Podcasts about mit program

In this fierce and soulful episode, Colleen sits down with Kirsten Asher Brossette—founder of the School of Badassery—for a conversation that's equal parts grounding and electric.They dive deep into the duality of feminine and masculine energies, how to meet doubt with power, and what it really means to hold your own balance through each initiation.From the archetype of the Huntress to the expansion required at every new level—we explore what it means to embody your truth, lead from your inner edge, and stay radically devoted to your soul's evolution.This is for the warrior woman ready to trust herself, again and again.Tune in. Let it calibrate you.Xo Enjoy In 2019 Kirsten found herself sobbing on the floor in her bedroom, crippled with doubt and frustration. But what she came to realize is that wasn't rock bottom, it was a launchpad into the most pivotal chapter of her life. She was the catalyst she was waiting for...Now a key member of the leadership team at Beast Philanthropy, she's also a Holistic Health Practitioner, Breathwork Facilitator, trained in the Rapid Rewire Method and teaches dance as a way to connect to your soul. Kirsten also practices martial arts and Krav Maga, is an abstract artist and completed the MIT Program of Sustainability and DesignX receiving the Fire Hydrant Award for excellence.Where can you find her: @Kirsten.Asher.Brossette@SchoolofBadasserywww.schoolofbadassery.comColleen Lindberg is a Soul Mission Activator + Spiritual Strategist Here to dismantle the systems of conformity that keep powerful souls playing small — and ignite the full embodiment of their divine potency.Through her channeling, mentorship, and multidimensional frameworks, Colleen leads Light Warriors into deeper alignment with their mission, their frequency, and their unique soul blueprint.With over 16 years as a business consultant and spiritual mentor, she's helped spiritual entrepreneurs rise in visibility, authority, and wealth — not through hustle, but through energetic precision and unapologetic embodiment.A multi–5 figure per month entrepreneur for over a decade,Colleen is now anchoring consistent $100K+ months and guiding her clients to do the same — on their own terms, in their own truth, and with massive impact.She doesn't just teach abundance — she lives it. Leads it. Activates it.This is the revolution of sovereign leadership + limitless income. And if you're here, you're already part of it.xo Colleen

MIT Program in Science, Technology, and Society's Cloud Anthropologist Steven Gonzalez Monserrate on his article, "The Cloud Is Material: On the Environmental Impacts of Computation and Data Storage." "Rotten History" and some correspondence from listeners follow the interview. Check out Steven's article here: https://sts-program.mit.edu/news/mit-serc-case-study-the-cloud-is-material-on-the-environmental-impacts-of-computation-and-data-storage-by-steven-gonzalez-monserrate-mit-hasts-graduate-student/ Help keep This Is Hell! completely listener supported and access weekly bonus episodes by subscribing to our Patreon: https://www.patreon.com/thisishell

I spoke to Rainar Aasrand a multifaceted artist from Estonia about his experiences as a professional creator. We cover topics such as creative fullfillment, exploring the internet and remaining motivated. Learn more about Rainar in today's episode and read his bio below and check out his website where his works are hosted. Rainar Aasrand is a transdisciplinary artist. Among other things, he explores the human condition within the realm of technology and expanded nature. His work draws on interdependent and often awkward relations between humans, natural phenomena, and new technologies aiming to reveal and exacerbate, with both humour and gravity. This is a quest to find ways to explore the production of culture through aesthetic means while remaining personal and accessible. In 2017 Rainar graduated from MIT Program in Art, Culture, and Technology, where he further developed his interest in the statistical quantification of human activities and how this is altering, creating, and bending social and cultural norms. Before MIT, Rainar studied cultural theory at Maastricht University and the Estonian Institute of Humanities. He has worked on various film and theater productions, and is part of the SKATKA collective. https://www.rainaraasrand.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/dreamsnotmemes/support

Today, I talk with Jer Thorp and Yanni Loukissas about Mapping and COVID-19.  Yanni Alexander Loukissas is Associate Professor of Digital Media in the School of Literature, Media, and Communication at Georgia Tech, where he directs the Local Data Design Lab. His new book, All Data Are Local: Thinking Critically in a Data-Driven Society (MIT Press, 2019), is addressed to a growing audience of practitioners who want to work with unfamiliar sources both effectively and ethically. He is also the author of Co-Designers: Cultures of Computer Simulation in Architecture (Routledge, 2012) and co-editor of The DigitalSTS Handbook (Princeton, 2019). He has taught at Cornell, MIT, and the School of the Museum of Fine Arts. Originally trained as an architect at Cornell, he subsequently attended MIT, where he received a Master of Science and a PhD in Design and Computation. He completed postdoctoral work at the MIT Program in Science, Technology and Society. Jer Thorp is an artist, writer and teacher living in New York City. He is best known for designing the algorithm to place the nearly 3,000 names on the 9/11 Memorial in Manhattan. Jer was the New York Times' first Data Artist in Residence, is a National Geographic Explorer, and in 2017 and 2018 served as the Innovator in Residence at the Library of Congress. Jer is one of the world's foremost data artists, and is a leading voice for the ethical use of big data.Jer’s data-inspired artwork has been shown around the world, including most recently in New York’s Times Square, at the Museum of Modern Art in Manhattan, at the Ars Electronica Center in Austria, and at the National Seoul Museum in Korea. Jer is a Rockefeller Foundation Fellow, and an alumnus of the World Economic Foundation’s Global Agenda Council on Design and Innovation. He is an adjunct Professor in New York University’s renowned Interactive Telecommunications Program (ITP), and is the Co-Founder of The Office for Creative Research.Jer’s book 'Living in Data’ is out Farrar, Straus and Giroux in the spring of 2020.

Dr. Andrew Friedman is an astronomer, cosmologist, and data scientist. He’s currently an NSF funded Assistant Research Scientist at the University of California at San Diego Center for Astrophysics & Space Sciences. He is also a Research Affiliate in the MIT Program in Science, Technology and Society. He holds a Ph.D. in Astronomy and Astrophysics from Harvard. We chatted about the apparent, seemingly contrived conflict between science and religion. We explored some of the sources of this conflict and how, with a good perspective, they are not really at odds. We looked at faith, both in science and religion, Gödel’s incompleteness theorem, proof of God’s existence, varying views about what God is, approaching the subject with humility, and how the Bible cannot really serve as a science textbook. Join us as we get our theology hats on.

Dr. Andrew Friedman is an astronomer, cosmologist, and data scientist. He’s currently an NSF funded Assistant Research Scientist at the University of California at San Diego Center for Astrophysics & Space Sciences. He is also a Research Affiliate in the MIT Program in Science, Technology and Society. He holds a Ph.D. in Astronomy and Astrophysics from Harvard. We chatted about how science fiction inspired him as a youth to become a cosmologist. Also, how important it is to have a Ph.D. thesis advisor who’s enthusiastically supportive. Then, we got into some cool topics of cosmology: using Type Ia supernovae to measure the rate of expansion of the universe, why infrared observations of those stars are helpful, whether quantum entanglement suggests a substrate on which spacetime resides, the multiverse, and the implications of the Planck length and Higgs field for our very existence.

== Co-hosted with the MIT Program in Art, Culture, and Technology == Erik Loyer‘s award-winning work explores new blends of game dynamics, poetic expression and interactive visual storytelling. From his best-selling Strange Rain story-playing iPad/iPhone app, to his visually stunning digital fiction The Lair of the Marrow Monkey (powered by Shockwave software animation), and his interactive explorations of post-Katrina racial politics in Blue Velvet, Loyer’s interactive artistic hybridizations of music, new narratives and algorithmic play have won numerous awards, been exhibited widely, and found their way into permanent museum collections. The Civic Arts Series, which is part of the CMS graduate program Colloquium, features talks by four artists and activists who are making innovative uses of media to reshape the possibilities of art as a source of civic imagination, experience and advocacy. Using a variety of contemporary media technologies–film, web platforms, game engines, drones–the series presenters have opened up new pathways to artistic expression that broaden public awareness around compelling civic issues and aspirations of our time.

“Beginning with the end in mind is always the key.” If you want to meet a modern Renaissance man, you must hear Jim Kenefick’s interview! Somehow he simultaneously embodies a brilliant entrepreneurial mind, save-the-world convictions, relentlessly adventurous spirit and heart-centered mindfulness. Jim is passionate about his company’s capacity to make a difference - through its socially responsible orientation, client services and internal culture. He collects experiences, reads voraciously, ideates continuously and learns unceasingly from everything that crosses his path. It’s such a dynamic, inspiring conversation, you don’t want to miss it!  What you'll learn How growing up in New England with a "wooden spoon" shaped Jim’s character What life experiences helped him develop emotional IQ through childhood and college How witnessing his father get laid off from his job ignited Jim’s entrepreneurial spirit Why the seventy days he spent in nature with a college friend were among the top five experiences of his life What Jim learned about running a business from his first venture as a college painter How studying diverse authors from Stephen Covey on goals to Miguel Ruiz on authenticity shaped his thinking and being Jim’s philosophy about not taking things personally and dealing with disappointment with grace, patience and surrender What it means to Jim to be a "B Corp" from transparency to diversity to how you treat your employees Great advice for listeners about hiring people with the right attitudes and mindsets And so much more! Links & Resources  BetterWorld Telecom – Jim’s “Committed to Tech for Good” company Sparrow Mobile – provider Jim referenced that donates service to someone in need every time you purchase one! Seven Habits of Highly Effective People – classic business book by Stephen Covey Jim referenced in his interview The Four Agreements – another must-read by Don Miguel Ruiz we discuss in the interview Jim Rohn – renowned business and sales expert Jim referenced in his interview B Corporation – website that explains the corporate entity designation BetterWorld has chosen that focuses on the triple bottom line About Jim Kenefick Focused primarily in the technology, media and telecom sectors, Jim put his strategic investment and entrepreneurial leadership skills to use serving as managing partner, CEO, Director and impact investor. Completed $250+ million worth of transactions for 8 technology companies in past 5 years Led 3 companies from start-ups to revenue growth of $15, $30 and $70 million, and raised more than $750 million in capital to create companies worth over $750 million in market capital Babson College and MIT Program grad Inc. 500/ Inc. 5000 recipient (multiple years) Ernst & Young Entrepreneur of the Year Finalist (twice) Extensive board governance and team-building experience EO (Entrepreneurs Organization) and YPO - international leadership positions for social and environmental enterprises Specialties: CEO, Strategic Corporate Adviser, Board member, Mentor, Coach. Experienced High Growth Leader Long Standing Licensed Amateur Radio Operator   MEMBERSHIPS:  Young President’s Organization (YPO): Past Chairman of the YPO Social Enterprise Network (SEN) – Real Leaders Making a Difference. Created YPO’s International Sustainability Awards / Hall of Frame. Former Chair of YPO International Corporate Social Responsibility (CSR) network. Past Washington, DC Chapter Chair and longstanding YPO member.  

Gediminas Urbonas is artist and educator, and co-founder (with Nomeda Urbonas) of Urbonas Studio – an interdisciplinary research program that advocates for the reclamation of public culture in the face of overwhelming privatization, stimulating cultural and political imagination as tools for social change. Often beginning with archival research, their methodology unfolds complex participatory works investigating the urban environment, architectural developments, and cultural and technological heritage. The Urbonases have established their international reputation for socially interactive and interdisciplinary practice exploring the conflicts and contradictions posed by the economic, social, and political conditions of countries in transition. Working in collaboration they develop models for social and artistic practice with the interest to design organizational structures that question relativity of freedom. They use art platform to render public spaces for interaction and engagement of the social groups, evoking local communities and encouraging their cultural and political imagination. Combining the tools of new and traditional media, their work frequently involves collective activities such as workshops, lectures, debates, TV programs, Internet chat-rooms and public protests that stand at the intersection of art, technology and social criticism. They are also co-founders of VILMA (Vilnius Interdisciplinary Lab for Media Art), and VOICE, a net based publication on media culture. They have exhibited internationally including the San Paulo, Berlin, Moscow, Lyon and Gwangju Biennales – and Manifesta and Documenta exhibitions – among numerous other international shows, including a solo show at the Venice Biennale and MACBA in Barcelona. Their work was awarded a number of high level grants and residency awards, including the Lithuanian National Prize (2007); a fellowship at the Montalvo Arts Center in California (2008); a Prize for the Best International Artist at the Gwangju Biennale (2006) and the Special Prize for the best national pavilion at the Venice Biennale (2007). Their writings on artistic research as a form of intervention to social and political crisis was published in the books Devices for Action (2008) by MACBA Press, Barcelona and Villa Lituania (2008) by Sternberg Press. Gediminas Urbonas is Associate Professor in Visual Arts at ACT – the MIT Program in Art, Culture and Technology.

Governments, corporations, and communities plan for sudden crises: the White House drafts strong responsive rhetoric for the next terrorist attack; Toyota runs reassuring national TV spots within hours of a product recall; and 32 Massachusetts towns successfully publicize water distribution sites following a water main rupture. However, like the housing collapse or the recent Gulf oil spill, some crises are complex, difficult to warn of, and don’t cleanly fit traditional media frames. They are slow moving, and the media still struggles to rhetorically or technologically cover these simmering, rather than boiling, dramas. With government regulators weak, corporations still focused on the bottom line, and communities adapting to structural change, this Communications Forum asks: What new media tools and strategies can be used to help everyone better prepare for the unique communications challenges of slow-moving crises? Andrea Pitzer is editor of Nieman Storyboard, a project of the Nieman Foundation for Journalism at Harvard University that looks at how storytelling works in every medium. Storyboard’s mission is to feature the best examples of visual, audio and multimedia narrative reporting. Abrahm Lustgarten is an investigative reporter for ProPublica — his recent work has focused on oil and gas industry practices. He is a former staff writer and contributor for Fortune, and has written for Salon, Esquire, the Washington Post and the New York Times since receiving his master’s in journalism from Columbia University in 2003. He is the author of the book China’s Great Train: Beijing’s Drive West and the Campaign to Remake Tibet, a project that was funded in part by a grant from the John D. and Catherine T. MacArthur Foundation. Rosalind Williams is a historian who uses imaginative literature as a source of evidence and insight into the history of technology. She has taught at MIT since 1982 and currently serves as the Dibner Professor for the History of Science and Technology in the Program in Science, Technology, and Society. She has also served as head of the STS Program and Dean for Undergraduate Education and Student Affairs at the Institute, as well as president of the Society for the History of Technology. She has written three books as well as essays and articles about the emergence of a predominantly human-built world and its implications for human life. Her forthcoming book extends this theme to examine consciousness of the condition of “human empire” as expressed in the writings of Jules Verne, William Morris, and Robert Louis Stevenson in the late 19th century. Moderated by Tom Levenson, who is Head and of the MIT Program in Writing and Humanistic Studies as well as Director of its graduate program. Professor Levenson is the winner of Walter P. Kistler Science Documentary Film Award, Peabody Award (shared), New York Chapter Emmy, and the AAAS/Westinghouse award. His articles and reviews have appeared in The Atlantic Monthly, The Boston Globe, Discover, The Sciences, and he is winner of the 2005 National Academies Communications Award for Origins.