Podcast appearances and mentions of Derek Jacobi

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - completes Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 2, the tragedy resolves itself in a number of deaths. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Nicholas Farrel, and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Stephen Dillane; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Robert MacNeil; Hamlet 2007 by Alexander Fodor, starring Katie Reddin-Clancy; "She'll Never Know" by Marillion; Hamlet 2009 by Gregory Doran, starring Patrick Stewart; In a Bleak Midwinter by Kenneth Branagh, starring Michael Maloney; and "Le duel", "La mort d'Hamlet" and "Le rideau tombe" by Johnny Hallyday. Leave a comment, I love to read!

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this wrap-up episode, we reflect on our journey through Shakespeare's King Henry V by examining three distinct productions that bring the play to life in unique ways. We begin with Kenneth Branagh's 1989 Oscar-nominated film adaptation, renowned for its realism and cinematic approach. Next, we delve into the 2022 Donmar Warehouse production starring Kit Harington, which frames Henry's leadership through a modern lens. Finally, we discuss the 2012 Shakespeare's Globe production with Jamie Parker, which offers a more traditional yet energetic take on the play. By comparing these interpretations, we explore how different directorial choices and performances can influence our understanding of the play's themes, characters, and historical context. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Branagh, Kenneth, director. Henry V. Performance by Derek Jacobi, et al., Curzon Film Distributors, Ltd., Samuel Goldwyn Company, CBS Fox Video, 1989. Shakespeare, William. Henry V. National Theatre Live, https://www.ntathome.com/henry-v. Accessed 2025. Shakespeare, William. Henry V (2012). Shakespeare's Globe, 2013, https://player.shakespearesglobe.com/productions/henry-v-2012/. Accessed 2025.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 1, Hamlet is presented with a friendly contest that's likely a trap, but he's ready for whatever comes next. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh and Robin Williams; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Peter Gale and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; "Coming" by Goldie; Hamlet 2007 by Alexander Fodor, starring Max Davis and William Belchambers; and Hamlet 2009 by Gregory Doran, starring Ryan Gage and David Tennant. Leave a comment, I love to read!

My guest this week is Alexis Langlois, director of the film Queens of Drama — a musical love story about two performers who enter a forbidden romance behind the scenes of a pop-star competition. Alexis has been making films with a troupe of irregulars for years, inspired by John Waters' Dreamlanders and the recurring actors in the films of David Lynch. His style is scrappy, independent, political, and very queer … so you can imagine his surprise when he was invited to present his latest work at Cannes.We'll have that conversation in a minute. First — if you've been watching the latest season of Drag Race All Stars, you've seen Bosco and Irene the Alien absolutely stealing the show with great looks, funny banter, and a mischievous friendship. And you can get even more of that Irene and Bosco magic — having an absolute riot playing Dungeons & Dragons. A couple years ago Bosco and Irene joined me and my partner James for a D&D adventure, and we just posted the full audio for you to check out. Over six hours of these two drag stars on a fun, chaotic fantasy romp. You don't need to know anything about D&D to listen — it's basically like an audiobook that you can put on to enjoy while you're doing something else. I think you'll love it — Here's a link: https://youtu.be/rD8tJTtAMYA And if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows. I have a new video out now about the British sitcom Vicious, starring Ian McKellen and Derek Jacobi. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

My guest this week is Pete Crighton, whose debut book The Vinyl Diaries comes out next week on May 13. It's a memoir and a disocography, based on a journal that Pete kept of his various hookups with men over the years and the soundtrack of each encounter and relationship.We'll have that conversation in a minute. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows. I have a new video out now about the British sitcom Vicious, starring Ian McKellen and Derek Jacobi. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Für die aktuelle Diggytalkfolge haben wir Friedhelm Ptok interviewen dürfen.Er ist Schauspieler und Synchronsprecher. Wir kennen ihn alle als Stimme von Palpatine/Darth Sidious aus Star Wars. Aber auch Derek Jacobi synchronisiert er u.a. in „Anonymous“ oder „Tolkien“. Doch Friedhelm macht noch soviel mehr! Er steht mit 91 Jahren noch regelmäßig auf der Theaterbühne. Hier erzählt er uns ein paar Anekdoten, was den Reiz des Schauspiels ausmacht. Wusstet ihr, dass Friedhelm eigentlich Buchdrucker gelernt hat? Wie ist er also zum Synchron gekommen? Hört hier auf jeden Fall rein und seid gespannt.Was verbindet Friedhelm mit den Drei Fragezeichen? Nun, hier kennt er unseren „Dritten“ Andreas Fröhlich ganz gut. Anbei ist er auch in Hörspielen, wie „Dark Lord“ oder „Geisterjäger John Sinclair“ zu hören. Außerdem erzählt er noch, wie er zu „Star Wars“ gekommen ist.Wir wünschen gute Unterhaltung.E-Mail: kontakt@diggytalk.de Besucht uns auf www.diggytalk.de für weitere Informationen zum Podcast und regelmäßigem Content aus den Bereichen Hörspiel, Synchron und Film.Hier findet ihr das Diggytalk-Impressum:https://www.diggytalk.de/impressum.html Vielen Dank an MassiveVoices aus Berlin, an dieser Stelle. Copyright 2025 DiggytalkDiggytalk ist eine eingetragene Marke von Dominik Grote Hosted on Acast. See acast.com/privacy for more information.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 1, Part 2, Ophelia's funeral is interrupted by boys leaping into her grave. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Michael Maloney and Kenneth Branagh; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier and Basil Sydney; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart; Hamlet 1990 by Franco Zeffirelli, starring Nathaniel Parker and Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Ethan Hawke; Hamlet 2007 by Alexander Fodor, starring Jason Wing and Alexander Fodor; Hamlet 2009 by Gregory Doran, starring Patrick Stewart and David Tennant; and "Je l'aimais/Il est fou" by Johnny Hallyday. Leave a comment, I love to read!

This week we welcome writer director Timothy Scott Bogart on the show to talk about making his latest feature film Juliet & Romeo, a pop-musical adaptation of Romeo and Juliet, shot on location in Italy, starring Rebel Wilson, Jason Issacs, Rupert Everett and Derek Jacobi among others, with all the songs being recorded in camera. After that we play another round of THE GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952

We are SO EXCITED, listeners!!!!!!!!Today's guest is Timothy Scott Bogart, writer/director of the gorgeous new movie musical Juliet and Romeo, dropping Friday May 9 at a theatre near you!!! Incredible cast - Derek Jacobi (drool!!), Jason Isaacs (double drool!!), Rebel Wilson, Rupert Everett... and a whole new bunch of faces that are going to EXPLODE when this baby opens!!!!!We discuss the adaptation, the concept, the fantastic pop music written by Tim's brother Evan Bogart (who has written hit songs for people like Beyoncé, no big deal...), the incredible set, costumes, and all around design... and of course, the stellar direction and performances.We told you about it first, people!!!! (And we've seen it, OF COURSE!!!) Get your tickets NOW!!!!!https://www.imdb.com/title/tt26597666/?ref_=nv_sr_srsg_3_tt_5_nm_3_in_0_q_juliert%2520To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

A new film called Lavender Men comes to theaters this month, and streaming in June — it's about a theatrical stage manager who daydreams about her connection to Abraham Lincoln through queer romance. I'm chatting with two of the folks involved in the film this week: Lovell Holder directed the film, and Roger Q. Mason is the writer and star. They're longtime collaborators, going back to college when Lovell was entranced by Roger's performance in Romeo and Juliet as the Nurse. And this film is just one step in their plans to change the world.We'll have that conversation in a minute. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows. I have a new video out now about the British sitcom Vicious, starring Ian McKellen and Derek Jacobi. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

This... episode... is for YOU! Grab your scissors and your faux American accents as NostalgiaCast continues its "Bucket List" season of '90s favorites with a hypnotic look back at DEAD AGAIN, starring Kenneth Branagh, Emma Thompson, and Robin Williams. Listen as Jonny and Darin recount their history with Branagh as actor, filmmaker, and connoisseur of Shakespeare, and how his attempt at a bombastic Grand Guignol neo-noir murder-mystery with a supernatural bent will either bore you or leave you mute with fear. 

My guest this week is the writer, director, and co-star of the new Argentinian film Most People Die on Sundays. Iair grew up watching soap operas, pulled into on-screen melodramas. And now as an adult, he gets to make movies and work alongside the actors he used to watch on his favorite shows. But that's only the start of what makes his latest film so personal.We'll have that conversation in a minute. First, if you're enjoying The Sewers of Paris, I hope you'll consider supporting the show on Patreon. You may also enjoy my YouTube videos about the making of iconic movies and TV shows. I have a new one coming this weekend about the British sitcom Vicious, starring Ian McKellen and Derek Jacobi. And check out my weekly livestreams on Twitch, my book Hi Honey, I'm Homo!, and my free email newsletter. There's links to all that in the episode shownotes, and at MattBaume.com.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 1, Part 1, Hamlet returns from his exile and encounters clownish gravediggers hard at work. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh and Billy Crystal; Hamlet 1948 by Laurence Olivier, starring Stanley Holloway; Hamlet 1980 by Rodney Bennett, starring Tim Wylton, Derek Jacobi and Robert Swann; Hamlet 2000 by Michael Almereyda, starring Jeffrey Wright; Hamlet 2007 by Alexander Fodor, starring David Thompson, Alexander Fodor and William Bellchambers; Hamlet 2009 by Gregory Doran, starring David Tennant and Mark Hadfield; and "Le cimetière" by Johnny Hallyday. Leave a comment, I love to read!

Aprovechamos el fallecimiento de una de las grandes estrellas de la televisión internacional: Richard Chamberlain, Juan Luis Álvarez habla de su gran éxito El pájaro espino, y de otros clásicos que paralizaron el país en su momento:Yo, Claudio y Luz de luna. Son Enseriados legendarios. El pájaro espino (1 temporada, 4 episodios) Miniserie de 4 episodios, basada en la novela de Colleen McCullough. Famosa miniserie ambientada en Australia y centrada en la tortuosa vida del cura católico Ralph de Bricassart (Richard Chamberlain), un ambicioso sacerdote con el corazón dividido entre el amor a Dios y al sacerdocio, y el amor terrenal y pasional por la bella e inocente Meggie Carson (Rachel Ward). Chamberlain triunfó en esta serie y en otras tan populares como Shogun y Doctor Kildare Lo mejor: El reparto de viejas glorias con una espléndida Bárbar Stanwyck a la cabeza. Lo peor: La descafeinada continuación "Los años perdidos". Trailer Yo, Claudio (Fimin, 1 temporada, 10 episodios) La serpiente / Lujuria / Traiciones / Nasty dinasty / Yo, Tiberio Claudio César Augusto Germánico… Miniserie de TV de 13 episodios. Claudio, Emperador de Roma, viendo aproximarse el final de su vida, decide escribir la historia de su familia (dinastía julio-claudia) desde el año 50 a.C. al 50 d.C. La Sibila ha profetizado que esta historia llegará a la posteridad. Adaptación del texto del célebre escritor e historiador Robert Graves, y que presenta, con finas dosis de humor y un toque de inocencia, al emperador Claudio y su visión de aquellos turbulentos años en los que sobrevivir era un milagro, salvo que te tomara por tonto e inofensivo... Lo mejor: El reparto. Derek Jacobi, Brian Blessed, Sian Phillips, John Hurt... Lo peor: Que se grabó en video y su conservación es compleja... Trailer Luz de luna (Fimin, 66 episodios, 5 temporadas) La serie gira alrededor de los casos investigados por una agencia de detectives Luna Azul al frente de la cual están Madelyn 'Maddie' Hayes (Cybill Shepherd), antigua modelo y David Addison (Bruce Willis), de profesión : vago. La serie cuenta con una mezcla de misterio, diálogos agudos y una tensión sexual entre sus dos protagonistas. El hilo argumental comienza con un revés de la suerte para la ex modelo, Hayes, que se encuentra arruinada después de que su contable desfalque todos sus activos líquidos. Se queda con varios negocios fallidos que se mantenían como tapaderas para la evasión de impuestos, uno de las cuales es la agencia de detectives en la ciudad de Los Ángeles y al frente de la cual se encuentra el despreocupado David Addison. Lo mejor: La química entre Willis y Sheperd, por más que se odiaran en la vida real. Lo peor: Que se la pueda considerar un trabajo menor, cuando fue pionera en su género junto con Remington Steele. Trailer

Send us a textFrom boarding school trauma to embodying one of fiction's greatest detectives, Michael Maloney's theatrical journey reveals how life's most difficult experiences often forge our greatest strengths. The acclaimed British Actor joins us from his dressing room in Birmingham—fresh from celebrating his 100th performance as Hercule Poirot in the touring production of Agatha Christie's "Murder on the Orient Express"With disarming honesty, Michael explores how being sent away from home at age 7 permanently altered his sense of belonging. "You cease to become a member of a family immediately," he reflects, describing how this early separation forced him into premature self-sufficiency while creating emotional wounds he would later need to address. This experience, along with his Roman Catholic upbringing, established complex foundations that would eventually serve his acting career in unexpected ways.The conversation shifts to his transformative years at the Royal Shakespeare Company, where Michael found himself amidst theatrical royalty—Derek Jacobi, Michael Gambon, Helen Mirren, and a young Mark Rylance. Their anarchic creativity, set against the backdrop of early 80s punk and new wave, shaped his understanding of classical discipline and theatrical expression. "We were all over the shop," he laughs, "and enjoying ourselves."Michael's reflections on the power of the spoken word reveal his deep appreciation for poetry and heightened language. He shares how sports provides a perfect metaphor for performance: some nights you win, some you lose, some you draw—but you always return to play again. This philosophy has helped him navigate the highs and lows of theatrical reviews throughout his career.Now at 67, finding himself unexpectedly cast as Poirot, Michael approaches each performance with the discipline earned through decades of classical training. When asked about his legacy, his answer is characteristically straightforward: "A proper actor... of significance and stature." Join us for this intimate conversation with a performer who has continuously found new ways to transform life's challenges into art.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

Ryan and Dylan watch this year's Barbenheimer double feature phenomenon Glicked, featuring the mesmerizing Wicked and the brutal Gladiator II.

It's been 24 years since “Gladiator” took the world by storm and spawned a whole new era of swords and sandals movies. Will it's sequel “Gladiator II”, our movie for this week, do the same? We shall see. This time the main character is Lucius, who we met as a young boy in the original “Gladiator.” He's the son of Lucilla, and it's revealed in the trailers, the son of Maximus, Russell Crowe's character from “Gladiator.” Lucius suffers a tragedy early in the movie and is made a slave and then rises up as a gladiator for Macrinus, played by Denzel Washington. Macrinus is not all he appears to be and is proven to be power hungry and wants to use Lucius as his instrument for power. Another main character is General Acacius, played by Pedro Pascal, who is the leader of the Roman army who fight for Emperor Geta and Emperor Caracalla, played by Joseph Quinn and Fred Hechinger respectively. Acacius isn't exactly excited anymore to be dispatched like an errand boy by these emperors to kill people all over the world and conquer lands. Connie Nielsen returns to play Lucilla and as she sees a particular gladiator fight in the Colosseum, she starts to get a feeling that she knows this man. All of these worlds will collide. Sometimes sequels surpass the quality of the original. Does “Gladiator II” accomplish that feat? Check out this episode to find out! “Gladiator II” also stars Derek Jacobi, Yuval Gonen, Rory McCann, Peter Mensah, Matt Lucas, Tim McInnerny, Alexander Karim and Lior Raz.  Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Happy December!  We're taking it (mostly) easy this month, but stay tuned for a special episode coming soon.  Meanwhile, The Johns take in as much December cheer as they can with Don Bluth's The Secret Of Nimh.  Will we find shelter or die from sickness?  Listen and find out!

History buff Matt F Basler joins us to take on Ridley Scott's GLADIATOR II.Support this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

Robert Winfree and Mark Radulich present their Gladiator II 2024 Movie Review!Gladiator II is a 2024 epic historical action film directed and produced by Ridley Scott that serves as a sequel to Gladiator (2000). Written by David Scarpa, from a story he wrote with Peter Craig, the film was produced by Scott Free Productions and distributed by Paramount Pictures. It stars Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, Connie Nielsen, and Denzel Washington. Jacobi and Nielsen reprise their roles from the first film, with Mescal replacing Spencer Treat Clark. Mescal portrays Lucius, whose home is invaded by the Roman army led by General Acacius. He seeks revenge against Acacius and fights as a gladiator for Macrinus, a former slave who plans to overthrow the emperors Geta and Caracalla.A sequel to Gladiator was discussed as early as June 2001, with David Franzoni and John Logan set to return as screenwriters. Over the next few years, Scott offered occasional updates, including the possible involvement of the original film's lead actor, Russell Crowe, along with plot ideas about the Roman afterlife and different historical time periods. Development was halted when DreamWorks sold the rights to the property to Paramount in 2006. The film was finally announced in 2018, and Mescal was cast in the lead role in January 2023, with a script by Scarpa. The rest of the cast signed on over the next several months. Filming took place between June 2023 and January 2024, with a five-month hiatus due to the 2023 Hollywood labor disputes.Gladiator II had its world premiere in Sydney, Australia, on October 30, 2024, and was released in the United Kingdom on November 15, and in the United States on November 22. It received generally positive reviews from critics and has grossed $221 million.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

This week on the Cinemaholics podcast, we enter the arena to discuss Gladiator II, the long-awaited sequel that brings back Ridley Scott as director along with some fresh talent. Including Paul Mescal in the lead role alongside Denzel Washington, Pedro Pascal, and Connie Nielsen. We kick off the show with some preamble about Wicked and Scott's filmography before clashing swords on the film itself. We discuss the overall themes of the film and how the action pays off the messaging. Plus we dig into the critical reception thus far and what might come next in the Gladiator franchise. Gladiator II opened in UK theaters on November 15 with a U.S. release through Paramount Pictures a week after on November 22. The film has a 148-minute runtime and the rest of the cast includes Joseph Quinn, Fred Hechinger, Lior Raz, and Derek Jacobi. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Gladiator II is a 2024 epic historical action film directed and produced by Ridley Scott that serves as a sequel to Gladiator (2000). Written by David Scarpa, from a story he wrote with Peter Craig, the film was produced by Scott Free Productions and distributed by Paramount Pictures. It stars Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, Connie Nielsen, and Denzel Washington.[6] Jacobi and Nielsen reprise their roles from the first film, with Mescal replacing Spencer Treat Clark. Mescal portrays Lucius, whose home is invaded by the Roman army led by General Acacius. He seeks revenge against Acacius and fights as a gladiator for Macrinus, a former slave who plans to overthrow the emperors Geta and Caracalla. A sequel to Gladiator was discussed as early as June 2001, with David Franzoni and John Logan set to return as screenwriters. Over the next few years, Scott offered occasional updates, including the possible involvement of the original film's lead actor, Russell Crowe, along with plot ideas about the Roman afterlife and different historical time periods. Development was halted when DreamWorks sold the rights to the property to Paramount in 2006. The film was finally announced in 2018, and Mescal was cast in the lead role in January 2023, with a script by Scarpa. The rest of the cast signed on over the next several months. Filming took place between June 2023 and January 2024, with a five-month hiatus due to the 2023 Hollywood labor disputes. Gladiator II had its world premiere in Sydney, Australia, on October 30, 2024, and was released in the United Kingdom on November 15, and in the United States on November 22. It received generally positive reviews from critics and has grossed $221 million.

In anticipation of the upcoming release of “Gladiator II”, I'm retro-reviewing the Best Picture Oscar-winning original “Gladiator” this episode. You will not have to ask if you're entertained with this review because “Gladiator” is one of the most beloved movies of all time. It's the movie that made even your Grandma aware of who Russell Crowe was. It launched a whole era of swords and sandals movies and TV series afterwards. It won five Academy Awards, including Best Picture and Best Actor for Crowe playing General Maximus Decimus Meridius, father to a murdered son, husband to a murdered wife who would have his vengeance in this life, or the next. Many motivational and meme-worthy quotes were introduced into the zeitgeist by this movie: “Are you not entertained?”, “What we do in life, echoes in eternity.” I could go on, and I will, in this episode all about this Ridley Scott classic about a Roman general, made a slave, who became a gladiator then later, the savior of Rome. You could consider this part of your “homework” for brushing up on what happened in “Gladiator” before you rush out to see “Gladiator II.” “Gladiator” also stars Joaquin Phoenix, Connie Nielsen, Djiman Hounsou, Oliver Reed, Richard Harris, Derek Jacobi, David Schofield, John Schrapnel, Tomas Arana, Ralf Moeller, Spencer Treat Clark, David Hemmings, Tommy Flanagan and Sven-Ole Thorsen. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

For this "Quick Screen" episode, Michael checked out the brand new theatrical film "Gladiator II". What are some of his thoughts of this epic dramatic action film starring Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, Connie Nielsen, and Denzel Washington? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Check out the show on Bluesky just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork

Our final episode on Best Picture nominees from 2000 is here. It's time to talk Gladiator. Ridley Scott's Best Picture winning epic follows Maximus, a disgraced Roman general on a quest for vengeance. Russell Crowe won an Oscar for his performance, and he is joined by Joaquin Phoenix, Connie Nielsen, Djimon Hounsou, Derek Jacobi, Richard Harris, and Oliver Reed in his final performance. Fans of Gladiator have found a rewatchable classic; detractors say it's too conventional and poorly written. Where will our hosts land? Next week: Gladiator II! How do you feel about Gladiator? Are you excited for Gladiator II? Let us know at cinemaontappodcast@gmail.com

Robert Winfree and Mark Radulich present our Gladiator 2000 Movie Review!Gladiator is a 2000 historical epic film directed by Ridley Scott and written by David Franzoni, John Logan, and William Nicholson from a story by Franzoni. It stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Crowe portrays the Roman general Maximus Decimus Meridius, who is betrayed when Commodus, the ambitious son of Emperor Marcus Aurelius, murders his father and seizes the throne. Reduced to slavery, Maximus becomes a gladiator and rises through the ranks of the arena, determined to avenge the murders of his family and the emperor.The screenplay, initially written by Franzoni, was inspired by the 1958 Daniel P. Mannix novel Those About to Die. The script was acquired by DreamWorks Pictures, and Scott signed on to direct the film. Principal photography began in January 1999 and wrapped in May of that year. Production was complicated by the script being rewritten multiple times and by the death of Oliver Reed before production was finished.Gladiator had its world premiere in Los Angeles, California, on May 1, 2000. The film was released in the United States on May 5, 2000 by DreamWorks and internationally on May 12, 2000 by Universal Pictures. The film grossed $465.4 million worldwide, becoming the second highest-grossing film of 2000, and won five Academy Awards, including Best Picture and Best Actor for Crowe. A sequel, Gladiator II, was released in November 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

This week, as Gladiator II hits the theaters to repeat the same beats of its predecessor and prove that what we do in life truly does echo in eternity, we circle back to the original to cross a movie off of Hayley's list and get her hyped to see some hunks on the IMAX screen. It's 2000's Gladiator, directed by Ridley Scott, and starring Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Derek Jacobi, Djimon Hounsou, Tommy Flanagan and Spencer Treat Clark. A somewhat controversial Best Picture winner at the time, it has remained one of Scott's most celebrated pictures despite hardly being his best. While it may not match the heights of his sci-fi output, it is unquestionably the high-water mark of his Medieval Mode, very much in line with subsequent efforts like Kingdom of Heaven, Robin Hood and The Last Duel, and is still a hugely entertaining sword-and-sandal revenge epic that lifted its two lead actors to another level of stardom. Plus: We get pissed off about the Coca-Cola AI Christmas commercial. If you'd like to watch the movie before listening along to our discussion, Gladiator is currently streaming (in Canada at least) on both Netflix and Paramount+ at the time of publication. Other works discussed on this episode include Past Lives, Stop Making Sense, Mission: Impossible - Fallout, Alien, Blade Runner, Prometheus, Alien: Covenant, Aliens, In Cold Water: The Shelter Bay Mystery, Dungeons & Dragons: Honor Among Thieves, The X-Files (S5E04 "Detour"), Good Bones, Super Mario Party Jamboree, The Holdovers, The Taking of Pelham 1-2-3, The Lord of the Rings trilogy, Red One, The Brave Little Toaster, Traffic, Erin Brockovich, Crouching Tiger, Hidden Dragon, Shadow of the Vampire and Crash, among others. We'll be back next week to wrap up No-Theme-ber with our monthly canon consideration, as Hayley's got the keys to the vault this month and is using them to induct the Coen Brothers' 2007 crime classic No Country For Old Men, which is currently streaming north of the border on both Netflix and Amazon Prime. Until then, we'll see you at the movies!!

“This will be a particularly ignorant episode… from an historical standpoint” - Steve, on WHM's lack of history education On this week's special We ❤️ Movies episode, we're chatting about Royal Rid's 2000-era action epic, Gladiator! How great of a run did this film set off for Russell Crowe? How easily eerie is Joaquin here? Did Jesse Ventura try to snag an audition along with Sven-Ole? How intense is that tiger sequence? Is the CGI'd Oliver Reed the first cinematic instance of Hollywood going to Tarkin Town and should we be calling it Oliver Reed-ville instead? And how funny is that “They Say No” decapitation? PLUS: How is this movie only one of THREE times Royal Rid was nominated for Best Director?  Gladiator stars Russell Crowe, Joaquin Phoenix, Connie Nielsen, Richard Harris, Derek Jacobi, Djimon Hounsou, David Schofield, John Shrapnel, Ralf Moeller, Spencer Treat Clark, David Hemmings, Tommy Flanagan, Sven-Ole Thorsen, and Oliver Reed as Proximo; directed by Ridley Scott. This episode is brought to you in part by Uncommon Goods. To get 15% off your next gift, go to UNCOMMON GOODS dot com slash WHM. That's UNCOMMON GOODS dot com slash WHM, for 15% off! Don't miss out on this limited time offer! Uncommon Goods. We're all out of the ordinary. Be sure to catch us in Boston for our final show of the year! We'll be talking about the film Pretty Woman at Laugh Boston on December 4! It's our last stop on the road before we hibernate until next year, so we wanna see you out there! Click through here to get your tickets!   Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new Bus Movie, Night Vision & Too Old For This Shit designs!   Original cover art by Felipe Sobreiro.

Daniel, Shahbaz, & Anthony review Ridley Scott's GLADIATOR II starring Paul Mescal, Pedro Pascal, Joseph Quinn, Fred Hechinger, Lior Raz, Derek Jacobi, with Connie Nielsen and Denzel Washington. The film is a sequel to Gladiator (2000) starring Russell Crowe and continues the epic saga of power, intrigue, and vengeance set in Ancient Rome. Years after witnessing the death of the revered hero Maximus (Crowe) at the hands of his uncle, Lucius (Paul Mescal) is forced to enter the Colosseum after his home is conquered by the tyrannical Emperors who now lead Rome with an iron fist. With rage in his heart and the future of the Empire at stake, Lucius must look to his past to find strength and honor to return the glory of Rome to its people. Gladiator II releases exclusively in theatres on November 22, 2024 by Paramount Pictures. Interview with Paul Mescal coming soon. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

We came, we saw, we reviewed. Join us for our spoiler-free thoughts on Ridley Scott's GLADIATOR II. This movie has big sandals to fill as the original took home 5 Academy Awards, including Best Picture. Was the sequel a toga party worth waiting 24 years for?  Join us as we discuss the characters, the production, and the overall story with NO spoilers.GLADIATOR II is only in theatres on November 22, 2024 Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

Are you ready to be entertained?! In this month's episode, Austin and Big T discuss the 2000 film, Gladiator, and all its pros and cons. Grab a good seat in the arena and tune in as Austin discusses how this film has changed for him since he last watched it and Big T gives us his first impression. We share our opinions about the soundtrack and discuss what we think makes Commodus such a great villain.  So pour yourself some wine then join us for next month when we discuss the new horror film, Strange Darling.Write into us at layersoffilmpod@gmail.comFollow us on Instagram, Twitter, and TikTok: @layersoffilmpod

Nick and Benji present… The Chat: Bonfires and Sirens… Good Review Guy: The Eleventh Doctor: All of Time and Space… Behind-the-scenes and Drama Tease: The War Master: Future Phantoms… Also Available: Torchwood Bad Connection… Podcast Archive: Burn Gorman.

Sorry for the late update, everybody - we got trapped in one of those two-person horse costumes for like 48 hours, really really scary. But we're back to talk pretty seriously about Paul Schrader's 2008 literary adaptation ADAM RESURRECTED, the story of a German Jewish clown who becomes a concentration camp commander's human dog and then finds himself the Van Wilder of an Israeli psychiatric facility after the war. It is at once a very relevant and profoundly unhelpful film for the current moment, but we do our best to get to the bottom of the ideas at work here. We recorded this a few weeks ago, so facts about Israel's genocide of the people of Palestine are that many weeks old as we post this, to say nothing of whenever you find yourself listening to it. But, as ever: free Palestine. Further Reading: Adam Resurrected by Yoram Kaniuk "We Are Conquerors" by Adam Shatz "Yoram Kaniuk - The Last Great Zionist" by Yuval Ben-Ami "Israeli Writer Yoram Kaniuk, 83, On Pain And Peace" Palestine: A Socialist Introduction ed. Sumaya Awad and brian bean Further Viewing: ONE FLEW OVER THE CUCKOO'S NEST (Forman, 1975) LIFE IS BEAUTIFUL (Benigni, 1997) THE DAY THE CLOWN CRIED (just kidding)   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Nick and Benji present… The Chat: UFO, The Stuff, the App… Good Review Guy: Torchwood Double Part 1… Behind-the-scenes: Dark Gallifrey - The War Master - Part 3… Also Available and Drama Tease: Doctor Who: The Stuff of Legend… Podcast Archive: Bonnie Langford.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - wraps up its discussions on Act 4 of Shakespeare's masterpiece, as Siskoid discusses some of the section's bigger questions and themes with special guest Ryan Blake. They also discuss Kill Shakespeare, the comics series that tracks Hamlet's sea voyage. Plus, your feedback on Act 4's episodes. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Leave a comment, I love to read!

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 7, Part 2, Gertrude describes Ophelia's death. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Julie Christie; Hamlet 1948 by Laurence Olivier, starring Eileen Herlie; Hamlet 1980 by Rodney Bennett, starring Claire Bloom and David Robb; Hamlet 1990 by Franco Zeffirelli, starring Glenn Close; Hamlet 2000 by Michael Almereyda, starring Diane Venora and Liev Schreiber; Hamlet 2007 by Alexander Fodor; Hamlet 2009 by Gregory Doran, starring Penny Downie; and "La Mort d'Ophélie" by Johnny Hallyday. Leave a comment, I love to read!

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 7, Claudius and Laertes plot Hamlet's death. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi; Hamlet 1948 by Laurence Olivier, starring Basil Sydney; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart; Hamlet 1990 by Franco Zeffirelli, starring Nathaniel Parker and Alan Bates; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber; and Hamlet 2009 by Gregory Doran, starring Patrick Stewart and Edward Bennett. Leave a comment, I love to read!

For this "ReScreen" episode, Michael does a rewatch of the 2000 epic dramatic film "Gladiator" starring Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Richard Harris, Derek Jacobi, and Djimon Hounsou. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see! Be a part of the conversation! E-mail the show at screennerdspodcast@gmail.com Follow the show on Twitter @screennerdspod Like the show on Facebook (Search for Screen Nerds Podcast and find the page there) Follow the show on Instagram and Threads just search screennerdspodcast Check out the show on Bluesky just search screennerdspodcast Be sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!) Want to be a guest or share your thoughts on the podcast? Send me an e-mail! Thanks to Frankie Creel for the artwork

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 6, Horatio receives word from Hamlet. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Nicholas Farrell; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Iain Blair; and Hamlet 1990 by Franco Zeffirelli, starring Alan Bates. Leave a comment, I love to read!

This month Don Bluth out-disneys Disney with 1982's atmospheric animated action adventure The Secret of NIMH. Featuring the vocal talents of Elizabeth Hartman, Peter Strauss, Arthur Malet, Dom DeLuise, John Carradine, Derek Jacobi, Hermione Baddeley, Paul Shenar, Shannen Doherty, Wil Wheaton, Ina Fried, and Jodi Hicks This episode features contributions from: (in order of appearance) James Knight (with Tyranna and Ellen) Joe Richter of Hindsightless (podcast) Jason Connerley of Nerd's RPG Variety Cast (podcast & blog) Goblin's Henchman (podcast & blog) & the Umber Bulk Lex Mandrake of Dank Dungeons (YouTube, itch.io, Bandcamp) M. W. Lewis of The Worlds of M. W. Lewis (podcast) Honourable mentions: Sleeping Beauty (1959), One Hundred and One Dalmatians (1961), Robin Hood (1973), The Rescuers (1977), The Fox and the Hound (1981), Dragon's Lair (1983), Space Age (1984), Dragon's Lair II: Time Warp (1991), Banjo the Woodpile Cat (1979) The movie for next month is Ralph Bakshi's Fire & Ice from 1983. See below for details on contacting the show. The episode airs on August 26th, submissions by the 24th, please. "Warning" by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 5, Part 2, Laertes returns from France, incensed. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi and Kate Winslet; Hamlet 1948 by Laurence Olivier, starring Basil Sydney, Jean Simmons and Terence Morgan; Hamlet 1980 by Rodney Bennett, starring David Robb and Lalla Ward; Hamlet 1990 by Franco Zeffirelli, starring Nathaniel Parker; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Diane Venora; Hamlet 2007 by Alexander Fodor, starring Tallulah Sheffield; Hamlet 2009 by Gregory Doran, starring Mariah Gale; and In a Bleak Midwinter by Kenneth Branagh, starring John Sessions and Nicholas Farrell. Leave a comment, I love to read!

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 5, Part 1, Ophelia's madness is revealed. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kate Winslet; Slings & Arrows, starring Paul Gross and Rachel McAdams; Hamlet 1948 by Laurence Olivier, starring Jean Simmons; Hamlet 1980 by Rodney Bennett, starring Lalla Ward; Hamlet 1990 by Franco Zeffirelli, starring Helena Bonham-Carter; Hamlet 2000 by Michael Almereyda, starring Diane Venora and Julia Stiles; Hamlet 2007 by Alexander Fodor, starring Tallulah Sheffield; and Hamlet 2009 by Gregory Doran, starring Penny Downie and Mariah Gale. Leave a comment, I love to read!

Horizon: An American Saga - Chapter 1 should have been a slam dunk for box office.  Kevin Costner behind and in front of the camera for a very large scale Western released in multiple theatrical chapters.  Somehow, though, it's not a box-office success. It's absolutely worth watching on the big screen though.  The scale and scope along with the wonderful cinematography and very ambitious task- telling the story of the American West.       0:06:15 - Box Office and upcoming releases. 0:21:30 *** What's Streaming  *** HULU LORD OF WAR, Dir. Andrew Niccol – Nicolas Cage, Jared Leto, Bridget Moynahan, Ian Holm, Ethan Hawke, Eamon Walker, 2005. VOLCANO, Dir. Mick Jackson – Tommy Lee Jones, Anne Hache, Gaby Hoffmann, Don Cheadle, Keith David, John Corbett, Michael Rispoli, John Caroll Lynch, 1997. SHANGHAI NOON, Dir. Tom Dey – Owen Wilson, Jackie Chan, Lucy Liu, 2000. 0:30:00 - Trailers:  F1 – Brad Pitt, Javier Bardem, Kerry Condon, Tobias Mazies, Feature. GLADIATOR II – Joseph Quinn, Connie Nielsen, Paul Mescal, Pedro Pascal, Denzel Washington, Rory McCann, Derek Jacobi, Feature. WE LIVE IN TIME – Florence Pugh, Andrew Garfield, Feature.   0:45:00 - HORIZON: AN AMERICAN SAGA - CHAPTER 1, Dir. Kevin Costner  ( Grayson 6.5 / Roger 6 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Okay, so.... third time's a charm!! Isn't that what they say??And for our third act, we have chosen none other than a podcast (Owen) favorite... Derek Jacobi!!!(LA loves him too, just not quite as much as Owen.)To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 4, Hamlet encounters Fortinbras' army! Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Jeffery Kissoon and Kenneth Branagh; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; Hamlet 2009 by Gregory Doran, starring David Tennant; Slings & Arrows, starring Luke Kirby; and In a Bleak Midwinter by Kenneth Branagh, starring Michael Maloney. Leave a comment, I love to read!

We bonded over swearing. And, although I'm not one to brag: Danny Dyer said it suits me. DANNY F***ING DYER! I mean. I know this is a podcast about failure, but surely that's a major life achievement? Anyway, I digress… Today's guest was born in East London and had a challenging childhood - his parents split when he was nine after his mother discovered Danny's father had a secret family. Acting was, in many ways, his escape from everyday life. He started in his teens, and was soon acting alongside luminaries such as Helen Mirren, Mark Rylance, Daniel Craig and Derek Jacobi. In his 20s, his mentor was the playwright Harold Pinter - someone Danny considers a father figure in his life, and who he has as the screensaver on his phone. We talk about what he learned from his drug addiction and his subsequent rehab, including one panic-inducing story about being on stage and forgetting his lines after spending the night before smoking crack in New York. It's an extraordinary tale of resilience and self-growth and I really appreciate Danny's honesty in telling it. We also talk about what psychics say to him, his concerns over his daughter becoming famous, his royal heritage and why he might have got the wrong dog. Danny's show Mr Bigstuff is out on Sky - Wednesday 17th July How to Fail is going on a live tour in Spring 2025, presented by Hayu! Tickets go on general sale Friday July 12th at 10am here: www.fane.co.uk/how-to-fail And if you are a subscriber to the How To Fail podcast you can get free access to 24 hour priority booking! Sign up to Failing with Friends now and find out how. Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Manager: Lily Hambly Studio and Mix Engineer: Josh Gibbs Senior Producer: Selina Ream Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scenes 1-3, the Court tries to catch Hamlet and succeeds! Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Timothy Spall, Kenneth Branagh and Derek Jacobi; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier and Basil Sydney; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Mel Gibson and Glenn Close; Hamlet 2007 by Alexander Fodor, starring Simon Nader; Hamlet 2009 by Gregory Doran, starring Patrick Stewart and David Tennant; and "L'asticot-roi" by Johnny Hallyday. Leave a comment, I love to read!

In the Monday Morning Memo for Oct. 10, 2022, I wrote,“Do you want to be one of the world's great ad writers? Don't read ads. Read the poems, short stories and novels written by the winners of the Pulitzer and Nobel prizes in Literature.”My friend Tom Grimes – the waterboy of Amarillo – texted me this insightful correction:“I've heard you teach in class that magicians, stand-up comedians and the creators of comic strips always structure their storytelling in that same tight economy of words used by the world's great poets. ‘And then what happened, and then what happened, and then what happened…'”I stand corrected. Thank you, Tom.Yes, comedians, magicians, and the creators of comics are three different types of writers who know how to capture and hold our attention, just as the world's great poets have done for centuries. These writers show us possible futures, imaginary pasts, or an exaggerated present; realities that exist entirely in our imaginations.And they do it in a brief, tight, economy of words.Likewise, the best ad writers take us on journeys that begin and end quickly, but leave us altered, changed, modified, different.I don't list AI in my pantheon of persuasive writers for the same reason that I don't list the makers of movies.Great movies are created from great plays and great books. Even Disney's animated cartoon adventuresbegin with great stories.Stories are written by writers.The actors, directors, and illustrators who portray those stories are called artists and they are assisted by technicians. Artists and technicians don't write the stories; they adapt stories to fit a format and then show them to us.AI is not a writer. AI is an artist and a technician.Dune was written by Frank Herbert 59 years ago and has sold nearly 20 million copies worldwide. Artists and technicians adapted it into a 1984 film, a 2000 television miniseries, and then a major motion picture in 2021 with a sequel that was released in theaters just last week.The Lord of the Rings was written by Tolkien and adapted by artists and technicians.The Godfather was written by Puzo and adapted by artists and technicians.Harry Potter was written by Rowling and adapted by artists and technicians.Charles Schultz, Bill Watterson, Neil Gaiman, Stan Lee, Scott McCloud and Tom Fishburne are writers who tell stories in comic panels.Robin Williams, Chris Rock, Eddie Murphy, Richard Pryor, Ellen DeGeneres and Dave Chappelle are writers who tell stories in short bursts while standing behind a microphone.Penn and Teller, Siegried and Roy, David Blaine, Brian Brushwood, David Copperfield and Nate Staniforth are writers who stand on stage and tell stories while proving that you cannot believe your eyes or trust your logical mind.Ian Fleming, Cormac McCarthy, Stephen King, Truman Capote, and Elmore Leonard are writers who tell stories using only words.Artists and technicians adapt their stories for stage, film, and video.Shakespeare wrote 38 stories that artists and technicians have adapted for the past 450 years. The artists who gave faces and voices to Shakespeare's characters include Judi Dench, Patrick Stewart, Elizabeth Taylor, Richard Burton, Kenneth Branagh, David Tarrant, Derek Jacobi and Peter O'Toole.We have writers. We

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 4, Hamlet finally confronts his mother! Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Laurence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Richard Briers, Kenneth Branagh, Brian Blessed and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Claire Bloom and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Glenn Close and Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; Hamlet 2009 by Gregory Doran, starring Oliver Ford Davies, Penny Downie and David Tennant; Slings & Arrows, starring Martha Burns and Luke Kirby; and In a Bleak Midwinter by Kenneth Branagh, starring John Sessions and Michael Maloney. Leave a comment, I love to read!