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ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.
ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.
Abrimos número de Noviembre de Libertad Jazzera con el descubrimiento de la música de Nudo, el dúo formado por el batería y compositor Federico Isasti y el pianista y compositor Mariano Sarra. El dúo publicó recientemente este 2023, Inhabitante. Después nos acercamos a los años 80 y a uno de los representantes icónicos y genuinos de la New Wave como fueron Tuxedomoon. A través del sello Crammed y su primer volumen de la serie Made to Measure, volvimos a escuchar algo de la música de los californianos. Seguir leyendo Libertad Jazzera 09.2023. Nudo. Made To Measure – Tuxedomoon. Steve Swell, Mark Tokar, Klaus Kugel. Sunny Murray. Paul Flaherty. en La Montaña Rusa Radio Jazz.
Sunny Murray changed our whole conception of what drums could do in music. In this rebroadcast of Mitch Goldman's Deep Focus from 2018, fellow drummer/composer William Hooker thinks (and feels) as deeply about the role of drums as anyone we have heard speak on the topic. Special guest appearance from reedman/scholar Ras Moshe. This Monday night (6/13) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at our hosting site https://mitchgoldman.podbean.com/ You can also find out more about the show and search for past episodes here: https://mitchgoldman.com/about-deep-focus/ #WKCR #JazzAlternatives #DeepFocus #WilliamHooker #RasMoshe #MitchGoldman #DeepFocus #JazzRadio #JazzPodcast Photo credit: fair use.
Sunny Murray changed our whole conception of what drums could do in music. In this rebroadcast of Mitch Goldman's Deep Focus from 2018, fellow drummer/composer William Hooker thinks (and feels) as deeply about the role of drums as anyone we have heard speak on the topic. Special guest appearance from reedman/scholar Ras Moshe. This Monday night (6/13) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at our hosting site https://mitchgoldman.podbean.com/ You can also find out more about the show and search for past episodes here: https://mitchgoldman.com/about-deep-focus/ #WKCR #JazzAlternatives #DeepFocus #WilliamHooker #RasMoshe #MitchGoldman #DeepFocus #JazzRadio #JazzPodcast Photo credit: fair use.
Sunny Murray changed our whole conception of what drums could do in music. In this rebroadcast of Mitch Goldman's Deep Focus from 2018, fellow drummer/composer William Hooker thinks (and feels) as deeply about the role of drums as anyone we have heard speak on the topic. Special guest appearance from reedman/scholar Ras Moshe. This Monday night (6/13) from 6pm to 9pm NYC time on WKCR 89.9FM, WKCR-HD1 and wkcr.org. Tuesday morning it goes up on the Deep Focus podcast on your favorite podcasting app or at our hosting site https://mitchgoldman.podbean.com/ You can also find out more about the show and search for past episodes here: https://mitchgoldman.com/about-deep-focus/ And a special mention: William Hooker's feature-length documentary, "the Lost Generation: Outside the Mainstream" is showing at Anthology Film Archives, 32 2nd Ave. NYC, this Sunday, June 19th, 2022 7:00 PM #WKCR #JazzAlternatives #DeepFocus #WilliamHooker #RasMoshe #MitchGoldman #DeepFocus #JazzRadio #JazzPodcast
"Ghosts: First Variation" Albert Ayler Trio: Spiritual Unity (ESP Records, 1964) Albert Ayler, Gary Peacock, Sunny Murray. Albert Ayler fue el autor de la melodía. ¿Sabías que? Spiritual Unity fue la primera grabación publicada en ESP, el sello de Bernard Stollman. El disco incluye únicamente cuatro temas y no llega a la media hora de duración. Esta grabación, especialmente, sirvió para que Albert Ayler alcanzase un lugar de honor entre los músicos de la corriente Free Jazz. El disco es considerado una obra maestra. En la Penguin Guide to Jazz le otorgan la máxima calificación, una corona adicional, y lo incorporan en la "Core Collection". En Allmusic tiene también la máxima calificación, lo que sucede igualmente en The Rolling Stone Jazz Records Guide. Ignacio Fuentes lo eligió como uno de los discos esenciales del periodo 1960-1979 en el Especial 25 discos de jazz: una guía esencial. © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=31329 Más información sobre Albert Ayler https://www.ayler.co.uk/ https://www.tomajazz.com/web/?tag=albert-ayler Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter
Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter
Episode 33 Youseff Yancy--Pioneer of Electronic Jazz Part 1 Playlist Yuseff Lateef, “Sound Wave” from A Flat, G Flat And C (1966 Impulse!). Tenor Saxophone, Alto Saxophone, Flute, Oboe, Theremin, Yusef Lateef; Bass, Reggie Workman; Drums, Roy Brooks; Piano, Hugh Lawson. 4:00. Dorothy Ashby, “Soul Vibrations” from Afro-Harping (1968 Cadet). Harp, Dorothy Ashby. No other credits are given. Unknown Theremin player. 3:19. Sunny Murray's Untouchable Factor, “New York Maze” from Apple Cores (1978 Philly Jazz). Composed by Sunny Murray; Trumpet, Flugelhorn, Theremin and Various Electro-acoustical Sound Manipulating Devices, Youseff Yancy; Alto Saxophone, Arthur Blythe; Baritone Saxophone, Hamiet Bluiett; Bass, Fred Hopkins; Guitar, Monnette Sudler. 18:34. Sunny Murray's Untouchable Factor, “Applebluff” from Apple Cores (1978 Philly Jazz). Composed by Sunny Murray; Trumpet, Flugelhorn, Theremin and Various Electro-acoustical Sound Manipulating Devices, Youseff Yancy; Drums, Sonny Brown; Flutes], Whistles, Percussion, Abdul Zahir Batin. 9:10. Muhal Richard Abrams, “Spihumonesty” (1980 Black Saint). Composer, Piano, Synthesizer, Muhal Richard Abrams; Theremin – Yousef Yancey; Trombone, Sousaphone, Synthesizer, George Lewis; Voice, Jay Clayton; Alto Saxophone, Flute, Roscoe Mitchell; Bass, Leonard Jones; Piano, Electric Piano, Organ, Amina Myers. 6:50. Muhal Richard Abrams, “Inneroutersight” from Spihumonesty” (1980 Black Saint). Composer, Piano, Synthesizer, Muhal Richard Abrams; Theremin – Yousef Yancey; Trombone, Sousaphone, Synthesizer, George Lewis; Voice, Jay Clayton; Alto Saxophone, Flute, Roscoe Mitchell; Bass, Leonard Jones; Piano, Electric Piano, Organ, Amina Myers. 7:54. Byard Lancaster, “Blue Nature” from, Documentation The End of a Decade (1980 Bellows). Theremin and trumpet, Youseff Yancy. Recorded in New York in 1979, this is a multi-tracked, solo performance by Yancy on his own composition. One track of straight trumpet, at least one track of electronically modified trumpet, and another track of Theremin. On the liner notes, “B. Lancaster acknowledges the spiritual and education guidance from Youseff Yancy and family.” 2:43. Garrett List and the A-1 Art Band, “Where We Are” from Various – From The Kitchen Archives - New Music New York 1979 (2004 Orange Mountain Music). Piano, Trombone, Garrett List; Theremin, Trumpet, Youseff Yancy; Soprano Saxophone, Byard Lancaster; Voice, Genie Sherman. Recorded live at The Kitchen, New York City. 8:38. Opening background music: Garrett List / A-1 Band, “Passions of Miles” from Fire & Ice (1982 Lovely Music). Composed by, Trumpet, Flugelhorn, Theremin, Electronics, Youseff Yancy; Alto Saxophone, Soprano Saxophone, Flute, Piccolo Flute, Byard Lancaster; Drums, Percussion, Ronald Shannon Jackson; Trombone, Piano, Vocals, Garrett List; Vocals, Genie Sherman. Second background track: Better Daze, “Heavenly Sweetness” from First Flight E.P. (1995 Ubiquity). Acid jazz remix of “Sweetness,” a song that originated on the 1980 album by Byard Lancaster featuring Youseff Yancy and vocalist Joan Hansom. Opening and closing sequences voiced by Anne Benkovitz.
15e émission de la 42e session... Cette semaine, postbop, jazz moderne et une longue pièce free! En musique: Charles Owens Trio sur l'album Three and Thirteen (Ropeadope, 2019); Tom Harrell sur l'album Infinity (HighNote, 2019); Maurice Louca sur l'album Elephantine (Northern Spy, 2019); Cecil Taylor and Sunny Murray sur l'album Corona (FMP, 2018, enr. 1996)...
15e émission de la 42e session... Cette semaine, postbop, jazz moderne et une longue pièce free! En musique: Charles Owens Trio sur l'album Three and Thirteen (Ropeadope, 2019); Tom Harrell sur l'album Infinity (HighNote, 2019); Maurice Louca sur l'album Elephantine (Northern Spy, 2019); Cecil Taylor and Sunny Murray sur l'album Corona (FMP, 2018, enr. 1996)...
durée : 02:55:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Daniel Caux et Jean-François Vallée - Avec Roger Bret et Michel Garland, Don Cherry, Sunny Murray, Archie Shepp et Albert Ayler - Réalisation Janine Antoine - réalisé par : Viginie Mourthé
Des clubs de New York où se fabriquait le free jazz dans les années 60 à sa découverte du poète haïtien Frank Etienne, Jacques Coursil égraine ses carnets de voyage. Son itinéraire nous fait croiser les routes de Jaki Byard, Bill Dixon ou Leonard Bernstein. Enregistrant dès 1966 en side man pour le label ESP aux côtés de Sunny Murray ou Frank Wright, il publiera ensuite deux albums dans la légendaire série « byg actuel » avec Arthur Jones, Burton Greene ou Anthony Braxton avant qu’une carrière universitaire ne l’éloigne des studios pendant près de 25 ans. IL fait son grand retour en 2005 sollicité par John Zorn et a enregistré depuis deux albums à la dimension poétique et historique ainsi qu’un duo avec Alan Silva. De passage à Paris où il peaufine un projet autour de l’oeuvre de Frank Etienne, Jacques Coursil, conteur de génie, s’est arrêté dans nos studios et avec lui nous avons construit ce documentaire qui sonne comme un véritable film audio. En seconde heure, nous allons à la découverte du superbe trio polonais RGG qui a récemment croisé le fer avec Trevor Watts et Evan Parker. On s’intéresse aussi au dernier album de James Brandon Lewis, saxophoniste très en vue actuellement. Un trio insolite a aussi retenu notre attention : Michael Bisio, Kirk Knuffke et Fred Lonberg-Holm et enfin nous terminons par deux rééditions aussi indispensables l’une que l’autre: l’un des premiers disques du batteur finlandais Edward Vesala et le fameux « Nova » de Steve Reid. Liste des titres en première heure : Jacques Coursil « Duke » de l’album « Way Haead » https://www.discogs.com/fr/master/view/35647 —« Last Fanfare » de l’album « Minimal Brass » http://www.tzadik.com/index.php?catalog=8016 -« Prologue, Paroles Mues » de l’album « Clameurs » https://www.universalmusic.fr/artiste/6387-jacques-coursil/disco#contentPart Titres de la deuxième heure Trevor Watts et RGG « Rafa 2 » de l’album « Rafa » https://sluchaj.bandcamp.com/album/rafa —James Brandon Lewis « Sir Real Denard » -James Brandon Lewis « Haden Is Beauty » de l’album « An Unruly Manifesto https://jamesbrandonlewis.bandcamp.com/releases -Michael Bisio, Kirk Knuffke, Fred Lonberg-Holm « sanctus » de l’album « Requiem For A New York Slice » https://ilusorecords.bandcamp.com/album/requiem-for-a-new-york-slice Steve Reid Featuring The Legendary Masters Brotherhood « Lions Of Juda » de l’album « Nova » https://soundsoftheuniverse.com/sjr/product/steve-reid-nova —Edward Vesala Trio « Joiku » de l’album « Nana » https://www.svartrecords.com/product/nana-2/
This week's episode of Out There is a little bit of a continuation of the last Wednesday Night Prayer Meeting, focusing on drummer Tony Williams. Williams started drumming professionally at age 13, and by 19 was a member of Miles Davis' quintet. His flowing, angular style was something of an avant garde middle ground between conventional bebop drumming and the all-out free style of drummers like Sunny Murray and Milford Graves. Features music from his solo albums, his albums with Miles Davis, Grachan Moncur III, and Andrew Hill. If you have any questions or comments, call the WNPM/Out There voicemail box at (424) 704-1666 or email wnpmpod@gmail.com
This week's episode of Out There is about the Pianist Don Pullen, an incredibly exciting and relentless player, who played in a style that shares a lot of qualities with that of Cecil Taylor, but who maintained a grounding to traditional ideas of connectedness to theme and chord changes that make him in many ways easier to listen to. Featuring music from his time in Charles Mingus' band, his solo records, his album with Sunny Murray, and more!
En la entrega 444 de HDO, segunda parte del especial dedicado a Henry Threadgill, continúa el breve repaso a la música de los Loft en los años setenta, década en la que explota este creador. En el programa suena la música creada e interpretada por artistas como Sunny Murray, Dave Burrell, Andrew Cyrille, Jimmy Lyons, Karen Borca, y nuestro protagonista acompañado de Fred Hopkins y Steve McCall, o lo que es lo mismo, el trío Air, la primera de las formaciones de Henry Threadgill en la que HDO se detendrá en próximas entregas. Toda la música se encuentra editada en el triple CD Wildflowers: Loft Jazz New York 1976 (Douglas Records), grabado en en directo entre el 14 y el 23 de mayo de 1976. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com.
Cecil Taylor has always stood somewhat uneasily outside the jazz tradition - at least from the point of view of jazz traditionalists. This episode, Mike and Pat explore his challenging, exhausting, and sometimes off-putting music - and we like to think we nailed it. Cecil Taylor – LOOKING AHEAD!; NEFERTITI THE BEAUTIFUL ONE HAS COME; NAILED; THE WILLISAU CONCERT.
Early on in the show's history I had Monnette on the short list of Philly-area musicians with which I wanted to interview. I'd long been a fan of the records she recorded in the mid-1970s for the prestigious Steeplechase label, a Danish label who continues today to make important records for artists who have gone slept-upon back here in the states, artists including Archie Shepp, Chet Baker, Jackie McLean, Dexter Gordon, Anthony Braxton, Andrew Hill and more. Monnette was spotted at the Newport Jazz Festival playing in Sam Rivers band by staff at the label who would go on to produce a trio of Monnette records starting in 1976 with TIME FOR A CHANGE then LIVE IN EUROPE and BRIGHTER DAYS FOR YOU. Ms. Sudler has continued to record regularly, playing over the years with the late drum great Sunny Murray, Kenny Barron, Dave Holland, and many more and has a plethora of awards she has collected across her active career. Monnette talks about her beginnings in the Germantown neighborhood of Philadelphia, her collaborations with vibraphonist Khan Jamal, her teaching and poetry and at the end, talks candidly about some of the personal and physical obstacles she's faced along the way, including her experiences at Muncie State Penitentiary. It's makes for one of the more moving conversations I've captured here at Fun 2 Know and I want to thank Monnette for sharing her story.
Episode 15 features an interview with avant-garde jazz pianist Dave Burrell, who is being honored at the 2018 Vision Festival at Roulette in Brooklyn and who performed at Cecil Taylor's funeral on April 10, the day before this interview was recorded. Dave Burrell has been a respected and admired figure on the free jazz scene since he arrived in New York in 1965. He was born in Ohio, but raised in Harlem before his parents moved to Hawaii for much of his childhood—he later studied at Berklee College of Music in Boston. In the late 1960s, he recorded as a leader and played on albums by Pharoah Sanders, Archie Shepp, Marion Brown, Noah Howard, Sonny Sharrock, Sunny Murray, and many others. He moved to France in 1969 and played at the Pan-African Festival and recorded for the legendary BYG Actuel label. In this hour-long interview, he discusses his classic albums; his relationships with Cecil Taylor, Sunny Murray, Archie Shepp and others; his plans for the 2018 Vision Festival; and much more. The Osiris podcast network, which the Burning Ambulance podcast is part of, is conducting a brief listener survey, and we'd really like you to fill it out. We value your support of this show, and your opinion. As the network continues to grow, we want to learn a bit more about you—your podcast and music listening preferences, other podcasts you listen to, what your interests are, and what you think we can do better. If we start to get sponsors on this show, we want to make sure that those sponsors align with your interests. We won’t be bringing on advertisers that don’t bring you products or services we actually think you’ll be interested in. There are prizes for filling out the survey: You can win an LP of Phish's Rift signed by band lyricist Tom Marshall, or a $100 Amazon gift card. We’ll never share your information with anyone, and the survey won’t take more than 10 minutes to complete. Take the survey here.
Phil Freeman talks to avant-garde jazz pianist Dave Burrell, who is being honored at the 2018 Vision Festival.
El baterista Sunny Murray fue un heterodoxo, libre en su forma de entender la batería de jazz. Trabajó en los 60 con Cecil Taylor y Albert Ayler y allí dio inicio a un carrera que recorremos en un especial de 'desde mi cadiera', con Jesús Moreno, en esta edición de 'Club de Jazz' del 4 de enero de 2018. Segunda parte del especial, con motivo de su fallecimiento a los 81 años de edad el pasado 7 de diciembre. Toda la información y derechos: http://www.elclubdejazz.com
El baterista Sunny Murray fue un heterodoxo, libre en su forma de entender la batería de jazz. Trabajó en los 60 con Cecil Taylor y Albert Ayler y allí dio inicio a un carrera que recorremos en un especial de 'desde mi cadiera', con Jesús Moreno, en esta edición de 'Club de Jazz' del 4 de enero de 2018. Segunda parte del especial, con motivo de su fallecimiento a los 81 años de edad el pasado 7 de diciembre. Toda la información y derechos: http://www.elclubdejazz.com
El baterista Sunny Murray fue un heterodoxo, libre en su forma de entender la batería de jazz. Trabajó en los 60 con Cecil Taylor y Albert Ayler y allí dio inicio a un carrera que recorremos en un especial de 'desde mi cadiera', con Jesús Moreno. En esta edición del programa, escuchamos la primera parte del especial Sunny Murray, con motivo de su fallecimiento a los 81 años de edad el pasado 7 de diciembre. Toda la información y derechos: http://www.elclubdejazz.com
El baterista Sunny Murray fue un heterodoxo, libre en su forma de entender la batería de jazz. Trabajó en los 60 con Cecil Taylor y Albert Ayler y allí dio inicio a un carrera que recorremos en un especial de 'desde mi cadiera', con Jesús Moreno. En esta edición del programa, escuchamos la primera parte del especial Sunny Murray, con motivo de su fallecimiento a los 81 años de edad el pasado 7 de diciembre. Toda la información y derechos: http://www.elclubdejazz.com
14e et dernière de la 37e session... Cette semaine c'est pour les costauds car l'on rend hommage à Sunny Murray décédé dernièrement avec pas mal de free jazz, du Albert Ayler et même de la musique de Noël... En musique: Spontaneous Music Ensemble sur l'album Karyōbin (Island, 1968, rééd. Emanem 2017); Roligheten sur l'album Homegrown (Clean Feed, 2017); Mars Williams sur l'album Mars Williams Presents: An Ayler Xmas (Soul What, 2017); Sunny Murray and Sabir Mateen sur l'album We Are Not At The Opera (Eremite, 1998); Hartmut Geerken and John Tchicai sur l'album The Kabul and Teheran Tapes (Qbico, 2009, enr. 1977); Albert Ayler Quartet sur l'album European Radio Studio Recordings 1964 (Hat Hut, 2016)...
14e et dernière de la 37e session... Cette semaine c'est pour les costauds car l'on rend hommage à Sunny Murray décédé dernièrement avec pas mal de free jazz, du Albert Ayler et même de la musique de Noël... En musique: Spontaneous Music Ensemble sur l'album Karyōbin (Island, 1968, rééd. Emanem 2017); Roligheten sur l'album Homegrown (Clean Feed, 2017); Mars Williams sur l'album Mars Williams Presents: An Ayler Xmas (Soul What, 2017); Sunny Murray and Sabir Mateen sur l'album We Are Not At The Opera (Eremite, 1998); Hartmut Geerken and John Tchicai sur l'album The Kabul and Teheran Tapes (Qbico, 2009, enr. 1977); Albert Ayler Quartet sur l'album European Radio Studio Recordings 1964 (Hat Hut, 2016)...
Episode 4 of the Burning Ambulance podcast features the final interview with trombonist Roswell Rudd before his death in December 2017. Rudd was one of the pioneering figures of the jazz avant-garde; though he started out in a Dixieland band, by 1960, he was working with Archie Shepp, Cecil Taylor, and Steve Lacy. He was a member of the ensemble that recorded the legendary ESP-Disk’ album New York Eye & Ear Control, alongside Albert Ayler, Don Cherry, John Tchicai, Gary Peacock and Sunny Murray; along with Tchicai, drummer Milford Graves, and several different bassists, he formed the New York Art Quartet, whose debut album, also on ESP-Disk’, is a landmark of the free jazz era. He and Lacy collaborated for years, interpreting Thelonious Monk's music without a pianist; he was also on multiple Shepp albums in the ’60s, and appeared on the Jazz Composers Orchestra album Communications. In the 2000s, Rudd explored music beyond jazz, recording albums with Mongolian musicians and with Puerto Rican guitarist and cuatro player Yomo Toro. His latest releases include Strength and Power, a collaboration with keyboardist Jamie Saft , bassist Trevor Dunn , and drummer Balazs Pandi, and Embrace, with singer Fay Victor, pianist Lafayette Harris, and bassist Ken Filiano. Rudd was diagnosed with cancer in 2013, and battled the disease until his death in December 2017, but maintained as busy a recording and performing schedule as he could until the end. It’s easy to tell, in this conversation, that he was in poor health; he spoke softly and slowly. But I think it’s still a very interesting interview, and I hope you’ll enjoy it.
Conversación con Pat Metheny con motivo de la presentación de su nuevo grupo y trabajo: Unity Band. En esta emisión de "Club de Jazz" del 12 de junio de 2012 escuchamos además la música de Sunny Murray y su "Homage to Africa" en el tiempo de "desde mi cadiera" con Jesús Moreno. El "Tren Azul" de Luis Díaz García da la bienvenida a Metheny con un histórico de la guitarra: Charlie Christian y sus grabaciones en 1939 junto al sexteto de Benny Goodman. Además los "Ritmos Latinos" de Anxo nos muestran al trovero "Clandestino" David Álvarez. Toda la información y derechos: http://www.elclubdejazz.com
Conversación con Pat Metheny con motivo de la presentación de su nuevo grupo y trabajo: Unity Band. En esta emisión de "Club de Jazz" del 12 de junio de 2012 escuchamos además la música de Sunny Murray y su "Homage to Africa" en el tiempo de "desde mi cadiera" con Jesús Moreno. El "Tren Azul" de Luis Díaz García da la bienvenida a Metheny con un histórico de la guitarra: Charlie Christian y sus grabaciones en 1939 junto al sexteto de Benny Goodman. Además los "Ritmos Latinos" de Anxo nos muestran al trovero "Clandestino" David Álvarez. Toda la información y derechos: http://www.elclubdejazz.com
a woman says something about a couch and you’re off or gone you hammer under a line both ancient and still unwritten big and joyous and sad then everything changes an inverted vortex you ride hissing and clattering in a trance an utterance low and long less a moan more an oooo you are now a shaman of bells and prophesy warding off witches and devils eyes closed oooo you are all at once now and forever oooo you are the silver cord oooo bells intone the white-bearded prophet will soon be gone oooo but tonight the east river prophecy shrieks and murmurs incandescent tongues burn and cool in the ears oooo bhagiti 11.14.07 perrysburg, oh