Podcasts about laika entertainment

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. Preparatevi a una rocambolesca e appassionante avventura fatta di località esotiche, pericoli e misteriose creature. Eppure "Mister Link" non è solo questo. E' la storia di un uomo deciso a dare un senso alla sua vita, di una donna decisa a trovare la sua indipendenza ma soprattutto di una creatura priva di origini e di legami che vorrebbe solo una famiglia.

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. La Laika stavolta si cimenta con un'avventura epica e ricca di fantasia. Un mondo in cui la magia esiste ma non necessariamente comporta vantaggi o garanzie e dove il Male più primordiale persiste nonostante ciò. "Kubo e la spada magica" è la storia di una famiglia distrutta ma che potrebbe rinascere e concedersi una seconda possibilità per essere felice.

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. Dalla penna di Alan Snow, "Boxtrolls" consente alla Laika di parlare ancora una volta di mostri. Stavolta però i "troll delle scatole" non sono una minaccia ma bensì un gruppo di creature innocue e perseguitate semplicemente perché non umane. A metà tra Roald Dahl e Tim Burton, "Boxtrolls" è una fiaba che parla di discriminazione, accettazione e persino di che cosa sono per davvero il Bene e il Male.

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. Dopo realtà parallele e inquietanti mostri, la Laika decide di offrirci qualcosa di più leggero. Perché non concederci quindi una simpatica avventura in mezzo agli zombie e ai fantasmi? Stavolta è il turno di Norman e il suo dono (se tale si può definire) che lo rende un emarginato ma forse anche l'unico capace di salvare i suoi amici e la sua città.

C'erano una volta, Storie popolate da mostri con fattezze umane, creature incomprese, terrore, orrore ma anche magia, ironia e tanto cuore. Ecco a voi la Laika Entertainment e suoi film ricchi di fantasia e oscurità. Cominciamo dal principio con il lungometraggio del 2009 "Coraline", basato sulla tetra fiaba scritta da Neil Gaiman e lugubre racconto di formazione in cui i sogni diventano incubi, i desideri possono essere pericolosi e dove la fantasia non è necessariamente migliore della realtà.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1444799752009252869 CW: Harm to Children It's Wholesome Horror Week on Pod Sematary! Chris & Kelsey ride the carousel backward and enjoy absolutely terrific horror movies made for kids to kick off October! This time, both movies are about evil entities posing as things kids tend to love in order to feed on their souls. The Classic Film: Something Wicked This Way Comes (1983) "In a small American town, a diabolical circus and its demonic proprietor prey on the townsfolk” (IMDb.com). Ray Bradbury's script adaptation of his own novel is yet another 80s film that Disney seems content to forget about, but impeccable writing and a great performance by Jonathan Pryce make this movie a must-watch during the Halloween season. The Modern Film: Coraline (2009) "An adventurous 11-year-old girl finds another world that is a strangely idealized version of her frustrating home, but it has sinister secrets” (IMDb.com). Full disclosure: We are a Gaiman-loving household. But beyond the story, Coraline is a beautiful and disquieting stop-motion feat and possibly Laika's best. Audio Sources: "Coraline" produced by Laika Entertainment, et al. "Get Out" produced by Monkeypaw Productions, et al. "Ghost" (1990) produced by Paramount Pictures & Howard W. Koch Productions "I'd Do Anything for Love (But I Won't Do That)" written by Jim Steinman and performed by Meatloaf "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Something Wicked This Way Comes" produced by Walt Disney Productions & Bryna Productions "The Trial of Jack McCall" (Deadwood S01E5) produced by HBO, et al.

Episode 11 with Fon DavisIn his three decade career, Fon Davis has worked on over 40 feature films, countless music videos, commercials, TV shows and other projects As an alumnus of the Industrial Light and Magic's Model Shop, Fon has worked on Starship Troopers, Galaxy Quest, and Pearl Harbor feature films, as well as the Star Wars, Terminator, Mission Impossible, and Jurassic Park franchises. In addition to his work in visual effects, Fon has also worked in several art departments on Disney's The Nightmare Before Christmas, James and the Giant Peach, Christmas Carol, Mars Needs Moms, Laika Entertainment's Coraline and Warner Brothers The Matrix series.More recently, Fon worked on Interstellar, Guardians of the Galaxy, and Neill Blomkamp's Elysium. Fon is currently a creative director at Fonco Studios, a celebrity judge on ABC's BattleBots, an instructor at the Stan Winston School, on shows including SuperFan Builds, Nerd Alert, Cake Masters, Starter Kit, Painter's Guild, and Adam Savage's Tested. Fon is also a content creator and public speaker, frequently using his broad knowledge in entertainment and visual storytelling to share his experience and knowledge with the world.Fon has actively participated and supported the education, VFX, SPFX, robotics, 3d printing, maker and geek culture communities through his work with disadvantaged youth programs, conventions around the world, the Visual Effects Society, Dwayne Johnson's Dwanta Claus organization, Glendale Unified School District, The Wounded Warrior Project, Expression College, Make: Magazine, The Make a Wish Foundation, Magic Wheelchair, and much more.About The Callsheet:After two decades working in and around Hollywood, I've met some incredible people with unique stories of how they made it. Listen in as I chat with Directors, Writers, Producers, DPs, Creators and Designers of all the films and tv that you know and love. For the latest updates on the podcast, follow me on instagram @thatdirectoraj or join our new facebook page under the same nameCallsheet theme by Evan BrauAbout the Host:Born in Flint, Michigan, A.J. Wedding created his first film in the 5th grade which helped push public opinion toward the first recycling program the city had ever seen. Realizing the power of filmmaking, he was hooked. After earning a B.F.A. from Western Michigan University, A.J. began reading scripts for Cruise/Wagner Productions at Paramount. He volunteered for every production he could, learning from the pros about producing, cinematography, lighting, directing, VFX and even ended up in front of the camera. He spent a great deal of time editing, including trailers for blockbuster films and pro-bono work for charities such as A Leg to Stand On. Eventually he was able to direct, and sold the series Infamous which he co-wrote with Craig Bonacorsi. A.J. has just launched Orbital Studios, a virtual production studio in Los Angeles. @orbitalvirtualstudiosajwedding.com

Trever Stewart | ProducerMr. Stewart started his career in literary development in 2001, developing several feature film and TV projects with Miramax, New Line Cinema and HBO Canada. In 2006 he relocated to Portland, Oregon to join Laika Entertainment as a development executive, serving the films Coraline, Box Trolls and a forthcoming untitled project slated for 2022 release. In 2013 he joined Paramount and Charlie Kaufman's film Anomalisa as production executive and signed a 2-year production deal with Bent Image Lab in 2015. In 2016, he consulted on Wes Anderson’s Isle of Dogs and most recently served as Co-producer on an unannounced project at Netflix. Mr. Stewart has a development deal with Disney's Searchlight Pictures and is currently producing a stop-motion pilot for the Syfy Channel, a 2D series at Amazon and a pilot for the National Film Board of Canada.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1317540371153391616 CW: Homophobia It’s Family Friendly Week on Pod Sematary! Chris & Kelsey light the black flame candle, talk to ghosts, and fix all of society's problems! The Classic Film: Hocus Pocus (1993) "A curious youngster moves to Salem, where he struggles to fit in before awakening a trio of diabolical witches that were executed in the 17th century” (IMDb.com). Hocus Pocus is a cult classic and for a reason. Put a little Halloween joy in your life and watch with us. The Modern Film: ParaNorman (2012) "A misunderstood boy takes on ghosts, zombies and grown-ups to save his town from a centuries-old curse” (IMDb.com). Don't be like seemingly everyone in 2012 and sleep on this beautifully-animated family horror movie with a heart. Audio Sources: "Are You Afraid of the Dark?" produced by Nickelodeon Network, et al. "Awakening: Part 1" (Gargoyles S01E01) produced by Disney Television Animation "Buffy the Vampire Slayer" (1992) produced by Twentieth Century Fox, et al. "Chapter Six: The Spy" (Stranger Things S02E06) produced by Netflix Studios, et al. "Hocus Pocus" produced by Walt Disney Pictures & Touchwood Pacific Partners 1 "Judge Reinhold/10,000 Maniacs" (Saturday Night Live S13E13) produced by Broadway Video & NBC Productions "The Mask" produced by Dark Horse Entertainment & New Line Cinema "ParaNorman" produced by Focus Features & Laika Entertainment "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Stainmaster Carpet Mommy's Little Sweetheart TV Commercial HD" via FM1156 @ https://www.youtube.com/watch?v=hvs_qGnBn1M

Hi everyone! Welcome back for another week of reviews, and it’s going to be an exciting week here at One Movie Punch. This week we’ll continue our Golden Globes nominee and winner coverage, with four additional reviews. Ryan L. Terry will be back tomorrow with his review of WHERE’D YOU GO, BERNADETTE? BiCurean returns for Takeover Tuesday with their review of FROZEN II. And I’ll be picking up THE TWO POPES this coming Saturday, along with today’s review for surprise winner, MISSING LINK. We’ll also have a review for Johnny Daggers’ NOCTAMBULIST from last year for Indie Wednesday, another Fantastic Fest review from Andrew Campbell on Friday, and the exciting premiere of Christina Eldridge, aka Durara Reviews, with her review of WEATHERING WITH YOU from GKIDS. A super-exciting week on the main feed. Over on Patreon today, we’ve posted our full interview with filmmaker Robbie Walsh. You can catch last week’s review of his microbudget feature EDEN (Episode #679), then head over to patreon.com/onemoviepunch where the full interview will be publicly available for a limited time. You can also sign up to become a sponsor at any level, which will maintain access to all our exclusive content when it disappears behind the paywall. You’ll also be eligible for Sponsor Sundays, where you get to force me to review a film of your choice, as long as we haven’t reviewed it, with just a few exceptions. More information will be available in the promo before today’s review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is MISSING LINK, the Laika Entertainment animated adventure written and directed by Chris Butler. At the turn of the 19thcentury, Mr. Link (Zach Galifianakis), the last of the Sasquatch in the Western United States, recruits aspiring explorer Sir Lionel Frost (Hugh Jackman) to transport him to Shangri-La, the mythical home of the Yeti in the Himalayas. They are joined by Adelina Fortnight (Zoe Saldana), who has the map, but also pursued by rivals intent on making sure they fail in their quest. No spoilers. As one might imagine from someone who grew up in the 1980s and 1990s, I was a huge fan of Mystery Science Theater 3000, or MST3K. I wasn’t able to watch it regularly, a combination of early bedtimes and intermittent access on our local television channels, but every episode was pure magic. The recent reboot with Jonah Ray has been equally enjoyable, although it’s been tough to get through the immense number of episodes they’ve released. However, one of my favorites from Season 11 – The Return was for an absolutely bonkers, but sasquatch-laden environmental film called CRY WILDERNESS. And Jonah cracks a joke when they show a picture of a missing link character, labeling him Australopithecus Galifianakis. So, I guess MISSING LINK was an inevitable pairing. I’m not actually sure how I missed seeing this film in the theaters. As you might guess, and can verify in my review for last year’s THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT (Episode #533), I’m a huge fan of cryptozoology, and for Bigfoot in particular. Mr. Link is voiced by Zach Galifianakis, one of my favorite comedians. It is produced by Laika and is an epic adventure set at the turn of last century, written by Chris Butler, the genius behind PARANORMAN and the story for KUBO AND THE TWO STRINGS, one of my favorite films from 2016. Pretty much everything I could ever want from a film, and I missed it. Along with everyone else, apparently, because MISSING LINK bombed at the box office, but did end up taking Best Animated Feature at this year’s Golden Globes, shocking pretty much everyone but those who saw the film. Laika is one of my favorite animation houses, specializing in a combination of stop motion and CGI, starting with their breakout cult favorite, CORPSE BRIDE with Tim Burton, then following up with 2009’s CORALINE, based on Neil Gaiman’s story. In fact, Laika’s filmography is a triumph of placing story first in such a way so that the delicate and detailed animation never has to compensate. The story for MISSING LINK is above average, melding together a bunch of awesome and intriguing ideas and characters, playing very well with emotional content and a genuine sense of comradery among the adventurers. I also love the larger lore suggested about the sasquatch/yeti/missing link that gets developed. The real star is the animation, which is top notch, especially the amazing series of long-takes that will leave you questioning whether it is still being captured frame by frame. Stop-motion animation doesn’t get nearly the credit it deserves, an art form that takes patience and precision. Every film usually includes some behind-the-scenes footage during the credits to show just how intricate the process can be. In particular, everyone should be astounded by the adventurers riding through the Indian jungle on an elephant, as I was equally astounded by some of the incredible sequences in KUBO AND THE TWO STRINGS. Everything has a sense of plasticity, despite being a stop-motion picture at its core. Could this film have the same impact being 100% CGI? Perhaps, but Laika’s animation and process is hardly a gimmick, specifically because of their commitment to story. The voice work is pretty good, with Hugh Jackman, Zach Galifianakis, and Zoe Saldana handling the lion’s share. Galifianakis takes the gold with a nice melding of his natural expressiveness, combined well with the character’s animation, as well as the general demeanor of the character. Jackman and Saldana struggle with two relatively shallow characters, who have predictable story arcs. The rest of the cast is a combination of characters and caricatures, which may delight or anger depending on the viewer. In fact, I really wish MISSING LINK had the same courage as KUBO AND THE TWO STRINGS to really deal with complex emotions and feelings, particularly about identity and place in society. We learn pretty quickly that MISSING LINK is a journey story, both externally towards Shangri-La, and internally for each character. Whereas KUBO had a depth to the lead characters, particularly the title character, MISSING LINK feels like it’s... well, missing something in most of its characters, perhaps confusing detailed characters with complex characters. I like the whole film. I even love some parts of it. In a particularly weak year for animation, MISSING LINK only barely stands out, but is still quite worth a viewing. MISSING LINK is a fun animated adventure from Chris Butler and Laika Entertainment. Using an incredible stop-motion process, viewers are treated to a fun journey set during the turn of last century, with a relatively safe and predictable story along the way. Despite its box office troubles, everyone who enjoys animation should absolutely check out today’s film. Rotten Tomatoes: 89% (CERTIFIED FRESH) Metacritic: 68 One Movie Punch: 8.0/10 MISSING LINK (2019) is rated PG and is currently playing on Hulu.

On this weeks episode Carolyn meets with Chris Butler, the Writer, Director, and Character Designer for the new Laika Entertainment film, Missing Link. Butler shares how he came up with the characters for this adventure and why he is so happy with the mix of stop motion and visual effects that helped make this movie so seamless on the big screen. In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst and Joshua Farnham

Riecht ihr das? Richtig, die fünf Filmmaden Marcus, Manuel, Roman, Rene und Flo melden sich von ihrem Kadaver Sofa, mit einer neuen Folge! Begleitet uns wie wir einem tapferen Samurai bei seiner Reise beistehen, lernt von den Boxtrolls, dass man sich nicht immer vom ersten Eindruck täuschen lassen sollte. Seid mit uns auf der Hut vor der anderen Mutter und seht, wie sehr Norman sich mit den Geistern dieser Welt herumschlägt. Willkommen in der faszinierenden Welt der Stop-Motion Filme, in dieser Episode schenken wir den Werken von Laika unsere volle Aufmerksamkeit. Und es lohnt sich! Links: Cinema Obscure Love, Simon (2018) Internationaler Comic Salon Erlangen DinoPark Trailer "Suspiria" Remake California Raisins - Heard It Through The Grapevine (1988) Intro Track: Mechanolith Kevin MacLeod (incompetech.com)   Licensed under Creative Commons: By Attribution 3.0 License   http://creativecommons.org/licenses/by/3.0/ Aufgenommen mit Craig

At the RAPID + TCT conference in Texas, Brian McLean, director of rapid prototype at Laika Entertainment, explains what led to his being awarded a Scientific and Engineering Oscar Plaque in 2016 for pioneering the use of 3D printers in stop-motion animated characters. He goes into the ways AM can be a competitive advantage, including precision, color accuracy, volume and repeatability. And he compares what he does with puppets to what manufacturers are doing in the medical field.

Welcome back ASPers! For our second week of Spooktober 2: The Re-Spookening, we review Laika Entertainment's 2009 first stop-motion animated film "Coraline". In the news, we chat about Rooster Teeth's "Camp Camp" Halloween special, the new anime series for "Tokyo Ghoul" and "Sword Art Online", the new trailer for the "Hey Arnold" movie, "My Little Pony: The Movie" hit theaters, and "Batman Ninja" makes a splash at NYCC. Plus, we have a good old fashioned "Gundam Wing" discussion. We also have a little chat to get to know Corey a little better. What did we think of "Coraline"? Were Josh and Corey able to pull off an episode without Gavin? Why doesn't Josh like Halloween? Tune in to find out! Be sure to head over to our website AnimationStationPodcast.com and check out some of the other awesome shows in our podcast family by going to: SecretSuperheroClub.com  Please leave us a comment and subscribe. Follow the show on: Instagram @AnimationStationPodcast Twitter @AnimatePodcast and Facebook Animation Station Podcast   Follow Josh @JoshLCain Follow Gavin @GavinOttesonArt  Follow Corey @MajesticCorey Tags: animation, anime, cartoons, podcast, top 5, disney, laika, coraline, neilgaiman, swordartonline, roosterteeth, campcamp, batman, dc, comics,batmanninja, ninja, tokyoghoul, mylittlepony, mylittleponymovie, heyarnold, rocketpower, gundamwing, nycc, newyorkcomiccon, stopmotion

For this year on Planet Tyro's 2016 edition of CELEBRATE INTERNATIONAL ANIMATION DAY MONTH we will be taking a look at all the solo focused movie releases by the american stop motion animation studio - LAIKA ENTERTAINMENT(i say solo release work as sometimes they have contributed their talents to movies such as Corse Bride which will not be included in our list)We will actually be starting the discussion with their most recent release Kubo and the two strings and then working our way backwards all the way to their first release 2009's CoralineSo yeah, this isn't a super detailed breakdown or a super critical analysis - its  just Donald's thoughts on each movie in reverse order from a 2016 point of viewIf you've seen this movie or any of the others i will be mentioning please feel free to leave a comment in the chat section below and lets discuss!

George Takei Gets Animated. It's amazing how busy Takei is these days, yet somewhere along the way he managed to voice a character in the new animated film from Laika Entertainment titled Kubo and the Two Strings. The name of his character is not yet known, but the story is about a boy, gods, monsters, and a magical suit of armor. We take a quick peek at the project, Takei, and the director. HostC Bryan Jones ProductionC Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)