Podcast appearances and mentions of laura michelle kelly

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

Harlly, Jeaun and Lawson try to do their best for their friends and neighbours.EPISODE DESCRIPTION* In Bruges (2008)* Jumper (2008)* Love Birds (2011)* One Missed Call (2008)Reach us on Twitter at: https://twitter.com/IDontKnowWhyWe1Read Harlly and Jeaun's Blog at https://onthebrightsidemedia.home.blog/Read Lawson's Blog athttps://exitthroughthecandycounter.wordpress.com/

Join us for a chit chat with the Practically Perfect in every way, Laura Michelle Kelly - the original stage Mary Poppins! Laura has also appeared as Hodel in Fiddler on the Roof of on Broadway (as daughter to Alfred Molina), and Finding Neverland, as well as the Beggar Woman in the film of Sweeney Todd opposite Johnny Depp. www.LauraMichelleKelly.net --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/connerandsmithshow/message

This week Nikki Bentley joins us to discuss her Elphaba journey. Nikki's theatre credits include: understudy Molly in Ghost The Musical, Gingy/Sugar Plum Fairy & understudy Princess Fiona in Shrek The Musical (UK Tour), understudy The Lady of the Lake in Spamalot (West End) and swing in Mamma Mia! (West End). Nikki was Standby Elphaba in the 2017-18 UK & Ireland tour of Wicked. In 2019 she took over from Alice Fearn as Elphaba in the musical's West End production. In this episode, Nikki discusses performing with Laura Michelle Kelly as a child on the Isle Of White, all the iconic roles she has played and covered throughout her career as well as Elphaba riffs, no-fly shows and why Wicked was her ultimate dream. Sadly Nikki had to cut short her London run as Elphaba and has since spoken about her experience with anxiety and mental health. In this episode, Nikki explains what happened and why she wants to defy gravity again in the future. Follow Nikki on Instagram: @nikkixbentley Hosted by Andrew Tomlins. @Andrew_Tomlins Thanks for listening! Visit westendframe.co.uk for more info about our podcasts. Please note, this episode includes discussion about post-traumatic stress disorder and anxiety. LinksIndustry Minds - www.industryminds.co.ukApplause For Thought - www.facebook.com/applauseforthoughtAnxiety UK - www.anxietyuk.org.ukTime to Change - www.time-to-change.org.uk

Brian Zeilinger-Goode is a two-time Tony Award-winning, eight-time Olivier Award and Emmy Award-nominated American producer based in London. He holds the distinction of having been the youngest ever Broadway and West End producer when he produced his first shows at the age of 19. ​​ Through his company Zeilinger Productions, Brian's independent work in the West End includes: Dear Evan Hansen, Queen Anne (Theatre Royal Haymarket), Who's Afraid of Virginia Woolf? (Harold Pinter Theatre), The Glass Menagerie (Duke of York’s Theatre), Nice Fish (Harold Pinter Theatre), Dreamgirls (Savoy Theatre), 1984 (Playhouse Theatre), Oresteia (Trafalgar Studios), Studios), Bend It Like Beckham (Phoenix Theatre), The Elephant Man (Theatre Royal Haymarket), The Nether (Duke of York’s Theatre), The Sunshine Boys (Savoy Theatre), Master Class (Vaudeville Theatre), Top Girls (Trafalgar Studuios), Betrayal (Comedy Theatre) and Hair (Gielgud Theatre). On Broadway his credits include: Network (Belasco Theatre), 1984 (Hudson Theater), Dear Evan Hansen (Music Box Theatre), King Charles III (Music Box Theatre), The Elephant Man (Booth Theatre), The Cripple of Inishmaan (Cort Theater), I’ll Eat You Last: A Chat with Sue Mengers (Booth Theatre), Lucky Guy (Broadhurst Theatre), Cat on a Hot Tin Roof (Richard Rodgers Theatre), Death of a Salesman (Ethel Barrymore Theatre), Catch Me If You Can (Neil Simon Theatre), Bengal Tiger at the Baghdad Zoo (Richard Rodgers Theatre), The Pee-Wee Herman Show (Stephen Sondheim Theatre) and Lend Me A Tenor (Music Box Theatre). ​ Brian is also a principle of MZG Theatre Productions, co-founded with fellow producer Jack Maple. MZG's theatre credits include: Private Peaceful (Bristol Old Vic and the Barn Theatre), Nuclear War / Buried / Graceland (Old Red Lion Theatre), Instructions for a Teenage Armageddon (the Barn Theatre and the Old Red Lion Theatre), Sitting (ArtisTree Theatre, Hong Kong), The View Upstairs (Soho Theatre), Rundertisch (Tristan Bates Theatre), The Rink (Southwark Playhouse). Productions in concert include: Tonight at the London Coliseum (streamed from the iconic West End theatre), Zorro The Musical (Cadogan Hall), Cinderella (Cadogan Hall), and Carousel (Cadogan Hall). They have also produced concerts for: Sierra Boggess, Kelli O'Hara, Caissie Levy, Laura Benanti, Andy Mientus, Keala Settle, and Laura Michelle Kelly. Also a television and film producer, his television work includes Gossip Girl, Teen Wolf, HBO’s The Pee-Wee Herman Show on Broadway; and for film: Martha Marcy May Marlene, Geek Charming, and Very Good Girls. In addition to his independent producing work, Brian currently serves as Executive Producer of Live Entertainment for Studio POW, a London-based film and television production company, and sits on the Development and Education Board of the Donmar Warehouse. He is also the Co-Founding Producing Artistic Director of the international TheatreBites Festival at ArtisTree in Hong Kong. Brian is an alumnus of the Kanbar Institute of Film and Television at New York University’s Tisch School of the Arts, and holds an MFA in Creative Producing from Royal Central School of Speech and Drama. Instagram: @brianzeilinger Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

Welcome back! This episode of Been Drinkin' Been Watching is all about the movie Sweeney Todd! This movie Stars Johnny Depp, Helena Bonham Cater, Alen Rickman and Laura Michelle Kelly. Directed by Tim Burton. Cheers everyone!

Putting goodness out into the world to encourage other people, is the goal of this Olivier Award winner, Laura Michelle Kelly. This elegant mama has graced the stages of the West End in London and Broadway, in addition to countless theaters all over the world. Best known for playing the title role of Mary Poppins, she has played the role of mother several times, but became a mother herself a year ago.  Her son, Raphael, made his appearance early and while that surprised her and she overcame challenges of the NICU, he is a healthy and active boy who is turning one this October! She encourages actors to live life and not wait for certain roles or boxes to check. Her marriage and motherhood came later in life, but she waited for the timing that worked for her. Motherhood has lit her up and also exhausted her, but she wouldn't change it for the world.    It was such an honor to chat with this mama, a role model of mine and the sweetest soul out there.  Follow her on Instagram Check out her Website APP: What to Expect ___________________________________________________ FOLLOW on Instagram: https://www.instagram.com/mamasintrainingpod/ WRITE a Review: https://www.mamasintraining.com/reviews/new/ JOIN our Facebook Community: https://urlgeni.us/facebook/mamasintrainingpod  

Jose talks to the musical theatre star about her upcoming Carnegie Hall concert and her self-care practices between shows.

Jose talks to the musical theatre star about her upcoming Carnegie Hall concert and her self-care practices between shows.

Dans ce septième épisode de Chronique Disney - Le Podcast, Franck, Fred, Laurent, Léo et Victoire proposent un tour d'horizon des comédies musicales ou musicals Disney.  Après une présentation de la genèse et de l'essor de Disney Theatrical Productions, une première analyse sur la transposition des films d'animation à la scène évoque de grands classiques tels que La Belle et la Bête, Le Roi Lion ou encore La Petite Sirène et Le Bossu de Notre-Dame. Si certaines adaptations s'avèrent très réussies, ce n'est malheureusement pas le cas de toutes... Il n'en reste pas moins que, souvent, ces spectacles permettent d'apporter de la profondeur à l'histoire ou aux personnages grâce à de nouvelles chansons, souvent composées par le compositeur original du film d'animation, à l'image d'Alan Menken pour ne citer que lui. Les adaptations sur scène de films live sont également évoquées : le cas particulier de Mary Poppins est ainsi abordé mais aussi de moins connus mais tout aussi réussis comme Newsies, ou au contraire, plutôt ratés, comme On The Record. Enfin, les futurs projets de Disney Theatrical Productions sont listés étant précisé que, depuis l'enregistrement de cet épisode, de nouvelles productions scéniques ont été annoncées comme Hercule, démontrant par là même que l'amour pour les comédies musicales Disney n'est pas prêt de se tarir ! Merci à tou-te-s pour l'attention portée à cet épisode de Chronique Disney - Le Podcast ! Merci à Hugo pour avoir supervisé l'enregistrement de cet épisode. Le meilleur des comédies musicales Disney de Broadway et du West End est à découvrir dans notre playlist Spotify dédiée. Crédits :  Human Again - Par Gary Beach, Barbara Marineau, Heath Lamberts, Beth Fowler, Stacey Logan, Brian Press, Broadway Cast of Beauty and the Beast - Bande-originale de Beauty and the Beast, a new musical - © 1994 Walt Disney Records Hakuna Matata - Par Max Casella, Tom Alan Robbins, Scott Irby-Ranniar, Ensemble, Jason Raize - Bande-originale de The Lion King - © 1999 Walt Disney Records He Lives in You (Reprise) - Par Jason Raize, Tsidii Le Loka & Ensemble - Bande-originale de The Lion King - © 1999 Walt Disney Records Her Voice - Par Sean Palmer - Bande-originale de The Little Mermaid - © 2007 Walt Disney Records Monster - Par Caissie Levy, John Riddle, Original Broadway Cast of Frozen - Bande-originale de Frozen: A Broadway Musical - © 2018 Walt Disney Records Esmeralda - Studio Cast Recording - Bande-original de The Hunchback of Notre Dame - © 1999 Walt Disney Records If I Can't Love Her - Par Terrence Mann - Bande-originale de Beauty and the Beast, a new musical - © 1994 Walt Disney Records Shadowland - Par Tsidii Le Loka - Bande-originale de The Lion King - © 1999 Walt Disney Records Step in Time - Par Gavin Lee, Laura Michelle Kelly, Charlotte Spencer, Harry Stott, The Mary Poppins Original London Cast - Bande-originale de Mary Poppins - © 2004 Walt Disney Records King of New York - Par Original Cast Recording - Bande-originale de Newsies - © 2011 Walt Disney Records Whistle While You Work/Give A Little Whistle - Par Ashley Brown, Brian Sutherland, Kaitlin Hopkins and Andrews Samonsky - Bande-originale de On The Record - © 2004 Walt Disney Records Just One Day - Par Emma Hunton, Heidi Blickenstaff, Company - Bande-originale de Freaky Friday: A New Musical - © 2016 Walt Disney Records Seize The Day - Par Original Cast Recording - Bande-originale de Newsies - © 2011 Walt Disney Records

Music from The Cabaret Room broadcast on 5 May includes: Let Me Be Your Star (Smash); Private Party (Laura Michelle Kelly); One less Bell to Answer (Barbra Streisand); Hero's My... LEARN MORE The post Cabaret music featuring: Laura Michelle Kelly; Barbra Streisand; Bette Midler; Liza Minnelli; Liz Calloway; Judy Garland; Patti LuPone; and Billy Porter appeared first on The Cabaret Room.

GEORGE STILES, músico y ANTHONY DREWE, letrista son un equipo de compositores conocidos como STILES & DREWE que en sus años de estudiantes y tras asistir a una representación de “Sweeney Todd” de Stephen Sondheim, decidieron dedicarse a escribir musicales y en Marzo de 1984 reservaron un teatro para ensayar y estrenar “Tutankamon”, su primer musical que tuvo gran éxito entre sus compañeros que no descartan la idea de llevarlo algún día a Londres. El sagaz productor Cameron Mackintosh entró en sus vidas y les produjo “Just so”, basado en relatos de Ruyard Kipling que estrenaron en el Watermill Theatre y ganó en 1985 el premio Vivian Ellis, representándose en USA y en 2004 en el festival de Chichester. Luego vendría "Honk!", basado en "El patito feo" que ganó el premio Olivier al mejor musical del año, venciendo a “El rey león” y “Mamma mia”. En 1996 fueron requeridos por Cameron Mackintosh para componer canciones para el musical “Mary Poppins”, adaptando además los canciones originales que compusieran los Hermanos Sherman para la película, a la que seguirían “Soho cinders", de la que hemos hablado en el "Cuéntame un musical de este mes y "Betty Blue Eyes”, "La mitad de seis peniques”, con canciones suyas reforzando la partitura original y dos adaptaciones musicales de los clásicos "Viajes con mi tía” y “El viento en los sauces”. Espero os guste 00h 00'00" Presentación 00h 02'58" Cabecera 00h 03'33" Flowers for a king (Helena Blackman) - Tutankhamun 00h 06'36" Just so (John Barrowman) - Just so 00h 11'36" There's no harm in spring (John Barrowman & Richard Dempsey) - Just so 00h 14'11" Wait a bit (Julie Atherton) - Just so 00h 18'10" Little one come hither (John Barrowman & Richard Dempsey) - Just so 00h 21'30" A little bit of nothing (George Stiles & Anthony Drewe) - Cabaret song 00h 25'38" A poultry tale (Michael McLean) - Honk 00h 30'50" Every tear a mother cries (Joanna Riding) - Honk 00h 33'17" Look at him - Honk Company 00h 39'46" Now I've seen you (Clive Rowe) - Honk 00h 42'17" The blizard - Honk Company 00h 45'02" The joy of motherhood (Joanna Riding & Jenna Russell) - Honk 00h 49'35" Warts and all (Anthony Drewe & Clive Rowe) - Honk 00h 54'10" Carrying a torch (Joanna Riding) - The Shakespoeare Revue 00h 58'00" Diva (Alison Jiear) - Cabaret song 01h 01'57" Just beyond the stars (Alwiye Taylor & Kirsty Hoiles) - Peter Pan 01h 05'57" Neverland (James Gillan, Amy Lennox, James Byng & Jed Berry) - Peter Pan 01h 09'51" The cleverness of me (James Gillan) - Peter Pan 01h 13'18" There's always tomorrow (James Gillan) - Peter Pan 01h 16'45" Practically perfect (Laura Michelle Kelly & children) - Mary Poppins 01h 20'50" Temper, temper - Mary Poppins Cast 01h 25'01" Good for nothing - Being Mrs. Banks (Linzi Hateley & David Haig) - Mary Poppins 01h 29'01" Anything can happen (Laura Michelle Kelly and Company) - Mary Poppins 01h 33'49" Wishing for the normal (Leanne Jones & Gareth Gates) - Soho cinders 01h 38'10" I'm so over men (Joanna Riding & Claire Moore) - Soho cinders 01h 42'46" Gypsies of the ether (Gareth Gates & Oliver Tompsett) - Soho cinders 01h 46'26" It's hard to tell (Gareth Gates, Leanne Jones & Ensemble) - Soho cinders 01h 50'29" They don't make glass slippers (Gareth Gates) - Soho cinders 01h 54'23" You shall go to the ball - Ensemble Soho cinders 01h 59'15" A place in the parade (Reece Shearsmith & Sarah Lancashire) ) - Betty blue eyes 02h 02'58" Betty blue eyes (Jack Edwards & Reece Shearsmith) - Betty blue eyes 02h 07'00" Magic fingers  (Reece Shearsmith) - Betty blue eyes 02h 11'31" Nobody (Sarah Lancashire) ) - Betty blue eyes 02h 14'30" We're taking over the Hall (Neil McDermott) - The wind in the willows 02h 18'11" To be a woman (Jenna Boyd & Rufus Hound) - The wind in the willows 02h 22'28" In the middle there's me (Charlie Stemp & Cast) - Half a sixpence 02h 25'34" Believe in yourself (Charlie Stemp & Emma Williams) - Half a sixpence 02h 27'45" Pick out a simple tune (Charlie Stemp & Devon Elise-Johnson) - Half a sixpence

GEORGE STILES, músico y ANTHONY DREWE, letrista son un equipo de compositores conocidos como STILES & DREWE que en sus años de estudiantes y tras asistir a una representación de “Sweeney Todd” de Stephen Sondheim, decidieron dedicarse a escribir musicales y en Marzo de 1984 reservaron un teatro para ensayar y estrenar “Tutankamon”, su primer musical que tuvo gran éxito entre sus compañeros que no descartan la idea de llevarlo algún día a Londres. El sagaz productor Cameron Mackintosh entró en sus vidas y les produjo “Just so”, basado en relatos de Ruyard Kipling que estrenaron en el Watermill Theatre y ganó en 1985 el premio Vivian Ellis, representándose en USA y en 2004 en el festival de Chichester. Luego vendría "Honk!", basado en "El patito feo" que ganó el premio Olivier al mejor musical del año, venciendo a “El rey león” y “Mamma mia”. En 1996 fueron requeridos por Cameron Mackintosh para componer canciones para el musical “Mary Poppins”, adaptando además los canciones originales que compusieran los Hermanos Sherman para la película, a la que seguirían “Soho cinders", de la que hemos hablado en el "Cuéntame un musical de este mes y "Betty Blue Eyes”, "La mitad de seis peniques”, con canciones suyas reforzando la partitura original y dos adaptaciones musicales de los clásicos "Viajes con mi tía” y “El viento en los sauces”. Espero os guste 00h 00'00" Presentación 00h 02'58" Cabecera 00h 03'33" Flowers for a king (Helena Blackman) - Tutankhamun 00h 06'36" Just so (John Barrowman) - Just so 00h 11'36" There's no harm in spring (John Barrowman & Richard Dempsey) - Just so 00h 14'11" Wait a bit (Julie Atherton) - Just so 00h 18'10" Little one come hither (John Barrowman & Richard Dempsey) - Just so 00h 21'30" A little bit of nothing (George Stiles & Anthony Drewe) - Cabaret song 00h 25'38" A poultry tale (Michael McLean) - Honk 00h 30'50" Every tear a mother cries (Joanna Riding) - Honk 00h 33'17" Look at him - Honk Company 00h 39'46" Now I've seen you (Clive Rowe) - Honk 00h 42'17" The blizard - Honk Company 00h 45'02" The joy of motherhood (Joanna Riding & Jenna Russell) - Honk 00h 49'35" Warts and all (Anthony Drewe & Clive Rowe) - Honk 00h 54'10" Carrying a torch (Joanna Riding) - The Shakespoeare Revue 00h 58'00" Diva (Alison Jiear) - Cabaret song 01h 01'57" Just beyond the stars (Alwiye Taylor & Kirsty Hoiles) - Peter Pan 01h 05'57" Neverland (James Gillan, Amy Lennox, James Byng & Jed Berry) - Peter Pan 01h 09'51" The cleverness of me (James Gillan) - Peter Pan 01h 13'18" There's always tomorrow (James Gillan) - Peter Pan 01h 16'45" Practically perfect (Laura Michelle Kelly & children) - Mary Poppins 01h 20'50" Temper, temper - Mary Poppins Cast 01h 25'01" Good for nothing - Being Mrs. Banks (Linzi Hateley & David Haig) - Mary Poppins 01h 29'01" Anything can happen (Laura Michelle Kelly and Company) - Mary Poppins 01h 33'49" Wishing for the normal (Leanne Jones & Gareth Gates) - Soho cinders 01h 38'10" I'm so over men (Joanna Riding & Claire Moore) - Soho cinders 01h 42'46" Gypsies of the ether (Gareth Gates & Oliver Tompsett) - Soho cinders 01h 46'26" It's hard to tell (Gareth Gates, Leanne Jones & Ensemble) - Soho cinders 01h 50'29" They don't make glass slippers (Gareth Gates) - Soho cinders 01h 54'23" You shall go to the ball - Ensemble Soho cinders 01h 59'15" A place in the parade (Reece Shearsmith & Sarah Lancashire) ) - Betty blue eyes 02h 02'58" Betty blue eyes (Jack Edwards & Reece Shearsmith) - Betty blue eyes 02h 07'00" Magic fingers  (Reece Shearsmith) - Betty blue eyes 02h 11'31" Nobody (Sarah Lancashire) ) - Betty blue eyes 02h 14'30" We're taking over the Hall (Neil McDermott) - The wind in the willows 02h 18'11" To be a woman (Jenna Boyd & Rufus Hound) - The wind in the willows 02h 22'28" In the middle there's me (Charlie Stemp & Cast) - Half a sixpence 02h 25'34" Believe in yourself (Charlie Stemp & Emma Williams) - Half a sixpence 02h 27'45" Pick out a simple tune (Charlie Stemp & Devon Elise-Johnson) - Half a sixpence

John talks to West End and Broadway star LAURA MICHELLE KELLY, who grew up on the Isle of Wight. She has a debut London one-woman show on February 24.

What an episode, you guys! In the first segment two-time Tony winner (and five time nominee!!!) Michael Cerveris is back to talk making his own music, acting, and life post-"Fun Home." In the Second half of the show, two of our favorite guests ,Jose Llana and Laura Michelle Kelly, return to talk all things "The King and I" tour! Enjoy!

John talks to two budding young stars from Shanklin Theatre, ROWAN LATHEY and BRAD BARNLEY. Also on the show are two past members who have gone on to national fame - LAURA MICHELLE KELLY and RICHARD FRAME. #RowanLathey #BradBarnley #LauraMichelleKelly #RichardFrame #showbiz #singer #stage #dance

You guys!!! it’s been a while since I’ve gotten butterflies before an interview, but I have to say, I was NERVOUS before meeting today’s guest, Laura Michelle Kelly. I mean, you know, she was the ORIGINAL west end Marry Poppins, She won an Olivier, she was in the 'Sweeney Todd' movie, she British, beautiful and perfect. But then, of course, she was disarmingly charming and friendly. Her dressing room at the Lunt-Fontanne Theater where she is currently starring in 'Finding Neverland,' is a little magic fairy kingdom with tents and tepees and maps of Neverland. I never wanted to leave. Laura made her West End debut as a baguette—yes, the bread—in the West End production of 'Beauty and the Beas't when she was 16 years old. In the West End, She went on to star in Andrew Lloyd Webber’s 'Whistle Down the Wind,' as well as 'Sped the Plow,' 'Lord of the Rings,' and of course 'Mary Poppins,' for which she won her Olivier. She made her Broadway debut as Hodel in the 2004 production of 'Fiddler on the Roof,' She later took over the role of Mary in the Broadway production of 'Mary Poppins,' and now she’s back on Broadway in the as Sylvia, the role she created last season in the smash hit 'Finding Neverland.' She was such a delight. Enjoy!

The amazingly talented and uber fabulous actress, Laura Michelle Kelly, will be gracing the cabaret stage of Feinstein's 54 Below to present a lovely evening of song away from the big lights of Broadway. She chats with Keith Price about her new venture and so much more. Feinstein's 54 Below and Laura Michelle Kelly: http://54below.com/artist/laura-michelle-kelly/ Follow @kpcurtaincall @comedydaddy on Twitter

On the Guest List this week Anne-Marie Minhall talks to ‘Britain’s Got Talent’ winner Paul Potts about his meteoric rise to fame from car phone salesman to reality TV star…..Also on the show is one of the world’s leading choreographers Matthew Bourne , whose production of Car Man has just opened at Sadler’s Wells. Anne-Marie also talks to Laura Michelle Kelly , the star of the new musical based on JRR Tolkien’s Lord of The Rings at the Theatre Royal , Drury Lane.