Podcast appearances and mentions of Annie Hall

On episode 290 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, AwardsWatch contributor Mark Johnson, and special guest Kevin Jacobsen, Entertainment Weekly Content Update Editor and host of the And the Runner Up Is podcast, for part two of their Best Actress Tier Rankings. In the second part of the Best Actress tier rankings (listen to Part 1 here), the team return to the scene of the crime from last week to rank the remaining 49 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 15 winners being able to be in the “S tier” and if an actress has multiple wins, only one of their wins can make it into the 15. Some of the winners ranked on this week's episode are Claudette Colbert for It Happened One Night, Nicole Kidman for The Hours, Meryl Streep for Sophie's Choice, Julia Roberts for Erin Brockovich, Jodie Foster for The Silence of the Lambs, Diane Keaton for Annie Hall, Faye Dunaway for Network, Michelle Yeoh for Everything Everywhere All at Once, our most recent winner Mikey Madison, Anora, and many more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it's lot of fun. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 4h18m. We will be back in next week reviews of Materialists and The Phoenician Scheme. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Alexi Wasser discusses a few of her favorite films with hosts Josh Olson and Joe Dante. Movies Referenced In This Episode Messy (2025) Casablanca (1942) - John Landis' trailer commentary Looking For Mr. Goodbar (1977) - Larry Karaszewski's trailer commentary Auto Focus (2002) Gremlins (1984) - Glenn Erickson's Blu-ray review Amadeus (1984) - Allan Arkush's trailer commentary A Clockwork Orange (1971) The Shining (1980) - Adam Rifkin's trailer commentary Sixteen Candles (1984) - Adam Rifkin's trailer commentary, Glenn Erickson's Blu-ray review Innerspace (1987) - Glenn Erickson's Blu-ray review Explorers (1985) - Glenn Erickson's Blu-ray review The 'Burbs (1989) - Ti West's trailer commentary Flashdance (1983) Saturday Night Fever (1977) Lolita (1997) Unfaithful (2003) Let Him Go (2020) A History Of Violence (2005) Desperately Seeking Susan (1985) Purple Rain (1984) - Josh's trailer commentary Fast Times At Ridgemont High (1982) - Karyn Kusama's trailer commentary, Glenn Erickson's Criterion Blu-ray review Almost Famous (2000) - Allan Arkush's trailer commentary The Searchers (1956) - Glenn Erickson's Blu-ray review Junior Miss (1945) Valley Girl (1983) - Karyn Kusama's trailer commentary, Glenn Erickson's Blu-ray review  Clueless (1995) Heathers (1988) - Karyn Kusama's trailer commentary Pretty In Pink (1986) Batman Returns (1992) - Alex Kirschenbaum's review The Adventures of Ford Fairlane (1990) Reality Bites (1994) Monty Python And The Holy Grail (1975) - Adam Rifkin's trailer commentary Dazed And Confused (1993) - Glenn Erickson's Criterion Blu-ray review Pulp Fiction (1994) - Glenn Erickson's Blu-ray reviews Beaches (1987) The Long Goodbye (1973) - Josh's trailer commentary, Glenn Erickson's Blu-ray review Little Murders (1971) - Larry Karaszewski's trailer commentary, Glenn Erickson's Blu-ray review The Devil Wears Prada (2006) Weird Science (1985) - Glenn Erickson's Blu-ray review Zach And Miri Make A Porno (2008) Tie Me Up! Tie Me Down! (1986) An Unmarried Woman (1978) - Glenn Erickson's Blu-ray review Working Girl (1988) - Brian Trenchard-Smith's trailer commentary Withnail & I (1987) - Josh's trailer commentary, Randy Fuller's wine pairings Someone To Love (1987) Before Sunrise (1995) - Glenn Erickson's Blu-ray review Before Sunset (2004) - Glenn Erickson's Blu-ray review Before Midnight (2012) - Glenn Erickson's Blu-ray review Metropolitan (1990) The Last Days Of Disco (1998) Manhattan (1979) Annie Hall (1977) - Robert Weide's trailer commentary Hannah And Her Sisters (1986) Moonstruck (1987) - Glenn Erickson's Criterion Blu-ray review Mandy (2018) - Josh's trailer commentary Pig (2021) Django (1966) Bad Lieutenant: Port Of Call New Orleans (2009) - Josh's trailer commentary Bad Lieutenant (1992) The Unbearable Weight Of Massive Talent (2022) Mermaids (1990) Cat People (1982) Taxi Driver (1976) - Rod Lurie's trailer commentary Hardcore (1979) - Glenn Erickson's Blu-ray review Infested (2002) This list is also available on Movies Unlimited. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Eric, Isaac, and Sean rank and discuss the five nominees for Best Picture of 1977.  Once again, the nominees are Annie Hall, The Goodbye Girl, Julia, Star Wars, and The Turning Point.

Sending messages to myself, modern day life encapsulated in one text, toilet paper trauma, a little Latin for you, a stand up doctor, one of the best actor names ever, being nice to one another, an epic song I came across, a classic Los Angeles weekend, an arty but gripping new horror movie, Los Angeles as Gatsby, googling yourself can be dangerous, unsuccessfully playing the lawyer card, a full of shit realtor, punching a ceiling, swearing can be healthy, forgetting about it, and a smoking pope. Stuff mentioned: Annie Hall (1977), Unwound "Lady Elect" (1996), The Legend of the Lone Ranger (1983), Bill & Ted's Excellent Adventure (1989), Home Alone (1990), James Blake "Like the End" (2024), A Desert (2024), Deliver Us from Evil (2020), Sinister (2012), The Black Phone (2021), Black Phone 2 (2025), The Great Gatsby (1925), Fight Club (1999), Smoking Popes Lovely Stuff (2025), and Smoking Popes "Racine" (2025).

Here's the first of the Sigourney movies. You're thinking to yourself, "wait, she's in... Annie Hall?" Sure. Sure she is. Big time. Such a big character. Woody Allen annoys women. But they seem to like him. He meets a girl version of him. They date. Happily ever after???

Dr. Don and Professor Ben talk about the risks from eating butter that a mouse churned. Dr. Don - risky ☣️ Professor Ben - risky ☣️ Richard Gere and the Gerbil | Snopes.com Two Little Mice Fell Into a Bucket of Cream Lesson Is it true that if you shake the creamer cups you get with coffee enough, they turn into butter? : r/NoStupidQuestions Fecal Shedding of Zoonotic Food-Borne Pathogens by Wild Rodents in a Major Agricultural Region of the Central California Coast - PMC SNL50: Beyond Saturday Night, More Cowbell Season 1, Episode 2 Annie Hall (8/12) Movie CLIP - Can I Confess Something? (1977) HD - YouTube

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes an industry titan-- film producer and studio executive Mike Medavoy. With a career spanning over five decades, Medavoy has been closely involved with over 300 feature films, with seven winning Best Picture Oscars. From agent to studio chief to producer, his remarkable journey from Shanghai to Hollywood has shaped some of cinema's most important films, including Rocky, One Flew Over the Cuckoo's Nest, Apocalypse Now, Platoon, and Silence of the Lambs. With characteristic humility and wisdom, Medavoy shares fascinating stories from his illustrious career.Early Life and Global Upbringing (03:12)Born in Shanghai in 1941 to Russian-Ukrainian Jewish parents, Medavoy moved to Chile in 1947 before settling in California, speaking Shanghai-nese, Russian, Spanish, and English.Breaking into Hollywood (07:40)After UCLA and the US Army Reserve, Medavoy started in Universal's mailroom in 1964, making industry friendships that became the foundation of his career.From Agent to Studio Executive (11:15)Medavoy recounts transitioning from talent agent to Senior VP of Production at United Artists, where his first major film was One Flew Over the Cuckoo's Nest.United Artists and an Unprecedented Oscar Run (16:26)At UA, Medavoy helped shepherd three consecutive Best Picture winners: One Flew Over the Cuckoo's Nest, Rocky, and Annie Hall.Formation of Orion Pictures (19:43)Medavoy discusses co-founding Orion Pictures, which produced classics like Amadeus, Platoon, and The Silence of the Lambs.Stories Behind the Classics (24:26)Fascinating behind-the-scenes stories about iconic films including Platoon, Terminator, and Apocalypse Now.Advice for the Next Generation (38:56) For emerging filmmakers, Medavoy recommends "The Story of Film" as essential viewing.Throughout this conversation, Medavoy reveals himself as not just an industry treasure but a thoughtful observer of both cinema and life. His journey from immigrant roots to Hollywood exemplifies the dream many pursue but few achieve. With remarkable candor, he discusses both triumphs and regrets, offering listeners a rare glimpse into the mind of someone who has truly shaped modern cinema while remaining, as Kevin notes, "a very charming and decent human being."If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Mike MedavoyProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mike Medavoy:Wikipedia: https://en.wikipedia.org/wiki/Mike_MedavoyIMDB: https://www.imdb.com/name/nm0005219/Amazon: https://www.amazon.com/Youre-Only-Good-Your-Next/dp/0743400550For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter (X), Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

Pete and Hannah review the Woody Allen rom com classic Movie 35 Annie Hall

By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

On the heels of Annie Hall, which catapulted Woody Allen from the role of a beloved thinking-man's clown to the highest echelons of cinema, the writer/director/star made Interiors, an excellent film which nonetheless baffled even his most ardent fans. He came back to comedy with 1979's Manhattan, the beginning of a string of 35 films in 35 years, all written and directed by Allen, and all pushing beyond the slapstick sight gags that originally made him a star. Embroiled in a scandal since 1992, Woody Allen has increasingly found himself canceled despite being the most honored screenwriter of all time and possessing an unparalleled track record among writer/directors of quality and productivity. Our young film lovers never knew a time when Allen's career wasn't synonymous with scandal. How does that color their reaction to this 46-year-old critical and commercial hit, which aims dead center at the Allen controversy due to its storyline centering around the then 42-year-old star's relationship with a 17-year-old high school student? You won't want to miss the young panel's reaction to this film, a perfect bellwether of profound cultural changes since the 1970s. Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Kylee LaRue & Steven Renteria An ElectraCast Production Trailer: https://www.youtube.com/watch?v=JEoEGW4Hb9w Wikipedia: https://en.wikipedia.org/wiki/Manhattan_(1979_film) IMDB: https://www.imdb.com/title/tt0079522/ Ebert Review: https://www.rogerebert.com/reviews/great-movie-manhattan-1979 Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Air Mail Co-Editor Alessandra Stanley explains how Trump has replaced D.E.I. with his own brand of affirmative action. Something you might call L.O.O.—loyalty, obsequiousness, and obedience. Then, everyone knows Annie Hall as one of the great movies of the past 50 years. But Alex Belth reveals how Woody Allen's 1977 love story was considered a total fiasco when he first edited it and how the director and his team reconceived the movie in the cutting room. And finally, as the founders of MGM, Louis B. Mayer and Irving Thalberg were among the most consequential figures in the history of Hollywood, and Sam Wasson joins us from L.A. to discuss their role in creating movies as we know them today. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The More the Merrier (1943) & Annie Hall (1977). This week, Janet, John, (and Pen) revisit the LOVE Episode… Two classic romantic comedy-dramas from two great directors thirty years apart, both get to the heart of the bumpy road to love; one taking place in Washington D.C. in WW II where a person would find it hard to find a place to rest his head – let alone the perfect mate, the other happens in the “I Love New York“ era New York, when Times Square was a hub of hustlers and movie art houses sprung up like the spring daisies in Central Park. Both films bringing together unlikely lovebirds! For info on this episode and more, visit the official Cinema Sounds & Secrets website!  

Director:  Woody Allen Producer:  Charles H. Joffe Screenplay:  Woody Allen, Marshall Brickman Photography:  Gordon Willis Music:  N/A Cast:  Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Shelley Duvall Rotten Tomatoes:  Critics: 97%/Audience: 92%

Tell us what you though of the episodeToday's guest is Author Patrick McGilligan about his latest book, "Woody Allen: A Travesty of a Mockery of a Sham," exploring Woody Allen's iconic films, the controversies that clouded his career, and his enduring legacy in cinema. From "Annie Hall" to "Matchpoint," they discuss the highs and lows of Allen's filmography, the cultural impacts of his work, and the complexities of separating art from controversy. Patrick McGilligan is Irish American biographer, film historian and writer. His biography on Sir Alfred Hitchcock, Alfred Hitchcock: A Life in Darkness and Light, was a finalist for the Edgar Award.  He is the author of two New York Times Notable Books, and he lives in Milwaukee, Wisconsin. He is also noted for his biography on Clint Eastwood, Clint: The Life and Legend, which the author described as "a left-wing book."  In addition to Hitchcock and Eastwood, he has written biographies on Robert Altman, James Cagney, George Cukor, Fritz Lang, Oscar Micheaux, Jack Nicholson, Nicholas Ray, Orson Welles and Mel Brooks. He is also an editor of Backstory, which features interviews of Hollywood screenwriters and is published by the University of California Press. #thegreatnorth #colinhanksdexter #filmcareeranalysis #woodyallen #miafarrow #crimesandmisdemeanors #midnightinparis #anniehall #woodyallenlegacy #woodyallen http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com

"Remegsz, kicsi?" – Rég röhögtünk úgy az állam túlkapásain, mint a Loupe új darabját nézve WMN     2025-02-04 18:06:00     Színpad Színház A Loupe Színházi Társulás legújabb darabja, a Titkosszolgák – avagy kiesett, kiugrott vagy kilökték első ránézésre abszurd, másodikra pedig fájdalmasan ismerős helyzetet dolgoz fel. Vinnai András rendszerkritikában bővelkedő tragikomédiáját Horváth János Antal állította színpadra. Kern András csak sejti, miért lett rosszul a decemberi előadáson Librarius     2025-02-05 08:00:51     Színpad Kern András Kern András elmagyarázta, hogy bár a vizsgálatok eredményei megnyugtatták, a történtek alapján valószínűleg egy pánikrohamról lehet szó. Faculty - Az invázium: Idegenek kontra tinédzserek, a tét ismételten az emberiség fennmaradása Mafab     2025-02-05 06:33:02     Film Talán ez a film volt az első DVD-lemezem, amit anno megvásároltam, több mint húsz esztendeje (ha jól emlékszem, a Házimozi magazin mellékleteként). Talán ez az emlék miatt, de az is lehet, hogy maga a film miatt, mindig egyfajta nosztalgiával tekintek vissza Robert Rodriguez 1998-as filmjére, ami, hát valljuk be, nem is sikerült annyira rosszul. Mi 7 alkalom, amikor egy sorozat utolsó évada annyira rossz lett, hogy a rajongók teljesen kiábrándultak Joy     2025-02-05 09:01:00     Film A sorozat fanoknak nincs is nagyobb rémálma a kaszán túl annál, mint amikor a kedvenc szériájuk pocsék befejezést kap. Február 5-én történt kultura.hu     2025-02-05 00:02:00     Film Mozi 1919-ben ezen a napon alapította meg Charlie Chaplin, Mary Pickford, Douglas Fairbanks és D. W. Griffith a United Artists filmstúdiót, hogy független gyártású filmjeiket forgalmazhassák. A vállalkozás az aranykorát az 1920-as években élte, de később is számos emlékezetes mozi – többek között a Hair, a Rocky, az Annie Hall, az Esőember, a Hét mester Helyszíni közvetítéssel érkezik a Super Bowl Márkamonitor     2025-02-05 06:06:01     Film NFL Super Bowl Médiatörténelmi Super Bowl adás, 2029-ig meghosszabbított szerződés az Nfl-lel, 18-féle autó-motorsport sorozat idén és persze rengeteg labdarúgás – bejelentéseket tett a Network4 Media Group. A vállalat évindító sajtóeseményén a Net4+ streaming szolgáltatás számairól is szó esett.   "Büszkék vagyunk arra, hogy páratlanul értékes sportjogokkal rend Az egyik legjobb Mission: Impossible-mozi is ott van a hét legfontosabb streamingpremierjei között Player     2025-02-05 10:06:04     Film Mozi Ezen a héten is összegyűjtöttünk tíz olyan alkotást, amely most kerül be valamelyik streamingszolgáltató kínálatába, és amellyel érdemes lesz tenni egy próbát. Bejött a Futni mentem, mindenki Herendi Gáborral akar dolgozni Blikk     2025-02-04 19:14:08     Film Mozi Udvaros Dorottya Herendi Gábor A rendszerváltás óta eltelt időszak legnézettebb magyar filmje lett Herendi Gábor tavaly év végén bemutatott mozija, a Futni mentem, amely immár 663 ezer nézőnél jár, s ezzel átadta a múltnak A miniszter félrelép rekordját. Az Udvaros Dorottya főszereplésével vászonra került film rendezője büszke és boldog, de nem dőlt hátra, máris tervezi az új fi Ingyen elolvasható magyarul a Powerless – Hatalom nélkül előzménye! Sorok között     2025-02-04 19:03:15     Könyv Csodálatos meglepetést kaptunk a Powerless – Hatalom nélkül magyar kiadójától, a Lampion könyvektől. Másolom is a Facebookon közzétett posztjukat: Már csak nagyjából egy hónap, és érkezik Lauren Roberts nagy sikerű Powerless – Hatalom nélkül című romantasy regényének folytatása! Előtte azonban, hogy könnyebben visszarázódjatok Paedyn és Kai történe Tévénézettség: egy dologra már biztos jó volt a TV2-nek A Kiképzés port.hu     2025-02-05 06:00:00     Film Hétvége TV2 A hétköznapjaikat még feljebb tudták tuningolni, olyannyira, hogy mind az ötöt megnyerték. A hétvégéken azonban rendre alulmaradtak az RTL-lel szemben. Bulimiával küzdött a Házasság első látásra arája Story     2025-02-05 07:00:33     Bulvár Párkapcsolat Kajdi Csaba Több oka is volt, hogy Dávid Petránál evészavar alakult ki. Az egyik, hogy még Kajdi Csaba is beszólt neki az edzőteremben. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

In his book From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy, Scott Meslow lays out two ways to tell if a given movie is a rom-com. First, his own definition: “A romantic comedy is a movie where (1) the central plot is focused on at least one romantic love story; and (2) the goal is to make you laugh at least as much as the goal is to make you cry.” And then, The Donald Petrie Test, named for the director of some rom-coms, like Mystic Pizza and How to Lose a Guy in 10 Days, but also some edge cases, like Miss Congeniality and Grumpy Old Men: “If you removed the love story from this [comedy], would you still have a movie? If the answer is no, it’s a romantic comedy. […] If the answer is yes, it’s a comedy with a romantic subplot.” So those are the litmus tests. Now, does that make Broadcast News a rom-com, or no? What about Annie Hall? Or something like Grosse Pointe Blank? How about His Girl Friday? Or even, actually, Love Actually? This hour, a deconstruction — and celebration — of the romantic comedy. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show David Edelstein: America’s Greatest Living Film Critic Scott Meslow: Author of From Hollywood with Love The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired August 24, 2022.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In the one-hundred-and-sixty-sixth episode, we explore the Truth Rejection Fallacy, starting with Trump saying he's smart for not paying taxes, his history of buying political influence qualifies him to drain the swamp, and that his birtherism conspiracy theory peddling actually helped Obama.In Mark's British Politics Corner we look at Liz Truss claiming her disastrous mini budget was actually a triumph of anti-orthodox behavior, Nadine Dorries reframing Partygate as focusing on the vaccine, Angela Rayner claiming an election loss was basically a win, and a Tory party member claiming Rishi is so great because he's so rich.In the Fallacy in the Wild section, we check out examples from Futurama, Annie Hall, Better Call Saul.Jim and Mark go head to head in Fake News, the game in which Mark has to guess which one of three Trump quotes Jim made up.Then we talk about Trump's plans for inauguration day and how it's gone so far.And finally, we round up some of the other crazy Trump stories from the past week.The full show notes for this episode can be found at https://fallacioustrump.com/ft166 You can contact the guys at pod@fallacioustrump.com, on BlueSky @FallaciousTrump, Discord at fallacioustrump.com/discord or facebook at facebook.com/groups/fallacioustrumpCreate your podcast today! #madeonzencastrSupport this podcast at — https://redcircle.com/fallacious-trump/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Beers deliver the final episode of 2024, starting off the show with a new segment - "Trailers For You!" featuring James Gunn's SUPERMAN as the inaugural trailer recommendation (0:54). The Beers follow up with the Drink of Choice - Boozy Tea by Owl's Brew (9:09). To wrap up the year, The Beers sum up lessons learned and growth over the last year, then share their outlook for 2025 (11:22) before delivering a brutally honest review of Brady Corbet's THE BRUTALIST starring Adrien Brody, Felicity Jones, and Guy Pearce (25:33). To wrap up the show, The Beers fire off the final Letterboxd movie reviews of the year.-Letterboxd Movies-CADDYSHACK, TEAM AMERICA, ANNIE HALL, DUMB AND DUMBER, NATIONAL LAMPOON'S CHRISTMAS VACATION, OLD SCHOOL, SUPER TROOPERS, MEET THE PARENTS, NAPOLEON DYNAMITE, JAY AND SILENT BOB STRIKE BACK Now sip back and enjoy the show! CATCH THE BEERS ON YOUTUBE!https://www.youtube.com/@thewrapbeers Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Letterboxd - https://letterboxd.com/wrapitupb/Music by: Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

Mel Stephens has never seen Annie Hall, but she rewrote it and we read her script! We continue a streak of guests absolutely nailing it. We talk what Kyle remembers about the movie, everyone's favorite controversy-less director, and more! Mel and Kyle are joined by Daniel Van Kirk! Go check out their show, Overshare Comedy, if you're in LA on December 4! Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2019 fire destroyed the much of the cathedral of Notre-Dame de Paris. As the restoration is completed, Agnes Poirier describes the work of skilled artisans that she has watched over the past five years. Her documentary series for the World Service In the Studio programmes can be heard on BBC Sounds. Jacob Collier discusses and plays from his new Grammy nominated album, Djesse, Volume 4. The novelist Ulrich Alexander Boschwitz was interned as an "enemy alien" on the Isle of Man during World War Two, where he wrote a children's story recently unearthed in archive 80 years later. Writer Jonathan Freedland and illustrator Emily Sutton discuss breathing new life into King Winter's Birthday. And we remember the late screenwriter, Marshall Brickman, who worked with Woody Allen on Annie Hall. Presenter: Samira Ahmed Producer: Ruth Watts

Welcome back to the Woody Allen Retrospective Podcast for another episode of Woody Allen Adjacent!   On this adjacent episode we take a reddit recommendation for a movie that looks and sounds very much like films Woody has made in the past.. in fact, this may very well be a 'homage' to such Woody Allen movies: Manhattan and or Annie Hall!   However... upon watching..  it became clear to us this might just be one of the most disappointing, perplexing and just poor adjacent type films we have ever seen, putting adjacent aside, its generally a terrible film in the genre of romantic comedies     We are by no means film experts but as fans of the genre that have seen and discussed MANY films of this ilk, its quite astounding to see just how bad this one was to watch.   We don't believe we have been this critical since our very first adjacent discussion on Lous CK's 'I Love You Daddy'   Let us give praise where it is due thought - props to Scott Miller who was Director of Photography, the visual presentation is actually decent....   PLEASE LET US KNOW IF YOU HAVE SEEN THIS MASTERPIECE BY COMMENTING IN OUR COMMENT SECTION LINK  >  https://bit.ly/warpcom   ------------------------------------   Anyhoo, here are the links we mentioned in the opening news section of the show!   Rebecca Hall: I regret apologising for working with Woody Allen (Article Link) - https://www.theguardian.com/film/2024/nov/17/rebecca-hall-i-regret-apologising-for-working-with-woody-allen   By The Way Woody Allen Is Innocent Documentary Update (Video)   https://youtu.be/WH_LtT0JT54?si=C-S6v6Jrh4eWYDQA   ____________________________________________________________   Please check out the links below for the full cast, user reviews, ratings and info you may find interesting   Wikipedia: https://en.wikipedia.org/wiki/Manhattan_Romance   IMDb: https://www.imdb.com/title/tt2608324/   Rotten Tomatoes: https://www.rottentomatoes.com/m/manhattan_romance   _________________________________________   A VERY Special Thanks to The Woody Allen Pages Website & The Woody Allen Subreddit for the continued support and info – check them out for the latest from the Woody Allen Fan Community!!   https://www.woodyallenpages.com     &    https://www.reddit.com/r/woodyallen   PLEASE LEAVE A COMMENT TO THIS OR ANY OTHER EPISODE USING OUR COMMENT SECTION VIDEO LINK HERE   >>>>>>>  https://bit.ly/warpcom   IF YOU LIKE THE SHOW, PLEASE CONSIDER BUYING US A COFFEE / GIVING US A TIP VIA OUR PATREON CAMPAIGN  >>> https://www.patreon.com/woodyretro   Thanks for listening as always - we would also LOVE a review on iTunes or a 5 star rating via Spotify or whichever podcast platform you are listening on - please find all our connected links below.   >>>   https://linktr.ee/woodyretro

Quincy Jones Receives Posthumous Oscar, and Daughter Gives His SpeechAt the Governors Awards, Rashida Jones spoke on behalf of her father, who died earlier this month at the age of 91.Before his death two weeks ago, the musician and producer Quincy Jones wrote a speech he intended to deliver at the Governors Awards, where he would receive an honorary Oscar at the ceremony created by the Academy of Motion Picture Arts and Sciences.On Sunday night in Hollywood, his actress daughter Rashida Jones delivered that speech on his behalf before a rapt audience.“As a teenager growing up in Seattle, I would sit for hours in the theater and dream about composing for films,” she said while channeling her father, who was a Black trailblazer in Hollywood: “When I was a young film composer, you didn't even see faces of color working in the studio commissaries.”Nominated seven times, Jones was given a different honorary Oscar — the Jean Hersholt Humanitarian Award — in 1995, back when these awards were still part of the televised Oscar broadcast. To shorten that show, the honorary awards were spun off into their own event in 2009.Jennifer Lawrence, Angelina Jolie and Jennifer Lopez staked their seats out early while the directors Luca Guadagnino (repping both “Challengers” and “Queer”) and Brady Corbet (“The Brutalist”) compared notes on film formats. The “Succession” stars Jeremy Strong and Kieran Culkin reconnected on the terrace outside the party; both men are supporting-actor contenders; Strong for “The Apprentice,” Culkin for “A Real Pain.” And the stars of “Emilia Perez,” Zoe Saldaña, Selena Gomez and Karla Sofía Gascón, proved to be popular presences in every corner of the ballroom.The first honoree of the night was Juliet Taylor, who has cast more than 100 films over the course of her career including “The Exorcist,” “Terms of Endearment” and “Annie Hall.” While accepting her Oscar, she described her job as being “able to appreciate actors when they're not all that likable and appreciate directors when they're not easy.”Daniel Craig came out to present the Irving G. Thalberg Memorial Award to the producers Michael G. Wilson and Barbara Broccoli, who have served as the stewards of the James Bond franchise for nearly three decades. After taking the reins of Eon Productions from their father, Albert Broccoli, the half-siblings produced the last nine Bond films beginning with “Goldeneye,” Pierce Brosnan's first foray in the role, all the way up to Daniel Craig's final Bond outing, “No Time to Die.”-Kyle Buchanan

This is my classic talk with Beverly D'Angelo. Bev and I were texting last week and decided it's time to record a new talk, especially since she's been up to a lot since we first recorded this talk in 2019. But we're having some trouble coordinating our schedules, so I'm running this one now because it's a fun one with juicy stories and it's entirely possible we won't get that new one on the books anytime soon. And since Bev's ex, Al Pacino, who's also the father of her twins, has a new memoir out, called Sonny Boy, I thought, yeah, let's also hear from Bev, who has quite a few stories of her own. National Lampoon's Vacation turned actress Beverly D'Angelo into an American icon. She played Ellen Griswold, Chevy Chase's wife, of course. But that's just part of the story. I sit down with Bev at her Los Angeles home to talk about all the other things in her life. (And let's not forget Annie Hall, Any Which Way But Loose, Coal Miner's Daughter, Entourage, Shooter, Insatiable, etc., but more on that later.) Yes, we talk about how Vacation happened and how it changed things, and we get into SO MUCH MORE, like: Podcasts (hers + mine + other people's) Bev's background Bev's family Growing up in Columbus, Ohio Conformity Authenticity Sex, drugs and rock 'n roll Getting pregnant at age 48 Meeting, falling in love, and having kids with Al Pacino Al Pacino's mystique and how his fame has grown Addictive behavior Why she did Vacation after at first saying 'No.' Chevy Chase Why I should talk to Chevy now (and PS I really, really want to) Getting shunned by Hollywood Insecurity in Hollywood Other love stories   BONUS VIDEO! Beverly D'Angelo + I laugh and get real - on film! Subscribe now to my YouTube channel:  YouTube.com/reallyfamous     Work with me as a therapist, personal consultant, coach or mental health consultant ➤ hollywoodwellness.org/    Follow me on social media for behind-the-scenes photos and clips ➤  YouTube ➤ youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ?sub_confirmation=1 Instagram ➤instagram.com/karamayerrobinson/  TikTok ➤ tiktok.com/@karamayerrobinson  Facebook ➤ facebook.com/karamayerrobinson/  Check out my sizzle reel ➤ https://really-famous.com/kmr-reel Share your thoughts ➤ reallyfamouspodcast@gmail.com   Subscribe on YouTube for all my interview videos ➤ https://www.youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ?sub_confirmation=1 Shop with my Amazon Influencer link: https://www.amazon.com/shop/reallyfamous Get a Really Famous mug ➤ https://really-famous.myspreadshop.com/really+famous-A5d211932162c5f1ba0e0ae33?productType=949&sellable=xrOAqlvEk1UqmOlaDVqJ-949-32&size=29 Share your thoughts ➤ really-famous.com    Celebrity interview by Kara Mayer Robinson Music: Take a Chance by Kevin MacLeod - Incompetech - Creative Commons

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) take a look at the career of the truly remarkable actress and producer Shelley Duvall. Born in Fort Worth, Texas in 1949, the oldest of four children (and only daughter) Duvall would go on to collaborate with Robert Altman and gain prominence as a one-of-a-kind performer. Known for her iconic roles in McCabe & Mrs. Miller (1971), Nashville (1975), Annie Hall (1977), Popeye (1980), The Shining (1980), and many more, the actress would later produce television programs like Faerie Tale Theatre, Tall Tales & Legends, Nightmare Classics, and Shelley Duvall's Bedtime Stories. To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website. And check out our Instagram, @cinemasoundspod!  

It's the 50th Academy Awards and the 50th episode of Worthy's journey through all the Best Picture winners! Ben and Jon start off the podcast with their own awards, The Worthies, for the best of the Best Picture winners from the 41st to the 50th Academy Awards. The Worthy Boys then dive into the 1977 Best Picture winner, Annie Hall from Woody Allen. Is Annie Hall worthy of the Best Picture award of 1977? Tell us how we're wrong at worthysubmissions@gmail.com.

Ever wonder how Christopher Walken went from dancing in musicals to winning an Academy Award?Christopher Walken didn't start out as a famous actor—he began as a dancer and worked his way up through small film roles. His unique approach to every role, no matter the size, helped him build a legendary acting career, and there's a lot you can learn from his journey.Listen to this episode and discover:How Christopher Walken's dedication to every role, no matter how small, led him to major breakthroughs.The importance of deeply understanding your character and bringing authenticity to your performance.Why Walken's performance in Annie Hall opened the door to his Oscar-winning role in The Deer Hunter.Want to learn the secrets behind Christopher Walken's rise to stardom? Hit play now and get inspired by his approach to every role!Contact Info and ResourcesMartin's Email: martin@cityheadshots.comMartin's Website: https://www.martinbentsen.comHeadshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.comThis podcast dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles.

Lisa Cohen back on Milo Time, Lisa spending time in Los Angeles, Not planning to live in Los Angeles, Lisa very comfortable in Los Angeles, Daryl more like Woody Allen in Annie Hall in Los Angeles, Lisa enjoying the climate in Los Angeles, Is "missing the seasons" really a thing at our age?, Mike Lane is a person, Max and Milo were friendly with a pair of brothers, Ben and Zachary Everett-Lane, Nachsins and Muchnicks, Ben Everett-Lane also went to Brooklyn Tech High School, Milo was disdainful at the suggestion that "Mike Lane" was a name, Seeking input from others about which parent had which last name, Max posed the question to his great friend Jane Greeley, Of course, Milo was right that Mike's last name was Everett, Milo's disgust with me remains, Bookmark for a later episode  moment when Milo was adamant and incorrect, A very funny moment in time, Milo's look of disdain stays with me, Many would recognize that look from Milo

The RP bois breakdown what some people call the greatest rom com of all time. Will the they agree? Thanks to our monthly supporters akai Jordyn Nevarez Remington Lamons Tynan

Diane Keaton hauls in a Best Performance Academy Award on the Best Picture winner of 1977. How did Woody Allen funnel kvetching and pathos into an award-winning romantic comedy when so many are dead sharks? The Brains explore awkward moments like no other; come squirm with us!

 In at #35 of the American Film Institute's top 100 movies is Annie Hall. Do I like this classic comedic romance? Listen in and find out!Be sure to Subscribe on iTunes and Spotify and wherever podcasts are found!helixreviewspodcast@gmail.comThe American Film Institute's #35 Review: https://ia801802.us.archive.org/7/items/afi-35-annie-hall/AFI%20%2335%20Annie%20Hall.mp3

Helen and Gavin chat about Deadpool & Wolverine, Trap, and Cuckoo, and it's Week 25 of the list of Oscar Best Picture Winners from 1977 and 1978; Rocky, and Annie Hall.

Studio B, Isabel Hillman, David and Lisa now bicoastal, Lisa is famous and elusive, Los Angeles, Bill Murray as Frequent Flyer, Gordon Lightfoot, Daryl not happy with David and Lisa spending time in Los Angeles, In Los Angeles, Daryl feels like Woody Allen in Annie Hall, Los Angeles feels foreign, Working off the list of things Milo loved, Eli Hartman recently added new things to the list, Standing invitation to all with connections to Milo to join Milo Time, Milo's love for games, music, and drafts, Milo and friends filling out brackets for anything and everything, First name/Last Name, Car trips with the boys, Traveling with the boys and beholden to radio stations to find music to listen to, Z100, Q104.3, KRock, WLIR, WBAB, Rihanna, Beyonce, Katie Perry, Ed Sheeran, Philip Phillips, Gwen Stefani, Taylor Swift, Drake, Drafting artists and compiling the number of listens for each artist, Toyota Prius GPS, Milo as scorekeeper, Debates over featured performers, Exciting as the trip was winding down, Florence + The Machine, Pop radio stations all played from the same playlists, Do radio stations even exist anymore, Sirius radio, Sirius radio very repetitive, Sirius radio algorithms, Thanks again to Isabel  

Sometimes you know someone will be a star just because of their voice. In Carol Kane's case that's true, but she is also a superb comic actress who has been a welcome fixture on tv and movie screens since the early 1970s. While her early dramatic work in "Carnal Knowledge" and "Hester Street (for which she scored an Oscar nomination) was promising, it was" her turn to comedy in the late 1970s that made her a legend. Small but key roles in Gene Wilder's "The World's Greatest Lover" and Woody Allen's "Annie Hall" led to a long run as Andy Kaufman's wife on "Taxi" -- the somewhat ditzy and delightfully eccentric Simka. She followed that up with great roles in "The Princess Bride" and "Scrooged". Since then she has continued with juicy guest spots, most recently playing the upstairs neighbor and landlady Lillian Kaushtupper in the Netflix hit "The Unbreakable Kimmy Schmidt". As always find extra clips below and thanks for sharing our shows! Want more Carol Kane? Carol's big tv break came on Taxi as she played Simka, wife to Andy Kaufman's Latka, and her strange ways and accent captivated audiences. https://youtu.be/tfYnJK8AbU0?si=bXQmhoNoV6S5MYKb Carol had a central role in the Bill Murray film "Scrooged" playing the Ghost of Christmas Passed with just a little naughtiness. https://youtu.be/lKVVQiJ7gKo?si=qXB7RWTGEt6DyYXV Most recently Carol had a juicy role as the upstairs landlady Lillian in the Netflix hit "The Unbreakable Jimmy Schmidt." This feature from CBS News has a fun interview with Carol along with a few highlights from that role. https://youtu.be/rocllq7SS3g?si=ERwuIKpmOwnZmltG

. . . As the late Shelly Duval says in the legendary "Annie Hall". In which, of course, the only response would be, "thank you". That and talking about the movies, "Home Alone" today and how it was just a little film that could AND the brand new Netflix movie, "Beverly Hills Cop 4", which, spoiler alert, is Awesome! I guess I didn't do much this week except watch movies.

Sound Bites"I wish I was nerdy about one thing and one thing only""I like being more of a generalist""I couldn't think of a single thing that I feel like I could do it justice to evaluate""Yeah, there's a lot of celebrity deaths. Yeah, fourth. And you know what? Somebody you didn't even suspect, somebody young relatively speaking. Yeah.""Oh yeah. Well I liked her and she had a little bit part in Annie Hall too that I liked. She played a kind of a vacuous model that Woody Allen was dating and I thought she was good in""Yeah, she's like, yeah, right the wolf Yeah""Those girls know that they're addicted to something, you know. They know they're getting shot up with heroin or whatever. You know, they're not getting heroin slipped into their diet Pepsi's and that's why they're acting so crazy.""Some of the happiest memories of my life were when I had little prescriptions of Vicodin.""Best Thanksgiving of my life. I was alone. I just had my meniscus surgery and I had this little prescription of Vicodin.""I just hide them in the back of the shelf so they can't see them.""It's not the thrill of stealing it, but I want that towel.""Sure man, yeah, fine, fine, if you want that, fine.""There's victory then there's the appearance of victory""The fact that you have to now worry about the feelings of your wife, it kind of sucks all the joy out of playing a game""The objective is to get your dick wet" ★ Support this podcast on Patreon ★

Send us a Text Message.Four former teenagers bond over their love of very special episodes of sitcoms and other shared interests until their view of reality begins to crack. On Episode 624 of Trick or Treat Radio we are joined by our pal, Anthony Landry to discuss the surrealistic coming of age horror flick I Saw the TV Glow from director Jane Schoenbrun! We also discuss 90s TV shows, the loss of Shelley Duvall, and how we're all flawed people just trying to be happy. So schlep your sleeping bag over to your friends house, grab a plate full of bagel bites and pizza rolls, wash it down with an Ecto Cooler, and strap on for the world's most dangerous podcast!Stuff we talk about: Radiance Films, Haxan: Witchcraft Through the Ages, duties or doodies?, messing up intros, pounds to quid, influencer or influenza?, Smallville, Grosse Point Blank, Alan Arkin, Ric Flair, RIP Shelley Duvall, Annie Hall, Popeye, The Shining, Fairy Tale Theater, Frankenweenie, Stanley Kubrick, Margot Kidder, Time Bandits, Cinderella, Suburban Commando, Hulk Hogan, Christopher Lloyd, Brad Williams, Timeless Toni Storm, Mariah May, The Bloodline, WWE stereotypes, All About Eve, Showgirls, Virgil, Tatanka, S your own D, prohibition era crimes, old sports references, Doc Rivers, Lebron Burton, Randy Poffo, Rich Hall, Snigglets, Sunday Morning Cartoons, Defenders of the Earth, Gordon Jump, Tony Hawk invented skateboarding, Tales From the Podcast, Buffy the Vampire Slayer, Paul Reubens, Rutger Hauer, Anne Ramsey, The Adventures of Pete and Pete, 90s TV, I Saw the TV Glow, Jane Schoenbrun, A24, G.L.O.W., The Pink Opaque, retroactive graduation parties, 90s angst, Justice Smith, The Get Down, Tim Burton, Batman ‘89, Maximum Overdrive, monster of the week TV shows, Mack the Night, Mr. Melancholy, Empty Nest, X-Pac, searching for our final form, X-Men, King Woman, Clerks, “A Pretzel of a Flick”, Big Trouble in Little China, David Lynch, Jarren Duran, Saturday Morning Horrors, Caitlin Cronenberg, Humane, Scare Bears, A Smurfian Film, Beaverback in IMAX, We're All Going to the World's Fair, Happy Birthday Joel Robinson, Survival of the Film Freaks, OTC, The Doom Generation, Don't Forget to Leave, Bill Fulkerson, David Lee Broth, Beef Bergeron at the Gimmick Table, A Flop of Seagulls, The Medicinal Gimmick, and Beef Bergeron.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the Show.

Morse code transcription: vvv vvv From rough sleeping to advising Prince William Ambani wedding India tycoons son to marry after months of festivities Shelley Duvall The Shining and Annie Hall actress dies at 75 77 whales dead after biggest mass stranding in decades in Orkney Canadian serial killer Jeremy Skibicki found guilty in murder trial Israeli army failed in mission to protect kibbutz from Hamas Louisiana miracle baby Miracle baby survives days alone on a roadside Tori Towey returns home to Ireland after Dubai charges dropped Trudeau says Canada will meet Natos 2 spending target by 2032 Hungarys Viktor Orb n to meet Donald Trump at Mar a Lago

Morse code transcription: vvv vvv Hungarys Viktor Orb n to meet Donald Trump at Mar a Lago Tori Towey returns home to Ireland after Dubai charges dropped Louisiana miracle baby Miracle baby survives days alone on a roadside Ambani wedding India tycoons son to marry after months of festivities Trudeau says Canada will meet Natos 2 spending target by 2032 From rough sleeping to advising Prince William Israeli army failed in mission to protect kibbutz from Hamas Canadian serial killer Jeremy Skibicki found guilty in murder trial 77 whales dead after biggest mass stranding in decades in Orkney Shelley Duvall The Shining and Annie Hall actress dies at 75

Morse code transcription: vvv vvv Trudeau says Canada will meet Natos 2 spending target by 2032 Tori Towey returns home to Ireland after Dubai charges dropped From rough sleeping to advising Prince William 77 whales dead after biggest mass stranding in decades in Orkney Hungarys Viktor Orb n to meet Donald Trump at Mar a Lago Israeli army failed in mission to protect kibbutz from Hamas Shelley Duvall The Shining and Annie Hall actress dies at 75 Canadian serial killer Jeremy Skibicki found guilty in murder trial Louisiana miracle baby Miracle baby survives days alone on a roadside Ambani wedding India tycoons son to marry after months of festivities

TRASH IN THE CAN: THE SEDUCTION OF DR. FUGAZZI This week we dive into the work of an amateur auteur in the tradition of Tommy Wiseau, Deuandra T. Brown, and the Former United States Secretary of the Treasury's wife. Frank Calvillo returns strictly to discuss Faye Dunaway dressed as Annie Hall, but sticks around for… Read More »Trash in the Can: The Seduction of Dr. Fugazzi

In recent years, as our culture has embraced therapy more widely, depictions of the practice have proliferated on screen. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace the archetype from the silent, scribbling analysts of Woody Allen's œuvre and the iconic Dr. Melfi of “The Sopranos” to newer portrayals in shows such as “Shrinking,” on Apple TV+, and Showtime's “Couples Therapy,” now in its fourth season. The star of “Couples Therapy” is Orna Guralnik, whose sessions with real-life couples show how these tools can lead to breakthroughs—or, in some cases, enable bad behavior. Since the series débuted, mental-health awareness has only grown, and the rise of therapists on social media has put psychoanalytic language and constructs into the hands of a much broader audience. Is the therapy boom making us better? “There's a way in which jargon or concepts when boiled down can be used to categorize both ourselves and others,” says Schwartz. “Maybe what I'm asking for is a reinvigoration of the idea of therapy—not to close down meaning, but to open up meaning.”Read, watch, and listen with the critics:“The Sopranos” (1999-2007)“Couples Therapy” (2019-)“The Therapist Remaking Our Love Lives on TV,” by Alexandra Schwartz (The New Yorker)“The Rise of Therapy-Speak,” by Katy Waldman (The New Yorker)“Dr. Katz, Professional Therapist” (1995-2002)“The Critic” (1994-95)“Annie Hall” (1977)“The Case Against the Trauma Plot,” by Parul Seghal (The New Yorker)“Shrinking” (2023-)“Ted Lasso” (2020-23)The Cut's Overanalyzed series“21 Ways to Break Up with Your Therapist,” by Alyssa Shelasky (The Cut)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. 

The 1977 Oscar year is famously when Annie Hall triumphed over the cultural behemoth of Star Wars, but elsewhere Martin Scorsese followed up his Taxi Driver Best Picture nomination with a big swing and a miss. The Ankler's Katey Rich is back on the show to discuss New York, New York, Scorsese's attempt at a movie musical. Starring then-recent Oscar winners … Continue reading "292 – New York, New York (with Katey Rich) (70s Spectacular – 1977)"

Send us a Text Message.All by his lonesome, Joe breaks down two vintage films that he still regrets waiting this long to recently see -- Woody Allen's comic masterpiece, ANNIE HALL and Wim Wenders' PARIS, TEXAS, the latter of which struck a personal chord. In this series of podcasts for the next several months, join Joe this summer as he reviews tentpole would-be blockbuster films, classic films worthy of your time, and what is worth binging on the smaller screen (t.v.) to help pass the time. You won't want to miss it! Most of all, we welcome your feedback, reviews, and suggestions. Thank you for listening!Read our Letterboxd reviews at: https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcastVisit our website at:https://fixateandbingepodcast.com/Thank you for listening! You can find and follow us with the links below!https://fixateandbingepodcast.com/https://www.instagram.com/fixateandbingepodcast/?hl=mshttps://www.tiktok.com/@fixateandbingepodcasthttps://www.youtube.com/channel/UCb7Y74-_IZxRLPvV1tzY4OQ

" A nervous romance" Actor Jae Kim returns to the show to dissect the romantic comedy that changed the genre forever, Woody Allen's totemic Annie Hall.Watch the episode on our YouTube at: https://youtu.be/qkzgefDpLokHosts:Michael NataleTwitterInstagramLetterboxd Tom LorenzoTwitterInstagramLetterboxd Producer:Kyle LamparTwitterInstagram Guest:Jae KimIMDBInstagramMusic Video Follow the Show:TwitterInstagramWebsite Music by Mike Natale

This week on Jackie (@jackiekashian) and Laurie (@anylaurie16) we keep it simple. Flat earth. Dull blades. Shoot Fascists. Comic of the Week: Ai Yoshihara @ai_comedian  Watch Laurie Kilmartin – Cis, Woke, Grief, Sluthttps://bit.ly/4bOVFsv Places to get Jackie's album “Stay ”Kashian https://800pgr.lnk.to/StayKashianTW Places to get Laurie's album “”Corset https://800pgr.lnk.to/CorsetTW Buy 'Lauries books: https://www.amazon.com/Laurie-Kilmartin/e/B0096S2CLM%3Fref=dbsamngrwtscns_share Laurie has T-shirts! Https://www.teepublic.com/user/laurie-kilmartin Buy anything from Jackie: http://jackiekashian.com/storeFollow Jackie @jackiekashian and @anylaurie16 on Twitter!  Here's all the websites you've ever wanted to ignore www.jackieandlaurieshow.comhttps://maximumfun.org/podcasts/jackie-and-laurie-show Released here on Wednesdays: https://www.patreon.com/JackieandLauriehttps://podcasts.apple.com/us/podcast/the-jackie-and-laurie-show/id1071731361 

for the full episode join the Patreon [patreon.com/fashiongrunge]Finally, after our technical snafus here is the episode on Annie Hall. This has been on the list for both me and Charles since the start of this podcast. During our teenage years we both saw Annie Hall and the filming structure and humor was nothing we had ever seen before. Diane Keaton is a breath of fresh air in this captivating titular character that inspires the fashion industry almost 40 years later. Me and Charles basically quote the entire film and point out the details in cinematography that were so modern for the time and even now few filmmakers master. off-topic rants: male TikTok thirst traps, Jaws, Oscars history minute---Get BONUS episodes on 90s/00s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanie  & Charles @charleshaslamFollow Fashion Grunge PodcastSubstack The Lo Down: a Fashion Grunge blog/newsletterInstagram @fashiongrungepodTwitter @fgrungepodLetterboxd Fashion Grunge PodcastTikTok @fashiongrungepod 

More dumb Kate Middleton conspiracies; Matthew Perry leaves a million dollars in assets in a trust named after an Annie Hall character; Supporting adult kids: 47% of Americans are helping their grown up kids with their finances; Game show roulette Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

More dumb Kate Middleton conspiracies; Matthew Perry leaves a million dollars in assets in a trust named after an Annie Hall character; Supporting adult kids: 47% of Americans are helping their grown up kids with their finances; Game show roulette Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sultan of Cinema, Guy Davis, returns for the first Video Store of 2024! He and Charlie share their favourite roles where actors are playing against type. Which Brad Pitt role is Charlie's style icon? Is Liam Neeson the new Leslie Nielsen? Did Philip Seymour Hoffman ever have a type to play against? Plus, Guy and Charlie share their thoughts on the Furiosa trailer... More Guy Davis here: hhttps://www.fourfingerdiscount.com.au/ Movies discussed:  Kalifornia, Punch Drunk Love, Bram Stoker's Dracula, The Naked Gun, Ted 2, The Long Kiss Goodnight, The Dead Zone, At Close Range, Annie Hall, The Deer Hunter, Catch Me If You Can, Batman (1989), Twister, Along Came Polly, A Good Year, Lantana, Sexy Beast, Green Room, Suspect Zero, Edge Of Tomorrow See TOFOP live in Melbourne on April 7: https://www.trybooking.com/CPJHP  Everyone Relax merch, Patreon, and more: https://linktr.ee/TOFOP See omnystudio.com/listener for privacy information.

Photojournalist Brian Hamil is known for his still photographs from movie sets and portraits of rock and roll legends, athletes, celebrities, and politicians. Everyone from Muhammad Ali to Frank Sinatra to Barbara Streisand has been the subject of his lens over the course of his five decades of work. The life-long New Yorker has captured some of the most iconic photos of John Lennon and Yoko Ono, which were recently compiled into his 2022 book, “Dream Lovers: John and Yoko in NYC.” His work on set spans more than 75 motion pictures, including unforgettable films like “Annie Hall,” “Raging Bull,” “Big,” “Tootsie,” and “You've Got Mail.” Hamill's photojournalism experience extends to capturing moments of strife and conflict, including the 1994 Northridge Earthquake and “The Troubles” in 1970s Northern Ireland. Alec Baldwin speaks to Hamill about growing up in Brooklyn as the child of Irish immigrants, his behind-the-scenes experiences on the world's most memorable movie sets, and the backstory that led to taking John Lennon's portrait. See omnystudio.com/listener for privacy information.