Podcasts about humanities new york

In this episode we meet Quentin Lewis who is fighting his conviction while locked up at Wende Correctional in Western New York. Hear his poems, and listen as he joins Michael in conversation about writing in prison, Quentin's work as a jailhouse lawyer, and the burden of being imprisoned while maintaining one's innocence."The Undiscovered Country" is a partnership between WRFI, Prisoner Express, the Cornell Prison Education Program and Civic Ensemble's Re-Entry Theatre project and supported by a grant from Humanities New York. To support the Undiscovered Country, please contact Felix Teitelbaum at WRFI.

This episode will feature poet Quentin Lewis who is imprisoned at Wende Correctional Facility in Western New York.It will air Tuesday, March 25 at 2 and 5pm, and Friday, March 28 at 5pm on WRFI and will post to this feed following the debut.Hamlet calls death "the undiscovered country," a mysterious land from which no one returns. Host Michael Rhynes repurposes the concept to highlight the invisibility and disenfranchisement of prison populations. Although incarcerated people are all around us, they are largely invisible to us, their humanity erased.In the program, Michael engages poets and writers who are incarcerated in New York. We hear about about their work and lives. The project aims to elevate theses writers' voices and restore what's lost to all of us when people are exiled to the "Undiscovered Country."Michael was wrongfully incarcerated in New York State for 39 years and was exonerated in 2023. While in prison he published poetry including a chapbook entitled "Guerillas in the Mist" and started a theatre troupe. He brings his wealth of lived experience to discussions of incarceration, re-entry, and criminal justice.The program is under development but has already aired some preliminary episodes. It's a partnership between WRFI, Prisoner Express, the Cornell Prison Education Program and Civic Ensemble's Re-Entry Theatre project and supported by a grant from Humanities New York.

C. Evan Stewart is a senior partner in a New York City law firm. Mr. Stewart is also a visiting professor at Cornell University and an adjunct professor at Fordham Law School. In addition, he is a contributing columnist for the New York Law Journal, New York Business Law Journal, and the Federal Bar Council Quarterly; he has published approximately 300 articles on a variety of legal subjects. He is frequently featured in the national media, such as Bloomberg, CNBC, CNN and regularly speaks across the country on securities, professional responsibility, and complex litigation issues. In 2016, he received the Sanford D. Levy Award from the New York State Bar Association for his contributions to the field of legal ethics. Mr. Stewart is a member of the Council on Foreign Relations and the Economic Club of New York. He is also a Director and Treasurer of Humanities New York. Mr. Stewart has served as a Trustee of Cornell University, Westminster School, the American University of Bulgaria, the American Historical Association, the Young Women's Christian Association of the USA, YMCA Camping Services, and the Federal Bar Council. Find out more at: www.cohengresser.com/attorney/c-evan-stewart/ The Storytellers hosted by Grace Sammon focuses on individuals who choose to leave their mark on the world through the art of story. Each episode engages guests and listeners in the story behind the story of authors, artists, reporters, and others who leave a legacy of storytelling. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to listeners an intimate one-on-one experience with her guests. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On Twitter https://www.twitter.com/GSammonWrites On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ #TheStorytellers #Storyteller #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #BookishRoadTrip #AuthorTalkNetwork #AuthorsOnTheAirGlobalRadioNetwork #author #non-fiction #economics #industry #industrialleader # diplomat #popes The Storytellers is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

C. Evan Stewart is a senior partner in a New York City law firm. Mr. Stewart is also a visiting professor at Cornell University and an adjunct professor at Fordham Law School. In addition, he is a contributing columnist for the New York Law Journal, New York Business Law Journal, and the Federal Bar Council Quarterly; he has published approximately 300 articles on a variety of legal subjects. He is frequently featured in the national media, such as Bloomberg, CNBC, CNN and regularly speaks across the country on securities, professional responsibility, and complex litigation issues. In 2016, he received the Sanford D. Levy Award from the New York State Bar Association for his contributions to the field of legal ethics. Mr. Stewart is a member of the Council on Foreign Relations and the Economic Club of New York. He is also a Director and Treasurer of Humanities New York. Mr. Stewart has served as a Trustee of Cornell University, Westminster School, the American University of Bulgaria, the American Historical Association, the Young Women's Christian Association of the USA, YMCA Camping Services, and the Federal Bar Council. Find out more at: www.cohengresser.com/attorney/c-evan-stewart/ The Storytellers hosted by Grace Sammon focuses on individuals who choose to leave their mark on the world through the art of story. Each episode engages guests and listeners in the story behind the story of authors, artists, reporters, and others who leave a legacy of storytelling. Applying her years of experience as an educator, entrepreneur, author, and storyteller herself, Grace brings to listeners an intimate one-on-one experience with her guests. Visit Grace at her website www.gracesammon.net. Contact Grace about being a guest on the show, email her at grace@gracesammon.net Follow Grace: On Facebook https://www.facebook.com/GraceSammonWrites/ On Instagram https://www.instagram.com/GraceSammonWrites/ On Twitter https://www.twitter.com/GSammonWrites On LinkedIn: https://www.linkedin.com/in/grace-sammon-84389153/ #TheStorytellers #Storyteller #Storytellers # Storytelling #AuhtorInterview #LetsTalkBooks #LeaveYourMark #AuthorLife #StorytellerLife #ArtofStory #AuthorTalkNetwork #BookishRoadTrip #AuthorTalkNetwork #AuthorsOnTheAirGlobalRadioNetwork #author #non-fiction #economics #industry #industrialleader # diplomat #popes The Storytellers is a copyrighted work © of Grace Sammon and Authors on The Air Global Radio Network.

Amended, a podcast from our friends at Humanities New York, asks how we tell the story of the (unfinished) struggle for women's voting rights. Who gave us the dominant suffrage narrative? And who gets left out?When the 19th Amendment was ratified in 1920, a large number of Native American women still could not vote. The U.S. government did not recognize them as citizens. And if having U.S. citizenship required them to renounce tribal sovereignty, many Native women didn't want it. But early-twentieth-century writer, composer, and activist Zitkála-Šá was determined to fight for both.In this episode, host Laura Free speaks with digital artist Marlena Myles (Spirit Lake Dakota) whose art is inspired by Dakota imagery and history, and by Zitkála-Šá's legacy. Dr. Cathleen Cahill, author of Recasting the Vote: How Women of Color Transformed the Suffrage Movement, returns to help tell the story of Zitkála-Šá's struggle for a “layered” U.S. citizenship that included the acknowledgment of Native American sovereignty.This final episode of the Amended series demonstrates once again how those who have been marginalized within U.S. democracy have worked, and continue to work, to hold the nation accountable for its promise of liberty and equality for all.Listen to Amended in full at https://humanitiesny.org/our-work/amended-podcast/ or in the Humanities New York feed wherever you listen. And, later this year, join us for The Ohio Country, a forthcoming series from WYSO Public Radio and funded by Ohio Humanities.  Native men and women from different tribes and their allies—plus teachers, artists, scholars, parents, landowners, foresters, young people, and historians, too—will tell their stories about the about the lands above the Ohio River, known as the Ohio Country. You can listen in this feed, at WYSO.org, ohiohumanities.org, and in all those other places where you get podcasts.

Amended, a podcast from our friends at Humanities New York, asks how we tell the story of the (unfinished) struggle for women's voting rights. Who gave us the dominant suffrage narrative? And who gets left out? In this episode, Laura Free, a historian of women and politics, reflects on the suffrage story she learned as a child, one that centers a few white women. She speaks with historians Bettye Collier-Thomas and Lisa Tetrault about the work they've done to show there is much more to the story. Next, Laura travels to Seneca Falls, New York, site of the 1848 women's rights convention, with historian Judith Wellman. Dr. Wellman describes a movement that was both complex and diverse, and helps us to see an old story in an entirely new light. This episode serves as the prologue to the series, inviting listeners to amend their understanding of women's suffrage history. Listen to Amended in full on the HNY website or in the Humanities New York feed wherever you listen. And, later this spring, join us for The Ohio Country, a forthcoming series from WYSO Public Radio and funded by Ohio Humanities.  Native men and women from different tribes and their allies—plus teachers, artists, scholars, parents, landowners, foresters, young people, and historians, too—will tell their stories about the about the lands above the Ohio River, known as the Ohio Country. You can listen in this feed, at WYSO.org, ohiohumanities.org, and in all those other places where you get podcasts.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Eight, the final episode of this season, we're sharing the stories of narrators who grew up in Coney Island or came here from nearby neighborhoods, in the first decade of the 2000s.The new millennium began with the opening of a thirty million dollar ballpark for a Mets farm team on the site of Steeplechase Park. A contest was held to name the new team and the Brooklyn Cyclones was the winning name. Whenever the Cyclones won a home game, Astroland's Cyclone roller coaster enjoyed a surge of business.Soon after Mayor Michael Bloomberg took office in 2002, he set his sights on Coney Island. He envisioned world-class attractions and hotels surrounded by high-rise residential development on vacant amusement land. A year later, the city formed the Coney Island Development Corporation to devise what was called “the Coney Island Strategic Plan.” The objective was to make Coney Island into a year-round recreational oceanfront destination by rezoning it. The ensuing zoning battle kept Coney in the headlines for the next six years, as speculators bought and sold land, and preservationists and stakeholders offered alternative visions for the future of the “People's Playground.”The oral histories in Episode Seven are with Ahmed Hussain, Abby Jordan, Bonnie Kong, Candi Rafael, and Eric Sanchez. The interviews were conducted by Kaara Baptiste, Allison Corbett, Amanda Deutch, Samira Tazari, and Lauren Vespoli between 2015 and 2022. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Seven, narrators who grew up here in the 1990s share stories of loss and change. They remember living in Gravesend Houses and Sea Rise apartments as well as on West 5th, West 8th and West 19th Streets. The Boardwalk, the Beach, Astroland, the Cyclone Roller Coaster and the Wonder Wheel were their playgrounds.The decade began with the Cyclone winning a spot on the National Register of Historic Places in 1991. The same year, a fire gutted the wooden house under Coney's other surviving roller coaster from the 1920s, the still standing but nonoperational Thunderbolt. The house was known to film lovers as Woody Allen's boyhood home in the movie Annie Hall, but it was originally built as the Kensington Hotel in the late 1800s. It was the last remaining structure from Coney's original waterfront, since the shoreline at that time was much farther inland than it is now. The 1925 coaster was caught between an owner who neglected it, and City officials who considered it an eyesore. Some viewed the Thunderbolt as a symbol of Coney's decline, but to many, it served as a monument to survival.The oral histories in Episode Seven are with Tiana Camacho, Emmanuel Elpenord, Theresa Giovinni, Allen James, and Marina Rubin The interviews were conducted by Amanda Deutch, Katya Kumkova, Ali Lemer, Samira Tazari, and Tricia Vita between 2014 and 2020. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Six, Narrators who grew up here in the 1980s, or grew up coming to Coney Island from nearby neighborhoods, share their stories. They remember living in Gravesend Houses and O'Dwyer Gardens, high-rises overseen by the New York City Housing Authority, as well as apartments on West 19th Street and in Brightwater Towers.  Astroland Park, Fabers Fascination Arcade, and Ruby's Bar and Grill were their playgrounds.Coney Island during the 1980s is best symbolized by Greek immigrant Denos Vourderis's purchase of the 1920 Wonder Wheel, the amusement area's oldest continuously operating ride and the founding of Deno's Wonder Wheel Park. Another ray of hope in 1980's Coney Island was the Astella Development Corporation's plan to build low-rise attached homes on vacant lots slated for high-rise projects that were abandoned when the city went broke in the 1970s. Astella developed or renovated nearly one thousand single-family, owner-occupied homes on city-owned land in the 1980s.The oral histories in Episode Six are with Alito Hernandez, Shavon Meyers, Zohra Saed, Eric Safyan, and Jeffrey L. Wilson. The interviews were conducted by Kaara Baptiste, Charles Denson, Leila Goldstein, and Tricia Vita between 2017 and 2021. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Five, Coney Islanders who grew up in the 1970s share memories of being the original tenants of Carey Gardens and O'Dwyer Gardens, newly built high-rise developments overseen by the New York City Housing Authority. They remember the razing of entire blocks in the West End during urban renewal, pervasive crime affecting their lives, and gangs like the Homicides and Seven Immortals inspiring the movie The Warriors. By mid-decade, New York City went broke and abandoned Coney Island. The one bright spot in the 1970s was Astroland amusement park's two million dollar investment in new rides and sponsorship of air shows with the Army Golden Knights and the Air Force Thunderbirds.The oral histories in Episode Five are with Karen Dawn Blondel, Mindy Gress, Orlando Mendez, Gene Ritter, Keith Suber, and Eliot Wofse. The interviews were conducted by Charles Denson, Amanda Deutch, Katya Kumkova, Mark Markov, and Tricia Vita between 2016 and 2022.. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Four, Coney Islanders who grew up in the 1960s share memories of being the original tenants at Luna Park Houses and Trump Village, high rise co-ops that opened in the 1960s. They remember the last years of Steeplechase Park, a rising crime rate and urban renewal. In 1967, Mayor Lindsay declared the entire West End of Coney Island a poverty zone. More than 40 blocks were slated for condemnation.  The one bright spot during the 1960s was the space age-themed Astroland Park. The park became the anchor for Coney Island, the glue that held it together while many businesses gave up and many property owners sold and moved away.The oral histories in Episode Four are with Alison Cintorrino, Alan Kirschenbaum, Jim Lucarelli, the Salvia sisters, Gladys Sandman and Lucille DaCosta, and Tony Williams. The interviews were conducted by Amanda Deutch, Ali Lemer, Shavon Meyers, and Tricia Vita between 2016 and 2022. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities. 

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode Three, Coney Islanders who grew up in the ‘50s lived in apartments and over stores on Mermaid Avenue and its side streets. More than a thousand families were able to move into the two brand-new city-owned projects, Gravesend Houses and Coney Island Houses. Others made do with seasonal bungalows and rooming houses as year-round homes. World-famous Steeplechase Park was their neighborhood playground and television was a popular new indoor pastime.The oral histories in Episode Three are with Susan Petersen Avitzour, Barbara Unterman Jones, Sheldon Krimsky, David Louie, Johanna Gargiulo Sherman, and Ronald Stewart. The interviews were conducted by Charles Denson, Leila Goldstein, Samira Tazari, and Tricia Vita between 2007 and 2021.This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. ©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities. 

In "Serving: A Reading and Discussion Program," a book club sponsored by Shaker Heritage Society, participants explore the topics of community service and service learning. Johanna Batman, SHS Executive Director, and facilitators Ali Schaeffling and Shealeen Meaney from Russell Sage College talk with Hudson Mohawk Magazine Producer Brea Bathel about the role of literature and experiential learning in education, for both college students and lifelong learners. The project is supported by a grant from Humanities New York (formerly New York Council on the Humanities). The in-person book club meets five more Tuesdays (4/26, 5/10, 5/24, 6/7, & 6/21) at Shaker Heritage Society, near the Albany airport. For more information, see shakerheritage.org (under "all events"). To register, contact Lorraine Weiss at educator@shakerheritage.org.

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. Episode Two, “Growing Up in the 1940s,” features the oral histories of Steve Burke, Sheila Levrant de Bretteville, Phil Einhorn, Deena Metzger, and Gloria Nicholson.The 1940s started out with the Parachute Jump moving to Steeplechase Park from the New York World's Fair. Aerial photos of packed beaches became emblematic of the era. When the U.S. entered World War 2, dim-out regulations darkened Coney's skyline to prevent its lights from silhouetting ships offshore and making them a target for German U-boats. In the 1942 and '43 Mardi Gras parades, servicemen were showered with confetti and lions from Luna Park riding by in their cage were advertised as ready to meet Hitler.In Episode 2, Coney Islanders who grew up during the war years recall seeing gun emplacements on the boardwalk and soldiers camped in Kaiser Park. Their households had blackout curtains, ration coupons and victory gardens. Some had summer jobs in the amusement area despite being underage. After the war, their families took in relatives and boarders who were refugees and survivors of the concentration camps.This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. The oral histories were conducted by Charles Denson, Amanda Deutch and Samira Tazari between 2009 and 2018. You can search and listen online to over 400 oral history interviews, including the ones featured in this podcast, at coneyislandhistory.org.©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities. 

The Coney Island History Project launches Season Two of our oral history podcast Coney Island Stories on Tuesday, March 8th! This season's theme is ‘Growing up in Coney Island' through the decades, from the 1930s to the 21st century. Listen and subscribe wherever you get your podcasts or at https://www.coneyislandhistory.org/podcast. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities. 

Season Two's theme is “Growing Up in Coney Island” through the decades, from the 1930s to the 21st century. In Episode One, Coney Islanders who grew up in the ‘30s recall hardships as well as simple pleasures. During the Depression, families from other New York City neighborhoods flocked to Coney Island. The rent was cheaper and the beach was down the block.The oral histories in Episode One are with George Ancona, Charles Berkman, Aldo Mancusi, Edith Storch, Rose Patton, and Ralph Perfetto. The interviews were conducted by Charles Denson, Mark Markov, Natalie Milbrodt, and Samira Tazari, between 2007 and 2018. You can search and listen online to over 400 oral history interviews, including the ones featured in this podcast, at https://www.coneyislandhistory.org/oral-history-archive. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions.  ©2022 The Coney Island History Project. All Rights Reserved. This program is sponsored in part by an Action Grant from Humanities New York with funding from the National Endowment for the Humanities. 

Melissa Broder is the author of the novels Milk Fed and The Pisces, the essay collection So Sad Today, and four poetry collections, selections from which are included in her new collection Superdoom. She is the winner of a Pushcart Prize for poetry. She lives in Los Angeles.  This episode is brought to you by the House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Join New York Times #1 best-selling author George Saunders in conversation with author and professor Imani Perry for Humanities New York's third annual History and the American Imagination benefit. The live discussion will take place online on October 5th at 7 PM EASTERN. Purchase your tickets at humanitiesny.org and use code MARISREVIEW for half off membership tickets. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nichole Perkins is a writer from Nashville, Tennessee who examines the intersections of pop culture, race, sex, gender, and relationships. She's a 2017 Audre Lorde Fellow at the inaugural Jack Jones Literary Arts Retreat and a 2017 BuzzFeed Emerging Writers Fellow. Her debut essay collection is called Sometimes I Trip On How Happy We Could Be. This episode is brought to you by the House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Join New York Times #1 best-selling author George Saunders in conversation with author and professor Imani Perry for Humanities New York's third annual History and the American Imagination benefit. The live discussion will take place online on October 5th at 7 PM EASTERN. Purchase your tickets at humanitiesny.org and use code MARISREVIEW for half off membership tickets. Recommended Reading: Negotiations by Destiny O. Birdsong Heads of the Colored People by Nafissa Thompson-Spires Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, Kendra talks with Paula Hawkins about her book, A Slow Fire Burning, which is out now from Riverhead Books. Check out our Patreon page to learn more about our book club and other Patreon-exclusive goodies. Follow along over on Instagram, join the discussion in our Goodreads group, and be sure to subscribe to our newsletter for more new books and extra book reviews! This Week's Sponsor: House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Join New York Times #1 best-selling author George Saunders in conversation with author and professor Imani Perry for Humanities New York's third annual History and the American Imagination benefit. The live discussion will take place online on October 5th at 7 PM EASTERN. Purchase your tickets at humanitiesny.org and use code READINGWOMEN for half off membership tickets. Books Mentioned The Girl on the Train by Paula Hawkins Into the Water by Paula Hawkins A Slow Fire Burning by Paula Hawkins Paula Recommends The Island of Missing Trees by Elif Shafak The Turnout by Megan Abbot Dream Girl by Laura Lippman Notes on a Execution by Daniel Kukafka About the Author Paula Hawkins worked as a journalist for fifteen years before turning her hand to fiction. She is the author of two #1 New York Times bestselling novels, Into The Water and The Girl on The Train. An international #1 bestseller, The Girl on the Train has sold 23 million copies worldwide and has been adapted into a major motion picture. Into the Water was also a Sunday Times and New York Times #1 bestseller, selling 4 million copies worldwide. Her upcoming thriller, A Slow Fire Burning, is due to be published on the 31st August 2021. Hawkins was born in Zimbabwe and now splits her time between London and Edinburgh. Website | Instagram | Facebook CONTACT Questions? Comments? Email us hello@readingwomenpodcast.com.  SOCIAL MEDIA Twitter | Facebook | Instagram | Website Music by Miki Saito with Isaac Greene Learn more about your ad choices. Visit megaphone.fm/adchoices

Lauren Groff is a two-time National Book Award finalist and The New York Times–bestselling author of three novels, The Monsters of Templeton, Arcadia, and Fates and Furies, and the celebrated short story collections Delicate Edible Birds and Florida. Her latest novel is called Matrix. This episode is brought to you by the House of CHANEL, creator of the iconic J12 sports watch. Always in motion, the J12 travels through time without ever losing its identity. Join New York Times #1 best-selling author George Saunders in conversation with author and professor Imani Perry for Humanities New York's third annual History and the American Imagination benefit. The live discussion will take place online on October 5th at 7 PM EASTERN. Purchase your tickets at humanitiesny.org and use code MARISREVIEW for half off membership tickets. Recommended Reading: Something New Under the Sun by Alexandra Kleeman Dear Memory by Victoria Chang How To Wrestle a Girl by Venita Blackburn Harrow by Joy Williams Learn more about your ad choices. Visit megaphone.fm/adchoices

The words of the Declaration of Independence are not the only aspect of the American Revolution that carry power. Visual and material objects from during and after the Revolution also carry power and meaning. Objects like monuments, uniforms, muskets, powder horns, and the Horse's Tail, a remnant of a grand equestrian statue of King George III, which stood in New York City's Bowling Green park. Historians Wendy Bellion, Leslie Harris, and Arthur Burns join us to investigate the history of revolutionary New York City and how New Yorkers came to their decisions to both install and tear down a statue to King George III, and what happened to this statue after it came down. This episode is sponsored in part by Humanities New York. The mission of Humanities New York is to strengthen civil society and the bonds of community, using the humanities to foster engaging inquiry and dialog around social and cultural concerns. Show Notes: https://www.benfranklinsworld.com/306 Join Ben Franklin's World! Subscribe and help us bring history right to your ears! Sponsor Links Omohundro Institute The Ben Franklin's World Shop Complementary Episodes Episode 058: Andrew Schocket, Fighting over the Founders: How We Remember the American Revolution Episode 136: Jennifer Van Horn, Material Culture and the Making of America Episode 144: Robert Parkinson, The Common Cause of the American Revolution Episode 185: Joyce Goodfriend, Early New York City and Its Culture Episode 245: Celebrating the Fourth Episode 277: Whose Fourth of July   Listen! Apple Podcasts Spotify Google Podcasts Amazon Music Ben Franklin's World iOS App Ben Franklin's World Android App Helpful Links Join the Ben Franklin's World Facebook Group Ben Franklin's World Twitter: @BFWorldPodcast Ben Franklin's World Facebook Page Sign-up for the Franklin Gazette Newsletter  

Today, on the Hudson Mohawk Magazine, We begin by speaking with Jennifer Mann, a volunteer with the League of Women Voters of Rensselaer County, about the results of the recent 2021 Primary Election. Then, Roaming Labor Correspondent Willie Terry brings us his new series entitled "Solidarity Notes." Later on, coverage of this week's “Tonko Tuesday” rally centers on the recent speech by former EPA Regional Administrator Judith Enck. After that, we hear from a resident of Lakeview Mobile Home Park in Saratoga, which has been sold and risks putting many people out of affordable home options. Finally, Scarlett Rebman, the Director of Grants for Humanities New York, discusses the importance of the arts and what they can do for you

Scarlett Rebman is the Director of Grants for Humanities New York. She spoke with correspondent Melissa Bromley about what the humanities are, why they're important, and how Humanities New York serves our state.

Making Queer History Public is a new podcast series by the American Social History Project/Center for Media and Learning that explores LGBTQ+ public history. We will be looking at archives, museums, public art, and education initiatives, all to investigate how queer and trans histories are being told, how LGBTQ+ people are pushing public history narratives forward, and where you can go to learn more about queer and trans-led projects and experiences.This is a preview of our first episode, which is centered on queer archives. Here, we talk to Steven Fullwood, the founder of the In The Life Archive at the Schomburg Center for Research in Black Culture.Making Queer History Public is made possible with funding from Humanities New York.

On Memorial Day Weekend, lifeguards will once again be perched in their towers and New York City will celebrate the reopening of Coney Island's beach for swimming. Episode 8 shares the stories of days at the beach from the 1920s through the 1990s taken from the Coney Island History Project's Oral History Archive.The stories include childhood memories of family outings, a hidden playground under the boardwalk, a lava hot spot on the sand, the knish man, teenage memories of daring swimsuits, summer jobs renting beach chairs and umbrellas, and working as a lifeguard. Memories span the 1920s, when beach goers were fined as much $5 each - the equivalent of $75 today - for walking on the boardwalk in bathing suits, to the 1990s, when “under the boardwalk” was filled in with sand and a way of life changed forever.The oral histories in the podcast are with Joseph Albanese, Connie Scacciaferro, Richard Termini, Ron Vernon, Steve Larkin, and Crystal Isley. The interviews were conducted from 2009 to 2019 by Charles Denson, Amanda Deutch, Samira Tazari, and Tricia Vita. You can search and listen online to over 390 oral history interviews in our archive via https://www.coneyislandhistory.org/oral-history-archive. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. ©2021 The Coney Island History Project. All Rights Reserved. This program is supported, in part, by funding from Humanities New York provided by the CARES Act and the National Endowment for the Humanities, and the New York City Department of Cultural Affairs in partnership with the City Council, and New York City Councilman Mark Treyger.

Episode 7 features the stories of independent game operators, past and present, from the Coney Island History Project Oral History Archive. Among the games that Peter Agrapides, Monica Ghee, Candi Rafael, and Eliot Wofse have operated over the years are Fascination, Balloon Dart, Glass and Dime Pitches, Milk Toss, Basketball, Fish Bowl, High Striker and Water Races. The last of the independents who have stayed in the game are now concentrated on a small strip of Coney Island's eclectic Bowery, once the boisterous home of hundreds of unusual games and attractions.The interviews were conducted by Kaara Baptiste, Charles Denson, Amanda Deutch, and Mark Markov between 2009 and 2019. You can search and listen online to over 375 oral history interviews, including the ones featured in this podcast, via https://www.coneyislandhistory.org/oral-history-archive. This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. ©2021 The Coney Island History Project. All Rights Reserved. This program is supported, in part, by funding from Humanities New York provided by the CARES Act and the National Endowment for the Humanities, and the New York City Department of Cultural Affairs in partnership with the City Council, and New York City Councilman Mark Treyger. 

With snow and ice still reluctant to make way for long-awaited signs of spring, bird species know that warm weather is indeed on its way, and many are already en route back to their Catskills breeding grounds. For many of us, robins are a telltale sign that spring has sprung. If you're hiking in the high country, though, you might be lucky enough to hear a Bicknell's thrush, back from its winter home in Hispaniola. Although its range is not limited to the Catskills, the bird was discovered here in the 19th century, by Eugene P. Bicknell. To tell us more about the man behind the bird, I spoke with Jeremy Kirchman, Curator of Birds at the New York State Museum. This episode originally aired as part of Catskill Historical Views, an audio companion to Catskill Tri-County Historical Views, published by the Gilboa Museum & Juried History Center, with support from the Zadock Pratt Museum. Thanks to Humanities New York for their support. --- Support this podcast: https://anchor.fm/kaatscast/support

Episode 6 features the stories of bathhouse owners, workers and patrons from the Coney Island History Project's oral history archive. Bathhouses were the first businesses in Coney Island. Even before Coney's first hotel was built in 1829, crude bathhouse shacks were set among the dunes. Before the city built the boardwalk in the 1920s, most of the Coney Island beach was private and bathhouses provided the only access to the beach and provided patrons a summer home away from home.  Many had overnight accommodations, restaurants, and swimming pools, and some offered massages and the ever popular nude sunbathing.  They were very sociable places and generations of family and friends from the same neighborhoods patronized the same bath houses for years until the last one, Brighton Beach Baths, was demolished in the early 1990s. Now hardly anyone knows what a bathhouse is. Interviews with Jose Beth Smolensky, Cindy Jacobs, Richard Termini, Arthur Nintzel, Harold Blumenthal and John Bonsignore were conducted by Charles Denson, Amanda Deutch, and Tricia Vita between 2000 and 2020. You can search and listen online to over 375 oral history interviews, including the ones featured in this podcast, via https://www.coneyislandhistory.org/oral-history-archive.This episode was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. This program is supported, in part, by funding from Humanities New York provided by the CARES Act and the National Endowment for the Humanities, and the New York City Department of Cultural Affairs in partnership with the City Council, and New York City Councilman Mark Treyger. 

Episode 5 features the stories of a trio of roller coasters built in the Roaring 20's and named after violent storms: the Thunderbolt, the Tornado and the Cyclone. While the Cyclone is the only survivor from Coney's golden age, the Coney Island History Project has recorded and preserved memories of people who rode, owned, or worked at these legendary coasters. A few narrators had the unusual fortune to live beneath one of these thrill rides.Interviews with Meg Feeley, Harold Kramer, and Mae Timpano (Thunderbolt); Don Ferris, Michael Liff and Andy Badalamenti (Tornado); and Joseph Albanese,  Mindy Gress, John Hunt, and Marion Kantrowitz (Cyclone) are part of the Coney Island History Project Oral History Archive. The oral histories were conducted by Charles Denson, Amanda Deutch, Katya Kumkova, Valerie Lapinski, Ali Lemer, and Shavon Meyers between 2000 and 2020. You can search and listen online to over 375 oral history interviews, including the ones featured in this podcast, via https://www.coneyislandhistory.org/oral-history-archive.Episode 5 was produced by Charles Denson, Ali Lemer and Tricia Vita. Music by Blue Dot Sessions. This program is supported, in part, by funding from Humanities New York provided by the CARES Act and the National Endowment for the Humanities, and the New York City Department of Cultural Affairs in partnership with the City Council, and New York City Councilman Mark Treyger. 

We spoke with Delaware County historian Bill Birns about the legacy of “Hobart’s greatest” (albeit largely forgotten) son, John Davenport Clarke: farmer, forester, and congressman. Catskill Historical Views is a collaboration between Catskill Tri-County Historical Views, the Zadock Pratt Museum, and Silver Hollow Audio. Thanks to Humanities New York for their support of this series. --- Support this podcast: https://anchor.fm/kaatscast/support

Amended, a podcast series from Humanities New York, travels from the 1800's to the present day to show us a quest for women's full equality that has always been as diverse, complex and unfinished as the nation itself. Learn more at amendedpodcast.com. Featured in this trailer: Host: Laura Free Guests: Sharia Benn, Bettye Collier-Thomas, Martha Jones, Lisa Tetrault, Judith Wellman. Music by: Michael-John Hancock and Live Footage Learn more about your ad choices. Visit megaphone.fm/adchoices

Amended, a podcast series from Humanities New York, travels from the 1800's to the present day to show us a quest for women’s full equality that has always been as diverse, complex and unfinished as the nation itself. Learn more at amendedpodcast.com. Featured in this trailer: Host: Laura Free Guests: Sharia Benn, Bettye Collier-Thomas, Martha Jones, Lisa Tetrault, Judith Wellman. Music by: Michael-John Hancock and Live Footage

Recored and broadcast live at the Ragas Live Festival 2017 from the Rubin Museum of Art, we hear the world premier of the new project:  Recalling the Valley.  Jay Gandhi (bansuri) and Max ZT's (hammered dulcimer) pay tribute to their world-renowned teachers, Shivkumar Sharma and Hariprasad Chaurasia.  With Ehren Hanson on tabla they will perform music inspired by their gurus’ beloved album, “Call of the Valley.”   They also have a great discussion with Andrew Shantz on the topic of creating art away from its place of origin.   Ragas Live Festival supported by the Rubin Museum of Art, WKCR and Humanities New York.  

This episode features Kubi Ackerman, then-Director of the Future City Lab at the Museum of the City of New York. Ackerman is not interested in monuments for the past, but instead asks how we might memorialize the present and the future, as well as send warnings or messages to future generations. Encompassing topics like socio-economic inequality and the climate crisis, Ackerman and the Future City Lab help us challenge conventional notions of monuments and develop participatory exhibitions about urban futures.This episode features audio from the program “Monuments of the Future: Alternative Approaches," held on February 6, 2019, in the Martin E. Segal Theatre at the CUNY Graduate Center. This program was sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities. 

This episode features Marisa Williamson, a multimedia artist based in Newark, New Jersey whose site-specific works, videos, and performances focus on the body, authority, freedom, and memory. Speaking during the third and final event in our public seminar series, “Difficult Histories/Public Spaces: The Challenge of Monuments in New York City and the Nation,” Williamson details her work on “Sweet Chariot,” a smartphone-based, augmented-reality tour of Philadelphia’s spaces of black freedom struggle. By inviting the viewer to interact and engage with this history, Williamson opens new doors for alternative approaches to monuments and memorialization. This episode features audio from the program “Monuments of the Future: Alternative Approaches," held on February 6, 2019, in the Martin E. Segal Theatre at the CUNY Graduate Center. This program was sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities. 

“Lots of hard work, lots of collaboration, and a long horizon.” These, according to Mary Anne Trasciatti, Professor of Writing and Rhetoric at Hofstra University, are the keys to erecting a public art memorial from the ground up in New York City. In this episode, Trasciatti speaks about the Reframing the Skymemorial for the Triangle Shirtwaist Factory Fire of 1911. As president of the Remember the Triangle Fire Coalition, Trasciatti and her colleagues—all volunteers—dialogued with government and outside organizations to secure grants, donations, and permits.  Her detailed and comprehensive summary offers a window into the public memorial creation process in New York City.  This episode features audio from the program "Who Decides? The History and Future of Monument Creation in New York City," held on October 9, 2018, in the Segal Theatre at the CUNY Graduate Center. This program was the second event in the series “Difficult Histories/Public Spaces: The Challenge of Monuments in New York City and the Nation,” sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities. 

How do we think about history? Whose history is it? And how is history constructed, both in academic terms and in a public way?These questions were made apparent in discussions of the NYC Mayor’s Commission on Monuments, where Jack Tchen, Professor of Public History and the Humanities at Rutgers University, served as a panelist. In this episode, Tchen walks us through the ways the city’s public history has been organized, the processes and findings of the Commission, and a vision to re-establish Lenape life, history, and culture into historical discourse of the region.This episode features audio from the public program "Who Decides? The History and Future of Monument Creation in New York City," held on October 9, 2018, in the Segal Theatre at the CUNY Graduate Center. This program was the second event in the series “Difficult Histories/Public Spaces: The Challenge of Monuments in New York City and the Nation,” sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities. 

In this episode, Michele Bogart, professor and author of the recently published Sculpture in Gotham: Art and Urban Renewal In New York City, untangles the bureaucracy of monument creation in New York City. Delving into decision-making processes behind the City's monuments and memorials, Bogart looks to the past and the present in discussing whose voice is heard and valued in constructing urban spaces of meaning and rememberance. This episode features audio from the program "Who Decides? The History and Future of Monument Creation in New York City," held on October 9, 2018, in the Segal Theatre at the CUNY Graduate Center. This program was the second event in the series “Difficult Histories/Public Spaces: The Challenge of Monuments in New York City and the Nation,” sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities. 

In this four-speaker panel, professors, artists, and activists delve into the ongoing re-evaluation of public monuments and memorials, particularly those in New York City (NYC). Dr. Harriet Senie, professor of art history at The Graduate Center CUNY, offers insights into the decision making process of the 2017 Mayoral Advisory Commission on City Art, Monuments, and Markers, an initiative convened to advise NYC Mayor Bill de Blasio about controversial monuments and markers on city-owned land.  Dr. Deirdre Cooper Owens, professor of history at Queens College CUNY, details the work of J. Marion Sims, who developed gynecological procedures by practicing on the bodies of enslaved black women.  Marina Ortiz, activist and founder of East Harlem Preservation, discusses the decades-long fight to remove an East Harlem statue of Sims.  Francheska Alcantara, artist and activist, explores the ways in which art can and should engage social protest.  This panel took place on June 13, 2018, as the first program in the series “Difficult Histories/Public Spaces: The Challenge of Monuments in New York City and the Nation,” sponsored by the American Social History Project/Center for Media and Learning, The Gotham Center for New York City History, and the CUNY Public History Collective.  The series is supported by a grant from Humanities New York and the National Endowment for the Humanities.

Recored and broadcast live at the Ragas Live Festival 2017 from the Rubin Museum of Art, we hear the world premier of the new project:  Recalling the Valley.  Jay Gandhi (bansuri) and Max ZT's (hammered dulcimer) pay tribute to their world-renowned teachers, Shivkumar Sharma and Hariprasad Chaurasia.  With Ehren Hanson on tabla they will perform music inspired by their gurus’ beloved album, “Call of the Valley.”   They also have a great discussion with Andrew Shantz on the topic of creating art away from its place of origin.   Ragas Live Festival supported by the Rubin Museum of Art, WKCR and Humanities New York.