Podcasts about vocal performance

Operaspymaster you may ask? Read on and listen to this episode. In this powerful and multifaceted episode of Unstoppable Mindset, we welcome Kay Sparling, former opera singer, PTSD survivor, and now debut novelist—as she shares her incredible life journey from international stages to the shadowy world of espionage fiction. Kay talks about the creation of her first novel, Mission Thaw, a gripping spy thriller based on her own real-life experiences volunteering with refugees in post-Cold War Europe. Kay and Michael discuss the inspiration behind her protagonist, CIA agent Caitlin Stewart, and how real-world trauma and service led Kay to use fiction as both a vehicle for healing and a call to action on the modern crisis of human trafficking. This is a conversation that transcends genres—music, espionage, activism, and resilience—all converging through the unstoppable spirit of a woman who refuses to stay silent. About the Guest: Kay Sparling was raised in the Midwest. At the age of seven, she began her professional singing career as Gretl in “The Sound of Music” and she continued to perform through high school. After graduation Kay attended University of Kansas and earned a BME in music education and a minor in Vocal Performance. She then attended graduate school in opera voice performance for one year at UMKC Conservatory of Music. She was awarded a grant to finish my graduate studies in Vienna, Austria. From there she won an apprenticeship at the Vienna State Opera. After moving to NYC to complete her second apprenticeship, Kay lived in Germany, Austria, and Italy for many years. In 1999 Kay returned to NYC and continued singing opera and became a cantor for the NYC diocese. After 9/11, she served as a cantor at many of the funeral and memorial masses for the fallen first responders. In 2003, Kay moved from NYC to the upper Midwest and started a conservatory of Music and Theatre where her voice students have been awarded numerous prestigious scholarships and won many competitions. In 2020, the pandemic shut down her conservatory, so she began training to be a legal assistant and now works in workers compensation. Back in 2013, Kay had started writing a journal as a PTSD treatment. She was encouraged to extend the material into a novel. After much training and several drafts, Mission Thaw was published in 2024. Kay is currently writing the second book in the Kaitlyn Stewart Spy Thriller Series. Ways to connect with Kay: Website: https://www.kaysparlingbooks.com X: https://x.com/MissionThaw/missionthaw/ Bluesky: https://bsky.app/profile/missionthaw.bsky.social Facebook: https://www.facebook.com/groups/505674375416879 Linkedin: https://www.linkedin.com/in/kay-sparling-8516b638/ Instagram: https://www.instagram.com/missionthaw/ Litsy: https://www.litsy.com/web/user/Mission%20Thaw About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:16 Well, hi everyone. Welcome to another episode of unstoppable mindset. I'm your host, Mike hingson, and our guest today is a very fascinating individual. I was just teasing her a little bit about her email address, which is operaspy master@gmail.com I'm telling you, don't cross her. That's all I gotta say. Anyway, we'll, we'll get into all of that. But I really am glad that she is with us. Kay Sparling is a fascinating woman who's had an interesting career. She's written, she's done a number of things. She's used to be an opera, gosh, all sorts of stuff. So anyway, we'll get to all of it and we'll talk about it. I don't want to give it all away. Where would the fun in that be? Kay, welcome to unstoppable mindset.   Kay Sparling ** 02:11 Well, thank you. I'm glad to be here. Well,   Michael Hingson ** 02:13 we're glad you're here. You're from up in Wisconsin. We were going to do this a couple of weeks ago, but you had all the storms, and it stole your internet and your power away, didn't   Kay Sparling ** 02:23 it? It sure did. Yeah, that was a terrible storm we had.   Michael Hingson ** 02:28 Yeah, that's kind of no fun. I remember years ago, I was talking to somebody on the phone. We were doing a sales call, and he said, I might not be able to stay on the phone because we're having a really serious storm, and he said it is possible that the lightning could hit the phone lines, and if it does, it could come in the house. And we talked for a few minutes, and then he said, I'm going to have to hang up, because I just felt a small shock, because the lightning obviously hit the phone line, so we'll have to talk later. And and he was gone. And we did talk later, though he was okay, but still, wow, yeah, there's a lot of crazy weather going on, isn't there? And we were just talking about the, we were just talking about the Canadian wildfires. They're No fun.   Kay Sparling ** 03:15 No, no. Just everywhere is having crazy weather.   Michael Hingson ** 03:20 Well, tell us a little bit about you growing up and all that sort of stuff, and telling me about the the early K   Kay Sparling ** 03:32 Well, growing up, I grew up in a farm community in the in the central Midwest, just you know, right in the middle of the bread basket, you might say, not near where you are now. No no, no further south and in very much agriculture time, I mean skipping ahead. I remember talking to a famous opera conductor when I was an apprentice, and I made some reference, and he goes, Well, how would you know that? And I said, because I grew up on a farm. And he went, Oh, get out here. Nobody makes it, you know, to a major European opera house from a farm. And I went, Well, I did. And later, I asked my mom to send me a picture, because we had had an aerial view taken of our homestead, and it was obvious for miles, all the way around the house and the barn and all, it was just corn fields and soybeans. You know what they showed   Michael Hingson ** 04:40 Illinois, Illinois, and so you showed it to him, yeah,   Kay Sparling ** 04:44 I showed it to him, and he was like, well, doggone, you're not lying. Like, No, I wasn't kidding you. I really did.   Michael Hingson ** 04:51 It shows how good I really am. See how far I progressed.   Kay Sparling ** 04:55 Well, you know, I was one of these kids. I. At five years old, I my parents took me to see sound and music at the theater, and during the intermission. Now I'm five years old, it's pretty late for me, right? But when we're in the concession stand, I tug at my mom's skirt, and I say, Mom, that's what I want to do. And she looks at me kind of funny, and she's kind of funny, and she's kind of confused. Well, what do you want to do work in a theater? You know, a movie theater? No, no, I want to do what those kids are doing on that on the movie screen. And she was like, Well, honey, you know, that's that's really hard to get somewhere like that. So that was when I was five. And then when I was seven, she just, you know, the all the school and the church were telling her, this kid's got a great voice, and they kept giving me solos and stuff. And so when I was seven, she put me in the Sangamon County Fair Little Miss competition. And of course, my talent was singing, so I just sang away. I really can't remember what I sang, but afterwards, a fellow came up to my parents and introduced himself, and he said that he was there, he had family, not, you know, in the area, and that he had grown up there, but since then, he he was in St Louis, and he said, we are, I'm a scout, and I'm looking, I'm an entertainment Scout, and I'm actually looking for, you know, the von trop children. We're going to do a big production, and we'd love to audition your daughter. Well, we were about, think it was an hour and a half away from St Louis, so my parents are like, wow, that'd be quite a commitment. But long story short, I did it, and that started my professional career. I was the youngest Bon Troy. You know, over cradle, yeah. And so it just went from there. And, you know, it was all Broadway, of course, and I did a lot of church singing, you know, it got to be by the time I was, you know, in high school, people were hiring me for weddings, funerals, all that kind of thing. And so I was a Broadway and sacred singer. Went to college. My parents said, you can't depend on a vocal performance degree. What if things don't work out? You have to have something fall back. So I went into vocal music ed at a very, very good school for that, and also music therapy, and, you know, continue being in their shows. And when I when I graduated, continued the Broadway, and one night I was also singing a little bit of jazz in Kansas City, where I was living, someone approached me. She was a voice teacher at the conservatory there, and that conservatory had an apprenticeship with the Kansas City Lyric Opera. And she said I knew you was an undergrad. My husband works where you, where you went to school, and I have been watching you for a long time. And I wish you quit this nonsense of singing Broadway and jazz and rock and everything and get serious, you know, and try opera. So I thought she was crazy to bring that up, but it wasn't the first time it had been brought up. So I have been teaching for a year, and at the end of that school year, I announced everyone I was going to graduate school and I was going to study opera. And so   Michael Hingson ** 08:55 what were you teaching?   Kay Sparling ** 08:57 I was teaching high school choir, okay, at a very big high school, very, very good choir department.   Michael Hingson ** 09:03 Now, by the way, after doing Gretel, did you ever have any other parts as you grew older in Sound of Music?   Kay Sparling ** 09:11 Okay, that's a very cool question. I am one of the few people that I know that can say I have sang every major role in Sound of Music sometime in my life. Ah, okay, because it was so popular when I was Oh, yeah. And as I would grow older, well now you're going to sing, you know, you just kept graduating up. And then pretty soon I sang quite a few Marias. And then after I was an opera singer. During covid, I was asked to sing Mother Superior. Mother Superior. Yeah, literally, have sung, you know, in a decades long career, I've sung every role in Sound of Music.   Michael Hingson ** 09:56 Cool. Well, that's great.   10:00 Yeah, so, so, anyway, so   Michael Hingson ** 10:02 you said that you were going to go study opera,   Kay Sparling ** 10:07 and I did a graduate school, and then I got the chance to get an international grant over to Europe, and so I decided to not finish my masters at that time and go over there and finish it, and most of all, importantly, do my first apprenticeship in Europe. And so I thought that was a great opportunity. They were willing. They were going to willing to pay for everything. And I said I would be a fool to turn this down. Yeah, so off I went, and that's kind of the rest of the story. You know, got a lot of great training, left Europe for a while, moved to New York City, trained best coaches and teachers in the world at the Metropolitan Opera and then, you know, launch my career.   Michael Hingson ** 11:04 So you Wow, you, you've done a number of things, of course, going to Europe and being in Vienna and places like that. Certainly you were in the the right place.   Kay Sparling ** 11:16 Yes, yes, definitely. You know, at that time in the in the middle 80s, United States was we had some great opera houses Iran, but we had very few. And it just wasn't the culture that it was in Europe, in Europe. And so, yes, there was a lot more opportunity there, because there was such a culture established there already.   Michael Hingson ** 11:44 So you went off and you did Europe and saying opera, what were you a soprano? Or what were you that sounds like a way a little high for your voice?   Kay Sparling ** 11:59 Well, you have to remember, I'm a senior citizen now. So this is the way it worked for me, because we're talking decades from the age 27 and I quit singing at 63 so that's a very long time to sing opera. So I started out, as you know, there is a voice kind of category, and each one of those, we use a German word for that. It's called Foch, F, A, C, H, and you know, that is determined by the kind of vocal cords you have, and the kind of training and the literature you're singing, and hopefully that all meshes together if you have good coaches and a good agent and such. And I literally have seen so many different Fox lyric, lyric mezzo, then to, very shortly, lyric soprano, and then for a long time, spinto soprano, which would be the Puccini and a lot of them really popular things. And then I was, I felt I was quite lucky that my voice did have the strength and did mature into a Verdi soprano, which is a dramatic soprano, not many of those around. And so that was, that was an endeavor, but at the same time, that was a leg up. And so most of the time in my career, I sang the bigger Puccini, like, let's say Tosca, and I sang a lot of Verdi. So I was an Italian opera singer. I mostly sang in Italian, not to say that I didn't sing in German or French, but I did very little in comparison to the   Michael Hingson ** 13:56 Italian Well, there's a lot of good Italian opera out there, although mostly I don't understand it, but I don't speak Italian well.   Kay Sparling ** 14:07 The great thing about most houses now is, you know, you can just look at the back of the seat in front of you, and there's the translation, you know, yeah, that   Michael Hingson ** 14:18 doesn't work for me. Being blind, that doesn't work for you. Yeah, that's okay, though, but I like the music, yeah. So how long ago did you quit singing?   Kay Sparling ** 14:32 Um, just about, well, under, just a little under three years ago, okay?   Michael Hingson ** 14:38 And why did you quit? This was the right time,   Kay Sparling ** 14:42 senses or what I had a circumstance, I had to have throat surgery. Now it wasn't on my vocal cords, but it was on my thyroid, and unfortunately, the vocal cord nerve. They had to take out some Cyst On. My right thyroid, and then remove it too. And unfortunately, my vocal cords were damaged at that time, I would have probably be singing still now some you know, I mean, because dramatic sopranos just can go on and on and on. One of my mentors was Birgit Nielsen, famous singer from Sweden, and she was in my grandmother's generation, but she didn't, I went to work with her, and she demonstrated at 77 she could still pop out of high C. And I believe, I believe I would have been able to do that too, but you know, circumstances, you know, changed, but that's okay. Yeah, I had sung a long time, and at least I can speak. So I'm just very happy about that.   Michael Hingson ** 15:51 So when you did quit singing, what did you decide to go do? Or, or, How did, how did you progress from there?   Kay Sparling ** 16:01 Well, I had already made a transition where I had come in 2003 to the Midwest. I came back from New York City, where I lived many, many years, and I started a conservatory of music and acting, and then that kind of grew into a whole conservatory of music. So I was also a part time professor here in Wisconsin, and I taught voice, you know, one on one vocal lessons, so high school and college and graduate school, and so I had this huge studio. So when that happened, I wasn't getting to sing a whole lot, because I was much more focused on my students singing me at that point, especially the older ones, professional ones, and so, you know, I just kept teaching and and then I had started this book that I'm promoting now, and so that gave me more time to get that book finished   Michael Hingson ** 17:10 and published. What's the name of the book?   Kay Sparling ** 17:13 The book is called Mission, thaw.   Michael Hingson ** 17:16 Ah, okay, and what is it about   Kay Sparling ** 17:22 mission thaw is feminist spy thriller set at the very end of the Cold War in the late 80s, and the main protagonist is Caitlin Stewart, who it who has went over there to be an opera singer, and soon after she arrives, is intensely recruited by the CIA. They have a mission. They really, really need a prima donna Mozart soprano, which is what Caitlin was, and she had won a lot of competitions and won a grant to go over there, and so they had been vetting her in graduate school in the United States. And soon as she came to Europe, they they recruited her within a couple weeks of her being there, and she, of course, is totally blindsided by that. When they approach her, she had she she recognized that things were not exactly the way they should be, that people were following her, and she was trying to figure out who, are these people and why are they following me everywhere? Well, it ends up being young CIA agents, and so when the head chief and his, you know, the second chief, approach her, you know, she's not real happy, because she's already felt violated, like her privacy has been violated, and so she wasn't really too wonderful of listening to them and their needs. And so they just sort of apprehend her and and throw her in a car, in a tinted window Mercedes, and off they go to a park to talk to her, right? And so it's all like crazy movie to Caitlin. It's like, what is going on here? And, you know, she can tell they're all Americans, and they have dark suits on, even though it's very, very hot, and dark glasses, you know? So everything is just like a movie. And so when they approach her and tell her about what they need her to do, you know, and this would be in addition to the apprentice she is doing that, you know, she just gets up and says, I'm sorry I didn't come over and be in cloak and dagger. A, you know, ring, I'm getting out of here. And as she's walking away, the chief says, Well, what if you could help bring down the Berlin Wall? Well, now that stops her in her tracks, and she turns around. She goes, What are you kidding? I'm just a, you know, an opera apprentice from the Midwest grew up on a farm. What am I gonna do? Hit a high C and knock it down. I mean, what are you talking about?   Michael Hingson ** 20:28 Hey, Joshua, brought down the wealth of Jericho, after all. Well, yeah, some   Kay Sparling ** 20:34 later, someone tells her that, actually, but, but anyway, they say, well, sit down and we'll explain what we need you to do. And so the the initial job that Caitlin accepts and the CIA to be trained to do is what they call a high profile information gap. She has a wonderful personality. She's really pretty. She's very fashionable, so she can run with the jet set. And usually the jet set in Europe, the opera jet set is also where all the heads of states hang out, too. And at that time, the the Prime Minister was pretty much banking the Vienna State Opera where she was apprenticing. So he ends up being along with many other Western Austrian businessmen in a cartel of human trafficking. Who they are trafficking are all the the different citizens of the countries that USSR let go. You know, when you know just got to be too much. Remember how, oh yeah, we're going to let you go. Okay? And then they would just pull out. And there was no infrastructure. There was nothing. And these poor people didn't have jobs, they didn't have electricity. The Russian mafia was running in there trying to take, you know, take over. It was, it was chaos. And so these poor people were just packing up what they could to carry, and literally, sometimes walking or maybe taking a train into the first Western European country they could get to. And for a lot of them, just because the geographical area that was Austria. And so basically, the Austrians did not want these people, and they were being very unwelcoming and arresting a lot of them, and there was a lot of lot of bad behavior towards these refugees. And so the Catholic church, the Catholic Social Services, the Mennonite Relief Fund, the the UN and the Red Cross started building just tent after tent after tent on the edge of town for these people to stay at. And so the businessmen decide, well, we can traffic these people that have nothing over to the East Germans, who will promise them everything, but will give them nothing. But, you know, death camps, basically, just like in World War Two. So you have work camps, you have factories. They they don't feed these people correctly. They don't they don't give them anything that they promise to them in in the camps. And they say, Okay, be on this train at this time, this night. And then they stop somewhere in between Vienna and East Germany, in a very small train station in the middle of the Alps. And they have these large, you know, basic slave options. And unfortunately, the children in the older people get sent back to the camp because they don't need them or want them. So all the children get displaced from their families, as well as the senior citizens or anyone with a disability. And then, you know, the men and the women that can work are broken up as well, and they're sent to these, you know, they're bought by these owners of these factories and farms, and the beautiful women, of course, are sold to either an individual that's there in East German that just wants to have a sex aid, pretty much. Or even worse, they could be sold to an underground East Berlin men's club. And so terrible, terrible things happen to the women in particular, and the more that Caitlin learns. As she's being trained about what's happening, and she interviews a lot of these women, and she sees the results of what's happened, it, it, it really strengthens her and gives her courage. And that's a good thing, because as time goes through the mission, she ends up having to be much, much more than just a high profile social, you know, information gather. She ends up being a combat agent and so, but that that's in the mission as you read, that that happens gradually and so, what? What I think is really a good relationship in this story, is that the one that trains her, because this is actually both CIA and MI six are working on this, on this mission, thought and the director of the whole mission is an very seasoned mi six agent who everyone considers the best spy in the free world. And Ian Fleming himself this, this is true. Fact. Would go to this man and consult with him when he was writing a new book, to make sure you know that he was what he was saying is, Could this really happen? And that becomes that person, Clive Matthews become praying, Caitlyn, particularly when she has to start changing and, you know, defending herself. And possibly, you know,   Michael Hingson ** 26:38 so he becomes her teacher in   Kay Sparling ** 26:42 every way. Yes. So how   Michael Hingson ** 26:45 much? Gee, lots of questions. First of all, how much of the story is actually   Kay Sparling ** 26:50 true? All this story is true. The   Michael Hingson ** 26:53 whole mission is true. Yes, sir. And so how did you learn about this? What? What caused you to start to decide to write this story?   Kay Sparling ** 27:08 So some of these experiences are my own experiences. And so after I as an opera singer, decided to be a volunteer to help out these refugees. I witnessed a lot, and so many years later, I was being treated for PTSD because of what I'd witnessed there. And then a little bit later in Bosnia in the early 90s, and I was taking music therapy and art therapy, and my psychiatrist thought that it'd be a good idea if also I journaled, you know, the things that I saw. And so I started writing things, and then I turned it in, and they had a person that was an intern that was working with him, and both of them encouraged me. They said, wow, if, if there's more to say about this, you should write a book, cuz this is really, really, really good stuff. And so at one point I thought, Well, why not? I will try. So this book is exactly what happened Caitlin, you know, is a real person, and everyone in the book is real. Of course, I changed the names to protect people and their descriptions, but I, you know, I just interviewed a lot of spies that were involved. So, yes, this is a true story.   Michael Hingson ** 29:06 Did you do most of this? Then, after your singing career, were you writing while the career, while you were singing?   Kay Sparling ** 29:13 I was writing while I was still singing. Yeah, I started the book in 2015 Okay, and because, as I was taking the PTSD treatment and had to put it on the shelf several times, life got in the way. I got my my teaching career just really took off. And then I was still singing quite a bit. And then on top of it, everything kind of ceased in 2018 when my mother moved in with me and she was diagnosed with Alzheimer's, but Louie body Alzheimer's, which is a very, very rough time, and so I became one of her caretakers. So I quit singing, put that on hold, and I. I had to really, really bring down the number in my studio I was teaching and spend time here at home. And so I would take care of her, but then after she would go to bed, and she'd go to bed much earlier than I wanted to, that's when I write, and that's when I got the lion's share of this book written. Was during that time, it was a great escape from what I was dealing with, believe it or not, you know, even though there's some real graphic things in the book and all it wasn't, it was a nice distraction.   Michael Hingson ** 30:36 Wow, so you, you lived this, needless to say,   Kay Sparling ** 30:41 Yes, I did, and yes.   Michael Hingson ** 30:45 So you've talked a little bit about what happened to these countries after the collapse of the USSR and communism and so on, these eastern companies, companies, countries. Has it changed much over the years.   Kay Sparling ** 31:03 Oh, yeah, for instance, one, you know, I went to Budapest after they were freed, I guess is what usr would say. Stayed in a five star hotel, and we were lucky if we had running water and electricity at the same time. And every time you went down on the streets, all you'd see is lines, you know, I mean, just because there'd be all like, Red Cross, etc, would be there, and they'd have these big trucks they drove in every day, and it just got to be because they had nothing. If you saw a truck, you'd start running towards it and get in line. You didn't care what it was, you know, and it was. And then fights would break out because they wouldn't have enough for everyone. And then, like, you know, maybe someone's walking away with a bag of rice, and some of us knock them over the head and take, you know, and it was very hard, you know, I was a volunteer there, and it was very, very hard to see this, you know, desperation, one story that I'd like to tell, and I put it in the book. I was riding my bike, you know, on a Friday afternoon to get some groceries at the nearest supermarket where my apartment was, and at that time, they still had the European hours, so they were going to close at five o'clock, and they weren't going to open until seven or eight on Monday morning. So you had to make sure you got there to get your weekend supply. So I was on my way, and I was parking my bike, and this woman, refugee woman, runs up and she has two small children with her, and she's carrying a baby, and she's speaking to me in a language I did not know. I do speak several languages, but I don't know Slavic languages and so, but I'm getting the gist of it that she has nothing to eat, neither do her children, and so I'm patting her on the shoulder, and right when I do that, a policeman that was guarding the door of the supermarket came up to me and, like, grabbed me really hard, and told me in German that I was not To speak to them, and I was not to help them, because if you help them, they'll stay. And I said to him in German, I'm an American. I am not Austrian. I am here on a work visa, and I can do whatever the hell I want to do. Well, he didn't like that. And so I just walked away from him, and I went in the store. And so I got up everything I get. Think of the big need, you know, I never had a baby, so I was trying to kind of figure that out, yeah, and I had to figure it out in German, you know, looking at labels now. And so finally I got, I got some stuff, you know, the stuff I needed, and, and, and the stuff that I got for the family, and I checked out, and I'm pushing the cart, you know, towards them. And he runs up beside me and stops me, and he says, I am going to arrest you if you bring that. I told you not to help them. And I said, again, I don't think I'm breaking any laws. And he said, Oh yes, you are. And I said, Well, I didn't read that in the papers. I didn't see it on TV where anyone said. That you cannot help a refugee. And so we're going back and forth. And so, you know, I'm pretty strong, so I just keep pushing it towards it. Well, she's kind of running down the park, and I'm like, wait, wait, you know, because she's getting scared of this guy, you know, he has a gun, he has a nightstick. Of course, she's scared, and so, you know, I would say, No, no, it's okay, because I can't speak for language, right? And so I'm just trying to give her body language and talk. Well, finally she does stop, and I just throw I give the one sack to the little boy, and one second little girl, they just run and and then, you know, I'm talking to her and saying, you know, it's okay, it's okay. And he grabs me, and he turns me around and he spits in my face.   Michael Hingson ** 35:53 Wow. Talk about breaking the law. But anyway, go ahead.   Kay Sparling ** 36:00 Welcome to Austria in the late 80s. You have to understand their Prime Minister Kurt voltheim won on the Nazi ticket. Mm, hmm. At that very time, if you got on a bus and you saw these businessmen going to work, at least 50% of them were reading the Nazi paper. Okay, so we kind of know what, where his affiliations lie. You know, this policeman and, you know, and I was very aware, you know, of of that party being very strong. And so you have to watch yourself when, when you're a foreigner. And I was a foreigner too, just like her. And so after wiping my face, I mean, I really, really wanted to give him a kick or something, yeah, and I do, I do know martial arts, but I was like, no, no, gotta stay cool. And I just told her to run. And she did and caught up with the children, and, you know, kept running. So that was the first experience I had knowing how unwelcome these people were in Austria. Yeah, so I got involved, yeah, I got involved because I was like, this is absolutely not right.   Michael Hingson ** 37:31 And so the book is, in part, to try to bring awareness to all that. I would think   Kay Sparling ** 37:36 absolutely there are, there are bits of it are, they're pretty darn graphic, but it's all true, and it's all documented. Sometimes people about human trafficking, they think, oh, it's not in my backyard. I'm not going to think about that. Well, I live in a very small college town, around 17,000 people, and two months ago, on the front page of this small paper here in town, there were seven men that were arrested for many counts of human trafficking of underage women and prostitution. So guess what, folks, it is in your backyard. If it's in this little town, it's probably in yours too. And we have to be aware before we can do anything. So we have to open our eyes. And I hope this book opens the eyes of the reader to say, Oh, my God, I knew things were bad, but I didn't realize that torture, this kind of thing went on. Well, it does, and I the International Labor Union estimates that 21 million people are being you. You are victims of human trafficking right now, as we speak, throughout the world, that's a lot of people, a lot of people. So most likely, we've all seen some hint of that going on, it didn't register as it at the time. You know, if you're just walked out of a restaurant, and you're walking to your car that's parked on the street, and you happen to go by an alley and there's restaurants on that row, and all of a sudden you see people being kind of shoved out and put in a truck. That's probably human trafficking, you know? And you know, a lot of people don't pay attention, but like, if they stop and think that doesn't look right, and if those people look like they may be from another country, yeah. And all you have to do is call the authorities, you know, and other ways that you can help are by you know, that that you can get involved. Are, you know, donate to all the different organizations that are finding this now.   Michael Hingson ** 40:19 Was the book self published, or do you have a publisher?   Kay Sparling ** 40:25 I self published, but it's more of a hybrid publishing company that's kind of a new thing that's going on, and so I cannot learn all those different facets of publishing a book, right? It just wasn't in my, you know, skill set, and it also wasn't even interesting to me. I don't want to learn how to do graphic illustration. Okay? So what I did is I hired a hybrid company that had all these different departments that dealt with this, and I had complete artistic control, and I was able to negotiate a great deal on my net profits. So I feel that, after looking into the traditional publishing world and not being exactly pleased with it to say the least, I think that was the right business choice for me to make, and I'm very happy I did it.   Michael Hingson ** 41:46 How do you market the book then?   Kay Sparling ** 41:48 Well, that was, that was the tricky part that that publisher did have some marketing they started, but obviously now they agreed it wasn't enough. So at that point, I attended a virtual women's publishing seminar, and I really paid attention to all the companies that were presenting about marketing. And in that time, I felt one that I just was totally drawn to, and so I asked her if we could have a consultation, and we did, and the rest is history. I did hire her team and a publicist, Mickey, who you probably know, and, yeah, it's been going really great. That was the second smart thing I did, was to, you know, hire, hire a publicity.   Michael Hingson ** 42:50 Well, yeah, and marketing is one is a is a tricky thing. It's not the most complicated thing in the world, but you do have to learn it, and you have to be disciplined. So good for you, for for finding someone to help, but you obviously recognize the need to market, which is extremely important, and traditional publishers don't do nearly as much of it as they used to. Of course, there are probably a lot more authors than there used to be too. But still,   Kay Sparling ** 43:19 yeah, their their marketing has changed completely. I remember I had a roommate that became a famous author, and just thinking about when he started, you know, in the 80s, how the industry is completely changed. Mm, hmm, you know. So, yeah, it's, it's really tricky. The whole thing is very tricky. One thing that I also did is one of my graduate students needed a job, and so I've known her since, literally, I've known her since eighth grade. I have been with this student a long time, and she's done very well, but she really is a wiz at the social media. And so she made all my accounts. I think I have 12 altogether, and every time I do something like what I'm doing tonight, soon as it's released, she just puts it out there, everywhere and and I have to thank her from again that that's probably not my skill set.   Michael Hingson ** 44:37 Well, everyone has gifts, right? And the the people who I think are the most successful are the people who recognize that they have gifts. There are other people that have gifts that will augment or enhance what they do. And it's good that you find ways to collaborate. I think collaborating is such an important thing. Oh, yeah. All too many people don't. They think that they can just do it all in and then some people can. I mean, I know that there are some people who can, but a lot of people don't and can't.   Kay Sparling ** 45:12 Well, I've got other things. I've got going, you know, so maybe if I only had to do the book, everything to do with the book, that would be one thing, but I, you know, I have other things I have to have in my life. And so I think that collaboration is also fun, and I'm very good at delegating. I have been very good at delegating for a long time. When I started my school. I also started a theater company, and if you know one thing, it's a three ring circus to produce an opera or a musical, and I've done a lot of them, and yeah, I would have not survived if I didn't learn how to delegate and trust people to do their own thing. So what are you   Michael Hingson ** 45:58 doing today? What are you doing today? Besides writing?   Kay Sparling ** 46:04 Well, during covid, everything got shut down, and I didn't have an income, and I had to do something. And one of, believe it or not, one of my parents, of one of my students, is an attorney for the state of Wisconsin, and she was very worried. I mean, it looked like I might lose my house. I mean, I literally had no income. And so, you know, I was a small business person, and so she offered me very graciously to come work in the department of workers compensation in the legal Bureau at the state of Wisconsin. So I never have done anything like that in my life. I have never sat in a cubicle. I've never sat in front of a computer unless it was in its recording studio or something like that. So it was a crazy thing to have to do in my early 60s, but I'm a single woman, and I had to do it, and and I did, and it put me on solid ground, and that was one reason I couldn't finish the book, because I didn't have to worry about a live cookie. And so I am continuing to do that in so as in the day, that is what I do. I'm a legal assistant, cool.   Michael Hingson ** 47:32 And so when did mission thought get published?   Kay Sparling ** 47:38 Mission thought almost a year ago, in August of 2024 it launched, yes, okay, yeah. And it was very scary for me, you know, because my hybrid publishers up in Canada, and they were telling me, Well, you know, we're going to get you some editorial reviews and we're going to have you be interviewed. And you know, those very first things where my editor at at the publisher had told me it was one of the really a good book, and that was one of the cleanest books she ever had to edit. And so that kind of gave me some confidence. But you understand, look at my background. I I didn't go to school to be a writer. I had never studied writing. I hadn't done any writing up until now, and so to that was my first kind of sigh of relief when the editor at the publisher said it was really a good book, and then I started getting the editorial reviews, and they were all stellar, and they continue to be. And I'm, I'm still a little shocked, you know, because it takes time, I guess, for a person to switch gears and identify themselves as an author. But you know, after a year now, I'm feeling much more comfortable in my shoes about that. But at first it was, it was trying because I was scared and I was worried, you know, what people were going to think about the book, not the story, so much as how it was crafted. But it ends up, well,   Michael Hingson ** 49:15 it ends up being part of the same thing, and yeah, the very fact that they love it that that means a lot. Yeah, so is, is there more in the way of adventures from Caitlin coming up or what's happening?   Kay Sparling ** 49:30 Yeah, this is hopefully a trilogy, um of Caitlin's most important standout missions. And so the second one is set in the early 90s during the Bosnian war. And this time, she cannot use opera as a cover, because obviously in a war zone, there's no opera. And so she has to. To go undercover as either a un volunteer or Red Cross, and this time, her sidekick is not the Clive Matthews. He has actually started a special squad, combat squad that's going in because, of course, we, none of us, were really involved with that war, right? But that's what he's doing. And so, believe it or not, her, her sidekick, so to speak, is a priest that very early, goes on and sees, you know, this absolute ethnic cleansing going on, you know, massacres and and he tries to get the Catholic Church to help, and they're like, no, no, we're not touching that. And so he goes AWOL. And had been friends in Vienna with the CIA during the first book. He goes to the CIA and says, This is what's going on. I saw it with my own eyes. I want to help. And so he becomes Caitlin's sidekick, which is a very interesting relationship. You know, Caitlin, the opera singer, kind of, kind of modern girl, you know, and then you know, the kind of staunch priest. But they find a way to work together, and they have to, because they have to save each other's lives a couple times. And this is my favorite book of the three. And so basically what happens is called Mission impromptu, and I hope to have that finished at the end of this month. And the reason we call it impromptu is because her chief tells her to just get the information and get out, but her and the priest find out that there is a camp of orphaned boys that they are planning to come massacre, and so they they they basically go rogue and don't follow orders and go try to help the boys. Yeah. And then the third book, she has actually moved back to New York, and she's thinking, well, she does retire from the CIA, and it's the summer of 2001 and what happened in September of 2001 911 and so they call her right back in she literally had been retired for about three months.   Michael Hingson ** 52:35 Well, to my knowledge, I never met Caitlin, so I'm just saying Mm hmm, having been in the World Trade Center on September 11, but I don't think I met Caitlin anyway.   Kay Sparling ** 52:43 Go ahead. No, she wasn't in the towers, but no, I was in New York. And yeah, so they called her back right away. And so the third one is going to be called Mission home front, because that's been her home for a very long time. She's been living in New York.   Michael Hingson ** 53:01 Are there plans for Caitlin beyond these three books? I hope so.   Kay Sparling ** 53:08 I think it would be fun for her to retire from the CIA and then move back to the Midwest. And, you know, it turned into a complete fiction. Of course, this is not true stuff, but, you know, like kind of a cozy mystery series, right, where things happen and people can't get anyone to really investigate it, so they come to Caitlin, and then maybe her ex boss, you know, the chief that's also retired, they kind of, you know, gang up and become pi type, you know, right? I'm thinking that might be a fun thing.   Michael Hingson ** 53:46 Now, are mostly books two and three in the mission series. Are they also relatively non fiction?   53:53 Yes, okay,   Michael Hingson ** 53:57 okay, cool, yes. Well, you know, it's, it's pretty fascinating to to hear all of this and to to see it, to hear about it from you, but to see it coming together, that is, that is really pretty cool to you know, to see you experiencing have the book, has mission thought been converted by any chance to audio? Is it available on Audible or   Kay Sparling ** 54:21 anywhere it has not but it is in my plans. It's there's a little bit of choice I have to make do. I use my publisher and hire one of their readers you know to do it, someone you know, that's in equity, that type of thing. Or you know, my publicity, or people are also saying, well, because you're an actor, and, you know, all these accents, it might be nice for you to do to read your own book. Well, the problem is time, you know, just the time to do it, because I'm so busy promoting the book right now. And really. Right writing the second one that you know, I just don't know if I'm going to be able to pull that off, but I have my own records, recording studio in my voice studio downstairs, but it's just and I have all the equipment I have engineers. It's just a matter of me being able to take the time to practice and to get that done. So it's probably going to be, I'll just use their, one of their people, but yes, yeah, it's coming. It's coming. Well, it's,   Michael Hingson ** 55:29 it's tough. I know when we published last year, live like a guide dog, and the publisher, we did it through a traditional publisher, they worked with dreamscape to create an audio version. And I actually auditioned remotely several authors and chose one. But it is hard to really find someone to read the book the way you want it read, because you know what it's like, and so there is merit to you taking the time to read it. But still, as you said, there are a lot of things going on,   Kay Sparling ** 56:09 yeah, and I have read, you know, certain portions of the book, because some podcasts that I've been on asked me to do that, and I and I practiced and that, it went very well. And of course, when people hear that, they're like, Oh, you're the one that has to do this. You know Caitlin. You can speak her, you know her attitudes and all. And then you also know how to throw all those different accents out there, because there's going to be, like, several, there's Dutch, there's German, there's Scottish, high British and Austrian. I mean, yeah, yeah, Austrians speak different than Germans. Mm, hmm,   Michael Hingson ** 56:53 yeah, it's it's a challenge, but it's still something worth considering, because you're going to bring a dimension to it that no one else really can because you wrote it and you really know what you want them to sound like, Yeah, but it's a it's a process. I and I appreciate that, but you've got lots going on, and you have to have an income. I know for me, we started live like a guide dog my latest book when the pandemic began, because I realized that although I had talked about getting out of the World Trade Center and doing so without exhibiting fear, didn't mean that it wasn't there, but I realized that I had learned to control fear, because I learned a lot that I was able to put to use on the Day of the emergency. And so the result of that was that, in fact, the mindset kicked in and I was able to function, but I never taught anyone how to do that. And so the intent of live like a guide dog was to be a way that people could learn how to control fear and not let fear overwhelm or, as I put it, blind them, but rather use fear as a very powerful tool to help you focus and do the things that you really need to do. But it's a choice. People have to learn that they can make that choice and they can control it, which is kind of what really brought the book to to mind. And the result was that we then, then did it. And so it came out last August as well.   Kay Sparling ** 58:27 Oh, well, if you read my book, you'll see Caitlin developing the same skills you were just talking about. She has to overcome fear all the time, because she's never been in these situations before, and yet she has to survive, you know?   Michael Hingson ** 58:44 Yeah, well, and the reality is that most of us take too many things for granted and don't really learn. But if you learn, for example, if there's an emergency, do you know where to go in the case of an emergency? Do you know how to evacuate, not by reading the signs? Do you know? And that's the difference, the people who know have a mindset that will help them be a lot more likely to be able to survive, because they know what all the options are, and if there's a way to get out, they know what they are, rather than relying on signs, which may or may not even be available to you if you're in a smoke filled environment, for example, yeah,   Kay Sparling ** 59:22 yeah, you should know ahead of time. Yeah, you know, I know the state where I work. I I mostly work at home. I'm able to do that, but we do have to go in once a week, and we just changed floors. They've been doing a lot of remodeling, and that was the first thing, you know, the supervisor wanted us to do was walk through all the way for a tornado, fire, etc, and so we did that, you know, and that's smart, because then you're like, you say you're not trying to look at a chart as you're running or whatever,   Michael Hingson ** 59:56 and you may need to do it more than once to make sure you really know it. I know for me. I spent a lot of time walking around the World Trade Center. In fact, I didn't even use my guide dog. I used a cane, because with a cane, I'll find things that the dog would just automatically go around or ignore, like kiosks and other things. But I want to know where all that stuff is, because I want to know what all the shops are down on the first floor. Well, now that that is the case anymore, but it was at the time there was a shopping mall and knowing where everything was, but also knowing where different offices were, knowing who was in which offices, and then knowing the really important things that most people don't know about, like where the Estee Lauder second store was on the 46th floor of tower two. You know, you got to have the important things for wives, and so I learned what that was. Well, it was, it was, those are important things, but you'll learn a lot, and it's real knowledge. Someone, a recent podcast episode that they were on, said something very interesting, and that is that we're always getting information, but information isn't knowing it. Knowledge is really internalizing the information and making it part of our psyche and really getting us to the point where we truly know it and can put it to use. And that is so true. It isn't just getting information. Well, that's great. I know that now, well, no, you don't necessarily know it now, until you internalize it, until you truly make it part of your knowledge. And I think that's something that a lot of people miss. Well, this has been a lot of fun. If people want to reach out to you, is there a way they can do that?   Kay Sparling ** 1:01:40 Yeah, the best thing is my book website, K, Sparling books.com spelled and it would K, a, y, s, p, as in Paul, A, R, L, I N, G, B, O, O, K, s.com.com, okay, and you can email me through there. And all the media that I've been on is in the media section. The editorial reviews are there. There's another thing that my student heats up for me is the website. It's it's really developed. And so lots of information about the book and about me on on there. And one thing I want to mention is, just because of my background and all the all the people that you know, I know, a friend of mine is a composer, and he wrote a song, a theme song, because we do hope that someday we can sell this, you know, yeah, to for movie and, or, you know, Netflix, or something like that. And so he wrote a theme song and theme music. And I just think that's fun. And then I wanted my students saying, saying it. And then, you know, it's with a rock band, but it's, it's very James Bond, the kind of with a little opera, you know, involved too. But, you know, not a lot of authors can say that on their website, they have a theme song for their books.   Michael Hingson ** 1:03:16 And where is   Kay Sparling ** 1:03:18 it? It would be under, it's going to be about the author. And there's a nice one of my other students is a graphic artist. She She did a graphic a scene of Caitlin with her ball gown, and she's got her foot up on a stool, and she's putting her pistol in her thigh holster, in I think, you know, it's kind of like a cartoon, and it quotes Caitlin saying, I bet you I'm going to be the only bell at the ball with this accessory pistol. And then right underneath that, that song, you can click it and hear it. We also are on YouTube mission. Thought does have its own YouTube channel, so you can find it there as well.   Michael Hingson ** 1:04:05 So well, I want to thank you for being here and for telling us all the stories and especially about mission. I hope people will get it and read it, and I look forward to it coming out in audio at some point. Yes, I'll be lazy and wait for that, I I like to to get books with human readers. You know, I can get the print book and I can play it with a synthetic voice, but I, I really prefer human voices. And I know a lot of people who do AI has not progressed to the point where it really can pull that off.   Kay Sparling ** 1:04:38 Well, no, it cannot. Yeah, I totally agree with you there.   Michael Hingson ** 1:04:42 So Well, thank you for being here, and I want to thank all of you for listening and watching us today. This has been fun. And as some of you know, if you listen to many of these podcasts, we have a rule on the podcast, you can't come on unless you're going to have fun. So we did have fun. We. You have fun? Yeah. See, there you go. I was gonna ask if you had fun. Of course, yes. So thank you all for listening. Love to hear from you. Love to hear what your thoughts are about today's episode. Feel free to email me at Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, E, S, S, i, b, e.com, also, please give us a five star rating. We appreciate it. K, I'll appreciate it. And when this goes up, when you hear it, we really value those ratings and reviews very highly. If you know anyone else who ought to be a guest and KU as well, love to hear from you. Please introduce us. Kay, you'll have to introduce us to Caitlin, but But seriously, we always are looking for more guests. So if anyone knows of anyone who ought to come on and tell a story, we'd love to hear from you. But again, Kay, I want to thank you one last time. This has been great, and we really appreciate you being here.   Kay Sparling ** 1:05:59 Well, thank you for having me.   Michael Hingson ** 1:06:04 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

In this episode, Alexa sits down with voice teacher and performer Conor Angell to explore his influential article How Do You Teach Voice? Six Vital Non-Musical Teaching Principles. They discuss how these principles shape effective teaching, what's changed since 2019, and the importance of kindness, agency, and adaptability in the studio. Conor also reveals what he'd now add as a seventh principle, offering fresh insights for voice teachers, singers, and educators alike.  WHAT'S IN THIS PODCAST? 0:34 What makes a good teacher according to Conor?2:40 What are the signs that your teaching principles aren't working?6:41 How can we get out of our own heads in the teaching room?9:59 How to keep learning fun15:02 Understanding intrusive teaching approaches21:08 Balancing challenge and support27:56 Teaching approaches for specific vocal targets33:10 Which of Conor's six principles have proven to be the most successful?36:37 How can HE programmes make room for teaching philosophy?40:56 What would be Conor's 7th principle? About the presenter, click HERE RELEVANT MENTIONS & LINKSDr BraceySinging Teachers Talk Podcast Ep.224 Your Brain on Art: The Science of Creativity and HealingYour Brain on Art by Susan Magsamen and Ivy RossDaniel Levitin This is Your Brain on Music by Daniel LevitinJournal of SingingHow Do You Teach Voice? Six Vital Nonmusical Teaching Principles by Conor AngellToward a Theory of Applied Music Instruction by Richard KennelLev Vygotsky's Zone of Proximal DevelopmentSomatic VoiceworkIndianapolis OperaSinging Teachers Talk Podcast Ep.219 10 Songs for Male Contemporary Musical Theatre Singers ABOUT THE GUESTBorn in Ireland, baritone Conor Angell joined the music faculty at Taylor University in 2013 after teaching at Houghton and Wabash Colleges. A versatile performer, he has appeared in opera, musical theatre, orchestral concerts, recitals, and recording studios. His stage credits include roles in Le nozze di Figaro, La bohème, Rigoletto, The Sound of Music, and The Music Man, with companies such as Opera North, Kentucky Opera, and Indianapolis Opera. He is a prizewinner in competitions including the Chicago Oratorio Competition and the American Prize in Vocal Performance. As a director, Angell has led productions ranging from Mozart operas to Broadway classics, earning recognition from the National Opera Association, also a writer and collaborator in professional recording projects. SEE FULL BIO HEREWebsiteBAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Send us a textIn this episode, Deb and Pete reminisce about Garth Brooks' unforgettable Las Vegas residency at Caesars Palace. We share our favorite moments, from emotional song requests to magical duets with Trisha Yearwood. The intimate Colosseum setting made every show feel personal, and we loved connecting with fellow fans and Garth himself—especially those memorable fist bumps! Whether you were there or just listening in, we hope our stories help you feel the excitement, laughter, and heartfelt connections that made this residency truly special.Do YOU have a story from one of Garth's Plus 1 Residency shows??  Tell us all about it on any of our social media accounts!Support the showFind us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: Garthology.comEmail us at: garthologycast@gmail.com

Top Ten from 2024: #7 Her Desires and His Desires in the Bedroom with Dr. Jennifer Konzen   *DISCLAIMER* This episode is intended for adults   Her Desires and His Desires in the Bedroom with Dr. Jennifer Konzen   1 Corinthians 7:3 (AMP) “The husband must fulfill his [marital] duty to his wife [with good will and kindness], and likewise the wife to her husband."   **Transcription of original episode**  BONUS: Special Patreon Release: His Desires and Her Desires in the Bedroom with Dr. Jennifer Konzen   Dr. Jennifer Konzen is a certified sex therapist, award winning researcher, and international speaker who lives in San Diego, California. She and her husband Time have four kids. She has been a parent educator, a marriage, parenting, and sexuality seminar and conference speaker, and yes, a Broadway showtimes performer (her undergraduate degree is in Musical Theater and Vocal Performance).    Dr. Jennifer Konzen's Website    Art of Intimate Marriage by Tim Konzen and Dr. Jennifer Konzen   Redeemed Sexuality by Tim Konzen and Dr. Jennifer Konzen   Intimate Marriage Cards by Tim Konzen and Dr. Jennifer Konzen   The Gottman Institute   hotholyhumorous.com   christianfriendlysexpositions.com   christiannymphos.org    Thank You to Our Sponsor: The Sue Neihouser Team   Connect with The Savvy Sauce on Facebook, Instagram or Our Website.   Please help us out by sharing this episode with a friend, leaving a 5-star rating and review, and subscribing to this podcast!   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”

Send us a textIn this episode, Deb, Pete, and Jess dive into Garth Brooks' first Limited Series box set from 1998, with a special focus on the bonus track “Uptown Downhome Good Ole Boy.” Join us as we explore the nostalgia, surprises, and heartfelt moments that make Garth's music so special!Which album in the first Limited Series is YOUR favorite?  Let us know on any of our social media accounts!Support the showFind us at:Facebook: facebook.com/garthologycastTwitter: twitter.com/garthologycastInstagram: instagram.com/garthologycastWebsite: Garthology.comEmail us at: garthologycast@gmail.com

Alejandra Sandoval-Montañez is a mezzo-soprano and Holland Community Opera Fellow. The fellowship brings community-focused artists to live and work in Omaha. Sandoval-Montañez grew up in Mexico and received her Masters in Vocal Performance and Literature from the University of Illinois. Her stage credits include roles in productions of “Carnaval!,” “A Little Night Music,” “Pirates of Penzance” and “Patience.”Sandoval-Montañez is also an educator and social media manager. She runs the Instagram account Aspiring Opera Singers, which offers resources and inspiration to those coming up in the craft. The account has more than 22,000 followers.In this episode, Sandoval-Montañez and Michael Griffin are talking about techniques used in operatic singing, the role of live performance in shaping Omaha's culture, and how the operatic tradition can meet today's cultural needs.

This episode features Benny, a musician and producer who performs under the name Muted Circus. Benny, originally from Orange County, California, is currently based in Brooklyn, New York. He spent seven years in Tokyo, Japan, and attended the prestigious Berklee College of Music in Boston. The discussion starts with Benny sharing the story of his first rock concert at the age of 13, where he saw The Get Up Kids in a small, intimate venue in his hometown. This concert sparked his lifelong passion for live music, leading him to attend concerts frequently, including during his college years and time in Japan. Benny reminisces about the DIY music scene of Orange County in the '90s and shares anecdotes about attending shows with his older brother and friends. He also recalls a memorable yet disappointing encounter with Dave Mustaine from Megadeth during a concert in Tokyo, juxtaposing it with a positive experience meeting Marty Friedman, a former Megadeth guitarist.The conversation then shifts towards Benny's musical project, Muted Circus, a deeply personal undertaking inspired by the death of his father. The project comprises 10 EPs with 50 songs, each featuring his father's visual artwork on the covers. Benny explains how creating this music helped him process his grief and reflect on his relationship with his father. He delves into the themes explored in his music, often revolving around the impact of his parents on his life. Benny shares the challenges and emotional journey of writing and recording these songs over several years. He also introspects on the nuances of live vs. recorded music and the emotional resonance that well-produced music can often deliver.During the interview, Benny performs 'Disconnection,' a song from his final EP in the Muted Circus series. The song captures the sentiment of final phone calls with a loved one and reflects Benny's extensive relationship with his father through daily check-ins on the phone. The episode concludes with Benny discussing his future plans for more music releases under different projects and emphasizing the therapeutic power of music in processing complex emotions. Listeners can explore Benny's work on platforms like Bandcamp, Spotify, Apple Music, and YouTube.BANDS: No Doubt, The Get Up Kids, Jimmy Eat World, Real Big Fish, Gwen and Eric Stefani, Megadeth, NSYNC, Metallica, Slayer, Marty Friedman, Dave Mustaine.VENUES: Makuhari Messe (Japan), Koos Cafe, The Chain Reaction, Madison Square Garden. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Send us a textIn this episode of the VCA Voice Podcast, Dr. Kerl welcomes Dr. Virginia Frauenthal and Dr. Scott Weese to discuss their journeys in veterinary medicine and their study of highly pathogenic avian influenza (HPAI). In this fascinating conversation, they focus on the recent emergence of HPAI in cats. They explore the characteristics of HPAI, its transmission, and the implications for pet health and public safety. Their conversation also delves into the broader context of influenza viruses, the challenges of diagnosing emerging diseases, and the importance of collaboration with public health authorities. They discuss the One Health concept, emphasizing the interconnectedness of human, animal, and environmental health. Additionally, they highlight the importance of communication with pet owners regarding risks and preventative measures, as well as the challenges surrounding vaccination for pets.Dr. Frauenthal leads the team of doctors at VCA Care Specialty and Emergency Animal Hospital and is board-certified in the specialty of Emergency and Critical Care. She was raised in San Clemente, CA. Virginia received her undergraduate degree in Vocal Performance from UC Davis in 2005. She received her Doctorate of Veterinary Medicine from Purdue University in 2009. Dr. Frauenthal then continued her education with a rotating internship at the Veterinary Emergency Clinic and Referral Centre, the largest private practice in Canada located in downtown Toronto. She then gained experience as an emergency veterinarian at VCA West Coast before completing a 3-year residency program in emergency and critical care and becoming a Diplomate of the American College of Veterinary Emergency and Critical Care in 2016. Dr. Frauenthal's professional interests include toxicology, traumatology, electrolyte and acid/base disorders, management of patients with Multiple Organ Dysfunction Syndrome and Sepsis/Septic Shock. In 2017, she published the only article detailing the recognition and treatment of serious injuries secondary to coyote attack in dogs. Dr. Frauenthal's other professional love in life is her music. She is an accomplished opera singer andenjoys performing whenever her schedule permits. In addition to singing, she fills her spare time with tending her 137 exotic houseplants, 1 acre garden, travel and cooking with her husband Sam and 3 year old son Theo. Her life is enhanced with the antics of her rescue pets Charlette (dog), Basil (cat) and Mushu (cat).Dr. Weese is a veterinary internist and Professor at the Ontario Veterinary College, University of Guelph, Director of the University of Guelph Centre for Public Health and Zoonoses, Chief of Infection Control at the Ontario Veterinary College Health Sciences Centre. He runs the infectious disease website WormsAndGermsBlog. Visit our website: vcavoice.comAll episodes produced by dādy creative

It's time for One Funny Morning ... with special guest - filmmaker, actor, activist, entrepreneur AND former Miss America Nina Davuluri! Nina first gained international recognition by becoming the first South Asian to win the title of Miss America in 2014 - solidifying her place in history. Her foray into filmmaking combines the network she has cultivated, her love for advocacy, and disrupting global beauty standards by producing the documentary, COMPLEXion, which was released on Amazon in 2023. As a global leader in redefining beauty standards, she spearheaded a campaign against colorism, #SeeMyComplexion. Since then, she was invited to participate in Harvard Business School's Graduate Course in the Business of Entertainment, Media & Sports. Nina truly believes entertainment and media are the most impactful mediums to create lasting change. As such, she is currently at NYU pursuing her Masters of Music in Vocal Performance as she continues to fulfill her childhood dream of being a singer. You can learn more about Nina's projects by visiting her website: www.ninadavuluri.com  

Show SummaryOn today's episode, we're featuring a conversation with Navy Spouse, Dr LeNaya Hezel, who serves as the Warrior Scholar Project's Chief Programs Officer, collaborating with education and military-connected partners to cultivate educational experiences that foster personal growth for any enlisted service members and veterans pursuing higher education and beyond. Provide FeedbackAs a dedicated member of the audience, we would like to hear from you about the show. Please take a few minutes to share your thoughts about the show in this short feedback survey. By doing so, you will be entered to receive a signed copy of one of our host's three books on military and veteran mental health.  About Today's GuestLeNaya Hezel serves as Warrior-Scholar Project's chief programs officer, collaborating with education and military-connected partners to cultivate educational experiences that foster personal growth for any enlisted service members and veterans pursuing higher education and beyond.LeNaya earned her doctorate in public sociology at George Mason University, researching how military-connected students accrue social and cultural capital in higher education. Before WSP, LeNaya served as the inaugural Veterans Office director at Georgetown University and a certifying official at George Washington University. She holds a Master of Arts in Higher Education Administration from George Washington University and a Bachelor of Music in Vocal Performance from the University of Maryland, College Park. LeNaya is a 2021 Veterans Leadership Program scholar with the George W. Bush Institute and a Pat Tillman Foundation scholar, but her most prized accomplishments include being a military spouse to a U.S. Navy officer and mother to three spirited children.Links Mentioned in this Episode Warrior Scholar Project WebsitePsychArmor Resource of the WeekThis week's resource of the week is the PsychArmor course, Understanding and Utilizing Your Educational Benefits. This course provides service members, Veterans and their families with a comprehensive overview of the U.S. Department of Veterans Affairs educational benefits program. You can find the resource here:  https://learn.psycharmor.org/courses/Understanding-and-Utilizing-Your-Educational-Benefits Episode Partner: This week's episode is brought to you by Humana, a leading health and well-being company that has joined forces with PsychArmor to develop campaigns and courses that support veterans and their families in achieving their best health. To learn more about how Humana honors and serves veterans visit healthequity.humana.com/veterans” Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

“Going back for a master's was exhilarating. So many of the things that I had been doing in my studio were corroborated with education. On the flip side, I had a lot of moments where I thought, “I've been doing that wrong. I should change that.” Having had years doing a lot of my own education—I attended conferences and did everything I could to soak up anything available to me—going back to school and having it corroborated and defined was career-changing.”Award-winning coloratura soprano Alisa Toy has an impressive thirty-year performing and teaching career. She currently teaches and performs at Washington State University as a Lecturer of Voice. Internationally, Alisa soloed in Great Britain, Canada, Pakistan, and Italy, including a concert for Pope Benedict XVI with the Rome Symphony Orchestra. Some of her past favorite soloing opportunities include Mozart's Requiem and Coronation Mass, along with multiple performances of Handel's Messiah and Judas Maccabeus. Opera and musical theatre roles include Pamina in Mozart's The Magic Flute, Gertrude in Humperdinck's Hänsel and Gretel, Maria in Bernstein's West Side Story, and Grace in Strouse's Annie.As a choral conductor, Alisa currently serves as the Artistic Director of the Lewis and Clark State College Concert Choir, the Assistant Conductor of the Palouse Choral Society, and previously served as the Artistic Director for the Columbus Choral Society.Memorable performances for her include the world premiere of John Purifoy's Chronicles of Blue and Gray in New York's Carnegie Hall and the world premiere of Benjamin Harlan's The Seven Last Words of Christ in New Orleans. She frequently serves in her church as a soloist, choral conductor, and organist/pianist.Alisa holds a Master of Music in Vocal Performance and Choral Conducting from the University of Idaho and graduated summa cum laude with a Bachelor's Degree in Music Education from Mississippi University for Women. Alisa enjoyed teaching K-12 music for several years in public and private schools and enjoys teaching voice through her private studio, Singingtoy Studio in addition to her appointment at WSU. She is currently working on her Ph.D.To get in touch with Alisa, you can email her at alisa.toy@wsu.edu, find her on Facebook (@toysrusfamily), or follow the SingingToy Studio on Facebook.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The Lied Center for Performing Arts and the Lincoln Symphony Orchestra will be celebrating the music of "RENT" with their performance of "RENT In Concert" on January 18th, 2025!  We had learned there are incredibly talented young Nebraska performers that will be part of this fun production and we wanted to share a few of those with you!  We spoke to Elise Anderson, Will Hastreiter, and Samara Follette, who are local performers involved in this production!   Will Hastreiter is from Elkhorn, NE and graduated from Midland University.  He has appeared in Omaha community theatres and even a production at the Suncoast Broadway Dinner Theatre in Hudson, Florida. We will even get to see Will on stage at "The Wild Party" at the BLUEBARN Theatre soon!  Elise Anderson is a Lincoln native and is now a Junior at UNL and working on her Bachelor's of Arts in Vocal Performance.  She also wrote and produced a single called "Little Blondie" which you can find on You Tube, iTunes, Spotify and Pandora.  (Here is the Spotify link!) Samara Follette was recently in attendance at the 2024 Jimmy Awards where she received The Rising Star Scholarship.  She attends Wesleyan University in Lincoln. This will be her first professional production as she brings her immense presence to the stage!   Thank you to the Lied Center for Performing Arts for making Lincoln be one of the only cities in the US to welcome this new concert production!  "RENT In Concert" will be performed by these live vocalists, in partnership with the Lincoln's Symphony Orchestra.  This production is Directed by Broadway's Sammi Cannold. For Tickets go to https://liedcenter.org/tickets/group-tickets For more information and to see the other Nebraska performers in this production, go to https://liedcenter.org/event/rent-concert. LIED CENTER FOR PERFORMING ARTS https://www.liedcenter.org  Phone: 402-472-4734 HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Pandora, Spotify, iHeart Radio, Podbean, Audible, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   #rentinconcert #nebraskatheatre #liedcenter #lincolnsymphonyorchestra   ©Platte River Bard Podcast by Chris and Sheri Berger.

Sam and Marcos debate upon the nominees for Best Music Video, Rock Performance, Metal Performance, Vocal Performance, and Artist of 2024. Vote Now: https://www.sotspodcast.com/awards Become a Patron to gain early access and exclusive benefits! Patreon: https://www.patreon.com/Sotspodcast Playlist: https://open.spotify.com/playlist/0jp0fpudUz7gvu0SFaXhK3?si=6cddbd5b63564c9a Youtube: https://www.youtube.com/@sotspodcastYT Discord: https://discord.com/invite/3egU3Dk Merch: https://www.sotspodcast.com/merch Twitter: https://twitter.com/SOTSPodcast Facebook: https://www.facebook.com/sotspodcast Instagram: https://www.instagram.com/sotspodcast TikTok: https://www.tiktok.com/@sotspodcast 

What if mastering your voice could unlock newfound social confidence and charisma, transforming your public speaking and personal interactions?In this episode, Guy Monroe, the Charisma Coach, dives deep into the art of vocal mastery and charisma. Many of us struggle with stage fright and social anxiety, often feeling misunderstood or overlooked. Guy's methods offer a path to overcoming these challenges, promising a significant improvement in how we communicate and connect with others.Discover how to:Harness the power of vowels to enhance vocal resonance and clarity.Develop composure and confidence in high-stakes social situations.Utilise positive thinking techniques to transform anxiety into self-assuredness.Tune into this episode to learn actionable strategies from Guy Monroe that will revolutionise your speaking skills and elevate your social interactions. Listen now and start your journey towards becoming a more charismatic and confident communicator!˚

As a leader in nonprofit organizations, Jenni Rebecca has used talents and skills she has developed along her path–but has also made sure to be aware of what she doesn't know, and seek learning opportunities to fill those gaps.  If you have interest in the nonprofit space, Jenni Rebecca speaks at length about her experience in different nonprofit organizations, both within and outside the arts, to give us some insight into what is involved in that career path.  Jenni Rebecca's story is another example of using transferable skills across your career, genuine networking, and how participation in the arts can teach us some of the most valuable lessons for our professional careers. 

In this episode of Monique on the Mic, we explore the surprising benefits of recording your singing. Join me, Monique B. Thomas, as I share how self-recording can bridge the gap between perception and reality in your vocal technique. Whether you're a beginner or an experienced singer, recording allows for immediate feedback and insight into areas needing improvement. Learn from my experiences with artists like Damien, who transitioned from songwriter to singer through diligent practice and recording. Plus, I'll cover essential tips for setting up a home studio and using DAWs like GarageBand and Audacity. Don't miss this chance to elevate your vocal game!RESOURCES:Low cost studio set up : The idea is just to get started. This will not give you studio quality, but it will allow you to get used to recording your voice quickly. Don't forget to use garage band (Mac) or Audacity (pc). There are other DAW's as well. 1 Shure SM58 mic - roughly 110€xlr cable - roughly 20€Scarlett Focusrite solo Audio Interface - This connects your mic to your computer - roughly 90€ - 120€headphone, you can use any pair you have that plugs in via mini jack or get a better one for around 100€.If need be, you can use a cheaper mic. Just keep in mind the idea is to get used to recording quickly. Obviously, the better the equipment the better you will sound. The cheapest version and also the lowest quality will be using your phone. Don't over think this. Start where you are and buy better equipment little by little and on a need basis, unless money is not an issue. For a more upscale home studio version or just different options , you'll find plenty of videos on Youtube. Just type, "Home Studio setup". I hope this is helpful. Happy recordingIf you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today. For more information on how to work with me, send inquiries to : info@moniquebthomas.com

In this College Deep DIve, Errik Hood the Assistant Professor of Vocal Performance and Director, Program in Vocal Performance at NYU Steinhardt chats with MTCA Director Charlie Murphy about:   Misconceptions of the “letters” of the degree  What is the difference between NYU Tisch or NYU Steinhardt  How is NYU Steinhardt preparing students for the business? Financial Initiatives  Vocal expertise of NYU's professors  Check out our MTCA Events HERE!  If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtcollegeauditions.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier and Charlie Murphy. Episode theme music is created by Will Reynolds. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet Charlee Sorensen, a 21-year-old junior at Utah Valley University, is pursuing her BA in Vocal Performance. Raised in the close-knit town of Aurora, Utah, Charlee's love for the arts has been a lifelong passion. From a young age, she immersed herself in voice and dance lessons, which laid the foundation for her future achievements. Her journey in the spotlight began when she was crowned Miss Utah's Teen in 2020, leading to a top 10 placement at Miss America's Teen. These milestones not only showcased her talent but also solidified her commitment to leadership, service, and inspiring others.   Charlee's dedication to her craft and community continues to grow. After graduating from high school, she expanded her horizons by studying opera at the Mediterranean Opera Studio/Festival in Sicily, Italy. This immersive experience allowed her to perform her first operas and learn from industry experts, further fueling her passion for the art form. Charlee envisions a future where she obtains her master's in Vocal Performance, explores the world, and builds a loving family. She is a shining example of how believing in oneself can lead to incredible success.   Charlee Sorensen embodies the power of belief and passion!  Her journey is a testament to the impact of pursuing your dreams. Whether it's serving her community or mastering her craft, Charlee's dedication is inspiring. We love you, Charlee—thank you for showing us all the power of believing in yourself!   … #BelieveInYourself #CharleeSorensen #OperaStar #UtahValleyUniversity #MissUtahsTeen #InspiringJourney #ArtsAndLeadership #Empowerment #PassionAndDedication #SmallTownBigDreams #VocalPerformance #FutureStar   …. Connect with Charlee here: IG:  @charleesorensen FB:  https://www.facebook.com/charlee.sorensen LinkedIn:  https://www.linkedin.com/in/charlee-sorensen-02259629b/   ….. Special thanks to our Sponsors: Craig Swapp & Associates @craigswappandassociates Wasatch Recovery @wasatchrecovery Gabb @gabbwireless Minky Couture @minkycouture Micro+ @microplushealth Thread Wallets @thread_wallets Morii Nutrition @moriinutrition Music by Paul Cardall @paulcardall

Last year, Toosii was a favorite artist of ours on the show and even took home the award we gave for Best New Artist for his innovative sound and style in the melodic rap world. With high hopes, Ryder breaks down the exciting young artist's second album: Jaded. (00:25) - Thoughts on Toosii (01:54) - Instrumentals/Production(02:42) - Vocal Performance(04:01) - Lyrics(05:11) - Album Concept/Theme(06:42) - Featured Artists(07:55) - Enjoyment/Replay Value(10:03) - Best & Worst Tracks

Send us a text message and tell us your thoughts.What if the rhythm of an island could reshape global music? In this episode, we are joined by Dr. Jessica Swanston Baker who both brings her rich family heritage and academic expertise to trace the roots and evolution of wylers, its integral role in Carnival, and reveal how Caribbean music has profoundly influenced the global soundscape.Journey with us as we explore the dynamic evolution of Caribbean Christmas sports, with a special focus on the historical and cultural transformations in St. Kitts and Nevis. Dr. Swanston Baker sheds light on the technological advancements of the 1980s that propelled the development of wylers music, setting the stage for its contemporary form and challenging societal norms with its rapid tempo. Finally, we discuss the broader impact of globalization on Caribbean music in the 1990s and 2000s. Learn how affordable music technology enabled a new generation of musicians to bypass traditional pathways, reshaping the local and global music scenes. We also dive into the personal stories of navigating family history through ethnomusicology, highlighting the significance of tempo and poetic expression in Caribbean culture.Jessica Swanston Baker is an ethnomusicologist specializing in contemporary popular music of the Circum-Caribbean. Her work centers on the intricate relationships between tempo, aesthetics, colonial legacies, and the intersections of race and gender in the region and its diaspora. Her book, Island Time: Speed and the Archipelago from St. Kitts and Nevis (University of Chicago Press, 2024), traces the sonic history and ethnographic present of wylers, a fast-paced style of music from St. Kitts and Nevis, examining how it reflects broader histories of colonization, Black femininity, and West Indian performance practices. Professor Baker earned a Ph.D. in Ethnomusicology from the University of Pennsylvania and a Bachelor of Music in Vocal Performance from Bucknell University.  Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

In light of the highly anticipated sequel of Todd Phillips & Joaquin Phoenix's Joker movie, Lady Gaga has released a concept album about her character in the film: Lee Quinzel aka Harley Quinn. Tune in to join us in breaking down the glitzy, glamorous, and deranged musical adventure. (02:30) - Thoughts on Lady Gaga (04:36) - Instrumentals/Production(07:34) - Vocal Performance(10:00) - Lyrics(13:09) - Album Concept/Theme(15:28) - Featured Artists/Absence Thereof(17:36) - Enjoyment/Replay Value(20:18) - Best & Worst Tracks

In this special episode of Seeing Them Live: After Show Report, host Charles welcomes back previous guests Eric Green, an award-winning filmmaker and blogger, and Scott Patrick Wiener, an artist and art teacher. Both friends, bonded by their love for Jane's Addiction, recount their experiences at a recent controversial Jane's Addiction concert in Boston where frontman Perry Farrell attacked guitarist Dave Navarro on stage. They reflect on attending the show together, reminiscing on their long friendship, shared history with the band, and involvement in each other's creative projects.Eric and Scott delve into the details of the concert, describing both the high points of the performance and the troubling behavior exhibited by Perry Farrell, who appeared inebriated. They discuss the band's instrumental prowess and some standout moments from the night, juxtaposed with the unraveling tensions among the band members leading up to the on-stage altercation. The friends offer insights into the darker troubled history of Jane's Addiction, emphasizing the volatility that has characterized the band's trajectory.Throughout the episode, the two guests also share their perspectives on the broader context of the band's enduring legacy, the personal significance of Jane's Addiction's music in their lives, and their mutual admiration for bassist Eric Avery's contributions to the band's sound. They recount the immediate aftermath of the event, how the altercation was reported by major media outlets, and their reactions to the incident.The episode concludes with reflections on the meaningful moments of the night despite the dramatic turn of events. Eric and Scott mention their interest in future concert reviews and collaborations, encapsulating their deep bond and mutual passion for live music.BANDS: Bruce Springsteen, Empire Records, Jane's Addiction, Lollapalooza, Lollapalooza, Love and Rockets, Nine Inch Nails, Pearl Jam, Red Hot Chili Peppers, Ringo Starr and His All-Star Band, The Beatles, The Monkees, Van Halen, PrinceVENUES: Aragon Ballroom, Fenway Park, Grant Park, Hammerstein Ballroom, Hanscom Middle School, Harbor Lights, Leader Bank Pavilion PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Why do female singers sometimes sound like they've been gargling gravel? In this episode of Join the Docs, our melodious maestros, Professor Jonathan Sackier and Doctor Nigel Guest, strike a chord as they riddle on  raspy rappers and discuss distressed divas. Why might sopranos struggle to sing soulfully instead sometimes sounding far from sonorous? . They kick things off with a tuneful tour of the larynx and vocal cords, those tiny but mighty instruments that can make or break a performance. With a sprinkle of humour and a dash of puns, they explain how hormonal cycles can turn a diva's dulcet tones into a croaky chorus.Ever wondered why your favourite singer suddenly sounds like they've been shouting at a football match? The Docs delve into the various medical conditions that can cause hoarseness, from the common cold's pesky cousin, laryngitis, to the sneaky saboteur, acid reflux. They paint a vivid picture of how these ailments can transform a nightingale into a screech-owl, hooting away in distress. With anecdotes that hit all the right notes, they remind us that if hoarseness lingers longer than a three-week encore, it's time to seek medical advice.So, how do famous singers keep their voices in tip-top shape? The episode is peppered with references to iconic vocalists who have battled the dreaded hoarseness. Sackier and Guest serve up a smorgasbord of star-studded stories that add a touch of glamour to the medical mumbo-jumbo. Their witty banter and playful puns ensure that even the most complex concepts are as easy to swallow as a spoonful of honey.Is laughter really the best medicine? As the conversation crescendos, The Docs strike a perfect balance between education and entertainment. They sprinkle in just the right amount of humour, making the medical discussion as engaging as a front-row seat at a Broadway show.So, why not tune in and let Professor Jonathan Sackier and Doctor Nigel Guest serenade you with their insights on hoarseness? Thankfully without either of our two Docs bursting into song. Whether you're a singer, a fan, or just someone who loves a good laugh, this episode of Join the Dots hits all the high notes, ensuring you walk away with a smile on your face and a song in your heart.—--DISCLAIMER: The views and opinions expressed on Join the Docs are those of Dr. Nigel Guest, Jonathan Sackier and other people on our show. Be aware that Join the Docs is not intended to be medical advice, it is for information and entertainment purposes only - please, always take any health concerns to your doctor or other healthcare provider. We respect the privacy of patients and never identify individuals unless they have consented. We may change details, dates, place names and so on to protect privacy. Listening to Join the Docs, interacting on our social media, emailing or writing to us does not establish a doctor patient relationship.To Contact Us: For a deeper dive on this episode's issue, merchandise and exclusive content, head to www.jointhedocs.comFollow us on youtube.com/JoinTheDocs Follow us on instgram.com/JoinTheDocsFollow us on tiktok.com/JoinTheDocsFollow us on: facebok.com/JoinTheDocsFollow us on: x.com/JoinTheDocs

Everyone's favorite pop/rap sensation Post Malone has finally dropped his long hinted at country debut, F-1 Trillion. Grab your boots and cowboy hats, because this week J. Mac & Ryder discuss the album from top to bottom including a song that may be the best Post Malone's ever written. (00:58) - Thoughts on Post Malone (03:55) - Instrumentals/Production(05:46) - Vocal Performance(08:56) - Lyrics(13:01) - Album Concept/Theme(16:01) - Featured Artists(20:04) - Enjoyment/Replay Value(25:05) - Best & Worst Tracks

This week Jaden & Ryder breakdown the newest album from the highly regarded rapper/producer, JPEGMAFIA. Tune in to hear where this album ranks among this year's best as well as whether or not Jaden thinks JPEG is currently a better rapper than Eminem!(00:33) - Thoughts on JPEGMAFIA (02:55) - Instrumentals/Production(07:01) - Vocal Performance(10:11) - Lyrics(14:33) - Album Concept/Theme(17:01) - Featured Artists(19:56) - Enjoyment/Replay Value(24:11) - Best & Worst Tracks

It's that time again. AGT Commenter is back to present his quad-annual awards, The Commentees! We have some great awards to give out this year and one is audience participation.  Summary In this episode of AGT Time, Cody and AGT Commenter give out awards for various categories related to America's Got Talent. They discuss the Commenties, an award show they created for AGT, and the scheduling of future Commentees. They also review the nominees and winners for the AND award, Idea of the Year award, How Do You Still Have a Job award, Where Are They award, and Spin of the Year award. The conversation methodically reviewed the principal themes and identified the nominees for various awards. The awards discussed in this part include the Detroit Youth Choir of the Year, Feet of the Year, and Have We Seen You Before. The nominees for these awards were discussed, and the winners were determined. The conversation methodically reviewed the principal themes and consolidated related subtopics under primary themes. The chapters include the Have We Seen You Before Award, the Joey Chestnut vs. Michael Phelps Award, Vocal Performance of the Year, Audition of the Year, AGT Time Guest of the Year, and AGT Time Host of the Year. The conversation concludes with a discussion about the upcoming live shows and the potential format changes. They speculate that quarterfinals may be reintroduced, with four quarterfinal episodes and 44 acts participating. The golden buzzer may be used in the quarterfinals to send acts to the semifinals. The semifinals would have 11 acts participating, with 7 moving on to the finals. The schedule for the live shows is still uncertain, with potential conflicts with debates and football games. They encourage listeners to message them with their thoughts and feedback. Keywords AGT, Commentees, awards, nominees, winners, AND award, Idea of the Year award, How Do You Still Have a Job award, Where Are They award, Spin of the Year award, Detroit Youth Choir of the Year, Feet of the Year, Have We Seen You Before, nominees, winners, conversation review, principal themes, subtopics, chapters, Have We Seen You Before Award, Joey Chestnut vs. Michael Phelps Award, Vocal Performance of the Year, Audition of the Year, AGT Time Guest of the Year, AGT Time Host of the Year, AGT, live shows, quarterfinals, semifinals, finals, golden buzzer, schedule, feedback Contact Information Facebook | Twitter | Instagram | Threads | Email About AGT Time Podcast AGT Time Podcast is a weekly podcast covering the hit NBC talent competition America's Got Talent. The hosts, Cody Patterson & Jay Bock recap each episode during the regular season. We do rewatch older seasons during the offseason, have guest interviews, or review movies. AGT Commenter makes a frequent appearance on the podcast and gives his deep insight into America's Got Talent.  The podcast is typically recorded on Thursday nights and released on Fridays. Riverside.fm We are in the affiliate program for Riverside.fm. If you sign up using this link, then we receive a percentage from your subscription. This really helps us support this podcast.  #AGT #AmericasGotTalent   

Coming off of what many considered his worst musical endeavor (Vultures 1) and in only slightly less hot water regarding his highly controversial public statements and behaviors, Kanye West and his longtime collaborator Ty Dolla $ign have released their (mostly finished) follow up album: Vultures 2. (00:59) - Thoughts on Vultures 1(02:37) - Instrumentals/Production(04:06) - Vocal Performance(05:51 - Lyrics(07:08) - Album Concept/Theme(09:36) - Featured Artists(11:12) - Enjoyment/Replay Value(13:12) - Best & Worst Tracks

Throughout his career, Donald Glover/Childish Gambino has proven to be one of, if not the most, talented entertainers of the 21st Century. Upon finishing his “side quests” (including Emmy award winning TV series Atlanta and Mr. & Mrs. Smith and appearing in the Star Wars and MCU franchises) he has returned to making music for his final album under the Gambino alter ego: Bando Stone and The New World. (01:02) - Thoughts on Gambino's Discography (04:12) - Instrumentals/Production (06:57) - Vocal Performance (10:21) - Lyrics (13:00) - Album Concept (16:48) - Featured Artists (21:34) - Enjoyment/Replay Value (26:02) - Best & Worst Tracks

What's changing in musical theatre, and what needs to change? And what is authenticity in performance anyway? In their 100th episode, Gillyanne and Jeremy chat with singer researcher Guro von Germeten on her research into gender, authenticity and musical theatre.How does taste influence your vocal training? How is gender identity challenging musical theatre casting? Guro shares her passion on flexibility of vocal sounds, the role of recordings in musical theatre education, and the importance of providing a safe space for vocal experimentationIf you're passionate about musical theatre, join this podcast and discover how the industry is developing.Perfect for singers, singing teachers and musical theatre enthusiasts wanting to innovate their craft0:00 Authenticity versus believability01:36 Students investigating musical taste04:46 Taking time to explore in a masterclass06:25 We're not aiming for perfect08:42 Using recordings in musical theatre training10:21 Analysing multiple singers in a role12:02 Putting their recordings onto your voice13:30 Singing is not just sound15:53 Training, history and attractor states19:14 What is authenticity for a singer?22:12 Billie Eilish is a genre23:32 Is authenticity just commitment?28:12 Confidence, Clarity and Commitment31:07 Who am I that listens?32:48 Non-binary voice in musical theatreDon't forget to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most from Guro's episode!

This recording from July 13, 2024. Signum University presents Thesis Theater with Celesta Clegg on Saturday, July 13, 2024 at 5pm ET. Germanic reworkings of Genesis material present a glimpse into the Christian doctrine and societal understandings of the medieval culture in which the texts were composed. This thesis serves as an analysis and synthesis of the topic of original sin as found in a selection of prominent Germanic Genesis-related texts. Primary sources from the early post-conversion period through the late medieval period will be analyzed comparatively to determine common themes across analogues, explore original material unique to specific reworkings of the text, and postulate societal influence and reception of these works within the culture of the time. About the Presenter: Celesta Clegg is a graduate of West Liberty University with a Bachelor of Arts in Music Education and a Bachelor of Music in Vocal Performance. She has worked in the music field for the better part of a decade working with choirs, marching bands, and private lesson students. In her free time she enjoys reading Tolkien, writing in Tengwar, painting, hiking, and playing with her dog, Bailey. She and her husband are expecting their first child together this month. About Signum Thesis Theaters: Each of our master's students writes a thesis at the end of their degree program, exploring a topic of their choice. The Thesis Theater is their opportunity to present their research to a general audience, and answer questions. All are welcome to attend! Registration is open for the Fall 2024 semester (term begins August 26th)! To view our upcoming courses: https://signumuniversity.org/degree-p.... Learn about Signum University's mission, leadership and more: https://signumuniversity.org/about/. Want to enjoy Signum's educational offerings? Start here! https://signumuniversity.org/non-degr....

In this episode of Unexpected Turns, host Laura Wilcox speaks with guest Kate, who shares the personal devastation she experienced as her voice failed just as she graduated with a doctoral degree in vocal performance. Kate had come to faith in Christ as a teenager, and she found Jesus right beside her as she dealt with terrible anger and depression as a result of her failed dreams. Although God did not restore her singing voice for some time, He did lead her to other career opportunities in music, such as Orff Schulwerk programs with children.In time, Kate finally has come to a place where she can say, "Jesus, I love you if I never sing another note." She acknowledges that her ability to love God is only because of His great love for her. She shares her story hoping that other women will realize that no matter what changes may happen to their voices or their bodies, our lives are about God's plans, not our plans.Read Kate's story, The Hero of My Story, to find out more. What stories wait to be discovered in your women's ministry or small group? Schedule a Sacred Story Retreat to find out!

Since the dawn of man there have been only two things worthy of being considered absolutes: death, and Eminem dropping a controversial album. This week J. Mac & Ryder break down the record breaking artist's newest album: The Death of Slim Shady. (01:29) - Thoughts on Eminem's Discography (05:08) - Instrumentals/Production (08:43) - Vocal Performance (13:16) - Lyrics (21:34) - Album Concept (28:06) - Featured Artists (36:37) - Enjoyment/Replay Value (40:48) - Best & Worst Tracks

This week Jaden & Ryder break down Lil Yachty and James Blake's collab album Bad Cameo. Check out their thoughts on the best and worst tracks as well as where this album ranks among the best of the year! (00:48) - Thoughts on Lil Yachty and James Blake's Discographies (04:12) - Instrumentals/Production (07:18) - Vocal Performance (10:11) - Lyrics (13:01) - Tone & Flow of the Album (17:06) - Featured Artists (20:31) - Enjoyment/Replay Value (24:30) - Best & Worst Tracks (30:50) - Brief Thoughts on Lupe Fiasco's Album

Join Monique B Thomas and her voice teacher and dear friend, expert voice consultant Greg Enriquez, for part 2 of a captivating and personal conversation recorded live while walking through Bari. In this episode, Monique and Greg discuss the importance of routines, the power of journaling, and the unique dynamics of teacher-student relationships. They share personal stories and insights on how routines can empower artists, the role of curiosity in fostering passion, and the value of seeking mentorship. This episode is packed with wisdom, laughter, and heartfelt moments, offering valuable takeaways for artists, teachers, and anyone looking to improve their daily lives.Resources :How to reach Greg :Website : https://gregenriquez.comFacebook : https://www.facebook.com/thegregenriquezInstagram : https://www.instagram.com/thegregenriquez?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==If you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today.Musically,Monique

They've been called the modern Nickelback by some and for others, they've been a mainstay in their music rotation for 12 years. This week Jaden & Ryder breakdown the newest album, LOOM, from the highly divisive band: Imagine Dragons. They also briefly cover their thoughts on the albums released by Jxdn and Lupe Fiasco. (00:41) - Reviewing Jxdn & Lupe Fiasco's albums (11:18) - Instrumentals/Production (13:52) - Vocal Performance (17:58) - Lyrics (21:51) - Theme/Concept (26:44) - Featured Artists (30:40) - Enjoyment/Replay Value (32:08) - Best & Worst Tracks

“The folks who I think are really doing incredible work around the world, not just for one festival or for one tour, but for decades, are the folks who are trying to literally make the world a better place through choral music. How many opportunities can we provide for them so they can feel like they're part of that bigger family to help legitimize the hard work and the experiences that they're having in their corner of the world?” T. J. HARPER is Associate Professor of Music and Specialist in Choral Music Performance, Choral Pedagogy, Conducting, and Vocal Performance at Loyola Marymount University in Los Angeles, California. Choirs under the direction of Dr. Harper have performed at Carnegie Hall in 2022, NAfME division and national conferences, ACDA conferences, and International performances by invitation including Costa Rica, Austria, Czech Republic, Spain, and Italy.Dr. Harper maintains an active schedule in the US and abroad as a guest conductor, clinician, and jury member. Recent engagements include headlining the China National Choral Conference and conducting the Beijing Harmonia Choir; Master classes for El Sistema and conducting the Venezuela National Choir. He has been engaged as a lecturer, presenter, and guest speaker at the 2015 Yale University International Choral Music Symposium; the 2015 European Choir Games in Magdeburg, Germany; Harvard University, Hofstra University, and the New England ACDA Collegiate Choral Conference.Dr. Harper is the Associate Director for the Jeju International Choral Festival in Jeju, South Korea, Associate Director for the Icheon World Choral Festival in Icheon, South Korea, the Associate Director for the San Juan Canta Choral Festival and Competition in San Juan, Argentina, the Associate Director for the World Youth Choir Festival and Competition in Jeju, South Korea.Dr. Harper recently held positions as Board Member for the International Federation of Choral Music (IFCM), the past Chair of the ACDA Standing Committee on International Activities, and the Director of the ACDA International Conductors Exchange Program (ICEP).  Dr. Harper received the Doctor of Musical Arts (D.M.A.) from the University of Southern California, his Master of Arts in Choral Conducting from California State University, Northridge and his B.A. in Choral Conducting from California State University, Fresno.  To get in touch with T. J., you can find him on Instagram (@conductortj) or Facebook (@harper.tj).Choir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Jaden & Ryder are back reviewing music this week with the release of the album Hardstone Psycho from everybody's favorite trap/r&b genre bending vocalist: Don Toliver. They tap in trap/hip-hop expert and former guest star on the Travis Scott episode, Asher Swiss, for some assistance in breaking down the project. (04:10) - Instrumentals/Production (10:12) - Vocal Performance (17:00) - Lyrics (23:14) - Theme/Concept (29:02) - Featured Artists (36:14) - Enjoyment/Replay Value (41:12) - Best & Worst Tracks

My guest this week Lara Chapman, who's an award winning singer/songwriter turned viral vocal coach and the Founder of VoxTape Studios. Born in Switzerland, her aspirations quickly took her to New York City, where she studied Musical Theatre and Acting for Film and Television. After that she moved to Boston to study Music Business, Songwriting and Vocal Performance at Berklee College of Music. While finishing her degree, she was signed to a major management deal and moved to Nashville to write and record her debut album.  After many successful releases, hundreds of shows, and navigating the brutal realities of the music industry, she discovered her true passion: helping others transform from singers into artists. Lara's coaching videos have reached millions of passionate singers from all over the world helping her build a reputation in the industry as the go-to coach for helping singers find their own voice as an artist. During our interview Lara we learn a lot about singing as she talked about transitioning from performer to vocal coach, how the “good enough” mentality doesn't work with singing, how singing is more than just hitting the right notes, why traditional singing lessons don't work anymore, and so much more. I spoke with Lara via zoom from their studio in Indianapolis.  var podscribeEmbedVars = { epId: 101933661, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

From a young age, Christina loved reading and writing, so she thought she would someday become an author.  As she grew up, theater became another love in her life, and she was encouraged by her voice teacher to pursue singing. When looking at colleges, Christina wanted to find a school where she could pursue both English and Music.  Join us as Christina describes her experience double majoring in undergrad, what graduate school taught her, her first career as an active opera singer and her life in New York City, followed by a new chapter starting a family and launching a business. As a business owner in a different city, Christina explains why it was important to her to dive into community engagement and leadership opportunities. In the marketing strategy work she does now, she goes full circle back to her love of storytelling, using the skills from her English degree every single day. 

In this continuation of my interview with Ashli, we take a deeper look into the breadcrumbs she's encountered along her journey on the Covenant Path. We explore the  power behind recognizing these signs, and how Ashli shares these experiences with others.  Her insights and choices will leave you uplifted and inspired.Ashli Carnicelli is an author, editor and classically trained singer. Ashli's heartfelt narrative invites readers to embark on a soul-enriching experience through her works such as Cherish: The Joy of Our Mother in Heaven and her monthly newsletter sharing her testimony of Christ “The Pearls”.  The second volume of Cherish: The Love of Our Mother in Heaven has just been released on Amazon and Barnes & Noble.com in time for Mother's Day. She recently was featured in LDS Living Magazine for her personal life experiences and reflections on God's love. Ashli holds her Bachelor of Music Degree in Vocal Performance from The Boston Conservatory, and she and her husband Tony are the parents of four daughters.--------------------------------------Ashli's New bookAshli's Instagram

After four long years, Final Fantasy VII Rebirth is finally here, and it's everything we could have ever hoped for and so much more. Andre and Vin talk about key character moments, great music, favorite scenes, and of course those last two chapters in depth in this super-sized FF7 Rebirth blowout! FULL SPOILERS IN THIS EPISODE - If you want to keep the experience fresh for yourself, DO NOT LISTEN until you've played the enitre game! Twitter: @FineTimePodcast Andre on Bluesky: @pizzadinosaur.fineti.me Vin on Bluesky: @lucentai.bsky.social [00:00] SPOILERS AHEAD!! [01:15] Intro and Thoughts  On Previous FF7 Games [09:33] Overarching Thoughts On Rebirth [16:26] Cloud and Sephiroth - Characterization and Voice Acting [23:32] Red XIII and Yuffie Chracter Interactions [28:13] Cloud, Tifa, and Aerith's relationship(s) [36:43] Cait Sith, Beachwear, and Vincent Valentine [41:25] Barret, Corel, and NPCs [47:08] Red XIII's Vocal Performance [49:58] The Turks (Fuck 'Em) [52:18] Music Direction and Key Music Moments [01:08:01] Loveless [01:12:24] Opening Scene with Zack, Junon, and The Bald Bar [01:17:07] Queen's Blood Tournament and Chadley [01:20:00] Back To Nibelheim, Dyne, and Marlene [01:24:17] Costa Del Sol [01:27:26] Gold Saucer Intro and Dio [01:29:44] Moogle Design and Cait Sith's Identity [01:32:26] The Last Two Chapters [02:08:23] The Future and Closing Thoughts [02:18:03] No Promises Await At Journey's End

Today we get a special treat as my friend Ashli shares her conversion story on part one of my interview with her.Ashli Carnicelli is an author, editor and classically trained singer. Ashli's heartfelt narrative invites readers to embark on a soul-enriching experience through her works such as Cherish: The Joy of Our Mother in Heaven and her monthly newsletter sharing her testimony of Christ “The Pearls”.  The second volume of Cherish: The Love of Our Mother in Heaven has just been released on Amazon and Barnes & Noble.com in time for Mother's Day. She recently was featured in LDS Living Magazine for her personal life experiences and reflections on God's love. Ashli holds her Bachelor of Music Degree in Vocal Performance from The Boston Conservatory, and she and her husband Tony are the parents of four daughters.--------------------------------------Ashli's New bookAshli's Instagram

This is part 2 of a conversation with Elena Armijo, where we dive deep into the often-overlooked impacts of inclusivity and belonging in the workplace and society.  "We're not aware of the impact that not being inclusive has for us as a society. "   Elena Armijo, Master Certified Coach (MCC), Founder and CEO of The C-Suite Collective, and Certified Dare to Lead™ Facilitator has a strong track record of supporting clients and organizations in creating impact, culture shifts and leadership development. Her unique ability to identify common patterns while generating new awareness and re-invention leaves clients with the ability to make stronger choices, clearer decisions and powerful steps toward their desired outcomes. Elena offers in-depth and customized executive programs for high performers who are at the top of their respective fields – from CEOs of leading businesses to professional athletes, policy-focused individuals, entertainers, and artists, and more. Partnering with Elena, these clients have created and achieved the professional and personal impact in the world they once perceived unattainable. As a former leader and trainer with Accomplishment Coaching©, and a CHIEF Core Guide Facilitator, Elena continues to expand her work with teams across the world.  Elena also hosts the podcast The Collective Corner.Elena Armijo was inspired to become an Executive and Leadership Coach through her work as a professional opera singer. Drawn to work with ambitious top performers like herself, she realized she could bring unique insight to the coaching business after spending many years “on the other side of the table.” Elena's ten-year career in opera spanned across the globe and included work with many prestigious opera companies as well as performances at Lincoln Center and Carnegie Hall. Elena holds a B.M. of Music Education from New Mexico State University and an M.M. in Vocal Performance from the University of Washington.When not traveling domestically and internationally for speaking engagements and workshops she lives in Los Angeles, CA with her partner Aaron and their sweet pups Nalle and Bailey.htttp://www.Elenaarmijo.comhttps://www.thec-suitecollective.com/ https://www.linkedin.com/in/elena-armijo/https://www.facebook.com/coachingwithelenahttps://www.instagram.com/elena.armijo/?hl=enConnect with Jason If you enjoyed listening, then please take a second to rate the show on iTunes. Every podcaster will tell you that iTunes reviews drive listeners to our shows, so please let me know what you think and make sure you subscribe using your favorite podcast player. It means a lot to me and the guests.https://www.jasonfrazell.comhttps://www.jasonfrazell.com/podcastshttps://www.instagram.com/jasontfrazellhttps://www.https://www.linkedin.com/in/jasonfrazell/

Elena joins the podcast for the first in a two part conversation where she shares her journey from the world of professional opera to coaching and founding her own business.  Elena and Jason talk about the power of inclusion and the impact that it has on all of us."The goal is to see what you in this seat can bring to the table."Elena Armijo, Master Certified Coach (MCC), Founder and CEO of The C-Suite Collective, and Certified Dare to Lead™ Facilitator has a strong track record of supporting clients and organizations in creating impact, culture shifts and leadership development. Her unique ability to identify common patterns while generating new awareness and re-invention leaves clients with the ability to make stronger choices, clearer decisions and powerful steps toward their desired outcomes. Elena offers in-depth and customized executive programs for high performers who are at the top of their respective fields – from CEOs of leading businesses to professional athletes, policy-focused individuals, entertainers, and artists, and more. Partnering with Elena, these clients have created and achieved the professional and personal impact in the world they once perceived unattainable. As a former leader and trainer with Accomplishment Coaching©, and a CHIEF Core Guide Facilitator, Elena continues to expand her work with teams across the world.  Elena also hosts the podcast The Collective Corner.Elena Armijo was inspired to become an Executive and Leadership Coach through her work as a professional opera singer. Drawn to work with ambitious top performers like herself, she realized she could bring unique insight to the coaching business after spending many years “on the other side of the table.” Elena's ten-year career in opera spanned across the globe and included work with many prestigious opera companies as well as performances at Lincoln Center and Carnegie Hall. Elena holds a B.M. of Music Education from New Mexico State University and an M.M. in Vocal Performance from the University of Washington.When not traveling domestically and internationally for speaking engagements and workshops she lives in Los Angeles, CA with her partner Aaron and their sweet pups Nalle and Bailey.htttp://www.Elenaarmijo.com https://www.thec-suitecollective.com/ https://www.linkedin.com/in/elena-armijo/https://www.facebook.com/coachingwithelenahttps://www.instagram.com/elena.armijo/?hl=enConnect with Jason If you enjoyed listening, then please take a second to rate the show on iTunes. Every podcaster will tell you that iTunes reviews drive listeners to our shows, so please let me know what you think and make sure you subscribe using your favorite podcast player. It means a lot to me and the guests.https://www.jasonfrazell.comhttps://www.jasonfrazell.com/podcastshttps://www.instagram.com/jasontfrazellhttps://www.https://www.linkedin.com/in/jasonfrazell/

Women in rock bands are often overshadowed by their male counterparts, but the female led band RōZY is quickly making a Texas size impact on the music industry. On this Music Monday we talk to sisters Zoe Molly, guitar players Brandon and Aris about how the RōZY was formed, their upcoming music projects and an announcement about their next tour! The band then hits the Str8Up Stage to perform a song from the newest song "Crybaby." Follow RōZY: Website: www.rozyofficial.com All socials: @therozyofficial

*DISCLAIMER* This episode is intended for adults   BONUS: Special Patreon Release: His Desires and Her Desires in the Bedroom with Dr. Jennifer Konzen   1 Corinthians 7:3 (AMP) “The husband must fulfill his [marital] duty to his wife [with good will and kindness], and likewise the wife to her husband."   Dr. Jennifer Konzen is a certified sex therapist, award winning researcher, and international speaker who lives in San Diego, California. She and her husband Time have four kids. She has been a parent educator, a marriage, parenting, and sexuality seminar and conference speaker, and yes, a Broadway showtimes performer (her undergraduate degree is in Musical Theater and Vocal Performance).  Dr. Jennifer Konzen's Website  Art of Intimate Marriage by Tim Konzen and Dr. Jennifer Konzen Redeemed Sexuality by Tim Konzen and Dr. Jennifer Konzen Intimate Marriage Cards by Tim Konzen and Dr. Jennifer Konzen The Gottman Institute hotholyhumorous.com christianfriendlysexpositions.com christiannymphos.org    Thank You to Our Sponsor: T Photography   Connect with The Savvy Sauce through Our Website    Please help us out by sharing this episode with a friend, leaving a 5-star rating and review, and subscribing to this podcast!   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”

Music director and producer, recording and performing artist, singer, songwriter, and multi-instrumentalist who has a new EP coming out this Friday, January 19th. She is also part of a duo act and the co-founder of Minx & Maestro Productions, which we will hear about today. In addition, she has held the position of Specialist of Vocal Casting and Music Production with Royal Caribbean Entertainment after music and vocal directing for them for almost nine years. She is also the creator of The Journey: A New Indie Musical, and has been an active performer in bands, piano bar, and theater for over 20 years. She holds a Bachelor's Degree in Vocal Performance from Berklee College of Music and a Master's Degree in Music Production from Berklee Online, having graduated with a 4.0 GPA. She was the recipient of the award for Outstanding Graduate Student of the Class of 2022, as well as the iZotope Award, which honors innovation in music production.

Heidi and Ellen are back!  It's a new year filled with new dreams. And new movies!! After catching up with each other and talking about all the movies and shows they watched over the break: Minx; The Holdovers; American Fiction; Boys in the Boat; Anatomy of a Fall; and Maestro, Heidi and Ellen took a question from Amber. Amber is 42 and has a 1-year-old daughter. She has a Masters in Music for Vocal Performance and studied opera. She is at a crossroads work-wise. Should she go back to finance work to make money or try to teach voice lessons? She doesn't want to take too much time from being with her daughter and she needs to make money. She is feeling adrift and struggling to see a way through. Heidi and Ellen talk about various ways to look at these issues.