Podcasts about Flugelhorn

This performance used with permission from Aidan Plank. While Lyle Mays was widely known for his work with Pat Metheny, his solo work has warranted considerably less attention.  In this performance, Northeast Ohio based bassist Aiden Plank enlisted performers from the Cleveland Jazz Orchestra and musicians from around the area to explore and perform compositions from the catalog of the 11 time Grammy winner. Featuring Anthony Fuoco on Piano, Dan Bruce on Guitar, Dustin May on Drums, Brad Wagner on Saxophones, Garret Folger on Trumpet and Flugelhorn, Dan Bailey on Keyboards, Patrick Duke Graney on Percussion and Aiden Plank on Bass, and from a December19th, 2024 performance, it's Aiden Plank Presents the Music of Lyle Mays - Live at the Bop Stop. Bill Evans - Mays Fictionary - Mays Hard Eights - Mays Sienna - Mays August - Mays Au Lait - Metheny/Mays Either Ornette - Mays Slink - Mays Close to Home - Mays For more information on the program, click on the Live at the Bop Stop Radio Show link at thebopstop.org.

Pianist Nate Yingling makes his debut on our stage this week in support of his debut EP Pilot. Hailing from Youngstown, Ohio Nate brings with him the sounds and influences of Jazz, Neo Soul, R&B, Funk and Gospel that underpin many of the musicians from the Midwest in particular and Northeast Ohio specifically. He isn't coming alone, however as he brings a number of other prominent Youngstown musicians with him for this performance, including Jim Richley on drums, Garret Kuchmaner on Tenor Saxophone, Darren Thompson on Flugelhorn and Cleveland mainstay Taylor Arbogast on Bass. From a December 7th, 2023 performance, it's Nate Yingling – Live at the Bop Stop.

Music can heal. This explains the song "You dropped a balm on me". Dan Levitin's new book, I Heard There Was a Secret Chord: Music as Medicine, sells it out in even greater detail. Plus, there was nothing Democrats could do in the face of inflation, except maybe, not have caused so much inflation. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Mike and Darin on this special episode of Irritable Dad Syndrome as they review the Hootie & the Blowfish and Collective Soul concert!

Kole, Ben, Dennis, and Moxie talk about Lorelei and the Laser Eyes, XDefiant, Knights in Tight Spaces, and much more! The Grind: - Ben: Lorelei and the Laser Eyes. - Dennis: Knights in Tight Spaces. XDefiant. Immortals of Aveum. - Moxie: Warframe. - Kole: Animal Well. The Multiplayer: - What's the dumbest thing you've done in a game? The End Boss: - Uvalde victim parents sue Activision, among others. - Slipknot mask makers work with Atlus on SMTV masks. - Resident Evil: Code: Veronica and Resident Evil Zero seem to be getting remakes. - Super Mario 64 speedrunners beat the game without using the A button.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Bio It has been a long road with many twists and turns, but Austin based funk group Honey Madehas released their newest EP called Charge It To The Band Fund, which has an eclectic mix of soul, funk, a little hip hop and plenty of horns. The newest single, “Ashy Pockets (My Mode)” is a remix of an original track that was very much focused on the “green culture,” McDaniel explained. Producer John Ryan liked the chorus and hook of “Ashy Pockets” and wanted to rework the arrangement and lyrics for radio that is now being released on the new EP. “The sentiment is still there but the focus is now on why this person maybe wants to smoke,” Trombonist Donald McDaniel said. “Like, what is he trying to get away from or self-medicatewith. The theme of that song is that ‘I'm in a dead end job. I can't wait to get off work and get in my mode.'” Honey Made is a nine piece funk band consisting of: Willie Barnes, Vocals; Donald Ford Jr., vocals; Brian Cokeley, Keys; Lee Braverman, Bass; Chris Barnes, Drums & Vocals; Mark Saldana, Percussion; Dustin Hunter, Tenor Saxophone & Baritone Saxophone; Joseph Marrow, Trumpet & Flugelhorn; and Donald McDaniel, Trombone. Rate comment subscribe hit notification bell for all new videos Check out my podcast - https://podcasts.apple.com/us/podcast/creator-to-creators-with-meosha-bean/id1519384944?uo=4 Merch - https://www.meoshabeanapparel.com/ https://www.patreon.com/MeoshaBeanOfficial Join my patreon https://www.patreon.com/MeoshaBeanOfficial https://open.acast.com/public/patreon/fanSubscribe/6372642 It's Evil Season One Real Alabama Cases located only on Goreculuture.com and Youtube membership program. M.V.B Films Productions

Hey, it's Monday again! It's the 23rd of October 2023. You ever lose something - search everywhere and just can't find it? That's what happened with today's Music Monday song. I found the part of the recording that my flugelhorn friend, Lynn Nash, had recorded, but could not find the original file I had started with. I liked it, for the most part, but there were a few things I wanted to change, actually need to change. I couldn't find that original file, so I started over. Just my original parts, that is. I had Lynn's and a sample track I had sent him to record against. So, I recorded against it to follow how I had originally had recorded the song. I did make a few changes, though. Well, I made a lot changes - not to the Flugelhorn part, but to pretty much everything else! I guess that's the advantages of starting over! And in today's Music Monday, you will actually see the song playing from the software I used, which happens to be Apple's Logic Pro. This is an older song, but timeless in it's message, and perhaps with a little fresher take from this arrangement. Here's Because He Lives, featuring my flugelhorn recording partner, Lynn Nash. Song Plays A month from today, Nash and I will be releasing our Christmas project. Please get excited haha - we are! And if you enjoyed this song, please consider sharing with your friends. See you next time!

Back in the day, my Flugelhorn friend, Lynn Nash, and I spent a lot of time together playing in our High School Band, the Pep Band, and then afterwards we played in a rock band for a number of years. He played trumpet and I played trombone, and our friend W. B. played sax and hammond organ. We had a lot of fun, back in the day! I remember, back in the day, sitting at the piano and playing some of the really classic rock songs from Bread (If A Picture Paints . .. ), Chicago (Color My World), James Taylor (Fire and Rain, which we recorded and used as a Music Monday a few weeks back). One of Nash's, favorites was the horn song, “Grazin In The Grass” A year or so ago we did an arrangement of that song and I wanted to play it for you today. We had way too much fun with this tune and I think you'll see - hear why as we get into the old classic - “Grazin' In The Grass”! Video Plays You've been listening to Music Monday by Linwood. Today, you saw the software I use to record our arrangements. I'm a Mac guy and the software is Logic, which is an Apple product. I also use Final Cut Pro, another Apple product, for video production. You can find a lot of our songs on my website - linwoodcampbell.com. If you enjoyed this, please consider sharing it with a friend. See you next time!

Episode 106 Electronic Music of Dune Playlist Toto, “Main Title,” “Robot Fight,” and “Dune (Desert Theme)” from Main Title / Robot Fight / Dune (Desert Theme) (1984 Polydor). A single produced from the soundtrack of the David Lynch film version of Dune (1984). Toto, with its big synthesizers, created most of the soundtrack, although Brian Eno, Roger Eno and Daniel Lanois had one track (included later in this podcast). Bass, David Hungate; Drums, Percussion, Jeff Porcaro; Guitar, Steve Lukather; Keyboards, David Paich, Steve Porcaro. 6:36 David Matthews, “Part I: Arrakis,” “Part II: Sandworms,” “Part III: Song Of The Bene Gesserit,” “Part IV: Muad'Dib” from Dune (1977 CTI Records). Arranged by David Matthews and produced by Creed Taylor for his CTI jazz label, this was an extended work inspired by the novel by Frank Herbert. Cliff Carter plays the solo synth (mini-Moog?) on the first track and other places. The work is jazz with bits of electronic music blended into the instrumentation. It remains an interesting artifact partly because of the legal problems CTI faced once they released the album. Because CTI had not secured writer Frank Herbert's authorization to use his novel Dune as the thematic center piece for the album, Herbert filed a law suit against CTI and won, forcing the label to delete it from catalog. For this reason, that interesting album was never reissued in the USA. Enjoy. Alto Saxophone, David Sanborn; Bass, Mark Egan; Bass Trombone, Dave Taylor; Concertmaster, Sanford Allen; Drums, Andy Newmark, Steve Gadd; Flute, Piccolo Flute, Dave Tofani; Guitar, Eric Gale, Hiram Bullock; Keyboards, Cliff Carter; Oboe, Clarinet, Lew Del Gatto; Percussion, Gordon Gottlieb, Sue Evans; Tenor Saxophone, Soprano Saxophone, Grover Washington, Jr.; Trombone, Jerry Chamberlain*, Sam Burtis, Tom Malone, Wayne Andre; Trumpet, Flugelhorn, Burt Collins, Jim Bossy, Joe Shepley, John Gatchell, Jon Faddis, Lew Soloff, Randy Brecker; Vocals, Googie Coppola. Recorded at Electric Lady Studios, June 1977. The first side is the Dune suite, the second side features interpretations of other sci fi film themes (Silent Running, Star Wars, etc.). 20:29 Frank Herbert reading Dune from Dune, The Banquet Scene (1977 Caedmon Records) combined with a track by Alan R. Splet, “Space Travel W/ Changing Choral Textures” (2003 Sub Rosa) from An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003. The recording of Herbert was made at the height of the Dune craze, the late 1970s. When David Lynch made his film for release in 1984, he was working with Splet who is not credited by whom may have contributed some electronic and ambient sounds. This track appears to confirm that and I've combined it with the Herbert reading. 5:07 Brian Eno, Roger Eno and Daniel Lanois, “Prophecy Theme” from Dune (Original Soundtrack Recording) (1984 Polydor). This little track was the only one that remained of Eno's contributions to the Dune soundtrack, although he reportedly composed an entire movie's worth of music for the film. Some was used as incidental music. 4:21 Zheani, “The Litany Against Fear” from Eight (2018 Sleepcvlt). Cassette release from this Australian rapper, electronic musician, model and actress.This is a famous quote from Herbert's Dune and seemed fitting to have it represented by a musician for the podcast. 0:36 Klaus Schulze, “Dune” from Dune (1979 Brain). Yes, Schulze, too, was infected with the Dune craze and created this ambitious 30-minute work to acknowledge it. This is a truly lovely electronic work from those days when Schulze was largely still working analog synthesis, and synthesize voices and orchestral sounds, much like his earlier album X. The cello is played by Wolfgang Tiepold, produced by and all keyboards by Klaus Schulze. The first side comprises the piece called Dune and the second side features an unrelated work with vocals by Arthur Brown. An intriguing album all around! 30:05 Graeme Revell & The City Of Prague Philharmonic, “Seduction” from Frank Herbert's Dune (Original Soundtrack From The Sci-Fi Channel Mini Series) (2001 GNP Cresendo). Composed by Graeme Revell; executive producer, Neil Norman; orchestra, chorus, The City Of Prague Philharmonic. This is the soundtrack for a Sci Fi channel mini-series back in 2001. The music is primarily orchestral, being performed in the Czech Republic and arranged by Neil Norman, Hollywood veteran of science fiction films. But Revell did compose it and there are a few tracks, such as the one featured here, that have clearly electronic elements that stand out. 1:51 Grimes, “Caladan” from Geidi Primes (2011 No Pain in Pop). Grimes' first album was a concept album based on Frank Herbert's novel Dune and David Lynch's 1984 film adaptation of the book. This track is about the fictional home planet of the Atreides, the protagonist clan in the novel. Produced by, written by, played by Grimes. She used relatively simple sounds, overdubs, and interesting vocal mixes to tell these tales. 2:23 Kurt Stenzel, “Parallel World” (1:42), “Parallel World (Outro)” (1:04), “Leap Of Faith” (0:43), “Time And Space” (2:04), “Optical World” (2:56), “Nebula” (2:26), and “Invitation” (excerpt) from Jodorowsky's Dune (Original Motion Picture Soundtrack) (2014 Cinewax). This is a bit of a side-hustle because Alejandro Jodorowsky's much hyped film version of Dune, which he sought to make in the 1970s, does not exist. It is one of the most famous movies that never existed. Still, the Chilean-French film director, producer, composer, actor stuck with the idea for quite some time until the David Lynch movie was produced in the 1980s and sucked all of the available Dune oxygen out of the room. But Jodorowsky's passion for the project inspired others, including guitarist and synthesist Stenzel who produced this soundtrack to a 2014 documentary about Jodorowsky and the ill-fated project. Stenzel composed music inspired by the book. This double LP has 33 tracks and I focused on a selection of connected synth tracks from the first album. Moog Source, CZ-101s, Roland Juno 6, toy Concertmate organ, Ninendo DS, voice, Kurt Stenzel. 11:56 Klause Schulze, “Side E—"Der Hauch Des Lebens (The Breath of Life) Pt #1” from Deus Arrakis (2022 SPV Recordings). Dune remained a lifelong source of fascination for Schulze. This, his final album, was also inspired by the novel he loved so well. This is a three-LP set, but the first LP is single-sided. Because of his ill health, Schulze knew that this might be his final project. In the liner notes he wrote directly to his fans, saying, “Thank you for your great support over all these years. This is for you! May the spice be with you. Always.” Recorded and written by Klaus Schulze; Cello, Wolfgang Tiepold; Voice, Eva-Maria Kagermann. 16:24 Han Zimmer, “Arrakis” from The Art And Soul Of Dune (Companion Book Music) (2021 WaterTower Music). Zimmer composed the soundtrack for the Denis Villeneuve released in 2021. Villeneuve has praised Zimmer's work on the film and that he had spent,"months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope." In addition to a soundtrack for the film itself, Zimmer released two companion releases that provide an extended listen to the sounds and experiments that were created for the project. Three albums were released for the film by WaterTower Music, including The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune on September 3, September 17, and October 22, 2021, respectively. This work is from the reading companion to the film. 13:28 Opening background music: Hans Zimmer, “The Shortening Of The Way” from The Dune Sketchbook (Music from the Soundtrack) (2021 WaterTower Music). This track is from a companion 2-CD set that accompanied the actual soundtrack. Zimmer called these sketches and they represent his sound experiments as he formulated the music for the film. This grand combination of acoustic instruments and synth sounds from Zimmer's private studio is stunning in its scope and virtuosity and highly recommended. Synth programming by Hans Zimmer. 11:14 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

It's not a midweek extra episode, I'm afraid, folks. As you'll hear, I've loved every single second of running Bold as Brass Podcast. I've made great friends, professional connections, and kept myself busy when things were tough (looking at you, Covid). Running it as a one-person operation around work and trying to exist as a human is becoming too difficult and, after some painstaking consideration, it's time to pause production.  I'm not sure it'll be forever. Heck, I'm not sure I want it to be forever. But it's got to be for now. All content will stay live. Please continue to share and listen back; there are some gems in there (from guests, not me).  Thanks for the support. Bold as Brass, out (for now). Melissa x

In this episode multi-instrumentalist Terry Hsieh tells us about his path to becoming a session musician, he tells us about developing music production skills during the COVID-19 pandemic, and we hear about his current, busy tour life! https://www.terryhsieh.com/ https://onlinetromboneacademy.com/ facebook.com/terryhsiehmusic @tehjassman Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

In this episode trumpet player and educator David Dash tells us about his time as a military musician, about building a flourishing and varied career and how to manage one, and we learn about the Apex Trumpet Symposium. dashduo.com uncsa.edu/faculty-staff/david-dash.aspx ncsymphony.org/about-us/david-dash/ facebook.com/daviddashtrumpet @dashtrpt Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

In this episode euphonium/trombone player and improviser Martin Lee Thomson tells us about having a whole university course built for him, we discuss having creative outlets away from music, and we hear more about Dopey Monkey from the other side of the duo! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Well, it's Tuesday again - good grief! We are in VBS this week and yesterday just got away from me - so, alas, it's Tuesday and I'm just now getting around to Music Monday, even though it's Tuesday, I still need to do Music Monday - on Tuesday - yeah. Last week I featured a hymn that we put a little pizzazz into - Come Thou Fount. I got some positive comments about it, so figured why not feature another one?? I did this arrangement with my Flugelhorn friend, Lynn Nash some months ago. Ultimately I sent the arrangement to my son, Matt, and he sent back some pretty cool stuff. This arrangement, is the :before I sent it to Matt” arrangement - if that makes sense. After all it's Tuesday and this is a Music Monday, on Tuesday, even though it's a Music Monday . . . . .. on Tuesday . . . Here's Jesus Saves! With a little pizzazz . . . . .. on Tuesday.

In this episode horn player, educator, and content creator Kate Warren tells us about her rocky start to horn playing, we get a great recommendation for listening for anyone who struggles with performance anxiety, and we discuss content creation and online resources some more! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Nosy trombonist Melissa Brown chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tuba player and educator Genevieve Clarkson tells us about how her aim to be in a military band evolved and changed, we hear about how coaching marching band has helped improve her teaching skills, and we get the snippets of an interesting story involving Craigslist! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Nosy trombonist Melissa Brown chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode euphonium (and general low brass) player, educator, and conductor Aaron Campbell tells us about his winding path through his musical education, we hear all about the Tampa Brass Band, and we get to learn more about our neighbour podcast; the New World Brasscast! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

This episode is sponsored by the North American Ketchup Association.

Nosy trombonist Melissa Brown chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tuba player and educator Helen Minshall tells us about always knowing she wanted to be a teacher or educator in some capacity, we hear about her time working in Oman, and she tells us about her role and the exciting upcoming projects with Brass Bands England. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A lot of times, I will create practice tracks for the choir and or PT to use to help them learn anthems or praise and worship songs for upcoming weeks. Most of the time I just play a piano accompaniment and them each of their parts, and them place the individual recordings, which means soprano and piano, alto and piano, into DropBox for them to access whenever they feel inclined to listen and practice. A few weeks ago I was making a practice version of this song, I Give You My Heart, for the PT to work on. It's an older P&W song but I did some rearranging to my original chart I had written. As I was listening along to what I had recorded, I begin to wonder what this new arrangement might sound like if I added some more instrumentation. One thing led to another, and, well, here's my new rendition of I Give You My Heart, with some help from Lynn Nash on Flugelhorn.

Nosy trombonist Melissa Brown chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode Australian trumpet player, composer, and educator Nadje Noordhuis tells us about her original plans of becoming a sound engineer, we hear her stories of overcoming sexism in the brass industry, and there is some comparison between flugelhorns and goats (you'll have to listen for the context!) Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Well I did it again…. I was talking to my Flugelhorn friend Lynn Nash yesterday afternoon late and he said where's Music Monday????? Ooopppsss. And then he suggested one we had recorded a few years back. After listening to it this morning, and making a few additions and subtractions, I am please to offer this arrangement to you. Some of our singers came in and recorded, and Lynn added some majesty to it. Here is Revelation Song.

Nosy trombonist Melissa Brown chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trombonist (and multi-instrumental performer) Ben Watling tells us about his natural gravitation to the wider world of music (not *just* brass), we hear how he began to develop as an entertainer and entrepreneur during his time at music college, and we hear his honest opinions on "Sweet Home Alabama". Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

James Taylor wrote this song at a time when he was going through some difficult stages in his life. I think we have all been there. While this song, lyrically, can make one feel melancholy, I find this arrangement to be uplifting! Ok, I'll explain. I sent this arrangement to my son, Matt, who is without question the finest musician I have ever played with, to see what his thoughts might be. He sent back the second verse and last chorus that was totally unexpected. His bass guitar solo is amazing and his electric guitar background and electronic drum programming gave the song a whole new flavor that is, well, uplifting! Add my great friend Lynn Nash on Flugelhorn to the mix and here is a rendition of a great song that I am truly proud of. There is always someone we can turn to in the good times and bad - our Heavenly Father is always listening. I offer this arrangement to all of you today, in honor of my son, Matt, whose birthday is today. Fire and Rain.

I am delighted to be joined by Brass Musician and Arranger, Stewart Prosser on this 130th edition of The Paul Weller Fan Podcast for what was a hugely enjoyable chat.Stewart is such a talent - a fabulous trumpet and flugelhorn player, and brass arranger, who played a key role in The Style Council's early years. He joined the band as an Honorary Councillor in 1984 for the Council Meeting Part 1 Tour, and stayed all the way up to the Wembley Showbiz gigs at the end of 1985.Throughout his career, he has created music in a wide range of styles – jazz, classical, rock, pop and it was a delight to dig in to his memories. From his time as principal player of the Hampshire Youth Concert Band to the band Rye and The Quarter Boys and those special years with The Style Council.He was a huge part of that live sound - together with Billy Chapman on sax and Chris Lawrence on trombone. Sadly Chris is no longer with us, but it was so nice to hear Stewart's memories of his friendship with Chris in out chat.Stewart also played on studio recordings for the number one album Our Favourite Shop - performng trumpet on album opener Homebreakers and album closer Walls Come Tumbling Down, along with Flugelhorn on A Man of Great Promise. He also played trumpet on Big Boss Groove for the Groovin' single EP.We also chat about his time touring with the band across the UK, Europe, Japan and Australia - friendships made, life on the road and how his live solo came about for Le Départ (see the video below!)Stay tuned for a lovely exclusive on upcoming new music from Stewart and somebody else with a special connection to the band too!.Plus we chat about his ongoing project Walk Upon England which was created with his friend, the composer Damian Montagu. Their first album, In A South Downs Way, created with their pal, the actor Hugh Bonneville, was released in 2016 and swiftly went to Number One on the Classical Album chart!Listen out for a lovely story about a live performance of the album at a theatre in Chichester. It's a moment that tells so much about the magic of The Style Council experience.Find out more in the show notes for this podcast on my website and if you want to support the podcast financially, you can buy me a virtual coffee at paulwellerfanpodcast.com/store Hosted on Acast. See acast.com/privacy for more information.

El guitarrista británico Steve Hackett, famoso por su paso por Génesis, se une a Djabe, la banda de jazz fusion y world fusion #1 de Hungría para ofrecernos Back to Sardinia, una producción comercializda por GR1993 Records en el 2019.

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode legendary trumpet player Susan Slaughter tells us about standing up for herself as a woman in the brass field, what the pressures were like in her career, and we hear about the origins and future plans for IWBC. Thanks to IWBC for the invite - we had a great time at the conference. Thanks to Natalie Mannix, Raquel Samayoa, Stacie Mickens, and the University of North Texas for hosting. Huge thanks to Susan Slaughter and buckets of thanks to those who joined us in the room! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

As most of you know, Bold as Brass Podcast was started in the lockdown of 2020 as a way to keep our host, Melissa, busy whilst a lot of her work was on pause. We've had an incredible 2.5 years since then releasing episodes at least weekly, hosting panels, live interviews, travelling with the show to conferences, and making new contacts and friends worldwide. The world is rapidly returning to normal and scheduling interviews is getting harder and Melissa's time is fuller and she needs to focus on her work for now.  It's definitely not goodbye forever - we just need a few months off to recalibrate, figure out a way to fit recordings and editing in, and maybe come back on a scaled back release schedule. Keep up to date on our socials, we're "Bold as Brass Podcast" pretty much everywhere and our website is boldasbrasspodcast.com

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode commercial trumpet player and businessman Johnny Thirkell tells us about beginning his professional life as a pit miner, we hear about his studies with Carmine Caruso, and he tells us about some cool career highlights. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tuba player, improviser, and all-round creative Danielle Price tells us about growing up in the brass band movement in Scotland, about being one half of the duo Dopey Monkey, and we hear about some of her creative aspirations. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode euphonium player, composer, and arranger Gail Robertson tells us about her playing journey, her involvement with IWBC and ITEA, and we hear about her compositional processes. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode French horn player, educator, and researcher Caiti Beth McKinney tells us about her recently completed doctoral studies, about her enthusiasm for new music, and we talk a bit about baking! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tuba player, educator, and drag performance artist, Sean Kennedy tells us about his varied musical journey, we hear a decent amount about Peacock the Goddess of Tuba, and we hear how Sean juggles all of the things! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tuba player, educator, and retired Air Force musician Jan Duga tells us about dotting the "I" in "Ohio", about being a woman of firsts, and we hear about her non-musical passions. Most episodes are recorded remotely via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trombonist, educator, and conductor Jessica Sneeringer tells us about trying a bunch of instruments before arriving at the trombone, she tells us about juggling the facets of her career and being a musician parent, and we hear all about her involvement with Athena Brass Band. Most episodes are recorded remotely via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode Dan Burdick tells us about the slightly sneaky way he got onto playing tuba, we learn about his extensive tuba career, and he tells us about expanding his skills out into many different musical pathways. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trombonist and educator Chris Smith tells us about a memory in which he vehemently rejects the violin, he tells us the winning (to date), wildest, 3-word story, and we hear about the origins and running of the awesome Old Dirty Brasstards. Most episodes are recorded remotely via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

El pianista, compositor y arreglista brasileño Antonio Adolfo visita 2 de uno con Jobim Forever, trabajo para su sello AAMusic en el 2021 y nominado a un Latin Grammy este año en el renglón Mejor Álbum de Jazz Latino / Jazz.

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player and educator Theresa May told us about adjusting her studies from music therapy to music performance, about deciding on, and creating, the pathway that best suits you, and she tells us all about the Chromatic Brass Collective. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode tubist and educator Deanna Swoboda tells us about starting out as a clarinet player, we talk about playing with the Athena Brass Band, and we discuss music and entrepreneurship. Facebook: facebook.com/boldasbrasspodcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Flugelhorn player Dmitri Mathenys excellent "Cascadia" opens the show, followed by Vancouver bassist John Lee's CD "The Artist" and a young sextet called Meridian Odyssey playing original music on the CD "Earthshine."

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player, educator, content creator, and composer Marcus Grant tells us about his beginnings as a singer and in theatre, we talk about living composers and contemporary music, and he tells us about his experiences within the digital space and content creation. Most episodes are recorded remotely via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trombonist, arranger, educator, and producer Patrick Johns tells us about his choral singing beginnings, we hear about his experiences with Bell's Palsy, and we learn all about Oompah Brass. Most episodes are recorded remotely via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player and educator Judith Saxton tells us about how her career has developed and changed over time, we learn about her interests in musicians and movement, and we hear about Trompettes Sonique. We had some technological and room issues recording this in person at IWBC so we apologise that the audio is not at its usual standard. The content is still great, though, so please enjoy. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player and educator Allison McSwain tells us about initially studying accounting, we discuss performance anxiety, and we talk about building the career that suits you. Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode French horn player (Rochester Philharmonic Orchestra) Nikki LaBonte tells us about the varied aspects of her career, about working in Hawaii, and we have a really interesting conversation about the concept of talent. Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player Rob Willson tells us about starting out as a pianist, about his education and outreach work outside of conventional classroom set-ups, and we discuss varied, unusual, realistic music careers. All episodes recorded during COVID-19 lockdown via video call programmes. There are occasional technical glitches - please bear with us! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/

Not to toot our own horn, but these imaginary luxury travel days could never be flat. Lulu creates a true 10K pop-up experience that can go all night, while Alison presents a whole lotta swag -- one of her favorite things to do.Dance floors, raves and band camp!TEASER! Big 10K NEWS!Obsession: Lulu- Ice Cold Organic Unsweetened ApplesauceObsession: Alison- Unsweetened Iced Green Tea w/LemonadeWishlist: Lulu- Protein shakes to have a place to store the scoopWishlist: Alison- A gameshow where you harmonize to win!Magic Word: Flugelhorn from Clareann DeSpain10K Day: Lulu- Rochester, NYChuck MangioneEpisode 101- Rochester (“I'm Dating Your Baby Daddy” with Laura Berube)Rochester AirbnbBreakfast at James Brown's Place Funky GriddleRochester abandoned subwayCoffee & Croissants at Starry Nite CafeDinner at The RevelryPianist- Katherine EdwardsenFlugelhorn rentalHorn Lessons w/Gary MelvilleLED DMX dance floorSheridan Bros Moving and StorageBang Radical Skadattle Energy Drinks10 pair Doc Martens10K Day: Alison- Kapellendorf, GermanyHotel ElephantBreakfast at Wasserburg CafeFlugelhorn Band Camp at Leonardo HotelFlugelhorn standsPlastic Flugelhorn from MusicArts.comCatering by ErbenhofDay trip to Wasserburg, GermanyCharity: Lulu- Sample SoapCharity: Alison- Save the Music FoundationHappy: Lulu- She figured out how to wear her 'in-ears' headsetHappy: Alison- Nunsense: A-Men opening weekend!Support the show

A nosy trombonist (Melissa Brown) chats to fellow brass professionals about their careers, how they got there, and what music they'd happily put in the bin. In this episode trumpet player Jen Oliverio tells us about her enjoyment of British-style brass bands, about commissioning new music for cornet and flugelhorn, and we hear about her journey as a painter...! Facebook: Bold as Brass Podcast Instagram: @boldasbrasspodcast Website: boldasbrasspodcast.com Show artwork: Stuart Crane Music credit: Upbeat Forever by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5011-upbeat-forever License: http://creativecommons.org/licenses/by/4.0/