Podcasts about penderecki

durée : 00:04:13 - Elden Ring à l'ombre du classique : de Stravinsky à Prokofiev - par : Max Dozolme - A l'occasion de la sortie aujourd'hui d'Elden Ring Nightreign, Max Dozolme se plonge dans les musiques symphoniques et cauchemardesques de la saga Elden Ring. Un univers musical qui peut évoquer des airs classiques de Stravinsky, Penderecki ou encore Prokofiev !

In der heutigen Sendung geht es unter anderem um die in Deutschland lebenden Polen, die trotz ihrer polnischen Wurzeln – oder gerade deswegen – extra Polnischunterricht brauchen. Außerdem wollen wir Ihnen den Komponisten Krzysztof Penderecki näher vorstellen. Der brillante Musiker verstarb vor fünf Jahren. Nun soll in Rom an sein Lebenswerk erinnert werden.

Compositor y director de orquesta polaco, debuta con 26años mostrando tres composiciones que resultan premiadas a la vez. Trabaja con arriesgadas e innovadoras mezclas instrumentales y modificaciones a la formación orquestal, que evolucionan a lo largo de una carrera prolífica y comprometida._____Has escuchadoThrenody to the Victims of Hiroshima (1960). ORF Radio-Symphonieorchester Wien; Michael Gielen, director. ORFEO (2022)St. Luke Passion: No. 24. Stabat Mater (1963-1966). Warsaw Philharmonic Choir; K. Penderecki, director. WARNER (2017)Partita: For Harpsichord and Orchestra (1971). E. Stefanska, clave; Warsaw Philharmonic Orchestra; Antoni Wit, director. NAXOS (2012)_____Selección bibliográficaBERGÉ, Pieter, et al. “Krzysztof Penderecki: Pools Requiem”. En: Dies Irae: Kroniek van Het Requiem. Leuven University Press, 2021DICKINSON, Peter, “Polish Music Today”. The Musical Times, vol. 108, n.º 1493 (1967), pp. 596-598*KOZAK, Mariusz, “Experiencing Structure in Penderecki's Threnody: Analysis, Ear-Training, and Musical Understanding”. Music Theory Spectrum, vol. 38, n.º 2 (2016), pp. 200-217*MALECKA-CONTAMIN, Barbara, Krzysztof Penderecki. Style et matériaux. Kimé, 1997 MIRKA, Danuta, “To Cut the Gordian Knot: The Timbre System of Krzysztof Penderecki”. Journal of Music Theory, vol. 45, n.º 2 (2001), pp. 435-456*MURPHY, Scott, “A Model of Melodic Expectation for Some Neo-Romantic Music of Penderecki”. Perspectives of New Music, vol. 45, n.º 1 (2007), pp. 184-222*PENDERECKI, Krzysztof, Le labyrinthe du temps: cinq leçons pour une fin de siècle. Les Editions Noir sur Blanc, 1999SCHWINGER, Wolfram, Krzysztof Penderecki. His life and work. Schott, 1979 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Het Derde strijkkwartet van Wolfgang Rihm met de ondertitel ‘Im Innersten' geeft exact weer wat Rihm in de jaren zeventig en tachtig nastreefde: namelijk al componerende zo diep mogelijk in zijn eigen ziel te graven. In het midden van de jaren zeventig besloot ook Penderecki de weg naar het begin van de 20e eeuw af […]

durée : 00:11:49 - Threnody to the Victimes of Hitoshima de Krysztof Penderecki - Threnody to the Victims of Hiroshima de Krysztof Penderecki par le Polish National Radio Symphony Orchestra.

durée : 00:11:49 - Threnody to the Victimes of Hitoshima de Krysztof Penderecki - Threnody to the Victims of Hiroshima de Krysztof Penderecki par le Polish National Radio Symphony Orchestra.

durée : 00:11:49 - Threnody to the Victimes of Hitoshima de Krysztof Penderecki - Threnody to the Victims of Hiroshima de Krysztof Penderecki par le Polish National Radio Symphony Orchestra.

Wir alle wissen, dass Stéphans Herz nicht nur seiner Frau gehört, sondern ein großes Stück davon auch den immer noch sensationellen Portishead - inbesondere ihrer Sängerin Beth Gibbons, eine unserer Jahrhundertstimmen. Und weil wir alle immer gerne zeigen, was wir lieben, wird Stéphan sie uns heute vorstellen. Euch erwartet eine Liebeserklärung, die es in sich hat - mit einer weiteren Premiere als Höhepunkt: Heute spielen wir zum allerersten Mal klassische Musik in unserem Podcast. Wow. SPOTIFY Playlist 2024 (mit den Songs aus unserem Podcast) Achtung: Die Liste enthält natürlich leider nur die auf Spotify verfügbaren Titel. Wie wir aber alle wissen, gibt es noch ein Musikuniversum jenseits von Streaming. YouTube (der ganze Rest) Facebook (mit News aus der Rockmusik und allem, was glücklich macht) Und schreibt uns doch mal - wmruv2021@gmail.com Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. Gern unterstützen wir dich bei deiner Podcast-Produktion.

POUR NE PAS CONFONDRE deux compositeurs, une oeuvre de PADEREWSKI dont le nom est presque semblable mais de style  très différent...découverte!!

POUR NE PAS CONFONDRE deux compositeurs, une oeuvre de PADEREWSKI dont le nom est presque semblable mais de style  très différent...découverte!!

We've sold weapons around the World making profits and one day that'll come back on us. We've become merchants of death. If you don't think the smallest nuclear bombs can be smuggled into this country, then you've never understood why a handful of fanatics with box cutters attacked this country on 9/11. We live in a violent country. We carry a historic badge of violence. No matter how we rationalize the dropping of nuclear bombs on Hiroshima and Nagasaki to end World War II, we could have done it differently. We entered the Pantheon of killers for the World to fear us. MUSIC James Newton Howard, Mike Oldfield, Penderecki

A year ago, I posted an episode entitled “The Haunted Opera House” that featured a wide range of spooky, witchy, Halloween-appropriate 20th century operas from Prokofiev to Penderecki. This year I focus in on one of the works from that episode, Ottorino Respighi's 1934 masterpiece La Fiamma, based on a 1908 play on witch hunts and witchcraft in 16th century Norway by the novelist and playwright Hans Wiers-Jenssen entitled Anna Pedersdotter, the Witch. This work also formed the basis for the Carl Dreyer film Day of Wrath. Respighi and his librettist Claudio Guastalla transferred the action to seventh-century Ravenna in the early days of Christianity. Musically the work combines Respighi's interest with Gregorian chant, modal scales and harmonies, and the work of Claudio Monteverdi with his penchant for stunning orchestrations. The dramatically potent result was his most famous operatic work, but after an initial succès d'estime, it has only retained the slightest hold on the operatic fringes. Nevertheless, the heroine Silvana in particular is a role that great sopranos have made their own over the years, including Claudia Muzio, Gina Cigna, Giuseppina Cobelli, and Rosa Raisa (none of whom sadly recorded any excerpts) through Montserrat Caballé, Nelly Miricioiu, Ilona Tokody, Stefka Evstatieva, and Mara Coleva. I tell the story of the opera while offering substantial excerpts, which, in addition to the sopranos mentioned above, also include such operatic heavyweights as James McCracken, Carlo Tagliabue, Deborah Voigt, Giacinto Prandelli, Delcina Stevenson, Felicity Palmer, Juan Pons, Anna Moffo, and Mignon Dunn, among others. Just the thing to scare you out of your skin this Halloween! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

SynopsisOn today's date in 2002, at the Kennedy Center in Washington, D.C., Leonard Slatkin conducted the National Symphony in the premiere of a new symphony by American composer Cindy McTee.McTee subtitled her Symphony No. 1, Ballet for Orchestra, saying: “Music is said to have come from dance — [and] the impulse to compose often begins as a rhythmical stirring and leads to a physical response — tensing muscles, gesturing with hands and arms, or quite literally, dancing. … There is also much pleasure to be gained from observing the gestures of a conductor, or from seeing the coordinated bowing of the string sections within an orchestra. My Ballet for Orchestra emerged out of a similar kinesthetic/emotional awareness and a renewed interest in dance music.”McTee's symphony makes passing allusions to earlier works by Stravinsky, Ravel, Barber and even Penderecki, tossing in some jazz and folk fiddling allusions for good measure. But Allan Kozinn, reviewing the new symphony for the New York Times, wrote: “Ms. McTee's sense of organization kept the work from becoming a pastiche: As diverse as its ideas were, they seemed to unfold naturally within an orchestral fabric that used the ensemble's full coloristic range.”Music Played in Today's ProgramCindy McTee (b. 1953) Symphony No. 1 (Ballet for Orchestra) - Detroit Symphony; Leonard Slatkin, cond. Naxos 8.559765

durée : 00:25:23 - Elzbieta Sikora, compositrice (3/5) - par : Laurent Vilarem - Elzbieta Sikora est pianiste de formation et ingénieure du son. Si la compositrice franco-polonaise s'initie à la musique électroacoustique, au GRM à la fin des années 60, sa musique n'est pas seulement expérimentale. Retour sur le parcours de celle qui se définit elle même "expressionniste lyrique" - réalisé par : Lionel Quantin

Ashland Mines, AKA Total Freedom, AKA Big Gay Idiot DJ, AKA Bobby Beethoven, is one of the best and most influential DJs of the 21st century. Starting out at pioneering parties like Mustache Mondays and Wildness (which he cofounded with Wu Tsang)—and a regular at GHE20G0TH1K—Mines helped to define the style that would become known, however cringe-inducingly, as experimental club or deconstructed club, directly inspiring fellow visionaries like Arca. Like some of the best DJs before him, Mines uses the CDJs as an instrument, but that doesn't mean just fancy tricks and looping. Instead, he artfully throws together clashing sounds—effects, samples, monologues, pop and R&B acapellas, and beats that run the gamut from dancehall to kuduro to breaks and techno. He's not afraid of the grotesquerie of human life and movement (just check out the monologue at the beginning of this mix), and he likes to push buttons. Once he put on a party where dancing wasn't allowed. Some of his sets are intentionally anxiety-inducing, evoking horror movies and modern classical composers like Penderecki, while others are bouncy and ebullient, weaving between genres and tempos like an old-school platformer. The best are both. On Mines's RA Podcast—a milestone 900th in the series—he shows off this inimitable style, sharpened and reinforced over a decade-and-a-half of playing some of the world's best parties, fashion shows, you name it. He's the kind of DJ who creates his own music as he goes along. He makes you hear old tracks—especially pop music and R&B—in a whole new way. Titled "Cursed Piercing," this is a near-hour of controlled chaos that'll confound you at one moment and deeply move you the next. Read more at https://ra.co/podcast/900

Pilzno pod Dębicą i Penderecki w Dębicy. Redaktorzy Radia Wnet rozmawiają z właścicielką wspaniałego hotelu - Willi Wiluszówka w Dębicy, scenarzystką i kierowniczką Koła Teatralnego Safo. Plus urocza pogawędka oprowadzająca po Muzeum Lalek w Pilznie - nie mylić z Czechami oraz opowieść o albumach pocztówkowych Pana z Łosiem na piersi. Naszymi gośćmi byli: Dominika Migoń, Artur Barwacz, Renata Nagawiecka

De hedendaagse componist Krzysztof Penderecki groeide op in Polen, waar hij van dichtbij de Tweede Wereldoorlog meemaakte en later het strenge regime van Stalin. Kees en Botte verdiepen zich in de Poolse geschiedenis en vertellen hoe dit op zijn beurt de muziek van Penderecki beïnvloedde. Ook komen zijn iconische werken voorbij: van zijn avant-gardistische Threnody to the Victims of Hiroshima tot het religieuze Pools Requiem.

30 marca 1966 Krzysztof Penderecki na zlecenie publicznej rozgłośni Westdeutscher Rundfunk zaprezentował w Münster "Pasję według św. Łukasza". Jego dzieło okrzyknięto jedną z najwybitniejszych kompozycji Nowej Muzyki. Dlaczego? Posłuchaj kolejnego odcinka z cyklu "Encyclopaedia Polonica". COSMO po polsku i Porta Polonica przypominają w nim wydarzenia, miejsca i postaci, które stały się częścią historii obu krajów. Von Monika Sedzierska.

The Apollon Musagète Quartet performs works by Bach, Penderecki, and Shostakovich.

Would you believe that Poland is one of the pioneering countries of electronic music? Back in the 1950s, Polish Radio was one of the first broadcasters in the world to set up a dedicated experimental sound studio, which hosted some outstanding composers, including Krzysztof Penderecki. It closed around 2004, but its legacy lives on. So much so, that the famous Black Room at the Experimental Studio is now to be recreated at the new Museum of Modern Art in Warsaw when it opens its new building in downtown Warsaw in 2024. Join John Beauchamp and his guests Paweł Nowożycki and Jolanta Woch from MSN Warszawa Interesting links: PRES Facebook Group Włodzimerz Kotoński Oskar Hansen Polish Radio Experimental Studio Polish Radio Experimental Studio – Podcast from Culture.pl Short newsreel (in Polish) on PRES when it first opened  

This week I have been tantalizing my followers with the promise of a tall, dark, handsome singer who was born on January 1. I shall keep you in suspense no longer: he is the great Polish baritone Andrzej Hiolski, born in Lvov in New Year's Day 1922 and died in Krakow on 26 February 2000. I have known of Hiolski for years because of his association with the works of the late Krzysztof Penderecki, but I began digging deeper into his legacy a few years ago and was absolutely stunned at what I found: a singer with a near-perfect technique with a powerful voice with a slightly burred timbre characterized by both beauty, range, and subtlety of expression. I have been collecting his recordings for a few years now and have featured him at every possible opportunity on the podcast, including twice already in the current season. But this episode is devoted entirely to him and it may well serve, strange as it may seem for an artist who is so revered and treasured in his native country, as an introduction for many of my listeners to one of the great baritone voices of the twentieth century. The episode features recordings and performances, many of them exceedingly rare, ranging over more than 50 years, and includes music by Verdi, Wagner, Schubert, Mahler, Bach, Leoncavallo, Mozart, Tosti, Rossini, Tchaikovsky, and Giordano, but also a generous helping of music by Hiolski's compatriots, including Karol Szymanowski, Frédéric Chopin, Augustyn Bloch, Mieczysław Karłowicz, Stanisław Moniuszko, Tadeusz Baird, Tadeusz Szeligowski, as well as, of course, Penderecki. Guest vocalists include the supercharged Greek-American mezzo Tatiana Troyanos and the delectable Polish soprano Alina Bolechowska, as well as the venerable Polish bass Adamo Didur, an early mentor of Hiolski's. who now joins company with Jorma Hynninen and Gérard Souzay in the triumvirate of my favorite baritones of all time! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

This week is a continuation of my memorial tribute to my dear friend and colleague Susan May Schneider, who died last week after a long struggle with cancer. Susan's husband Gary, a composer and conductor, wrote a stunning song cycle for Susan using texts from the biblical Song of Songs, and this episode is bookended with their live 2000 performance of two of those songs. I supplement this with further material which all use texts based on the Song of Songs. This includes choral works by composers from Brumel and Palestrina, Walton and Bairstow to Penderecki and Daniel-Lesur; pop songs by India Adams and Kate Bush; orchestral song cycles, cantatas, and oratorios performed by Lois Marshall, Elly Ameling, Jennie Tourel, Leontyne Price, Eleanor Steber, and Suzanne Danco; and works from such surprising compositional sources as Stockhausen and Vangelis. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

23 listopada w Teatrze Wielkim – Operze Narodowej w Warszawie, w 89. urodziny Krzysztofa Pendereckiego, zostanie wykonane jego dzieło "Powiało na mnie morze snów… 'Pieśni zadumy i nostalgii'". Dyrygować będzie Maciej Tworek, profesor Akademii Muzycznej im. Krzysztofa Pendereckiego w Krakowie. Dyrygent w rozmowie z Anną S. Dębowską z "Gazety Wyborczej" wspomina współpracę z kompozytorem, opowiada o ich wspólnych podróżach i wieloletniej przyjaźni. Więcej podcastów na https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.

- Właściwie przez całą swoją karierę może nie tyle myślałem nacjonalistycznie, ile byłem zwrócony w stronę kompozytorów polskich. Byłem w komfortowej sytuacji, że w drugiej połowie XX wieku ze wszystkich krajów mieliśmy najwięcej wybitnych kompozytorów: Lutosławski, Górecki, Kilar, Penderecki, mógłbym wymieniać bez końca. Może dlatego polska muzyka zawsze mi towarzyszyła - mówił w Dwójce znakomity dyrygent Jacek Kaspszyk, który 10 sierpnia skończył 70 lat.

Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación En el episodio de hoy, tenemos como invitado a Sérgio Fernandes Pires, Clarinete Solista de la Orquesta Winterthur Musikkollegium en Suiza y concertista internacional. Sérgio Fernandes Pires es uno de los clarinetistas más prometedores y artísticamente activos de su generación. Ha sido ganador y finalista en varios prestigiosos concursos internacionales. Como solista, ha tocado con grandes orquestas como la Filarmónica de Bremen, Chamber Orchestra de Basel, Musikkollegium Winterthur, Basel Symphonic Orchestra, interpretando obras de Mozart, Stamitz, Weber, Rossini, Penderecki, Danzi y Nielsen. Además de su actividad como solista, es el clarinete solista de la Orquesta Winterthur Musikkollegium desde el año 2016 y actualmente está en periodo de trial para el puesto de Clarinete Principal en la London Symphony Orchestra. Sérgio ha grabado 5 CD´s y ha colaborado con artistas como Michael Collins, Heinz Holliger, Felix Renggli, François Benda, Sarah Wegener, entre otros... Como músico de cámara ha tocado con destacados músicos como Emmanuel Pahud, Radovan Vlatkovic, Michael Collins, Heinz Hollinger, Valentin Erben, Felix Renggli, Emmanuel Ceysson y muchos otros. Ha participado también en algunos de los festivales más importantes del mundo, como el European Music Campus en Austria, BBC Proms en Inglaterra, Holstein Festival en Alemania, Isang-Yun Festival en Corea y el Festival Bozen en Italia. Desde muy joven, Sérgio a colaborado con diferentes orquestas en Europa y alrededor del mundo y ha compartido escenario con grandes artistas. Para saber más sobre Sérgio, leer su biografía completa, su agenda de conciertos y escuchar sus grabaciones, podéis visitar su web aquí: www.sergio-pires.com. En este episodio hablaremos de... Sus inicios con la música y por qué eligió el clarinete Los profesores que más influyeron en su formación Sus estudios en Basilea con François Benda y por qué decidió estudiar allí con él Concursos Internacionales y de cómo preparar de forma efectiva el repertorio en este tipo de concursos Por qué es importante desarrollar el hábito de aprender a tocar las obras de memoria y cómo influye en la interpretación La primera vez que compartió escenario con músicos tan grandes como Simon Rattle o Emmanuel Pahud La grabación de sus 5 CD´s y las diferencias principales y cosas a tener en cuenta a la hora de hacer una grabación en directo o en estudio Su trabajo y día a día en la Orquesta Winterthur Musikkollegium como clarinete solista Su primera experiencia tocando en orquesta. (Gira en Asia). Periodo de trial en la London Symphony Orchestra Y de muchas cosas más... Y ahora déjame preguntarte algo: Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación

For Christians, this week is probably the most central to the theology of their faith, focusing as it does on the story of the Passion of the Christ. My dear friend, the choral conductor and singer Kristina Boerger posted a fascinating meditation this week about her “complicated” relationship with this theology, and how the performance of music for Holy Week over the years has given her insight into some universal tenets about human nature and behavior. She very kindly agreed to read her essay for me to use as the basis of this week's podcast, which features music written for, and associated with, the Passion. Composers featured include, from the Baroque era, Couperin, Schütz, Handel, and Bach (with Pergolesi right on the cusp); from the 19th century, Beethoven, Schubert, and Wolf; and from the 20th century, Hindemith, Szymanowski, Poulenc, Penderecki, Frank Martin, and Arvo Pärt. Featured singers include Régine Crespin, Irmgard Seefried, Peter Schreier, Gundula Janowitz, Richard Lewis, Florence Quivar, Andrzej Hiolski, Judith Raskin, Jorma Hynninen, Margaret Marshall, Benjamin Luxon, Muriel Smith, Walter Berry, Edda Moser, and Adele Addison, plus further encounters with several of the Swiss singers we explored last week (Hugues Cuénod, Maria Stader, Eric Tappy, Pierre Mollet, and Ernst Haefliger). Whether you are Christian, agnostic, atheist, Muslim, Jew, or fall into a different category altogether, there will be something here for you of value in this episode. The Countermelody podcast is devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Ukrainska "Folkets tjänare" visas i SVT. Oscarsgalan sågs av över 15 miljoner i USA. Tonsättaren Penderecki begravs i Krakow.

- Penderecki jest dla mnie w pewnym sensie spadkobiercą Dymitra Szostakowicza. Jest wielkim, być może jednym z największych kompozytorów w historii muzyki - mówił w Dwójce skrzypek Julian Rachlin.

¡La GUITARRA es un SALVAVIDAS!   Conversamos sobre la guitarra clásica en Puerto Rico, con el legendario guitarrista clásico puertorriqueño: Iván Rijos. Hablamos sobre su formación en Río Grande Puerto Rico, WIPR y Jimy Hendrix, el Conservatorio de Música de Puerto Rico - Página Oficial, su experiencia con los maestros Leonardo Egúrbida y Andrés Segovia, la improvisación barroca y su presentación junto a Penderecki y el compositor puertorriqueño Ernesto Cordero en el Festival Casals del 1993.   El episodio ya está disponible en todas las principales plataformas de Podcasts.   ANUNCIO: Recuerden que tenemos nueva Academia de Música y Artes Simbiosis (AMAS) en la Plaza de Recreo Santiago R. Palmer en el pueblo de Caguas; LLAMA o ESCRIBE ahora al: 939-207-6051, ¡para más información!   Música: INTRO/OUTRO: "Ciudad de las Voces", Pabón Music "Moises y Faraón," (Intro) - Iván Rijos, álbum: "Dedicación" "Lágrimas de Jesús," (Outro) - Iván Rijos, álbum: "Dedicación" "Violencia y Propaganda - Pedro E. Franco Fraticelli "Madroños" - Federico Moreno Tórroba - Andrés Segovia    Preguntas a nuestros anfitriones y temas sugeridos pueden ser dirigidas a nuestro email: conversacionesimbioticas@gmail.com  A Pedro Emanuel Franco Fraticelli lo pueden buscar en Facebook y SoundCloud bajo su nombre, y en Instagram: @peterfranks7; a Juan Luis O'Halloran lo encuentran bajo su nombre en Facebook, y @jl.ohalloran en Instagram y Twitter; y a Christian García Roque lo encuentran bajo su nombre en Facebook, y @tenorboricua en Instagram, y a Pablo Pabón lo encuentran en Instagram como @pabonmusic, ¡hasta la próxima! Conversaciones Simbióticas fue creado por Pedro Emanuel Franco Fraticelli y Julio E. Quiñones Santiago. Anfitriones: Pedro Emanuel Franco Fraticelli, Christian García Roque y Juan Luis O'Halloran. Invitado especial: Pablo Salvador Pabón Pérez Producción: Pedro Emanuel Franco Fraticelli   Artes por María Victoria Art.   Simbiosis Puerto Rico LLC Productions (c)   #CS #SimbiosisPR #Podcast #PodcastPuertoRico #CMPR #PodcastEnEspañol #ClassicalGuitar #IvánRijos #AndrésSegovia #LeonardoEgúrbida 

Metamorphosen, Penderecki's Second Violin Concerto, was written for the German violinist Anne-Sophie Mutter between 1992 and 1995. Drawing on the contrasts between this work and the First Violin Concerto, which was premiered by Isaac Stern in 1977, and contextualising Metamorphosen with the Second Violin Sonata and La Follia, this podcast will explore a meeting of musical minds in one of the most striking works for violin and orchestra of the late twentieth century.  Transcription WCAG

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Music publisher Peter Hanser-Strecker was born in Munich in 1942. He studied musicology and law in Mainz, Munich and Frankfurt. In 1968 he completed his law studies and received his PhD for his thesis on "Plagiarism in Music". In the same year, he began working for Schott Music as head of the legal department. In 1974 he was appointed to the management board of the publishing house, which he has chaired since 1983. In addition to his publishing activities, Hanser-Strecker is involved in a number of music organizations and professional associations and is an honorary member of the German Music Publishers Association and GEMA, among others. He is also a member of over twenty other associations, organizations, and foundations. Tracks Credit: Krzysztof Penderecki - Seven Gates of Jerusalem, St. Luke Passion, Fluorescenses, Devils Of Louden.

The two most famous operas by Penderecki offer a dazzling contrast in style and subject. Where The Devils of Loudun, premiered in 1969, translates Aldous Huxley's history of religious possession and persecution in music of unsettling sensuality and brutality, the opera buffa, Ubu Rex, premiered in 1991, wraps a satire on corruption in tart and tangy coloratura, marches and choruses. In this podcast we examine where the operas sit in the wider European twentieth century operatic tradition and whether both works could be termed ‘zeitoper'.  Transcription WCAG

Em 2021, enquanto todo mundo estava preocupado, Jonny Greenwood estava ocupado: nada menos que 3 trilhas, um recorde pessoal, com duas delas na lista de melhores do ano. Neste episódio, revisitamos a pequena e seleta lista de trilhas da outra cabeça do Radiohead, sua fascinação por Penderecki e ondes martenot, de Bodysong e Sangue Negro a Ataque dos Cães e Spencer.

durée : 00:26:59 - Tristan Murail, compositeur (2/5) : Du Conservatoire à la fondation de l'Itinéraire, en passant par l'électroacoustique - par : Corinne Schneider - Le compositeur évoque ses grands chocs musicaux à Paris pendant ses études (Penderecki, Ligeti, Xenakis…), les événements de mai 1968, ses recherches à la Villa Medicis (1971-1973) où il est pensionnaire en même temps que Gérard Grisey, et les motivations qui l'amènent à fonder l'Itinéraire en 1973. - réalisé par : Marie Grout

“I was aiming for something that seemed unreachable”, said Penderecki of the St Luke Passion, a work written to mark one thousand years of Christianity in Poland, but commissioned by Westdeutscher Rundfunk to celebrate the 700th anniversary of Münster Cathedral. How was such a fundamental expression of faith received in Communist era Poland, and where does the St Luke Passion sit in a lifetime of composing sacred music? In this podcast we reflect on belief and redemption in choral music.  Transcription WCAG

durée : 01:29:28 - Andrzej Hiolski, prince des barytons polonais - par : François-Xavier Szymczak - Ce fut le prince des barytons polonais. Andrzej Hiolski est notre héros du jour, avec des œuvres de Mozart, de Moussorgski ou Wagner interprétées avec une formidable noblesse, mais aussi le répertoire de son pays, de Moniuszko à Penderecki, en passant par Karłowicz ou Szymanowski. - réalisé par : Céline Parfenoff

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Jurek Dybał is the General Director and Chief Conductor of The Orchestra of the Royal Capital City of Krakow Sinfonietta Cracovia, an acclaimed conductor and a musician of the famous Vienna Philharmonic. His charismatic personality has been valued by the audience of many European music venues, in which he has made an appearances with the Beethoven Orchester Bonn, Tonkünstler-Orchester Niederösterreich, Radio Symphonie Orchester Wien, Orchestre Philharmonique de Monte Carlo, L'Orchestra del Teatro Carlo Felice di Genova, Wiener KammerOrchester, Wiener Concert-Verein, Concerto Köln, Bayerische Kammerphilharmonie, Tatarstan National Symphony Orchestra, Kuopio Symphony Orchestra, Czech National Symphony Orchestra, Brno Philharmonic Orchestra, Sinfonia Varsovia Orchestra, Polish National Radio Symphony Orchestra, Polish Radio Orchestra, Silesian Chamber Orchestra, Wrocław's Leopoldinum and National Forum of Music Symphony Orchestra as well as Philharmonic Orchestras in Poznań, Krakow, Łódź and Gdańsk. As a conductor he collaborated with such eminent soloists as Gidon Kremer, Martin Grubinger, Katia and Marielle Labèque, Xavier de Maistre, Cameron Carpeneter, Lawrence Power, Erwin Schrott, Tomasz Konieczny, and singers of the Vienna State Opera among others. Jurek Dybał is a founder and a director of the Krzysztof Penderecki International MusicFestival – Level 320 held in the historical hall of Guido mine in Zabrze. The artist premiered there a number of Pendereckis works. His recordings can be found on the albums by Sony Classical and Warner Classics among others. Tracks: Penderecki Sinfonietta No. 1 & 2https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Sinfonietta No. 3 youtube Polish Requiem https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87 (https://www.naxos.com/catalogue/item.asp?item_code=8.557386-87) Credohttps://www.naxos.com/catalogue/item.asp?item_code=8.572032 (https://www.naxos.com/catalogue/item.asp?item_code=8.572032) 3 Pieces in Old Style; No. 3https://www.naxos.com/catalogue/item.asp?item_code=8.572212 (https://www.naxos.com/catalogue/item.asp?item_code=8.572212) Concertino per tromba e orchestra youtube UBU REX youtube

On 8 September, 1939, when Krzysztof Penderecki was just a few weeks shy of his sixth birthday, German forces took control of his home town of Dębica with its majority Jewish population. Between then and the liquidation of the Dębica ghetto in 1943, the young Penderecki had to witness the Nazi regime's systematic intimidation, segregation and extermination of Europe's Jews as it played out literally his own doorstep. Twenty years later he took Leon Weliczker's Holocaust memoir, Brigade of Death, and constructed a work for narrator and electronics which, following its premiere, would not be performed again until 2011. Reflecting on a painful history in this podcast, we explore Brigade of Death and the reactions of different generations of listeners to Penderecki's work.  Transcription WCAG

Fifty two strings. Eight minutes. Thirty seven seconds. Completed in 1960, Krzysztof Penderecki's Threnody to the Victims of Hiroshima has become one of his most well-known works thanks to its use in soundtracks of films by David Lynch, Wes Craven and Alfonso Cuarón. In this podcast we explore its genesis, how its textures suggest an incomprehensible terror and sorrow, and its transition from abstraction to memorial.  Transcription WCAG

In the final episode of Jack's curated series, he charts the changing musical styles embraced by Penderecki across his career, using his symphonies as a starting point. Zooming in on the Seventh Symphony, Jack explains how Penderecki paints the epic picture of the founding of a city. Jack grapples with the challenges posed by a radically varied musical language, and argues that, far from a weakness, this eclecticism could be Penderecki's great strength. Transcription WCAG

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.

Die Geigerin Christiane Edinger erzählt von ihrer Zusammenarbeit mit Komponisten wie Penderecki, Halffter und Hamel, wie sie 17-jährig mit Boris Blachers Solosonate ihr Konzertdebüt gab, was von einer Musikerkarriere im Gedächtnis bleibt, warum sie erst mit Ende 40 Professorin werden wollte und warum sie ihre Amati gegen eine neugebaute Geige eingetauscht hat.

In this episode, we'll be hearing from Zvonimir Hačko, conductor and Artistic Director of the newly initiated International Centre for Contemporary Music (ICCM). We'll learn more about the ICCM and what the future and development of contemporary music might look like over the next few years. One of the ICCM's inaugural projects is recording the complete symphonies of Penderecki, and we'll hear more about this recording process. We also discuss audience responses and perceptions towards contemporary music, particularly in light of the recording of Penderecki's symphonies Zvonimir is directing and conducting with the Philharmonia Orchestra. Zvonimir's bio: http://www.zhacko.com/biography. ICCM: https://www.iccmlondon.org. Zvonimir's article "Beyond Artistic Homogeneity," which he refers to in the podcast: https://www.iccmlondon.org/beyond-artistic-homogeneity. Thank you to Premier Communications for sponsoring this episode! Interview with Zvonimir recorded 23 November 2021; podcast published 7 December 2021. --- Send in a voice message: https://anchor.fm/talking-classical-podcast/message

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on:  Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Hosts: Casey Cangelosi, Ben Charles, Karli Vina, and Ksenija Komljenović Intro music by Luigi Morello www.morleoeditore.com  Watch here  Listen below  0:00 Intro and hello.  Teaching online  2:15 Ben: March 11 in music history.  Hal Blaine   6:00 Welcome, Marta Klimasara 6:55 Some background 9:15 Your move from Poland to Germany? 11:10 What makes music interesting to you?  What makes a good performance good?  14:35 Working with Keiko Abe?  Producing such wonderful students.   19:10 Your journey and pivotal moments?  21:30 Understanding pieces of music - Corporal 25:44 Overcoming fear in performance?  26:57 Rupert Kettle's "Tambourines"?  32:20 When can we see you perform online?!  Little parent detour   39:30 What are you looking forward to getting back to after COVID?  44:25 What's keeping you going through COVID?  46:15 So nice to see you!!  Casey late to Italy..  49:20 Casey: convolution and the Hagia Sofia  1:00:10 Your thoughts on the state of the repertoire?   1:03:30 Penderecki?   1:06:15 Female percussionist struggles?  

  ★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on: Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/   Hosts: Casey Cangelosi, Ben Charles, Karli Viña, and Ksenija Komljenović Guest: Christoph Sietzen http://christophsietzen.com Intro music by: Antoni Olesik https://instagram.com/antek.olesik   Watch here  Listen below    00:34 Events in music history on October 15 03:10 Casey does not like Led Zeppelin… 04:12 Casey's odd encounter with at a urinal 5:40 Guest introduction: Christoph Sietzen! 6:45 Ksenija forgot how to speak 6:58 How did you spend the last 6 months? 13:13 COVID issues with booking orchestra performances in Austria and Germany 14:47 Performance situation in the US 15:20 Televised performances in Germany 17:38 Red sticks used in Rebonds video recording 20:51 Ryan Carlizzle: If I had to describe your playing style in one word, it would be theatrical. I thoroughly enjoy watching you play. Can you talk about how you developed that style of playing? Or did it just come naturally to you? 22:37 Mateo Rivas Castro: What can you tell us about the “Austria-German” school of the marimba. And why you play like they do? 24:55 Playing with weight and using gravity 29:23 @markeldrummer: How do you get that sound on the marimba? 31:00 Bogdan Bacanu marimba 33:25 How do you pick repertoire? 34:25 Do you play Bad Touch by Casey Cangelosi? 36:52 Christoph's premiere of Georg Frederich Haas' Percussion Concerto, building the klangwall (wall of sound), physical presence, and bodily awareness on stage 39:57 @Eero_perkelecussion - What's your favorite percussion/marimba concerto? 43:06 Einojuhani Rautavaara's Incantations Percussion Concerto 43:48 Percussion puzzles composers 45:08 Antek Olesik - What in your opinion is the importance of competitions in a solo percussion career development? How did your competition titles help you? 47:00 Luxembourg Philharmonic Connection and asking Penderecki for a Percussion Concerto 48:18 The importance of trust and networking in your career 49:40 How do you go from being a great player to having a career? 54:54 Filip Koroshetz - How do you get your one-handed runs to be so lightning fast and still (seemingly) so relaxed? Thinking of Frozen in Time 1st Mov. 59:29 @Briansys - What is your favorite drumstick for snare drum and drums in general situation? 01:00:00 Thoughts on multipercussion sound? 01:01:21 Performing on natural skins 1:04:20 Weight – one of the reasons for playing so high 1:05:21 Mateo Rivas Castro – How is it possible to be so awesome? 1:06:06 U.S. Open Finale is important 1:06:30 What does a typical day look like for you? 1:10:28 Sports, social life, playing piano 1:13:30 Playing other instruments (harpsichord, double bass) 1:16:16 Watching Tour de France 1:17:14 Thanks! 1:17:42 Teaching in Linz

Pólski tónsmiðurinn Krzysztof Penderecki er allur. Hátalarinn rifjar upp örfá dæmi um verk hans frá fyrri hluta ferilsins. Í tengslum við þá tónlist er síðan haldið á sporbaug um ártalið 1970 áður en hugað er að hinum snjalla trompetleikara Wallace Roney sem hvarf af djasssviðinu fyrir skemmstu, aðeins sextugur að aldri.

Efni Víðsjár í dag: Bandaríski tónlistarmaðurinn Bob Dylan sendi í síðustu viku frá sér lagið Murder Most Foul en það er fyrsta frumsamda lagið sem hann gefur út í átta ár, og eftir að hann hlaut Nóbelsverðlaunin í bókmenntum árið 2016. Lagið er það lengsta sem Dylan hefur sent frá sér, eða tæpar sautján mínútur og í því syngur hann um morðið á John F. Kennedy Bandaríkjaforseta í Dallas í Texas 22. nóvember árið 1963, og raunar margt fleira. Fjallað verður um lagið í Víðsjá í dag. Einnig verður fjallað um pólska tónskáldið Krystof Penderecki en hann lést um síðustu helgi. Penderecki var eitt af framsæknustu tónskáldum Evrópu á síðari hluta 20. aldar en þurfti að búa við ritskoðun bæði frá sovéskum og pólskum stjórnvöldum og kaþólsku kirkjunni. Sigurlín Bjarney Gísladóttir rithöfundur heldur áfram að flytja hugleiðingar um undarlega tíma og flytur hlustendum í dag hrifningaróð auk þess sem hún fjallar um berskjöldun og vanmátt. Fjölbýlishús koma við sögu í þætti dagsins. Og hlustendur heyra ljóð fyrir þjóð. Umsjón: Guðni Tómasson og Eiríkur Guðmundsson

About the Performance: Combining film clips with live performances of the scores, we bring to life the iconic music chosen by late legendary director Stanley Kubrick – from Beethoven to Penderecki. By Arrangement with Warner Bros. Pictures Program: Various composers : Selections from 2001: A Space Odyssey, A Clockwork Orange, The Shining, Barry Lyndon, and Eyes Wide Shut Artists: Los Angeles Philharmonic Jessica Cottis conductor Malcolm McDowell host Los Angeles Master Chorale Grant Gershon Artistic Director SUN / NOV 25, 2018 - 2:00PM Upcoming concerts: www.laphil.com/calendar Upbeat Live schedule, details, and speaker bios: www.laphil.com/ubl

On today's show we talk to Jonathan Mitchell. Jonathan is a radio producer, composer, and co-creator of the amazing podcast The Truth. As a producer, he's created pieces for many shows including Radiolab, Studio 360, This American Life, and All Things Considered. As a composer, he's written music for PBS' Nova and the videogame The Sims, and his radio drama podcast The Truth was named as one of the best podcasts of 2012 by iTunes.Last week, Jonathan came over to the Wrestling Team apartment to give Andy a master class in pronunciations, as well as to reminisce about childhood tape recorders, chat about music theory and recording techniques and discuss studying with composer Alvin Curran.nes.Subscribe on iTunes and follow Andy and Mark on Twitter! See a live episode on March 5th at UCB East at 8pm with author/performer Dave Hill, Ilana Glazer and Abbi Jacobson of Broad City, the band Hilly Eye (ex-Titus Andronicus) and more!