Podcasts about The Broadway League

Ep. 138 Christopher Kendrick-Castanho: Full Circle Moment We're headed to Broadway this week as Danielle and Bryan talk about the Broadway League's 2025 Spring Road Conference and arts marketing with guest Christopher Kendrick-Castanho. Christopher shares about social media and influencer marketing, some of the rising challenges in the Broadway touring industry, and turns the tables on Danielle and hosts his own game! Christopher Kendrick-Castanho is a Marketing Manager for The Bushnell in Hartford, CT (https://bushnell.org/). Follow us on social media and let us know your thoughts and questions – https://linktr.ee/nobusinesslikepod Our theme song is composed by Vic Davi.

LUIS MIRANDA BIO Luis Antonio Miranda Concepción is a political strategist, philanthropist, advocacy consultant and author, his latest book: "Relentless: My Story of the Latino Spirit That Is Transforming America” with a foreword by his son, Lin-Manuel Miranda.  Luis was born and raised in Puerto Rico and moved to NYC at 19 when he received a scholarship from NYU.  In the 1980s, Miranda was a special advisor for Hispanic Affairs to the Mayor of New York City, Ed Koch, serving as Director of the Mayor's Office for Hispanic Affairs. He also served on the Board of the NYC Health and Hospitals Corporation during the Koch, Dinkins (and as Chairman) during the Giuliani administration.  He has served as a political consultant on several high-profile political campaigns, including Hillary Clinton. Miranda is a founding partner of the MirRam Group which focuses on political and advocacy consulting. Miranda was also a founder and first president of the Hispanic Federation in 1990 and served as director of field services and research at the National Action Council for Minorities in Engineering. He also held leadership positions at the Community Service Society, the NYC Department of Employment, the NYC Board of Education, and Aspira of New York. He is chairperson of The Broadway League's Latino audience development program, Viva Broadway. and  the vice-chair of the Northern Manhattan Arts Alliance and a member of the advisory boards to Nielsen, board chair of the Latino Victory Fund and as a board member of The Gilder Lehrman Institute of American History, and NYC & Company.  Siempre, Luis, a documentary directed by John James, is centered on Miranda and his years of activism. The film was a 2020 Sundance Film Festival Official Selection and premiered on HBO on October 6, 2020. RELATED LINKS Wikipedia Relentless (book) Reflections on the Arts Latino Majority (pod) About Siempre, Luis (NPR) GENERAL INFO| TOP OF THE GAME: Official website: https://topofthegame-thepod.com/ RSS Feed: https://feed.podbean.com/topofthegame-thepod/feed.xml Hosting service show website: https://topofthegame-thepod.podbean.com/ Javier's LinkTree: https://linktr.ee/javiersaade  SUPPORT & CONNECT: LinkedIn: https://www.linkedin.com/showcase/96934564 Facebook: https://www.facebook.com/profile.php?id=61551086203755 Twitter: https://twitter.com/TOPOFGAMEpod Subscribe on Podbean: https://www.podbean.com/site/podcatcher/index/blog/vLKLE1SKjf6G Email us: info@topofthegame-thepod.com   THANK YOU FOR LISTENING – AVAILABLE ON ALL MAJOR PLATFORMS

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What an exciting new Whisper in the Wings from Stage Whisper we have in store for you. Joining us on this new episode, we have performers Nico DeJesus, Rachelle Manalo, and Oscar Whitney Jr, who talked to us about their tony award winning show Hell's Kitchen, as well as an amazing event presented by The Broadway League, Kid's Night on Broadway. This was such a wonderful conversation, and an inspiring one as well. So be sure you tune in and turn up, especially if you are 18 years or younger for this amazing event and show!Hell's KitchenNow Playing@ The Shubert TheatreTickets and more information are available at telecharge.comKid's Night on BroadwayTuesday, August 20thTickets and more information can be found at KidsNightonBrodway.comAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions: @hellskitchenbway@oscarwhitenyjr@rachelle_m

In celebration of the recent 15th annual Jimmy Awards, we're re-releasing our interview with Rachel Reiner.Rachel Reiner joins Stephanie and Angela to talk about making connections, encouraging support, and being unapologetically multifaceted.  Rachel is the director of Audience Engagement at the Broadway League, the managing director of Resonance Ensemble, Executive Director of the Jimmy Awards and more! Rachel created the site careers.broadway and leads the Broadway Bridges program through the Broadway League.Original Music by: Yah Supreme (Yahya Jeffries-El)

Jed talked with Len Berman and Michael Riedel about the winners and losers at the Tony Awards.

Jed talked with Len Berman and Michael Riedel about the importance of the spring season on Broadway. Times Square must be cleaned up and crime free.

Let's explore exactly what goes into developing a new Broadway music with producer (and Tony voter) Cristina Maria Vivenzio! If you haven't heard, there's a new book musical hitting the Broadway mainstream mid March and we can't wait! The preview tracks have been epic! In this episode we talk all things from the classic novel, The Outsiders and how it's being adapted to what's destined for an award winning musical! Cristina Marie Vivenzio (Producer) is currently the Vice President of Production and Development at The Araca Group and a Co-Producer on their Broadway musical, The Outsiders. Prior to her time at The Araca Group, Cristina worked at the producing office, National Artists Management Company, during the opening of their Tony Award-winning production of Pippin before joining the theatre owner, Jujamcyn Theaters, as the Executive Department Director working directly with all senior leadership and the Creative Operations Department.  While at Jujamcyn, she was the Production Coordinator for the annual August Wilson Monologue Competition, a nation-wide high school event that culminates on the Broadway stage and filmed for Netflix in the documentary, Giving Voice.  Cristina is also credited as an Associate Producer on the Netflix capture of the Broadway show, Diana The Musical, filmed during the height of the pandemic while maintaining strict Covid production protocols. Cristina is a proud alumni of the Broadway League's Rising Stars Fellowship, the Commercial Theater Institutes Producing Intensive and the People's Institute for Survival and Beyond's Community Organizing Workshop.  Cristina is a graduate of New York University, Tisch School of the Arts.Learn more about The Outsiders at Outsidersmusical.com. Listen to this episode on YouTube: https://youtu.be/XMTsMTNI8_g The Music (ed) Matters Podcast is sponsored by our friends over at Perform International. Thinking of going on tour domestically or abroad, want to take a solo tour, or team up with a dynamic festival? PI offers the best educationally sound and culturally significant experiences! Check them out, and tell them Emmy sent you :) Perform-International.com  Order your copy of “The Business of Choir" - check out the website, businessofchoir.com. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content, and more!

A trifecta of bad weather is hitting New York City and the area as a ‘multi-hazard storm system' descends on the region. The National Weather Service is warning of coastal flooding and high winds through Thursday morning. Meanwhile, you may have seen stories of ‘squatters' taking over homes in New York City on social media or talk shows. But how common is this? WNYC's David Brand reports. Plus, the average Broadway ticket price has steadily increased since 1980, according to data from industry trade group the Broadway League. Tickets now average an all-time high of more than $128 in the most recent full season. WNYC's Michael Hill speaks with reporter Ryan Kailath, who has been looking into why Broadway is so expensive. Finally, there's a new viral croissant hybrid in town called the ‘crookie.' It's a combination of a croissant and a chocolate chip cookie. WNYC's Precious Fondren looks into why people are so obsessed.

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Our esteemed guest is Jack Noseworthy, long-time veteran on Broadway, TV, and film, to talk about his career and his process as an actor. He also is a Individual Giving Officer for Broadway Cares/Equity Fights AIDS. Since 1988 they have led the fight against AIDS, becoming the nation's leading industry-based nonprofit AIDS fundraising and grant-making organizations. They have raised over $300 million dollars to fight AIDS, as well as COVID-19 and other illnesses.Noseworthy also formed Truworthy Productions with his husband, Tony-award winning choreographer Sergio Trujillo, and they are producing a stage production of the 2002 hit film "Real Women Have Curves". The show opened December 2023 at the American Repertory Theater in Cambridge Massachusetts, and they aim to open on Broadway within the near future.For more about Broadway Cares and how to donate, go to https://broadwaycares.orgFor more about Jack's production company and their shows, go to http://www.truworthy.comInstagram @jack_noseworthyFor more info on Athletes and the Arts, go to https://athletesandthearts.comBio: Jack Noseworthy is the co-founder of Truworthy Productions along with Tony and Olivier Award-winning Director/Choreographer Sergio Trujillo. In their Truworthy venture, Jack is passionate about bringing authentic, diverse, and socially conscious works of theater, film, and television to life. He is an acclaimed producer and dynamic, experienced fundraiser on the Major Gifts team at Broadway Cares/Equity Fights AIDS, where he successfully collaborates with colleagues, helping to grow and steward relationships for their annual giving society, the Angels, and Visionary Circle, responsible for raising $4M of the foundation's annual budget. In addition, Jack manages the Broadway Cares NextGen Network—creating giving opportunities for young professionals with a passion for giving back to the community. In partnership with seven-time Tony winning legendary producers Fran & Barry Weissler, Jack is the lead producer on Lisa Loomer's new musical Real Women Have Curves, with music and lyrics by seven-time Grammy award winning artist Joy Huerta (Jesse & Joy) and her partner Fred Ebb/ Jonathan Larson recipient Benjamin Velez. Real Women Have Curves – The Musical will premiere at The American Repertory Theater (A.R.T.) in December 2023. For A.R.T., Jack also produced Arrabal (Elliot Norton Award for Best Production and Gala Production at the Ibero- American Theater Festival in Bogotá, Colombia). Jack produced Playbill's ¡Viva Broadway! Hear Our Voices concert for The Broadway League, Voices for Change at Ars Nova, as well as NextGen Spotlight and Home for the Holidays for Broadway Cares/Equity Fights AIDS, raising over $350k for artists struggling during the Covid-19 pandemic. His producing career has been bolstered by 33 years as a stage and screen actor. Jack made his Broadway debut in Jerome Robbins' Broadway, which was followed by Cats, A Chorus Line, Sweet Smell of Success, and the original Toronto company of the international hit, Come From Away. Some of his favorite screen credits include his debut in Encino Man, as well as ALIVE, Event Horizon, The Brady Bunch Movie, Undercover Brother, Cecil B. Demented, Killing Kennedy, and several Jonathan Mostow films including Surrogates, Breakdown, and U-571. His television credits include Elvis, Mrs. Cage, Shades of Blue, CSI, Judging Amy, Crossing Jordan, Law & Order, Law & Order SVU, and Dead at 21. Jack received his Master's Degree in Performing Arts Administration from New York University and is a proud graduate of The Boston Conservatory at Berklee as well as the Commercial Theatre Institute.

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JAMES A. ROCCO is the visionary CEO of Thirty Saints Productions, creators of the Songbook Series and Broadway Songbook®. Thirty Saints Productions is a dynamic and innovative company that excels in creating original theatrical works for a diverse range of venues across the globe. In 2022, the company expanded its horizons, venturing into negotiating, consulting, and acquiring music licenses for popular jukebox musicals, solidifying its position as an industry leaders.    With Broadway Asia, Thirty Saints toured Joseph and the Amazing Technicolor Dreamcoat® to Tokyo and led the artistic team for the US Air Force's 9/11 tribute video, There Are No Words, seen by millions of viewers. Thirty Saints is an investor in the current Broadway, National Tour, and Toronto productions of Come from Away and Magic Mike in London.   From 2005-2017, Rocco was the VP of Programming and Producing Artistic Director of Ordway Center for the Performing Arts, where he presented and booked the best of touring Broadway (August, Osage County, An American In Paris, Kinky Boots, Les Misérables) and produced or co-produced award-winning theatricals (In The Heights, Love, Janis, Cabaret, West Side Story.) As the Ordway's representative and member of the Broadway League and the IPN (Independent Producer's Network), he was a producing partner and investor in Fun Home, Legally Blonde, The Color Purple, Monty Python's Spamalot, and others, as well as serving on the IPN's Governance Committee.    In 2019, he was recognized by The Broadway League and The Coalition of Broadway Unions and Guilds for "30 years of dedication, craft, and contribution to the theater" at their annual Broadway Salutes ceremony.   A longtime member of NAMT (National Alliance for Musical Theatre), he served on the Alliance's New Works committee.  Rocco commissioned the holiday musical A Country Christmas Carol and was part of the creative teams behind the off-Broadway cult hits Nite Club Confidential and Hooked on the 70s.  His re-versioned stage production of Singin' in the Rain has been seen worldwide.  Rocco was Producing Artistic Director of Lyric Theatre of Oklahoma and Interim Artistic Director of Stage One, a theatre dedicated to new musical development.    On Video, he was the Executive Producer and Co-Director of the Regional Emmy Nominated Documentary, The World We Create, and directed the television musical, Born of A Dream.  For Mitsubishi/ArtSphere, he created the stage and television spectacular Galaxy Express 999.   Rocco's theatrical career started at three years old, as the youngest member of the (Art) Linkletter Totten Tots! He appeared in Oliver! with Ray Walston and Jules Munschin; Carousel as Enoch Snow Jr, with John Raitt; and as Sheppard in Sidney Lumet & David Merrick's Paramount motion picture thriller, Child's Play.     James directed and produced his first show in New York at 16 (Henry, Sweet Henry, at the Mercer Arts Center and the Lamb Theatre).  As a performer, he appeared in the original Broadway production of Cats(as the Rum Tum Tugger), the International and TV Ashai Productions of Duke Ellington's Sophisticated Ladies; sang back up for Frank Sinatra and was featured singer for Herbie Hancock and the Super Sounds. He played Judas in Jesus Christ Superstar, The Witch in Into The Woods, appears on 10 Ben Bagley albums, and his CD, It's Between Us, produced the FMQB Top 40 hit, And The Night Stood Stillby Diane Warren. In 2021, Broadway World Minneapolis cited him as Vocalist of the Decade.  

JESSE J. SANCHEZ is an award-winning composer-lyricist, writer, and music director. He is a highly sought-after collaborator in theatre, opera, TV, and film.As composer, lyricist, arranger and librettist, his works include: musical arrangement, "Musicals Based on Shakespeare" (Broadway League's Jimmy Awards on Broadway), original music for W. Fran Astorga's Exhaustion Arroyo: Dancin' Trees In The Ravine (Cutting Ball Theater), co-librettist for desert in (Boston Lyric Opera, Long Beach Opera; finalist for 2022 Opera America's Digital Excellence in Opera Award), book, music, and lyrics for Black Friday! (Prospect Theater Company's Musical Theater Lab), music and co-lyricist for The Fezziwig Promise (The 24 Hour Plays), book for Clopening (Prop Thtr Small Hours Festival), and book, music, and lyrics for SUEÑOS: Our American Musical, which has been developed at The Johnny Mercer Foundation Writers Colony at Goodspeed Musicals, Barn on Fire Musical Residency (produced by Fire Island Pine Arts, Nicole La Fountaine, and NYTB), New York Theatre Barn, 2021 Frank Young NAMT Development Grant, Oregon Shakespeare Festival's Black Swan Lab, and The Choreography Lab. Linedy Genao - After receiving her bachelor's degree in Business Administration at the University of Connecticut, she began a career in banking. However, after receiving a message encouraging her to audition for the first open call of Gloria & Emilio Estefan's On Your Feet, her life changed forever. With only high school theater experience, Linedy landed her first Broadway-bound show, On Your Feet, and hasn't stopped since! Linedy has continued to rise through the ranks, most recently as the Alana/Zoe understudy on Dear Evan Hansen prior to its Broadway closing and on its first national tour. She was also recently named in Variety's “10 Broadway Stars to Watch” list. Additional credits include Passing Through, West Side Story, Havana Music Hall, A Taste of Things to Come, and In the Heights. She is honored to be the first Latina/Dominican-American to originate an Andrew Lloyd Webber Broadway-bound musical. Kris Carrasco is a genderqueer, Latino-American artist hailing from the Appalachian mountains of western North Carolina. Born to immigrant parents, his first taste of the stage was seeing Jennifer Lopez star in the hit movie Selena, and through the incredible power of representation, a flame was lit. Kris' love of storytelling stems from the belief that as artists, we are the storytellers of the human experience and that it is our duty to record humanity (and our experiences with it) as diversely and specifically as possible with a 21st-century anti-racist lens on everything. Kris' greatest hope is that anyone that comes to a performance of theirs leaves with a greater sense of empathy for themselves, their community, and most importantly those who've lived experience is different. SUEÑOS tells the untold story of three generations of a Mexican-American family and their pursuit of the American Dream. The story primarily focuses on the viewpoint of protagonist, Ali Viramontes,  and his journey to becoming a world renown composer. Juilliard is his one-way ticket and he won't let anything stop him, even if he has to sacrifice those close to him. Obstacles become too challenging to overcome and seems there's no other way, but to continue the cycle that tore down his family's dreams. This original, contemporary musical celebrates Latiné/Latinx people and cultures, and weaves their stories into the fabric of the American Musical Theatre.

Rachel Reiner joins Stephanie and Angela to talk about making connections, encouraging support, and being unapologetically multifaceted.  Rachel is the director of Audience Enagement at the Broadway League, the managing director of Resonance Ensemble, Executive Director of the Jimmy Awards and more!   Rachel created the site careers.broadway and leads the Broadway Bridges program through the Broadway League.Original Music by: Yah Supreme (Yahya Jeffries-El)

In this episode, Diana Moran Macuil, Director of Membership Services & Professional Development at The Broadway League, joins the podcast to share her career journey into arts administration. Listen to her breakdown her work in managing membership on Broadway, owning her identity as an Afro-Latina, and how cultivating meaningful relationships has enabled her to be successful. Edited by Justin Payne Learn more about your ad choices. Visit megaphone.fm/adchoices

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Jed talked with Len Berman and Michael Riedel about the Broadway troubles.

Len and Michael talked with Jed about the writer's strike causing the Tony Awards to be canceled. They also hit on the unions who work in the theaters needing to help Broadway survive by lowering their fees until Broadway is up and running.

Jed and the guys talked about the Tony Awards nominees and the outrageous cost of producing a Broadway play.

Jed and the guys talked about the Tony Awards nominees and the outrageous cost of producing a Broadway play.

This episode is also available as a blog post: https://thecitylife.org/2023/04/28/actors-equity-association-membership-ratifies-new-unified-touring-agreement-with-the-broadway-league/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Guest:Our episode guest is Alan Cohen, an author, public speaker, executive coach, and trainer for organizations and individuals seeking to maximize potential and drive peak performance in their lives, organizations, and careers. He is a Ted Talk speaker, and trains other speakers to speak on the stage and to use speaking to grow their business.Five things you'll learn from this episode:What makes a good speechHow to stand out against other TEDx applicantsHow to be bold and back it upWhy you need to identify your goal of being a TEDx speakerWhy you shouldn't be afraid if your idea isn't newQuotables“I tell people all the time, you know, you've got to say something provocative, contrarian, and unique that they haven't heard everybody else say, because you sound like everybody else, they're not going to pick you.” — @JasonMudd9“The thing that I think makes a great TEDx speech is it is when people really bring their stories and their histories into the story and are willing to be vulnerable in that way too, regardless of what the topic is.” - Alan Cohen“So if you've got props like bring them, if you feel like if, if singing is part of your story, then sing. Do creating art on stage. Do that, play the drums, do whatever that. I think creativity goes a long way, as long as it doesn't obscure the key message and the way that you want people to be thinking differently.” - Alan Cohen“The more pure your purpose for doing it, I think, the more the energy of your application will appeal to the committee.” - Alan Cohen“It's researching the different TEDxes that are happening all around the country, all around the world, looking at the themes online, and seeing if you can connect your origin story, your journey to one of the themes.” - Alan CohenIf you enjoyed this episode, please share it with others and leave us a review!About Alan CohenOur episode guest is Alan Cohen, an author, public speaker, executive coach, and trainer for organizations and individuals seeking to maximize potential and drive peak performance in their lives, organizations, and careers. He is a Ted Talk speaker, and trains other speakers to speak on the stage and to use speaking to grow their business. Spending decades as both a marketing expert and Human Resources consultant, he presided over the successful launch of the Harry Potter series as Scholastic's Director of Marketing, as well as Director of Communications for the Broadway League. As an Executive Coach, Alan has worked with global organizations including Bloomberg, Tiffany, American Express, NBC, Bravo, Edelman Public Relations and MetLife.Guest's contact info and resources:Alan Samuel Cohen Coaching and SpeakingAlan Samuel Cohen Coaching and Speaking on FacebookAlan Samuel Cohen on LinkedInSupport the show On Top of PR is produced by Axia Public Relations, named by Forbes as one of America's Best PR Agencies. Axia is an expert PR firm for national brands. On Top of PR is sponsored by ReviewMaxer, the platform for monitoring, improving, and promoting online customer reviews.

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Pretty chill episode today, we covered the new ticket incentives for Parade, TONS of casting announcements, and played with the Broadway League database. No grosses yet at time of record, so we had to make do without them.

Julie and Diane are both co-founders of The Museum of Broadway in Times Square which opened November, 2022. Julie Boardman and Diane Nicoletti have teamed up in 2022 to bring the best of the Broadway and experiential worlds in the form of The Museum of Broadway in Times Square. Julie and Diane have known each other for decades now and the two chronicle their journey from being in the same sorority to finally working together on many successful projects. Having worked on fan experiences, Diane explains what it's like building sets of popular tv shows and movies and the overall process of building a set. Julie, on the other hand, talks about an event staffing agency she started in 2009 to help Broadway performers, which then pushed her to pursue her dream of being on the producing end of Broadway. This shift was also the beginning of Diane and Julie's partnerships. With a similar mindset of creating something that doesn't exist yet, it's no surprise that the two would work together to create a museum dedicated to Broadway. Julie and Diane share how it all started, the challenges they came across along the way, and how they made it an immersive experience for the visitors. Following its success, the two share their standout, pinch-me moments, including a visit from Andrew Lloyd Webber and Tim Rice, and the overall positive reception from people—a true mark that they have created something impactful and lasting for the theatre community. Julie Boardman is a two-time Tony Award-winning producer who is currently a co-producer on the Broadway revival of "Funny Girl" and “A Doll's House”. Her other Broadway credits include "An American in Paris", "Carousel", "Company", "Dames at Sea", "Head Over Heels", "Hughie", "Indecent", and "The Inheritance". Her tour credits include "An American in Paris", "Dreamgirls", and "Peter and the Starcatcher". Apart from being a Tony voter and member of The Broadway League, Julie is also on the Theatre Committee at New York Public Library for the Performing Arts and the Leadership Council for the Costume Industry Coalition among others. Her company, Boardman Productions, has worked with numerous leading brands including Nike, Maybelline, Vogue, Victoria's Secret, Microsoft, Diet Coke, Samsung, Game of Thrones, and Disney's The Lion King on their activations and fan experiences. Diane Nicoletti is a creative director, producer, and entrepreneur, who has produced some of the biggest events in fan experiences for two decades now, including the Game of Thrones Fan Experience, Gretzky's Retirement Gala, and brand activations at the Super Bowl, Comic-Con, CES, and SXSW. She's also the founder of the award-winning experiential marketing agency, Rubik Marketing, and has had the privilege of working on amazing properties like Game of Thrones, Deadpool, Frozen Hotel Transylvania, Dumbo, Shark Tank, The Muppets, How To Train Your Dragon, American Horror Story, Ghostbusters, among many others. Connect with Julie and Diane: Museum of Broadway: www.themuseumofbroadway.com Instagram: @museumofbroadway Julie's Instagram: @msjulieboardman Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Broadway League's first Chief Diversity Officer, Gennean Scott, joins Real Talk to discuss her definition behind the Equity, Diversity, and Inclusion fields, her day-to-day operations, representation, Black excellence, and much more relating to her impactful work across the industry. Gennean is no stranger to the business side of theatre – getting her start in inclusion with the Omaha Performing Arts Center and following her passion and using her voice to inspire change throughout our industry and the surrounding businesses to encourage diversity and opportunity. In 2020, she became the Broadway League's first Director of Equity, Diversity, and Inclusion and was recently retitled to be their Chief Diversity Officer. She also hosts The Black Business of Broadway on the Broadway Podcast Network, highlighting Black creatives across all facets of Broadway to showcase the opportunities available on and off stage for BIPOC artists. In this episode, Gennean and I discuss: Her definition of each Equity, Diversity, and Inclusion as it relates to the mission of her position The personal passion behind her fight to make Broadway a widely acceptable medium Why she wants to lay the foundation for future generations of Theatre artists Examples of representation in new media, sparking joy in young artists of color across the nation (specifically Halle Bailey in The Little Mermaid) Her belief that there is room for all of us at the table and in the realm of Broadway… And much more!! Check out Gennean's work and more on her social media! Instagram: @conskeeted97  Twitter: @conSKEEtedAKA Celebrate Black History Month with the Broadway Podcast Network!

Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America.   A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status.  In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management.  He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions.  He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.

Tom Gabbard (blumenthalarts.org)(IG:@tomgabbard) has been CEO of Blumenthal Performing Arts since 2003. The Blumenthal's 110 employees manage six theaters in Charlotte, hosting over 1,000 performances annually, as well as extensive education programs, immersive projects, and the Charlotte International Arts Festival. During his tenure, the Blumenthal became a Top 10 market for touring Broadway shows in North America.   A member of the Board of Governors of the Broadway League, he serves on the Legislative Council and Finance and Intra-Industry Committees. He has been a voter for Broadway's Tony Awards since 1997. In 2022, the League awarded Tom with Lifetime Tony Award Voter status.  In 2012 the League awarded him the Samuel J. L'Hommedieu Award for Outstanding Achievement in Presenter Management.  He serves as co-chair of The Jimmy Awards, the National High School Musical Theatre Awards held annually on Broadway. Tom is a Past President of the Independent Presenters Network (IPN), a consortium of 40 leading touring Broadway presenters in North America, Asia, and the UK. Tony Awards as a co-producer/investor include Monty Python's Spamalot, Thoroughly Modern Millie, La Cage aux Folles, RED, Pippin, Kinky Boots, The Color Purple Revival, Hello Dolly, Dear Evan Hansen, The Band's Visit, Oklahoma!, Hadestown, A Strange Loop, and Lehman Trilogy. Other Broadway, Off-Broadway, national tour and London West End credits include Moulin Rouge, Ain't Too Proud, David Byrne's American Utopia, Death of a Salesman, Tootsie, Legally Blonde, Frost/Nixon, Matilda, Cinderella, Jagged Little Pill, Something Rotten, An American in Paris, Waitress, The Broadway Museum, and Back to the Future. He produced the New York run and the national tour of TRACES, and the national tour of 9 to 5. Tom is a leader in developing partnerships between the UK and US, working on over 25 UK/US transfers and London productions.  He was the Founding Managing Director of Pepperdine University's Center for the Arts in Malibu, the Executive Director of the Arvada Center for the Arts and Humanities in Denver, and the Weidner Center for the Performing Arts in Green Bay. He holds an MBA in Arts Management from Golden Gate University and a BA in Music Performance from Pepperdine University where he also attended Law School.

Miranda Gohh is a producer originally from Providence, RI. She is currently the Associate Producer at Davenport Theatrical Enterprises (A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL). Previously, she served as the Company Manager at New York City Center with MTC from 2019-2021 and the Producing Fellow from 2018-2019. Miranda has also worked with companies such as Arena Stage, The Playwrights Realm, Goodspeed Musicals, and Trinity Repertory Company. She is the founder of Theatre Producers of Color (TPOC), an educational program for BIPOC producers, and a co-founding member of The Industry Standard Group (TISG), the first BIPOC commercial theatre investment and producing organization. She is an Associate Member of The Broadway League and is a recipient of the 2022 Gatchell & Neufeld Award and 2019-2020 Rising Star Fellowship. She is a graduate of the Commercial Theatre Institute and an alumna of Wesleyan University.

Jed and the guys talked about Justin David Sullivan who claimed if he's up for a Tony Award he will not accept it because of the wrong use of pronouns for the LGBQ community.

We are so thrilled to have Julie Boardman join us to chat all about the Museum of Broadway! Julie is an entrepreneur and Tony Award-winning producer. She recently conceived and produced I'm Still Here, a 90th anniversary celebration for the Billy Rose Theatre Division at the New York Public Library for the Performing Arts, featuring archival materials from the Theatre on Film and Tape archive, interviews with Broadway legends and emerging creatives and reimagined musical numbers with a cast of over 100 artists. In fall 2020 she produced In Our America: A Concert for the Soul of the Nation and Artists for Change. She is currently a co-producer on the Broadway revival of Funny Girl. Other Broadway credits include: An American in Paris (Tony nomination), Carousel (Tony nomination), Company (Tony Award), Dames at Sea, Head Over Heels, Hughie, Indecent (Tony nomination), and The Inheritance (Tony Award). Tours: An American in Paris, Dreamgirls, Peter and the Starcatcher. West End: An American in Paris (Olivier nomination), Academy Award winner Florian Zeller's The Son. Julie is a Tony voter and member of The Broadway League. She is on the Theatre Committee at New York Public Library for the Performing Arts, the Leadership Council for the Costume Industry Coalition, the Creative Advisory Board of Festival Internazionale del Musical Milano, the Musical Theatre Advisory Board for the University of Southern California, the Advisory Board for the Musical Theatre Conservatory at Orange Country School of the Arts, and an arts advocacy coalition of arts leaders in NYC. Through her company Boardman Productions she has has worked with some of the worlds leading brands including Nike, Maybelline, Evian, Vogue, Victoria's Secret, Microsoft, Diet Coke, VitaminWater, Samsung, Game of Thrones, Disney's The Lion King and many more on their activations and fan experiences. With over 14 years working in experiential and promotional marketing, she is thrilled to combine all of her talents to create The Museum of Broadway. themuseumofbroadway.com

Julie Boardman is an entrepreneur and Tony Award-winning producer. She recently conceived and produced I'm Still Here, a 90th anniversary celebration for the Billy Rose Theatre Division at the New York Public Library for the Performing Arts, featuring archival materials from the Theatre on Film and Tape archive, interviews with Broadway legends and emerging creatives and reimagined musical numbers with a cast of over 100 artists. In fall 2020 she produced In Our America: A Concert for the Soul of the Nation and Artists for Change. She is currently a co-producer on the Broadway revival of Funny Girl. Other Broadway credits include: An American in Paris (Tony nomination), Carousel (Tony nomination), Company (Tony Award), Dames at Sea, Head Over Heels, Hughie, Indecent (Tony nomination), and The Inheritance (Tony Award). Tours: An American in Paris, Dreamgirls, Peter and the Starcatcher. West End: An American in Paris (Olivier nomination), Academy Award winner Florian Zeller's The Son. Julie is a Tony voter and member of The Broadway League. She is on the Theatre Committee at New York Public Library for the Performing Arts, the Leadership Council for the Costume Industry Coalition, the Creative Advisory Board of Festival Internazionale del Musical Milano, the Musical Theatre Advisory Board for the University of Southern California, the Advisory Board for the Musical Theatre Conservatory at Orange Country School of the Arts, and an arts advocacy coalition of arts leaders in NYC. Through her company Boardman Productions she has has worked with some of the worlds leading brands including Nike, Maybelline, Evian, Vogue, Victoria's Secret, Microsoft, Diet Coke, VitaminWater, Samsung, Game of Thrones, Disney's The Lion King and many more on their activations and fan experiences. With over 14 years working in experiential and promotional marketing, she is thrilled to combine all of her talents to create The Museum of Broadway. @msjulieboardman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Amanda Dubois has been an independent commercial producer since 2004, a full member of the Broadway League since 2005 with shows such as Lehman Trilogy, Grace, and Spring Awakening, and has several shows in various stages of development. Today we interview her and ask her about her journey to the theater industry, if she always knew this is what she wanted, and tips and tricks for future people interested.

Change Comes as a Young Girl with Dance in her Heart Gennean Scott is the Chief Diversity Officer for the Broadway League. She is the guardian of and the advocate for ensuring that the people and institutions behind the shimmering lights of Broadway shows are engaged in the same question that presently animates the conversations in our politics, in our schools and in our neighborhoods – how can we make these institutions more reflective of the diversity that is steadily growing within the world today? It is a question that she has been asking her whole life. From starting as a young dancer in Omaha, NE. To leading DE&I efforts at arts institutions in the heartland of America. To owning her own dance company that was committed to exposing underserved and underrepresented children to the beauty, the majesty, and the freedom of dance, Gennean has pushed at the edges of peoples' perceptions to create space for new, more inclusive thoughts to take root and bloom. It's all been a tall order for a young girl with dancing dreams in her heart, wearing mismatched “flesh-colored” tights and untamed hair that didn't neatly slick back into a Balanchine-approved bun.  This tenacity to be an instrument of change has always been present for Gennean. Born to an unwed teen mother, she too would tread that same path of unexpected and single motherhood until she was able to break that cycle with her own children. She talks candidly about her struggle to disrupt the statistics, even as she had to rely on government assistance to support her family as she fought to stand on her own strengths. And she plaintively recounts the stony path to embrace her “blackness” in a world that did not reflect to her the exquisiteness and the resilience of what being black can be.  It would have been easy to give up. Some do. But like the heroines in the shows that she today helps facilitate, she used adversity to reach for the stars and seize the opportunities that came her way that led her out of despair into belief. Calling upon the strengths of her ancestors, the support of her mother, and a certainty that God was not going to let her fail, Gennean has built a life that allows her to say to herself and to us, “Bet on you! Choose you! Because it is good!” Gennean on IG Patrick's WebsitePatrick on FacebookPatrick on IGAt the Podium on IGPatrick on LinkedIn For more information contact Patrick at patrick@patrickhueyleadership.com

Jed and the guys talked about the concerns the Broadway crowds have about casinos in Times Square.

Jake talks with Andrew Lazzaro, Campaign Architect for The Broadway League about “This is Broadway,” the ground-breaking campaign that brought theater lovers back to Broadway shows after being closed for eighteen months.  Broadway shut down due to COVID on March 12, 2020... a shutdown that lasted over a year.  With Broadway contributing over $14 billion [...] The post S3 E10: The Campaign That Brought Theater-Goers Back to Broadway – With Andrew Lazzaro appeared first on Emodo.

"This is a war not only for the territory. This is war against our culture," says Ihor Poshyvailo, director of the Maidan Museum in Kiev, Ukraine. War in Ukraine has scores of museums, cemeteries, archeological sites, and places of worship where Ukrainian history and national identity are memorialized. But when bombs are exploding, who's pulling a sculpture from the rubble? Enter the Smithsonian Cultural Heritage Initiative: a team flung together by a deadly earthquake in Haiti that grew through trial and discovery into an international network of professionals devoted to protecting the world's treasures from threats by humankind and mother nature alike. Guests: Hayden Bassett, director of the Cultural Heritage Monitoring Lab at Smithsonian affiliate Virginia Museum of Natural History Olsen Jean Julien, project director of the Cultural Conservation Center at Quisqueya University in Haiti Cori Wegener, director of the Smithsonian Cultural Rescue Initiative Richard Kurin, Smithsonian Distinguished Scholar and Ambassador-at-Large, co-founder of the Smithsonian Cultural Rescue Initiative Ihor Poshyvailo, director of the National Museum of the Revolution of Dignity (Maidan Museum) in Kyiv, Ukraine Acknowledgments: The work of the Smithsonian Cultural Rescue Initiative would not be possible without the collaboration of countless partner organizations and collaborators, among them: the US government, including the Cultural Heritage Coordinating Committee, the Departments of State, Defense, Homeland Security and Justice, the FBI, Institute of Peace, FEMA, and the Heritage Emergency National Task Force; agencies of other governments like the Ministry of Culture in Haiti, the State Board of Antiquities and Heritage in Iraq, and the Ministry of Culture in Ukraine; other organizations like UNESCO, the International Centre for the Study of the Preservation and Restoration of Cultural Property, International Council of Museums, the American Association for the Advancement of Science, American Institute of Conservation, the US Committee of the Blue Shield, the Penn Cultural Heritage Center and the University of Pennsylvania Museum, the Virginia Museum of Natural History, the University of Maryland, Prince Claus Fund for Cultural Emergency Response, FOKAL in Haiti, the Mosul Museum, the Heritage Emergency Rescue Initiative, the National Center for Research Restoration, and the Kosciuszko Foundation for Ukraine. SCRI's work is made possible with the support of funders like the United State Congress, Department of State, Bank of America, ​Mellon Foundation, ALIPH Foundation, Rockefeller Foundation, Brad Freeman, the Broadway League, the Stiller Foundation, and the Roberts family.

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

Mike Isaacson, Currently in his ninth season and only the third person to hold this position in The Muny's 103-year history. To date, he has produced 56 Muny shows, 23 of which had never been on the Muny stage before. He has collaborated at The Muny with many Tony award winners and breakthrough talents, including Christian Borle, Colin Donnell, Marcia Milgrom Dodge, Gary Griffin, Heather Headley, Jennifer Holliday, Denis Jones, Laura Michelle Kelly, Dan Knecht- ges, Beth Leavel, Norm Lewis, Beth Malone, Kathleen Marshall, Patti Murin, Josh Rhodes, Emily Skinner and Ken Page. The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson, the quality of Muny productions rose like the proverbial phoenix.” The St. Louis Post-Dispatch named him “Theatre Artist of the Year,” noting that by “staging one impressive production after another, he made The Muny simultaneously hip and – be- lieve it – important to our community.” During Isaacson's tenure, The Muny has produced new developmental productions of Irving Berlin's Holiday Inn, Lerner and Loewe's Paint Your Wagon and The Unsinkable Molly Brown. During its record-breaking 100th season, The Muny became the first theatre in the world to produce the legendary Jerome Robbins' Broadway, doing unprecedented archival work on both the artistic and business side. During that same season, The Muny produced the U.S. regional premiere of Jersey Boys. Isaacson has changed the look and feel of a Muny production, overseeing a transformation in every aspect of pro- duction that culminated in 2019 with the arrival of the theatre's extraordinary James S. Mc- Donnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets and a host of other innovations. During the summer of 2020, when The Muny was closed due to COVID-19, Mike produced and created The Muny 2020 Variety Hour Live!, an online show that reached more than a worldwide audience of over 400,000.   With Kristin Caskey, Isaacson has produced more than 23 Broadway musicals and plays, national tours, off-Broadway and London productions. All told, his productions have received more than 122 Tony nominations and 34 Tony Awards. Last year, he produced the highly ac- claimed David Byrne's American Utopia, which made every major “Top 10” list, and became a highly acclaimed film by Spike Lee on HBO, for which he also served as an executive produc- er. Just as the COVID-19 shutdown of Broadway began, he was awaiting the first preview of Neil Simon's Plaza Suite, starring Mathew Broderick and Sarah Jessica Parker.   Also, during the shutdown, Isaacson served as a supporting producer of the acclaimed re- vival of The Unsinkable Molly Brown at New York's Transport Group. Other career highlights include: Fun Home (2015 Tony Award, Best Musical; 2018 Olivier nominee for Best Musical), Legally Blonde the Musical (2011 Olivier Award, Best Musical), Thoroughly Modern Millie (2002 Tony Award, Best Musical), Red (2010 Tony Award, Best Play), The Humans (2016 Tony Award, Best Play), If/Then, starring Idina Menzel, Lanford Wilson's Burn This, starring Adam Driver and Kerri Russell (2019 Tony nomination for Best Revival of a Play), Bring It On: The Musical (2013 Tony nomination for Best Musical), A Doll's House 2 (2017 Tony nomination for Best Play), You're a Good Man, Charlie Brown (1999 Tony nomination for Best Revival of a Musical), The Seagull, starring Kristin Scott Thomas, Carey Mulligan and Peter Sarsgaard, Caroline, or Change (Tony nomination for Best Musical); One Flew Over the Cuckoo's Nest (2001 Tony Award, Best Revival of a Play) and Death of a Salesman (1999 Tony Award, Best Revival of a Play). For the Independent Presenters Network, Isaacson served as producer for Spamalot (2005 Tony Award, Best Musical), Ragtime (revival) and The Color Purple (2006 Tony nomination for Best Musical).   He has received the St. Louis Arts and Education Council's Award for Excellence in the Arts and has been awarded The Broadway League's and Theatre Development Fund's Commercial Theater Institute “Robert Whitehead” Award for excellence in producing. He has served on the board of governors and executive committee of The Broadway League and received the Samuel J. L'Hommedieu Award. He has also received the Equality Award from the St. Louis Chapter of Human Rights Campaign.

Sammy (IG:@shlopez21)(LI:@shlopez21)(sammy-lopez.com) is a co-founder and producer with P3 Productions, an artist-driven production company that's built on three pillars: thought-provoking stories, strong values, and opening doors. They are currently developing: GUN & POWDER (World Premiere: Signature Theatre 2020), HOW TO DANCE IN OHIO (Upcoming World Premiere: Syracuse Stage, Fall 2022), MIDSUMMER (In Development), BRADICAL (In Development), and two additional projects in development with award-winning artists John Leguizamo and Shakina Nayfack. He launched the company with his partners, Ben Holtzman and Fiona Howe Rudin. He is a co-founding member of The Industry Standard Group (TISG) and Second Act Theatrical Capital (2ATC), a decentralized leadership cohort of BIPOC producers who came together through a shared affinity and commonality of often being the only collaborator of color in many rooms on Broadway. We seek to create change by re-imagining the pathways to participation within the decision-making levels of theater-making. Brought up by parents who are educators, Sammy is very passionate about sharing access and transparency within the commercial theatre industry. He is the 2022 program mentor for Theatre Producers Of Color (TPOC) and teaches with The Business of Broadway. He has made presentations and been a part of many theatre panels with Syracuse University, New York University, Center Theatre Group's College and Career Fair for the Arts, SolTalk Podcast, and The Fabulous Invalid Podcast. Most recently, he is a recipient of The Shubert Organization's Artistic Circle, receiving bespoke support from The Shubert Organization to help further his career as a commercial producer. In addition, he is on the producing and social media team for The Old Vic's A CHRISTMAS CAROL. In 2018, he made his co-producing Off-Broadway debut with BE MORE CHILL—which transferred to Broadway in 2019. In 2017, he began his production company, Holtzman-Lopez Productions LLC, with his producing partner, longtime collaborator, and best friend Ben Holtzman. In addition to P3 Productions, they produce the Syracuse University Lewis Hecker Drama Showcase and manage the volunteer alumni group, Orange In The Apple. After graduating from Syracuse University—Sammy got his start on Broadway with the NYC team at Your Theatrics International, a full-service entertainment production company specializing in the production and management of theatrical events, where he worked with Tom Smedes Productions on the Broadway production of THE VISIT starring Chita Rivera. During this time, he also worked on MOTHERS & SONS on Broadway, The New York Musical Festival (NYMF), the International Cabaret Contest in Australia and New Zealand, and the pre-Broadway development of BANDSTAND. In 2017 he was a recipient of the Rising Star Fellowship with The Broadway League as well as the Associate Producer for the musical BANDSTAND, winner of the 2017 Tony Award® for Best Choreography.

Sammy (IG:@shlopez21)(LI:@shlopez21)(sammy-lopez.com) is a co-founder and producer with P3 Productions, an artist-driven production company that's built on three pillars: thought-provoking stories, strong values, and opening doors. They are currently developing: GUN & POWDER (World Premiere: Signature Theatre 2020), HOW TO DANCE IN OHIO (Upcoming World Premiere: Syracuse Stage, Fall 2022), MIDSUMMER (In Development), BRADICAL (In Development), and two additional projects in development with award-winning artists John Leguizamo and Shakina Nayfack. He launched the company with his partners, Ben Holtzman and Fiona Howe Rudin. He is a co-founding member of The Industry Standard Group (TISG) and Second Act Theatrical Capital (2ATC), a decentralized leadership cohort of BIPOC producers who came together through a shared affinity and commonality of often being the only collaborator of color in many rooms on Broadway. We seek to create change by re-imagining the pathways to participation within the decision-making levels of theater-making. Brought up by parents who are educators, Sammy is very passionate about sharing access and transparency within the commercial theatre industry. He is the 2022 program mentor for Theatre Producers Of Color (TPOC) and teaches with The Business of Broadway. He has made presentations and been a part of many theatre panels with Syracuse University, New York University, Center Theatre Group's College and Career Fair for the Arts, SolTalk Podcast, and The Fabulous Invalid Podcast. Most recently, he is a recipient of The Shubert Organization's Artistic Circle, receiving bespoke support from The Shubert Organization to help further his career as a commercial producer. In addition, he is on the producing and social media team for The Old Vic's A CHRISTMAS CAROL. In 2018, he made his co-producing Off-Broadway debut with BE MORE CHILL—which transferred to Broadway in 2019. In 2017, he began his production company, Holtzman-Lopez Productions LLC, with his producing partner, longtime collaborator, and best friend Ben Holtzman. In addition to P3 Productions, they produce the Syracuse University Lewis Hecker Drama Showcase and manage the volunteer alumni group, Orange In The Apple. After graduating from Syracuse University—Sammy got his start on Broadway with the NYC team at Your Theatrics International, a full-service entertainment production company specializing in the production and management of theatrical events, where he worked with Tom Smedes Productions on the Broadway production of THE VISIT starring Chita Rivera. During this time, he also worked on MOTHERS & SONS on Broadway, The New York Musical Festival (NYMF), the International Cabaret Contest in Australia and New Zealand, and the pre-Broadway development of BANDSTAND. In 2017 he was a recipient of the Rising Star Fellowship with The Broadway League as well as the Associate Producer for the musical BANDSTAND, winner of the 2017 Tony Award® for Best Choreography.

Bonnie Comley(bonniecomley.com)(LI:@bonniecomley) is a three-time Tony Award-winning producer. She has, also, won an Olivier Award and two Drama Desk Awards for her stage productions. She is a full member of The Broadway League and the Audience Engagement and Education Committee. Comley has produced over 40 films, winning five Telly Awards and one W3 Award. She is the founder and CEO of BroadwayHD, the world's premier online streaming platform delivering over 300 premium live productions to theatre fans globally. The theatre community has honored Comley for her philanthropic work; she is the recipient of The Actors Fund Medal of Honor, The Drama League Special Contribution to the Theater Award, The Paul Newman Award from Arts Horizons and The Theater Museum Distinguished Service Award. Comley's educational honors include The Distinguished Alumni Award from Emerson College and The Distinguished Alumni Award from the University of Massachusetts and the business honor society Beta Gamma Sigma. The Music Theatre Program at Boston University is named in her honor, The Musical Theatre Society Room at Emerson College bears her name, the 500-seat theater at the University of Massachusetts Lowell is known as the Comley-Lane Theatre, and The Stewart F. Lane and Bonnie Comley Stage is housed within the Booth Arts Complex in Boston. Comley has been a keynote speaker or panelist at BroadwayCon, C2E2 (Chicago ComicCon), SXSW, Theatre Resources Unlimited (TRU) and City National Bank Women Entrepreneurs, and taught masterclasses or guest lectured at Columbia University, New York University, Emerson College, NYFA, Five Towns College and UMass, among others.

Bonnie Comley(bonniecomley.com)(LI:@bonniecomley) is a three-time Tony Award-winning producer. She has, also, won an Olivier Award and two Drama Desk Awards for her stage productions. She is a full member of The Broadway League and the Audience Engagement and Education Committee. Comley has produced over 40 films, winning five Telly Awards and one W3 Award. She is the founder and CEO of BroadwayHD, the world's premier online streaming platform delivering over 300 premium live productions to theatre fans globally. The theatre community has honored Comley for her philanthropic work; she is the recipient of The Actors Fund Medal of Honor, The Drama League Special Contribution to the Theater Award, The Paul Newman Award from Arts Horizons and The Theater Museum Distinguished Service Award. Comley's educational honors include The Distinguished Alumni Award from Emerson College and The Distinguished Alumni Award from the University of Massachusetts and the business honor society Beta Gamma Sigma. The Music Theatre Program at Boston University is named in her honor, The Musical Theatre Society Room at Emerson College bears her name, the 500-seat theater at the University of Massachusetts Lowell is known as the Comley-Lane Theatre, and The Stewart F. Lane and Bonnie Comley Stage is housed within the Booth Arts Complex in Boston. Comley has been a keynote speaker or panelist at BroadwayCon, C2E2 (Chicago ComicCon), SXSW, Theatre Resources Unlimited (TRU) and City National Bank Women Entrepreneurs, and taught masterclasses or guest lectured at Columbia University, New York University, Emerson College, NYFA, Five Towns College and UMass, among others.

“Karate Kid” Musical Announces Cast, Broadway League to Release Individual Show Grosses Again, Mo Rocca and James Lapine Discuss “Sunday” and Sondheim **We had some recording difficulties, so please forgive any audio issues during this episode!** “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre read more The post Today on Broadway: Monday, March 21, 2022 appeared first on BroadwayRadio.

Our guest this week—Naila McKenzie Ross—is spearheading change in the fight for diversity, equity, and inclusion. As Disney Theatrical Production's Director of Inclusion Strategy, Business Affairs & Legal Counsel, a board member of the Black Theatre Coalition and Broadway Advocacy Coalition, and an active member of the Equity, Diversity and Inclusion Committee of The Broadway League, she helps to support historically excluded and under-represented communities on Broadway and beyond. Join Naila as she takes us backstage with her important work on creating a better world. Learn more about about the worthy causes discussed in this episodes and how you can donate and/or help: Black Theatre Coalition Black Theatre United Broadway Advocacy Coalition Disney Theatrical Productions Ackerman Institute for the Family Connect with Naila: LinkedIn: @NailaMcKenzieRoss Connect with The Broadway Gives Back Podcast: Facebook: @broadwaygivesbackpodcast Instagram: @broadwaygivesbackpodcast Twitter: @broadwaygives Hosted & Executive Produced by Jan Svendsen and co-produced & edited by Jim Lochner. A proud member of the Broadway Podcast Network. Special thanks to Dori Berinstein, Alan Seales, and Kimberlee Garris from BPN; Julian Hills from The Bulldog Agency; and Eric Becker from Broderick Street Music. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're joined by theatre critic and What's Up Broadway co-host, Ayanna Prescod, listen in as Drew takes up most of the time with his week of events including a Broadway Sessions storytime & being mistaken for Savion Glover. Hot Topics include The Color Purple film cast and a few exclusives you'll want to hear. Also, don't miss the rundown of what's happening with The Broadway League as we sit down with the Director of Diversity, Equity, and Inclusion at The Broadway League, Gennean Scott. She ain't running so pull up! Hit your mark! It's that time! Go into the world of black theatre artists on this weekly podcast with a playwright, an actress, & a journalist as they explore and process life in NYC while pursuing their theatre dreams. Email: OffBook@BroadwayBlack.com Twitter: @OffBookPodcast | @BroadwayBlack IG: @BroadwayBlack | @OffBookPodcast Facebook: www.facebook.com/broadwayblack2.0 www.BroadwayBlack.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In the second part of our conversation with Toni, welcoming theatregoers back to Broadway, reframing the narrative that Broadway is for you, and so much more! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT TONI R. ISREAL Toni R. Isreal, is the CEO and Founder of REALEMN Productions LLC, Broadway's leading multicultural marketing and PR team, run by Black Women. ‘The Real Team's' current client list includes Broadway's leading shows including 8 Time Tony Award Winning HADESTOWN, JAGGED LITTLE PILL, Antoinette Chinonye Nwandu's "powerful and provocative," PASS OVER, 2021 FIRST Broadway show to open - MJ THE MUSICAL, CHICKEN & BISCUITS, and also, New York Theatre Workshop, Princeton's McCarter Theatre Center, New Brunswick's George Street Playhouse, and the North American HADESTOWN Tour 2021. In addition to being a proud member of New York Women in Film & Television, this co-founding member of The Industry Standard Group is also a consultant with New York's World-Famous Apollo Theater, where she has secured over a million dollars in sales. Previously, Isreal was the Managing Director of Walker International Communications Group (WICG) where she led a team providing all aspects of marketing consultation to arts organizations including audience development, media support, and socially & technology driven initiatives. A proud member of CTI – Commercial Theater Institute, Isreal was instrumental in multiple projects inclusive of, 2018 Tony Award Winning ONCE ON THIS ISLAND, Disney's ALADDIN and THE LION KING, A RAISIN IN THE SUN, A TRIP TO BOUNTIFUL, A STREETCAR NAMED DESIRE, BABY IT'S YOU and STICKFLY, Boston's BORN FOR THIS at ArtsEmerson Theatre and Off-Broadway's SMOKEY JOE'S CAFÉ, LITTLE ROCK, THROUGH THE NIGHT, ONE NIGHT, BOOTYCANDY, KING LIZ, WHORL, INVISIBLE THREAD, SMART PEOPLE, DOT, and AUTUMN. REALEMN Productions is actively prospecting producing and marketing opportunities for film, television, and/or theater. Proud to state my first of many Producing credit under ReAct; HADESTOWN North American Tour and in Oct 2021 (NEW) Fellow Member of the Broadway League. And as a sincere advocate for BIPOC, Isreal enjoys promoting arts and entertainment to multicultural communities and delivering engaging experiences that encourage audiences to secure their seats and tune in! www.RealemnProductions.com follow @realemnproductions and listen to Callbacks Podcast, that's powered by Realemn Productions. Connect with Toni! realemnproductions.com MENTIONED IN THIS EPISODE: Chicken & Biscuits on Instagram: instagram.com/chickenandbiscuitsbway Chicken & Biscuits on Facebook: facebook.com/chickenandbiscuitsbway Get Your Tickets: chickenandbiscuitsbway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first part of our conversation with Toni R. Isreal, BIPOC Marketing for Chicken & Biscuits, we chat Realemn Productions, finding an audience for the show, ways to dive into the world of the play through marketing and so much more! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT TONI R. ISREAL Toni R. Isreal, is the CEO and Founder of REALEMN Productions LLC, Broadway's leading multicultural marketing and PR team, run by Black Women. ‘The Real Team's' current client list includes Broadway's leading shows including 8 Time Tony Award Winning HADESTOWN, JAGGED LITTLE PILL, Antoinette Chinonye Nwandu's "powerful and provocative," PASS OVER, 2021 FIRST Broadway show to open - MJ THE MUSICAL, CHICKEN & BISCUITS, and also, New York Theatre Workshop, Princeton's McCarter Theatre Center, New Brunswick's George Street Playhouse, and the North American HADESTOWN Tour 2021. In addition to being a proud member of New York Women in Film & Television, this co-founding member of The Industry Standard Group is also a consultant with New York's World-Famous Apollo Theater, where she has secured over a million dollars in sales. Previously, Isreal was the Managing Director of Walker International Communications Group (WICG) where she led a team providing all aspects of marketing consultation to arts organizations including audience development, media support, and socially & technology driven initiatives. A proud member of CTI – Commercial Theater Institute, Isreal was instrumental in multiple projects inclusive of, 2018 Tony Award Winning ONCE ON THIS ISLAND, Disney's ALADDIN and THE LION KING, A RAISIN IN THE SUN, A TRIP TO BOUNTIFUL, A STREETCAR NAMED DESIRE, BABY IT'S YOU and STICKFLY, Boston's BORN FOR THIS at ArtsEmerson Theatre and Off-Broadway's SMOKEY JOE'S CAFÉ, LITTLE ROCK, THROUGH THE NIGHT, ONE NIGHT, BOOTYCANDY, KING LIZ, WHORL, INVISIBLE THREAD, SMART PEOPLE, DOT, and AUTUMN. REALEMN Productions is actively prospecting producing and marketing opportunities for film, television, and/or theater. Proud to state my first of many Producing credit under ReAct; HADESTOWN North American Tour and in Oct 2021 (NEW) Fellow Member of the Broadway League. And as a sincere advocate for BIPOC, Isreal enjoys promoting arts and entertainment to multicultural communities and delivering engaging experiences that encourage audiences to secure their seats and tune in! www.RealemnProductions.com follow @realemnproductions and listen to Callbacks Podcast, that's powered by Realemn Productions. Connect with Toni! realemnproductions.com MENTIONED IN THIS EPISODE: Chicken & Biscuits on Instagram: instagram.com/chickenandbiscuitsbway Chicken & Biscuits on Facebook: facebook.com/chickenandbiscuitsbway Get Your Tickets: chickenandbiscuitsbway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices