Podcasts about Martha Marcy May Marlene

Today on What's My Frame I'm joined by Casting Director, Susan Shopmaker. For over two decades, Susan has been a recognized name in the world of independent film for her work as a casting director on numerous award-winning films. From large ensembles to small-scale intimate dramas. Susan's ability to perfectly match an actor and role has been showcased in Martha Marcy May Marlene, Beach Rats, The Holdovers, Life Itself & The Iron Claw. In 2018 Susan won the Artios Award for Eliza Hittman's Beach Rats and previously won an Artios for Sean Durkin's acclaimed Sundance drama Martha Marcy May Marlene. Susan Shopmaker CastingFollow Susan on IGSusan's additional credits include: Paul Schrader's First Reformed, The Card Counter and worked on his latest,  The Master Gardener. Susan also cast John Cameron Mitchell's cult classic Hedwig and the Angry Inch, John Slattery's God's Pocket & Maggie Moore(s), Michel Franco's Chronic (Cannes 2015 Award Winner & 2017 Spirit Award Nominee), Franco's Sundown (2021), and The Nest for Sean Durkin.What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Julia Garner has amassed an incredibly varied filmography over the years. Her first feature credit was the Sundance darling Martha Marcy May Marlene, she won three Emmys for playing Ruth Langmore in Netflix's hit crime drama Ozark, and she's about to make her franchise debut in one of the most anticipated films of the year, The Fantastic Four: First Steps. However, there's one particular genre she keeps coming back to, and given it's a personal favorite genre, I'm thrilled about it. Garner is delivering a steady stream of horror movies.Her latest in that department is Leigh Whannell's Wolf Man, a new spin on the 1941 classic. In this version, Christopher Abbott and Garner play Blake and Charlotte, a husband and wife struggling with their relationship. When Blake receives a death certificate for his estranged father and the keys to his childhood home, he thinks that could be just the getaway they need to get things back on track. Along with their young daughter, Ginger (Matilda Firth), they head out to the remote house in the mountains of Oregon. However, just before arriving, they're attacked and Blake suffers a scratch that kicks off a horrific transformation. With Wolf Man now playing in theaters nationwide, Garner joined me for a Collider Ladies Night conversation to revisit her journey in film and television thus far, with an extra special emphasis on her experience working in the horror genre. Hosted on Acast. See acast.com/privacy for more information.

Maria Dizzia was last seen in the Broadway Revival of Macbeth and starred in the national tour of Heidi Schreck's acclaimed play What the Constitution Means to Me. Other Theatre: If I Forget, The Layover, Belleville (2013 Drama Desk Nomination), Uncle Vanya, In the Next Room (2010 Tony Award nomination); Eurydice and many more. She made her directorial debut with the Amios Theater Company production of The Loneliest Number (2018 NY Innovative Theater nomination) and most recently directed Marin Ireland's Pre-Existing Condition at the Connelly Theater. In 2019 she starred in the Academy Award winning short The Neighbors' Window directed by Marshall Curry for which she also earned the Best Actress Award at the Short Shorts Festival. Maria portrayed Polly on three seasons of Orange is the New Black and had recurring roles on The Staircase, The First Lady, The Undoing, 13 Reasons Why, Horace and Pete, Louie, Emergence, Red Oaks and Royal Pains. Other select television and film credits include: The Good Nurse, Christine, Life and Beth, The Outside Story, The Deuce, The Newsroom, Prodigal Son, While We're Young, Martha Marcy May Marlene, Margin Call, The Good Wife, Master of None, Elementary, Fringe, Law & Order and Law & Order Criminal Intent. She can currently be seen in Paramount+'s series School Spirits, the independent films My Old Ass & Christmas Eve in Miller's Point as well as recurring on Agatha: Coven of Chaos and Before with Billy Crystal and Judith Light. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Eu costumava ser um irmão” Iron Claw (2023), ou Garra de Ferro, é um filme biográfico esportivo, que conta a história da família Von Erich, uma lendária dinastia de lutadores de wrestling profissional, conhecida tanto por suas conquistas no ringue quanto pelas tragédias que assolaram a família ao longo dos anos. Foi escrito e dirigido por Sean Durkin. Ele é conhecido por seu trabalho em filmes como Martha Marcy May Marlene (2011) e O Refúgio (2020), ambos aclamados por sua direção sensível e sua habilidade em explorar temas complexos de trauma e dinâmicas familiares. Nesse episódio do Enquadrando, estamos com a bancada oficial, que conta com a presença de Fabio Rangel (@fabiomrangel), Rodrigo Carvalho (@_rodcarvalho), Daniel Cavalcanti (@daniaoc) e Caio Gaudio (@caiogaudi0.bsky.social). Você encontra na discussão: Hipermasculinidade; O Encontro no pós-vida; Catarse; Violência Psicológica ___

In dieser Folge beschäftigen wir uns mit dem Thema Sekten. Was ist das eigentlich, wie kommt mensch auf die Idee, sich sowas anzuschließen und wenn man einmal drin ist, wie schlimm kann das werden? Barbie spricht über den "Sexguru" Osho aka Bhagwan, Tatjana über die Colonia Dignidad und Paul erzählt am Beispiel von "Martha Marcy May Marlene" davon, was das mit den Opfern machen kann. Unsere Folgen werden anscheinend immer länger, aber wahrscheinlich passiert das, weil wir wirklich viel Spaß dabei haben momentan. Euch wünschen wir mindestens spviel paß beim Zuhören. Shownotes Unseren Merch findet ihr hier:  https://barbiebreakout.shop/collections/2old2dieyoung-shirts-und-hoodies Emails schickt ihr bitte an: 2old2dieyoungpodcast@gmail.com Barbies Hörbuch ungekürzt auf Spotify: https://open.spotify.com/intl-de/artist/6aQRnR3sUbWwEYQai99b5e Unsere Instagram-Accounts: 2old2dieYoung: https://www.instagram.com/2old2dieyoungpodcast/ Tatjana: https://www.instagram.com/cumdumpderherzen_ehrenhalber/ Paul: https://www.instagram.com/elisaseleventh/ Barbie: https://www.instagram.com/barbiebreakout/ Tatjanas TikTok: https://www.tiktok.com/@tatjana.berlin8?is_from_webapp=1&sender_device=pc Barbies Hörbuch "Tragisch, aber geil 2.0": https://open.spotify.com/intl-de/album/0U6oN2Fyc8k4UinRcoyglv Konstantin Wecker „Kleines Herbstlied“: https://www.youtube.com/watch?v=836WI81DRyM Uriella von „Fiat Lux“: https://www.youtube.com/watch?v=V-YhER27u20 „Escaping Twin Flames“: https://www.youtube.com/watch?v=VePkIq4_q2k „Dancing for the Devil“: https://www.youtube.com/watch?v=-CCG5RXbtwc „Wild, wild Country“: https://www.youtube.com/watch?v=hBLS_OM6Puk „Child of the Commune“: https://www.youtube.com/watch?v=VgTp_Tz7xHA „Children of the Cult“: https://www.youtube.com/watch?v=NrQmY7Y0-UE „Searching for Sheela“: https://www.youtube.com/watch?v=9LGrzIRR6Hc „Ashram in Poona“: https://vimeo.com/417009669 Das Jonestown Massaker: https://de.wikipedia.org/wiki/Jonestown-Massaker Die Colonia Dignidad: https://de.wikipedia.org/wiki/Colonia_Dignidad „Colonia Dignidad: eine deutsche Sekte in Chile“ Serie Ausschnitt: https://www.youtube.com/watch?v=UpP6IGXXWLc „Martha, Marcy, May, Marlene“ Trailer: https://www.youtube.com/watch?v=ERREgOobLOs

Take a seat at the dining room table and gaze through that planchette. We're attempting to connect with the spirit world in Mike Flanagan's 2016 prequel-to-beat-all-prequels OUIJA: ORIGIN OF EVIL, featuring Elizabeth Reaser, Lulu Wilson, Annalise Basso, and Henry Thomas. Joining us to battle Demons from the Great Beyond is the amazing Louisa Krause, she of Starz's "The Girlfriend Experience" Season 2 and the films The Dive, Maggie Moore(s), Ava's Possessions, Martha Marcy May Marlene, and many more. And this week, we introduce a new segment, "Campus Radio," with a special appearance by Jocelin Donahue, one of the stars of the new film The Last Stop in Yuma County (17:14). Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-34:44Honor Roll and Detention (spoiler-heavy): 34:45-1:01:10Superlatives (spoiler-heavier): 1:01:11-1:22:04 Director Mike FlanaganScreenplay Mike Flanagan & Jeff Howard, based on characters created by Stiles White & Juliet SnowdenFeaturing Annalise Basso, Doug Jones, Parker Mack, Elizabeth Reaser, Kate Siegel, Henry Thomas, Lulu Wilson Louisa Krause appears in the independent features The Dive (in which she stars alongside Sophie Lowe) and Maggie Moore(s) (opposite John Hamm and Tina Fey).  On television, she was one of the leads of the Starz series “The Girlfriend Experience,” and had memorable recurring roles on Showtime's “Ray Donovan” and “Billions.”  Her extensive list of film credits includes Todd Haynes's Dark Waters opposite Mark Ruffalo and Anne Hathaway; Billy Crystal's comedy feature Here Today; the A24 feature Skin opposite Jamie Bell and Danielle Macdonald; Young Adult; Martha Marcy May Marlene; The Phenom; Ava's Possessions; King Kelly (Best Actress, PiFan Film Festival); Jane Wants a Boyfriend (Best Actress, Napa Film Festival); and Bluebird (Best Actress, Karlovy Vary Film Festival).  On stage, Louisa starred in Annie Baker's Pulitzer Prize-winning The Flick, directed by Sam Gold. Jocelin Donahue is an American actress known for her breakout role in Ti West's critically-acclaimed The House of the Devil, turning in what IndieWire called “one of the all-time great final girl performances.” In the years since, Donahue has appeared in many popular studio, independent, and genre films. Her lead performances in The Frontier, Offseason, and Summer Camp are roundly praised by critics and audiences alike. Donahue has worked with preeminent directors like James Wan on Insidious: Chapter 2 and Terrence Malick in Knight of Cups, playing opposite Christian Bale and Antonio Banderas. In 2019, Jocelin appeared in Warner Bros' Doctor Sleep, directed by Mike Flanagan. Her TV credits include a memorable role as a rookie FBI agent and partner to Martin Freeman on the crime series “StartUp” and guest starring roles on episodes of “Lethal Weapon,” “The Rookie: Feds,” “The Affair,” and “CSI,” among others. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Ouija: Origin of Evil by The Newton Brothers. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

It's our 500th episode, and actor Sara Canning – who's got two films opening in Toronto this month, The Burning Season this Friday, May 10th, and Sweetland on May 17th – is here to plumb the psychological depths of Sean Durkin's Martha Marcy May Marlene, the film that showed us all what Elizabeth Olsen could do, and left us on the edges of our seats. Your genial host Norm Wilner still hasn't recovered, honestly.

We escaped a cult to pod about Martha Marcy May Marlene as Tyler Harford is back! Together we touch on the career of Sean Durkin, the films Oscar buzz, career of Sarah Paulson and Durkin's haunting writting --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Today we're talking to Andrew Corkin. Andrew is a producer who's body of work includes Martha Marcy May Marlene, the American remake of We Are What We Are, The Beach House (now streaming on Shudder) Alone With You, the feature debut of Emily Bennett and Justin Brooks, the Netfliux docuseries, Pepsi Where's my Jet, and many more titles. In addition to producing, Andrew is also a teacher who has taught at Emerson and The American Film Institute and goes out of his way to teach career lessons that are not typically taught in film school as evidenced by this conversation.Andrew delivers some of the most honest and thorough insights into what it means to be a producer that I think I've ever heard on this show. This is years worth of film school in a single hours so get ready to take notes. In this conversation Andrew and I discuss the keys to sustaining a long and successful career in film, the importance of mentorship and his experience within the horror genre. Here are some key takeaways from this conversation with Andrew Corkin.Heed the 80/20 Principle: Andrew pays a lot of mind to which directors he decides to work with, noting that it's a 3-5 year partnership and therefore a serious commitment. The balance he seeks in a director he's working with is someone with a strong vision but open to feedback. The ideal director has 80% of their vision realized and thought out, but remains open to 20% influence from collaborators. A director with too strong a vision is as difficult to work with as one whose vision isn't fleshed out enough. It's crucial to demonstrate a thorough vision while maintaining some fluidity to enable powerful collaborations.Show Don't Tell: When pitching Martha Marcy May Marlene with Director Sean Durkin, raising money was a challenge since at the time, Sean was a first time feature director. Andrew and Sean responded by creating a short proof of concept, showcasing the vision, tone, and nuance of the film they wanted to make. This approach was successful, helping them raise the funds not just by communicating the vision, but by demonstrating Sean's ability to deliver it as a director. A verbally articulated vision can only take you so far; producers need to see what you're capable of actually making if they're going to invest in you.Lean into mentorship. A common theme throughout Andrew's career has been mentorship and education. He not only seeks to learn from collaborators but will even choose specific collaborators to learn from. This learner's mindset can be rare in the film business which is rife with egos, but Andrew credits this mentality of continuous learning to his success and career sustainability and even after over a decade in the industry, he still constantly strives to learn more.SHOW NOTESMovies Mentioned: The Kid Stays in the Picture (Documentary about Robert Evans)Afterschool - Antonio CamposSimon Killer - Antonio CamposMartha Marcy May Marlene - Sean DurkinWe Are What We Are (Mexican Original) - Jorge Michel GrauWe Are What We Are (American Remake) - Jim MickleLet the Right One In (Swedish Original) - Tomas AlfredsonThe Babadook - Jennifer KentVigilante - Sarah Dagger-NixonClean Shaven - Lodge KerriganLe Samourai - Jean-Pierre MelvilleFollow Andrew Corkin at:Instagram: https://www.instagram.com/andrewdcorkin/X: https://twitter.com/andrewdcorkin?lang=enIMDB:

Welcome to the Instant Trivia podcast episode 1089, where we ask the best trivia on the Internet. Round 1. Category: O, How Entertaining. With O in quotation marks 1: Called the "most influential work in the American musical theatre", it opens with "Oh, What A Beautiful Mornin"'. Oklahoma!. 2: In 2011 Elizabeth, kid sister in this celebrated family, gave a breakout performance in "Martha Marcy May Marlene". the Olsen family. 3: This actor's familiar TV face can now be seen on "Modern Family". (Ed) O'Neill. 4: This film about guy and girl musicians making a connection in Dublin has become a stage musical. Once. 5: Young Walt Disney felt constricted by live-action film, and created this lucky rabbit, his first major animated character. Oswald. Round 2. Category: Tv Moms And Dads 1: In 2010 Entertainment Weekly named this dad the greatest character of the last 20 years--D'oh!. Homer Simpson. 2: This dad had a rather large extended family but only 2 kids, Meadow and A.J.. Tony Soprano. 3: Minnie Driver plays Fiona, mom to young Marcus on this series based on a novel and movie. About a Boy. 4: On Showtime this Oscar winner plays Ray Donovan's charismatic ex-con father, Mickey. Jon Voight. 5: In the '80s Vicki Lawrence was the matriarch on "Mama's Family", based on a skit from this variety show. The Carol Burnett Show. Round 3. Category: Negative Thoughts 1: 9-letter optimist opposite. pessimist. 2: To void or close out, like a network does to a failing TV show. cancel. 3: John Donne tells Death this because "One short sleep past, we wake eternally". be not proud. 4: This presidential option is Latin for "I forbid". veto. 5: The phrase "Ask no" this "and give none" refers to mercy, not a coin. quarter. Round 4. Category: College Vocabulary 1: Russet and tan are shades of this Ivy Leaguer. Brown. 2: A botanist might call this Houston school Oryza sativa. Rice. 3: In Britain this Southern school would have a peerage and rank just below prince. Duke. 4: In Wisconsin, it's a yellow cheese; in Maine, it's a 2,000-student college. Colby. 5: A Portland liberal arts college, or part of an oboe's mouthpiece. a reed. Round 5. Category: Y Is The Only Vowel 1: It's a place to find dumbbells. a gym. 2: Until the 1500s these songs were mostly sung in Latin--everybody! "Sancti, venite". hymns. 3: It's another word for a pigpen. sty. 4: A traditional story in a culture. a myth. 5: It replaces "your" in the Lord's Prayer. thy. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Change your name and call your sister because Gena, Jenn and Joe are discussing Sean Durkin's feature directorial debut, Martha Marcy May Marlene (2011). C/W: rape.We're talking real life cult comparisons, the "before they were famous" cast, the transitions in time, and how the film is surprisingly less sensational and more reserved than we would have expected. But oof, is this heavy!Wanna connect with the show?> Gena: @genadoesthings> Jenn: @jennferatu> Joe: @bstolemyremoteIf you like the podcast, please rate, review, and subscribe! Hosted on Acast. See acast.com/privacy for more information.

James Beard Wrestling Promoter & Von Erich Family Friend The true story of the inseparable Von Erich brothers, who make history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports. ean Durkin's first two features, “Martha Marcy May Marlene” and “The Nest,” have a manner that I'd describe as apologetic realism: there's something he's bursting to say, but he forces it into the confines of tightly crafted dramas. Those films have a tamped-down melancholy that hint at how much he's holding in check. He doesn't lay his voice on the line, but, by forcing his characters into frameworks with a too-clear point, he never seems to explore their lives fully, either. His third feature, “The Iron Claw” (which opens December 22nd), is different. In this group bio-pic of the Von Erich family of professional wrestlers, Durkin's brand of realism is even more rigorous, yet unapologetic. He still has plenty to say, but this time his characters do more than fit his ideas—they inspire his imagination, largely because they themselves are creators of fantasy. As presented by Durkin, the patriarch, Fritz Von Erich (Holt McCallany), has a chip on his shoulder the size of a sequoia, and he matches it with colossal dreams of vengeful success that overwhelm everyone in his life. The story starts in the nineteen-sixties, when Fritz, a struggling wrestler, splurges on a Cadillac to foster an illusion of success, while imbuing his two young sons, Kevin and David, with a gospel of fanatical self-reliance that's also an imperative to be the “toughest” and the “strongest.” The movie's protagonist, and its occasional narrator, is the grownup Kevin (Zac Efron, imposingly muscled), the family's oldest surviving son. Kevin's older brother, Jack, Jr., died in an accident at the age of six. Jack's death is one of the key reversals that shadows the family, leading to the pervasive, publicity-fuelled notion—one that the Von Erichs take grimly seriously—of a family curse. The heart of the drama begins in 1979, when Kevin is making a name for himself in the ring—namely, the Sportatorium, a small Dallas arena that Fritz owns and operates. “We loved wrestling,” Kevin reminisces in voice-over, and it shows, even as the rest of the movie depicts how that love was lost, along with many of the people he loved.   “The Iron Claw” is as exuberant as it is mournful, and the high spirits of performance and achievement are inseparable from the price that they exact. Kevin is disciplined, focussed, and grounded; he's a vigorous and enthusiastic performer, leaping from the ropes, raging, slamming, punching, and putting on a show with the maneuver—the skull-squeezing Iron Claw—that made his father famous. But for Fritz it isn't enough that Kevin is locally successful; Fritz, who believes that he was wrongly denied the sport's heavyweight championship, lives for the day that one of his four sons—and, indeed, preferably all of them, in succession—will win that belt. (In real life, there were five at the time; Durkin cuts one, Chris, the youngest, out of the story.) But what does it mean for a pro wrestler to win? The movie makes the matter apparent, by way of a bit of dialogue that's dropped into the movie sweetly and aptly—in the sequence in which Kevin connects with Pam (Lily James), a determined and self-aware young autograph seeker with an ulterior motive. The scene of their meeting is one of the most charmingly written and performed romantic encounters of the year in movies (up there with the elevator encounter in “Pinball: The Man Who Saved the Game,” which started the year in romance), and the date that follows is similarly witty, wry, and tender.

We who loved his debut Martha Marcy May Marlene (see previous episode!) waited eagerly for director Sean Durkin's follow-up feature while he worked in television and produced other films. That sophomore feature came almost a decade later with The Nest. Starring Carrie Coon and Jude Law, the film follows a married couple who move to England to follow … Continue reading "266 – The Nest"

We wrap up our first season — a full year of shows — in true season finale fashion: with a super-sized clip show, featuring some of our favorite segments from the past year, including our own Top 5 (of the best movies we watched for the first time for the show). Plus, a very good origin story, background on some of our most cherished episodes, and more!The headlines segment is from Episode 11: 1975 with Sean Burns, which you can listen to here. Tracks is from Episode 6: 1976 with Noah Segan, which you can listen to here. Martha Marcy May Marlene is from Episode 27: 2011 with Kristen Meinzer, which you can listen to here. MMMM is available for digital rental or purchase.Babo 73 is from Episode 15: 1964 with Frank Conniff, which you can listen to here. Babo 73 is currently streaming on the Criterion Channel. Stalker is from Episode 14: 1979 with Bradford Young, which you can listen to here. Stalker is currently streaming on HBO Max and the Criterion Channel. And Sunrise is from Episode 3: 1927 with Dana Stevens, which you can listen to here. Sunrise is currently streaming on Tubi, Hoopla, the Roku Channel, and Classix. The awards and box office segment is from Episode 30: 1972 with Judy Becker, which you can listen to here; the lightning round is from Episode 23: 1993 with Karina Longworth, which you can listen to here. Thank you so much for supporting us over the course of this first season! Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

Casey and Jack are back to talk about the new Wes Anderson movie Asteroid City, Season 2 of The Bear, IMC (Martha Marcy May Marlene + Never Rarely Sometimes Always), and rename movies with the added aspect of guessing the renamed title. Martha Marcy May Marlene- 10:07 Never Rarely Sometimes Always- 20:44 Renaming movie titles- 28:06 Follow/Subscribe Instagram-  @dionfamilynetwork, @jack.dion, @caseysdion, @megdionart Ask a question/comment: popinions.mailbag@gmail.com https://jack-dion99.blogspot.com https://www.etsy.com/ca/shop/megdionart https://www.youtube.com/channel/UCmcJq3QquE0dd5agmz9e74g

Analisamos a minissérie do Amazon Prime Video estrelada por Rachel Weisz e baseada no filme "Gêmeos: Mórbida Semelhança" (1988), de David Cronenberg, e no livro de Bari Wood e Jack Geasland. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Nesta edição do podcast cinematório café, nós analisamos "Gêmeas: Mórbida Semelhança" (Dead Ringers, 2023), minissérie do Amazon Prime Video estrelada por Rachel Weisz e baseada no filme "Gêmeos: Mórbida Semelhança" (1988), dirigido por David Cronenberg, e no livro "Twins", de Bari Wood e Jack Geasland (que, por sua vez, se inspiraram nas vidas dos irmãos ginecologistas Stewart e Cyril Marcus). Diferente do filme, em que os protagonistas são homens e interpretados por Jeremy Irons, a produção da Amazon Studios traz Rachel Weisz nos papéis principais. A atriz vive as irmãs Beverly e Elliot Mantle, gêmeas idênticas e médicas obstetras cuja missão é revolucionar a forma como as mulheres dão à luz. A minissérie foi desenvolvida por Alice Birch (roteirista dos filmes "Lady Macbeth" e "O Milagre" e das séries "Succession" e "Normal People"). A direção dos seis episódios ficou a cargo de Sean Durkin (dos filmes "O Refúgio" e "Martha Marcy May Marlene"), Karyn Kusama (filmes "O Convite" e "O Peso do Passado"), Lauren Wolkstein (séries "Queen Sugar", "Não Provoque" e "Manto e Adaga") e Karena Evans (séries "Gossip Girl" e "Y: O Último Homem"). No podcast, nós discutimos os temas que foram atualizados pela minissérie e analisamos as diferenças que justificam a necessidade de fazer um remake do filme de 1988. Quem se senta à mesa conosco neste episódio é Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG.   O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br. A sua mensagem pode ser lida no podcast!

Howdy Doo! This is another exciting episode coming at you. Rod, Ben, and Zach discuss the latest in movies, shows, and news. Then, we dive into the career of Elizabeth Olsen, discussing nine of her biggest projects. From "Martha Marcy May Marlene" to her time in the MCU, we talk about the highs and lows and surprises. Do please enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/infinity-bros/support

Well, WoHos,We're talking cults...again*. We looked at THE STEPFORD WIVES (1975) and KILL LIST.STEPFORD WIVES (1975) Brief plot summary froom IMDb: Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.KILL LIST Brief plot summary from IMDb: *If you'd like to hear more cult talk, please check out   Ep. 26 (THE WICKER MAN), Ep. 27 (MIDSOMMAR & MARTHA MARCY MAY MARLENE), Ep. 29 (ROSEMARY'S BABY & THE INVITATION), Ep. 41 (SUSPIRIA), Ep. 67 (ROSEMARY'S BABY--AGAIN), Ep. 88 (SNOWTOWN & SACRAMENT) Interstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Poddington BearEric Steuer

Please enjoy this classic episode as Brian and Shelly discuss the films of John Hawkes including Martha Marcy May Marlene, The Sessions and Winter's Bone.

MARTHA MARCY MAY MARLENE (2011) y FAULTS (2014), dos películas independientes de drama que retratan a su manera el durante y después de pertenecer a una secta o culto. Disponible también en YouTube: https://youtu.be/Ec9mbbFHNYU SÍGUENOS EN REDES SOCIALES: Instagram: https://instagram.com/duelodefilmotecas TikTok: https://tiktok.com/@duelodefilmotecas Facebook: https://facebook.com/duelodefilmotecas Twitter: https://twitter.com/duelofilmotecas

Oliver experimented with sending six S&S tales to a younger, contemporary fantasy fan, then got her reactions, and discussed promoting sword & sorcery to younger, more diverse audiences. Among other things, we discuss the work of Robin Hobb, the dilution of the term "sword & sorcery" and other branding issues, living in a character's head, struggling to connect with Tower of the Elephant, reading trope-setting classics as a contemporary reader, connecting more with emotion-driven sword & sorcery, backfiring magic, quick-moving plots and pacing, how Sof felt S&S has a unified feel and how it differs from the broad trends of contemporary fantasy, Brian Murphy's definition of sword & sorcery, short stories as a break from the 500+ page installations of trilogies or longer, the evolution of Sof's own writing, how DO we recommend S&S to people who don't read it - young and old, why telling someone something is short isn't actually a great selling point, how S&S's outsider protagonist tradition primes it for more diversity in its protagonists and appealing to people outside the classic white cishet male demographic, best online platforms for reading younger audiences and the challenge of self-reinforcing popularity, the importance of making books look pretty on social media, the strong art tradition of sword & sorcery, the "convincing you to read based on aesthetic" TikTok format, author newsletters, the fallacy of expecting self-published authors to do everything a publishing house can do, changing trends in fantasy cover art, this thing called "Google", Sof's own novel she's working on, Elizabeth Olsen's early film "Martha Marcy May Marlene", and more! Sof's Bookstagram! The six stories I assigned Sof to read for our discussion. You don't have to read them, but maybe you'll want to? 1) Tower of the Elephant by Robert E. Howard (Free!) 2) Black God's Kiss by C.L. Moore (Free!) 3) Mzee by Charles Saunders (Flick through to page 60) 4) Return of the Sorceress by Silvia Moreno-Garcia 5) The Second Death of Hanuvar by Howard Andrew Jones (Featured in Tales from the Magician's Skull issue #3) 6) The Gate of Mist by Cora Buhlert (Absolute last story in this free magazine)   www.soimwritinganovel.com PATREON: www.patreon.com/soimwritinganovel BUY OLIVER'S BOOKS: https://www.oliverbrackenbury.com/store SO I'M WRITING A NOVEL... TWITTER: https://twitter.com/so_writing OLIVER'S TWITTER: https://twitter.com/obrackenbury Oliver's Link Tree (For everything else): https://linktr.ee/obrackenbury

One of the major stories out of 2011′s Sundance Film Festival was the arrival of Elizabeth Olsen, a new actress who just happened to be the younger sibling of the Olsen twins. In Sean Durkin's debut Martha Marcy May Marlene, Olsen stars as a young woman who escapes a cult and copes with her fractured … Continue reading "203 – Martha Marcy May Marlene"

The gang escapes their cults this week, as they review Martha Marcy May Marlene, starring Elizabeth Olson, directed by Sean Durkin. Following the weeks after a young and impressionable, Martha, as she tries to assimilate back into a regular life, after spending years at a small cult. Is this role a fitting entry into feature films for Elizabeth Olson? Is the movie worth the slow pace? Listen in and find out. http://www.MCFCpodcast.comEmail us at MCFCpodcast@gmail.com    Leave us a voicemail (209) 730-6010Joseph Navarro    Pete Abeytaand Tyler Noe    

Episode 160: Grizzle Putty The Gaylords kick off a week-month of Non-Horror Horror with Martha Marcy May Marlene (2011)! Stacie and Anthony shiver in suspense over the third Olsen twin, chin putty and wigs, cults, and the Klumpening before Stacie gerrymanders The Chopping Block. Find out more at https://gaylords-of-darkness.pinecast.co

Tonight's #IndieSpotlight is 2011's MARTHA MARCY MAY MARLENE starring Elizabeth Olsen, directed by Sean Durkin. Whether you've seen it or not, check out what the boys have to say. Originally aired on YouTube in October 2016.

In der ersten Episode des Jahres 2022 sprechen Lisa und Janosch über das langsam erzählte Drama „Martha Marcy May Marlene“, mit dem Elizabeth Olsen („WandaVision“) ihr Spielfilmdebüt gab. Welcher großer Punkt das positive Erlebnis des Films stark verwässert, erörtern die beiden in dieser Folge 13. „Martha Marcy May Marlene“ könnt ihr kostenlos im Abo von Disney+ streamen. Ihr habt Fragen, Anregungen, Lob, Kritik oder Filmvorschläge für uns? Dann schreibt uns gern an podcast@cinema.de

In the second of three parts, Finn & Uther continue their titanic and officially certified job of finding the best film of 2021.The 16 finalists: Another Round, Dune, Evangelion: 3.0+1.0.1 Thrice Upon a Time, The Father, The French Dispatch, The Green Knight, James & Isey, Judas & the Black Messiah, The Last Duel, The Matrix Resurrections, The Nest, No Sudden Move, Petite Maman, Pig, The Power of the Dog, and Summer of Soul.Awards this episode include: Best Editing, Best VFX/Animation, Best Debut, and Best Supporting Actor and Actress.Other films recommended: The Wizard of Oz, Martha Marcy May Marlene, Paddington, Paddington 2, Candyman, The Sparks Brothers, Shiva Baby, Promising Young Woman, Abigail's Party, The Other Side of the Wind, The Voyeurs, Pokémon: Detective Pikachu, Top of the Lake, Top of the Lake: China Girl, An Angel at My Table, Dr. Strange, Popstar: Never Stop Never Stopping, Zack Snyder's Justice League, The Suicide Squad, Gemini Man, Billy Lynn's Long Halftime Walk, Spider-Man: Into the Spider-Verse, Ruben Brandt Collector, Encanto, Luca, Earwig and the Witch, The Mitchells vs. The Machines, In the Heights, West Side Story, The Show, I Blame Society, Passing, Barb and Star Go to Vista Del Mar, Prisoners of the Ghostlands, Titane, Aquaman, Blackkklansman, Godzilla vs. Kong, Jungle Cruise, No Time to Die, Rose Plays Julie, Small Axe, The Favourite, Malignant, Minari, Cousins, Nomadland, Mission: Impossible - Ghost Protocol, Tick Tick... Boom!, Star Wars: The Last Jedi, Pulp Fiction, Ocean's 11-13, Out of Sight, Sex Lies and Videotape, The Informant, Bottle Rocket, and The Irishman. See acast.com/privacy for privacy and opt-out information.

This episode is also available as a blog post: https://allenwatcheseverything.wordpress.com/2012/02/27/martha-marcy-may-marlene-2011-45/ --- Send in a voice message: https://anchor.fm/al625/message

Hosted By: Thomas Adams and Nick Hoffman Theme Song By: Kyle King Twitter: @DecadePod Facebook: Back To The Decade Email us at backtothedecade@gmail.com We Made This on Twitter: @wemadethispod www.wemadethispod.com

Hosted By: Thomas Adams and Nick HoffmanTheme Song By: Kyle KingTwitter: @DecadePodFacebook: Back To The DecadeEmail us at backtothedecade@gmail.comWe Made This on Twitter: @wemadethispodwww.wemadethispod.com

In the wake of the release of Midnight Mass (which we do not discuss but you should definitely watch), Pete and Martha ask: why are we so interested in cults? We look at three pieces of media to break it down: The Jonestown Massacre: Paradise Lost (2007, dir. Tim Wolochatiuk), Martha Marcy May Marlene (2011, dir. Sean Durkin) and The Endless (2017, dir. Justin Benson and Aaron Moorehead)

9/23/2021 This week, our special guest Natalie joined us again to discuss Onibaba (Kaneto Shindo, 1964), Mirror (Andrei Tarkovsky, 1975), and Martha Marcy May Marlene (Sean Durkin, 2011). Are cults doors? Is Seth Landman running away from God? Stick around and find out! Intro Music: "Hale Makame," 1930, Unknown author / Public domain Outro Music: "Fool Me Some More," 1930, Gus Arnheim / Public domain --- Support this podcast: https://anchor.fm/whatsyourdungeon/support

For this Truth & Movies we're daring to say his name five times, and probably a few more, as we talk about Nia DaCosta's Jordan Peele produced reboot/sequel/resequel to 1992's Candyman. We're also flying into Sean Durkin's long-awaited second feature The Nest starring Jude Law and Carrie Coon and talking to its director too. And in our film club, we're going back to Durkin's first feature Martha Marcy May Marlene - and we're lucky enough to be joined by that film's star, and now one of Marvel's most superpowered superheroes, Elizabeth Olsen.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club. All brought to you by the people behind Little White Lies, the world's most beautiful film magazine.Email: truthandmovies@tcolondon.comTwitter: @LWLiesInstagram: @LWLiesProduced by Little Dot Studios See acast.com/privacy for privacy and opt-out information.

Succès de l'été 2019, Midsommar arrivait sur les écrans dans le sillage d'une vague de films qui marquaient le renouveau du thriller psychologique et politique. On pense à Martha Marcy May Marlene de Sean Durkin (2011), à Get Out de Jordan Peele (2017) mais aussi à Us du même réalisateur qui sortit en salles quelques mois à peine avant Midsommar  S'inspirant des films de folk horror des années 70, Ari Aster renouvellait le genre en y instillant une esthétique post-moderne teintée d'une bonne dose d'ironie. Retour sur un film conçu comme un jeu de piste dont les deux compères de Conversations Secrètes sont bien décidés à éviter les pièges.

It's the second week of Shelby's birthday month, which means yet another week of Women Driftin'. We're joined by friend of the pod (and friend of Family), Haley Oldham to discuss the underrated Martha Marcy May Marlene! How are people just NOW finding out about Elizabeth Olsen's acting capabilities? Why did Mary Kate and Ashley Olsen claim the name of their Elizabeth and James line was a coincidence? Which host of this podcast claims to be susceptible to joining cults? Speaking of cults, what is Shelby's current Sister Wives power ranking? What makes this particular cult movie so haunting? And WHY is the cast so stacked? PLUS we spend a cool 10 minutes discussing Christopher Abbott, and Haley attempts to guess the plot of The Lost Weekend for this week's What the Plot! The good, the cult, and the Martha Marcy May Marlene of it all on this week's episode! You can follow Haley on Twitter, Instagram, and Letterboxd!

MARTHA MARCY MAY MARLENE war 2011 nur der Anfang. Mit seinem herausragend fotografierten Psychogramm einer zerbröselnden Ehe beweist Regisseur und Autor Sean Durkin jetzt, dass er keine Eintagsfliege ist. THE NEST – ALLES ZU HABEN IST NIE GENUG gehört für Antje Wessels zweifellos zu den Filmhöhepunkten des Jahres 2021. Die Gründe dafür verrät sie in ihrer Kritik. THE NEST – ALLES ZU HABEN IST NIE GENUG startet am 8.7.2021 in den deutschen Kinos.

#130 In the Heights, The Reckoning, Martha Marcy May Marlene Musicals are reviewed on AMP quite rarely but a lack of titles gave us the opportunity to enjoy and talk about In the Heights; a film set in New York's Washington Heights as the colorful Latino residents deal with daily struggles and a blackout. And the future. The Reckoning proved to have interesting concepts of the supernatural during the Black Plague but fails at keeping up with a clear message. Martha Marcy May Marlene is a drama about a woman running away from a cult, trying to un-brainwash herself and dealing with the trauma she suffered with them. It's a low-hummed but great thriller.   Next Time: Fast 9, Cruella, Clockers   podmoviecast@gmail.com otherpodcast.com @podmoviecast   Oscar: @Armenfilmmaker Ralf: @GamerRalf Twitch: SiouxTrauma Luke: @SlothMasterLuke   Recent Discoveries Ralf: Prospect Oscar: Prospect, The Dig, Let's Scare Julia, The Father     Show Notes 00:00:00 INTRO 00:07:14 Recent Discoveries 00:22:24 In the Heights 00:41:33 spoilers 01:04:23 The Reckoning 01:13:41 spoilers 01:28:54 Martha Marcy May Marlene 02:04:51 EXIT

#129 The Conjuring: The Devil Made Me Do It, Army of the Dead, Bowfinger Double horror feature. We catch the third and unfortunately, lesser, installment of the Conjuring franchise. While an enjoyable witch-villain, it does hold a smaller candle to the previous two. Army of the Dead shows a stylish and evolving zombie-action flick that holds little in the writing but more in cool. Bowfinger is a great movie-making-movies comedy from the epic year 1999.    Next Time: Made In Heights, The Reckoning, Martha Marcy May Marlene   podmoviecast@gmail.com otherpodcast.com @podmoviecast   Oscar: @Armenfilmmaker Ralf: @GamerRalf  Twitch: SiouxTrauma Luke: @SlothMasterLuke   Recent Discoveries Ralf:  Oscar: Don't Listen, Things Heard & Seen     Show Notes 00:00:00 INTRO 00:13:52 Recent Discoveries 00:18:34 The Conjuring: The Devil Made Me Do It 00:34:23 spoilers 00:56:39 Army of the Dead 01:06:41 spoilers 01:35:44 Bowfinger 02:10:20 EXIT

"Los vengadores", "La maldición de Rookford", "Las nieves del Kilimanjaro", "The Pelayos" y "Martha Marcy May Marlene". 5 estrenos, 5 estilos.

"Los vengadores", "La maldición de Rookford", "Las nieves del Kilimanjaro", "The Pelayos" y "Martha Marcy May Marlene". 5 estrenos, 5 estilos.

Anthony Hopkins recently won an Academy Award for his performance in "The Father". Many people were surprised the little golden statue wasn't awarded to the late Chadwick Boseman for his performance in "Ma Rainey's Black Bottom". Hosts Alan & Chris give their opinions of Hopkins' performance and the overall film as well as discuss the independent comedy "Shiva Baby". Following the reviews comes the movie news segment with discussions of the upcoming Cannes Film Festival and a discussion of two recently released movie trailers. Closing out the show each host shares a recommendation for a film you should check out. In Alan's case he shares five...but ultimately does narrow it down to one.Recommendations from the hosts in this episode: "Martha Marcy May Marlene", "The Fisher King"Reviews included in this episode: "The Father", "Shiva Baby"

Hi, WoHos!Quinn and I discuss MIDSOMMAR  and MARTHA MARCY MAY MARLENE this week!We also touch on Heaven's Gate, NXiVM, Scientology and the movies THE OTHER LAMB, SOUND OF MY VOICE and HEREDITARY.Join us next week when Mac and I discuss the 1976 and 2006 versions of THE OMEN. We hope you listen and enjoy! Support the show (https://www.buymeacoffee.com/xafupi)

Hi, WoHos!This week we got a little pagan with it and reviewed the 1973 UK version of THE WICKER MAN and the 2006 American remake.We also looked at Mac and Mom's top five views from April and we learn why Mac did not go to grad school and why Mom really did (the answer may surprise you, but if you know Mom, actually, it may not).Mac finds Nic Cage's choices fascinating and has seen quite a few movies about cults.Mom is trying to find a way to fit the original into the God and Religion section of her Fall class.Join us next week when Quinn and I look at movies and mini documeries about cults and focusing on MIDSOMMAR and MARTHA MARCY MAY MARLENE!We love you! Don't go into the basement!!Twitter: Twitter.com/worldofhorror3IG: https://www.instagram.com/worldofhorrorpodcast/Buzzsprout: https://www.buzzsprout.com/1618444/episodesYT: https://www.youtube.com/channel/UC51Mlqq3i-R74pWYqjCSTJAGmail: worldofhorror96@gmail.comGoogle Voice: ‪(336) 944-6662‬ Support the show (https://www.buymeacoffee.com/xafupi)

We begin this week with a discussion on the first film in Steve McQueen's SMALL AXE series for Amazon, MANGROVE. Yes, you heard that right: Steve McQueen has FIVE NEW FILMS coming out from now until the end of the year. A small miracle in an otherwise abysmal 2020. The second new film of the week is Sean Durkin's long-awaited follow-up to his 2011 debut, MARTHA MARCY MAY MARLENE. This one features Jude Law and Carrie Coon up front. It's called THE NEST. We close out the show with the latest PICK SIX segment. This time we are counting down our choices for the SIX BEST LORNE MICHAELS-PRODUCED FILMS OF ALL-TIME, in honor of his 70th birthday. Cheers! --- Support this podcast: https://anchor.fm/the-film-harmonic/support

Join Alex, Russ, Peter and Tigs as they talk about Bug, Martha Marcy May Marlene, Take Shelter, Climax and more on this episode of the Movie Movie Podcast. Recorded April 29th 2020. The post Movie Movie Podcast #101: A Descent Into Madness appeared first on Movie Movie Podcast.

In episode eighty-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Joe Talbot's Park City sensation THE LAST BLACK MAN IN SAN FRANCISCO before discussing a few other recent films to win the Directing prize from the Sundance Film Festival: Eliza Hittman's BEACH RATS, Daniels' SWISS ARMY MAN, and Sean Durkin's MARTHA MARCY MAY MARLENE. Ben responds to Talbot and lead actor/collaborator Jimmie Fails' stylish evocation of Fails' personal narrative, Daniel hails Durkin's sense of parallelism, and Brandon mounts a vociferous argument for the destruction of a beloved Disneyland attraction. See acast.com/privacy for privacy and opt-out information.

Viggo Mortensen talks to Simon and Mark about playing Sigmund Freud in the new David Cronenberg movie A Dangerous Method, which also stars Keira Knightly and Michael Fassbender. Plus the Box Office Top 10 and Mark's reviews of the week's new releases including Carnage, Jack and Jill, Man On A Ledge and Martha Marcy May Marlene.

Sean Durkin talks about growing up in Hampstead Heath, what movies really scare him, and how he came up with one of the most tongue-twisting movie titles of the year...

Twins Michael and Mark Polish on releasing their latest movie, For Lovers Only on iTunes. Plus, the three friends who made the indie hit Martha Marcy May Marlene.

Dave and Alonso disagree about how scary surveillance-footage horror movies can be, but they're both fascinated to learn new things about the private lives of hyphenate Milla Jovovich and one-hit wonder Meryn Cadell.