tragischer Unfall eingestuft, weil das Pentagramm, in dem er sich befand, nicht ganz durchgängig gezogen war. Klingt vielleicht hanebüchen, macht aber Sinn: Alice studiert analytische Magie (im englischen Original hübsch als "Magick" statt des üblichen "Magic" bezeichnet) und ihr Professor wurde durch den Fehler im Pentagramm in die Hölle geschickt.Die eigentliche Katastrophe ist aber, dass Alice dessen Empfehlungsschreiben und ihren Doktortitel braucht, um den eingeschlagenen Weg der akademischen Karriere fortsetzen zu können. Es steht also ihre gesamte Karriere auf dem Spiel - und wenn man betrachtet, wie viel Zeit und Aufwand sie hineingesteckt hat, dann kann sie gar keine andere Wahl sehen: sie muss einen Weg finden, Prof. Grimes aus der Hölle zurückzuholen. Erfolgreiche Beispiele gibt es zuhauf: siehe die oben aufgeführte Literatur.Magick ist ein sich am Rande des universitären Betriebes befindlicher Forschungszweig, dessen große Tage hinter ihm liegen: die Erfindung des nie versiegenden Wassers oder des nie endenden Brotvorrates halfen einst, den Krieg zu gewinnen. Spätere als “Zirkus” verunglimpfte Experimente nahmen der Forschung das frühere hohe Ansehen.Funktionsgrundlage der Magick sind Paradoxe philosophischer und mathematischer Natur. Entscheidend für den Erfolg der Magick ist jedoch die Überzeugung, dass es funktioniert. Ein gerade heute im kapitalistischen Krisengeschehen nicht selten hochgelobtes Konzept: deine Einstellung (neudeutsch Mindset) entscheidet über den persönlichen Erfolg.Die Verquerung dieser Konzepte, die teilweise an den Neusprech von “1984” erinnern, ist die Grundannahme der Prinzipien des universitären Betriebs, insbesondere im Fachbereich der Magick: Verzicht ist Gewinn, Ausbeutung ist eine ehrenhafte Sache, die Herabwürdigung ist ein Kompliment. Unter diesen Annahmen, die den Beteiligten umfassend eingeimpft wurden, dauert es überraschend lange, bis es langsam ins Bewusstsein tröpfelt, dass diese ausbeuterischen, grausamen Verhältnisse etwas sind, bei dem man eigentlich gar nicht gewinnen, sondern nicht mehr mitmachen möchte. Aber gut, in den vergangenen Jahrhunderten gab es auch Zeiten, als Menschen als "gottgesandt" eingestuft wurden, 12-Stunden-Tage in der Fabrik als gottgegeben, der Platz einer Frau am Herd, aber niemals an der Universität, und als sich das dann änderte, ewige und große Dankbarkeit für die Brosamen erwartet wurde. Wie vermutet, ist die Welt, aus der Alice Law in die Unterwelt hinabsteigen möchte, keine schöne. Ihr Streben darin ist zweifelhaft, aber vielleicht verständlich, wenn man selbst drin gesteckt hat.Wenig überraschend kommt nun also noch ein anderer Doktorand hinzu, Peter Murdoch. Der hat eine ganz andere Motivation als Alice, aber es braucht (siehe die ersten Absätze) unzweifelhaft einen Gefährten, wenn man sich entschließt, sich auf den Weg in die Hölle zu machen.Wie dieser genau aussieht, und was eine*n erwartet, ist dabei ein Streitpunkt zwischen beiden. Quellen für ihre Standpunkte sind die literarischen Überlieferungen. Denn wenn diese existieren, ist dies der Beweis, dass es möglich ist, den Hades wieder zu verlassen. Die unterschiedlichen Wege sind alle möglich, die Reise wird unternommen. Die Erlebnisse genauer zu beleuchten wäre zu spoilern. Bui!Bleibt die Frage: ist es eine Empfehlung? Die einen sagen so, die anderen so. Persönlich hatte ich bei “Babel” mehr Erkenntnisse, Überraschungen, Genuss. Trotzdem: Empfehlung, denn warum denn nicht ein Fantasyroman, der Auswege zeigt, denn die Hölle: das sind die anderen (und wir sind dabei). This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit lobundverriss.substack.com

The Argonauts have arrived in Colchis, the Golden Fleece is within their reach. But Jason will need the help of the goddess Aphrodite and the sorceress, Medea, to face the challenges ahead. And that help will come at a price. *Sensitive listeners beware - some of this episode is gruesome!* Written and directed by Bibi Jacob. Sound and production by Geoff Chong. Original compositions written and performed by Chloe Dunn - with Louis appearing as Eros.  Featuring: Tom Morton as Aeëtes, Chloe Dunn as Aphrodite, Tercelin Kirtley as Orpheus, Ciaran Cresswell as Jason, Rose Romain as Medea. Sources for this episode include: Apollonius' ‘Argonautica', ‘The Orphic Argonautica', Euripides' ‘Medea', Seneca's ‘Medea', Pinder's 4th Pythian.  The extract from Euripide's ‘Medea' is in a translation by Ian Johnston, Vancouver Island University.

Marcia Peck is an award-winning writer and accomplished musician, celebrating over 50 years as a cellist with the Minnesota Orchestra.  Inspired by the rhythms and sounds of music echoed in language, her debut novel, Water Music: A Cape Cod Story, combines all of her passions –music, writing, and Cape Cod. The book has received critical acclaim and has received many book awards, including Literary Titan Gold, National Indie Excellence Award, New England Book Festival Regional Lit Winner, and Feathered Quill Reviewers Choice Award Winner. Additionally, she was a finalist for American Writing Awards, Eric Hoffer Award Grand Prize, Firebird Book Awards, and Wishing Shelf Book Awards. Pacifica book Awards designated it as a “Notable Book” and her book was long-listed by both Historical Fiction Company Book-of-the-Year Award and Somerset Book Awards.  Peck's writing has received awards from New Millenium Writings (First prize for "Memento Mori"), Tamarack Awards (honorable mention for "An Unexpected Cadence"), Lake Superior Writers' Conference (First Prize for "Pride and Humility"), Glimmer Train(finalist for Very Short Fiction Award for "The Flavor of Borscht"),Flash quake (nomination for Pushcart Prize for "Long Distance"), and MnArtists Mini Stories (Winner for "Little Vladimir's Father").  She is the grateful recipient of Artist Fellowships from the Minnesota State Arts Board, Loft-McKnight, and the Jerome Foundation as well as residencies at Hambidge Center in Georgia and Ragdale in Illinois. A cellist with the Minnesota Orchestra for her entire musical career, she is inspired by the rhythms and sounds of music echoed in language. Peck graduated from the legendary Curtis Institute of Music in Philadelphia. She studied with famed Italian cellist Antonio Janigro in Germany for two years. Her articles have appeared in Musical America, Strad Magazine, Strings Magazine, Senza Sordino, the magazine of the Minnesota Orchestra and the op-ed pages of the Minneapolis Star Tribune. Her fiction has appeared in Chautauqua Journal, New Millenium Writings, Gemini Magazine, Glimmer Train, 26 Minnesota Writers (Nodine Press), Tribute to Orpheus 2(Kearney Books), and three volumes of Open to Interpretation: Fading Light(Taylor and O'Neill). Her work has been supported by the Minnesota State Arts Board, The Loft Literary Center, and the Jerome Foundation, Ragdale Foundation and Hambidge Center. Peck grew up in New Jersey and summered in Cape Cod. Her love for Cape Cod has been a strong and deep current throughout her life. She and her sisters still return to the house their father built in Orleans. She lives in Minnetonka, Minnesota with her husband and two very naughty dogs For more information, please see: www.marciapeck.com.

Reposted from Sandman 'Cast, which you can find at ⁠⁠⁠https://podcastica.com/podcast/sandman-cast⁠⁠⁠ — Hey listeners! Jayme and Mark are back for more Sandman! This episode of the podcast we cover episode 7 “Time and Night” and Episode 8 “Fuel for the Fire” Hey Dreamers and Panelers! Jayme and Mark are back for more Sandman! This episode of the podcast we cover episode 7 “The Song of Orpheus” and Episode 8 “Family Blood” In this episode of the podcast Jayme and Mark discuss Morpheus reaching out to his parents regarding his actions and looking for advice. But this leads to questions from them asking him if they wants their help? Or Love. Jayme and Mark dive deeply into these 2 episodes and what transpires within the Dreams Endless worlds as well as the Real world. Listen and find out what we have to say, question and ponder about these 2 episodes of Season 2! Have fun with our thoughts. Let them haunt your thoughts and dreams!... Thanks for listening! If you would like to leave us some feedback or just say hi you can send us an email or voice message at ⁠talk@podcastica.com⁠. If you head to podcastica.com there is a handy voice message link. Check us out on social media:   Facebook:  facebook.com/podcastica  Twitter: @Podcastica  Instagram: @housepodcastica. For those that want to join the Patreon? Just go to Patreon.com/jasoncabassi  Sandman ‘Cast Music: “The Dreaming Within Revised” Written and recorded by Mark Kirkman ©PirateCorpsMusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Reposted from Sandman 'Cast, which you can find at ⁠⁠https://podcastica.com/podcast/sandman-cast⁠⁠ — Hey listeners! Jayme and Mark are back for more Sandman! This episode of the podcast we cover episode 5 “The Song of Orpheus” and Episode 6 “Family Blood” In this podcast we talk about Morpheus's (Dream's) travel back in time and remembering his son and his sons wedding. What had happened to his son and his sons Journey. Then we delve within the backlash of his actions and how he was able to resolve those issues. If you would like to leave us some feedback or just say hi you can send us an email or voice message at talk@podcastica.com. If you head to podcastica.com there is a handy voice message link. Check us out on social media:   Facebook:  facebook.com/podcastica  Twitter: @Podcastica  Instagram: @housepodcastica. For those that want to join the Patreon? Just go to Patreon.com/jasoncabassi  Sandman ‘Cast Music: “The Dreaming Within Revised” Written and recorded by Mark Kirkman ©PirateCorpsMusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Vandaag komen we live vanuit het prachtige theater Orpheus in Apeldoorn waar dit weekend het culturele seizoen geopend. En vandaag proberen wij te voorkomen dat cultuur een linkse elitaire bejaardenhobby wordt.  Peter Heerschop en Viggo Waas zijn al meer dan veertig jaar vrienden. Ze delen niet alleen het podium, maar ook het leven met elkaar. Ze besloten zich een week lang op te sluiten in een huisje in Texel. Het leverde hun boek ‘ Jeugd'  op. Verder:  ·       Tellen we onze knopen of beter gezegd die van de politieke partijen ·       Eisen de Dolle Mina's het podium, onze aandacht én de nacht op.  ·       Vieren we 50 jaar JAWS! ·       Is het een kwestie van geduld voordat iedereen Tilburgs lult?  Presentatie: Dolf Jansen & Willemijn Veenhoven Cabaret: Vera van Zelm, Ruud Smulders, Patrick Nederkoorn, Aron Elstak, Martijn Kardol, Owen Schumacher Livemuziek: SERA!

Hey Dreamers and Panelers! Jayme and Mark are back for more Sandman! This episode of the podcast we cover episode 7 “The Song of Orpheus” and Episode 8 “Family Blood”In this episode of the podcast Jayme and Mark discuss Morpheus reaching out to his parents regarding his actions and looking for advice. But this leads to questions from them asking him if they wants their help? Or Love. Jayme andMark dive deeply into these 2 episodes and what transpires within the Dreams Endless worlds as well as the Real world. Listen and find out what we have to say, question and ponder about these 2 episodes of Season 2! Have fun with our thoughts. Let them haunt your thoughts and dreams!... Thanks for listening!  If you would like to leave us some feedback or just say hi you cansend us an email or voice message at talk@podcastica.com. If youhead to podcastica.com there is a handy voice message link. Check us out onsocial media: Facebook:  facebook.com/podcastica  Twitter: @Podcastica  Instagram: @housepodcastica. For those that want to join the Patreon? Just goto Patreon.com/jasoncabassi  Sandman ‘Cast Music: “The Dreaming WithinRevised” Written and recorded by Mark Kirkman ©PirateCorpsMusic Check us out on Apple Podcast, Amazon Music, Deezer, Tune In, and Spotify,or whatever podcast player of choice you use. We Can be found on YouTube: Just Search Panels to Pixels Podcast!Subscribe! And just Check the Thumbs up if you like it! We would appreciate it! You can send Feedback at: Facebook.com/PanelsToPixels Email us: Panelstopixels1@gmail.com Instagram: @PanelsToPixelsPodcast

Visit RENEW.org for great resources on Disciple Making and Theology.  Check out our 2025 RENEW Gathering Digital Access Pass:  https://reallifetheologypodcast.supercast.com/  Today's episode will help us understand the theological and social perspectives surrounding the inclusion and fear experienced by African Americans in the context of Christian unity. Orpheus. Heyward discusses the importance of theological foundations, focusing on the Great Commission and the inclusivity of the Gospel for all ethnic groups. It highlights the biblical story of Peter's vision in Acts 10, emphasizing God's acceptance of ethnic diversity. Orpheus. Heyward addresses the historical trauma faced by African Americans, particularly in the context of religious exclusion and the formation of the black church. The need for understanding and addressing these historical wounds is stressed, particularly within predominantly Caucasian religious spaces. The speaker shares personal experiences and suggests open dialogue and empathy as key steps towards racial unity and reconciliation within the Christian community. Examples include discussions on the Trayvon Martin and George Floyd incidents and the importance of including African American narratives in the larger Christian history. The message concludes with a call for authentic inclusion, collaboration on the mission of God, and the significance of understanding historical pain to create a more inclusive and unified Christian community.

Hey Panelers and Dreamers! Jayme and Mark are back for more Sandman! This episode of the podcast we cover episode 5 “The Song of Orpheus” and Episode 6 “Family Blood”In this podcast we talk about Morpheus's(Dream's) travel back in time and remembering his son and his sons wedding. What had happened to his son and his sons Journey. Then we delve within the backlash of his actions and how he was able to resolve those issues.If you would like to leave us some feedback or just say hi you can send us an email or voice message at talk@podcastica.com. If you head to podcastica.com there is a handy voice message link. Check us out onsocial media: Facebook:  facebook.com/podcastica  Twitter: @Podcastica  Instagram: @housepodcastica. For those that want to join the Patreon? Just goto Patreon.com/jasoncabassi  Sandman ‘Cast Music: “The Dreaming Within Revised”Written and recorded by Mark Kirkman ©PirateCorpsMusic Check us out on Apple Podcast, Amazon Music, Deezer, Tune In, and Spotify,or whatever podcast player of choice you use. We Can be found on YouTube: Just Search Panels to Pixels Podcast!Subscribe! And just Check the Thumbs up if you like it! We would appreciate it! You can send Feedback at: Facebook.com/PanelsToPixels Email us: Panelstopixels1@gmail.com Instagram: @PanelsToPixelsPodcast

This week, we're joined by graphic novelist Orpheus Collar to discuss his work adapting the Riordanverse! Discussion topics may include: the design process, illustrating Tartarus, creating detailed environments, archeology, favorite scenes, the act of adaptation, and looking to the fans.You can find Orpheus on Instagram here: https://www.instagram.com/orpheuscollar/Check us out on Patreon to submit questions for future interviews, and to get early episodes, cut material, art previews, and more! https://www.patreon.com/MonsterDonutPodcastHave a question? Want to contribute your own analysis? Feel like arguing? Email monsterdonutpodcast@gmail.com.Come say hi and check out the sketches Phoebe made this episode on Twitter, Instagram, or TikTok! @PJOPod on all platforms.Find our new Monster Donut merch here!: https://www.redbubble.com/people/monsterdonut/explore.More information on the show can be found at https://monsterdonut.wixsite.com/podcast.THEME SONG:"The Mask of Sorokin," music and arrangement by Dan CordeGuitars - Dan CordeBass - Quinten MetkeDrums - Todd CummingsRecorded, mixed, & mastered by Todd CummingsOUTRO MUSIC:"Shadow Run," music and arrangement by Dan CordeGuitars - Dan CordeBass - Quinten MetkeDrums - Todd CummingsRecorded, mixed, & mastered by Todd Cummings Hosted on Acast. See acast.com/privacy for more information.

This August, Mickey-Jo once again returned to Edinburgh to see as much theatre as possible at the annual, world renowned Edinburgh Festival Fringe.Check out Mickey-Jo's Day 4 reviews of:The Beautiful Future is Coming at Traverse Theatre (****)#Charlottesville at Pleasance Courtyard (**)God is Dead and I Killed Him at Pleasance Courtyard (***)The Great Gummy Bear War at ZOO Playground (****)Standing in the Shadows of Giants at Traverse Theatre (****)Motorhome Marilyn at Gilded Balloon Patter House (**)Falling in Love with Mr Dellamort at C Arts Aquila (***)Orpheus at Summerhall (*****)Stamptown at Pleasance Courtyard (****)About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Charles Skaggs and DJ Nik discuss "Brief Lives", "The Song of Orpheus" and "Family Blood", the fourth, fifth and sixth episodes of The Sandman Season 2, featuring Tom Sturridge as Dream/Morpheus, Esme Creed-Miles as Delirium, and introducing Ruairi O'Connor as Orpheus and Barry Sloane as Destruction! Find us here:Facebook: Facebook.com/FandomZonePodcast Instagram: @FandomZonePodcast Bluesky: @CharlesSkaggs.bsky.social, @goldstandardoscars.bsky.social Email: FandomZoneCast@gmail.com  Listen and subscribe to us in Apple Podcasts and leave us a review!

Journey to the underworld and back with Opera Australia, presenting Opera Queensland's production of Orpheus and Eurydice in association with Circa for the 2025 Edinburgh International Festival (EIF). Opera and circus acrobatics combine for this striking production with the Scottish Chamber Orchestra and a chorus from Scottish Opera for the European premiere of this electrifying production of Gluck's seminal opera. Amelia spoke to audiodescribers Veronica Kinahan and Trina Gilles to learn more about the production and their process. Learn more about the production on the EIF website - Orpheus and Eurydice | Edinburgh International Festival

Receiving B.S. and M.S. degrees from The Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski's American Symphony Orchestra, and with appearances with the New York Philharmonic under Pierre Boulez. Simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with groups ranging from Duke Ellington to The Rolling Stones. He has also recorded numerous solo CDs on the following labels: Koch, New World, ENJA, DMP, Tzadik, CIMP, PAU, and TLB. Mr. Taylor performs recitals and concerti around the world: from Lincoln Center in NY to the Musikverein in Vienna and Suntory Hall in Japan. In addition to his own compositions, he has been involved in well over a hundred commissioning projects for solo bass trombone collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, Dave Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis and performs with the Lincoln Center Chamber Music Society, the Mostly Mozart Festival Orchestra, Orpheus, and the St. Luke's Chamber Orchestra. Throughout his career, Taylor has appeared and recorded with major jazz and popular artists including Barbara Streisand, Miles Davis, Quincy Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has also won The International Trombone Association's Award “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance. He has been a member of the bands of Gil Evans, Thad Jones-Mel Lewis, Jaco Pastorius, Charles Mingus, JJ Johnson, Joe Henderson, George Russell, Michele Camilo, Bob Mintzer, Dave Matthews, Dave Grusin, Randy Brecker, and the Words Within Music Trio (Daniel Schnyder, David Taylor, Kenny Drew Jr., The Art of the Duo (with D Schnyder) and B3+. He has performed on numerous GRAMMY Award winning recordings. David Taylor is also on the faculties of the Manhattan School of Music, Mannes College, and NYU. He plays Edwards bass trombones and Griego/Taylor mouthpieces exclusively. https://www.davetaylor.net/

SummaryIn this episode of The Main Attraction Podcast, hosts Justin Strawn and Ryan Nelson delve into the second season of The Sandman on Netflix. They discuss the standout performances, particularly Freddie Fox as Loki and Jack Gleason as Puck, and reflect on the impact of Neil Gaiman's controversies on the show's reception. The conversation explores the show's deep ties to Greek mythology, the unique portrayal of death, and the dynamics among the Endless siblings. They also analyze the pacing of the season and the representation of LGBTQ+ characters, providing a comprehensive review of the season's strengths and weaknesses. In this conversation, the hosts delve into the evolution of binge-watching and its impact on platforms like Netflix. They discuss the narrative arcs of characters in a popular series, particularly focusing on Dream's struggles and the consequences of his actions. The conversation also touches on the themes of death and rebirth, as well as the future of Marvel and DC films in a changing entertainment landscape.Chapters00:00 Introduction to The Main Attraction Podcast02:12 Engagement and Social Media Presence04:13 Recap of the First Season of The Sandman08:53 Discussion on Neil Gaiman's Controversy10:01 Comparing Seasons: The Sandman12:25 Greek Mythology in The Sandman14:41 Character Development and New Additions16:52 Themes of Morality and Character Dynamics19:03 Visual Representation and Character Design20:52 Episode Breakdown and Arcs22:51 Exploring the Dreaming and Its Characters25:58 The Mythology of Orpheus and Morpheus29:16 Death's Role and Its Subversion of Expectations33:19 The Kindly Ones and Their Wrath39:47 The Transformation of Daniel43:51 Dream's Death and Its Significance45:18 The Impact of Death in Storytelling47:54 Memorials and Character Reflections49:56 Exploring Death's Character54:13 Season Awards and Character Highlights58:09 Box Office Trends and Future of Marvel

Visit RENEW.org for great resources on Disciple Making and Theology.  Check out our free eBook on: The Kingdom Unleashed https://renew.org/product/the-kingdom-unleashed/  Today's episode will help us explore the conviction about God's word that guides us towards unity within the restoration movement. Orpheus Heyward emphasizes the importance of unity in the Restoration Movement, grounded in the belief that Jesus Christ and Scripture serve as the final authority. Key points include handling the word of God with integrity, recognizing and managing biases in interpreting Scripture, and understanding the role of preachers. Orpheus Heyward discusses the historical context and significance of specific biblical passages, such as 2 Timothy 3:16 and Acts 2:42. An anecdote about cooperation between Churches of Christ and the Christian Church highlights the need to focus on core doctrines rather than divisive issues like instrumental music in worship. The speaker advocates for scriptural integrity and not letting personal or traditional biases hinder fellowship among believers.

Tonight, we'll read from Pythagoras and the Delphic Mysteries, written by Édouard Schuré and published in English in 1909. This work is part of Schuré's larger cycle The Great Initiates, which presents the lives and teachings of spiritual figures like Krishna, Hermes, Orpheus, Plato, and Jesus through a blend of historical research and philosophical interpretation. In this volume, Schuré attempts to reconstruct the hidden life of Pythagoras—not only as a mathematician but as a mystic, reformer, and initiate into the sacred traditions of ancient Egypt, Greece, and India. Schuré's writing reflects the 19th-century fascination with esoteric knowledge and spiritual evolution. While modern scholarship may question some of his interpretations, the result is a richly imaginative account that captures how Pythagoras was viewed not just as a historical figure, but as a symbol of harmony, wisdom, and the mystical power of number. — read by 'N' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Orpheus aboard the magical ship, the Argo, from Iolchus en route to Colchis in search of the Golden Fleece.  Jason leads the expedition, but can he keep his team of heroes and demigods united as they face untold dangers? For the full back story of the Golden Fleece, listen to our Aries episode. The constellation of Argo Navis was one of Ptolemy's 48 but now exists as a grouping of 3 constellations. Written and directed by Bibi Jacob. Sound and production by Geoff Chong. Featuring: Tercelin Kirtley as Orpheus, Ciaran Cresswell as Jason, Sophie Helsing as the Argo, Doug Rand as Heracles, David Stanley as Polydeuces and Glaucus, Kester Lovelace as Castor, Additional voices by Anton Antebi. Original guitar compositions by Fredi Shehadi: ‘Starfish' in the opening scene. ‘Sail Away' instrumental version as the Argo sails towards Lemnos and the full song with the credits: https://www.youtube.com/shorts/FPRZQJVEeXg Original guitar compositions by Tercelin Kirtley: ‘Hoffman 1968' when the Argo sets sail. ‘Solovibrato' when Orpheus is grieving Eurydice. ‘Fastest Cars' in Lemnos. ‘Fire' when they meet King Cyzicus. ‘Fragix' when Orpheus talks about his lyre. We recorded in the SACD podcast studio, Paris and the Argo was recorded in Mikaël Sundin's studio in Stockholm. Thank you Micke!

Kaltërina Latifi kennt man als Kolumnistin im «Magazin». Dort schreibt sie regelmässig über Frauenfeindlichkeit innerhalb ihrer kosovoalbanischen Herkunftsgemeinschaft. Damit macht sie sich natürlich nicht nur Freunde. Trotzdem beharrt sie darauf, dass die Missstände angesprochen werden. Kaltërina Latifi stammt aus dem Kosovo. Ihre Eltern arbeiten als Saisoniers in der Schweiz, während Kaltërina bei ihrer Grossmutter lebt. Mit fünf Jahren kommt sie selbst in die Schweiz und verbringt den Rest ihrer Kindheit und Jugend in Adelboden und an vielen anderen Orten des Kantons Bern. Das hat sie geprägt. Noch heute empfindet sie eine gewisse Entwurzelung, noch heute verspürt sie aber auch den Drang, weiterzuziehen und Neues zu entdecken. Nach einem kurzen Abstecher in die Theaterszene entschliesst sie sich für ein Studium. Die Matura holt sie in Lausanne nach, wo sie auch Literaturwissenschaften und Philosophie studiert. Danach folgen Stationen in Heidelberg und London. Mittlerweile ist Kaltërina Latifi promoviert und habilitiert und arbeitet als Privatdozentin in Göttingen. Ausserdem schreibt sie an einem Roman, in dem sie mitunter eine Geschichte verarbeitet, die sie auf der Kanalinsel Jersey entdeckt hat. Von ihren Wurzeln und ihren Reisen, von ihrer wissenschaftlichen Arbeit und ihrem Engagement für die Selbstbestimmung albanischer Frauen und natürlich von ihrer Musik erzählt Kaltërina Latifi im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel - Tom Waits: Chocolate Jesus - Thomas Fersen : La chauve-souris - Edona Reshitaj - Me shume se e bukur je - Christoph Willibald Gluck – Tanz der Furien aus Orpheus und Eurydike Zürcher Kammerorchester / Daniel Hope, Leitung - David Bowie - Reality Erstsendung 13.10.2024

Edwin Jonker is acteur. Hij studeerde twee jaar Geschiedenis aan de Universiteit van Amsterdam, maar maakte daarna de stap naar het acteren. Hij was in het theater onder andere te zien als Tom Collins in ‘Rent', waarvoor hij in 2001 een John Kraaijkamp Musical Award voor beste mannelijke bijrol ontving. Ook speelde hij in voorstellingen als ‘Sister Act' en ‘The Lion King' en vorig jaar won hij een Musical Award voor beste mannelijke bijrol, voor zijn rol als Pilatus in ‘Jesus Christ Superstar'. Jonker, die ook in series en films als ‘Goede tijden, slechte tijden', ‘Verliefd op Bali' en ‘Dochters' te zien was, vertolkt nu de rol van Hades in theatervoorstelling ‘HADESTOWN'. Deze wereldwijde musicalsensatie, die werd bekroond met acht Tony Awards en een Grammy Award, komt deze zomer voor het eerst naar Nederland. Twee oude liefdesverhalen komen samen in een nieuw, modern jasje: dat van de jonge dromers Orpheus en Eurydice, en dat van Koning Hades en zijn vrouw Persephone.  Lotje IJzermans gaat met Edwin Jonker in gesprek.

Binge Empire is back to close out the first half of The Sandman season 2 with a breakdown of episodes 5 and 6. Join Dave and Paul as they work through their emotions after getting the Orpheus experience. What an incredible story, and an amazing way to tee-up the second half of the season. More BingetownTV Content!  ⁠⁠⁠Check Out Our Podcast on Youtube! ⁠⁠⁠ ⁠⁠⁠Check Out Our Youtube Entertainment Channel! ⁠⁠⁠ ⁠⁠⁠Join the BingetownTV Community Discord (FREE)⁠⁠⁠ Follow us on Socials!  Instagram- ⁠⁠⁠https://www.instagram.com/bingetowntv/⁠⁠⁠ Twitter/X - ⁠⁠⁠https://twitter.com/bingetowntvpod⁠⁠⁠ TikTok- ⁠⁠⁠https://www.tiktok.com/@bingetowntv?_t=8gdE279ReTm&_r=1⁠⁠⁠ Support the Pod! Patreon- ⁠⁠⁠www.patreon.com/bingetowntv Learn more about your ad choices. Visit megaphone.fm/adchoices

J.R. Dawson's debut, The First Bright Thing, is a Golden Crown award winner. Her shorter works are in places such as F&SF, The Year's Best Science Fiction and Fantasy 2018, and Lightspeed. Dawson lives on Dakota land in Minnesota with a loving spouse and three dogs. She is a professor at Drexel University's MFA program. Her second novel, The Lighthouse at the Edge of the World, is a loose sapphic retelling of Orpheus, and releases from Tor in July 2025.We had great fun chatting about how she quickly learned playwriting wasn't for her, and how she found her community writing short stories and novels. We also talk about the retelling of myths and legends, hear about the scary step of changing agents and much more!Links:Buy The Lighthouse at the Edge of the WorldFollow J.R. on BlueskyVisit J.R.'s website Adventures in Publishing-land on Apple PodcastsAdventures in Publishing-land in SpotifyAdventures in Publishing-land on YouTubeSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

It's a Greek tragedy, baby, and after we say goodbye to a friend, Dream and Delirium decide to resume their quest for Destruction. But first...it's time to understand why Dream is the way he is and attend the worst wedding in history.Follow all of the Stranded Panda network shows at strandedpanda.comFind Ashley on Bill and Ashley's Terror Theaterhttps://podcasts.apple.com/us/podcast/bill-ashleys-terror-theater/id1630376625Find Hayley at The Source Pages Podcast.https://podcasts.apple.com/us/podcast/source-pages-a-reading-collective-andor/id1573495735

Bernadette Spitzer berichtet für radio klassik Stephansdom vom Lehár Festival in Bad Ischl: Zu Orpheus in der Unterwelt habe ich eine durchaus persönliche Erinnerung, war es doch die erste Operette, die ich sah. Ich war noch im Kindergarten, als mich meine Eltern in eine Aufführung der Musikuniversität ins Wiener Schlosstheater mitnahmen. In Erinnerung geblieben ist mir vor allem der Cancan, und besonders amüsiert haben mich die eitle öffentliche Meinung, der fette Jupiter, der sich als Fliege verkleidet und der weinerliche Prinz von Arkadien. Würde ich all das in Bad Ischl wieder erleben? Die Antwort lautet: Zum Glück schon. / Intendant und Regisseur Thomas Enzinger hat für seine Produktion keine Kosten gescheut. Es ist erstaunlich, was sich alles mit der kleinen Bühne im schmucklosen Kongresshaus machen lässt. Offenbach hat seine 90-minütige Urfassung aus 1858 später deutlich auf vier Stunden erweitert. Für Bad Ischl ist eine Mischung aus beiden erstellt worden, eine Art Bad Ischler Fassung, die rund 3 Stunden dauert. Die römische Götterwelt, die Offenbach ins 19. Jahrhundert holte, um seine Zeitgenossen zu karikieren, schafft es glaubwürdig auch ins 21. Im Zentrum steht die alles dirigierende Öffentliche Meinung, die zeitgemäß eine Influencerin ist. In grellpinken Jeans, mit langen Fingernägeln und Girlie-Gehabe brilliert Eva Schöler. Man ist direkt verwundert, als diese piepsende Tussi, die ständig ihr pinkes Handy am Selfie-Stick vor sich herträgt, und alles auf Instagram streamt, plötzlich in einem wunderschön vollen Opernmezzo zu singen beginnt. Ebenso hervorragend ist das Brüderpaar Jupiter und Pluto. Martin Achrainer als Jupiter glänzt nicht nur stimmlich – als Fliege beweist er sein komisches Talent und seine körperliche Fitness. Pluto Peter Bording mimt den Gott der Unterwelt ebenso stimmgewaltig wie diabolisch. Seltsam ist ja, dass der Titel der Operette eigentlich irreführend ist. Um Orpheus in der Unterwelt geht es nur ganz kurz, denn im Mittelpunkt stehen die Götter. Orpheus hat eigentlich eine Nebenrolle. Die wird aber sehr charmant ausgefüllt von Robert Bartneck, der den verklemmten Geigenlehrer sehr mitleidserregend und mit voller Stimme verkörpert.Selbstredend fügt Regisseur Enzinger ständig aktuelle Bezüge ein. So ist Jupiter etwa bestrebt, das Image des Olymp mit Merchandise-Artikeln und dem Slogan „Make Olymp great again“ zu verbessern. Am meisten zu tun hat aber neben dem Orchester unter der Leitung von Laszlo Gyüker – das Ballett. Die drei Damen und drei Herren, Ischl-Profis bereits aus früheren Produktionen bekannt, haben fast immer was zu tun auf der Bühne und beeindrucken durch Einsatz und Eleganz. Der Cancan am Schluss ist auch ein Kind unserer Zeit, denn getanzt wird er vom gesamten Tanzensemble. Der Abend endet, yeah Bro, mit viel Applaus und einem gut gelaunten Publikum.

The Tony Award-winning musical Hadestown is a fantastic retelling of the myths of Orpheus' journey to the Underworld to rescue Eurydice alongside the marriage of Hades and Persephone, set amidst the visual and musical elements of New Orleans during the 1920s and 1930s. On this episode, we visit with guitarist, songwriter, and producer Sam Wade, who has been on the road with the traveling version of this stunning musical for most of the last year and will continue in that role again next year. Wade has been a friend and collaborator of ours for a few years. He has produced a few songs for my wife, Michelle Lynn Thompson, including her song “Riptide.” (Listen closely for an instrumental snippet in the background of this episode.) He will also be joining me (JJT) for my set at the Audiofeed festival this summer and backing up Michelle for hers as well. We jumped at the chance to see him and the rest of the company in action with Hadestown when they came through Chattanooga recently, and to catch up with him to see what it's been like to travel with a production like this. For more information, including a list of all of the songs used in this episode, visit the show notes page at TrueTunes.com/Hadestown If you want to support the show, please join our Patreon community or drop us a one-time tip and check out our MERCH!  

fWotD Episode 2977: Orphic Hymns Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 29 June 2025, is Orphic Hymns.The Orphic Hymns are a collection of eighty-seven ancient Greek hymns addressed to various deities, which were attributed in antiquity to the mythical poet Orpheus. They were composed in Asia Minor (located in modern-day Turkey), most likely around the 2nd or 3rd centuries AD, and were used in the rites of a religious community which existed in the region. The Hymns are among the few extant works of Orphic literature (the tradition of texts attributed to Orpheus in antiquity), and recent scholars have observed parallels between the collection and other Orphic works.The collection is preceded by a proem (or prologue), in which Orpheus addresses the legendary poet Musaeus, and calls upon around seventy deities to be present. The individual hymns in the collection, all of which are brief, typically call for the attention of the deity they address, before describing them and highlighting aspects of their divinity, and then appealing to them with a request. The descriptions of deities consist primarily of strings of epithets (titles or adjectives applied to gods), which make up a substantial portion of the hymns' content, and are designed to summon the powers of the god. The deity featured most prominently in the collection is Dionysus, who is the recipient of eight hymns, and is mentioned throughout the collection under various names. Most of the deities featured in the Hymns are derived from mainstream Greek mythology, and a number are assimilated with one another.The Orphic Hymns seem to have belonged to a cult community from Asia Minor which used the collection in ritual, and probably held Dionysus as their central god. The rite in which the Orphic Hymns featured was the teletḗ (τελετή, a term which usually refers to a rite of initiation into mysteries), and this ceremony appears to have taken place at night-time. Most hymns specify an offering to be made to the deity, which was probably burned during the performance of the hymn. Scholars have noted the apparent lack of Orphic doctrines in the Hymns, though certain themes and references have been interpreted as pointing to the presence of Orphic thought in the collection.No external references to the Orphic Hymns survive from antiquity, and they are first mentioned by the Byzantine writer John Diaconus Galenus (who has been dated to the 12th century AD). From perhaps as early as the 5th century AD, the Orphic Hymns were preserved in a codex which also included works such as the Orphic Argonautica and the Homeric Hymns. The first codex containing the Orphic Hymns to reach Western Europe arrived in Italy in the first half of the 15th century, and in 1500 the first printed edition of the Hymns was published in Florence. During the Renaissance, a number of scholars believed that the collection was a genuine work of Orpheus, while in the late 18th century a more sceptical wave of scholarship argued for a dating in late antiquity. In the late 19th and early 20th centuries, a number of inscriptions were discovered in Asia Minor, leading to the ritual function of the collection being established among classicists and historians of religion.This recording reflects the Wikipedia text as of 00:55 UTC on Sunday, 29 June 2025.For the full current version of the article, see Orphic Hymns on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Ruth.

We begin our coverage of Orpheus and Euridice. This episode is primarily focused on the archetypal power of creativity as demonstrated in Edith Hamilton's telling of the story. We will read Ovid's version and dig into other elements of the story in the following episode. This episode we will be reading from: Metamorphoses, by Ovid. Translation by Mary M. Innes. We recommend watching part or all of the opera L'Orfeo. You can find a video with English subtitles here. Our intro/outro music a sample of Seikilos Epitaph with the Lyre of Apollo, by Lina Palera, under an Attribution-NonCommercial-ShareAlike 3.0 International License. You can find the full version at FreeMusicArchive.org. Banner Image: File:Kratzenstein orpheus.jpg - Wikipedia Email: jungianeverafter@gmail.com Twitter: @JEA_Podcast Discord: https://discord.gg/GEdn4TPgHR Ko-fi: https://ko-fi.com/jungianeverafter

What will it truly take to build and scale the technologies that can reverse climate change? The scale and urgency of the transformation required to fight climate change has never been more clear. Building hardware and software products, acquiring the funding and creating a diverse community to enhance talent capacity and to drive innovation, is essential to tackling this global environmental crisis. In this episode, Silicon Valley Bank SVP of Climate Tech & Sustainability Maggie Wong will be interviewing Orpheus Ocean CEO & Co-Founder Jake Russell to discuss our ocean's importance for global carbon removal, scaling lab technologies to commercialization and how diverse founder and team experience attributes to a company's growth. 

Join me as I sit down with visionary musician, record producer, author and rock star, Rodney Orpheus, and author, historian and Occult legend, the great Phil Hine,We are talking about Rodney and Phil's incredible new book, "Delinquent Elementals". This anthology is a treasure trove of the 'Pagan News' zines from the 1980s, offering a unique glimpse into a vibrant community. Rodney and Phil, were the creative pairing behind Pagan News, share how their publication emerged from the thriving Leeds occult scene in the north of England to fill a crucial gap, focusing on local events and unifying diverse pagan voices long before the internet existed.We have a candid discussion about the infamous Satanic Panic of the 80s and 90s. Rodney and Phil recount the very real dangers they faced, from death threats to arson, and how their magazine became a vital tool for documenting this dark period in history. In the Plus show we'll explore their innovative use of desktop publishing, their unique approach to occult satire(including the hilarious Barry Hairbrush!), and the legal and logistical challenges of running a monthly magazine that reached thousands.Whether you're curious about the intersection between summoning Laser printers and modern paganism, the impact of the Satanic Panic, or just love a good story about community and defiance, this episode is a must-listen! More importantly the book "Delinquent Elementals" preserves a vital piece of occult history for future generations.Show notes:Delinquent Elementals from Strange Attractor: https://strangeattractor.co.uk/shoppe/delinquent-elementals/Phil's Blog https://enfolding.org/Phil's substack: https://philhine.substack.com/Phil's Bluesky: https://bsky.app/profile/philh.bsky.social Rodney's site: http://rodneyorpheus.comRodney's insta: https://www.instagram.com/rodneyorpheus/?hl=enKeep in touch?https://linktr.ee/darraghmasonMusic by Obliqka https://soundcloud.com/obliqka

Ursa Major has been selected by Stratolaunch to develop and deliver 16 upgraded Hadley H13 engines. The UK's Defence Science and Technology Laboratory has awarded a £5.15 million satellite contract for the Orpheus space domain awareness mission to Astroscale UK. Rocket Lab adds two new missions to Electron's 2025 launch manifest, and more. Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. T-Minus Guest Our guest today is Craig Smith, Executive Director at Oklahoma Space Industry Development Authority. You can connect with Craig on LinkedIn, and learn more about the Oklahoma Air and Space Port on their website. Selected Reading Ursa Major Awarded $32.9M Contract to Deliver 16 Hadley's Dstl announces Orpheus satellite mission contract - GOV.UK Rocket Lab Adds Two New Missions to 2025 Electron Launch Manifest, Schedules First Launch in Four Days' Time Millennium Space Systems Delivers Pair of Space Vehicles to Launch Site for NASA's TRACERS Mission Logos Space Services Raises $50 Million From USIT in Series A Round - Via Satellite NASA Seeks Commercial Feedback on Space Communication Solutions Skylo Sets Sights on Asia and Certifies Samsung Exynos 2500 as Analysys Mason Hails Turning Point for Satellite D2D Telespazio UK announces successful completion of critical phase in ALIGN programme ESA - Proba-3's first artificial solar eclipse T-Minus Crew Survey Complete our annual audience survey before August 31. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway stars Jordan Fisher and Solea Pfeiffer join host Joel Crump for another hilarious edition of "Broadway Time at Carmine's". About Jordan: Jordan most recently starred as Bobby in the New York City Center Encores! production of Urinetown and as Orpheus in Hadestown on Broadway. Additional Broadway credits include Anthony in the Broadway revival of Sweeney Todd: The Demon Barber of Fleet Street, Evan in Dear Evan Hansen, and Laurens/Philip in Hamilton. He starred in and produced Netflix's Hello, Goodbye, and Everything in Between and was one of the voices of 4*Town in Disney/Pixar's Turning Red. Jordan played Mark in Fox's “Rent: Live” and Doody in Fox's “Grease: Live!” About Solea: Solea Pfeiffer appeared most recently as Myrtle in the world premiere of Florence Welch's Gatsby at American Repertory Theater. On Broadway, she has starred in Almost Famous (Penny Lane) and Hadestown (Eurydice). Her Off-Broadway credits include You Are Here (Audible Theater); Eva Perón in Evita and Songs for a New World (City Center); and Ophelia in Hamlet (Delacorte). On tour, she played Eliza in the West Coast premiere of Hamilton. Additional credits include Sondheim on Sondheim (Hollywood Bowl), West Side Story (LA Philharmonic, National Symphony Orchestra), The Light in the Piazza (Lyric Opera of Chicago). TV/Film: “The Good Fight,” “Scandal,” A Jazzman's Blues. "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

*Note: This is the Free Content version of my interview with Veronica French. To access the entire episode, please consider becoming a Tier 2 'Groves of Orpheus' member on Patreon, or you can purchase this episode for a one-time fee. My guest this month is Veronica French. Veronica has an MA in Religious Studies from the University of Erfurt, Germany. She specializes in the study of modern shamanism, anthropology of religion and gender studies. Her master's thesis explored how modern shamans living in Germany define a “shaman way” and their turning point or crisis, which informs their “shamanic journey.” Her undergraduate work was in medical anthropology with a focus on shamanic techniques and Chinese 5 Element, in which she explored the scholar/practitioner position. She presented previously at the 8th Biannual Conference of the European Society for the Study of Western Esotericism (ESSWE) with the paper “Performative Strategies of Creative Esotericism in 19th Century Jewish Communities” (Cork, Ireland, 2022); XXXI International Summer School on Religion Women and Religions with the paper “Modern Shamanism, Empowerment and Green Religion: Contemporary Shamanic Practice in Germany” (San Gimignano, Italy, 2024); and the International Theosophical History Conference 2024 with the paper “Modern Shamanism, Theosophy and Ecological Spirituality: Connecting Nature Spiritualities” (Ascona, Switzerland, 2024). Veronica also presented at three seminars at the University of Erfurt: “Initial Shamanic Interviews” University of Erfurt, Master's Thesis Colloquium (2023); “Green Religion and Indigeneity in Popular Media,”University of Erfurt, Green Religion? Answers to Climate Change from the Perspective of Religious Studies (2023); and “Ethnographic Work of Shamanic Practice in Eastern Germany,” University of Erfurt, Master's Writing Seminar (2023).In this discussion, Veronica shares her background and inspiration for her research into modern shamanism. We talk a bit about the terms shamanism and animism, as these are somewhat contested within academia, and Veronica shares how she is using these terms in her work. She explains what questions she was asking at the outset of her project, and also the surprising additions that arose once she started interviewing her participants. Veronica also notes the interesting data that she gathered regarding topics such as gender, identity, “lived religion,” and ecology. As Veronica has her own experience within the concept known as a the holistic milieu (referring to a broad and diverse spiritual landscape that encompasses various New Age and alternative spiritual practices; often contrasted with traditional religious institutions, as it focuses on personal spirituality, self-development, and holistic well-being rather than formal doctrines or organized worship), she found she was able to relate well to the experiences of her participants, and this aspect has led her to consider continuing her research using the method known as autoethnography. This is a qualitative research method that combines autobiographical storytelling with ethnographic analysis. It allows researchers to use their personal experiences to explore and critique cultural beliefs, practices, and social phenomena. Veronica talks about other scholars in the field who have been using this method, and how it is becoming more accepted within academia. If anyone has any questions or comments for Veronica, please post them here or contact me via email and I can pass these on to her. She welcomes further feedback and discussion! Veronica was also very kind to share some references for futher reading; please see this below. PROGRAM NOTESReferences:Olivia Cejan: "Arts and Crafts Divine" is her dissertation utilizing autoethnography and pedagogy to write about a secret society group. Talk at Copenhagen Conference:https://www.youtube.com/watch?v=4g2qvGcy5pY&t=524sCorrine Sombrun: -Her institute: https://trancescience.org/https://www.youtube.com/watch?v=4oDs10hUy6ETrailer to her movie; English subtitlesTed Talk:English subtitleshttps://www.youtube.com/watch?v=Ym0kIECFi0Uhttps://amara.org/videos/Tcvokh51yb2Y/en/1543652/?tab=revisionsAnother interview with English (Google)https://www.youtube.com/watch?v=Syy4MTHAfF4 Alice Ahern: Phd Cork Ireland, studying shamanism and pop culture:https://www.youtube.com/watch?v=OCCeV7MLtFcYoutube talk:  "The Reclamation of Feminine Wisdom in the Irish Neo-Shamanic Milieu" Traditional Religions view on Nature Religions:https://fore.yale.edu/Event-Listings/Religions-World-and-Ecology-Conference-Series/Religions-World-and-Ecology-Archivehttps://fore.yale.edu/sites/default/files/files/annual_review_environment.pdfBibliography :Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. Princeton, N.J: Princeton University Press, 1972.Harner, Michael J. The Way of the Shaman. 10th anniversary ed. San Francisco: Harper & Row, 1990.Harvey, Graham. Animism: Respecting the Living World. Kent Town: Wakefield Press, 2005.Harvey, Graham. Shamanism: A Reader. London: Routledge, 2003.Jenkins, Willis. u.a: “Religion and Climate Change”, Annual Review of Environment and Resources 2018 (43), 85-108.Kaza, Stephanie. “The Greening of Buddhism: Promise and Perils”, in: Oxford Handbook of Religion and Ecology, Oxford 2006, 184-220.Kraft, S, T Fonneland, and J Lewis. Nordic Neoshamanisms. New York: Palgrave Macmillan, 2015. Nordic Neoshamanisms | SpringerLinkLaack, Isabel (2020) “The New Animism and Its Challenges to the Study of Religion”, Method and Theory in the Study of Religion, 1-33.Lewis, I.M., Ecstatic Religion | A Study of Shamanism and Spirit Possession | I.M.McGuire, Meredith B. Lived religion: Faith and practice in everyday life. Oxford University Press, 2008.Puca, Angela. Italian Witchcraft and Shamanism: The Tradition of Segnature, Indigenous and Trans-Cultural Shamanic Traditions in Italy. Leiden; Brill, 2024.Saler, Benson. Conceptualizing Religion: Immanent Anthropologists, Transcendent Natives, and Unbounded Categories. New York: Berghahn Books, 2000.Shelton, Dinah (2015): “Nature as a legal person”. In: Vertigo (Hors-série 22).DOI: 10.4000/vertigo.16188.Taylor, Bron Raymond. Dark Green Religion: Nature Spirituality and the Planetary Future. Berkeley: University of California Press, 2010. Dark Green Religion – Professor Bron TaylorZnamenski, Andrei A., The Beauty of the Primitive: Shamanism and Western Imagination | Oxford Academic Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea 

In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

One of the major beauties of the summer sky dangles in the northeast this evening like a piece of cosmic jewelry – the constellation Lyra. Its brightest star is Vega – the fifth-brightest star in the night sky. It sparkles like the diamond stud in an earring. The rest of Lyra hangs to its lower right like the rest of the earring. It forms a parallelogram – a slanted rectangle. Under fairly dark skies, it’s easy to see. Lyra represents a lyre – a small harp. In skylore, it was sometimes shown being held by a large bird – an eagle or vulture. In fact, the name “Vega” comes from an Arabic phrase that means “the falling eagle.” But mainly the lyre was associated with the story of Orpheus. His music was legendary. When he accompanied Jason and the Argonauts, his playing silenced the Sirens – evil creatures who lured sailors to their doom. Orpheus married Eurydice. But she was bitten by a snake and died. Orpheus begged Hades, the god of the underworld, to let Eurydice return to him. His music was so beautiful that Hades agreed. But there was one condition: Orpheus couldn’t look back until they were outside. But he couldn’t resist – he looked too soon, and Eurydice vanished into the underworld forever. Orpheus was heart-broken. He roamed aimlessly across the countryside, playing sad but beautiful music on his lyre – an instrument commemorated in the stars. We’ll have more about Vega tomorrow. Script by Damond Benningfield

Send us a textISMS that Poison the Soul Legalism | Part 5Senior Pastor Keith StewartMay 25, 2025Legalism is a trap that's far too easy to fall into. Its beginnings are so subtle and seem absolutely benign. But legalism in any form is not just toxic to our souls, it's downright dangerous. John Piper once said, “Legalism is more dangerous than alcoholism.” He's right. Few things will strip you of your love, joy and peace with God more quickly than legalism. But do you know the early warning signs of legalism? Are you aware of the sort of thinking that leads us into this deadly trap? Join us this Sunday, May 25th, as we delve into legalism and God's remedy.____________1. What has been your experience around legalism? Were you ever in a church that was legalistic? Have you ever known Christians who were legalistic? What stood out most to you in those environments? How were they perceived by outsiders?  2. Obviously, legalistic churches exist and sometimes attract large numbers of people. Why do you think that is? What attracts people to this sort of thinking?  3. Was there anything in today's message that challenged the way you think? Or encourage you in something you have always thought? Or do you find it helpful in evaluating what is healthy spirituality versus what is not?4. Pastor Keith said there are only two religions - There is FAITH religion and there is WORKS religion. What is the difference between the two? Which do you think is more prevalent in the world? How is Christianity's approach different from most other religions in the world? 5. In the final point, Pastor Keith contrasted two Greek myths, Ulysses versus Orpheus as it relates to the siren's song. It's a good analogy for temptation. Ulysses was bound to the mast of the ship. His story represents those who use rules to defeat temptation. Orpheus chose a different path. He played his lyre so that the sailors were all drawn toward more beautiful music. The siren song of the world is practically irresistible. Some use rules and struggle against them in the face of temptation and others have heard a new song, the love of Christ that draws them to a better way of living. Which do you like more and why?

In this electric Shameless Sex episode, BDSM mastermind Orpheus Black returns to decode the art of the Switch—the deliciously fluid player who can dominate, submit, and glide between the two with swagger and grace. Whether you suspect a Switch lives inside you or you're already toggling roles but want more skill (and less whiplash), this conversation hands you the roadmap. What you'll learn before the flogger even warms up:   • Switch 101: how Orpheus defines Dominance, submission, and the magic zone where they meet.   • The “Am I a Switch?” checklist—desires, tells, and green-flag feelings to watch for.   • Rookie rules: scene negotiation, consent choreography, and aftercare when both partners' needs flip.   • Level-up tactics: pacing power exchanges, reading energy shifts, and avoiding the dreaded role-confusion hangover.   • Lifestyle vs. play-only switching—how to keep everyday power dynamics healthy (and brunch-friendly).   • The Ultimate Switch toolkit: mindset exercises, communication hacks, and ego elasticity drills straight from Orpheus's playbook.   • Where to dive deeper with workshops, coaching, and community at orpheusblack.com. Why your ears—and every other hotspot—will celebrate:   • Turn role-hopping chaos into confident, consensual choreography.   • Upgrade your communication skills faster than you can say “Yellow for a check-in.”   • Amplify intimacy by understanding both sides of the whip—empathy is the new aphrodisiac.   • Walk away with practical tools you can use tonight, not “someday.” Think you can't have it all? Press play and let Orpheus show you how to claim the crown, kneel before it, and relish every switch in between. Dare to double your power? Tune in now. To learn more go to https://orpheusblack.com Santa Cruz! Come to one of our next live shows for our Who's Your Daddy Tour: ⁠⁠⁠⁠https://www.shamelesssex.com/whos-your-daddy-tour⁠⁠⁠⁠ Get premium access to our behind the scenes episodes here: ⁠⁠⁠⁠https://shamelesssex.supportingcast.fm⁠⁠⁠⁠ Do you love us? Do you REALLY love us? Then order ⁠⁠⁠⁠our book⁠⁠⁠⁠ now! Go to ⁠⁠⁠⁠shamelesssex.com⁠⁠⁠⁠ to snag your copy Support Shameless Sex by sending us gifts via our ⁠⁠⁠⁠Amazon Wish List⁠⁠⁠⁠ Other links: Get 30% off The Perineum Massager with code SHAMELESS at ⁠⁠http://butterwellness.com⁠ Get 10% off + free shipping with code SHAMELESS on Uberlube AKA our favorite lubricant at ⁠⁠⁠⁠http://uberlube.com⁠⁠⁠⁠ Get 10% off while learning the art of pleasure at ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠http://OMGyes.com/shameless⁠⁠⁠⁠ Get 15% off all of your sex toys with code SHAMELESSSEX at ⁠⁠⁠⁠http://purepleasureshop.com⁠⁠⁠⁠

This week on the pod, we welcome video editor and essayist Delaney Jordan to talk who is and who isn't good at yearning, art inside of art, and Orpheus and Eurydice in 2019's PORTRAIT OF A LADY ON FIRE! swimfanspod.com patreon.com/swimfans

*This is the Free Content version of my interview with Dr. Sue Terry. To access the entire episode, please consider becoming a Tier 2 'Groves of Orpheus' member, or you can purchase this episode for a one-time fee. My guest for the month of April is Dr. Sue Terry. Sue Terry is a writer, researcher, conference speaker and lecturer. Her PhD research in occult literary modernism focused on women's empowerment in novels by early twentieth-century women authors, Florence Farr, Mary Butts, Sylvia Townsend Warner and P.L. Travers.  Dr. Sue is ‘The Esoteric Academic', at www.sueterryacademic.comHer article, ‘The Myth of Family: Friendship and Sexual Impropriety in the Feminist Occult Grail Narratives of Mary Butts's Armed With Madness' was published in leading literary journal English Studies (https://www.tandfonline.com/doi/full/10.1080/0013838X.2023.2291909). Sue's current research is centered on literary evidence for occult communication with non - human intelligences/spirits and the cultural impact of the Hermetic Order of the Golden Dawn in 20th century Britain that continues today.  Sue runs Owl House Seminars (www.sueterryacademic.com/courses-events)online and in person, from weird fiction to ghosts, occultism, ley hunters, UFOs, urban high strangeness, witchcraft and practical skills in tarot and numerology. Sue welcomes invitations to speak at events and is thrilled to return to ‘Rejected Religion'.On July 7th 2025 she is co-producing The Third Florence Farr and the Magical Imagination Conference in London, with Caroline Wise, author and esoteric publisher (Starfire Books), at The College of Psychic Studies South Kensington (https://www.collegeofpsychicstudies.co.uk/special-events/esoteric/florence-farr-and-the-magical-imagination/?id=5551)Meeting people to talk about weird stuff is one of Sue's most favorite things. In this interview, I talked with Sue about her dissertation, “Occult Modernism and the Radical Reform of the Family: Female Empowerment in the Magical Fiction of Four Women Writers, 1890-1940" in which she writes about Florence Farr, Mary Butts, Sylvia Townsend Warner and P.L. Travers. (We didn't have enough time to cover Travers, sadly, but Sue will be coming back in the future to do so!)Sue shares some of her research findings surrounding Farr, Butts, and Townsend Warner. In doing so, Sue beautifully emphasizes the important work of each woman, and their significant contributions. I hope you enjoy this as much as I did, and my apologies for the delay in getting this uploaded!PROGRAM NOTESMain titles mentioned in this interview:Florence Farr, The Dancing Faun The Dancing Faun - Florence Farr - Hermetic LibraryMary Butts, Armed with Madness #15 - Armed with madness, by Mary Butts - Full View | HathiTrust Digital LibrarySylvia Townsend Warner, Lolly Willowes Lolly Willowes : Warner Townsend Sylvia : Free Download, Borrow, and Streaming : Internet ArchiveMusic and Editing: Daniel P. SheaEnd Production: Stephanie Shea

On episode 1157 of Daytime Confidential, Luke Kerr, Jillian Bowe and Joshua Baldwin dish the latest Beyond the Gates, The Bold and the Beautiful, Days of Our Lives, General Hospital and The Young and the Restless headlines and storylines, including:  Bill and Liam face off on The Bold and the Beautiful. Naomi and Bill wage legal war on Beyond the Gates. Dani kisses Bill. Vanessa calls out Joey.  Tamara Braun leaves Days of Our Lives. Days will be added to Broadcasting and Cable's Hall of Fame. Who shot EJ? Sami and Vivian are back in the same week! Marlena comes face-to-face with Orpheus.  Ric and Elizabeth pull through after Kristina attempts to kill Ava on General Hospital. Will there be ramifications for Kristina, Lucky and Elizabeth? Should Ric and Ava go full-on Boris and Natasha on Port Charles? What is the secret behind Emma's NDA? Luke makes a confession about a controversial character.  Victor thinks Tucker is behind the Dumas mystery on The Young and the Restless. Traci believes Alan kidnapped Sharon and Phyllis. Who is the best crier in soap operas? Share your best crier in the comments! All this and more on the latest Daytime Confidential podcast! Bluesky: @DCConfidential, LukeKerr, JillianBowe, Josh Baldwin, and Melodie Aikels. Facebook: Daytime Confidential Subscribe to Daytime Confidential on iTunes, Google Play, and Spotify.

In episode 1824, Jack and Miles are joined by comedian, Fizaa Dosani, to discuss... Owning A Cybertruck Is Basically Hell, Oh No Way: Billionaire Owned Paper Is A F**king Cesspit Now? Trump May Have Inadvertently Saved Canada’s Liberal Party and more! Facebook Cybertruck Owners Group Copes With Relentless Mockery Tesla Cybertruck at New Orleans' Mardi Gras parade gets mercilessly booed Cybertruck getting booed at Orpheus parade (Clip) A man claims he lost $70,000 in business because he drives a Cybertruck. Is Elon Musk's public image hurting Tesla? Tesla Cybertruck Owner Says, “The Massive Negativity Against Tesla Is Actually Fueling More Curiosity and Exposure, and Working In the Cybertruck’s Favor" Oh No Way: Billionaire Owned Paper Is A F**king Cesspit Now? Canada’s Liberals bounce back after years of decline. What’s going on? Trudeau stepping down as Canada’s PM after rapid decline in public approval Trump turns Canadian politics upside down Canada’s Liberals were heading into a crushing defeat. Then came Trump. Poilievre Has a Trump Problem Canadians believe Mark Carney would be better than Pierre Poilievre in dealing with Trump, poll finds LISTEN: Billie Toppy (live) by Men I Trust WATCH: The Daily Zeitgeist on Youtube! L.A. Wildfire Relief: Displaced Black Families GoFund Me Directory See omnystudio.com/listener for privacy information.

Trump is anti-American and seems to hate this country: How else can his behavior be explained? The tariffs, the austerity, the threat of a default, along with the corruption and grift— it feels like we're at the beginning stage of something that could go very, very bad. Meanwhile, Trump may not have the cards himself on Ukraine. Europe and the rest of the West have the economic might to continue to back Ukraine. And if that coalition maintains a united front, it would have the power to reject a 'peace' deal imposed by the US and Russia.  James Carville and Michael Weiss join Tim Miller. show notes Carville's NYT piece on his advice to the Dems (gifted) Michael's piece on Europe backing Ukraine alone A Cybertruck getting pelted at the Orpheus parade in NOLA Monday night