Podcasts about Pie Jesu

durée : 00:05:05 - "Pie Jesu", la dernière prière de Lili Boulanger - par : Max Dozolme - Les éditions la Philharmonie de Paris font paraître un nouvel opus consacré à Lili et Nadia Boulanger. Un ouvrage signé Léo Henry et illustré par Elodie Durand intitulé « Une Disparition de Maleine » où l'on peut notamment imaginer Lili dicter à Nadia sa dernière œuvre musicale…

Francois-Joseph Gossec - Grande Messe des Morts: Pie JesuHoward Crook, tenorClaude Darbellay, bass-baritone Swiss Radio Choir Swiss Radio Orchestra Diego Fasolis, conductorMore info about today's track: Naxos 8.554750-51Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This blogcast explores “The Musical Tradition of All Souls' Day” written by Emily Lomnitzer and read by Fatima Monterrubio Cruess.In this blog post, Emily shares some of the history behind All Souls' Day's most famous musical compositions, for example, by Mozart, Verdi, or Andrew Lloyd Weber. Moving forward in history, we see some of the greatest composers creating masterworks called “requiems.” In these, the special prayers for Masses for the dead mentioned above as well as the prayers that are sung at ordinary Masses (like the “Kyrie”) are set to music. Usually they were written for choir as well as orchestra or organ, some requiring hundreds of musicians. Some of the most famous requiems are Mozart's, Verdi's, and Fauré's. You may hear selections of these at All Souls' Day Masses, or at special concerts dedicated to the feast, or during the season of Lent. Listening to recordings of them is also a wonderful supplement to your prayers during this time. One of the most famous pieces of music within the tradition of All Souls' Day is the “Pie Jesu.” Again originating from the prayers of the Mass for the Dead, the text reads, “Pious Lord Jesus, give them rest. Pious Lord Jesus, give them everlasting rest.” This prayer has become one of the most frequent inspirations for performances and composers, as the prayer itself is so simple and beautiful. There are so many beautiful versions, including one—among the most popular—composed by Andrew Lloyd Weber, the composer of The Phantom of the Opera. Whatever your taste in sacred music, there is much to be gleaned from the vast stores of music history with regard to All Souls' Day. For a thousand years, composers have taken to the page to help us better pray for our deceased loved ones. This year, why not find a requiem that you haven't heard before, or listen to Andrew Lloyd Weber's “Pie Jesu”? Ask God to help you to pray for the souls of your loved ones through this music as millions of people have done before you and will continue to do as long as music lives. Author:Emily Lomnitzer is a young professional. She holds a Bachelor's and Master's degree from The Catholic University of America. Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify Fr. Frank Donio, S.A.C. also appears on the podcast, On Mission, which is produced by the Catholic Apostolate Center and you can also listen to his weekly Sunday Gospel reflections. Follow the Center on Facebook, Instagram, X (Twitter), and YouTube to remain up-to-date on the latest Center resources.

Las continuas preguntas del ser humano sobre de dónde venimos y por qué tenemos que morir, buscan su respuesta más allá de las estrellas. La ciencia-ficción en el cine desde el "2001" de Kubrick en 1968 ha adquirido un sentido cada vez más teológico y metafísico. Así Ridley Scott se preguntaba en 1979 en "Alíen" si "en el espacio nadie puede oír tus gritos" y en 1982 en "Blade Runner" si el Creador puede darnos inmortalidad. De esto trata también el prólogo del Evangelio según Juan en su primer capítulo. Antes de analizar la película, escuchamos la canción del antiguo monaguillo inglés que quiso ser cura, Sting, sobre el "Amor sagrado" (Sacred Love 2003). La pregunta de si Dios está ahí te lleva inevitablemente a la cuestión de si es un Dios personal, porque sólo así puede amarnos. No sería la Fuerza o la Energía. lo que daría sentido al universo, sino un Amor Eterno, que merece toda nuestra admiración. El líder de The Police lo contrasta con la tragedia del 11-S y el amor que siente todavía por su mujer, Trudie, pero también lo que aprendió en el colegio católico de Newcastle. El compositor de "Jesucristo Superstar" y "Evita", Andrew Lloyd Webber escribió un "Requiem" en 1985 para su padre, un organista de iglesia que hizo música sacra, cuando lee en el New York Times sobre un un niño camboyano capturado por los Jemeres Rojos, que le dan la opción de matarse él, o a su hermana mutilada. El horror le inspira el "Pie Jesu" que canta Sarah Brightman, su esposa entonces. La oímos esta vez en una versión en vivo en 2008 en Viena. Este "Misericordioso Jesús" viene del lenguaje de los tradicionales "Agnus Dei" (El Cordero de Dios), el mensaje de Juan el Bautista al principio del Evangelio, sobre el único que puede quitar el pecado del mundo. Escuchamos algunos diálogos de la versión doblada de "Blade Runner" con los comentarios de José de Segovia sobre la música de Vangelis. Después oímos una canción del poeta y cantautor inglés Steve Scott sobre la Encarnación, "Flesh & Blood" en 1983, producido por Steven Soles, uno de los músicos de Dylan en "Desire" y la Rolling Thunder Revue, convertido al cristianismo en esos años. Para acabar con la exuberante declaración del propio Nobel de Literatura de que había sido "Salvado" (Saved) en una grabación en vivo en Santa Mónica en 1979, antes de que apareciera el disco del mismo título. Tras una larga introducción que traducimos, Dylan confiesa que sólo hay salvación por la sangre del Cordero.

Carrièredrift, uitbuiting, ijdelheid: niks menselijks is de klassieke muziek vreemd. Platenlabels gooien jonge musici op de markt, via Instagram boetseert menigeen aan zijn imago. Hoog tijd dat Joris en Guido stilstaan bij marketing en hype. Wie voelde zich verantwoordelijk voor Janine Jansen? En is Lorenzo Viotti de ophef waard? Speellijst * Andrew Lloyd Webber, Pie Jesu, Charlotte Church (sopraan), Orchestra of the Welsh National Opera o.l.v. Sian Edwards * Sergej Rachmaninov, Prelude op. 23 nr. 5, Valentina Lisitsa (piano) * Jean Sibelius, Allegretto uit Vioolconcert, Janine Jansen (viool), Oslo Philharmonic Orchestra o.l.v. Klaus Mäkelä * Maurice Ravel, Pianoconcert voor de linkerhand, Bertrand Chamayou (piano), Nederlands Philharmonisch Orkest o.l.v. Lorenzo Viotti * Frédéric Chopin, Etude  op. 10 nr. 12, Yunchan Lim (piano)

Christa Pfeiffer, soprano, Piedmont Community Church Chancel Choir and orchestra, Stephen Main, director

Lisbjerg kirke. Aarhus stift, 1. søndag efter påske. Prædikant: Helle Rørbæk Hørby. Organist: Erling Lindgren. Kristine Mågård: Sopran, Henrik Husum Obo. Salmer: DDS 224: Stat op, min sjæl, i morgengry. DDS 302: Gud Helligånd ! o kom. DDS 601: Herlighedens Gud. DDS 522: Nåden er din dagligdag. Introitus: Mein Jesus ist erstanden. Komponist: J.S Bach. Under altergangen: Pie Jesu. Komponist: A.Lloyd Webber. Postludium: Nun beut die Flur das frische Grün. Komponist: J. Haydn. Vært: Anders Laugesen.

One of the UK's most popular vocalists and broadcasters, Aled Jones MBE, today announces the release of his brand-new album which not only celebrates 40 years in show business but reveals some previously unreleased tracks, recently unearthed by Aled himself. Whilst visiting his family home in Anglesey earlier this year, Aled began reminiscing over the 40 years of memorabilia his parents have collected throughout his career. They literally had everything, even a collection of multi-coloured shirts and bow ties. Aled's mother explained they had been handmade for him by a BBC employee for a series he made in 1983, at the age of 13. This prompted Aled to go and find the original programme. He began to go through the footage and discovered recordings, which have never been released or even heard since the original broadcast 40 years ago. The album includes brand new arrangements of those classics including Ave Maria and Bright Eyes.Aptly titled, ‘One Voice – Full Circle', the new record is the fourth (and probably final, says Aled!) instalment in his utterly unique ‘One Voice' series in which, through the magic of technology, Aled is able to duet with his younger self: man and boy, baritone and treble. Here, album highlights include ‘Sailing', The Sutherland Brothers' 1972 track best known as a hit for Rod Stewart, Handel's ‘Where'er you Walk', from the musical drama Semele, Welsh love song ‘Bugeilo'r Gwenith Gwyn' and traditional ballad ‘Scarborough Fair'. Aled even tracked down the original 80's guitarist, Dylan Fowler, to re-record his part for this new recording. TRACKLIST:1. Bright Eyes 2. Sea Fever 3. Scarborough Fair 4. Where ‘ere You Walk 5. Bugeilio'r Gwenith Gwyn6. Sailing 7. Trees 8. Panis Angelicus 9. At the River 10. Brand New Day 11. Ave Maria12. Sarah (Mi Glywaf Dyner Lais) 13. Pie Jesu 14. Walking In The Air (Piano Solo version)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Learn more about St. Michael's at www.st-michaels.org.

Manchmal ist der Holzweg gar nicht so verkehrt. Musik mit reinigender Wirkung, Entgiftung mal anders. Diese Musikstücke hast Du in der Folge gehört: Joseph Haydn - "Adagio aus dem Cellokonzert D-Dur" // Andrew Lloyd Webber - "Pie Jesu aus dem Requiem" // Edgar Meyer - "Short Trip Home" // Vikingur Olafsson - "For Jóhann" // Camille Saint-Saens - "Andantino aus der Oboensonate" // Den Podcast "Freiheit Deluxe" vom HR findest du hier: https://www.ardaudiothek.de/sendung/freiheit-deluxe-mit-jagoda-marinic/88868694/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Für ihr größtes Ziel muss sie mehrere Anläufe nehmen, auch wegen gesundheitlicher Rückschläge. Beim wichtigsten Wettbewerb der europäischen Kompositionszunft wird Lili Boulanger 1912 wegen Fieberschüben vor dem Finale aufgeben. Sie ist 18 und hat noch knapp 6 Jahre zu leben.

Danny Vaughn is an American singer that has performed with Waysted, Tyketto and Vaughn and now performs and releases under his own name as well.Danny Vaughn is a product of Steiner education. At lower school, he was placed into a choir. “My first public performance was singing Pie Jesu in soprano. I remember the audience craning their necks to see who the little kid who sang the solo was. My best-loved experience, during those days, was singing in harmony. It stayed with me ever since.” His schooling taught Vaughn to read and enjoy classical music, though his teenage years were filled with a love for the pop classics, especially Beatles, Simon & Garfunkel: anything that provided harmonizing, folk-rock, edged with the baroque.After leaving school, Danny played in several local cover bands, many of them playing classic covers in rock-joints around Rockland County New York. “One day I got a message that the Welsh rock guitarist Paul Chapman (Skid Row, UFO) was looking for me. I brushed it aside, but my curiosity got the better of me and I called the number. I was invited to do an audition down in Florida, for Paul's new project: DOA, and recorded a demo with him that he took to the UK to shop with the record companies there. But that went by the wayside when Pete Way invited Paul to join Waysted instead. Of course they'd already found themselves a talented vocalist in Fin Muir. So that was that!” “But in 1985, they had a falling out with Fin and I was invited to learn a bunch of Waysted and UFO songs just days before a huge show at Ramat Gan football stadium, in Tel Aviv. I endured. It was my trial-by fire-audition for a band I continued to play with till 1987.” 1987 Vaughn formed Tyketto, a band he was in until 1994 when he was replaced by future Journey singer Steve Augeri. Tyketto split up in 1996, but have played mini-tours with Vaughn and other original members at various times since 2004. The reunited Tyketto also released two albums Dig In Deep (2012) and Reach (2016), The band has started a new chapter with a couple new members joining recently and 2023 will see the band return to live concert action.Danny talks about all that and more on episode #51 of podcast right here!

A program of music, by a slew of composers. Bach, “Preis und Dank,” from the Easter Oratorio Bach, “Mache dich, mein Herze, rein,” from the St. Matthew Passion Mascagni, Easter Hymn, from “Cavalleria rusticana” Trad., arr. Bonds, “You Can Tell the World” Handel, “I know that my Redeemer liveth,” from “Messiah” Rimsky-Korsakov, “Russian Easter Festival Overture” Fauré, Pie Jesu, from Requiem East... Source

A program of music, by a slew of composers. Bach, “Preis und Dank,” from the Easter Oratorio Bach, “Mache dich, mein Herze, rein,” from the St. Matthew Passion Mascagni, Easter Hymn, from “Cavalleria rusticana” Trad., arr. Bonds, “You Can Tell the World” Handel, “I know that my Redeemer liveth,” from “Messiah” Rimsky-Korsakov, “Russian Easter Festival Overture” Fauré, Pie Jesu, from Requiem East, James H., “He's So Wonderful” Mahler, Symphony No. 2, “Resurrection”

Soprano Becca Burrington sings, Stephen Main, harp. Chancel Choir. Piedmont Community Church, Piedmont, California.

Avui hem sentit: "D'un soir triste" (versi

"Pie Jesu" from Requiem by Heather Sorenson. Presented by the First UMC Chancel Choir at the Celebration of Life for Robert (BJ) Jackson and accompanied by Gavan Mcvey on piano. Pastor Beth provides some background on the Requiem at the end of the choral piece.

Pie Jesu | Requiem | Andrew Lloyd-Webber Pie Jesu, pie Jesu, pie Jesu, pie Jesu Qui tollis peccata mundi Dona eis requiem, dona eis requiem Pie Jesu, pie Jesu, pie Jesu, pie Jesu Qui tollis peccata mundi Dona eis requiem, dona eis requiem Agnus Dei, Agnus Dei, Agnus Dei, Agnus Dei Qui tollis peccata mundi Dona eis requiem, dona eis requiem Dona eis requiem Sempiternam Tradução: Piedoso Jesus, piedoso Jesus, piedoso Jesus Que tirais o pecado do mundo Dai -lhes o descanso, dai-lhes o descanso Piedoso Jesus, piedoso Jesus, piedoso Jesus Que tirais o pecado do mundo Daí -lhes o descanso, dai-lhes o descanso Cordeiro de Deus, Cordeiro de Deus, Cordeiro de Deus Que tirais o pecado do mundo Dai -lhes o descanso, dai-lhes o descanso Eterno --- Send in a voice message: https://podcasters.spotify.com/pod/show/jlio4/message

Gregg DeMey, Lead Pastor

“Pie Jesu” from Requiem by Heather Sorenson. Presented by the First UMC Chancel Choir and accompanied by Lynn Sandefur-Gardner on piano.Requiem was commissioned by the congregation of First UMC.

Gabriel Faure - Requiem: Pie Jesu Lisa Beckley, soprano Colm Carey, organ Oxford Camerata Jeremy Summerly, conductor More info about today's track: Naxos 8.550765 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Concert FridayMUSIC"Pie Jesu"In Paradisum"

To close out Asian American and Pacific Islander Heritage Month, San Francisco-based saxophonist and longtime activist Francis Wong joins us to talk about the revolutionary power of music and art. He shares how he came to pick up a saxophone in the first place and how music, especially jazz, has played an important role in his activist work. We discuss the role of multiracial unity and collective power in art and the ongoing fight for social justice in this country. Francis shares about his album with legendary drummer Max Roach and the record label he founded with composer and pianist Jon Jang, Asian Improv Arts. We also play excerpts from Francis' extensive musical works. REFERENCES: Francis Wong - @franciswongsf Asian Improv aRts - https://asianimprov.org SONGS "Prayers for Melvin Truss" - https://asianamsmakingmusic.tumblr.com/post/55447694876/jon-jang-4-in-one-quartet-prayer-for-melvin “Pie Jesu" from Gabriel Faure's "Requiem" - https://youtube.com/watch?v=rnCKf1--leM "Meditation on Integration" - https://youtube.com/watch?v=rnCKf1--leM "Miyoshi Sketches" - https://youtube.com/watch?v=iBKV-B8Nf0c BACKGROUND INFO Chinese Exclusion Act - https://en.wikipedia.org/wiki/Chinese_Exclusion_Act Joseph Pierce, Union Army Soldier - https://en.wikipedia.org/wiki/File:Joseph_Pierce_Chinese_Union_Army_Soldier_In_14th_Connecticut_Infantry_Regiment.jpg Black Arts Movement - https://en.wikipedia.org/wiki/Black_Arts_Movement Erhu instrument - https://en.wikipedia.org/wiki/Erhu

The planned Women's and Children's Hospital may be built at a new site after Labor says a secret $100m cost blowout has pushed the price through the $2bn mark.  The woman tapped to replace Greg Hunt as health minister if the Coalition government is re-elected wants to make getting Australia's kids back into sport her priority.  A fan who filmed a brawl during a country football match is “livid” after he was handed a longer ban than a player who knocked his opponent unconscious.  Ethan Hall is desperate to shake the tag The Hiccups Kid ….and his astonishing audition of Pie Jesu on the new season of The Voice looks set to do just that.    For updates and breaking news throughout the day, take out a subscription at advertiser.com.au  See omnystudio.com/listener for privacy information.

Welcome to our second holiday special! We give you first a touching family Christmas story, "Christmas at Red Butte," by Lucy Maud Montgomery, the author of Anne of Green Gables. Next, a Christmas meditation by Charles Dickens, entitled "A Christmas Tree." In this piece, the author of "A Christmas Carol" offers, instead of a story, a set of reminiscences about the meaning of Christmas past as he contemplates life-long celebrations of presents and toys, books, and stories both silly and serious — including a long section on ghost stories — and of course, as "A Christmas Carol" itself reminds us, telling ghost stories was a major Christmas tradition in Victorian England, adding supernatural chills to the chills caused by the weather. CREDITS Montgomery, "Christmas at Red Butte": read by Dee Canfield * Axletree, "Clothe the Fields with Plenty"; "Drops of Melting Snow"; "The Silent Grove" [https://freemusicarchive.org/music/Axletree/music-from-a-hampshire-farm] Dickens, "A Christmas Tree": read by Mischa Hooker * Borrtex, "Buying Presents"; "Happy Holidays"; "Christmas Eve"; "Love & Generosity" [https://freemusicarchive.org/music/Borrtex/Christmas_Time] * Jon Sayles [http://www.jsayles.com/familypages/EarlyMusic.htm; http://www.jsayles.com/familypages/holidaymusic.htm]: Couperin, "Les barricades mistérieuses"; Ravel, Piano Concerto in G, Adagio (2nd movement); Fauré, Requiem: "Kyrie," "Libera me," "Pie Jesu"; Obrecht, "Pace Domine"; Dufay, "Proles de caelo," "Ce mois de May"; Senfl, "Gottes Gewalt Kraft"; Pevernage, "Secoure moy, madame"; Carols: "Deck the Halls," "Angels We Have Heard on High," "Es ist ein Ros entsprungen" Theme music for program: * Chopin, Waltz in A-flat major, Op. 69, no. 1 and Waltz in B minor, Op. 69, no. 2 (performed by Olga Gurevich) Director / Organizer / Sound Editor: Mischa Hooker INFORMATION ON STORIES AND PLAYS REFERENCED BY DICKENS Dickens refers to many children's stories and plays in the course of his meditation, some still very familiar to young readers, others less familiar. Alphabet rhymes ("A Was an Archer") are still popular in easy readers; "Jack and the Beanstalk" and "Little Red Riding-Hood" are also very commonly read. Far less well known today are some of the plays Dickens mentions, such as "The Forest of Bondy, or Dog of Montargis"; or "The Tragedy of Jane Shore"; or "The History of George Barnwell." The internet provides immediate access to many of these historic works of children's literature, and it can especially be quite fun to see the old illustrations in the earlier editions even of familiar works. Apart from massive collections of scanned facsimiles offered by Google Books or the Internet Archive, one initiative to digitize and make available scans of numerous 18th- and 19th-century chapbooks is also worth pointing out: https://digital.library.mcgill.ca/chapbooks/index.php. We have gathered together a goodly collection of these old books mentioned by Dickens from these sources, in order to offer them for your interest in one spot. Warning! Looking into what another century considered good or appropriate is sometimes surprising or shocking — especially, adults should look over any such material before handing it over to children to read! Our repository of downloadable material is here: http://www.tinyurl.com/DickensChristmasTreeReferences

音樂史上曾經有這麼一群人，他們為了音樂獻身，只為了能保持純淨高亢的聲音。 但他們付出的代價是極為殘忍的，因為欲練此功，必先自宮。 *文中提到的最後一位閹人歌手是Alessandro Moreschi [bgm (opening)] Charles Gounod, Ava Maria (sung by Alessandro Moreschi) [bgm] Erik Satie, Gymnopedies, No.1, 2, 3 [bgm (clip)] Joseph Leybach, "Pie Jesu" from Requiem, "Mass for the Dead" (sung by Alessandro Moreschi) Powered by Firstory Hosting

Today I'm interviewing opera singer Breanna Sinclairé. A native of Baltimore, Maryland, and a graduate of CalArts, Breanna received her Masters from the San Francisco Conservatory of Music, and was the first transwoman of the opera program. Operatic performances include Carmen, La Calisto, The Old Maid and The Thief, The Magic Flute, L'enfant et les sortilèges, Platée, and West Side Story, as well as Meredith Monk's Songs of Ascension at REDCAT, and Zachary Sharrin's Time Bodies at MOCA. Outside of opera, Sinclairé has enjoyed a variety of performance opportunities with LGBT and other nonprofit organizations across North America.Breanna also made her debut as a guest artist for the Gay Men's Chorus of DC in Durufle's Requiem performing “Pie Jesu” at Church of the Epiphany. She was among Out magazine's 2015 “OUT100” list of LGBT heroes. She was the first transwoman to perform the National Anthem at a professional sporting event for the Oakland A's, SF Giants, and San Francisco Deltas. She made her debut with SF Symphony on December 2018 as the first trans singer to perform with the orchestra.TimestampsStart of interview (2:14)Early thoughts about gender (5:09)Breanna's passion for music (9:40)Coming out as trans (15:57)What it means to be a Soprano singer (21:21)Your favourite opera to perform? (24:21)The day-to-day of an opera singer (27:57)Breanna's inspirational Alpha Woman (38:40)We're excited to announce that our Alpha Woman Store is now open! Show the world the Alpha Woman that you are! We'll be introducing new designs frequently so check back often for our new, limited designs. Podcast researcher Anvi SethiSign up to Alpha Woman Co at: https://alphawomanco.comSponsorship enquiries email: hello@alphawomanco.comFollow us on social media @alphawomanco

"Pie Jesu" by Hugh T. Henry, arranged by Andrew Lloyd Webber. Presented by Robert Jackson, Katy Lassiter, Lynn Sandefur-Gardner (piano), Jessica Van Leer, and Jahirah Williams.

Ding dang dong, it's wedding bells in the Big Brother house! The legendary wedding task is finally upon us, as we witness the vocal stylings of Michelle Bass, a crying bride, and some honeymoon suite snu snu.

I ord och musik berättas om helgonet från Syrakusa i en gudstjänst från Växjö Domkyrka. Med komminister Carina Samuelsson, medlemmar ur Ceciliakören och Kammarkören Sankt Sigfrid, musiker samt solister från Edholmerinstitutet/Studieförbundet Vuxenskolan. Carina Samuelsson betraktelser kring helgonet Lucias liv och betydelse finns att lyssna på separat eller ladda ned som podd. Lucia och hennes följe lyser upp i Växjö Domkyrka. I en mörk tid. I en tid då inget är som det brukar.  Hon har bara ett litet följe med sig i år, men ljusen och rösterna lyser desto starkare och innerligare och med en medeltida ton Alla delar vi behovet av ljuset, och vår längtan efter det när mörkret kommer, när tider av oro och ovisshet kommer. Och precis som våra föregångare samlas vi i vårt sökande, och skapar ljus tillsammans. Och vem är bättre att samlas kring om inte Lucia, ljusets bärarinna-ett föredöme och en förebild. Carina Samuelsson Medverkande Carina Samuelsson, komminister Yvonne Steen Ohlander, musikalisk ledare samt orgel och piano Lawrence Johnson, musikalisk ledare Isolde Berg, lucia och solist Sven Uggeldahl oboe Johannes Wennberg, trumma Solister från Edholmerinstitutet/Studieförbundet Vuxenskolan: Karolina Bengtsson, solist Cecilia Nordqvist, solist Medlemmar ur Ceciliakören, domkyrkans flickkör: Ada Hector Ingrid Rosell-Nilsson Signe Westeson Elin Frisk Medlemmar ur Kammarkören Sankt Sigfrid, blandad vuxenkör: Heléne Krafft Maria Lang Johannes Wennberg David Aldén Text Lukasevangeliet 3:4-6 Musik Nu viker mörkret undan  Sankta lucia  Lucia bryter mörkrets tystnad Så till oss kommer du Tärnans visa  Stig in stig in  Virgo gloriosa  Tu Virginum corona Till ditt minne lucia  I tystnaden och sorgen Pie Jesu  Låt mig värma  Strålande helgonfé Nu tändas tusen juleljus  Sankta lucia Producent Marianne Greip Tekniker Magnus Larsson och Magnus Walfridsson Sveriges Radio Kronoberg liv@sverigesradio.se

Hey! So I wanted to start making this more about performance. Get back to its roots. So here is an excerpt from a concert I did last night at 8pm! And here's my plug for it, if you listen to this podcast, since I don't want to publicize via Twitter, Instagram, Facebook, or LinkedIn, or any of that. I hate all of it, and even doing spammy emails feels beneath me, so just know this: as of right now (I might change it in the far future), I'm playing, every Thursday, a concert on Twitch of varying genres. Here's what this selection has:1. A Spotless Rose-Howells multi-tracked by yours truly, and singing bass in it.2. Bach E minor prelude from the first book of the WTC3. Faure's Pie Jesu from the Requiem4. An arrangement of a 2 piano Debussy arrangement of Saint-Saen's Rondo Capriccioso--I didn't have time to record the other piano's part, so I just made a one piano version on the spot.5. Tuba Mirum into the Mors Stupebit bass solo sung by yours truly from the Verdi Requiem6. Siloti arrangement of the same Bach E minor prelude, transposed to B minor. Enjoy! The link to my twitch is https://www.twitch.tv/jmart1945 and I give concerts every Thursday at 8pm. 3 people watched the one that I excerpted this from, so certainly check it out when you can! Could use a few more folks. Support the show (https://www.patreon.com/Famousmusicianspodcast)

Join us today, Wednesday, November 11, for a Devotion for Early Evening, led by the Rev. Joyce Keeshin and featuring Alea Vernon singin Pie Jesu, by G. Faure. This worship service is available here and through our Online Worship podcasts. Subscribe now on Apple podcast, Stitcher, and Spotify or simply ask your smart speaker to play the podcast “The Episcopal Church of the Redeemer Online Worship.

Alison Krauss, Down to the River to Pray and Voces8, Pie Jesu from Fauré’s Requiem

Richard Coles and Nikki Bedi are joined by Rupert Everett, star of stage and screen with titles such as My Best Friend’s Wedding, An Ideal Husband, The Importance of being Earnest, Shakespeare in Love, St Trinian’s, Miss Peregrine’s Home for Peculiar Children, and his directorial debut which he also wrote and starred in: The Happy Prince. We also have Charlotte Mensah, the UK’s authority on natural Afro, mixed and curly textured hair. Her journey took her between Ghana and the UK, overcoming some major hurdles, leaving school at 16, finding a community and security in hair dressing to owning her own salon, hair range and a charity to help others. Jasvir Kaur Rababan MBE is a Sikh music therapist and one of the only female rabab players in the world. She talks about her journey from tone-deaf teenager to professional musician, and how picking up her instrument for the first time felt like coming home. And JJ Chalmers joins us. A former Royal Marines commando, Invictus Games medallist, TV presenter, media personality and public speaker, after being severely injured from a bomb blast whilst serving as a Royal Marine in Afghanistan JJ suffered life-changing injuries that led him to a long road of recovery. He’s now swapping his microphone for the glitter ball on Strictly. Writer Bernard Cornwell chooses his Inheritance Tracks: Down to the River to Pray performed by Alison Krauss and Pie Jesu from Fauré’s Requiem performed by Voces8, and we have your Thank you. Producer: Corinna Jones

みきさくラジオ 今回は、第四幕・・・ 第４回目の放送！ 「オープニングトーク」 ♦初夏の軽井沢、 美紀リーダーおススメのグルメを紹介！ しかし... ♦２０公演超え？！ 長野県での演奏修行の思い出 「おうちコンサートのコーナー」 前回に引き続きまだまだコンサート会場に 足を運ぶのが難しい状況が続いている今、 私たちがおうちで気軽に楽しめる クラシックコンサートをお届け致します！ 今回は感染症の一日も早い収束を願って、 「祈り」をテーマに曲をセレクト致しました。 １．「レクイエム op.48」から 第４曲「Pie Jesu（慈愛深きイエスよ）」 ／フォーレ ２．乙女の祈り／バダジェフスカ ３．この道／山田耕筰 （ピアノ：赤松美紀　ソプラノ：加藤桜子） マイペースで自由な二人がラジオを 「舞台」に奏でるラプソディ。 第四幕、間もなく開演！ ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

versión de la composición de Marcy Pyrtle, profesora de musica norteamericana. Desde que canté esta obra suya me ha encantado.

Organist : Ian Verrier Treble: Matthieu Brosset http://www.chavagnes.org/ Chavagnes International College is the leading international Catholic boarding school for boys. Please remember us in your prayers.

Gregorian chant and Fauré's Pie Jesu from Chavagnes International College Chapel. http://www.chavagnes.org/ Chavagnes International College is the leading international Catholic boarding school for boys. Please remember us in your prayers.

Requiem pour soli, chœurs et orgue, Op. 9 Maurice Duruflé (1902-1986) 1. Introit 2. Kyrie 3. Domine Jesu Christe 4. Sanctus and Benedictus 5. Pie Jesu 6. Agnus Dei 7. Lux aeterna 8. Libera me 9. In Paradisum "Requiem pour soli, chœurs et orgue, Op. 9" was recorded by the Houston Chamber Choir and featured mezzo-soprano soloist Cecilia Duarte and cellist Norman Fischer in “Pie Jesu” in the Grammy® Award-winning album “Duruflé: Complete Choral Works” released in 2019 by Signum Classics.

durée : 00:25:07 - Agnès Mellon, soprano (4/5) - par : Priscille Lafitte - En 1988, Philippe Herreweghe demande à Agnès Mellon de chanter le "Pie Jesu" du Requiem de Fauré. Cet enregistrement sublime marque cependant la fin de leur collaboration : les exigences du chef s’adaptent mal à l’évolution de la voix de la chanteuse, qui a gagné en maturité. - réalisé par : Olivier Guérin

Chanel Choir, Dr. Stephen Main

'Pie Jesu', Christa Pfeiffer, soprano, Mark Winges, organ Gabriel Faure (1845 - 1924)

Amy McKenzie, soloist

Tonalidades #9 Pie Jesu - Variações sobre "Pie Jesu". Texto e apresentação, Josani Pimenta. Produção e edição, Artur Mendes / APECOM.

Rutter Requiem - III. Pie Jesu by First Congregational Church of Glen Ellyn

Sermon for 11/4/18 from the Reverend Christine Trainor. Selections from the St. Francis Choir: L'dor Davor (feat. Ellen Kerrigan, soprano) Pie Jesu (feat. Susannah Cornes, soprano) Dale Richard, musical director Jason Jia, organist

En clave de Dios (LXXIII): 'Mors et Vita' (Charles Gounod) (y II). Segundo programa dedicado a la trilogía sacra 'Mors et Vita' del compositor romántico francés Charles Gounod, en el que ofrecemos el Lacrimosa, el Sanctus y el Pie Jesu, pertenecientes al Réquiem de la primera parte, 'Mors'. De la segunda, 'Judicium', seleccionamos el celebérrimo Judex, el momento del juicio final. Por último, de la tercera parte, 'Vita', extraemos un nuevo Sanctus y los tres números finales: recitativo de barítono y coro, el coro 'Ego sum Alpha et Omega' y la fuga coral 'Hosanna in excelsis'.

Paul and Wayne talk some about the dark side of the religion industry. Then, they bring on an old friend who has some thoughts on how to help him help you help yourself by helping him. And, Wayne is still talking about Harmony the sex robot. In short, Pie Jesu Domine, dona eis requiem (Blessed Lord Jesus, grant them rest). Show Notes: http://www.lingobeast.com/memecall/2018/01/03/006-pie-jesu-dom…ness-of-religion/

Sykkel-VM ble en braksuksess, men nå kommer regningen. Kronerullingen er i gang og Staten kan bli nødt til å betale. Men hvorfor skal vi betale for en ren tabbe fra VM-arrangørene, som glemte å sikre seg valutasmellen? Over 90 prosent av kurderne i Irak vil ha selvstendighet, men hvor mange av dem tror på det? SV beskylder Rødt for å gi skattekutt til de rikeste. Ja, du hørte rett. SV vil ha eiendomsskatt for flere enn Rødt i Oslo. Og i Human-Etisk Forbund er døren ganske lav og porten nokså snever når det skal spilles musikk i begravelser. Pie Jesu er for kristelig.

This is a sermon given on April 14th, 2017 by Fr. Kyle Logan. Scripture Reading: Isaiah 52:13-53:12 Psalm 22 Matthew 26:31-46 John 18:1-19:30 "Pie Jesu" as sung by Katie Lilly and Michael Smith of Eucharist Church. www.eucharistSF.org Sunday 10am 1504 Bryant St. San Francisco, CA

Abstract: This fourteenth episode is about Michael Jackson's HIStory album. On the 7th September in 1996 Jackson started his HIStory World Tour in Letna Prague, Czech Republic. Karin and Elizabeth's conversation explores the many ways in which Michael Jackson was aware of, knowledgeable about, and concerned with the subject of history, and how he used this in his work. They discuss the teaser trailer, various tracks, and the problematic nature of the way we think about history, as well as the song, Little Susie, and Elizabeth's upcoming book, The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 14 - Michael Jackson's 'History'." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation 3, no. 1 (2016). Published electronically 7/9/16. http://sya.rqu.mybluehost.me/website_94cbf058/episode-14-michael-jacksons-history/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 14 - Michael Jackson's HIStory By Karin Merx & Elizabeth Amisu Just as much as he resisted gender with 'Dangerous', he resists genre with 'HIStory'. -Karin Merx Episode Discussion: 1. How to interpret the HIStory trailer 2. How to read HIStory as an autobiography 3. 'Pie Jesu' as a prelude for Little Susie 4. Classical music that inspired Michael Jackson 5. The physical artifact of the HIStory album 6. Michael Jackson's use of sound design 7. Blood of the Dance Floor: HIStory in the Mix as extension of HIStory 8. The tracks, Scream, Smile, and Michael Jackson's historical connections with Charlie Chaplin Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. All Our References and Where to Easily Find Them 1. Leni Riefenstahl's Triumph of the Will 2. Michael Jackson's HIStory trailer 2. Information on the subject of Iconography 3. Elizabeth Amisu, The Dangerous Philosophies of Michael Jackson: His Music, His Persona and His Artistic Afterlife (CA: Praeger, 2016). A preview is now available on Amazon and Google Books 4. The MJCast Episode 026 - Diana Walczak Special 5. Elizabeth Amisu, 'Horcruxes: Michael (Split Seven Ways) Jackson', The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (CA: Praeger, 2016). 6. Michael Jackson's Dream Lives On: An Academic Conversation, Episode 4 -- Michael Jackson and Monochromatic Cinematography 7. Michael Jackson's Little Susie as a short film 8. Information on the glorious Pie Jesu 9. Piotr Tchaikovsky's ballet, The Nutcracker 10. Blood on the Dance Floor: History in the Mix (Michael Jackson, 1997). You May Also Like:

As with all mixes this one had a specific starting point or inspiration - the incredible new album from Max Richter - Sleep.  It's 8 hours long!  8 hours!  Here's a link to purchase the full version... http://www.deutschegrammophon.com/us/cat/4795267 I'm a sucker for high concept projects so I was interested from the start.  Add that to the fact that I am a fan of Richter's music and I knew I'd probably love it.  And yup, I do.  It's the perfect combination of Richter's classical style with an ambient sensibility.   I knew I had to make a mix with tracks from the Sleep album.  I decided to keep the whole mix in the classical realm.  A lot of the tunes are new like the Besarin Quartet stuff.  Some cuts I've been waiting to use for awhile now, like the John Luther Adams cut. As much as I like the Max Richter tracks I think my favorite track in the mix is Pie Jesu.  The cut is from The Wine of Silence by Andrew Keeling, David Singleton and Robert Fripp.  The music is based on Fripp's soundscape series, guitar improvisations that use tape loops and echo and reverb.  From there Keeling and Singleton scored the soundscapes for orchestra.  They finally subjected the orchestral recording to further electronic manipulation.  The result is transcendent.  It's a beautiful, beautiful album. The title of the mix comes from a favorite Andrew Bird song, Night Sky, and I thought it fit somehow.  I really like the way each piece dissolves into the next on this mix.  I hope you like it too. Enjoy  T R A C K L I S T 00:00 Nick Cave & Warren Ellis - Farwell at Tinguit 02:15 Max Richter - Patterns(cypher) 05:55 David Wingo - Opening(Take Shelter ost) 6:55 John Luther Adams - The Light that Fills the World 11:20 Bersarin Quartet - die nachte sind erfullt... 15:50 Brambles - Such Owls as You 20:25 Monty Adkins - Sendai Threnody 22:35 Robert Fripp, Andrew Keeling, David Singleton - Pie Jesu 29:40 Max Richter - Nor Earth, Nor Boundless Sea 37:10 Olan Mill - Tallole 40:35 Aphex Twin - Rhubarb orc. 19.53 rev 46:40 Keaton Henson - Elevator Song 49:45 Bersarin Quartet - verflossen ist das gold der tage 53:00 Islands of Light - Gypta 56:14 end

Charlotte View presents an intimate conversation with Omileye “Omi” Achikeobi-Lewis and Derrick Lewis Opening song: "Pie Jesu" by Forte Tenors The Secret Power of Love and Gratitude: Move any Mountain and Transform any Situation in your Life Omi and Derrick share the secret power of moving beyond fear into total love and gratitude needed to move any mountain and transform your life. They share methods from the Dinghy Way Meditation which encapsulates this potent power for  total transformation Omi and Derrick, founders of the Institute of Sacred Balance and Humanity4Water Awards, are dedicated to helping the planet,  waters of the world, and each individual come back home to their unique sacred balance Contact: Omileye@YeyeOsun.com / (770) 498-3472

Nadia Boulanger var lærer for en lang række af det 20. århundredes komponister. Hun optrådte sjældent selv, men ved denne mindekoncert dirigerede hun som 81-årig korværker af sin mentor Fauré og sin tidligt afdøde søster, Lili Boulanger. Lili Boulanger: Salme 24. Pie Jesu. Du fond de l'abime. Fauré: Requiem. Janet Price, sopran. John Carol Case, baryton. BBC Symfoniorkester og Kor. Dirigent: Nadia Boulanger. (Koncert i London, oktober 1968). Vært: Peter Filtenborg.

Forte, the multicultural, operatic tenor trio whose performances on America's Got Talent captivated millions and launched the group into the national spotlight, is pleased to announce the release of their self-titled debut album. The album features the lead track "Caruso," "The Prayer (a duet with fellow America's Got Talent finalist Cami Bradley), as well as several songs the group performed on the show including "My Heart Will Go On," "Unchained Melody," and "Pie Jesu." It s hard to imagine the members of Forte were complete strangers a few months ago. Having met just days before their first audition for America's Got Talent, the trio mesmerized millions on the eighth season of the reality competition series. Solo artists in their own right, Josh Page, Sean Panikkar and Fernando Varela combine their individual talents to create one incredible, multicultural vocal force. For More Information Visit: http://fortetenors.com

Charlotte View presents an intimate conversation with Omileye “Omi” Achikeobi-Lewis and Derrick Lewis Short Link:     http://tobtr.com/s/5072759 Opening song: "Pie Jesu" by Forte TenorsThe Secret Power of Love and Gratitude: Move any Mountain and Transform any Situation in your Life Omi and Derrick share the secret power of moving beyond fear into total love and gratitude needed to move any mountain and transform your life. They share methods from the Dinghy Way Meditation which encapsulates this potent power for  total transformation Omi and Derrick, founders of the Institute of Sacred Balance and Humanity4Water Awards, are dedicated to helping the planet,  waters of the world, and each individual come back home to their unique sacred balance The Humanity4Water Project & Awards raises water awareness, increases earth healing, and honors those who teach us to walk gently upon our Mother Earth Omi was invited by United Nations for her Water Debate piece: Ubuntu-Water Shows the Way. The Lewis, with other international faith/cultural leaders, wrote the petition (UN International Water Forum, Hague Peace Palace, 2013): A Fundamental Shift in Mindset – Water, from a Commercial Commodity to a Sacred Gift Contact: Omileye@YeyeOsun.com / (770) 498-3472

With tabloid newspapers under sustained attack at the Leveson Inquiry, The Sun's managing editor Richard Caseby talks about his paper's future.The front pages of the upmarket newspapers yesterday carried the story told by Charlotte Church in Monday's Leveson session: that, when she was 13, she turned down £100,000 to sing Pie Jesu at Rupert Murdoch's wedding to Wendi Deng in exchange for favourable coverage. Jonathan Shalit was her agent at the time and he tells Steve what he remembers of the deal - business as usual or a "Faustian pact"?And paparazzo Max Cisotti responds to the series of claims made against press and celebrity photographers in the Leveson sessions so far - in his view, are celebrities and people in the news really responsible for the way they are treated? The producer is Simon Tillotson.

The mass for the Thirteenth Sunday after Pentecost including prayers for those who died on 9/11 and the Kontokion for the Dead and Webber’s Pie Jesu

Pie Jesu (Andrew Lloyd Webber) sung by Fr. Paul Yi

"He wanted it to be something that's consoling and helpful. It's the end of their lives where they can rest in peace". World renowned choral conductor Sir David Willcocks, shares his personal reflections on the Faure Requiem alongside those for whom the music has comforted and inspired. Known for its peaceful and hopeful nature the Faure Requiem has been called 'The lullaby of death'. Whilst Gabriel Faure himself never spoke directly about what inspired his interpretation of the Requiem, author and biographer Jessica Duchen has speculated that it may have been born out of his experience as a soldier during the Franco-Prussian war. In this edition of Soul music, personal stories of conflict and deliverance are shared from across the decades. Reaching from the beaches of Normandy to the plains of Afghanistan and into the skies of Salisbury. Faure composed the first version of the work, which he called "un petit Requiem" with five movements, of which the Pie Jesu and In Paradisum have become arguably the most popular. "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest.".

Sinead Cusack was born in Ireland into a acting dynasty. Her first ambition, whilst at convent school, was to be a saint. But her behaviour didn't match her early aspiration: as a teenager she was nearly expelled from school for dramatising the Profumo affair for the headmistress's feast day. Her first professional part was at the age of eleven when her father, the actor Cyril Cusack, cast her in an adaptation of Kafka's The Trial at the Olympia Theatre in Dublin. She played a deaf mute - she says perhaps he did it to keep her quiet, because he wasn't keen for her to pursue acting and said she would never be a classical actress. Sinead's first roles were at the Abbey Theatre in Dublin, whilst she was still at university. She came to London, where she took over from a pregnant Judi Dench in London Assurance in 1975. She joined the Royal Shakespeare Company which, she says, taught her all she knows. For Our Lady of Sligo (1998), in which Sinead played the lead role of Mai O Hara and showed in Ireland, on Broadway and at the National, she received the 1998 Evening Standard Award for Best Actress and 1998 Critics Drama Award for Best Actress. She was also nominated for Best Actress/Drama Desk Award and for Best Actress for Olivier Award.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Pie Jesu from Faure's Requiem by Gabriel Fauré Book: Collected plays by Anton Chekhov Luxury: A big hat with a lot of muslin

Sinead Cusack was born in Ireland into a acting dynasty. Her first ambition, whilst at convent school, was to be a saint. But her behaviour didn't match her early aspiration: as a teenager she was nearly expelled from school for dramatising the Profumo affair for the headmistress's feast day. Her first professional part was at the age of eleven when her father, the actor Cyril Cusack, cast her in an adaptation of Kafka's The Trial at the Olympia Theatre in Dublin. She played a deaf mute - she says perhaps he did it to keep her quiet, because he wasn't keen for her to pursue acting and said she would never be a classical actress. Sinead's first roles were at the Abbey Theatre in Dublin, whilst she was still at university. She came to London, where she took over from a pregnant Judi Dench in London Assurance in 1975. She joined the Royal Shakespeare Company which, she says, taught her all she knows. For Our Lady of Sligo (1998), in which Sinead played the lead role of Mai O Hara and showed in Ireland, on Broadway and at the National, she received the 1998 Evening Standard Award for Best Actress and 1998 Critics Drama Award for Best Actress. She was also nominated for Best Actress/Drama Desk Award and for Best Actress for Olivier Award. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Pie Jesu from Faure's Requiem by Gabriel Fauré Book: Collected plays by Anton Chekhov Luxury: A big hat with a lot of muslin

When, at the tender age of eight, Sir Cameron Mackintosh went to see a production of Salad Days, he was so entranced that he introduced himself to the show's composer Julian Slade and decided immediately to become a producer. Those early ambitions were not misplaced; in the last 20 years Sir Cameron has produced a string of hits - from Cats and Miss Saigon to Phantom of the Opera, Les Miserables and My Fair Lady. He is Sue Lawley's castaway on Desert Island Discs this week.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Pie Jesu (from Requiem) (1985) by Andrew Lloyd Webber Book: Complete Cookery Course by Delia Smith Luxury: Solar-powered Magimix

When, at the tender age of eight, Sir Cameron Mackintosh went to see a production of Salad Days, he was so entranced that he introduced himself to the show's composer Julian Slade and decided immediately to become a producer. Those early ambitions were not misplaced; in the last 20 years Sir Cameron has produced a string of hits - from Cats and Miss Saigon to Phantom of the Opera, Les Miserables and My Fair Lady. He is Sue Lawley's castaway on Desert Island Discs this week. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Pie Jesu (from Requiem) (1985) by Andrew Lloyd Webber Book: Complete Cookery Course by Delia Smith Luxury: Solar-powered Magimix

Roy Plomley's castaway is explorer Wilfred Thesiger.Favourite track: Pie Jesu by Gabriel Fauré Book: The History of the Decline and Fall of the Roman Empire by Edward Gibbon Luxury: Supply of acid drops

Roy Plomley's castaway is explorer Wilfred Thesiger. Favourite track: Pie Jesu by Gabriel Fauré Book: The History of the Decline and Fall of the Roman Empire by Edward Gibbon Luxury: Supply of acid drops