American mass media corporation
POPULARITY
10 episodes with walt disney productions
6 episodes with walt disney productions
23 episodes with walt disney productions
8 episodes with walt disney productions
10 episodes with walt disney productions
6 episodes with walt disney productions
7 episodes with walt disney productions
2 episodes with walt disney productions
2 episodes with walt disney productions
How does Walt Disney Productions move forward after the death of Walt? A reading from After Disney by Neil O'Brien, and a discussion with the author. Link to After Disney on Amazon: https://amzn.to/3SUqrbn Bandcamp subscriptions: dhipodcast.bandcamp.com
Walt goes to DC and so do I. This week because of travel I took a look at Disney, Disneyland, and Washington DC. I even had a DC postcard to use. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021
Mark Arnold is a comic book, animation and pop culture historian. He's published 10 books and numerous articles in various publications. His books include: "The Harveyville Fun Times!", "If You're Cracked, You're Happy: The Story of Cracked Magazine, Book 1 and Book 2", "Mark Arnold Picks on The Beatles", "Frozen in Ice: The Story of Walt Disney Productions: 1966-1985", "Think Pink! The DePatie-Freleng Story", as well as books on Total Television Productions, Dennis the Menace, The Monkees, and Alvin and the Chipmunks." Mark's latest books are about the music group, The Turtles, and a 2-volume MAD Magazine history, all of which came out in 2024. I've read both “Unconditionally Mad, Part 1,” and “Unconditionally Mad, Part B,” and can tell you they're deeply and thoroughly researched histories of the ongoing seven decades run of Mad Magazine. If you want to know all about the people behind some of the most hilarious writing and drawing ever, as well as other pop culture sensations, I highly recommend you check out all of Mark's books. He's also produced and recorded DVD commentaries for Shout! Factory and Kino Lorber and has helped the Cartoon Art Museum and the Schnitzer Museum with various art shows. Mark also hosts the Fun Ideas Podcast. funideasprod.wordpress.com/
LIBERTY Sessions with Nada Jones | Celebrating women who do & inspiring women who can |
Karen Robinovitz's business is a bit slimy. As Sloo Moo Institute's co-founder, she has found the intersection of play and mental health in the most unexpected and colorful ways. Karen is a media veteran and the co-founder of Digital Brand Architects (DBA), the first talent management agency for social media personalities. Largely credited for creating the social media influencer market, Karen has been listed as one of 80 Women of Power by Variety, and Forbes has called her one of the best-branded women in social media.Before DBA, she created integrated social media communications strategies for global brands such as Tiffany & Co., Tory Burch, Coach, and Estée Lauder Companies. She spent a decade as an accomplished journalist, contributing to the New York Times, Harper's Bazaar, Elle, and Marie Claire, amongst others, and was on-air talent on VH-1, E!, MTV, and morning shows across the country. She has authored three books, one of which was optioned by Walt Disney Productions for a feature film.In today's episode, Nada sits down with Karen to discuss how playing with slime during a painful time led to her newest incarnation. During a deep depression, she found solace in an afternoon of playing with slime and felt a bit of relief for the first time in years. She recognized the restoring power and potential of play. Karen shares how her co-founder experienced similar heartache and healing, which brought the two together to create the Sloo Moo Institute. Check out the Sloo Moo Institute website and YouTube channel, and reserve tickets for an immersive play experience. Follow on Instagram: @sloomooinstitute @karenrobinovitzPlease follow us at @thisislibertyroad on Instagram; we want to share and connect with you and hear your thoughts and comments. Please rate and review this podcast. It helps to know if these conversations inspire and equip you to consider your possibilities and lean into your future with intention. Hosted on Acast. See acast.com/privacy for more information.
In supporter Mike's last pick and appearance he went with a classic 90's British flick, Trainspotting. And this time he's swung the dial to little renowned sword and sorcery adventure, Dragonslayer! Dragonslayer (1981) was an ambitious collaboration between Paramount Pictures and Walt Disney Productions, marking a rare foray into darker, more mature fantasy for Disney. Directed by Matthew Robbins, the film was developed as a gritty and realistic take on medieval mythology, deviating from the lighter tone often associated with fantasy films of the time. The screenplay, written by Robbins and Hal Barwood, aimed to explore themes of faith, power, and heroism. Principal photography took place in the rugged landscapes of Wales and Scotland, chosen for their authentic medieval atmosphere, and the production faced significant challenges in capturing the epic scope of the story while dealing with unpredictable weather and remote locations. The standout feature of the film was its groundbreaking special effects, particularly the creation of the dragon, Vermithrax Pejorative. To bring the creature to life, the production team employed a combination of animatronics, puppetry, and the pioneering go-motion technique developed by Industrial Light & Magic (ILM). This approach allowed for smoother, more lifelike movements than traditional stop-motion animation. Phil Tippett, the lead visual effects artist, played a crucial role in crafting Vermithrax, which has since been hailed as one of the most convincing cinematic dragons ever created. Despite mixed reviews upon release, Dragonslayer gained a cult following and remains a landmark in special effects innovation, bridging the gap between the practical techniques of the past and the CGI-dominated future of filmmaking. Mike & Dave have a monthly Star Wars pod with fellow VHS support Maff, plus Mike, Dave & Chris have collaborated on numerous podcast in the past, to find all of Mike's links, go here: https://linktr.ee/GenuineChitChat As Mike noted in his recording, he has discussed Dragonslayer in-depth with his wife Megan, fellow VHS supporter Spider-Dan and Ria Carrogan of the Femme On Collective, in their series "Disney Discussions", found on the feeds of Genuine Chit-Chat, Spider-Dan & The Secret Bores and Femme On. The episode was released on Spider-Dan's pod in September 2022! Listen wherever you're listening to the VHS Strikes Back, or find all DD episodes (with video) in this YouTube playlist: https://www.youtube.com/playlist?list=PLcO1Ib_BGD8ajqsEDJPAYC0DSuIUqa26e If you enjoy the show we have a Patreon, so become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: Young sorcerer's apprentice Galen embarks on a perilous quest to slay Vermithrax Pejorative, a fearsome dragon terrorizing a kingdom that appeases it with human sacrifices. Armed with his late master's enchanted amulet and his growing confidence, Galen ventures into danger, facing the dragon's fiery wrath and uncovering political intrigue that reveals the kingdom's rulers have sinister motives of their own. Combining themes of heroism, faith, and sacrifice, the film delivers a gritty, visually striking fantasy tale that stands out for its groundbreaking special effects and its unflinching portrayal of medieval darkness. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support
Disneyland resort episode today as we look at a Disney California Adventure 2001 holiday nighttime specatcular. Enjoy your own work and some low level fireworks. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021
Brett Gardner is an investment analyst at the US-based investment partnership Discerene Group and, since about a week, a published author with his book Buffett's Early Investments. The focus of our conversation is Brett's book, where he has uncovered a few of Buffett's investments in the 1950s and 1960s that until now have been rather unknown.For more info about the podcast, go to the episode page and make sure to follow us on X/Twitter. We love to hear your thoughts on what you like and what we can improve, so please give us your rating and a review. You're also very welcome to tell us about great authors, books, and investors you want to hear on the show. Thank you! /Eddie & Niklas with teamThis episode was recorded on October 9, 2024. The video was unfortunately not recorded due to technical issues.—————————————Episode Chapters(00:00) Introduction by Eddie & Niklas(01:34) Introduction to Brett (04:21) Buffett's Early Investments(08:47) How the investments were selected(15:30) Marshall-Wells: The first investment(20:52) Philadelphia and Reading (27:36) Walt Disney Productions(36:10) Can Buffett compound $1 million at 50% per year?(39:18) Brett's current role at Discerene Group(40:53) Two lesser-known book recommendations(45:37) Final remarks—————————————Books MentionedA Random Walk Down Wall Street - Burton Malkiel The Making of an American Capitalist - Roger LowensteinThe Intelligent Investor - Benjamin GrahamSecurity Analysis - Benjamin GrahamSnowball - Alice SchroederBuffett's Early Investments - Brett Gardner Poor Charlie's Almanack - Peter KaufmanDamn Right! - Janet LoweThe Halo Effect - Phil RosenzweigGood Strategy Bad Strategy - Richard Rumelt The Crux - Richard Rumelt Titan: The Life of John D. Rockefeller, Sr - Ron Chernow —————————————Companies MentionedAT&TCoca ColaBritish Columbia PowerMarshall-WellsPhiladelphia and Reading Walt Disney ProductionsAmerican ExpressBerkshire Hathaway—————————————More on BrettTwitter/X - @brettgardner_10LinkedIn - Brett GardnerE-mail - brett@buffettsearlyinvestments.com —————————————About the PodcastIntro episode: https://www.redeye.se/podcast/investing-by-the-books/817383/0-intro-to-investing-by-the-books—————————————What is Investing by the Books?Investing by the Books was founded by Henrik Andersson, Bo Börtemark, Mats Larsson and Michael Persson. It has published hundreds of book reviews in the past 10 years and operates on a non-profit basis. Visit the website: http://www.investingbythebooks.com/Follow on Twitter/X: https://twitter.com/Investbythebook—————————————What is Redeye?Redeye is a research-centered boutique investment bank from Stockholm. Founded in 1999, Redeye cultivates investors through timeless knowledge, a humble attitude, and a strong focus on quality. Visit the website: https://www.redeye.se/Follow on Twitter/X: https://twitter.com/Redeye_—————————————DisclaimerNotice that the content in this podcast is not, and shall not be construed as investment advice. This information is meant to be informative and for general purposes only. For full disclaimer, visit Redeye.se
In 1983, Walt Disney Productions released an interesting experiment: A children's horror movie set in an old-timey American town menaced by an evil carnival, with a screenplay adapted by Ray Bradbury himself from his classic novel. Doesn't sound very Disney, does it? It's SOMETHING WICKED THIS WAY COMES.
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press, 2023) by Dr. Peter Kunze argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Dr. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company's growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Pre-Homecoming checklist: Ditch plans with your mom who's really into community theater Flirt with the cute guy on the football team Switch bodies back with a raging serial killer by getting possession of a powerful blade with questionable origins before midnight Find out if Millie is stuck as the Blissfield Butcher forever in 2020's Freaky. ***CONTENT WARNING: implied sexual violence Follow us on Instagram at @thewhorrorspodcast Email us at thewhorrorspodcast@gmail.com Artwork by Gabrielle Fatula (gabrielle@gabriellefatula.com) Music: Epic Industrial Music Trailer by SeverMusicProd Standard Music License Sources: Freaky (2020) Wiki: https://en.wikipedia.org/wiki/Freaky_(film) Freaky (2020) IMDb: https://www.imdb.com/title/tt10919380/ Freaky Friday. Directed by Gary Nelson, Walt Disney Productions, 1976. "Philemon and Baucis." Wikipedia, The Free Encyclopedia, Wikimedia Foundation, 6 Aug. 2023, https://en.wikipedia.org/wiki/Baucis_and_Philemon.Pulver, Andrew. "Freaky Review – Wildly Entertaining Body-Swap Comedy Horror." The Guardian, 11 Nov. 2020, www.theguardian.com/film/2020/nov/11/freaky-review-wildly-entertaining-body-swap-comedy-horror.
Lauren Hersey & Jim Hill start this show by talking about the merch currently available at the Universal Orlando Resort. They also talk about how exactly the Haunted Mansion is coming back online at Disneyland Park Throughout this episode, listeners will learn about: Which new variation of Butterbeer just became available in the Wizarding World of Harry Potter Where was Disney Legend Marc Davis' home located in Los Angeles When did the National Forest Service award Walt Disney Productions the rights to develop a ski resort at Mineral King Who was supposed to have stayed in the Carriage House that's now being built right by the exit to the Disneyland version of The Haunted Mansion How much “The Haunted Mansion” movie that Walt Disney Pictures released last July reportedly cost to make Learn more about your ad choices. Visit megaphone.fm/adchoices
The RSA gang reached 500 subscribers, just hitting 800 as of recent, now they get to give you the fans a treat! One of the most iconic Walt Disney animated movies, Robin Hood! The gang promised you a Disney movie to celebrate hitting 500 subs, and they now are promising more Disney movies to come. Robin Hood is a 1973 American animated musical adventure comedy film produced by Walt Disney Productions and released by Buena Vista Distribution. Produced and directed by Wolfgang Reitherman, it is based on the English folktale "Robin Hood". The story follows the adventures of Robin Hood, Little John, and the inhabitants of Nottingham as they fight against the excessive taxation of Prince John, and Robin Hood wins the hand of Maid Marian. The film features the voices of Brian Bedford, Phil Harris, Peter Ustinov, Pat Buttram, Monica Evans, Terry-Thomas, Roger Miller, and Carole Shelley. The idea to adapt Robin Hood into an animated feature was dated back to Walt Disney's interest in the tale of Reynard the Fox following the release of Snow White and the Seven Dwarfs (1937). The idea was repeatedly shelved for several decades. In 1968, Ken Anderson pitched a film adaptation of Robin Hood, incorporating ideas from Reynard the Fox by using anthropomorphic animals rather than humans. The project was approved, becoming the first completely "post-Walt" animated feature and the first with an entirely non-human cast. Robin Hood was released on November 8, 1973. The film received mixed reviews from critics, but it was nonetheless a box-office success, grossing $33 million worldwide against a production budget of $5 million. Although some retrospective reviews have called out its use of recycled animation, the film's reputation has grown positively over time and has since become a cult classic.
Drew Taylor starts off by revealing what he saw at the preview event for this year's D23 Expo. Then Jim Hill shares a history of Genndy Tartakovsky's never-completed “Popeye” Over the course of this episode, listeners will learn about: Which D23 Expo events are going to presented this time around over at the Honda Center, rather than inside of the Anaheim Convention Center Why did Robin Williams want Walt Disney Productions to fly some Imagineers over to Malta back in 1980 Which sequel did Sony Pictures Animation officials ask Genndy Tartakovsky to work on out ahead of proceeding with his feature-length animated version of “Popeye” Why did Bluto get replaced with Brutus back in the early 1960s How did the cancellation of the “Sprockets” movie factor into Mike Myers agreeing to play the title role in Universal Pictures' “The Cat in the Hat” Learn more about your ad choices. Visit megaphone.fm/adchoices
Drew Taylor starts off by revealing what he saw at the preview event for this year's D23 Expo. Then Jim Hill shares a history of Genndy Tartakovsky's never-completed “Popeye” Over the course of this episode, listeners will learn about: Which D23 Expo events are going to presented this time around over at the Honda Center, rather than inside of the Anaheim Convention Center Why did Robin Williams want Walt Disney Productions to fly some Imagineers over to Malta back in 1980 Which sequel did Sony Pictures Animation officials ask Genndy Tartakovsky to work on out ahead of proceeding with his feature-length animated version of “Popeye” Why did Bluto get replaced with Brutus back in the early 1960s How did the cancellation of the “Sprockets” movie factor into Mike Myers agreeing to play the title role in Universal Pictures' “The Cat in the Hat” Learn more about your ad choices. Visit megaphone.fm/adchoices
What was it like to be an employee of Walt Disney Productions in 1943? Listen up and find out! No gals allowed, sorry! JK - you can come. --- Support this podcast: https://podcasters.spotify.com/pod/show/disney-dependent/support
It's WHAT WOULD WALT HAVE DONE? MONTH on Escape From Vault Disney, as we devote March 2024 to movies, featurettes and/or TV specials produced by Walt Disney Productions during that odd, awkward inbetween time from 1968-1984, after Walt died but before Eisner took over! And for our first episode of What Would Walt Have Done? Month, we're joined by the man who literally wrote the soon-to-be-released book on that era, Meet the Robinsons director Stephen Anderson! And for our topic, the randomizer goes all the way back to 1977, the summer when Star Wars had the unmitigated audacity to dominate the box office 35 years before Disney owned it. The only competition Disney had that summer was a Herbie sequel and an animated talking mice movie, so the Disney execs thought "Hey, y'know what Walt would've done? He would've paired the animated talking mice movie with a 48 minutes of documentary-style footage of a bear and a raccoon in the woods just kinda wandering around, narrated by an obscure country singer who, for thoroughly unclear reasons, is named 'Mayf Nutter.' That'll steer audiences away from Luke Skywalker blowing up the Death Star for sure!" Are you starting to understand why Disney struggled in the 70s? Join Tony Goldmark, Stephen Anderson, David Ganssle and Luke Ski as they chase A TALE OF TWO CRITTERS! Here's that "bear and bees" video we were talking about btw: https://www.youtube.com/watch?v=ehm7q6uTtsA Check out my guests' stuff! STEPHEN ANDERSON Website: https://www.stevehatguy.com Instagram: https://www.instagram.com/stevehatguy Twitter: https://twitter.com/stevehatguy DAVID GANSSLE Website: https://doggans.com Instagram: https://www.instagram.com/doggans87 YouTube: https://www.youtube.com/user/doggans LUKE SKI Portfolio: https://www.luke.ski Bandcamp: https://lukeski.bandcamp.com Twitter: https://twitter.com/thegreatlukeski And check out this show on social media! Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and ad-free by supporting this show on Patreon: https://www.patreon.com/tonygoldmark
Some funny postcards this week. So many unanswered questions... Does 1964 Disneyland have room for 20,000 guests? Did Deanna get a good wedding gift? Do Fritos really make all food and drink taste better? This and the anatomy of a matchbook! Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021
Eric looks back at one of the origins of his Disney obsession. DTV was Disney Channel's answer to MTV in the 1980s. Each episode of the series featured Disney animation clips choreographed to popular music of the time. Eric explores the impact MTV had on Disney's decision to make this series. He takes a look at the legacy of DTV in Disney History, and exposes some parallels between Walt Disney Productions in the early 1980s and the Walt Disney Company today. Eric also talks, probably too much about the Eurythmics! Thanks for listening to Synergy Loves Company: How Disney Connects to Everything. https://www.synergylovescompany.com Donate to the show: https://ko-fi.com/synergylovescompany Instagram and Threads:https://www.instagram.com/synergylovescompany/ Youtube: https://www.youtube.com/@synergylovescompany Twitter: https://twitter.com/EricHSynergy Facebook: https://www.facebook.com/synergylovescompanyRead transcript
Len Testa & Jim Hill start off this week's show by taking a close look at Epic Universe concept art. They then continue their discussion of the development “Illuminations,” EPCOT Center's break-through nighttime show Over the course of this episode, listeners will learn about: When (just to be safe) one should go about ordering their tickets for Pride Nite at Disneyland Why is the Universal Helios Grand Hotel positioned the way it is, facing into Epic Universe Park How Universal Studios Hollywood plans to use the cars themselves that Guests will ride in on that theme park's new “Fast & Furious” coaster to mitigate noise pollution in the surrounding community Where did WDW Entertainment come across the searchlights that then added a popular feature to “A New World Fantasy” Why did Walt Disney Productions suddenly decide to buy the Gibson Greeting Card company in the Late Spring of 1984 Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
Len Testa & Jim Hill start off this week's show by taking a close look at Epic Universe concept art. They then continue their discussion of the development “Illuminations,” EPCOT Center's break-through nighttime show Over the course of this episode, listeners will learn about: When (just to be safe) one should go about ordering their tickets for Pride Nite at Disneyland Why is the Universal Helios Grand Hotel positioned the way it is, facing into Epic Universe Park How Universal Studios Hollywood plans to use the cars themselves that Guests will ride in on that theme park's new “Fast & Furious” coaster to mitigate noise pollution in the surrounding community Where did WDW Entertainment come across the searchlights that then added a popular feature to “A New World Fantasy” Why did Walt Disney Productions suddenly decide to buy the Gibson Greeting Card company in the Late Spring of 1984 Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
It's another chapter in The Dialogue Series - A chill ‘n chat with authors, fellow podcasters, musicians, and more. Our guest is Pop Culture Historian Mark Arnold. He's the author of several books about comic books, music, and animation. Among the books he's released - The Best of The Harveyville Fun Times!, focused on the comic book publisher Harvey Comics, Created and Produced by Total TeleVision productions: The Story of Underdog, Tennessee Tuxedo and the Rest, If You're Cracked, You're Happy: The History of Cracked Magazine, a two-volume set followed in 2011. More recently, Arnold wrote Mark Arnold Picks On The Beatles and Frozen in Ice: The Story of Walt Disney Productions 1966-1985.Along with a book on The Beatles, Mark has published books on The Monkees, including Long Title: Looking for the Good Times; Examining the Monkees' Songs, One By One and Headquartered: A Timeline of The Monkees Solo Years. He's contributed to several publications in the United States, including The Comics Journal, Hogan's Alley, Back Issue!, and Comics Buyer's Guide. Arnold also worked with Jerry Beck and Leslie Cabarga on their Harvey Comics Classics series for Dark Horse Comics. Mark and I talk about The Chipmunks, The Beatles, The Monkees (including the urban legend that Charles Manson tried out for the band!), along with some of Marks' other favorite classic rock bands and artists. We also detour into our favorite comic books, Disney past, present, and future, our love of The Three Stooges and more!Visit Mark Arnold's Fun Ideas WebsiteListen To The Fun Ideas PodcastFollow Mark Arnold on Facebook----------BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKXFind Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe
Today my guest is Roberta Nedry! Roberta is one of the most FIN-TASTIC women I have ever spoken to...Roberta is a REAL LIFE MERMAID! She is a PADI certified Mermaid Instructor, which means that she actually swims in the ocean like a fish, and to be more specific..a MERMAID! Roberta has an EXTENSIVE Professional Background in the Hospitality & Concierge Industry. She is the President & Founder of Hospitality Excellence, Inc. founded in 1999 by when Roberta recognized a void in creating empathetic and memorable experiences in the guest services and hospitality industry. Since then, her team has grown to fulfill this demand through expertise training on a global scale, having trained over 40,000 employees, managers and students and provided guest experience strategies in over 20 industries. She assembled a team of internationally-recognized professionals who bring a variety of relevant and remarkable skills to the table. Her guest experience management leaders, advisors and faculty are passionate about the philosophy that inspires and guides the 3D Service Online Excellence program. Roberta and her team continually refine, enhance and adapt the Hospitality Excellence coursework, content, concepts and communications for their onsite and online training and consulting programs. Roberta is an International & USA Honorary Member of Les Clefs d 'Or, "the keys of gold", representing the top 3% of the concierge profession worldwide, awarded for her educational contributions to the profession. Roberta is also a former California's Junior Miss, and started her guest service training with Walt Disney Productions and was selected as a two time Disney "Ambassador to the world" finalist. Roberta is extremely authentic...she is a true mermaid inside and out! Follow Roberta: Website: www.hospitalityexcellence.com Linkedin: Roberta Nedry Roberta Nedry | LinkedIn Hospitality Excellence "hospitality excellence, inc." | Search | LinkedIn Instagram: @robertanedry & @merbertadelamer Facebook- Roberta Nedry Business Facebook- Hospitality Excellence, Inc Tiktok: Magical Merberta Youtube: HEIExperience Roberta's new publication, just launched!: The GEM Journal www.gemjournaltoday.com Follow Jen @wickedsaltylife & wickedsalty.com
Len Testa & Jim Hill start off this week's show by sharing a survey that the Universal Orlando Resort recently sent out about the use of QR codes at the restaurants in their theme parks. They then look back at when Walt Disney Productions celebrated its 50th anniversary in 1973. Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
Len Testa & Jim Hill start off this week's show by sharing a survey that the Universal Orlando Resort recently sent out about the use of QR codes at the restaurants in their theme parks. They then look back at when Walt Disney Productions celebrated its 50th anniversary in 1973. Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
As Disney celebrates its 100th birthday this month, a series of recent flops and gargantuan acquisitions has left people asking whether the shine is beginning to wear off. Plus, we look back at the studio's past - including the time when Donald Duck dressed up as a Nazi.This podcast was brought to you thanks to the support of readers of The Times and The Sunday Times. Subscribe today: thetimes.co.uk/storiesofourtimes. Guest: Ed Potton, Arts Commissioning Editor, The Times.Host: Manveen Rana. Get in touch: storiesofourtimes@thetimes.co.ukClips: Walt Disney Studios, Bloomberg, Rotten Tomatoes, Piers Morgan Uncensored, Talk TV, Walt Disney Productions, NBC, CBS.Music: Be Our Guest/Disney/Walt Disney Records, You've Got a Friend in Me/Randy Newman/ Walt Disney Records, Let It Go from “Frozen”/Multi Language Medley/Walt Disney Records, When You Wish Upon a Star/Cliff Edwards/Pinocchio (original motion picture soundtrack), Arabian Nights from “Aladdin”/Alan Menken/Walt Disney Records, Zip-A-Dee-Doo-Dah-From “Song of the South”/James Baskett/Walt Disney Records. Hosted on Acast. See acast.com/privacy for more information.
Mark and Bryan unite to discuss the future of Disney Parks and the current state of Walt Disney Productions and its upcoming projects.
Fantasia is a 1940 American animated musical anthology film produced and released by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen. The third Disney animated feature film, it consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies who introduces each segment in live action. Fantasia 2000 is a 1999 American animated musical anthology film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Produced by Roy E. Disney and Donald W. Ernst, it is the 38th Disney animated feature film and sequel to 1940's Fantasia. Like its predecessor, Fantasia 2000 consists of animated segments set to pieces of classical music. Celebrities including Steve Martin, Itzhak Perlman, Quincy Jones, Bette Midler, James Earl Jones, Penn & Teller, James Levine, and Angela Lansbury introduce a segment in live action scenes directed by Don Hahn. Opening Credits; Introduction (1.00); Background History (15.06); Fantasia (1940) Film Trailer (18.19); Opening Presentation (21.15); Let's Rate (41.33); Introducing Our Second Feature (43.40); Fantasia 2000 (1999) Film Trailer (46.11); Lights, Camera, Action (48.12); How Many Stars (1:19.57); End Credits (1:24.29); Closing Credits (1:25.46) Opening Credits– Epidemic Sound – Copyright . All rights reserved Closing Credits: The Age of Not Believing by Angela Lansbury. From the album Bedknobs and Broomsticks Original Soundtrack. Copyright 1971 Disney Records Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. Used by Kind Permission. All songs available through Amazon Music.
THE BLACK HOLE! The ambitious 1979 live-action space-horror film was unlike anything Walt Disney Productions had put to screen before, and spawned a number of different tie-ins, including not one but two comic adaptations! -- a newspaper comic by Jack Kirby, and an ongoing monthly series from Gold Key Comics which expanded the story beyond the movie's ending. --- What else are we reading? Justin loves Richard Corben's DEN: VOLUME 1 from Dark Horse Comics! Mike loves GODZILLA: HERE THERE BE DRAGONS by Frank Tieri & Inaki Miranda from IDW Publishing! --- Follow us on Instagram at https://www.instagram.com/theveryfinecomicbookpodcast/ and send us questions to potentially read on-air via IG DM or via email at theveryfinecomicbookpodcast@gmail.com If you're enjoying The Very Fine Comic Book Podcast, don't forget to Rate it, Follow/Subscribe, and tell a friend! Our 5-star-review contest runs through the end of September 2023! Leave us a 5-star rating and review on Apple Podcasts by Sep 30, and be entered to win a prize pack of assorted (good!) comics from Justin+Mike's collections. Mail us things c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Thanks for listening! Keep reading comics! ---
Mark and Bryan unite to discuss the future of Disney Parks and the current slate of Walt Disney Productions and its upcoming projects.Don't forget to book your next magical vacation with our preferred travel partner, Sara Solberg! Email her at sarasolberg@d2travel.com for more information.If you've dreamt of living near the magic of Disney World Victor Nawrocki can find the home for you. You can search home, watch youtube videos or contact Victor by visiting www.celebratingflorida.com
In this episode, we shall look into five films of the silent era. Three of these films are now unfortunately lost: Robbing Cleopatra's Tomb (Cléopâtre) (1899), The Mummy (1911), and The Fool and Death (Narr und Tod) (1920).The other two films, survive to this day, Die Augen der Mumie Ma (1918), and Egyptian Melodies (1931), a Disney film which although not technically a silent film, is relevant nonetheless.Email: mummymoviepodcast@gmail.comBibliographyAlcott, L. M. (1869). Lost in a Pyramid, or the Mummy's Curse. Lindhardt og Ringhof. Davidson, P (producer), Lubitch, E (Director). (1918). Die Augen der Mumie Ma. PAGU Disney, W (Producer), Jackson, W (Director). (1931) Egyptian melodies. Walt Disney Productions. Guran, P (2007). The Mummy. In Joshi, S. T. (ed.). Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares (Vol 1). Greenwood Press. p. 389 Gautier, T (1840). The Mummy's Foot. Hearn, L (Trans). Retrieved from https://www.gutenberg.org/files/22662/22662-h/22662-h.htm IMDB. (2023). The Mummy 1911. Retrieved from https://www.imdb.com/?ref_=nv_home Poe, E. A. (1845). Some words with a mummy. Read Books Ltd. Hosted on Acast. See acast.com/privacy for more information.
Today's episode Matthew and Nort review the movie The Fox and the Hound which is a 1981 American animated buddy drama film produced by Walt Disney Productions and loosely based on the 1967 novel of the same name by Daniel P. Mannix. The 24th Disney animated feature film, it tells the story of the unlikely friendship between a red fox named Tod and a hound dog named Copper. Grab some popcorn, crack open a sody pop, and sit down for some movie talk every other Thursday on The Encounter Co Network. We are a comedy movie review podcast where Matthew & Nort take turns watching and reviewing a movie the other host has not seen. They go over the entire plot with spoilers and discuss how they feel about the film. They also talk about fun facts, box office, actors, and how the movie impacted us. Join our Patreon to support the show and get ad-free podcast episodes, full access to our exclusive Patron Discord, and get access to a secret podcast called Flight School where we watch and review a TV Pilot voted on by the Patrons! You get all of that for the low price of $5! Sources for So, You Finally Watched Support the lovely people who created stuff for the show: Art by: Meraki2019 Deep Voice by: Marlar Intro music by: Ozeyzin We are a part of The Encounter Co. network! Check out all the other awesome shows on the network! Check it out here! Follow us on Twitter at: Show: @SYFWPod Nort's Twitter: @NortSauwce Other Socials: Instagram: Soyoufinallywatchedpod Tik Tok: Syfwpodcast YouTube: So, You Finally Watched Podcast If you liked the show be sure to leave a 5 star review on Apple Podcasts & Spotify so we can get the word out about our show! Also tell a friend or two! Thanks for listening! Nort has another podcast with his co-host and wife Anna called Reading isn't for Kids! The pair review and discuss children chapter books, YA books, and sometimes comics. Check it out here! If you want to check out Nort's actual play podcast click this link! The show is called Grim Encounters and it is a campy horror actual play podcast using the Chill 3rd Edition ruleset. Best place to start is Season 1 or Season 2. Learn more about your ad choices. Visit megaphone.fm/adchoices
Silly Symphony is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to Continue readingSilly Symphony | Retrospective The post Silly Symphony | Retrospective first appeared on Leal Legacy.
Education for Death: The Making of the Nazi Retrospective, produced by Walt Disney Productions and released on January 15, 1943, by RKO Radio Pictures, Continue readingRetrospective | Education for Death: The Making of the Nazi Retrospective (1943) The post Retrospective | Education for Death: The Making of the Nazi Retrospective (1943) first appeared on Leal Legacy.
Der Fuehrer's Face is a 1943 American animated anti-Nazi propaganda short film produced by Walt Disney Productions, created in 1942 Continue readingRetrospective | Der Fuehrer's Face (1943) The post Retrospective | Der Fuehrer's Face (1943) first appeared on Leal Legacy.
Ken Fallin began his career creating witty pen and ink caricatures for the long-running satirical revue, “Forbidden Broadway”. Intended as an homage to the legendary theatrical caricaturist, Al Hirschfeld, this concept was so successful that Ken continued to design artwork for the show's phenomenal thirty-year run. Ken's instantly recognizable, intricately detailed pen and ink celebrity portraits have been published internationally by such diverse and distinguished publications as The Wall Street Journal, In Style Magazine, The New Yorker, The Hollywood Reporter, L.A. Times, Washington Post, Politico, and Barron's. Ken has produced stylish and eye-catching art for major ad campaigns, posters and specially commissioned corporate gifts for HBO, Showtime, Jazz at Lincoln Center, The Metropolitan Opera Company, American Express, CBS News, Walt Disney Productions, and Microsoft. A TV commercial that animated Ken's drawings for CNBC's “Squawk Box” was nominated for an EMMY Award. Several original Ken Fallin posters are in the permanent poster collection of London's Victoria and Albert Museum. A number of his original pen and ink drawings now hang in the venerable Players Club. As a regular contributor to Playbill.com and BroadwayWorld.com Ken has chronicled the New York Theatre scene for over ten years. Private collectors of Ken's work include: Barbra Streisand, Bernadette Peters, Darren Criss, Matthew Broderick, Bradley Cooper, Sarah Paulson, Frank Langella, Sir Patrick Stewart, Warren Buffett, and Sir Cameron Mackintosh.https://www.kenfallinart.com/
Len Testa & Jim Hill start off this week's show by talking about the jump in attendance levels that Universal's two Florida parks have recently experienced. They also look back at the Summer of 1983 and how Walt Disney Productions celebrated its 60th anniversary. Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
Len Testa & Jim Hill start off this week's show by talking about the jump in attendance levels that Universal's two Florida parks have recently experienced. They also look back at the Summer of 1983 and how Walt Disney Productions celebrated its 60th anniversary. Show Notes Learn more about your ad choices. Visit megaphone.fm/adchoices
Let's jump back in time to explore the Wartime of Disney Animation! Between the years 1943-1949, Walt Disney Productions faced lower budgets and a smaller animation staff while the world was at war. While these films may not be at the top of most Disney fans' movie lists, each of these films have had some sort of reference within the Disney Parks! Learn even more in the links below: Seven Disney Eras and History of Disney Movies Five Facts About Saludos Amigos Decades of Disney Animation | Kait Around The Kingdom Opening Night, Nine Notes From Make Mine Music Circus Bear Mix Up Find all movies now on Disney+ THE CAROUSEL PROJECT PODCAST PATREON IS HERE! Become a member now. CAROUSEL PROJECT PODCAST-INSPIRED MERCH IS HERE! Shop Spinning Carousel Company now. Learn more about our hosts, the podcast, and more! Have a question for the Carousel Project Podcast team? Send us an email at carouselprojectpod@gmail.com or DM us on Instagram! We would love to hear from you! Want to help our podcast audience grow? Leave us a review on Apple Podcasts or share this episode with a friend! Find us on our socials! Josie Maida - Instagram TikTok Kait Killebrew - Instagram, TikTok EPCOT Adam - Instagram TikTok
I had fine artist and Illustrator Keith Batcheller on the podcast today. He went to ArtCenter College of Design in Pasadena, got his BFA, and worked with all these interesting folks afterward, including Bob Peak, Mark English, and Bernie Fuchs. When Keith became a professional illustrator he worked with big firms in New York, Chicago, and L.A. He eventually started working for Walt Disney Productions and did artwork for massive animated films like Pocahontas, Beauty and the Beast, the Hunchback of Notre Dame, Hercules, and my personal favorite - Lilo & Stitch.Disney still uses Keith's illustrations to this day for all sorts of different reasons, whether it's for a Hercules toy or a Star Wars celebration event. It's just a fascinating ride. Keith also worked on the promotional art and packaging for the Teenage Mutant Ninja Turtles action figures that took the country by storm in the late 80s/early 90s. Fast forward to today, and he's moved on from his highly successful illustration career (like many of the artists that I've interviewed have) and is focusing on fine art. We talk about the switch from illustration to fine art and explore the concept of beginning your journey on one very specific path, only to arrive at a completely different destination after decades of hard work and dedication to said path. I think the only way you can do that as an artist is that you have to be able to pivot. Keith? Yeah, he's done that quite successfully if you ask me. Keith Batcheller on Art Dealer Diaries Podcast episode 242.
In 1982, the world was introduced to a groundbreaking science-fiction film called Tron. Directed by Steven Lisberger and produced by Walt Disney Productions, Tron was unlike anything audiences had seen before. It was a movie that used innovative techniques and cutting-edge special effects to create a stunning world inside a computer. Tron was a pioneer in the realm of computer graphics and has had a lasting impact on the world of science fiction.
"Song of the South" is a 1946 American film produced by Walt Disney Productions and released by RKO Radio Pictures. The film is based on the Uncle Remus stories written by Joel Chandler Harris. The film features a combination of live-action and animation, and tells the story of a young boy named Johnny who visits his grandmother's plantation in the South and befriends a kindly old black man named Uncle Remus, who tells him a series of stories about the adventures of Brer Rabbit and other characters. The film was a commercial success and was nominated for an Academy Award for Best Song for the song "Zip-a-Dee-Doo-Dah". However, the film has been criticized for its depiction of African Americans and the use of racial stereotypes, and has not been widely released or shown on television since the 1980s due to concerns about its portrayal of black people. "Song of the South" is considered an important film in the history of American cinema for several reasons. Firstly, it was one of the first films to feature a live-action and animated elements, which was considered a new and innovative technique at the time. This blend of animation and live-action set the stage for many of the Disney films that followed, and helped establish Disney as a leader in the animation industry. Secondly, it was one of the first major Hollywood films to feature a primarily African American cast, which was significant as Hollywood at the time was very white-dominated. However, as mentioned before it has been criticized for its depiction of African Americans and the use of racial stereotypes. Lastly, the film's Academy Award-nominated song "Zip-a-Dee-Doo-Dah" became a hit and is considered a classic song of the Disney canon. Despite its historical significance, the film's portrayal of African Americans and the use of racial stereotypes has led to it being largely unseen in recent years and not widely available for viewing.
Today guest is author, publisher, and producer Ken Atchity. Ken recently produced the global blockbuster (Jason Statham) and is the founder of Story Merchant. Ken wrote the best-seller Sell Your Story to Hollywood: Writer's Pocket Guide to the Business of Show Business. I wanted Ken on the show to discuss the business side of screenwriting, a part of the industry that isn't spoken about enough. We also discuss the "story market."Here some background on Ken.In 1976, Atchity founded L/A House, Inc., a consulting, translation, book, television, and film development and production company whose clients included the Getty Museum and the US Postal Service. L/A House began by extending Atchity's teaching of creative writing to manuscript consultation and soon moved on to publishing with the production of Follies, a magazine covering creativity, and CQ: Contemporary Quarterly; Poetry and Art of which he was editor. In the 1980s L/A House moved into television, with a syndicated television pilot of BreakThrough! of which Atchity was executive producer and co-writer.In 1985, L/A House began development of a set of video/TV romance film projects entitled Shades of Love, which became 16 full-length films, produced in 1986–87 with Atchity as executive producer, that aired throughout the world, distributed by Lorimar, Astral-Bellevue-Pathe, Manson International, and Warner Brothers International, nominated for Canada's Gemini Award; in the U.S. they premiered on Cinemax-HBO.In 1989 he sold L/A House and founded AEI (Atchity Editorial/Entertainment International), a literary management and motion picture production company. Atchity sold Steve Alten's Meg to Bantam-Doubleday at auction in a $2.2M deal; and then to Disney, partnered with Zide-Perry, for $1.2 (later, to Newline Pictures for a similar price). Incorporated in 1996, its name was changed to Atchity Entertainment International, Inc. in 2005.In 2006, he and manager-partner Fred Griffin of Houston's Griffin Partners along with a group of investors from Louisiana and Texas, acquired The Louisiana Wave Studio, LLC in Shreveport, Louisiana from Walt Disney Productions. The LWS is the only tank specifically designed to make waves for motion pictures in North America. Films produced at the LWS include The Guardian, Mayday—Bering Sea, Shark Night 3D, Streets of Blood, and I Love You, Philip Morris; along with numerous government and industrial films.In 2011 Atchity was nominated for an Emmy for producing The Kennedy Detail (Discovery) based on their clients' Jerry Blaine and Lisa McCubbin's New York Times bestselling book by the same title published by Gallery/Simon & Schuster in 2010. AEI's films include Joe Somebody (Tim Allen, Julie Bowen), Life Or Something Like It (Angelina Jolie, Edward Burns), and The MEG (Jason Statham).In 2010, Atchity also founded Atchity Productions and Story Merchant.Enjoy my conversation with Ken Atchity.
No. 38: Fred Frees on his father, Ghost Host Paul Frees; Halloween records from October 29, 2012. Discover the spooktacular talents of Paul Frees, the voice of the Ghost Host, on this Halloween Emporium from 2012! Mousetalgia talks to Fred Frees, the son of Paul Frees, who tells stories about the life of the legendary "Man of 1000 Voices." We also discuss various haunting Disneyland records, and unveil a rare Walt Disney Productions acetate of eerie sound effects. Also, Kristen delivers a top-ten list of Disney Halloween songs, and Jeff reports on a Walt Disney Family Museum-hosted panel of legendary stop-motion animators. Plus - an exclusive report from an Art of Frankenweenie panel discussion, Haunted Mansion moments - and more!
This is it, folks - our fiftieth episode! Can you believe it? To mark the occasion we're looking back at two fiftieth anniversary celebrations of the past, 1973's 50th anniversary of Walt Disney Productions and 1978's 50th anniversary of Mickey Mouse. History, music, and more - nifty at fifty, it's the Progress City Radio Hour!
© 2020-2025 Ivy Podcast Discovery LLC
