Podcasts about live entertainment

Wie entsteht eigentlich die Musik hinter großen TV-Produktionen wie The Masked Singer oder X Factor? Welche Anforderungen gelten, wenn Songs unter enormem Zeitdruck produziert, arrangiert und an unterschiedlichste Stimmen angepasst werden müssen? Und wie schafft man es, dass Musik im Fernsehen trotzdem emotional, hochwertig und relevant klingt?In dieser Folge des Studiosofa Podcasts sprechen wir mit Philipp Rauenbusch über seinen außergewöhnlichen Weg vom Musiker und Gründungsmitglied von Reamonn hin zum Musikproduzenten und Musikredakteur für große TV-Formate.Philipp erzählt von seinen Anfängen als Bassist in Schulbands, seinem Musikstudium, den Jahren mit Reamonn und seiner Arbeit im Tonstudio, bevor er schließlich nach Köln zog und über erste Vertretungsjobs in die Welt der TV-Shows einstieg.Im Mittelpunkt stehen dabei Produktionen für Formate wie X Factor, All Together Now und vor allem The Masked Singer, wo Philipp seit der ersten Staffel die komplette musikalische Gestaltung verantwortet – von Songauswahl und Arrangements bis hin zu Playbacks, Produktionen und der musikalischen CI der Show.Außerdem geht es um den Spagat zwischen Kreativität und Massenproduktion, um musikalische Entscheidungen unter Sender-Vorgaben und um die Frage, wie moderne TV-Musikproduktionen heute technisch und organisatorisch funktionieren.Eine spannende Folge für alle, die sich für Musikproduktion, Arrangement, TV-Audio, Live-Entertainment und professionelle Produktions-Workflows interessieren.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Webinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareCoachings: soundandrecording-magazin.de⁠⁠⁠⁠⁠/coachingsWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

Il y a des albums qu'on croit connaître par cœur. Ceux qu'on a écoutés des centaines de fois, en voiture, dans le métro, un soir de pluie. Et puis un jour, on les entend vraiment, dans le noir, sur un système son qu'on n'aurait jamais pu se payer, entourés d'inconnus qui ressentent exactement la même chose. Et parfois même de l'artiste qui a crée ce disque... C'est là qu'on réalise qu'on n'avait encore rien entendu.C'est ce que fait Sonorium....Depuis quelques années, Sophie et sa co-fondatrice Mélanie transforment l'écoute d'un disque en expérience collective. Pas un concert. Pas une conférence. Quelque chose qui n'existait pas vraiment avant elles, et qui depuis a même fait pleurer Camille à la redécouverte de son propre album culte, "Le Fil".Ce que raconte Sophie dans cet épisode, c'est l'histoire d'une idée qu'on ne lâche pas. Un projet griffonné sur un bout de papier à HEC, nourri pendant des années en parallèle d'un vrai boulot, testé dans des salles improbables, jusqu'au Grand Palais, jusqu'à la Salle Pleyel et bientôt, peut-être, jusqu'à un flagship parisien, puis au reste du monde.C'est aussi une réflexion sur ce qu'on perd quand on écoute de la musique seul, distrait, en flux compressé. Et sur ce qu'on retrouve quand on se donne vraiment la peine d'écouter. Ensemble. Dans un moment fugace... Quand un album devient du live, on adore dans SOLD OUT, forcément....Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Join us as we head to the Sparkling City by the Sea – Corpus Christi, and chat with Krystal Gonzalez, Director of Sales at Richard M. Borchard Regional Fairgrounds (RMB Fairgrounds). We learn all about the fairgrounds, which is home to a conference center, two exhibit halls, arena pavilion, and equestrian arena which host a wide mix of social events, expos, rodeos, concerts, and dinner events. We learn about the city, Krystal tells us about her role, and we talk about how they leverage the versatility of all their venues to sell clients and market their spaces. We talk with her about her history in the industry and how all her experience working on different sides in different departments prepared her for her current role where she handles different tasks and collaborates with coworkers to make sure they are meeting their client's needs. Enjoy this fun, unique episode which includes some nerdy venue talk, great career advice, and interesting perspective. Krystal Gonzalez: LinkedIn RMB Fairgrounds: Facebook | Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Il y a des gens qui choisissent leur métier. Et puis il y a celles et ceux que leur métier finit par choisir...Annaïg a passé des années à s'engager, dans le sport, dans le bénévolat, dans des projets citoyens, sans jamais vraiment chercher à en faire son quotidien professionnel. Créer une crèche interentreprises pour 60 enfants, organiser des congrès nationaux, tenir des bureaux associatifs : tout ça, gratuitement, par conviction.Jusqu'au jour où quelqu'un lui a dit : "Je te verrais bien là-dedans." La Brest Arena, c'est 80 événements par an, 300 000 spectateurs, un club de handball féminin résident qui joue au plus haut niveau européen, et une ville de 150 000 habitants capable de remplir trois salles en même temps un soir de semaine. Pas le bout du monde. Le début de quelque chose.Ce que raconte Annaïg, c'est qu'on peut arriver dans un secteur sans en connaître les codes, et y trouver exactement ce qu'on cherchait sans le savoir. Un endroit où l'engagement a du sens. Où chaque soir, quand les portes s'ouvrent, on a encore la chair de poule.Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this episode we rate Epic Universe Wizardng World of Harry Potter - Ministry of Magic on 4 topics : Rides, Shows and Live Entertainment, Food and Drink and Ambience. Join us in The Producers Club Follow us: LINKTREE   

In this episode of Skip the Queue, Andy Povey is joined by Bala McAlinn, Managing Director Complete Works to discuss how visitor attractions can balance technology with authentic human interaction. Bala shares how storytelling, performance techniques and well-trained frontline teams can transform guest experiences, increase revenue and encourage repeat visits, while exploring why technology should support human connection rather than replace it.   Topics Discussed Balancing technology and human interaction in attractions Why storytelling improves guest experiences Using theatrical techniques in visitor attractions Training frontline teams to create memorable interactions How live experiences increase revenue and repeat visits The importance of authentic human connection Christmas and Halloween event production for attractions Creating immersive shows and seasonal experiences Why attractions should invest in people as well as technology The role of confidence and communication in guest engagement How attractions can improve experiences without major budgets Using staff feedback to improve visitor experiences The growing importance of experiential entertainment Networking and collaboration within the attractions industry Why events and live experiences encourage repeat visitation   Show references:    Bala McAlinn - Managing Director Complete Works www.complete-works.co.uk https://www.linkedin.com/company/completeworks/ https://www.linkedin.com/in/bala-mcalinn-05406683/   Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your guest host is Andy Povey. If you like what you hear, you can subscribe on Apple Podcasts, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Credits: Written by Emily Burrows (Plaster) Edited by Steve Folland Produced by Emily Burrows and Sami Entwistle (Plaster) Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here

On this episode we rate Epic Universe Super Nintendo World on 4 topics : Rides, Shows and Live Entertainment, Food and Drink and Ambience. Join us in The Producers Club Follow us: LINKTREE   

BONUS EPISODE – Warm up your taste buds and meet us in the Farm to Fork Capital because the 2026 Event & Venue Marketing Conference (EVMC) is just around the corner! This bonus episode is filled with everything you need to know as you pack and prepare for this year's conference in Sacramento, California. Hosts Paul and Dave are joined by a couple special guests which help craft this podcast KBYG — Kim Allen (EVMC President, Director of Arena Marketing at Golden 1 Center) and Brandon Darnell (Director of Marketing at Visit Sacramento). Hear about the agenda, evening events, awards, and top conference advice from each person. If you're visiting Sacramento for the first time, learn what makes the city special, some restaurant and dish recommendations, and key landmarks to visit on your trip. Whether this is your first time attending EVMC, you're a seasoned vet, or you've never been and are wondering what it's about – we've got you covered! Coming to the conference?

Il y a des lieux à Paris qui traversent le temps sans jamais devenir figés. Des lieux où l'on vient pour voir une pièce, boire un verre, découvrir un film… et où l'on finit surtout par revenir pour l'atmosphère qu'on y trouve.Le Lucernaire fait partie de ceux-là.Depuis plus de cinquante ans, ce lieu installé au cœur de Montparnasse mélange les disciplines, les publics et les générations. Théâtre, cinéma, librairie, restaurant : ici, tout cohabite. Et rien ne fonctionne vraiment comme ailleurs.Pour Maxence Gaillard, président du Lucernaire, faire vivre un endroit comme celui-ci demande bien plus qu'une programmation. Il faut penser plusieurs métiers à la fois, faire dialoguer des modèles économiques différents, trouver les bonnes personnes et accepter une part de risque permanente.Parce qu'au fond, produire un spectacle, c'est presque créer une entreprise à chaque fois.Ce que raconte Maxence, c'est aussi une certaine idée des lieux culturels : des endroits vivants, ouverts, où l'on peut encore prendre le temps de rester après la représentation, discuter, lire, dîner, croiser du monde.À l'heure où tout se digitalise, la moitié des billets du Lucernaire sont encore vendus au guichet. Comme un rappel que certains lieux continuent d'exister avant tout par les rencontres qu'ils provoquent...Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this episode we rate Epic Universe Isle of Berk on 4 topics : Rides, Shows and Live Entertainment, Food and Drink and Ambience. Join us in The Producers Club Follow us: LINKTREE   

Send us Fan MailHey everyone! This week, we're doing something a little different. Instead of our regular On The Porch episode, we're bringing you a full episode of our limited series, mastered. The Business of Music.mastered. pulls back the curtain on the music industry, with real conversations about labels, touring, booking, and what it actually takes to build a career as an artist. It's all about giving you practical, real-world advice from people working in the business every day.We're excited to share this episode with you, and don't worry. We'll be back with our regular On The Porch format next week. You can also head over to the mastered. feed to catch the rest of the series.Patrick Guay is a booker and promoter based in Montreal who works with Evenko, one of Canada's leading live entertainment companies. He's behind some of the biggest festivals in the country, including Lasso, Osheaga, and Ilesoniq, as well as roughly 1,600 shows a year across arenas and clubs throughout Quebec and Atlantic Canada.In this episode, Patrick and Jenna dig into what it actually takes to get booked on a major festival stage and why most artists aren't thinking about it the right way.They talk about how bookers evaluate artists, why ticket sales matter more than social media numbers, the importance of building your market from the ground up, and what a realistic path to a big stage actually looks like. Patrick also shares how he got his start in the industry, what he looks for when an artist pitches him, and why relationships and reputation go a long way in a music scene as small as Canada's.If you've ever wondered how to get on a festival lineup, or whether you're actually ready, this one is a must-listen.For more support with your music career, visit www.masteredbyfp.com.mastered. by Front Porch Music is a Front Porch Production, hosted by Logan Miller and Jenna Weishar. mastered. by Front Porch Music is produced by Logan Miller, Jenna Weishar, and Jason Saunders. The theme song for this podcast was written, produced, and performed by Keith Hundt.Support the show

Broadcasting live from ICD Brookfield Place, and exploring everything from Abu Dhabi’s growing arts scene and Dubai’s independent food community to a chef-turned-cookie entrepreneur, the return of the Distinguished Gentleman’s Ride, plus the family events helping inspire the city’s next generation of readers.See omnystudio.com/listener for privacy information.

On this episode we rate Epic Universe Dark Universe on 4 topics : Rides, Shows and Live Entertainment, Food and Drink and Ambience. Join us in The Producers Club Follow us: LINKTREE   

Ahoy Venuelanders! 

Texas Attorney General Ken Paxton has secured a verdict that Live Nation Entertainment Inc.and its wholly-owned subsidiary, Ticketmaster LLC (“Live Nation”) are liable for monopolizing multiple markets in the ticketing and live entertainment industry. In 2024, Paxton sued Live Nation alongside a multistate coalition. This action came after two major ticketing and entertainment companies, Ticketmaster and Live Nation, merged to form a conglomerate called Live Nation Entertainment, Inc. After the merger, the company consolidated control over ticket sales, venue management, and concert promotion, which created a vertically integrated powerhouse that it has described as the “largest live entertainment company in... Article Link

Texas Attorney General Ken Paxton has secured a verdict that Live Nation Entertainment Inc.and its wholly-owned subsidiary, Ticketmaster LLC (“Live Nation”) are liable for monopolizing multiple markets in the ticketing and live entertainment industry. In 2024, Paxton sued Live Nation alongside a multistate coalition. This action came after two major ticketing and entertainment companies, Ticketmaster and Live Nation, merged to form a conglomerate called Live Nation Entertainment, Inc. After the merger, the company consolidated control over ticket sales, venue management, and concert promotion, which created a vertically integrated powerhouse that it has described as the “largest live entertainment company in... Article Link

What happens when a Fantasyland theater stops feeling like a must-see and starts feeling like filler?This week, Stephen is joined by Jenny and Marissa as we take on one of the most iconic show spaces in the park and ask a bold question: what if Mickey's PhilharMagic evolves into something entirely new?We explore a reimagined experience built around the Muses from Hercules, reframing them not as supporting characters but as the storytellers of mythology itself. In this version, guests step into an immersive, live performance where the Muses summon and reshape the myth of heroes in real time, turning Hercules into a case study in how legends are created, remembered, and rewritten.Along the way, we break down the operational tradeoffs of replacing a high-capacity, push-button attraction with a live performer-driven spectacle, how the theater itself becomes part of the show, and why it is designed to feel like a one-night-only event happening every day.We also dig into modular storytelling through music, with each Muse interpreting “The Gospel Truth” in their own voice, the return of Hades as a disruptive force in the narrative, and how songs like “Zero to Hero” and “A Star Is Born” are recontextualized as myth-making moments rather than character arcs.Finally, we explore how this concept opens the door to a larger idea of myth-based storytelling across Disney's hero library, and what it means when Fantasyland stops being something you watch and becomes something you are part of.Don't forget to check us out on Instagram!

Il y a des endroits à Paris qui ne s'expliquent pas vraiment. On y entre, et on comprend...Le Supersonic est de ceux-là.Hadrien-Paul Ménard n'a pas suivi le chemin le plus direct. L'Allemagne d'abord, des études, une autre façon de voir les choses. Puis Paris, et l'envie de construire quelque chose de vivant, un bar, un restaurant, des endroits où les gens se retrouvent et où l'on revient.C'est peut-être ce détour-là qui a tout changé. Parce que le Supersonic qu'il dirige aujourd'hui, ce n'est pas juste une salle de concert. C'est un modèle pensé, assumé, avec sa propre logique : la nuit finance le jour, la discothèque finance les concerts. Sept soirs de concerts par semaine. Une scène ouverte à ceux qui débutent comme à ceux qui percent. Et derrière, une promesse tenue à chaque groupe accueilli — une scène propre, des loges, du backline, de la nourriture.Ce que raconte Hadrien, c'est qu'on peut faire les choses bien sans attendre que quelqu'un vous en donne les moyens. Que parier sur un groupe qui se lance, ce n'est pas de seulement de la passion ou un coup de main, c'est un choix artistique et ça peut équilibrer un modèle économique.Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On this episode we rate Epic Universe Celestial Park on 4 topics : Rides, Shows and Live Entertainment, Food and Drink and Ambience. Join us in The Producers Club Follow us: LINKTREE   

Andy Povey is joined by Andy Zimmerman, CEO of Journey, the global design and innovation agency behind some of the world's most innovative immersive experiences. Andy shares how Journey blends storytelling, technology, and multidisciplinary creativity to transform everything from theme parks and observation decks to healthcare and live entertainment. They discuss the shift from digital to real-world experiences, the importance of designing every touchpoint in the guest journey, and why the most memorable moments often happen before the main event even begins.   Topics Discussed How Journey creates world-class immersive experiences across multiple industries Why storytelling is the foundation of every successful project Designing experiences beyond entertainment, including healthcare and hospitality The transformation of the Empire State Building visitor experience Lessons from Disney's MagicBand and pre-arrival guest engagement The growing demand for real-life, technology-enabled experiences How Journey combines diverse creative disciplines under one roof The future of immersive experiences and opportunities with influencer-led attractions Why every part of the guest journey, including queues, matters The shift from the experience economy to the transformation economy   Show references: Andy Zimmerman, CEO of Journey https://journey.world/ https://www.linkedin.com/company/journeydotworld/ https://www.linkedin.com/in/andrewzimmerman1/   Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your host is Andy Povey. If you like what you hear, you can subscribe on Apple Podcasts, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Credits: Written by Emily Burrows (Plaster) Edited by Steve Folland Produced by Emily Burrows and Sami Entwistle (Plaster) Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here

Welcome to Messina Touring Week on Adventures In Venueland!

Welcome to Messina Touring Week on Adventures In Venueland!

La Garonne coule depuis toujours. Et Garorock, depuis 30 ans, coule avec elle.Derrière le festival, il y a Ludovic. Pas un manager, pas un directeur de salle, un amoureux du Sud-Ouest, du vin, de la culture, et de ce que ça donne quand tout ça se rencontre. Son mémoire de fin d'études en était déjà le présage : "La Garonne comme fil conducteur".Trente ans plus tard, Garorock n'est toujours pas abouti. Et c'est une volonté. C'est ce qui le rend vivant. Parce qu'un festival qui se repose sur ses acquis, c'est un festival qui vieillit. Celui-là, il cherche encore.Ludovic ne parle pas de son festival comme d'une success story. Il parle de ce que ça fait de vivre quatre jours ensemble, de dormir sur place, de croiser des inconnus qui deviennent autre chose. Il parle de la scène, bien sûr, mais surtout de ce qui advient autour, dans les allées, sous les tentes, au petit matin. Ce que seul un festival peut créer, et qu'aucune salle de concert ne remplacera jamais.Il parle aussi de convictions. Sur l'artistique, qu'on ne négocie pas. Sur le confort, la sécurité, et tout ce qui fait un festival. Et il parle en transparence aussi de l'achat par VIVENDI et de la revente à CTS EVENTIM.Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We're headed to the Home of the Blues, Memphis, for this episode where we chat with Crystal Carpenter, Event & Marketing Coordinator at FedExForum. In a city known for its culture, music, soul, and food, Crystal tells us all about FedExForum, which is the home for the Memphis Grizzlies (NBA) and Memphis Tigers (NCAA). We discuss her role with the building and some of the unique ways their departments are structured. She tells us about fun promotional ideas they have done with local businesses and how her role, which is nested under the Arena Operations side, focuses on being in the community, working with promoters and managing show day experience and hospitality. Crystal also tells us about being a DJ, which she has done for over 17 years, and co-founding SheDJs, which is a network of over 50 women DJs who support each other. We learn about her career journey from being an athlete to her time in radio to managing a record studio that worked on GloRilla's debut hit album. Enjoy this fun, creative episode full of inspiration, grit and grind, and creative ideas. Crystal Carpenter: Instagram | LinkedIn FedExForum: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Le rouge des moulins tourne depuis 1889. Pas comme une relique. Comme une promesse renouvelée chaque soir à 21h et à 23h30. Derrière ce lieu, il y a un parcours. Rien de linéaire, rien de tout tracé.Pour Jean-Victor, avant la direction du groupe, il y a Singapour. Une formation en commerce international, une idée qui germe, celle d'importer un spectacle à Macao. Parfois, les trajectoires les plus inattendues mènent aux endroits les plus évidents. Alors on revient à l'essentiel...À la transmission, à l'exigence artisanale, à cette idée que le french cancan ne s'apprend pas dans un manuel, il se passe de corps en corps, de génération en génération.Au Moulin Rouge, une certaine vision se défend : 500 personnes, une culture d'entreprise profondément humaine, une ambiance résolument festive, et un directeur qui se balade, écoute, s'imprègne.600 000 spectateurs par an. Deux shows par soir. Des costumes réparés la nuit pour être de nouveau sur scène le lendemain. Et bientôt une Cité des métiers d'art, pour que ce qui se fait dans l'ombre trouve enfin la lumière qu'il mérite.Ici, on ne parle pas seulement de spectacle, mais de patrimoine vivant. De ce qui se construit dans le temps, dans le soin, dans la transmission. Dans cet épisode, Jean-Victor revient sur ce chemin singulier, sur ses choix, ses convictions aussi, et sur ce qui le guide encore aujourd'hui : préserver, transmettre, et faire vivre un lieu unique, exigeant et ouvert sur le monde.

We've had a good run at Adventures In Venueland but we've decided to shift focus and give the live event industry what they really want (and need) – a good night's rest. Introducing… Snoozing In Venueland… or Adventures In Slumberland… honestly we're too tired to decide. Having a hard time settling in for some sleep after a crazy run of show days? Enjoy 8 hours of the familiar, comforting white noise of semi trucks humming paired with the occasional background noise of backstage banter.

Epic Universe feels like a major leap forward for theme parks. From the incredible level of detail in each land to how the park completely transforms at night, it feels intentionally designed for the modern theme park fan. So the question is… what can Disney learn from it? In this episode, we break down the 5 things that completely blew us away at Epic Universe—and how Disney could apply those ideas to future parks, lands, and attractions. In this episode, we cover: The immersive design choices that set Epic Universe apart How the park's nighttime transformation changes the experience

In this episode of Mission Matters, Adam Torres interviews Chloe Polhamus, President of Venu Arts & Culture Foundation. Chloe shares how her organization uses live entertainment and the arts to support local communities, fund creative programs, and bring people together. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Chloe Polhamus⁠, President of Venu Arts & Culture Foundation. Chloe shares how her organization uses live entertainment and the arts to support local communities, fund creative programs, and bring people together. Follow Adam on Instagram at ⁠https://www.instagram.com/askadamtorres/⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠https://missionmatters.lpages.co/podcastguest/⁠ Visit our website: ⁠https://missionmatters.com/⁠ More FREE content from Mission Matters here: ⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you're a fan of Taylor Swift, it won't have escaped your notice that the singer was back on tour this year across the United States. And what a tour it was! Fans were desperate to attend, and prepared to pay from $49 to $499 for the privilege, according to face value ticket prices quoted by Stylecaster.com. Meanwhile, resale ticket prices were in the thousands.  If that seems a lot, then you should bear in mind that the cost of live entertainment has been rising due to what's known as funflation. It's a mix of “fun” and “inflation”, and economists say it's caused by a growing demand for events like Taylor Swift concerts or live sports. How are people able to afford this extra spending? Does the same go for other days out, apart from concerts? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠Are gas cookers dangerous?⁠ ⁠How do I know if I'm allergic to gluten?⁠ ⁠Are men really more sensitive to pain than women?⁠ A podcast written and realised by Joseph Chance. First Broadcast: 31/10/2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us in beautiful San Juan as we chat with a force behind many unforgettable live event experiences in Puerto Rico – Roxey Garcia, Founder of RXY Marketing. We talk with Roxey about starting her company, which provides promotions, event production, artist logistics, and digital marketing to not only tours and venues but also other businesses in the area. She talks about the emphasis she puts on being a great communicator and reliable, offering solutions to problems and support during stressful challenges. We talk with her about working at the historic Bad Bunny residency in Puerto Rico, and his impact as an artist in the area as he has grown from his first tour to a global superstar. Roxey walks us through her career history from starting as a Premium Concierge at Coliseo de Puerto Rico, transitioning into digital marketing to help build their brand, going to school to get her MBA, and then opening Coca Cola Music Hall as the Marketing Manager before starting her own business. Enjoy this inspiring, fascinating episode that takes you inside live events in Puerto Rico and what it's like to start your own agency. Roxey Garcia: LinkedIn | Email RXY Marketing: Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

La salle Cortot… Un lieu à part, une salle faite de bois, pensée comme l'intérieur un violon. Un espace où la musique ne se contente pas d'être jouée, mais résonne, vibre, se cherche.Derrière ce lieu, il y a un parcours. Rien de linéaire, rien de tout tracé.Avant les salles de concert, il y a la Fnac des Champs-Élysées. Le rayon jazz. Les découvertes, les conseils, les premières immersions. Puis d'autres univers, d'autres responsabilités, jusqu'à des fonctions de direction chez Veepee. Et pourtant, toujours ce manque. Celui de la musique classique.Alors on revient à l'essentiel.À la transmission, à l'exigence, à cette idée que la musique est une recherche, pas seulement une exécution.À l'École normale de musique et à la salle Cortot, une certaine vision se défend : former des musiciens venus du monde entier, accompagner des solistes, faire vivre une musique en mouvement.Dans cet épisode, Murielle revient sur ce chemin singulier, sur ses choix, ses renoncements aussi, et sur ce qui la guide encore aujourd'hui : transmettre, accompagner, et faire vivre une musique exigeante et ouverte.

We're headed back to Tinseltown to chat with Vanessa Mancao, Tour Marketing Manager in Los Angeles for Red Light Management – the largest independent artist management company in the world. Vanessa works closely with artists like Jon Pardi, The Fray, Trombone Shorty, Maoli and Slightly Stoopid, helping behind the scenes of major tours, collaborating closely with promoters and venues to turn strategy into sold out shows. We talk about how she helps prepare for tour announcements, reviews assets, works with tour managers and agencies, and helps facilitate ideas for ticket promotions. She tells us about her career history from growing up in Wichita and attending University of Missouri for Broadcast Journalism to being a television producer on Good Morning Oklahoma and her first industry job at BOK Center and ASM Global as Special Events & Festivals Coordinator, ultimately moving to a booking role on the convention center side before relocating to LA and her current role. Enjoy this really interesting and fun episode which provides great insight into the management side along with some fun stories. Vanessa Mancao: Instagram | LinkedIn Red Light Management: Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

A GAUCHE DE LA LUNE... Quel joli nom, poétique et ouvert. Dont on vous révèle la genèse dans les premières minutes de cet épisode. Pour le reste, rien ne prédestinait ces deux là à diriger ensemble une structure... Et pourtant, cela fait plus de vingt ans qu'ils accompagnent des artistes ! Peut être qu'au fond, tout les rapprochait sans qu'ils ne le sachent encore !Leur histoire commence bien avant les grandes scènes. Avec l'intuition, les premières tournées, les découvertes faites parfois en Angleterre, là où le repérage se joue dans des salles minuscules. Très vite, une ligne se dessine : développer, accompagner, construire dans la durée.En 2004, la Fête de l'Humanité marque un cap. Un univers militant, une organisation hors normes. Il faut désapprendre, lâcher prise, faire confiance sans tout maîtriser. Une autre manière de faire, une autre échelle.Puis il y a le déclic, avec un certain groupe. Les opportunités qui s'enchaînent et la machine qui avance.Grandir avec les artistes devient une méthode. Des centaines de dates partagées, comme avec Le Peuple de l'Herbe. Des paris forts aussi : défendre le rap à une époque où il n'était pas encore installé partout, l'amener dans les SMAC en région, ouvrir des portes.Dans cet épisode, Anne-Sophie et Florent reviennent sur ces choix, ces risques et ces convictions qui les guident depuis le début : liberté artistique, fidélité aux artistes, indépendance. Une conversation sincère sur le temps long et sur ce que signifie vraiment accompagner.

We're headed to one of the most legendary small rooms in the country to chat with this episode's guest, Megan Loveless, Talent Buyer for The Blue Room at Third Man Records – the independent record label in Nashville run by Jack White. Megan tells us all about the venue, which previously had been used for underplays, photoshoots, and special experiences, but in 2021 was rebranded as a full venue to host a wide range of events weekly. From its literal blue walls that give it its name to the lathe room that houses a 1955 Scully lathe which allows them to record select shows direct to acetate – The Blue Room is a truly unique venue. Hear what goes into curating their calendar and how Megan balances booking touring and local acts along with other types of community events. We learn about her history growing up in a small town with a love for Nirvana and Sub Pop Records which led to her attending MTSU for Music Business and internships at a small label and Third Man Records. Enjoy this fun episode filled with interesting information and career advice, discussions about live music building community, and even some band recommendations to check out. Megan Loveless: Instagram | Substack The Blue Room: Facebook | Instagram Third Man Records: Facebook | Instagram ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Ben Ikwuagwu is a vocalist, performer, and entrepreneur who has spent over 15 years navigating the live events world. That firsthand experience, combined with a degree in operations and years working in corporate America, gives him a unique vantage point on what makes the industry run and where it breaks down. Now, as CEO & Co-Founder of Soundcheck Live, he is channeling both worlds into a single platform designed to simplify how live event professionals manage their work.What does an all-in-one operations platform for live events actually do? Soundcheck Live focuses on four core pillars: booking, scheduling, payments, and coordination. Ikwuagwu explains that every event, regardless of size, comes down to these four elements. The platform provides a centralized dashboard where teams can manage gig details, client communication, and payment information without juggling spreadsheets, text threads, and scattered documents.How is Soundcheck Live building differently? From day one, the team has built the product around its users. Pilots with bands, production companies, and venues shaped the tool from the ground up. With advances in AI, the feedback loop has accelerated dramatically. Focus group insights that once took weeks to implement now translate into working features in hours, giving users the feeling that the platform is being custom-built for their specific workflows.This is a Brand Highlight. A Brand Highlight is a ~5 minute introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTBen Ikwuagwu, CEO & Co-Founder of Soundcheck LiveOn LinkedIn: https://www.linkedin.com/in/benjaminikwuagwu/RESOURCESSoundcheck Live (Website): https://soundchecklive.io/Are you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSBen Ikwuagwu, Soundcheck Live, Sean Martin, brand story, brand marketing, marketing podcast, brand highlight, live events, gig management, event operations, live music, booking platform, freelancer tools, event technology, live entertainment, artist management, talent agencies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rien ne destinait Geneviève GIRARD à la musique. Elle travaillait dans la publicité, un univers structuré, stable, rationnel. Et puis, à 32 ans, elle décide de changer de cap. Un choix conscient. Un saut. La conviction qu'il est encore temps de réinventer sa trajectoire.Elle entre dans la musique sans réseau, sans codes, sans revenus. Elle apprend sur le terrain. Elle commence par trouver des concerts, accompagner les artistes, comprendre leurs besoins. Ce qu'elle découvre surtout, c'est une relation directe, presque intime : parler d'âme à âme, au-delà des stratégies et des tendances.Le reste est à découvrir dans cet épisode dans lequel Geneviève défend une vision profondément humaine du métier de productrice : accompagner les artistes, créer des espaces de liberté, rester fidèle aux aventures, même fragiles.Un épisode lucide et engagé, au cœur de ce que signifie choisir, produire et durer dans la musique aujourd'hui.Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Join us where the wind comes sweepin' down the plain as we journey to Oklahoma and chat with Lucy Albers, Director of Marketing & PR for Paycom Center, home to the Oklahoma City Thunder. With plans in motion, we dive into talking about the new arena coming to OKC in 2028, its unique design, and what to expect from the exciting addition – which is slated to open the same year the city hosts two Olympic events. We talk about the success of the Thunder and how the venue not only hosts the NBA team but also their G League affiliate, the Oklahoma City Blue. Lucy breaks down her team, which oversees marketing and PR for all non-Thunder events. We talk about how Lucy began her career in Sioux Falls, South Dakota wanting to be a music writer and help people discover bands and how that evolved into writing gigs with magazines and bands and her first experience at a venue, where she cut her teeth. We learn about her background on the ticketing side which eventually moved to marketing and led to her current role in OKC. Lucy talks about her decision to become a Solo Mother by Choice and how she balances work and home life while also offering support for others considering the same choice. Enjoy this fun episode packed with lots of interesting experiences and great career tips.Lucy Albers: Facebook | Instagram | LinkedInPaycom Center: Facebook | Instagram | X/Twitter | LinkedIn ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Dès l'enfance, Morgan arpente les salles et les coulisses de théâtre. À 8 ou 9 ans, il est déjà ouvreur au Théâtre de la Renaissance, dirigé par son papa. Une familiarité instinctive avec ces espaces, bien avant toute réflexion de carrière.Avant de diriger des lieux, Morgan passe par le cinéma et la production. Il y apprend la fabrication, le risque, la réalité économique des projets. Une expérience structurante qui nourrit aujourd'hui sa manière de penser le théâtre, non pas comme une abstraction artistique, mais comme un ensemble d'outils, de cadres et de décisions très concrètes.Avec Arthur Jugnot, il forme un duo animé par une même passion : les spectacles, bien sûr, mais surtout les lieux qui les rendent possibles. Pour eux, le théâtre est un espace de liberté absolue, capable d'embrasser aussi bien l'Histoire que l'intime, la grande fresque comme la scène la plus minimale.Morgan parle sans détour de la réalité du métier : la difficulté de faire venir les gens, la fragilité permanente, deux ou trois bides d'affilée, et tout peut s'arrêter. Il évoque aussi cette idée qui traverse tout son parcours : rien n'est laissé au hasard, tout est affaire de chance organisée.Ce qui domine, c'est le plaisir de faire. Une énergie guidée par le désir plus que par la stratégie, une “boulimie de kiff” assumée. Toujours dire oui. Accueillir des projets, leur offrir un cadre juste, être une chance pour eux autant qu'ils le sont pour le lieu. Et déjà, l'envie de transmettre, d'imaginer d'autres formations, de penser une école en alternance liée aux métiers du spectacle.Un épisode sincère et incarné, au cœur de ce que signifie produire, construire et faire vivre le théâtre aujourd'hui.Sold Out, le podcast pour se glisser dans les coulisses du spectacle vivant.Avec le soutien de Delight.En partenariat avec Ekhoscènes.Production : Big Red Machine / Réalisation : Marc H'LIMI / Interview & programmation : Marc Gonnet / Communication & image : Joey ColasHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pull up a chair as we head to "America's Farm to Fork Capital," Sacramento, for a special in-person episode with James Rasmussen, VP of Arena Programming at Golden 1 Center. Our hosts sit down with James in the Sacramento Kings podcast studio and dig into what makes the city special and things to look forward to for those coming to the Event & Venue Marketing Conference in June. Fresh off a venue tour before recording, we talk about the many features of the arena that make it stand out – including being 100% solar powered and the importance of the solar panels on the roof, giant window walls that can open to cool the venue with the delta breeze, sourcing 90% of their food and beverage from within 150 miles, LEED Platinum Certification, and so much more. We talk through the building's evolution as it approaches its 10th anniversary and their emphasis on designing for the future. We chat through James' career history from working as a security guard at Bob Dylan's house while in college at Pepperdine University to his entry into live events with Arena Network, and many shows and tours he worked on along the way. There's nothing like recording these in-person and you're sure to enjoy this special episode live from halls of Golden 1 Center.James Rasmussen: LinkedIn | EmailGolden 1 Center: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

Join Club 32 Help us fund & grow the show by becoming part of Club 32! You'll get more additional content, ad free versions of the podcast, CTM Apparel discounts, 1901 Candle Company discounts, a private Facebook Group, private podcast feed & more! - head to ctmvip.com Book Your Vacation With Zip Travel Co. Visit vacationwithzip.com to see how our dedicated CTM agents wither Lauren or Kendal can help you save time, money and plan the vacation of a lifetime! CTM Apparel Get the best Disney, Universal and/or Pop Culture apparel that is hand made in our shop - shop at ctmapparelco.com. Subscribe To The Show & Leave Us A Review Apple Podcasts - Click Here Stitcher - Click Here Spotify - Click Here Follow Us online CTM Facebook Group: @capthemagic Twitter: @capthemagic Instagram: @capthemagic YouTube: @ctmpodcast capturethemagicpodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From Vegas mega-resorts to St. Louis entertainment weekends, this episode goes behind the scenes with Mike Jerlecki, Vice President and General Manager for Hollywood Casino St. Louis and River City Casino (PENN Entertainment).We talk about what it's really like running a casino operation, how the guest experience is built from the ground up, and what's coming next for sports betting in Missouri.In this episode, we cover:Mike's path through the casino industry, from valet to leadership, and why hospitality is the whole gameWhat's changing in gaming tech, cashless wallets, mobile betting, and responsible gaming controlsThe vision for new sports books at Hollywood and River City, massive screens, full-service food and drinks, and big-game energyHow casinos impact St. Louis beyond entertainment, education funding, jobs, scholarships, and community partnershipsWhy live experiences still win, concerts, UFC, packed sports books, and the social “third space” people craveSupport the show

We

If you think storytelling is just for the stage, think again. In this week's episode of Consulting Matters, I sat down with not one but two former Disney executives—brothers Bob and Rick Allen—who know the real power of story: not just to entertain, but to lead, influence, and change minds. Their Disney roots run deep (102 years combined, starting with their dad, who worked alongside Walt himself). But what they reveal goes far beyond theme parks and parades. Tune-in To Hear: Why story—not data—is the consultant's real superpower A behind-the-scenes look at how Disney embeds story into everything (including spreadsheets) The 6 storytelling elements every coach and consultant should master Why does how you share your ideas matter more than how smart your ideas are How to use story to influence even the most results-driven executives And yes, we swap some epic Disney tales, from launching resorts like Animal Kingdom Lodge to transforming a Disney division into a private company (and surviving 9/11 with a Navy contract!). If you love Disney, storytelling - or just want to coach and consult with more meaning - this episode is a must-listen. Chapters: 01:32 Disney Family Legacy and Its Impact 16:46 From Disney to Entrepreneurship 23:30 The Power of Storytelling 39:14 Engaging Through Anecdotes 43:54 Influencing Through Connection 56:32 Zenovation: Merging Mindfulness and Innovation 01:00:00 Tales of Mouse and Men: Insights from Disney 01:02:20 Building a Collaborative Network Next Steps: Notice where your message stops landing: Pay attention to the moments where you explain what you do, but people still look unsure. That is often a sign that the story is missing, not the expertise. Start with the picture before the process: In your next conversation or proposal, describe what changes when the work is successful before explaining how you get there. Stories help people see themselves in the outcome. Get support clarifying your message: If this episode made you realize you need help communicating the value of what you do, I created a free messaging guide to help. It includes four simple questions designed to help you move from confused to confident, with messaging that makes the right clients say, “Where have you been? I need you.” Download it here: https://www.betsyjordyn.com/confused-to-confident Other episodes you may enjoy: How to Shape What Clients Think You're Worth with Casey Brown (Ep143) Inside My Brand Messaging Process (and Why It Always Works) (Ep140) The Curse of Knowledge: Why Your Expertise Might Be Hurting Your Message (Ep139) About my guests: Rick Allen began his Disney career sweeping the streets of Main Street, U.S.A. at Magic Kingdom, a role that launched a 43-year journey with Walt Disney World. Over the course of his career, Rick spent 24 years in executive leadership across theme parks and resort hotels, served on the grand opening team for Disneyland Paris, and led the operations design and opening of Disney's Art of Animation Resort. After retiring from Disney, Rick served as Chief Operating Officer for Give Kids The World and later as COO for the 2022 Special Olympics USA Games. He now consults with organizations in hospitality and experience design and serves on the board of Shepherd's Hope, a nonprofit providing free healthcare to the uninsured in Central Florida. Rick is passionate about unleashing the power of inspiration to elevate customer experience. Bob Allen is the Chief Storytelling Officer at IDEAS and brings decades of creative leadership from across Disney's entertainment and production legacy. He began his career in the entertainment industry as a musician at 16 and went on to hold key roles in Disneyland's Live Entertainment division, contributing to major productions including the Main Street Electrical Parade. Bob later worked as a writer and producer with Walt Disney Imagineering, helping develop attractions for EPCOT, and went on to lead film, tape, and multimedia production for Tokyo Disneyland. After relocating to Walt Disney World, Bob held senior leadership roles including Director of Film and Tape Production and Vice President of Disney Production Services, overseeing creative operations at Disney-MGM Studios. Today, Bob focuses on concept development, experience design, and branding, helping organizations harness the power of story to create meaningful, memorable experiences. About the host: Betsy Jordyn is a business mentor, brand messaging strategist, and former Disney consultant who helps purpose-driven consultants and coaches build profitable businesses rooted in their unique strengths. With over 20 years in the industry and a knack for turning big ideas into clear positioning, she's your go-to for strategy that aligns with your calling. And together, we're gonna have a conversation about what storytelling really is, why it matters so much more than most consultant-coaches realize, and how to use it to elevate your influence and impact.

BONUS EPISODE – We're wrapping up 2025 and headed into a new, exciting year in Venueland!

Escape with us to the eucalyptus and redwood grove of Sigmund Stern Recreation Grove in San Francisco — home of the iconic Stern Grove Festival — as we sit down with the festival's Marketing Director, Molly Fremgen. We learn about the magic behind this beloved concert series, now entering its 89th season in 2026, and the legacy of Stern Grove Festival as the nation's longest-running nonprofit music festival — bringing free live music to the Bay Area since 1938. We dive into the nuts and bolts of producing a large-scale nonprofit concert series, from the challenges of live events to the creative solutions that keep the festival thriving. Molly talks about the pride the team takes in stewarding Stern Grove's legacy, and how the organization uses its platform to support the broader live music and local business community in San Francisco. Molly also traces her path into live events — from producing a music festival while studying at the University of Illinois, to roles at MTV, AEG, Goldenvoice, and on the PR team at Coachella. We learn about Molly's 500 mile hike of the infamous Camino de Santiago in Spain which happened at a crossroads in her career and helped guide her to her current dream role, and how her goalkeeping and manifesting has steered her to achieve career and personal goals. This episode is full of fascinating info, great career advice, and lots of laughs.Molly Fremgen: LinkedIn | EmailStern Grove Festival: Facebook | Instagram | X/Twitter ––––––ADVENTURES IN VENUELANDFollow on Instagram, LinkedIn, Facebook, or X/TwitterLearn more about Event & Venue Marketing ConferenceMeet our team:Paul Hooper | Co-host, Booking, Branding & MarketingDave Redelberger | Co-host & Guest ResearchMegan Ebeck | Marketing, Design & Digital AdvertisingSamantha Marker | Marketing, Copywriting & PublicityCamille Faulkner | Audio Editing & MixingHave a suggestion for a guest or bonus episode? We'd love to hear it! Send us an email.

From Lightning Lanes to monorails to moments of pure Disney joy, today we're celebrating the things we're most thankful for at Walt Disney World. ✨ Rope Drop Radio — What We're Thankful For at Disney (2025 Edition) This week, Doug and Lauren take a step back from the tips, tricks, and planning hacks to share something special: the Disney things we're truly thankful for. From the little magical moments to the big innovations coming to the parks, this episode is all about appreciation, nostalgia, and the joy that keeps us returning to Walt Disney World year after year. Whether you're planning your next trip or simply miss the magic, this episode will remind you why Disney means so much to so many. ⭐ In This Episode Shoutout to new Patreon member Becky Weyer Apple Review from Lil' Rebek Stuffy of the Week Thankfulness for: Lightning Lanes — not fun to buy, but meltdown-preventing lifesavers New Projects — Villains Land, Cars Land, and Monsters Inc. development Live Entertainment — storytellers, musicians & roaming performers Seasonal Magic — decorations, snacks, gingerbread houses, pumpkin wreaths Disney Transportation — monorails, Skyliner, ferries & buses Seeing the Parks Through Fresh Eyes — kids and first-timers Nostalgia & Family Memories — the moments that keep us coming back Cast Members — the true magic makers YOU: Our Listeners — the heartbeat of Rope Drop Radio After Show: Doug's legendary phone fail story (Patreon exclusive!)   ❤️ Thank You to Our Patreons No new Patreons this week, but we appreciate each and every one of you! Join us at Patreon.com/RopeDropRadio for: Weekly unfiltered after shows Doug's weekly Disney news rundown Monthly chance to win a $25 Disney gift card Bonus video content  

FRANK KABATAS and EAST VILLAGE PIZZA'S SUCCESS JOURNEYFrank Kabatas, the owner of East Village Pizza in New York City, shared his journey from being born in Turkey to becoming a successful pizza maker in the United States. He explained that after moving to the US at age 23 in 1997, he initially worked at East Village Pizza before being fired after six months. He then found a job at Ben's Pizzeria, where he learned valuable pizza-making skills. Frank emphasized his pride in owning East Village Pizza and his determination to succeed.Frank shared his journey in the pizza industry, starting with a local pizzeria where he learned the craft and worked long hours while studying English as a second language and briefly computer science. After the pizzeria was sold, he transitioned to Domino's in Long Island, initially as a driver but soon became a manager due to his pizza-making skills. Despite the differences between the local and chain pizzerias, Frank valued the experience gained at Domino's, particularly in marketing, which he applied in his subsequent role making pizza in Manhattan and the West Village.Frank's Pizza Journey and PassionFrank shared his journey of purchasing East Village Pizza in 2003 with his brother, emphasizing the importance of courage and happiness in achieving life goals. He discussed his passion for making pizza, particularly his signature margarita pizza, and highlighted the significance of using high-quality ingredients like San Marzano tomatoes and his own secret recipe for the sauce. Frank also mentioned his other popular menu items, such as double-stack pizza and cheese and garlic knots, and expressed his LOVE for a margarita pizza.https://www.eastvillagepizza.netLEAH BEN and OLD CITY DISTRICT'S HOLIDAY EVENTS and ANNOUNCEMENTSLeah, the Director of Marketing for Old City District, joined Amaris to discuss the upcoming holiday season and events in Old City. They talked about the history and current state of Old City, including recent restaurant accolades and new businesses. Leah explained the evolution of the holiday shopping event into a "sip and stroll," combining shopping with dining and entertainment opportunities. They also discussed the importance of walkable cities and the collaboration between shops and restaurants to attract visitors.Leah discussed the upcoming HOLIDAY SHOPPING SIP & STROLL EVENT with open streets in Old City on December 6th from 12-4pm, featuring carolers, a Snow Queen on stilts, and a brass band, while Amaris highlighted the historic aspects like horse tethering bars and the Betsy Ross house chocolate demonstration. The holiday shopping sip and stroll will feature nearly 40 businesses offering promotions, including Cuba Libre's $4 espresso martini and mango cinnamon butter, while the Elfreth's Alley fundraiser offers decorated home tours and discounts at participating restaurants.https://www.oldcitydistrict.orgRAGINI PARMAR and NATURE'S VINLastly, Amaris spoke with Ragini Parmar, who owns the natural wine bar and marketplace called Nature's VIN in Wayne, Pennsylvania. Ragini shared her background in tech and how she transitioned to opening Nature's VIN, which celebrates women in wine and the broader community. They discussed the differences between natural, organic, and biodynamic wines, as well as the bar's offerings, including tastings, classes, and gift options. Ragini emphasized the bar's focus on sustainability, digital experiences, and supporting women-owned businesses.Ragini also strongly believes in the philosophy of making wine accessible to everyone, for that reason she wanted to make sure to have transparency with the items you will find within her business' marketplace. You can also find more information about the products, the makers, and more by using the tablets provided to you while you shop.https://www.naturesvin.com

My guest today is Ari Emanuel. Ari runs one of the most influential portfolios in global sports, entertainment, and media. He oversees TKO, which includes the UFC and WWE, serves as the Executive Chairman of WME Group, and recently founded MARI, a new company focused on global events and live experiences. At the center of this conversation is Ari's anti-AI bet: as AI makes digital content cheaper and everyday work more automated, he believes the value will increasingly concentrate in live and physical experiences. He explains how he's building his portfolio around that belief, what defines a great live experience, and how he thinks about AI's impact on content and IP. Ari is best known as a dealmaker, and he shares the principles behind his success – relentless follow-up, over-communication, velocity, and an obsession with making things happen – and how those things become the operating system he uses today. If you're listening to this, I recommend watching the video of this interview. Ari's energy is constant and visceral, and gives a different dimension to this episode. Please enjoy my conversation with Ari Emanuel.  For the full show notes, transcript, and links to mentioned content, check out the episode page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠ ----- This episode is brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ramp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Ramp's mission is to help companies manage their spend in a way that reduces expenses and frees up time for teams to work on more valuable projects. Go to⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ramp.com/invest to sign up for free and get a $250 welcome bonus. – This episode is brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ AlphaSense⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. AlphaSense has completely transformed the research process with cutting-edge AI technology and a vast collection of top-tier, reliable business content. Invest Like the Best listeners can get a free trial now at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alpha-Sense.com/Invest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and experience firsthand how AlphaSense and Tegus help you make smarter decisions faster. –- This episode is brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ridgeline⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Ridgeline has built a complete, real-time, modern operating system for investment managers. It handles trading, portfolio management, compliance, customer reporting, and much more through an all-in-one real-time cloud platform. Head to⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ridgelineapps.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to learn more about the platform. ----- Editing and post-production work for this episode was provided by The Podcast Consultant (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thepodcastconsultant.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). Show Notes: (00:00:00) Welcome to Invest Like the Best (00:00:00) Welcome to Invest Like the Best (00:04:20) – Meet Ari Emanuel (00:05:32) – The UFC Story (00:10:03) – Mindset, Relentlessness, and Emotional Endurance (00:13:52) – AI's Impact on Content and Distribution (00:18:44) – Value, Taste, and the Future of Content (00:19:43) – The Anti-AI Bet: Live Events and Experiences (00:22:39) – Monetization, User Experience, and the Premium Economy (00:26:21) – Building and Scaling Live Event Businesses (00:27:16) – Boxing and the Business of Live Entertainment (00:28:45) – Lessons from Dana White and Dealing with Dyslexia (00:31:32) – Getting a Job at CAA and How to Be a Successful Agent (00:35:50) – Ari's Operating System (00:38:04) – Lessons from Egon Durban (00:39:36) – Betting on Himself and Elon (00:43:16) – Who Wants to be Normal?! (00:44:23) – The Art of Dealmaking (00:48:58) – Money, Family, and Learning from Mistakes (00:52:45) – The Future of Tech, Media and Content (00:57:32) – Concerns and Excitement about the Future (01:00:16) – Art (01:01:01) – The Kindest Thing

What happens when the ancient magic of theatre meets the disruptive energy of artificial intelligence? In this episode of The Tech Talks Daily Podcast, I sit down with Emmy-nominated producer and 440 Media founder Jeffery Keilholtz to unpack how AI is reshaping entertainment, licensing, and the very soul of live performance. From his time leading Broadway Licensing Global, home to thousands of acclaimed titles including Harry Potter and the Cursed Child, Jeffery brings a rare blend of creative and commercial insight to one of the most transformative moments in entertainment history. Our conversation explores how live entertainment faces twin challenges of visibility and scarcity in a digital age. As Jeffery explains, the rise of ChatGPT has changed how people search, discover, and decide what to see, forcing a shift from SEO to AEO, or Answer Engine Optimization. Yet even as AI floods the world with abundance, theatre's scarcity, that irreplaceable “live, local, urgent” energy, is becoming more precious than ever. Together we examine how AI can simultaneously empower and endanger creative industries, from copyright battles worth billions to the promise of smarter audience engagement and new paths to discover hidden works. Jeffery also shares his framework for balancing technology and artistry, urging creators to stay nimble like a blade of grass. He argues that surviving this era of AI-driven disruption requires humility, flexibility, and a renewed belief in human connection. It's a powerful reminder that the heartbeat of theatre, and perhaps of creativity itself, still belongs to people gathered together in the same room, sharing something that can never be replicated by a machine. How do you see AI reshaping the arts and entertainment world? Is it an existential threat to creativity or the tool that will help artists reach new heights? I'd love to hear your thoughts.