Podcasts about Sam Rivers

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Bienvenidos amantes de la música, Kevin Eubanks es un guitarrista de jazz que se hizo conocido por ser el líder de la "Tonight Show Band" con el presentador Jay Leno desde 1992 hasta 2010. Tocó con Art Blakey, Roy Haynes y Sam Rivers antes de comenzar su carrera como líder de banda en 1983. Al igual que su hermano Robin Eubanks, trombonista de jazz, ha tocado en discos con Dave Holland. Heredero de una gran tradición musical por parte de su madre y su tío el pianista Ray Bryant, quien tocó con Miles Davis, Benny Golson, Sonny Rollins y John Coltrane entre otros. Ha sido un defensor de la educación musical en las escuelas, participó en el programa "Jazz en la sala de clases" del Instituto de Jazz Thelonious Monk. Dueño de un gran carisma y simpatía, lo que ha servido para difundir su música, es todo un personaje en la TV estadounidense. Les invitamos a disfrutar de nuestra selección de este gran guitarrista. Los temas son: 1. Opening Nights 2. Mercy, Mercy, Mercy 3. The Messenger 4. Ghost Dog Blues (extracto) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

THIS WEEK's BIRDS: new music from  Mali Obomsawin w. Magdalena Abrego & Allison Bunk; Tako Taki (music from Japan); Sundanese music from L. S. Kancana Sari Bandung; Detty Kurnia (pop from Bali); Congolese disco from Vibro Success Intercontinental Orchesatra; free jazz/experimental quartet Tulpas (from Mexico City); Astor Piazzola (nuevo tango); Mario Pavone;  Sam Rivers on flutes; Anthony Braxton on flute (+ winds and reeds); Eastern European Roma music song from Dil'Dorova Maisara, Bedrije Misin & Ansambl Bracé Koko, & Nehat Gasi; healing trance  music from Baluchistan;  Salim Halali in Algeria; Abida Parveen (Pakistani soufi) w. Lofti Bouchnak (from Tunisia); straight ahead jazz (live in Senegal) w/ Al Cohn, Billy Mitchell, Dolo Coker, Leroy Vinegar, Frank Butler; much more... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/19480153/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

ICL's Sam Rivers digs down into Integrated Pest Management and speifically IPM planning.Sam describes what the current situation in the industry is with regards to IPM planning and details the 'hierarchy of control', which includes cultural, biological, physical and chemical methods.He gives examples of the different types of controls and talks about regulations for biological control.Sam warns that chemical control is a last option and lists some of the many new restrictions on chemicals that are coming in. Hosted on Acast. See acast.com/privacy for more information.

Narada speaks with Musician and Drummer Aubrey Dayle. Many high profile artists have worked and played with Aubrey since he became a New York-based freelance musician. His diverse experience has allowed him to perform with Garland Jeffreys, Sam Rivers, Sonny Rollins, David Murray, Chico Freeman, Oliver Lake, Lonnie Plaxico and Ernest Ranglin among many others. He has also worked on “Bring In Da Noize, Bring In Da Funk” as a Broadway musician.Visit Narada at his website and socials and leave a comment, like and subscribe if you enjoyed the podcast!Website: https://www.naradamichaelwalden.com/allinpodcastInstagram: https://www.instagram.com/officialnaradaApple Music https://podcasts.apple.com/us/podcast/all-in-with-narada-michael-walden/id1470173526Spotify: https://open.spotify.com/show/5agWJLSreLNze8Sjxit4Na?si=928a8dd6316d4986

En este episodio de La Montaña Rusa, hemos escuchado la música de Eddie Henderson; Lee Heerspink; Sam Rivers; Matt Anderson Quartet; Yosef-Gutman Levitt & Tal Yahalom; SONDORGO. Seguir leyendo La Montaña Rusa. Episodio 31.2024. en La Montaña Rusa Radio Jazz.

Listen to the second episode in a three-part series celebrating the July birthday of the flutist and saxophonist James Spaulding, one of the greatest living legends of the Avenue jazz scene. On this week's edition, hear music from Spaulding's work in experimental jazz. During his historic career, Spaulding performed with icons of avant-garde music, including Sun Ra, Archie Sheep, Pharaoh Sanders, Sam Rivers, Leon Thomas and more.

Almost immediately, he found himself as sideman for notable locals such as Kermit Ruffins, Michael Ward and The Reward, and Sun Ra trumpeter, Michael Ray.  In 1992 he co-founded the New Orleans Klezmer All-Stars(NOKAS), a pioneering klezmer ensemble that infused that music with the vibrancy and energy of the funk, jazz and brass music of New Orleans. To date he has had opportunity to play with most of New Orleans' greatest musicians from across all genres.  NOKAS was playing some of his compositions, but by 1993 he found himself seeking outlets for his compositions in other styles and forms.  After playing with a plethora of combos and experimenting with many great local musicians he formed Naked On The Floor and eventually The Naked Orchestra. Naked on the Floor (quintet) and the Naked Orchestra (18-24 piece creative orchestra) play Freilich's original compositions exclusively and still play regularly in New Orleans. He has appeared at the New Orleans Jazz and Heritage Festival 24 times as well as headlining the Berlin Jazz Festival with NOKAS. He has appeared at numerous other festivals inside and outside the country including Bonnaroo, the Ann Arbor Jazz Festival, The American Folklife festival at the Washington Monument, collaborations with poet, Andrei Codrescu at the Holocaust museum in NYC and many others. Other notable work includes appearances with Sam Rivers, Burton Greene, Marshall Allen, The Wild Magnolias and backing songwriters such as Robbie Robertson. He has done arrangements for a wide range of recordings from, Peter Stampfel to Hal Willner's presentation of U@ doing music of T-Rex. He is featured on over 21 recordings ranging from Klezmer to Afro-Cuban and avant-garde orchestra music. Recently he put out two CD's of a large orchestra playing his original compositions, a small group, and played on Marianne Faithfull's latest release.  Many of these recordings are either Big Easy or Offbeat entertainment award winners across a number of categories.  He also has music featured in films and TV shows (Andy Richter conquers the Universe, The Dukes of Hazzard(Warner Home Video) as well as commercials for companies such as Southwest Airlines and Mercedes.    n 2016 he produced and arranged an album, NOLA? for legendary Basque artist, Fermin Muguruza. Rearrangements of Muguruza's classic work utilizing the great players and sounds of New Orleans. That led to a very successful European run for the Basque New Orleans Orchestra. Other arranging credits include Hal Wilner and U2 tribute to T. Rex and Grammy Award winner, Peter Stampfel's 100 songs of the 20th century project.      His work includes 4 completed and performed operatic works: a comic-satirical opera, Bang the Law, about a couple of New Orleans lawyers and their movements through New Orleans class detritus after Hurricane Katrina, a two movement orchestral fantasy about Elias Cannetti at carnival, formation of a new quintet to play new original compositions, an octet reduction of Peter and the Wolf for a New Orleans Contemporary Art Center/Guggenheim foundation presentation; a second opera, ee me & cummings thee which premiered in New Orleans in Nov. 2011.   2019 saw the completion of two operas. One a hyper-collaborative project with writer, Bernard Pearce, The Coronation, on the selecting of queen bees. In June 2019 he wrote an operetta on the Dirty Letters of James Joyce to Nora Barnacle, titled Darling, Please do not be offended at what I wrote.  He is the subject of the one hour radio documentary Jonathan Freilich's Freedom Double-O Naked Klezmer Jazz Latin Boogaloo: The Radio Documentary by award winning documentarian, David Kunian and was the 2008 Louisiana Governors' Music Fellowship Award recipient.  This year he figured as a Rising Star guitarist in Downbeat's Critics Poll.  Freilich was born Oct.13, 1968 in Philadelphia, Pa.  He spent most of his early years, up until a late teenager in London, England before moving to Los Angeles in 1985.  Thereafter, he moved to Santa Cruz, Ca in 1987 before the 1989 move to New Orleans.  Currently, he is residing in Los Angeles after completing further studies in composition at California Institute of the Arts. Aside from music, Freilich is also a certified Iyengar yoga instructor and co-owner of a studio in New Orleans for many years.

HortWeek editor Matt Appleby speaks with ICL's Andrew Wilson, Matthew Miller, Steven Chapman and Sam Rivers to preview Hort Science Live.ICL Hort Science Live explore the latest technologies and management practices growers need to produce quality resilient plants in sustainable media.Wilson will lead the ‘How to rethink plant nutrition'workstation, taking growers through ICL's 2024 peat-free Osmocote 5 trials, exploring different rates and longevities. He will highlight the specific nutrition challenges of peat-free growing media and explain how the latest generation of water soluble and CRFs can address any issues. Hosted on Acast. See acast.com/privacy for more information.

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Biostimulants and legislation is the topic for this week's podcast with ICL.ICL's Sam Rivers says there is confusion about what biostimulants are: micro-organisms that when applied to plants stimulate natural processes. They are not replacements for nutrition or IPM but can help overcome issues in plant production.Different types of biostimulants include beneficial bacteria and fungi, seaweed, humic and brewer's yeast-based products and many more; they are described as multivitamins for plants.Biostimulants work as 'natural elicitors', or by inducing plant growth hormones or other methods.Benefits to using biostimulants in peat-free growing media include adding microbes to sterilised ingredients to boost growth. Driving the use of biostimulants is EU-wide legal moves to chemical pesticide reduction by 50% by 2030. Sustainable Use Directive hierarchy of controls places biostimulants higher than pesticides, helping result in a shift to biostimulants Europe-wide.Current legislation on biostimulants in the UK is quite relaxed but they must not claim 'control' of pest and diseases or having a fertiliser effect or else they have to be officially registered. Regulations for biostimulants in the EU are stricter with more standards around quantifying claims as a fertiliser. Rivers says this is a good thing as its supports any claims being made and will take "snake oils" off the market as they will need to much work to remain available. The UK could follow suit with the EU at some point.An example of a product registered under the new standards is ICL's wetting agent H2Pro TriSmart, now the first registered as 'non-microbial biostimulant' under the latest EU Fertilizing Product Regulation (FPR) (1009/2019. Hosted on Acast. See acast.com/privacy for more information.

ICL's Sam Rivers discusses the key issue of water quality with HortWeek editor Matt Appleby.We discover why water quality is so important and what characteristics you look at to determine water quality.Sam gives vital information on how you determine your water chemical properties and why is conductivity so important.He also relays important insight about pH, including the main differences between growing media pH and water pH.Sam gives us the lowdown on the main considerations when using hard water and any options for people who have it. He also discusses the main considerations when using soft water and options for people using that more preferable type of water. Hosted on Acast. See acast.com/privacy for more information.

Vine Weevil control is one of the biggest issues for many growers and ICL deals with many queries about the pest.In this podcast, ICL's Sam Rivers explains what vine weevil is, what the pest's life cycle is and what plants they feed on. He highlights their effect on heuchera, primula and Portugese laurel.Control options start with cultural control. Products available for vine weevil control include nematodes and Lalguard. Rivers explains how these work and gives tips and advice on application. Hosted on Acast. See acast.com/privacy for more information.

Bienvenidos amantes de la música, Dave Holland destacó desde muy joven siendo descubierto y reclutado por Miles Davis para su banda, en la etapa eléctrica del trompetista. Pero Holland no se conformó con aquel importante logro y después de grabar tres discos con Miles, y hacer oficial su renuncia comenzó un largo camino para conseguir un sonido propio, distinto y a la vez reconocible. Uno de sus mentores el saxofonista Sam Rivers le estimuló a poner todo el conocimiento y la tradición al servicio de su música. Eso ha sido como un mantra para Dave Holland hasta la actualidad, quien mantiene la curiosidad y la eterna búsqueda de la música entretenida y llena de emoción. Les invitamos a conocer y disfrutar de un viaje musical con un bajista diferente. Que lo disfruten. Los temas son: 1. Mr. P.C 2. Nemesis (extracto) 3. Conference of the Birds 4. Another Land 5. Prime Directive (extracto) 6. God Bless the Child. Recomendamos: Dave Holland Quintet, San Bernardo Jazz Fest 2012. https://youtu.be/bb70OfG7PI4?si=NlKg-W9bYmym9ybj *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On composer, improviser, and master percussionist Adam Rudolph.A global performer - and global citizen - Adam has been called "a pioneer in world music" by the New York Times. With dozens of recordings to his credit, he joined us upon the release of Timeless from his percussion group, Hu: Vibrational, on his own Meta Records.Adam has worked with artists including Don Cherry, Jon Hassell, Sam Rivers, Pharaoh Sanders, and many others but had a particularly extensive collaboration with Yusef Lateef over many years, releases, and ensemble configurations.Adam and I connected immediately and had a terrific conversation, which I am ever-so-pleased to share with you. Enjoy.(all musical excerpts heard in the interview are taken from Hu: Vibrational's latest album, Timeless)------------------Dig DeeperCheck out Hu: Vibrational's Timeless on Bandcamp or your streaming platform of choiceFind out more about Adam Rudolph on his homepage, Discogs, and YouTubeVisit Adam's label, Meta Records, on Bandcamp, Facebook, or metarecords.comOrder Adam Rudolph's book Sonic Elements: Matrices, Cosmograms, and Ostinatos of Circularity from BandcampFor Adam Rudolph, Collaboration is CommunicationBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

JOHN SCOFIELD - HAND JIVE  - New York, October, 1993 I'll take Les (1), 7th Floor (eh out), Out of the city (eh,da out,1,2) Eddie Harris (ts) Larry Goldings (p-1,org-2) John Scofield (g) Dennis Irwin (b) Bill Stewart (d) Don Alias (perc) OLD AND NEW DREAMS - OLD AND NEW DREAMS  - New York, October, 1976 Augmented, Old and new dreams Don Cherry (cnt) Dewey Redman (ts,musette) Charlie Haden (b) Ed Blackwell (d) TONY WILLIAMS - SPRING  - Englewood Cliffs, N.J., August 1, 1965 Extra's (hh out), Echo (drum solo), Tee Wayne Shorter, Sam Rivers (ts) Herbie Hancock (p) Gary Peacock (b) Tony Williams (d)

En este episodio de El Álbum Esencial conversamos sobre “Chocolate Starfish and the Hot Dog Flavored Water”, el tercer álbum de Limp Bizkit, lanzado el año 2000.

Sam Rivers of ICL talks to HortWeek editor Matt Appleby about new vine weevil control product Lalguard. They discuss how Lalguard works, what its ingredients are, and how to use the product. Lalguard works in an IPM plan and Rivers details how to include the product in integrated pest management and what plan support ICL has available.Vine weevils are one of the most problematic pests ornamentals growers face and since the withdrawal of Exemptor, many growers have relied on nematodes to control the insect. Rivers says the armoury is now better for growers thanks to Lalguard. Hosted on Acast. See acast.com/privacy for more information.

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Award-winning actor and producer Kerry Washington was an adult when she learned that she had been conceived via artificial insemination and the man she considered her father was not her biological dad. Her new memoir about her journey of self-discovery is Thicker than Water. Also, jazz critic Kevin Whitehead celebrates Sam Rivers on what would've been his 100th birthday.

Award-winning actor and producer Kerry Washington was an adult when she learned that she had been conceived via artificial insemination and the man she considered her father was not her biological dad. Her new memoir about her journey of self-discovery is Thicker than Water. Also, jazz critic Kevin Whitehead celebrates Sam Rivers on what would've been his 100th birthday.

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

 In the sixties, they explained evolution to us with that March of Progress illustration, a lockstep development from the proto-human Dryopithecus to modern man.  That same approach was also used to explain jazz evolution: New Orleans to Chicago to New York, hot jazz to swing to bebop to cool... Contemporary evolutionary biologists will tell you that that sixties view is far too linear and simplistic.  Should the same be said about the received history of the music?     Let's consider saxophonist Sam Rivers.  He played in the bands of Miles Davis and Dizzy Gillespie, curated the most prominent jazz loft in the seventies, and led bleeding edge improvisatory small bands.  But he also composed at least a page a day of large-ensemble music, over 400 discrete compositions.  This is an astonishing volume of work, perhaps even unprecedented.  So where do you put Sam Rivers in your Jazz March of Progress?     This large ensemble work by Sam Rivers is the topic of this Monday's (9/4) edition of Mitch Goldman's Deep Focus.  The guest will be trombonist Craig Harris who played in Rivers's Orchestra and is organizing a tribute performance for Sam Rivers' centennial on September 22, 2023 at Mt. Morris Ascension Presbyterian Church.  If you haven't heard this music, this show will be revealing (and if you have then I didn't even need to tell you all of this!).   Photo credit: Sam Rivers - flute by Tom Marcello Webster, New York, USA, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons   #WKCR #JazzAlternatives #DeepFocus #CraigHarris #SamRivers #MitchGoldman #JazzRadio #JazzInterview #JazzPodcast 

 In the sixties, they explained evolution to us with that March of Progress illustration, a lockstep development from the proto-human Dryopithecus to modern man.  That same approach was also used to explain jazz evolution: New Orleans to Chicago to New York, hot jazz to swing to bebop to cool... Contemporary evolutionary biologists will tell you that that sixties view is far too linear and simplistic.  Should the same be said about the received history of the music?     Let's consider saxophonist Sam Rivers.  He played in the bands of Miles Davis and Dizzy Gillespie, curated the most prominent jazz loft in the seventies, and led bleeding edge improvisatory small bands.  But he also composed at least a page a day of large-ensemble music, over 400 discrete compositions.  This is an astonishing volume of work, perhaps even unprecedented.  So where do you put Sam Rivers in your Jazz March of Progress?     This large ensemble work by Sam Rivers is the topic of this Monday's (9/4) edition of Mitch Goldman's Deep Focus.  The guest will be trombonist Craig Harris who played in Rivers's Orchestra and is organizing a tribute performance for Sam Rivers' centennial on September 22, 2023 at Mt. Morris Ascension Presbyterian Church.  If you haven't heard this music, this show will be revealing (and if you have then I didn't even need to tell you all of this!).   Photo credit: Sam Rivers - courtesy of Blue Note Records.   #WKCR #JazzAlternatives #DeepFocus #CraigHarris #SamRivers #MitchGoldman #JazzRadio #JazzInterview #JazzPodcast 

------ In the sixties, they explained evolution to us with that March of Progress illustration, a lockstep development from the proto-human Dryopithecus to modern man.  That same approach was also used to explain jazz evolution: New Orleans to Chicago to New York, hot jazz to swing to bebop to cool... Contemporary evolutionary biologists will tell you that that sixties view is far too linear and simplistic.  Should the same be said about the received history of the music?     Let's consider saxophonist Sam Rivers.  He played in the bands of Miles Davis and Dizzy Gillespie, curated the most prominent jazz loft in the seventies, and led bleeding edge improvisatory small bands.  But he also composed at least a page a day of large-ensemble music, over 400 discrete compositions.  This is an astonishing volume of work, perhaps even unprecedented.  So where do you put Sam Rivers in your Jazz March of Progress?     This large ensemble work by Sam Rivers is the topic of this Monday's (9/4) edition of Mitch Goldman's Deep Focus.  The guest will be trombonist Craig Harris who played in Rivers's Orchestra and is organizing a tribute performance for Sam Rivers' centennial on September 22, 2023 at Mt. Morris Ascension Presbyterian Church.  If you haven't heard this music, this show will be revealing (and if you have then I didn't even need to tell you all of this!).     Photo credit: Sam Rivers - flute by Tom Marcello Webster, New York, USA, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons   #WKCR #JazzAlternatives #DeepFocus #CraigHarris #SamRivers #MitchGoldman #JazzRadio #JazzInterview #JazzPodcast       

https://www.indiegogo.com/projects/gemini--6#/An artist interested in multiple musical directions and one who strives for quality and sincerity in his work. His exciting energy has compelled him towards many different musical directions and projects. Considered by his contemporaries as cutting edge, Gray shows promise as an artist that will not only move the music forward, but one who will share his unique musical vision with the world of music.Devin Gray's fresh approach to modern drumming has enabled him to play with many of the worlds great jazz musicians. He has performed and recorded with innovative musicians of contrasting styles and backgrounds such as: David Liebman, Tony Malaby, Gary Thomas, Ingrid Jensen, Dave Burrell, Dave Ballou, Michael Formanek, Nate Wooley, Stephan Crump, George Garzone, Chris Speed, Drew Gress, Sam Rivers, Ralph Alessi, John O'Gallagher, Ellery Eskelin, Kris Davis, Ted Rosenthal, Matt Mitchell, Satoko Fujii, Uri Caine, Andrew D'Angelo, Vardan Ovsepian, Angelica Sanchez, as well as many others.Support the show

HortWeek editor Matt Appleby talks with ICL's Sam Rivers about irrigation and peat-free growing media. Sam explains why irrigation is important in peat-free growing media and differences between watering with peat alternatives and peat.He reveals options growers can use to help manage irrigation, which wetting agents to use and gives examples of where H2Gro has shown to benefit growers.Finally, Sam talks about how much interest in peat-free is growing, with many growers trialling the peat free composts, now the ban date of 2026 for professional growers has been announced. Hosted on Acast. See acast.com/privacy for more information.

In this episode, the Spotlight shines On internationally-renowned bass player and composer Bruno Råberg.Since coming to the US from his native Sweden in 1981, Bruno has made many recordings as both a leader and sideman — and has performed with an incredible number of world-class artists - including Terri Lyne Carrington, Sam Rivers, Donny McCaslin, Billy Hart, Matt Wilson, and countless others. He currently leads several incarnations of his own Bruno Råberg Trio and the Triloka Ensemble. Bruno has been a professor at Berklee College of Music in Boston since 1986 and teaches in the prestigious Berklee Global Jazz Institute.Bruno joins us to talk about Look Inside, his debut album for solo bass which came out on May 19. If you're curious about what took him so long to embark on such a project, your questions will be answered here.Enjoy. ------------------References:Bruno Råberg online: www.brunoraberg.comListen to Bruno Råberg's Look Inside on Bandcamp or streaming platformsFollow Bruno Råberg on Instagram and FacebookWild Bill Davis & Johnny Hodges – Con-Soul And Sax (features the songs Bruno mentions from Hammond A GoGo)Giant Steps | John Coltrane's Groundbreaking AlbumWhat is the nyckelharpa?The Heathens (Hedningarna)50 Years of ECM RecordsECM/Free Jazz - BerkleeAn introduction to Wayne Shorter in 10 recordsAnti-Jazz Revisited, 50 Years Later (about the Downbeat article Lawrence mentions)Ghatam drumsPianist Kris Davis------------------• Did you enjoy this episode? Rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

In this episode, the Spotlight shines On internationally-renowned bass player and composer Bruno Råberg.Since coming to the US from his native Sweden in 1981, Bruno has made many recordings as both a leader and sideman — and has performed with an incredible number of world-class artists - including Terri Lyne Carrington, Sam Rivers, Donny McCaslin, Billy Hart, Matt Wilson, and countless others. He currently leads several incarnations of his own Bruno Råberg Trio and the Triloka Ensemble. Bruno has been a professor at Berklee College of Music in Boston since 1986 and teaches in the prestigious Berklee Global Jazz Institute.Bruno joins us to talk about Look Inside, his debut album for solo bass which came out on May 19. If you're curious about what took him so long to embark on such a project, your questions will be answered here.Enjoy. ------------------References:Bruno Råberg online: www.brunoraberg.comListen to Bruno Råberg's Look Inside on Bandcamp or streaming platformsFollow Bruno Råberg on Instagram and FacebookWild Bill Davis & Johnny Hodges – Con-Soul And Sax (features the songs Bruno mentions from Hammond A GoGo)Giant Steps | John Coltrane's Groundbreaking AlbumWhat is the nyckelharpa?The Heathens (Hedningarna)50 Years of ECM RecordsECM/Free Jazz - BerkleeAn introduction to Wayne Shorter in 10 recordsAnti-Jazz Revisited, 50 Years Later (about the Downbeat article Lawrence mentions)Ghatam drumsPianist Kris Davis------------------• Did you enjoy this episode? Rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. Hosted on Acast. See acast.com/privacy for more information.

This episode of Across The Margin: The Podcast presents an interview with musician trumpeter, slide trumpeter, arranger/composer and bandleader from New York City, Steven Bernstein. Steven is best known for his work in The Lounge Lizards, Sexmob, Spanish Fly, and the Millennial Territory Orchestra. He has released four albums under his own name on John Zorn's Tzadik Records and he has performed with jazz giants including Roswell Rudd, Sam Rivers, Don Byron, and Medeski, Martin & Wood, as well as musicians ranging from Aretha Franklin to Lou Reed, from Linda Ronstadt to Digable Planets, from Sting to Courtney Love. Steven was a member of Levon Helm's Midnight Ramble band, playing in Helm's Woodstock home, as well as touring with the band. As an arranger he has written for Bill Frisell, Rufus Wainwright, and Elton John, just to name a few. He has composed for dance, theater, film and television, and with composer John Lurie, arranged the scores to many feature films, including Get Shorty. While Steven is prolific with his output, this episode centers on two of his projects, Sexmob, which just released a terrific new album called The Hard Way, and The Millennial Territory Orchestra, which recently released four excellent records, in one day, on the Royal Potato Family label. Sexmob's latest release is a bit of a departure for the band, as with producer Scotty Hard at the board, The Hard Way skews decisively electronic. On it, Hard's beats and soundscapes provide Steven, saxophonist Briggan Krauss, bassist Tony Scherr and acoustic/electric drummer Kenny Wollesen, all the stimulus they need for further compose and fearlessly reinvent. With each offering, and certainly with The Hard Way and its rich electro-acoustic groove canvas, Steven and crew reveal a modernizing impulse, but also an equally strong foundation in the roots of jazz and American song. Funky, bluesy, with a tattered dissonance conjured up by Krauss Throaty saxophone tone, the distinctive wail of Steven's rare horn, and the swagger of Scherr and Wollesen's rhythm section grind, Sexmob continues to chart new paths in 21st-century creative music. In this episode host Michael Shields and Steven Bernstein talk about Sexmob's new direction sonically found on The Hard Way while exploring the production process behind this captivating work of art. They converse on producer Scott Hard's influence on the album, the unique art house label that The Hard Way was released on called Corbett vs. Dempsey, and the four albums Steven recently released with The Millennial Territory Orchestra. They even discuss Sexmob's forthcoming tour with Laurie Anderson, the many “gifts” Steven received in his career from renowned producer Hal Willner, and so much more. Hosted on Acast. See acast.com/privacy for more information.

Peat-free and peat-reduced growing media may lack beneficial microbes to promote break down of plant residues, improve soil carbon and pH; and help to provide plants with available nutrients throughout the season. ICL's technical controls manager Sam Rivers explains that the microbial inoculant Vitalnova Triboost consists of a population of beneficial microbes. It contains enzymes and three live cultures of Bacillus subtilis, Enterococcus faecium and Lactobacillus plantarum – all freeze-dried.TriBoost treated plants saw better rooting and were ready for sale 2-3 weeks earlier. Hosted on Acast. See acast.com/privacy for more information.

ICL technical manager Sam Rivers talks to HortWeek editor Matthew Appleby about ChatGPT, an new artificial intelligence chatbot that could be useful for answering horticultural questions.Rivers explains how queries are answered by ChatGPT and what the benefits and concerns are and whether the programme has a role for professionals.He live tests ChatGPTs knowledge of biostimulants, fertilisers and pests and diseases and assesses the programme and its responses.Finally we really put ChatGPT to the test and find it if it can choose a favourite plant! Hosted on Acast. See acast.com/privacy for more information.

durée : 00:54:50 - Centenaires 2023 (5/5) : Barney Kessel, Sam Rivers - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

durée : 00:54:50 - Centenaires 2023 (5/5) : Barney Kessel, Sam Rivers - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

durée : 00:54:31 - Centenaires 2023 (3/5) : Wes Montgomery, George Russell, Tito Puente - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

durée : 00:54:31 - Centenaires 2023 (3/5) : Wes Montgomery, George Russell, Tito Puente - par : Alex Dutilh - Quand on observe la liste des jazzmen dont on pourra célébrer le centenaire de la naissance en 2023, on tombe sur un florilège de ceux qui ont contribué à basculer le jazz dans la modernité !

Host Susan Brink speaks with author Rick Lopez, who has just self published "The Sam Rivers Sessionography: A Work In Progress".  With 768 pages and over 500 illustrations, this comprehensive and meticulously researched sessionography/biography was 25 years in the making.To purchase the book: https://www.gofundme.com/f/sam-rivers-sessionographySam River's obituary, written by Nate Chinen, in the New York Times: https://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.htmlArts for Art is hosting Studio Rivbea Revisited 2023, January 4 - 8, 2023 in New York City.  This will be both live and streamed.  For information/tickets : https://www.artsforart.org/rivbea.html

Sam Rivers is a DJ Based in Tāmaki Makaurau. He is a member of the Whatevers Radio collective that includes Zinger, Deep Departure, and Mutz. They throw parties and host a monthly show on Mouthfull Radio. His mix is a representation of a sound and tempo he is enjoying at the moment, and encompasses the styles of music he loves from Kingston, London, and Detroit. Dig in. @samxrivers @whateversradio Dennis Ayler - Smoke [22a] Talismann - Summoning [Talismann] Urban Tribe - Program 2 [Mahogani Music] Josi Devil - Devils Dance [Homemade Sound System] Andre "Suku" Gray - Muddy Riddim [Chrome] Mavado - So Bazzel [Yard Vybz Ent] Kouslin - Full Circle Riddim [Club Yeke] Henzo - Blister Pops [Left, Right & Centre] Innocent Kru - Indian Summer [VP Music Group] Elijah Minneli - They Of Many Stomachs [Accidental Meetings] Facta & K-Lone - Kiss Me, Can't Sleep [Wisdom Teeth] Kaval - Focused [Délices du Midi] Miracles - Fountain Song [Self Released] SIM - Spyral [Shift Radio] Homemade Weapons - Echoes [Samurai Music] MOBBS - Rook [Chrome] Who Wanna Flip - Unknown Artist [Unreleased] DJ Raff - Believe [Black Message] Rose Jaum, Bandicut - Olinda [99Ginger] Le Motel - Sue​ñ​os [Maloca] Azu Tiwaline x Cinna Peyghamy - Lowww [I.O.T Records] Ronan - Morning Glory [On Loop] 4hero, Marc Mac, Nature's Plan - Broken Samba (Electric Mix) [Far Out Recordings]

Sam Rivers of ICL and Sean Loakes of Syngenta talk to HortWeek editor Matthew Appleby about the new launch Mainspring, a broad spectrum insecticide for the ornamentals industry.They describe what this major new product is, the pests it controls, considerations for use and how to build Mainspring into an IPM programme.The insecticide has proven effective against both caterpillars and thrips which are both capable of inflicting a huge amount of damage to crops.Mainspring has been formulated for spray application specifically for use on container-grown protected ornamentals.Once ingested, cyantraniliprole targets a specific receptor in an insect's muscles, resulting in paralysis. Feeding stops within two hours of the crop being sprayed, preventing the pest from inflicting any further plant damage.After application, cyantraniliprole is readily absorbed into the leaf's waxy cuticle and passes into the leaf tissue. This translaminar activity means it encounters insects feeding on the underside of the leaf where it's typically harder for sprays to target.Podcast produced in partnership with ICL UK Hosted on Acast. See acast.com/privacy for more information.

On this episode of Encore Houston, Kinder HSPVA graduate Jalen Baker and other young jazz artists perform for the Houston Jazz Collective, presenting some original works and a few classics featuring jazz vibraphone. Music in this episode: SAM RIVERS: Cyclic Episode JALEN BAKER: Healing BAKER: Don't shoot BAKER: Praise BAKER: We Regret to Inform you BAKER: Obey/Disobey OSCAR PETTIFORD: Blues in the Closet DIZZY GILLESPIE: Bebop Jalen Baker, vibraphone Gavin Moolchan, drums Sam Reid, piano Corey Dozier, bass Performance date: 3/21/2021 Originally aired: 10/29/2022 New episodes of Encore Houston air Saturdays at 10 PM, with a repeat broadcast Sundays at 4 PM, all on Houston Public Media Classical.

2 https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seems to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

2 https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seems to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

https://www.kevineubanks.com George and I are thrilled to welcome Kevin Eubanks to the show! We've been fans for a long time so this is going to be awesome! Bio: Kevin Eubanks, guitarist, and prolific composer. He is well known by many as the former Music Director of The Tonight Show band, appearing on the show 18 years (1992 - 2010). His laid-back style and affability seem to belie the concentration and focus that have made him successful both as a consummate musician and a household name for late-night TV viewers. Kevin was born into a musical household in Philadelphia, PA. His mother, Vera Eubanks, is a gospel and classical pianist and organist with a Masters Degree in music education. She has taught both privately and in the school system, until her recent retirement. Vera's brother, the late Ray Bryant, was a journeyman jazz pianist who recorded and toured with jazz greats such as Miles Davis, Sonny Rollins, John Coltrane, and Sarah Vaughan not to mention a hit record of his own. Kevin was thus exposed to world-class music in his formative years as he began violin lessons, his first instrument, at age seven. His brother Robin, is a trombonist, arranger and tenured professor at Oberlin College and his brother Duane is consistently influencing so many younger musicians as a trumpet teacher and continues to expand his recording career. Kevin also studied the trumpet before making his commitment to the guitar which was solidified with his entrance to the world-renowned Berklee College of Music in Boston from which he has received an ‘Honorary Doctorate' degree. He has also received an ‘Honorary Doctorate' degree from Redlands University in California. Kevin moved to New York after attending Berklee College of Music where his career kicked off in earnest. He started playing with some of the greats of Jazz, including Art Blakey, Slide Hampton, McCoy Tyner, Sam Rivers, Roy Haynes, Dave Holland, Ron Carter and others. In addition to working in other bands, Kevin become the leader of his own group and traveled to Jordan, Pakistan, India and Kuwait on tours sponsored by the US State Department, not to mention the European/Japanese Jazz circuit which so many artists frequent. Contact Counterparts: www.counterpartsshow.com

In previous episodes, we've talked about what people commonly understand as fusion, which drummer Lenny White, who appeared in episode two of this series, prefers to call jazz-rock. That's the version that starts with Miles Davis's Bitches Brew and Tony Williams' Lifetime and quickly branches out with Mahavishnu Orchestra and Return To Forever and Weather Report and on and on. But as we've continued the discussion, we've expanded the scope of inquiry to include adventurous funk and R&B fusion, which includes everything from P-Funk and Earth, Wind & Fire and the Ohio Players — and wow, do the Ohio Players deserve a place in the fusion conversation that they are very rarely granted — to Donald Byrd and Freddie Hubbard and especially George Duke.Adam Rudolph is a fusion artist in about as broad a sense as you can imagine. He's been a percussionist for close to 50 years, and should be much better known than he is. He's been around since the early '70s and has worked with everyone: Yusef Lateef, Fred Anderson, Don Cherry, Roscoe Mitchell, Pharoah Sanders, Sam Rivers, Wadada Leo Smith, Herbie Hancock, Maulawi, Foday Musa Suso, Hassan Hakmoun, Jon Hassell… he's part of the Bill Laswell company of players, too, so he's on a zillion records through that connection. Plus he leads two main groups of his own, Moving Pictures and the Go! Organic Orchestra, which have made many, many albums and even crossed over with each other a time or two.Adam and I had a really fascinating conversation over the course of two phone calls. The impetus was Symphonic Tone Poem For Brother Yusef, a collaboration between him and reeds player Bennie Maupin that's just been released. Bennie Maupin of course is a legend on his own — he played on Miles Davis's Bitches Brew and On The Corner, he was a member of Marion Brown's group in the 1960s, he was in Mwandishi and the Headhunters with Herbie Hancock, he played with Woody Shaw, and his own album from 1974, The Jewel In The Lotus, is an absolutely brilliant record that blends spiritual jazz with almost New Age ambient music. There's really no other album like it; if you've never heard it, it's a must-hear. So obviously Rudolph and I talk about Maupin, whom he's worked with off and on for decades, but we also talk about Laswell and about Lateef and about the whole idea of world music and fusion-as-creative-mindset that I've been discussing with every artist I've interviewed for the podcast this year. We talk a lot about the philosophy that goes into bringing together musicians from all sorts of traditions, from all over the globe, and finding ways to make their ideas flow together. That's what he does with Go! Organic Orchestra, the membership of which is completely open and the music of which is created through spontaneous conduction. So he was really the ideal person to talk about all this stuff with. I think you'll come away from this episode with a lot to think about. I know I did. And I hope you enjoy listening to it. All the music you'll hear, by the way, comes from Symphonic Tone Poem For Brother Yusef. 

Sam Rivers, ICL Technical Controls Manager and Sean Loakes, Syngenta Ornamentals Technical Manager speak about spray application in this podcast.They talk about the benefits to growers getting a spray right how to do that including the effect does pressure have on droplet size, why is boom height over the crop is important and the effect of forward speed when making an application.Rivers gives example of using these principles and talks about legislation such as groundwater regulations and Sustainable Use Directive effect on how people spray now. See acast.com/privacy for privacy and opt-out information.

ICL's Sam Rivers and Andrew Wilson talk vine weevils, a timely topic since the withdrawal of Exemptor with its active ingredient thiacloprid in 2021 means there are fewer options for growers to get rid of this destructive pest. They give us an introduction to vine weevil and its life cycle and Wilson explains why the pest is becoming more of a problem.Solutions for controlling vine weevil such as Pitcher GR and using a plant health planner are also aired, while advice is given on Nematodes and how to build an IPM plan. See acast.com/privacy for privacy and opt-out information.

As part of a new series of podcasts for 2022, Sam and ICL's Andrew Wilson are returning to the topic of growing with peat-free compost, probably the hottest topic in the sector.The pair discuss what's available for growers and who is asking for what, the raw materials available, differences in nutrition, and other products which may need to be added to help boost plant quality.They give us the low down on the situation regarding professional growing media and reveal how is the industry responding to market changes.They discuss the challenges growers see with peat-free and peat-reduced growing media, meeting demand and the ingredients required to do that, as well as the nutrition in the mixes.Andrew WIlson flags up how to design irrigation systems to deal with issues of dryness while Sam Rivers discusses how the components of a peat-free mix fit together to form a growing media mix. See acast.com/privacy for privacy and opt-out information.

This week's show includes music by Julian Priester, trombonist and educator who taught at Cornish College from 1979 until he retired in 2011. His professional career included touring and recording with many major jazz artists from Lionel Hampton and Duke Ellington, to John Coltrane and Sam Rivers, to Herbie Hancock, Dave Holland and many others.

Pianist/composer/educator Hal Galper is an important elder-statesman of jazz, hailed as a bandleader ,and as a collaborator of Cannonball & Nat Adderly, Sam Rivers, Phil Woods, and Tony Williams. Hal's recall of the music's history, paired with his wry sense of humor, makes him one of my favorite jazzmen to chat with.