Podcasts about oslo philharmonic orchestra

24 Jahre war er jung, als er zum Chefdirigenten des Oslo Philharmonic Orchestra ernannt wurde - seither ist Klaus Mäkelä nicht zu bremsen. [06:25] Aktualität: Die Provenienzforschung widmet sich der Herkunft und der Besitzverhältnisse von Kunstwerken oder Kulturgütern. In der bildenden Kunst ist die Provenienforschung fest etabliert, Musikinstrumente wurden bisher wenig unter die Lupe genommen. Das Historische Museum Basel leistet hier Pionierarbeit. (Fabienne Naegeli) [15:30] Talk: Derzeit lebt Klaus Mäkelä in Paris, wo er seit 2021 als Musikdirektor das Orchestre de Paris leitet. Und er scheint auch zukünftig keinen Gang runterschalten zu wollen, denn ab 2027 wird er auch Chefdirigent des Concertgebouw Orchestra Amsterdam, zudem wird er die musikalische Leitung des Chicago Symphony Orchestra übernehmen. (Benjamin Herzog) [30:24] Neuerscheinungen: Auf dem brandneuen Solo-Album «Beethoven Blues» adaptiert der US-amerikanischen Jazz-Pianist Jon Batiste Beethovens Werke zu groovy Blues-Stücken - erscheint bei Verve Records. Und das Schweizer Duo der Sopranistin Viviane Hasler und der Pianistin Maren Gamper widmet sich auf dem Album «Mélodies d'ailleurs» dem französischen Kunstlied - beim Label Carpe Diem Records. (Joseba Zbinden) [53:07] Swiss Corner: Das Musical «Into the Woods» von Stephen Sondheim besticht mit Tiefgang. Als ein grosses Märchen-Konglomerat stellt es unter anderem die Frage: Wie es mit Rapunzel, Aschenputtel und Rotkäppchen nach dem Happy End weitergeht? Achtsamkeit beim Verfolgen von Zielen, Verantwortung für die Gemeinschaft und die Komplexität des Lebens sind dabei zentrale Themen. Das Theater Basel feiert Premiere.

Inspiración clásica en las ejecuciones y las reinterpretaciones de hoy:la violinista holandesa Janine Jansen; el Satie de Federico Lechner al piano y Chema Saiz a la guitarra; el homenaje a la diosa zulú uNomkhubulwane que Nduduzo Makhathini ha grabado en Blue Note; el guitarrista Pat Metheny y un recuerdo a Charlie Haden (1937-2014). Violin Concerto in D Minor, Op. 47: II. Adagio di moltoJanine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä        Sibelius: Violin Concerto; Prokofiev: Violin Concerto No. 1Nocturne V +Petite Overture à Danser               Chema Saiz, Federico Lechner       Satie for TwoLibations: Omnyama            +Libations: Uxolo          +Inner Attainment: Ithemba           Nduduzo Makhathini  uNomkhubulwaneYou're everything +MoonDial           Pat Metheny      MoonDialIt Might As Well Be Spring      Keith Jarrett y Charlie Haden Last DanceEscuchar audio

Carrièredrift, uitbuiting, ijdelheid: niks menselijks is de klassieke muziek vreemd. Platenlabels gooien jonge musici op de markt, via Instagram boetseert menigeen aan zijn imago. Hoog tijd dat Joris en Guido stilstaan bij marketing en hype. Wie voelde zich verantwoordelijk voor Janine Jansen? En is Lorenzo Viotti de ophef waard? Speellijst * Andrew Lloyd Webber, Pie Jesu, Charlotte Church (sopraan), Orchestra of the Welsh National Opera o.l.v. Sian Edwards * Sergej Rachmaninov, Prelude op. 23 nr. 5, Valentina Lisitsa (piano) * Jean Sibelius, Allegretto uit Vioolconcert, Janine Jansen (viool), Oslo Philharmonic Orchestra o.l.v. Klaus Mäkelä * Maurice Ravel, Pianoconcert voor de linkerhand, Bertrand Chamayou (piano), Nederlands Philharmonisch Orkest o.l.v. Lorenzo Viotti * Frédéric Chopin, Etude  op. 10 nr. 12, Yunchan Lim (piano)

Today is a real treat for me, because Gustav is one of my best friends and one of the best people I know. Gustav Melander is regarded as one of Europe's most talented young trumpet players. Having studied with Bo Nilsson and Prof. Håkan Hardenberger at the Malmö Academy of Music, since graduating, Gustav has gone on to become one of the most in demand players. Currently the tenured Co-principal Trumpet of the Malmö Symphony Orchestra, Gustav also regularly features with other Scandinavian Orchestras such as the Swedish Radio Symphony Orchestra, Royal Stockholm Philharmonic and Oslo Philharmonic Orchestra. As a soloist, Melander performs regularly and has made notable solo appearances making his debut in 2014 with the Malmö Academy of Music Symphony Orchestra and in December 2016 performed Bach's Brandenburg Concerto No. 2 with the Malmö Symphony Orchestra. Passionate about education, Melander has a number of students and has been a trumpet teacher at the Malmö Academy of Music since 2015. --- Support this podcast: https://anchor.fm/artssalon/support

Begin juni kwam opeens het nieuws dat het Koninklijk Concertgebouworkest een 26-jarige Fin aanstelt als chef-dirigent: Klaus Mäkelä. Terwijl we in de klassieke muziek toch altijd hebben geleerd dat rijpheid met de jaren komt, al helemaal bij de kerels op de bok. Wat is hier aan de hand? Mäkelä een natuurtalent? Platte marketing om jonger publiek binnen te hengelen? Of raakt de rijpheidsmythe zo langzamerhand passé, nu maestro's op leeftijd steeds meer plaats maken voor jonger en diverser dirigeervolk? Joris en Guido duiken erin en stuiten op oude meesters en (piep)jonge geluksbrengers. Muziekfragmenten: - Anton Bruckner, Vierde symfonie, Scherzo, Berliner Philharmoniker o.l.v. Günter Wand, RCA Red Seal - Jean Sibelius, Tweede symfonie, Tempo andante, ma rubato, Oslo Philharmonic Orchestra o.l.v. Klaus Mäkelä, Decca - Jean Sibelius, Tweede symfonie, Tempo andante, ma rubato, Gothenburg Symphony Orchestra o.l.v. Santtu-Matias Rouvali, Alpha - Dave Hurwitz, Classics Today, https://www.youtube.com/watch?v=qMZgqJZclJA - Johannes Brahms, Hongaarse dans nr. 6, Tarmo Peltokoski enYuja Wang, https://www.youtube.com/watch?v=u_IcaQpRWuM - Dmitri Sjostakovitsj, Eerste vioolconcert, Nocturne. Moderato, Arabella Steinbacher, Symfonieorchester des Bayerischen Rundfunks o.l.v. Andris Nelsons, Orfeo - Unsuk Chin, Gougalon (Scenes from a Street Theater), Doelen Ensemble o.l.v. Chloe Rooke

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.

Violinist Leah Meredith Andonov has been working full-time for the Oslo Philharmonic Orchestra for several years, and I seized the opportunity to give her all my orchestra-related questions... 00:00 Introduction01:25 Enter: Leah04:25 Daily practice06:00 Auditioning for orchestras12:25 Blending in with the orchestra or sticking out as a soloist14:35 Feeling self-conscious, the magic of posture19:05 Preparing for an orchestral project21:10 Orchestra personality traits23:35 Being mindful about avoiding injuries26:12 Concertmaster in Copenhagen, tutti player in Oslo 30:12 Thoughts on conducting and conductors34:00 Besides orchestral playing...35:30 What's a good concertmaster?37:10 What's a good cello section leader?38:40 What's the role of the conductor?41:40 Challenges to life as an orchestral musician44:40 The power of politics47:18 Where to find Leah48:56 OutroPodcast soundtrack by Mohamed Amer.Support this podcast via Ko-fiFor any comments, my email address is ragnhild@wesenberg.org. You can also find this podcast on Instagram.

Violinist Leah Meredith Andonov has been working full-time for the Oslo Philharmonic Orchestra for several years, and I seized the opportunity to give her all my orchestra-related questions... 00:00 Introduction01:25 Enter: Leah04:25 Daily practice06:00 Auditioning for orchestras12:25 Blending in with the orchestra or sticking out as a soloist14:35 Feeling self-conscious, the magic of posture19:05 Preparing for an orchestral project21:10 Orchestra personality traits23:35 Being mindful about avoiding injuries26:12 Concertmaster in Copenhagen, tutti player in Oslo 30:12 Thoughts on conducting and conductors34:00 Besides orchestral playing...35:30 What's a good concertmaster?37:10 What's a good cello section leader?38:40 What's the role of the conductor?41:40 Challenges to life as an orchestral musician44:40 The power of politics47:18 Where to find Leah48:56 OutroPodcast soundtrack by Mohamed Amer.Support this podcast via Ko-fiFor any comments, my email address is ragnhild@wesenberg.org. You can also find this podcast on Instagram.

durée : 00:13:44 - Le Disque classique du jour du lundi 15 juin 2020 - Lorsque le chef Vasily Petrenko prend la tête d'un orchestre, il lui fait jouer les grandes pages du répertoire russe. Avec "Shéhérazade" de Rimski-Korsakov, il livre une interprétation puissante dans une version très engagée, volontaire, rythmée et moderne.

In our January 2020 podcast, we find out about violinist Nicola Benedetti's latest venture, an impressive educational initiative that she's been dreaming of starting for years. She's our cover star on the January issue of BBC Music Magazine, and in this podcast we also enjoy a clip from our cover CD of works by Mozart and Schubert, played by BBC Radio 3 New Generation Artists.Plus, in this episode we pay tribute to the late conductors Mariss Jansons and Stephen Cleobury, bring news of the winners at the 2019 Royal Philharmonic Society Awards and hear about Olga Neuwirth's Orlando, which became the first opera by a woman to be staged in 150 years at the Vienna State Opera.And, as usual, we each bring along a new recording we've been enjoying this month.This episode is presented by deputy editor Jeremy Pound, who is joined be managing editor Rebecca Franks and reviews editor Michael Beek. It was produced by Ben Youatt and Jack Bateman.Recordings:Mahler Symphony No. 3Randi Stene; Oslo Philharmonic Orchestra & Chorus/Mariss JansonsSimax PSC1272Jeremy's choice: Forgotten TreasuresBuffalo Philharmonic/JoAnn FallettaBeau Fleuve 6059960998531Rebecca's choice: The Etudes Project: Volume OneJenny Lin (piano)Sono Luminus DSL-92236Michael's choiceVivaldi/JupiterLea Desandre, Bruno Philippe, Peter Whelan, Thomas DunfordAlpha Classics ALPHA550Stories:Mariss Jansons (1943-2019)https://www.bbc.co.uk/news/entertainment-arts-50630050Sir Stephen Cleobury (1948-2019)https://www.theguardian.com/music/2019/nov/24/sir-stephen-cleobury-obituaryWinners of the Royal Philharmonic Society Awards:http://www.classical-music.com/news/winners-royal-philharmonic-society-awards-2019-revealedOrlando world premiere review:https://www.theguardian.com/music/2019/dec/14/orlando-vienna-state-opera-review-olga-neuwirth-world-premiere-virginia-woolfJanuary 2020 issue of BBC Music Magazinehttp://www.classical-music.com/magazine/next-issue/bbc-music-magazine See acast.com/privacy for privacy and opt-out information.

In this set of stories, it's the frustrations we're looking at; the things that churn around your brain to stop you sleeping, the indignations we invent about others who cut in and cut up. Manage your anger in the mini-tale The Man Who Burns Down Cities Don't cause a fuss with The Neighbours Share a moment of tenderness in Supermarket Argument Try to ignore the itch in Pearl. Music in this episode John Field - Nocturne No 14 Gmaj, performed by Elizabeth Joy Roe Robert Armani - Circus Bells Taylor Swift - Shake it Off Enya - Sail Away (Orinoco Flow) Apna Sangeet - Vaje Tchaikovsky - 1812 Overture, Op 49, performed by the Oslo Philharmonic Orchestra

Vibeke Breian is a great musician and associate professor at the Norwegian Academy of Music in Oslo, Norway. Through the last 30 years she has taught a good portion of the young Norwegian Saxophone players, and performed all over the country, both with chamber music and as a soloist. She talks to us about the experiences from teaching, her own education at Conservatoire Nationale Supérieur de Musique in Paris and how it was to play under Mariss Jansons in the Oslo Philharmonic Orchestra.  Vibeke is also a Timani teacher, and tells us what she thinks about her passion about caring for the body as a musician.

Dan Styffe is a man in constant motion.  It's astonishing the number of musical projects that he has going on: a new solo album coming this spring (his eighth album in 11 years!) appearances at events like BASS2016, RCM International Festival, and ISB 2017 serving as Co-Principal Bass of the Oslo Philharmonic Orchestra teaching at The Norwegian Academy of Music and Barratt Due's Institute of Music New music for the bass is a major area of interest for Dan.  He works regularly with composers like Rolf Martinsson, Teppo Hauta-Aho, Bernard Salles, and Simón García. We dig into all kinds of topics today: growing up deep in the woods of Sweden how starting to play on his beautiful Gasparo da Saló bass changed his technique life in the Oslo Philharmonic what Dan finds exciting about the modern double bass scene tips for finding practice time in a busy schedule why Dan places the greatest importance on sound It was such a pleasure to spend time with Dan at BASS2016 in Prague, and I can't wait to see him again in person! Links to check out: Dan's website Octophonia (Dan's most resent release) documentary of Dan premiering Rolf Martinsson's Bass Concerto (YouTube) Subscribe to the podcast to get these interviews delivered to your inbox! Learn how you can support the show at contrabassconversations.com/support Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Hosting for Contrabass Conversations is provided by Bass Capos.  Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation.  

  Ottorino Respighi wasn’t a native of Rome, but he got there as quickly as he could. And then he set to writing lots of music about the place. Conductor Franz Anton Krager and Houston Symphony Principal Trumpet Mark Hughes teach all about Respighi, some of his Roman tone poems, and why he was a master of orchestration. Krager and Hughes will be performing Respighi together at the Texas Music Festival on June 11. It’s going to be fantastico! Music in this episode (all by Ottorino Respighi): “Circenses.” Festa Romane. Oslo Philharmonic Orchestra with Mariss Jansons. EMI 49964. Excerpts from Pines of Rome. Chicago Symphony with Fritz Reiner. RCA 68079. Audio production by Todd “Totally Tubular” Hulslander with “Like, ohmygawd!” by Dacia Clay and editing by Mark DiClaudio. Thanks to Susan Farb Morris for her help with this episode!

Listen to the patriotic history of Sibelius's expansive and powerful 'Symphony No 1', which will be performed by the Oslo Philharmonic Orchestra at the Usher Hall on Sunday 16 August.

Explore the power of Rachmaninov's soaring 'Symphony No 2', which will be performed by the Oslo Philharmonic Orchestra conducted by Vasily Petrenko at the Usher Hall on Saturday 15 August.

With Kirsty Lang. Mark Rylance returns to the stage for the first time since his award-winning performance in Jez Butterworth's play Jerusalem. Andrew Dickson reviews Rylance in the lead role in a new production of Richard III at Shakespeare's Globe in London. Dutch novelist Herman Koch discusses his novel The Dinner, which has sold over a million copies in Europe. Set during one evening in a restaurant in Amsterdam, it tells the story of two couples who meet over dinner to discuss both their 15-year-old sons who have committed an atrocity, and shattered the comfortable worlds of their families. A new film documentary Searching for Sugarman tells the story of Rodriguez, a singer/songwriter from Detroit who was discovered by two music producers in the '60s who thought he'd be bigger than Bob Dylan. When his 2 albums flopped Rodriguez fell into obscurity, but unbeknownst to the musician himself, he became an inspiration to a generation of South Africans. In this award-winning film two of his fans set out to find out more about Rodriguez and discover the truth behind the story that he'd spectacularly killed himself on stage. The South African-born novelist and playwright Gillian Slovo reviews. The Norwegian violinist Vilde Frang established herself as one of the leading young violinists of her generation when she performed with the Oslo Philharmonic Orchestra at the age of 12. More recently she won a Classic BRIT Award for Best Newcomer. Vilde Frang discusses the appeal of Scandinavian music and how her father put her off playing the double-bass in favour of the violin. Producer Dymphna Flynn.