Podcasts about relative dimensions

Listen below or click here for full show notes Main Mission, Part 1 Star Trek: Prodigy Season 2, Episode 3“Who Saves the Saviors”Written by Erin McNamaraDirected by Sung Shin Subspace Chatter ‘Star Trek: Prodigy' Season 2 Hits Netflix Top 10 Internationally, ‘Discovery' Season 5 On Nielsen Top 10 – TrekMovie.com Star Trek and Doctor Who … Continue reading "Episode 163: Time and Relative Dimensions in Star Trek"

The episode where Steven is really into the light gun. Are they going to have to suck the Doctor energy out of Jano? On this podcast, we're fans of liberating oppressed people! The fanfiction story Benny wrote: Time and Relative Dimensions in Space the Final Frontier. This episode was recorded on 6 April 2024. Email us at thedoctorswatcher@gmail.com. Follow us on Tumblr at the-doctors-watcher. I guess we still have a Twitter or whatever. Check out Circuit 23's music at http://soundcloud.com/circuit23 and email him at circuit.23@gmail.com. Listen to his album “Mens Vermis” at https://circuit23.bandcamp.com/album/mens-vermis.

James McGrath is back, and we have some serious fun geeking out about theology and Science Fiction!! What is the difference between a god and a powerful alien? Can an android have a soul, or be considered a person with rights? Can we imagine biblical stories being retold in the distant future on planets far from Earth? Whether your interest is in Christianity in the future, or the Jedi in the present--and whether your interest in the Jedi is focused on real-world adherents or the fictional religion depicted on the silver screen--this book will help you explore the intersection between theology and science fiction across a range of authors and stories, topics and questions. James F. McGrath is Clarence L. Goodwin Chair in New Testament Language and Literature. His PhD from the University of Durham became the basis for his first book, John's Apologetic Christology, published by Cambridge University Press in the SNTS Monograph Series. He has also written a “prequel” about the broader context of monotheism and Christology in ancient Judaism and Christianity, The Only True God: Early Christian Monotheism in Its Jewish Context, published by University of Illinois Press. More recently, he has published What Jesus Learned from Women, which explores the topic of the historical figure of Jesus and the influence the women mentioned in the Gospels had on him. In addition to his work on the New Testament and early Christianity, Dr. McGrath also researches the Mandaeans (the last surviving Gnostic group from the ancient world) and their literature. The two-volume critical edition, translation, and commentary on the Mandaean Book of John (which he produced together with Charles Haberl of Rutgers University) represents the first such academic edition of the complete work in English based on all known manuscripts. Another area of specialty is the intersection of religion and science fiction. On that subject, he is the author of Theology and Science Fiction and The Battle of Ranskoor av Kolos (Black Archive #52), editor of Religion and Science Fiction and co-editor of Time and Relative Dimensions in Faith: Religion and Doctor Who. He blogs at Religion Prof. Previous Episodes w/ James The A to Z of the New Testament  What Jesus Learned from Women Exploring the Matrix Resurrections Early Christian Monotheism JOIN our next class, GOD AFTER DECONSTRUCTION with Thomas Jay Oord Come to THEOLOGY BEER CAMP. Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices

Doctor Who chronicled the adventures of an eccentric time-traveling scientist from the remote planet Gallifrey, home of the Time Lords. The Doctor, a Time Lord himself, traveled through time and space in his unique craft, the TARDIS, an acronym for Time and Relative Dimensions in Space. STORY MIX 4 - “DR. WHO” A story of.. lol how dubstep came back from the dead to remind me I make bass music and not just house— Hahah [The Transition in the Beginning of the mix is a trick that I created called “ slipping”—which uses unsycronized audio rolling in opposite directions to ‘catch up' to one an one to create a dreamlike loop, which allows the transition into a seperate genre or BPM/key. This trick (which I use to ‘wake up' the listener and call attention to a change in the rhythm or ‘story' in the mix; rather than using a traditional FX which typically annotate an ascension before a “drop”, I take advantage of the high and low pass filters and jog wheeels to both throw the audio into and out of synchronization at the same time, then feeding a 3rd track into play (And sometimes fading a 4th track, I.e, the 1st track, out) at the same level in the low pass—I use this in my production as well so that you can audibly tune into listening to a moving story rather than just a flat ‘song'—or in my mixes to remind the listener that this mix is an art piece, and as being the DJ I am also functioning as the painter of a picture you yourself use your mind to add color to, to remind you it's the whole world that's actually the dance floor.] c o l o r s —Then realizing I can't belong to one genre and creating my own —which actually ends up pioneering several new sub genres as I tailor my sound and continue to master my craft— One of 3– Possibly 5– Disciplines of Mastery. It's like a double-major, But like 3– —possibly 5— Majors. And instead of a University It's life/ And death. Here we learn one thing can be both. Oh shit, this mix does make more sense now. $1 = Dolomite Oh yay, complications again. I'mma seriously never get tired of this song, idk why. story. -EP at dawn. [equinox] FILTH. gonzo. kaskadia LE REVE. SUBGENRE: ABSTRAKT ORIGINATOR: Ū DERIVATIVE: TECHNO, DUBSTEP (Hence the k in kaskadia, which is pronounced “CASCADIA” You could say Abstrakt is a Sub-SubGenre Of TECHNO Or CLASSIC DUBSTEP Or a sub-sub-sub-genre, if— LIFEimitatesART. Making its stakes as as promising new sub genre, Abstrakt takes its roots in warehouse-inspired sonic foundations of techno, psytrance and dubstep, a percussion-heavy and multilayered bass-rich abundance of dark and moody, wet-sometimes-sweltering pulses and peaks, housey mellow grooves, and tectonic shifts of melodic color. The Doctor is centuries old and, as a Time Lord, has the ability to regenerate when there is mortal damage to their body. The Doctor's various incarnations have gained numerous recurring enemies during their travels, including the Daleks, their creator Davros, the Cybermen, and the renegade Time Lord the Master. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Doctor Who chronicled the adventures of an eccentric time-traveling scientist from the remote planet Gallifrey, home of the Time Lords. The Doctor, a Time Lord himself, traveled through time and space in his unique craft, the TARDIS, an acronym for Time and Relative Dimensions in Space. STORY MIX 4 - “DR. WHO” A story of.. lol how dubstep came back from the dead to remind me I make bass music and not just house— Hahah [The Transition in the Beginning of the mix is a trick that I created called “ slipping”—which uses unsycronized audio rolling in opposite directions to ‘catch up' to one an one to create a dreamlike loop, which allows the transition into a seperate genre or BPM/key. This trick (which I use to ‘wake up' the listener and call attention to a change in the rhythm or ‘story' in the mix; rather than using a traditional FX which typically annotate an ascension before a “drop”, I take advantage of the high and low pass filters and jog wheeels to both throw the audio into and out of synchronization at the same time, then feeding a 3rd track into play (And sometimes fading a 4th track, I.e, the 1st track, out) at the same level in the low pass—I use this in my production as well so that you can audibly tune into listening to a moving story rather than just a flat ‘song'—or in my mixes to remind the listener that this mix is an art piece, and as being the DJ I am also functioning as the painter of a picture you yourself use your mind to add color to, to remind you it's the whole world that's actually the dance floor.] c o l o r s —Then realizing I can't belong to one genre and creating my own —which actually ends up pioneering several new sub genres as I tailor my sound and continue to master my craft— One of 3– Possibly 5– Disciplines of Mastery. It's like a double-major, But like 3– —possibly 5— Majors. And instead of a University It's life/ And death. Here we learn one thing can be both. Oh shit, this mix does make more sense now. $1 = Dolomite Oh yay, complications again. I'mma seriously never get tired of this song, idk why. story. -EP at dawn. [equinox] FILTH. gonzo. kaskadia LE REVE. SUBGENRE: ABSTRAKT ORIGINATOR: Ū DERIVATIVE: TECHNO, DUBSTEP (Hence the k in kaskadia, which is pronounced “CASCADIA” You could say Abstrakt is a Sub-SubGenre Of TECHNO Or CLASSIC DUBSTEP Or a sub-sub-sub-genre, if— LIFEimitatesART. Making its stakes as as promising new sub genre, Abstrakt takes its roots in warehouse-inspired sonic foundations of techno, psytrance and dubstep, a percussion-heavy and multilayered bass-rich abundance of dark and moody, wet-sometimes-sweltering pulses and peaks, housey mellow grooves, and tectonic shifts of melodic color. The Doctor is centuries old and, as a Time Lord, has the ability to regenerate when there is mortal damage to their body. The Doctor's various incarnations have gained numerous recurring enemies during their travels, including the Daleks, their creator Davros, the Cybermen, and the renegade Time Lord the Master. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Doctor Who chronicled the adventures of an eccentric time-traveling scientist from the remote planet Gallifrey, home of the Time Lords. The Doctor, a Time Lord himself, traveled through time and space in his unique craft, the TARDIS, an acronym for Time and Relative Dimensions in Space. STORY MIX 4 - “DR. WHO” A story of.. lol how dubstep came back from the dead to remind me I make bass music and not just house— Hahah [The Transition in the Beginning of the mix is a trick that I created called “ slipping”—which uses unsycronized audio rolling in opposite directions to ‘catch up' to one an one to create a dreamlike loop, which allows the transition into a seperate genre or BPM/key. This trick (which I use to ‘wake up' the listener and call attention to a change in the rhythm or ‘story' in the mix; rather than using a traditional FX which typically annotate an ascension before a “drop”, I take advantage of the high and low pass filters and jog wheeels to both throw the audio into and out of synchronization at the same time, then feeding a 3rd track into play (And sometimes fading a 4th track, I.e, the 1st track, out) at the same level in the low pass—I use this in my production as well so that you can audibly tune into listening to a moving story rather than just a flat ‘song'—or in my mixes to remind the listener that this mix is an art piece, and as being the DJ I am also functioning as the painter of a picture you yourself use your mind to add color to, to remind you it's the whole world that's actually the dance floor.] c o l o r s —Then realizing I can't belong to one genre and creating my own —which actually ends up pioneering several new sub genres as I tailor my sound and continue to master my craft— One of 3– Possibly 5– Disciplines of Mastery. It's like a double-major, But like 3– —possibly 5— Majors. And instead of a University It's life/ And death. Here we learn one thing can be both. Oh shit, this mix does make more sense now. $1 = Dolomite Oh yay, complications again. I'mma seriously never get tired of this song, idk why. story. -EP at dawn. [equinox] FILTH. gonzo. kaskadia LE REVE. SUBGENRE: ABSTRAKT ORIGINATOR: Ū DERIVATIVE: TECHNO, DUBSTEP (Hence the k in kaskadia, which is pronounced “CASCADIA” You could say Abstrakt is a Sub-SubGenre Of TECHNO Or CLASSIC DUBSTEP Or a sub-sub-sub-genre, if— LIFEimitatesART. Making its stakes as as promising new sub genre, Abstrakt takes its roots in warehouse-inspired sonic foundations of techno, psytrance and dubstep, a percussion-heavy and multilayered bass-rich abundance of dark and moody, wet-sometimes-sweltering pulses and peaks, housey mellow grooves, and tectonic shifts of melodic color. The Doctor is centuries old and, as a Time Lord, has the ability to regenerate when there is mortal damage to their body. The Doctor's various incarnations have gained numerous recurring enemies during their travels, including the Daleks, their creator Davros, the Cybermen, and the renegade Time Lord the Master. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Doctor Who chronicled the adventures of an eccentric time-traveling scientist from the remote planet Gallifrey, home of the Time Lords. The Doctor, a Time Lord himself, traveled through time and space in his unique craft, the TARDIS, an acronym for Time and Relative Dimensions in Space. STORY MIX 4 - “DR. WHO” A story of.. lol how dubstep came back from the dead to remind me I make bass music and not just house— Hahah [The Transition in the Beginning of the mix is a trick that I created called “ slipping”—which uses unsycronized audio rolling in opposite directions to ‘catch up' to one an one to create a dreamlike loop, which allows the transition into a seperate genre or BPM/key. This trick (which I use to ‘wake up' the listener and call attention to a change in the rhythm or ‘story' in the mix; rather than using a traditional FX which typically annotate an ascension before a “drop”, I take advantage of the high and low pass filters and jog wheeels to both throw the audio into and out of synchronization at the same time, then feeding a 3rd track into play (And sometimes fading a 4th track, I.e, the 1st track, out) at the same level in the low pass—I use this in my production as well so that you can audibly tune into listening to a moving story rather than just a flat ‘song'—or in my mixes to remind the listener that this mix is an art piece, and as being the DJ I am also functioning as the painter of a picture you yourself use your mind to add color to, to remind you it's the whole world that's actually the dance floor.] c o l o r s —Then realizing I can't belong to one genre and creating my own —which actually ends up pioneering several new sub genres as I tailor my sound and continue to master my craft— One of 3– Possibly 5– Disciplines of Mastery. It's like a double-major, But like 3– —possibly 5— Majors. And instead of a University It's life/ And death. Here we learn one thing can be both. Oh shit, this mix does make more sense now. $1 = Dolomite Oh yay, complications again. I'mma seriously never get tired of this song, idk why. story. -EP at dawn. [equinox] FILTH. gonzo. kaskadia LE REVE. SUBGENRE: ABSTRAKT ORIGINATOR: Ū DERIVATIVE: TECHNO, DUBSTEP (Hence the k in kaskadia, which is pronounced “CASCADIA” You could say Abstrakt is a Sub-SubGenre Of TECHNO Or CLASSIC DUBSTEP Or a sub-sub-sub-genre, if— LIFEimitatesART. Making its stakes as as promising new sub genre, Abstrakt takes its roots in warehouse-inspired sonic foundations of techno, psytrance and dubstep, a percussion-heavy and multilayered bass-rich abundance of dark and moody, wet-sometimes-sweltering pulses and peaks, housey mellow grooves, and tectonic shifts of melodic color. The Doctor is centuries old and, as a Time Lord, has the ability to regenerate when there is mortal damage to their body. The Doctor's various incarnations have gained numerous recurring enemies during their travels, including the Daleks, their creator Davros, the Cybermen, and the renegade Time Lord the Master. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. © -Ū.

Clearing up the confusion surrounding Doctor Who's biggest misconceptions. Ellie Littlechild presents 10 Things Everyone Always Gets Wrong About Doctor Who... Hosted on Acast. See acast.com/privacy for more information.

Do you have a gig, band or musical artist you missed seeing or experiencing? We do! This week we are going on a misadventure we like to call 'If I had a Tardis', focusing on music we would definitely go back in time to experience - or re-experience! Join us to relive some incredible gigs and music. Broadcast on Otago Access Radio www.oar.org.nz

It's a visit from the Doctor's family and an outpost in the sun that holds our attention this episode as the Eighth Doctor Adventures continue with Relative Dimensions and Prisoner of The Sun. How does the Doctor reuniting with Susan go? What is the best way to trap the Doctor into doing what you want? And do these stories set up the two-part finale (hint: not really). Plus in Recommendations there's a musician's memoir and a TV show. Twitter: @talkingwhotoyou JG's Writing: www.jgmcquarrie.scot

It's Christmas time... there's no need to be afraid... apart from from a giant trans-dimensional fish which has escaped inside the TARDIS! Join Kenny and Becca as they discover how Relative Dimensions came into being for the Big Finish Eighth Doctor Adventures range. Christmas is a time for family, they say – which is why the Doctor has invited his granddaughter Susan, and great grandson Alex for Christmas dinner in his time and space machine. But who, or what, is the spectre at their yuletide feast? Venturing deep into the dark heart of the TARDIS, Susan uncovers her past, Alex is told his future – and the Doctor finds himself caught in a deadly, dangerous present! Our hosts meet writer Marc Platt and sound designer/musician Jamie Robertson.

" Doctor Who - An eccentric yet compassionate extraterrestrial Time Lord zips through time and space to solve problems and battle injustice across the universe, traveling via the TARDIS (Time and Relative Dimensions in Space), which is his old and occasionally unreliable spaceship that resembles a blue police phone box (but changes its appearance depending on its surroundings) and is much, much larger inside than outside." Season 1 EP 161 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/theysusannamaeohagan/support

This week I am in search of the perfect acronym. It's harder than it sounds.I stumble over initialisms and run up against common or garden abbreviations but (plot spoiler –) my quest is ultimately successful.The journey takes in supermarkets, Jay Z,  some acrostic poetry, a touch of Velvet Underground and a little bit of swearing. And so much more.

This month Brian talks with the playwright and audio dramatist about 'The Honeycomb Trilogy,' guardian angels, and 'Doctor Who.'

This month Brian talks with the playwright and audio dramatist about 'The Honeycomb Trilogy,' guardian angels, and 'Doctor Who.'

Time and Relative Dimensions in...Video Games? Rich Hutson presents 10 Times Doctor Who Appeared In Video Games... See acast.com/privacy for privacy and opt-out information.

Doc's plans for a family Christmas dinner are hampered by a fishy paradox

Doc's plans for a family Christmas dinner are hampered by a fishy paradox

Support the show: Patreon l Glow l Episode Transcript  l Survey James and I revisit some of the loose ends we left at the end of the last episode and dive deep into the Gospel of John as well as the community that I find so intriguing of the Mandaeans. Guest Bio: James F. McGrath is Clarence L. Goodwin Chair in New Testament Language and Literature. His PhD from the University of Durham became the basis for his first book, John's Apologetic Christology, published by Cambridge University Press in the SNTS Monograph Series. He has also written a "prequel" about the broader context of monotheism and Christology in ancient Judaism and Christianity, The Only True God: Early Christian Monotheism in Its Jewish Context, published by University of Illinois Press. In addition to his work on the New Testament and early Christianity, Dr. McGrath also researches the Mandaeans (the last surviving Gnostic group from the ancient world) and their literature. The two-volume critical edition, translation, and commentary on the Mandaean Book of John (which he produced together with Charles Haberl of Rutgers University) represents the first such academic edition of the complete work in English based on all known manuscripts. Another area of specialty is the intersection of religion and science fiction. On that subject, he is the author of Theology and Science Fiction, editor of Religion and Science Fiction and co-editor of Time and Relative Dimensions in Faith: Religion and Doctor Who. He blogs at Religion Prof.  Guest Music by Laura Thompson Tracks Include: The Tapestry, Heartsong, The Tapestry (Neon Feather Mix), and Always Good You can also find all the musical selections from all our episodes on our Spotify Playlist.  Check out all the things over at the store...it's a great way to support the show www.canisaythisatchurch.com/store What are you waiting for; consider becoming a Patreon supporter of the show. You'll have access to many perks as well as guaranteeing the future of these conversations; even $1/Month goes so far as this show is 100% listener supported.  Follow the show: https://www.facebook.com/CanISayThisAtChurch/ https://twitter.com/cistacpodcast https://www.canisaythisatchurch.com/  

Com saudades do 12º Doutor com a Clara? Então esse review é pra você! Com as histórias se passando ao longo das aventuras da 8ª Temporada da série, o Ano Um de publicações da Titan Comics traz um 12º moleque, ainda se questionando se é mesmo um homem bom, e Clara tentando fazer o malabarismo de ter uma vida normal e viajar na TARDIS. O grande vilão das histórias são os Hyperions, uma raça de sóis vivos que planejam se vingar dos Senhores do Tempo queimando tudo que der pelo caminho! Mas temos também Polvos mafiosos, Charlotte Brontë vs Aranhas do espaço, a ira da deusa Kali e mais um monte de coisa incrível nessas 16 edições! [Tempo dos arcos comentados] •  Terrorformer - 04:10 •  The Swords of Kali - 20:50 •  The Fractures - 44:38 •  Gangland - 01:01:20 •  Unearthly Things - 01:23:34 •  The Hyperion Empire - 01:34:38 •  Relative Dimensions - 02:02:46

An eccentric yet compassionate extraterrestrial Time Lord zips through time and space to solve problems and battle injustice across the universe, traveling via the TARDIS (Time and Relative Dimensions in Space), which is his old and occasionally unreliable spaceship that resembles a blue police phone box (but changes its appearance depending on its surroundings) and is much, much larger inside than outside.

Summary: Adam J Purcell, Andy Simpkins and Keith Dunn review the Big Finish Doctor Who stories An Earthly Child and Relative Dimensions, discuss the 2019 Captain Marvel film, talk about media we’ve been consuming, find some general news, and a variety of other stuff, specifically: 00:00 – Intro and theme tune. 00:44 — Welcome! 01:35 […]

An eccentric yet compassionate extraterrestrial Time Lord zips through time and space to solve problems and battle injustice across the universe, traveling via the TARDIS (Time and Relative Dimensions in Space), which is his old and occasionally unreliable spaceship that resembles a blue police phone box (but changes its appearance depending on its surroundings) and is much, much larger inside than outside.

"TIME AND RELATIVE DIMENSIONS IN TRUTH"The Robert Lloyd EraSeason 3, Episode 8Download MP3 (68MB)Three stories. Three versions of the truth. When an eminent scientist is murdered, everyone is under suspicion. It's up to Adjudicator Frenzel to work out who's being truthful and who is telling lies.Robert Lloyd (The Doctor), Morgan Thomas-Connor (Scout), Jaklene Vukasinovic (Adjudicator Frenzel),Caitlin Yolland (Miranda Laspo), Mark Robert Walters (Professor Laspo),Adam Lofthouse (Jim Barstock), W.D. Stevens (Callie)Written by Scott McAteerDirected by W.D. StevensIncidental Music by Kevin MacLeodTheme Arr. Khottari

Welcome to the show! If you are here I am so grateful for you and want to invite you to become a part of the beloved community being developed here. Consider becoming a Patreon supporter of the show. You'll have access to many perks as well as guaranteeing the future of these conversations; even $1/Month goes so far as this show is 100% listener supported.    http://www.patreon.com/canisaythisatchurch   Guest Bio: This week I had the great pleasure of speaking with Professor (PhD) James McGrath from Butler University about religion and the intersection with sci-fi as it relates to thought experiments around ethics and all other aspects of our lives .   James is Clarence L. Goodwin Chair in New Testament Language and Literature. He has also written a "prequel" about the broader context of monotheism and Christology in ancient Judaism and Christianity, The Only True God: Early Christian Monotheism in Its Jewish Context, published by University of Illinois Press. In addition to his work on the New Testament and early Christianity, Dr. McGrath also does research on topics such as the Mandaeans (the last surviving Gnostic group from the ancient world) and religion and science fiction. On the latter subject, he is the editor of Religion and Science Fiction and co-editor of Time and Relative Dimensions in Faith: Religion and Doctor Who. He blogs at Religion Prof.    Find Professor McGraths latest work on Amazon   Connect with James on Facebook, Twitter at @ReligionProf, and his blog on Patheos at http://www.patheos.com/blogs/religionprof/   Special Music for this episode was provided by The Wright Brothers, a band comprised of brothers Joe, Jacob, Jeremy and Jonny Wright.   Find their music on iTunes as well as Spotify and her official site at http://thewrightbrothersmusic.com/ as well as Facebook.   You can also find selections from all our episodes on our Spotify Playlist. 

Merry Christmas! Nick and Benji present this special Christmas Day Podcast. Guests from the archives, Trevor Baxter and David Bradley . Brand new guest star: Georgia Tennant . Drama tease: Relative Dimensions .

It's "The Feast of Steven" versus "A Christmas Carol" in an episode all about The Doctor taking up arms in the deadliest war of all time: The War on Christmas! Our bonus from Big Finish is "Relative Dimensions" featuring the Eighth Doctor.

Superman and Lois Lane must accept the help of a strange space and time traveler to prevent Lex Luthor from changing Superman's timeline forever. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ist es nötig alte Filme zu überarbeiten & auf Blu-Ray zu veröffentlichen? Ausserdem: „Doctor Who“ (Jodie Whittaker) und eine Diskussion über Spoiler. Und TIMELASH wird mit s geschrieben, nicht mit c.

In tonight's show:Rowdies 2:0 LouisvilleRowdies 3:0 Armada U23Eastern Conference results and standings2nd Round USOC review, 3rd round matches set, 4 round possibilities See acast.com/privacy for privacy and opt-out information.

Up & Coming DJ/Producer out of West Virginia, USA P Spliff in conversation about life and music. Forthcoming album Relative Dimensions alongside The Flow   Follow P Spliff here https://soundcloud.com/pspliffmusic https://twitter.com/FBDH304_Spliff   Intro music: The Spliff Nectar Flow https://soundcloud.com/pspliffmusic/1-the-spliff-nectar-flow https://soundcloud.com/pspliffmusic/sets/the-drop-2015-ep The post Dubster Podcast Session – 004 P Spliff appeared first on Dubster.

Time and Relative Dimensions in Persona. This week we explore the untapped depths of the Persona franchise, paddle in the shallow waters of Doctor Who, stumble blind through the murky hobbit infested waters, rejoice...

Reality Check: Time and relative Dimensions in the Search for Simon Alex Fitch talks to the cast and crew of two new low budget British SF movies: director Sloane U’Ren, editor Adam Garstone and members of the cast of Dimensions discuss their ‘Merchant Ivory’ style time travel film which mixes a love triangle with a […]

In today's 'recorded-as-live' Christmas podcast, Nick Briggs and Paul Spragg are joined by special guests Jason Haigh-Ellery and Kris Griffin - mainly to talk about the Eighties and confuse Nick...

Special Features  Commentary Verity Lambert Obituary Photo Gallery Subtitle Production Notes Subtitles pdf files of Radio Times billings "The Lost Twelve Seconds" - 12 lost seconds recreated using off-air audio recording and the script Stripped for action - a look at the first Doctor's comic strip adventures Restoration featurette The TARDIS arrives on an English coastline in the year 1066. Exploring, the Doctor discovers that one of his own people, the Monk, is conspiring to wipe out the Viking fleet and thus allow King Harold to face the forces of William of Normandy with a fresh army at the Battle of Hastings. The Doctor succeeds in thwarting the Monk's plans and leaves him trapped in England. Synopsis The , , and new companion arrive in on the eve of the and invasions. It is 1066, a pivotal moment in British history, and the hand of a mysterious Monk is at work in the nearby monastery. The Monk is actually a time/space traveller from the same planet as the Doctor, and is attempting historical alterations. The Doctor prevents this and traps the Monk in 1066 by removing a critical component of his TARDIS. Plot The and are surprised to find aboard the . In a disorientated state on Mechanus, he stumbled aboard the ship and has stowed away. They are grateful he survived the collapse of the Mechanoid city and help nurse him back to health, but when the TARDIS lands on a rocky beach and they all step outside Steven takes some convincing that the TARDIS has really been able to travel in space and time. They have in fact arrived in 1066 on the coast of , and their arrival has been witnessed by a who does not seem fazed by the materialisation. The TARDIS is soon after spotted by a villager called Eldred who runs to tell the headman of his village, Wulnoth, about it. The Doctor establishes the century from a discarded helmet and heads off to the village while Steven and Vicki explore the cliffs above. The Doctor encounters Edith, Wulnoth's wife, and convinces her he is a harmless traveller while probing her for more information. He soon finds out it is 1066, since is on the throne and has not yet faced at let alone in the . He then turns his attention to the nearby monastery, at which monks are chanting despite only one of them ever being seen, especially after the chanting seems to slow down as if played back from a recording at the wrong speed. He determines to visit the building. When he gets there the Monk lets him in without revealing himself and then allows the Doctor to prowl around. He finds a playing the monastic chanting, and the Monk also has modern conveniences such as a toaster and a manufactured teapot. The Monk soon has the upper hand and manages to trap the Doctor in a makeshift cell. Steven and Vicki have meanwhile encountered Eldred and noticed his possession of a wristwatch that the Monk dropped earlier. They spend the night in a clearing and the next morning head off back to the TARDIS, little realising Wulnoth has overheard them. Within minutes they are ambushed by the Saxons and taken to the village council. After a heated discussion they convince Wulnoth they are but travellers and are given some provisions to travel on, though Vicki is equally heartened to hear from Edith that the Doctor passed by her hut on his way to the monastery. Steven and Vicki decide to visit the monastery next to try and find their missing friend. The Monk tries to dissuade them from entering but gives himself away deliberately by describing the Doctor too accurately, and so Steven and Vicki decide he must be a prisoner inside the monastery. They decide to break in after dark, which delights the Monk as he prepares the same trap for them that caught the Doctor. The Monk has meanwhile been surveying the seas with and is pleased to finally sight a Viking ship on the horizon. Soon the Vikings land and two small groups are sent to search the area, with one group of three heading toward the Saxon village. One of the Vikings finds and attacks Edith, leaving her traumatised, and in response some of the Saxons go hunting for the invaders. The three Vikings are drunk when they are found and the giant that attacked Edith is cut down, though his companions Sven and Ulf manage to flee. Eldred too has been badly wounded and Wulnoth takes him to the monastery for help. At the Monk's lair Steven and Vicki have stolen in under cover of darkness. They too find the gramophone and are stunned. The Monk has his trap prepared but cannot spring it due to the arrival at the door of Wulnoth and the injured Eldred, whom Wulnoth insists be taken into the Monk's care. Steven and Vicki have meanwhile found the cell empty bar the Doctor's cloak and they then manage to leave the monastery via a secret passage. The Doctor has actually taken the same passage himself and returns to Edith in the Saxon village. He soon hears of the Viking invasion scouting party and, upon leaving Edith's house, decides to head back to the monastery to track down Steven and Vicki, having learned they have gone there. Steven and Vicki have meanwhile found to their dismay that the TARDIS has been submerged beneath the incoming tide. Afraid that the Doctor may have had to leave in it, they resolve to check for him at the monastery anyway, especially after they discover an atomic bazooka trained out to sea from the clifftop near where the TARDIS was. The Monk is intent on using the Vikings for his own ends and, once Wulnoth has departed his monastery, produces an elaborate checklist that builds to a meeting with King Harold himself. There is another knock at the monastery door and this time it is the Doctor who has the upper hand when the door is answered. Fooled into thinking he is being held at gunpoint, the Monk is marched back inside and is about to answer a few questions when there is yet another knock at the door. When the Doctor and Monk answer, they are overpowered by the two Vikings, Sven and Ulf. In the ensuing confrontation the Monk is able to slip away, leaving the Doctor as the Viking prisoner. It is a state of play that does not last long. The Doctor knocks out Sven and elsewhere the Monk does the same to Ulf and securely ties him up. The Monk uses his freedom to persuade the villagers to light beacon fires on the cliff tops, lying that he is expecting materials by sea to enhance the monastery, when in fact he wishes to lure the Viking fleet to land nearby. Wulnoth says he will light the fires, but does not do so as he realises the danger. Steven and Vicki return to the monastery via the secret passage and investigate the crypt, where a heavy power cable emanates from a . When they look inside, they discover that it is a TARDIS of the Monk's very own – he must come from the same place as the Doctor (though the term is not used). The Monk has meanwhile returned to the monastery and is once more under the Doctor's control. He reveals his plan is not to help the Vikings but to lure them to the coast where he hoped to destroy the invasion fleet with atomic bazookas. This would prevent the Viking invasion and thereby shore up King Harold to such an extent he would not then lose the Battle of Hastings. In short, the Monk is a Time Meddler who left his and the Doctor's own planet some fifty years after the Doctor himself. Steven and Vicki have found further evidence of his meddling in his TARDIS: a journal recording his meeting with to discuss powered flight, providing anti-gravitational discs to help the ancient build , and using time travel to collect a fortune in compound interest from a bank. The Doctor denounces the Monk for seeking to alter history and forces him to reveal his TARDIS, where they find Steven and Vicki. Together the time travellers piece together the Monk's immoral plot, which the Monk insists is intended to stabilise England and benefit Western civilisation. The Vikings have meanwhile freed themselves from their bonds and decide to avenge themselves on the monks who have imprisoned them. Eldred spots them and, despite his injuries, flees to the village where he raises Wulnoth and a squad of Saxons to deal with the marauders. At the monastery the tables have turned. Ulf and Sven have formed a contrived alliance with the Monk and have tied up the Doctor's party while the three of them take the bazooka shells down to the cannon on the beach. The scheme is foiled however when the Saxons arrive and engage the fleeing Vikings in a nearby clearing, presumably killing Sven and Ulf in battle. The Monk hides while this fighting rages, little knowing that the Doctor and his friends have been freed and are tampering with his TARDIS. With his scheme in ruins, the Monk decides to leave and returns his TARDIS, though the Doctor has gone and left a note assuring the Monk his meddling days are ended. When the Monk looks inside his TARDIS he realises the Doctor has taken the dimensional control and the interior of his ship has shrunk beyond use, leaving him stranded in 1066 with an angry band of Saxons nearby. The tide having gone out, the Doctor and his friends are free to leave this primitive time in their TARDIS, and journey onward to the stars. Cast — — — — Edith — Eldred — Wulnoth — Saxon Hunter — Viking Leader — Ulf — Sven — Gunnar the Giant — Cast notes Features a guest appearance by Peter Butterworth - see also .William Hartnell does not appear in episode 2 as he was on holiday. A pre-taped recording of his voice is played when the Doctor is locked in a cell. Continuity Vicki and the Doctor discuss and 's departure as seen in and the Doctor refers to 's departure as seen in . The Doctor later misses Barbara's knowledge of history.Vicki reveals she would like to return to after seeing it briefly from the during the events of The Chase. The Doctor, and the Daleks, would return to New York and the Empire State Building onscreen, but without Vicki in the two-part story "" and "".The Time Meddler is the first example of what is known in Doctor Who as the 'pseudo-historical' story, which is one that uses the past as a setting for a science fiction story, as opposed to the pure historical stories, which are set in the past but have no science-fictional elements attached to them besides the presence of the regular characters.This is also the first time we meet another member of the Doctor's race (although they are not yet identified as ), from a time 50 years after the Doctor left his (which is not named in this story). The novels, which are of debatable , establish that the Monk and the Doctor attended the Academy as schoolmates.As the Monk has his own craft much like the Doctor's, and it is referred to by the same name, this story appears to contradict Susan's original claim to have invented the name '' from the craft's initials (in episode one). All future references likewise seem to belie Susan's claim.For that matter, this is the first story in which the acronym TARDIS is said to stand for "Time and Relative Dimensions in Space", rather than the singular 'Dimension' as had been used in An Unearthly Child. This was an error made by during recording, but was retained throughout much of the series' history, with occasional exceptions. The original 'Dimension' was firmly re-established in the first episode of the revived series, "" and so far maintained thereafter.The Monk's name, as given in later novels - - is not revealed in this story. He is simply The Monk, The Meddling Monk or the titular Time Meddler. The canonicity of non-broadcast stories is unclear. The character would make one return appearance on televsion, however, in the epic . Production The working title for this story was The Monk.The four episodes of the serial had individual titles. They were, respectively, "The Watcher", "The Meddling Monk", "A Battle of Wits", and "Checkmate".During production of this story, new producer began taking over production duties.William Hartnell, displeased at the number of changes undergoing the production, play-acted throwing a temper tantrum during the rehearsal of this story.Episodes one, three, and four were reported missing from the BBC Film and Videotape Library following an audit in 1978 (see ). Edited telerecordings of all four episodes were returned to the BBC from in 1985, and complete copies of episodes one and three were returned in 1992. A short sequence from episode four remains missing from the otherwise complete print of all four episodes; the announced 2008 DVD release is scheduled to include a recreation of this missing sequence, which was removed by and runs 12 seconds in duration, depicting an act of violence. In print Doctor Who book The Time Meddler Series Release number 126 Writer Publisher Cover artist ISBN 0 491 03337 0 Release date 15th October 1987 (Hardback) March 1988 (Paperback) Preceded by Followed by A novelisation of this serial, written by , was published by in October 1987. Broadcast,VHS and DVD releases This story was repeated on in 1992.It was released on in November 2002.It will be released on Region 2 in the United Kingdom on , .