Podcast appearances and mentions of Tom Harrell

Prestamos atención a uno de los músicos más interesantes de la historia del jazz, un bopper elegante como ninguno, uno de los mejores herederos de las enseñanzas y descubrimientos de Charlie Parker, el señor Phil Woods. Ante el inmenso legado discográfico del saxofonista, he querido dar un somero repaso a sus discos más relevantes o los que, a criterio mi criterio, son más significativos, comenzando por una de sus primeras grabaciones, Woodlore, de 1955, recuperando tambien alguna sesión previa de su juventud con el guitarrista Jimmy Rane. Despues pasamos por discos como 'Pairing off' (1956), 'Warm Woods' (1957), ‘Rights of swing' (1961), ‘Alive and well in Paris' (1968), 'Recorded live at Jimmy´s (con Michel Legrand)' (1975), 'The New Phil Woods Album' (1975), 'I Rewmember' (1978) y 'Dizzy Gillespie Meets Phil Woods Quintet' (1986) En cada una de las composiciones mostradas, Phil demuestra la gran pericia con su instrumento, el saxo alto, así como su buen gusto para el fraseo y genialidad como compositor. No menos importantes son los músicos con los que se ha ido cruzando a lo largo de su vida, y en este programa nos encontraremos con otros historicos del jazz como Teddy Kotick, Joe Morello, Tommy Flanagan, Philly Joe Jones, Gene Quill, Dizzy Gillespie, Curtis Fuller, Sahib Shihab, Henry Texier, Daniel Humair, Michel Legrand, Grady Tate, Hal Galper o Tom Harrell.

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TOM HARRELL “ALTERNATE SUMMER” New York, November 28 & December 27, 2022Miramar (2), Heliotrope (3), Radius (2)Tom Harrell (tp) Dayna Stephens (ts-1) Mark Turner (ts-2) Luis Perdomo (p,el-p,org) Charles Altura (g-3,el-g-3) Ugonna Okegwo (b) Adam Cruz (d) RYAN KEBERLE & CATHARSIS “INTO THE ZONE” New York, January 15 & 16, 2014Gallop (cm vcl,1), Cheryl (1), Ballad of the sad young men (cm vcl)Mike Rodriguez (tp) Ryan Keberle (tb,melodica) Scott Robinson (ts-1) Jorge Roeder (b) Eric Doob (d) Camila Meza (vcl) ARUN RAMAMURTHY “NEW MOON” Brooklyn, NY, January 17, 2023Walk as one, Bangalore to Brooklyn, Sri ValliArun Ramamurthy (vln,comp) Damon Banks (el-b) Sameer Gupta (d) Continue reading Puro Jazz 26 de noviembre, 2024 at PuroJazz.

TOM HARRELL “ALTERNATE SUMMER” New York, November 28 & December 27, 2022Miramar (2), Heliotrope (3), Radius (2)Tom Harrell (tp) Dayna Stephens (ts-1) Mark Turner (ts-2) Luis Perdomo (p,el-p,org) Charles Altura (g-3,el-g-3) Ugonna Okegwo (b) Adam Cruz (d) RYAN KEBERLE & CATHARSIS “INTO THE ZONE” New York, January 15 & 16, 2014Gallop (cm vcl,1), Cheryl (1), Ballad of the sad young men (cm vcl)Mike Rodriguez (tp) Ryan Keberle (tb,melodica) Scott Robinson (ts-1) Jorge Roeder (b) Eric Doob (d) Camila Meza (vcl) ARUN RAMAMURTHY “NEW MOON” Brooklyn, NY, January 17, 2023Walk as one, Bangalore to Brooklyn, Sri ValliArun Ramamurthy (vln,comp) Damon Banks (el-b) Sameer Gupta (d) Continue reading Puro Jazz 26 de noviembre, 2024 at PuroJazz.

This episode of The Other Side of the Bell, featuring trumpeter, Scott Belck, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube. About Scott: Dr. Scott Belck currently serves as the Director of Jazz Studies and Professor of Music at the University of Cincinnati's College-Conservatory of Music (CCM) where he directs the CCM Jazz Orchestra and teaches applied Jazz Trumpet. He is a founding member of critically acclaimed Tromba Mundi contemporary trumpet ensemble and has toured as a member of Grammy Award winning funk legend Bootsy Collins' Funk Unity Band as lead trumpet. He has served as trumpet and cornet soloist with the Air Force Band of Flight in Dayton, Ohio where he also held the post of musical director for the Air Force Night Flight Jazz Ensemble. He is the Founding Artistic Director Emeritus of the Cincinnati Contemporary Jazz Orchestra.   His playing credits include recordings lead trumpet/guest soloist with the Cincinnati Pops featuring the Manhattan Transfer and John Pizzarelli, the Glenn Miller Orchestra, the Van Dells, and jazz soloist with the University of North Texas One O'clock Lab Band with whom he recorded four CDs as jazz soloist and section trumpet. He has performed as principal/lead trumpet with the St. Louis Symphony, Indianapolis Symphony, Cincinnati Symphony, the National Symphony Orchestra of the Dominican Republic, the Columbus Symphony Orchestra, the Dayton Philharmonic Orchestra, the Lexington Philharmonic, the Richmond Symphony Orchestra, and as section trumpet with the Duluth-Superior Symphony Orchestra and the Duluth Festival Opera. He has performed as lead trumpet for shows/concerts of Christian McBride, Jimmy Heath, Aretha Franklin, Gerald Wilson, the Detroit Jazz Festival Orchestra, Linda Ronstadt, John Lithgow, Donna Summer, Maureen McGovern, Michael Feinstein, Lalo Rodriguez, Sandy Patti, Tito Puente Jr., Tommy Tune, Manhattan Transfer, Lou Rawls, Patti Austen, The Coasters, Yes, Ben Vereen, Doc Severinsen, the Temptations, Olivia Newton-John, Neil Sedaka, the Blue Wisp Big Band, the Columbus Jazz Orchestra, the Dayton Jazz Orchestra, the Ink Spots, the Four Freshmen, The Frankie Avalon, Fabian, Bobby Riddell, Little Anthony and the Imperials, Frankie Valli, The Maritime Jazz Orchestra of Canada as well as touring Broadway shows and regional and national recording sessions. He has performed as a leader, musical director, or sideman with many top jazz players on the scene today including: Fred Hersch, Rich Perry, Adam Nussbaum, Lew Soloff, Randy Brecker, Slide Hampton, Jim McNeely, Claudio Roditi, John Riley, Rick Margitza, Bob Belden, Jimmy Heath, Bobby Watson, Tom Harrell, Tim Hagans, Regina Carter, Wes Anderson, John Hollenbeck, Steve Turre, Conrad Herwig, Gordon Brisker, Hank Marr, Marvin Stamm, Gerry Mulligan, Kenny Garrett, John Fedchock, Phil Woods, Ed Soph, John LaBarbera and Diane Schuur. He has also served as the Artistic Director of the Dayton Jazz Orchestra, the Jazz Central Big Band, and the Miami Valley Jazz Camp in Ohio. He is the author of the text “Modern Flexibilities for Brass”, published by Meredith Music and distributed by Hal Leonard. In his spare time, he is the CEO and founder of Lip Slur World Headquarters. Belck's new book “Progressive Lip Flexibilities for Brass” is quickly becoming one of the most popular sarcastic lip slur books in the lower South-Central Ohio River valley region. Scott Belck is a Powell Signature Trumpet Artist.

6e émission de la 60e session...Cette semaine, post-bop et jazz moderne! En musique: Von Freeman sur l'album Serenade & Blues  (Nessa, 1979); The Harold Land / Blue Mitchell Quintet sur l'album Mapenzi  (Concord Jazz, 1977); David Weiss Sextet sur l'album Auteur  (Origin, 2024); Tom Harrell sur l'album Alternate Summer (High Note, 2024); Yarosh Organ Trio feat. Dominik Wania sur l'album Progressive Synthesis (Live)  (Akademia Muzyczna, Wroclaw, 2024); Wayne Shorter sur l'album Celebration Volume 1  (Blue Note, 2024, enr. 2014)...

On his new recording, Something About Believing tenor saxophonist Tim Armacost is joined by trumpeter Tom Harrell and baritone saxophonist Gary Smulyan as well as the outstanding rhythm section of  bassist John Patitucci and drummer Al Foster. Listening to the music one is struck by the comfortability of master improvisers doing what they do best, however in this episode of LINER NOTES Tim explains that this recording is a snapshot of a journey that he embarked on a number of years ago while exploring synesthesia. The project began as a chordless quartet in which the musicians worked with lighting designer Liz Liebeskind in real time and beyond this recording Armacost has assembled a new quartet that is working with visual artist Mary Shah who joins the band at performances and creates a visual response to the band's music.  

The stunning new project by Lucy Woodward sets the tone for the return of Mondo Jazz after a brief summer hiatus. The playlist features Lucy Woodward; Jasper Blom; Pericopes, Anais Drago; Tom Harrell; Tarbaby; Giovanni Guidi, James Brandon Lewis, Thomas Morgan, Joao Lobo; Candice Hoyes. Detailed playlist at https://spinitron.com/RFB/pl/19563642/Mondo-Jazz (up to "In the Upper Room"). Happy listening! Photo credit: Nick Suttle

In this episode, we discuss recordings of “Arpeggione - A Forgotten Instrument” (Prospero Classical) by Martin Zeller, Giorgio Paronuzzi & Victor Castillo Luna, “Smetana & Schubert: Piano Trios” (Supraphone) by Trio Bohémo: Jan Vojtek, Matouš Peruška & Kristina Vocetková, “Brett Dean - Rooms of Elsinore” (BIS) by Jennifer France, Lotte Betts-Dean, Juho Pohjonen, James Crabb, Volker Hemken & The Swedish Chamber Orchestra / Brett Dean, “History of the Vibraphone” (Cellar Music) by Warren Wolf, “Grove's Groove” (Le Coq Records) by Michael Dease, and “Alternate Summer” (High Note) by Tom Harrell.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 180 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Arpeggione - A Forgotten Instrument” (Prospero Classical) Martin Zeller, Giorgio Paronuzzi, Victor Castillo Luna https://open.spotify.com/album/0qkMC3Y4anQkpdpLpKvmEt https://music.apple.com/us/album/arpeggione-a-forgotten-instrument/1751759056 https://music.amazon.com/albums/B0D6WNNRWY   “Smetana & Schubert: Piano Trios” (Supraphone) Trio Bohémo: Jan Vojtek, Matouš Peruška, Kristina Vocetková https://open.spotify.com/album/3ztpXcyXM7oZtOhmiMYbWH https://music.apple.com/us/album/smetana-schubert-piano-trios/1757473018 https://music.amazon.com/albums/B0D9HLT1GR   “Brett Dean - Rooms of Elsinore” (BIS) Jennifer France, Lotte Betts-Dean, Juho Pohjonen, James Crabb, Volker Hemken, Swedish Chamber Orchestra / Brett Dean https://open.spotify.com/album/7Dh7NHF7VSCwfOzSoBoM73 https://music.apple.com/us/album/dean-rooms-of-elsinore/1758741841 https://music.amazon.com/albums/B0D9WGDKNG   “History of the Vibraphone” (Cellar Music)  Warren Wolf https://open.spotify.com/album/0raNJZzMHYyOr9R398NJ3E https://music.apple.com/us/search?term=Warren%20Wolf https://music.amazon.com/albums/B0D465ZRXJ   “Grove's Groove” (Le Coq Records)  Michael Dease https://open.spotify.com/album/4OlZlxw3ypAyx4k0cJNDa8 https://music.apple.com/us/album/groves-groove-feat-steve-davis-jocelyn-gould-bill-cunliffe/1747803623 https://music.amazon.com/albums/B0D4XDLKZM   “Alternate Summer” (High Note)  Tom Harrell https://open.spotify.com/album/1zebikSXM9BKeiO56EL71C https://music.apple.com/us/album/alternate-summer/1755825089 https://music.amazon.com/albums/B0D8X5QMYC

BAPTISTE TROTIGNON “SHARE” Brooklyn, NY, June, 2008First song, Flow (2,3) Blue (mp out,1)Tom Harrell (flhrn-1) Mark Turner (ts-2) Baptiste Trotignon (p) Matt Penman (b) Eric Harland (d) Otis Brown, III (d-3) CLARE FISCHER “FIRST TIME OUT” Los Angeles, April 12 & 14, 1962Nigerian walk, Toddler, Stranger, AfterfactClare Fischer (p) Gary Peacock (b) Gene Stone (d) ) HARISH RAGHAVAN “IN TENSE” New York, December 10 & 11, 2021AMA, In tense, Eight-thirteenMorgan Guerin (ts,b-cl,EWI) Joel Ross (vib,mar) Charles Altura (g) Harish Raghavan (b,comp) Eric Harland (d) Continue reading Puro Jazz 05 de septiembre, 2024 at PuroJazz.

BAPTISTE TROTIGNON “SHARE” Brooklyn, NY, June, 2008First song, Flow (2,3) Blue (mp out,1)Tom Harrell (flhrn-1) Mark Turner (ts-2) Baptiste Trotignon (p) Matt Penman (b) Eric Harland (d) Otis Brown, III (d-3) CLARE FISCHER “FIRST TIME OUT” Los Angeles, April 12 & 14, 1962Nigerian walk, Toddler, Stranger, AfterfactClare Fischer (p) Gary Peacock (b) Gene Stone (d) ) HARISH RAGHAVAN “IN TENSE” New York, December 10 & 11, 2021AMA, In tense, Eight-thirteenMorgan Guerin (ts,b-cl,EWI) Joel Ross (vib,mar) Charles Altura (g) Harish Raghavan (b,comp) Eric Harland (d) Continue reading Puro Jazz 05 de septiembre, 2024 at PuroJazz.

Grammy-Award winning saxophonist Wayne Escoffery is my guest on the 21st episode of Strictly Jazz Sounds. What attracted me to Wayne was his prolific traveling, extensive performances and recordings with his own band (11 recordings), the Mingus Big Band (3 recordings, one a Grammy Award winner), the Black Art Jazz Collective (4 recordings), and as sideman with trumpeter Tom Harrell (7 recordings, co-producing 4) plus works with other notable jazz musicians. He is now a Harlem resident in the neighborhood where Sonny Rollins grew up, Sugar Hill, but he was born and spent his childhood years in London before he moved to the U.S. with his mother. Escoffery graduated summa cum laude with a bachelor's degree in jazz performance from the Hartt School at the University of Hartford, where he was a protégé of saxophone legend Jackie McLean. He earned a Master of Music degree from the Thelonious Monk Institute of Jazz Performance (now the Herbie Hancock Institute of Jazz) at the New England Conservatory, Escoffery today teaches at Yale University's School of Music where he emphasizes the value of real-world experience in teaching, reflecting on his own journey and influences, including his time with jazz greats like Jackie McLean and Ron Carter. We cover various topics such as the challenges facing musicians today, the lack of business education in jazz programs, and the exploitation of artists by the music industry. Escoffery also touches on the emotional therapeutic aspects of music, thoughts on mental health in the music industry. We take a deep dive into Wayne Escoffery's soon-to-be released recording, Alone.  Thanks to Smoke Sessions Records for use of the tracks for this podcast. They are: Moments With You (6:32), Alone (8:08), and The Ice Queen (8:16). The episode opens with "Moments With You." You can hear "Alone" about half-way through the conversation, and then the show closes with "The Ice Queen." The conversation begins when Wayne Escoffery and I discuss the importance of real-world experience in teaching. You'll enjoy his thoughts about this topic among others regarding jazz artists getting ripped off by a recording industry that hardly pays anything to anyone anymore. I would appreciate feedback about my podcasts. Past comments have been very useful. Thanks for listening to Strictly Jazz Sounds. This is Steve Braunginn. Photo by Kasia Idzkowskas

Записанный в клубе Нью-Йорка Mezzerow живой альбом польского кларнетиста и саксофониста Ken Peplowski звучит приятно душевно и с хорошим чувством свинга. Мне понравилось именно звучание его инструментов и хороший подбор композиций. Большинство стандартов сыграны но новому, с прекрасным изменением не только общих картин, но и ритмов. Например The Shadow Of Your Smile Джонни Мэндела исполняется медленнее, чем обычно и это хорошо демонстрирует эмоциональную глубину пьесы. Кен встречается на семидесяти альбомах в качестве солиста и на около четырехсот записях в качестве сайдмена, несколько из которых есть на моем канале. Этот альбом нечто выдающееся и на нем представлены шикарные мелодии в исполнении замечательных музыкантов: пианист Ted Rosenthal, басист Martin Wind и барабанщик Willie Jones III. С первого публичного выступления я понял, что хочу зарабатывать на жизнь музыкой, - сказал лидер и пояснил, что свой первый профессиональный концерт он сыграл, когда еще учился в начальной школе. Переехав в Нью-Йорк в 1980 году он начал играть в самых разных местах, от традиционного до авангардного джаза. В 1984 году Бенни Гудман собрал новую группу и нанял Кена на тенор-саксофоне. Он подписал контракт с Concord Records и выпустил с ними около двадцати альбомов. Это его кларнет вы слышите в саундтреках Вуди Аллена. Он был хедлайнером в Лас-Вегасе и Hollywood Bowl. Он играл на джазовом фестивале в Ньюпорте и на всех крупных европейских фестивалях. Он сотрудничал с Mel Torme, Leon Redbone, Madonna, Dave Frishberg, Tom Harrell, Bill Charles, Marianne Faithful и многими другими. СЛУШАТЬ АЛЬБОМ - https://album.link/i/1728340139 Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #jazz

    Join us for a riveting conversation with Maj. Gen. Tom Harrell as we explore the modernization and evolution of military medicine in an era of peer competition. General Harrell shares his insights on how military healthcare systems must adapt by rethinking doctrines and drawing from historical lessons of large-scale conflicts, such as World War II. We discuss the necessity of developing multi-capable medical personnel through programs like the Air Force's Medic X, which equips medics with a broader range of essential skills to enhance their versatility and readiness for future conflicts.      Listen in as we also cover the integration of force structures and medical readiness to support agile combat employment environments. General Harrell highlights the enhanced alignment of critical skills through the Defense Health Agency's merger with service commands, emphasizing continuous training and certification. We touch on the potential impacts of large-scale combat operations on the homeland and the importance of a resilient national healthcare system in collaboration with civilian partners. The discussion wraps up with a look at emerging technologies, such as autonomous vehicles for patient transport and remote sensing for vital signs monitoring, which promise to bolster the capabilities of military medics on the battlefield.   Chapters: (00:04) Optimizing Military Medicine for Peer Competition (12:27) Preparing Military Medicine for Future Challenges   Chapter Summaries: (00:04) Optimizing Military Medicine for Peer Competition Maj. Gen. Harrell discusses modernizing military medicine, developing multi-capable personnel, and adapting to peer competition.   (12:27) Preparing Military Medicine for Future Challenges Integration of force structures and medical readiness, collaboration with civilian partners, and use of emerging technologies in military healthcare.   Take Home Messages: **Adapting Doctrines for Modern Warfare**:    The military healthcare system must evolve by learning from past large-scale conflicts, such as World War II, and adapting doctrines to address the challenges of modern peer competition. This requires a shift from specialization to versatility among medical personnel to ensure readiness for diverse scenarios. **Innovative Training Programs**:    Programs like the Air Force's MEDIC-X are essential for training medics to be multi-capable, equipping them with a broad range of skills. This versatility enhances their ability to handle various medical situations in agile combat environments, ensuring they are prepared for the complexities of future conflicts. **Integration of Force Structures and Continuous Training**:    The merger of the Defense Health Agency with service commands has streamlined the alignment of critical skills and readiness requirements. Continuous training and certification are crucial to maintaining medical readiness and supporting pulsed operations in dynamic combat settings. **Collaboration with Civilian Healthcare Systems**:    Large-scale combat operations can have significant implications on the homeland, necessitating a resilient national healthcare system that collaborates closely with civilian partners. The COVID-19 pandemic highlighted the need for a robust and flexible healthcare infrastructure capable of supporting military and civilian medical needs during crises. **Emerging Technologies in Battlefield Medicine**:    Autonomous vehicles for patient transport and remote sensing devices for vital signs monitoring are promising technologies that can significantly enhance the capabilities of military medics. These innovations are vital for maintaining situational awareness and providing effective medical care in challenging and resource-limited environments.   Episode Keywords:    Military medicine, Maj. Gen. Tom Harrell, Air Force MEDIC-X program, future of military healthcare, Defense Health Agency, battlefield medicine, autonomous vehicles in military, remote sensing in healthcare, medical readiness, peer competition in military, large-scale combat operations, medical training innovation, military healthcare systems, agile combat employment, operational medicine, emerging medical technologies, WarDocs podcast, military medics, healthcare evolution, medical force structures   Hashtags: #MilitaryMedicine #FutureHealthcare #MedicalInnovation #BattlefieldMedicine #AirForceMedics #MilitaryReadiness #MedicalTraining #EmergingTech #HealthSystems #CombatMedicine   Honoring the Legacy and Preserving the History of Military Medicine The WarDocs Mission is to honor the legacy, preserve the oral history, and showcase career opportunities, unique expeditionary experiences, and achievements of Military Medicine. We foster patriotism and pride in Who we are, What we do, and, most importantly, How we serve Our Patients, the DoD, and Our Nation.   Find out more and join Team WarDocs at https://www.wardocspodcast.com/ Check our list of previous guest episodes at https://www.wardocspodcast.com/our-guests Subscribe and Like our Videos on our YouTube Channel: https://www.youtube.com/@wardocspodcast Listen to the “What We Are For” Episode 47. https://bit.ly/3r87Afm WarDocs- The Military Medicine Podcast is a Non-Profit, Tax-exempt-501(c)(3) Veteran Run Organization run by volunteers. All donations are tax-deductible and go to honoring and preserving the history, experiences, successes, and lessons learned in Military Medicine. A tax receipt will be sent to you. WARDOCS documents the experiences, contributions, and innovations of all military medicine Services, ranks, and Corps who are affectionately called "Docs" as a sign of respect, trust, and confidence on and off the battlefield,demonstrating dedication to the medical care of fellow comrades in arms.     Follow Us on Social Media Twitter: @wardocspodcast Facebook: WarDocs Podcast Instagram: @wardocspodcast LinkedIn: WarDocs-The Military Medicine Podcast YouTube Channel: https://www.youtube.com/@wardocspodcast

NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy's, Blue Note, etc.. She's performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she's been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum's many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project. Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in '12, #2 “Flutist” in '19, and #3 “Flutist” in '20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post's "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman's Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO's RADAR and NPR's All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today's Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019). Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from '99 -'03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum's two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.  

Trumpeter/composer Tom Harrell, born June 16, 1946, is one of most creative players of his instrument, and a prolific and fresh compositional voice as well. His achievements are all the more remarkable when you consider he suffers from symptoms of schizophrenia, and has only one lung! Early in his career he toured with the big bands of Stan Kenton and Woody Herman, followed by sideman stints with Horace Silver and Phil Woods. For the past three decades he has carved out his place as a leader in his own right, and composes wonderful original music in abundance.

This week on The Sound Kitchen you'll hear the answer to the question about the last-minute film added to the Cannes Film Festival line-up.  There's “The Listener's Corner” with Paul Myers, the latest from the Roland Garros French Open, and plenty of good music. All that and the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!The ePOP video competition is open! The ePOP video competition is sponsored by the RFI department “Planète Radio”, whose mission is to give a voice to the voiceless. ePOP focuses on the environment, and how climate change has affected “ordinary” people. You are to create a three-minute video about climate change, the environment, pollution - told by the people it affects.You do not need fancy video equipment to enter the competition. Your phone is fine.  And you do not need to be a member of the RFI Clubs to enter – everyone is welcome. And by the way – the prizes are incredibly generous!Go to the ePOP page to read about past competitions, watch past videos, and read the regulations for your entry.  You can also write to us at thesoundkitchen@rfi.fr, and we'll forward your mail to Planète Radio.The competition closes on 12 September, but you know how "time flies”, so get to work now! We expect to be bombarded with entries from the English speakers!Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.frMore tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI”  has news broadcasts in slow, simple French, as well as bi-lingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it." She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr, too. They are also a good way to help you improve your English – that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. NB: You do not need to send her your quiz answers! Email overload!This week's quiz: On 4 May, I asked you a question about the Cannes Film Festival, as a film had just been added to the line-up. You were to refer to our article “French stars Omar Sy and Eva Green part of 2024 Cannes Film Festival jury”, and send in the answer to these questions: What is the name of that last-minute film, and what is the name and nationality of the director?The answer is, to quote our article: “There have been late additions to the festival's line-up in recent days, including The Seed of the Sacred Fig by Iranian director Mohammad Rasoulof, who has faced prison time for criticising the government. It is unclear if he will be able to attend the festival.”He was able to attend the festival – as we reported a few days later, Rasoulof left Iran without official permission, after being sentenced to eight years in prison and flogging for national security crimes.As he said at the time: “I had to choose between prison and leaving Iran. With a heavy heart, I chose exile.”Rasoulof, 52, is already known for There is No Evil, which won the top prize at the Berlin Film Festival four years ago, and for A Man of Integrity, highly praised at Cannes in 2018 - but which resulted in a string of travel restrictions, prison sentences and film-making bans in Iran. In 2023 he was unable to take up an invitation to join the Cannes competition jury because he was under detention.The Seed of the Sacred Fig not only won the longest-standing ovation at this year's festival – 12 minutes! – but it won the Fipresci award from the jury of the International Federation of Film Critics, a special award given at international film festivals.  In addition to the quiz question, there was the bonus question: “What book made the greatest difference in your life, and how?”Do you have a bonus question idea? Send it to us!The winners are: RFI Listeners Club member Sahadot Hossain from Kishoreganj, Bangladesh. Sahadot is also the winner of this week's bonus question. Congratulations, Sahadot!Also on the list of lucky winners this week is Shivendu Paul, the president of the RFI Metali Listeners Club in Murshidibad, India; RFI Listeners Club member Sakawat Hossain from Sylhet, Bangladesh, and RFI English listeners Babo from the Friends Radio Club in Naogaon, as well as Suresh Agrawal from Odisha, India.Here's the music you heard on this week's program: The overture to the opera Russlan and Ludmila by Mikhail Glinka, performed by the Mariinsky Theatre Orchestra conducted by Valery Gergiev; “Watch What Happens” by Michel Legrand, played by Ted Greene; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Evening”: lyrics by Ann Malcolm, music by Debussy arranged by Tom Harrell, performed by Ann Malcolm and her ensemble.  Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Tiananmen Square at 35: top Chinese dissident looks back”, which will help you with the answer.You have until 1 July to enter this week's quiz. The winners will be announced on the 6 July podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here. 

Send us a Text Message.Joris Teepe is an acoustic and electric bassist from Amsterdam and has lived in New York since 1992. He has led his own groups for 30 years and recorded 22 CD's as a leader or co-leader and over 60 CD's as a sideman.Arriving in New York in 1992 with just his bass and a suitcase, he took lessons with bassist Ron Carter, quickly met many musicians and started to work a lot. A year later he recorded his first CD, with a band co-led by saxophonist Don Braden and featuring pianist Cyrus Chestnut, drummer Carl Allen and trumpeter Tom Harrell. From that point everything really took off for Joris and he became a bassist in great demand. He has been working with the “who-is-who in Jazz”, such as Benny Golson, Sonny Fortune, Rashied Ali, Billy Hart and Randy Brecker.Teepe has composed 95 original compositions, including pieces for Symphony Orchestra & Small Jazz Group and Symphony Orchestra, Big Band, and Choir. He leads his own big band in New York, playing exclusively his own music, and performs his own repertoire as a guest soloist with local big bands. The JORIS TEEPE REAL BOOK will be released in 2024.Joris Teepe WebsiteFeatured on this episode:"Is That You" - Split Five WaysCraft Brewed Music PodcastGET FEATUREDSupport the Show.Instagram / Twitter / Youtube / Website / BSA / View More Episodes

Today's episode of the Other Side of the Bell is brought to you by Bob Reeves Brass.  Check out all the information for what the shop is bringing to the International Trumpet Guild conference in Anaheim for 2024. This episode's special guest is Brian Swartz. Trumpeter Brian Swartz is a diverse musician with a wide range of influences. He has appeared on multiple Grammy® nominated and winning recordings with artists including The (Dixie) Chicks' Double Platinum "Taking the Long Way" which won 5 Grammy® Awards, including Album of the Year, Record of the Year, and Song of the Year in February 2007, John Beasley's Monk'estra which has garnered 6 Grammy® Nominations for it's 3 albums and 1 Grammy® Win for Beasley's arrangement of "Donna Lee," The Clayton/Hamilton Jazz Orchestra, Scott Healy's Tentet and Kim Richmond's Concert Jazz Orchestra. He has also performed or recorded with The Goo Goo Dolls, Michael Bublé, Kelly Clarkson, John Legend, Jennifer Nettles, Robin Thicke, Smashmouth, Patti Labelle, Natalie Cole, Dianne Reeves, Ivan Lins, Tom Harrell, Chucho Valdés, Brad Mehldau, Dave Douglas, Rickie Lee Jones, Big Bad Voodoo Daddy, The O'Jays, The Temptations, The Four Tops,  Saint Motel, Azar Lawrence, Buddy Montgomery, Joe Henry, Keb' Mo', Jackie Greene, Josie Cotton, Lisa Loeb, The Fabulous Thunderbirds, Gerry Gibbs, Connie Han, Taylor Eigsti, Raya Yarbrough, Bob Florence, The Luckman Jazz Orchestra, Francisco Aguabella, JazzAntiqua, The Los Angeles Jazz Collective, Jose Rizo's Jazz on the Latin Side All Stars and many more.  Since 2005, Swartz has proudly held the trumpet chair in Oingo Boingo Former Members.    Brian Swartz has released five jazz albums as a leader: "There's Only Me" (Noir Records 2000), "Live at the Jazz Bakery" (Summit Records 2005), "Three" (Summit Records 2006) and "Portraiture" (Summit Records 2014), "To Be With You" (DistroKid 2020). As an arranger, Brian has written for his own big band, Ruthie Foster's 2021 Grammy® Nominated "Live at the Paramount," Sussan Deyhim with the Pacific Symphony, the Ron Jones Influence Orchestra and has served as staff arranger for The Luckman Jazz Orchestra, John Beasley's Monk'estra, Oingo Boingo Former Members and the ABC TV show, "Duets." Brian's film credits include the 2012 Oscar® Winning Animated Feature "Rango," Jennifer Anniston's "The Break-Up," "The Cooler" starring William H. Macy and "Let Them All Talk" with Meryl Streep. In 2021, Brian appeared with John Beasley's Quintet on the Amazon Prime TV show 'Bosch," Season 7, Episode 1.   Born December 16, 1967, Brian is a second generation trumpeter. His father, CMSgt Lawrence Swartz (1937-1992), was a 30 year trumpeter in the United States AirForce. Brian's early exposure to music made a profound influence on him and he started playing trumpet at the age of ten in Bellevue, Nebraska. As a teenager, his family moved to the San Francisco Bay Area where he attended Armijo High School. He played all through his high school years and won many honors and accolades. He graduated from Armijo in 1986 and began his music education at Solano Community College. In 1988, he moved to Los Angeles to attend California State University at Northridge and the University of Southern California where he could further hone his craft. For five years, Brian studied with trumpet guru Bobby Shew. Bobby inspired Brian's passion for teaching and since 1997, Brian has maintained a very busy schedule of private students in the Los Angeles area and beyond. Brian also studied with John Coppola (SFO), Bill Bing (CSUN), John Thomas (USC) and LA studio legend Uan Rasey. Brian's dedication to mastering his craft and continually building upon his knowledge has brought him to prominence in the global jazz scene.

Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980's, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist's quartet on tour.In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.Moods in Freedom on SpotifySupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

This month we join in congratulating pianist Luis Perdomo for his recent GRAMMY award for El Arte del Bolero vol. 2 in the category of Best Latin Jazz Album. In this episode of LINER NOTES, Luis recounts the musical journey from his native Venezuela and then coming to New York initially to study before transitioning into one of the most in demand pianists on the scene, gracing the bandstand with musicians such as of Ravi Coltrane, Tom Harrell, and his long time musical partner Miguel Zenon.

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Welcome to Episode #112 of "The Other Side of the Bell", a podcast brought to you by Bob Reeves Brass. In this episode, John talks with Wayne Bergeron and Jeff Bunnell about their recently released album called "Homage" by the Los Angeles Trumpet Ensemble.  We hope you'll enjoy their conversation as well as the album. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! About the Los Angeles Trumpet Ensemble Album "Homage"  The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti's Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and Jeff Bunnell started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD to Jeff and they loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being. In choosing the music Jeff arranged for this CD, he wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.  Jerry Hey graciously wrote the arrangment for the last track, the iconic Al Jarreau tune "Roof Garden". Los Angeles Trumpet Ensemble Members Jeff Bunnell Wayne Bergeron Jon Lewis Dan Fornero Marissa Benedict Dan Rosenboom Rob Schaer Larry Hall Dan Savant About Wayne Bergeron Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide. Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills. Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson's band in 1986. Bergeron can be heard on Maynard's recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson.  Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I've had on my band.” As a sideman, Bergeron's list of recording credits reads like a “who's who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit. Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob's Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson's Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park. Bergeron's featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman's Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and  many others. Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson's, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham,  Jeopardy, America's Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor's New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold. Bergeron's greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles' most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones. After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living?  This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron's second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron's most current (and personal favorite) CD, Full Circle, was released in January of 2016.  Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic. Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron's website. Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that's the real payday.” Bergeron is currently on faculty at California State University Northridge. Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.” About Jeff Bunnell Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades. The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey. Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin's Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel's BBB. Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra. As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards. As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”. He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master's University. Jeff is also a Bach Artist & Clinician. In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music. His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz. Links Listen to this episode online: https://bobreeves.com/blog/la-trumpet-ensemble/ Watch the video of this episode on YouTube: https://youtu.be/H2-vc5QQLpk    

Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode.  This episode features Pat Malinger and was recorded February 26, 2020.Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O'clock Lab Band” Scholarship.He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few. Pat performs concerts and festivals nationally and internationally both as a bandleader and sideman. Pat has performed with Nancy Wilson, Stevie Wonder, Herbie Hancock, Cab Calloway, Thad Jones/Mel Lewis Reunion Band, Cedar Walton, Marcus Roberts, Joey DeFrancesco, Joe Lovano, Frank Foster, Branford Marsalis, Joshua Redman, Billy Harper, Jimmy Heath, Johnny Griffin, James Moody, Lee Konitz, Phil Woods, Paquito D'Rivera, Donald Harrison, Alvin Batiste, Slide Hampton, Curtis Fuller, Steve Turre, Wycliffe Gordon, Bill Watrous, Clark Terry, Randy Brecker, Tom Harrell, Doc Severinsen, Roy Hargrove, and Nicholas Payton.Learn more about Pat here: https://patmallinger.com/ https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife

Interview with guitarist Mike Baggetta on his new album with mssv mssv is releasing their second studio album Human Reaction in their typical style: with a 58-show tour in the U.S. and parts of Canada (dates below). The band, composed of guitarist Mike Baggetta, Stephen Hodges (Tom Waits, David Lynch) on drums and avant-punk icon mike watton bass, creates music that is a heretofore unimagined hybrid of a punk power-trio and a dreamy experimental rock band, though they prefer the term “post-genre.” Human Reaction is being released by BIG EGO Records as a digital download, 12” LP vinyl, and via streaming platformson September 1. Recorded mostly on May Day immediately following that last tour, Human Reaction traverses a deeply broad sonic landscape, as expected from this nearly unclassifiable group, though with even deeper twists and turns. With inventively churning drum textures from Hodges (an instantly identifiable sound honed in his days with Tom Waits and David Lynch) and the full-steam-ahead all-in attitude from watt, (as he's displayed throughout his storied career with MINUTEMEN, fIREHOSE, and Iggy & The Stooges), there is still the impression of “pressure, combustion,power, and hissing clouds of sonic poetry,” as Premier Guitar said. Also evident is the more fearless exploring that comes from a band that has spent a lot of time together crafting their vision, as well as making room for guests like J Mascis, Petra Haden and Nels Cline on some of their previous releases. Baggetta has had the pleasure of working all over the world with a wide range of visionary musicians across many generations, including David Torn, Jim Keltner, Nels Cline, Psychic Temple, Jeff Coffin, Henry Kaiser, Petra Haden, Rev. Fred Lane, Donny McCaslin, Darcy James Argue's Secret Society, Joseph C. Philips' Numinous, Imani Uzuri, Viktor Krauss, David Wax Museum, Julian Lage, Jon Irabagon, Jerome Harris, Tom Harrell, Eivind Opsvik, Jeremy Udden,and Ruth Brown among many others. mikebaggetta.com https://mainsteamstopvalve.com Tickets to OCT 7th mssv at Beachland Tavern Cleveland OH https://www.beachlandballroom.com/e/13205278/mssv-c-level/  

Welcome to the Bonus recording of Episode 11. More stories to tell by Jon Irabagon. The recording by the group, Mostly Other People Do the Killing, Blue, the note-for-note recreation of Miles Davis' classic album is “A work of conceptual jazz art,” writes Bandcamp. The listening public's response varied considerably but suffice it to say that Jon as well as his bandmates had to deal with substantial internet rage, including death threats. But not to let that totally color the experience, Jon says there were many positive emails about the recording and the process. The way Jon tells the story details a tale that will live on for ages. This bonus track also includes Jon Irabagon recounting the many years it took for him to transcribe most of the recorded solos of sax giants John Coltrane and Julian “Cannonball” Adderley. We talk about his recording Dr. Quixotic's Traveling Exotics, which we both consider as perhaps his best work largely because of with whom he records. The personnel on this album are phenomenal: Luis Perdomo, piano, Yasushi Nakamura, bass, Rudy Royston, drums, and Tom Harrell on trumpet. And, of course, Jon Irabagon is on alto sax. This is one helluva recording, we both agreed. I did not think our conversation would have been complete without touching base about Jon's good friend Sylvain Rifflet from Paris with whom Jon recorded two outstanding albums, Perpetual Motion and Rebellion(s). And if you wondered what is in Jon's future, he gives a full accounting of where he's moving forward. So, buckle up for this ride. Jon Irabagon, a tale of tales. Music: The Cost of Modern Living (Behind the Sky, Irabbagast Records, 2015) 6:02 Jon Irabagon-tenor saxophone, Luis Perdomo-piano, Yasushi Nakamura-bass, Rudy Royston-drums The Bo'ness Monster (Dr. Quixotic's Traveling Exotics, Irabbagast Records, 2018) 6:40 Jon Irabagon- tenor saxophone, Luis Perdomo-piano, Yasushi Nakamura-bass, Rudy Royston-drums, Tim Hagans-trumpet

This week we're so excited to welcome Jazz saxophonist and 3x Grammy-winning recording artist Bob Reynolds of Snarky Puppy! Bob is an amazing saxophonist and all-around inspiring musician who's had just an incredible career. He is also a prolific bandleader and solo artist with 11 albums under his belt, he played with John Mayer's band for five years and has also worked with Brian Blade, Aaron Goldberg, Gregory Hutchinson, and Tom Harrell. This was a very insightful and educational conversation for us and we hope you find some value here as well. Don't forget to subscribe to our channel, hit that notification bell, and leave your thoughts in the comments section below. #bottomofthebill #bottomofthebillpodcast #bobreynolds #bobreynoldsguitarband #snarkypuppy #musicpodcast

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A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Born in Santiago, Chile and raised in Concepcion, singer, composer and bandleader, Claudia Acuña, established herself on the Chilean jazz scene in her 20s. When she arrived in New York City in 1995, Claudia quickly gained recognition as a leading voice in a scene that was rapidly being transformed by brilliant Latin American jazz, plunging into collaborations with masters such as Jason Lindner, Harry Whitaker, Arturo O'Farrill, Guillermo Klein, Avishai Cohen, Branford Marsalis, George Benson, Louie Vega, Danilo Perez, and Tom Harrell.  Claudia released five albums as a leader before slowing down to adjust to motherhood and restore her power. Returning after a decade-long hiatus in 2019, Claudia returned with her sixth album, the highly praised Latin Grammy nominated album Turning Pages. Then 2020 rocked the world. As the life slowed to a crawl, Claudia took time to reflect on the past and to find the core of her dedication in the power of music. She returned to fulfilling a long time desire to record an album with songs from her homeland. Titled DUO, the release features nine songs recorded as intimate duets with some of the finest musicians in the world - Fred Hersch, Christian Mcbride, Regina Carter, Russell Malone, Carolina Calvache, Arturo O'Farrell, and Kenny Barron. Claudia says that the simplicity of just two artists feeling the music and letting it flow through them, brought her to a new place as a singer. She told us, “I think all my albums are dreams and this was really one I didn't know I was ever going to do…It was the perfect time…to give me the honor not only to do this duet, but allow me…to take them [her friends and musical collaborators] with me to, what I call humbly and respectfully, the Latin American standards.”

13e émission de la 54e session...Cette semaine, hard bop, post-bop et freebop! En musique: Elvin Jones sur l'album Revival: Live at Pookie's Pub  (Blue Note, 2022, enr. 1967); Bill Saxton sur l'album Beneath the Surface  (Nilva, 1984); Tom Harrell sur l'album Oak Tree (HighNote, 2022); Dezron Douglas sur l'album Atalaya  (International Anthem, 2022); Avram Fefer Quartet sur l'album Juba Lee  (Clean Feed, 2022)...

In this episode, we take a look at jazz standards that have been recorded by the hyper lyrical trumpeter / composer, Tom Harrell.

Mike's singular and very personal musical style seeks to blur the lines between song and solo, while connecting a wide range of musical genres that influence him. The press says this approach is “…beguilingly atmospheric…” (Time Out New York) and that “Baggetta's music is quietly transgressive… Even when he plays a lot of notes, his playing can sound almost static, as though ideas were being snagged out of thin air.” (Hartford Courant)   Baggetta's most recent release is the album Everywhen We Go, his second album with drummer Jim Keltner and bassist Mike Watt on the BIG EGO label. He also leads the band mssv, is a post-genre power trio featuring the iconoclastic rhythm team of drummer Stephen Hodges and bassist Mike Watt. They have just released their self-titled debut studio album, Main Steam Stop Valve, on BIG EGO Records, following up 2020's Live Flowers album on Striped Light Records, recorded live in Philadelphia, PA and Northampton, MA (with special guest J Mascis), as well as 3 limited edition 7” releases recorded solely over quarantine, featuring guest artists Petra Haden and Nels Cline. After completing their first full US tour in spring 2022 mssv recorded their second full length album for release next year. This band grew out of Baggetta's first album for BIG EGO, Wall of Flowers, which featured a reimagining of his music alongside bassist Mike Watt and drummer Jim Keltner.  Baggetta has had the pleasure to work all over the world with a wide range of visionary musicians across many generations including David Torn, Jim Keltner, Mike Watt, Nels Cline, Psychic Temple, Jeff Coffin, Henry Kaiser, Petra Haden, Rev. Fred Lane, Donny McCaslin, Darcy James Argue's Secret Society, Joseph C. Philips' Numinous, Imani Uzuri, Viktor Krauss, David Wax Museum, Julian Lage, Jon Irabagon, Jerome Harris, Tom Harrell, Eivind Opsvik, Jeremy Udden, and Ruth Brown among many others. Everywhen We Go - the new album from Mike Baggetta / Jim Keltner / Mike Watt - is available for pre-order HEREOfficially out Nov. 18 on BIG EGO Records, you can reserve your copy of the limited edition 1st vinyl pressing of 500, featuring a hand-stamped foil number, and get an immediate download of the title track/single now, and the rest of the album on release day. Mike Baggetta's Info  https://mikebaggetta.com  

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En JazzX5 suena el tema "Zatoichi" incluido en Tom Harrell Oak Tree (High Note Records, 2022). JazzX5 es un podcast de Pachi Tapiz.

It's hard to believe but August is already over, and just like the months keep getting by at the speed of light so do new CDs and LPs… And this is why we are here with another edition of Mondo Jazz for which we have cherry-picked some of the best new albums and singles out there. The playlist features Stéphane Kerecki; Tom Harrell; Clemens Kuratle; Ernesto Jodos; John Escreet; Kristin Berardi [pictured]; Run Logan Run, Annie Gardiner; Mysteries of the Revolution; Yussef Dayes Experience. Detailed playlist at https://spinitron.com/RFB/pl/16366777/Mondo-Jazz (from "The Booster" onward). Happy listening!

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durée : 00:55:12 - Tom Harrell - par : Alex Dutilh - Au cours de cinq décennies, Tom Harrell a sorti plus de 30 albums en tant que leader. Chacun d'entre eux est rempli d'originaux du trompettiste, à la fois fragiles et mémorables, tout comme le présent album, “Oak Tree” qui paraît chez HighNote.

durée : 00:55:12 - Tom Harrell - par : Alex Dutilh - Au cours de cinq décennies, Tom Harrell a sorti plus de 30 albums en tant que leader. Chacun d'entre eux est rempli d'originaux du trompettiste, à la fois fragiles et mémorables, tout comme le présent album, “Oak Tree” qui paraît chez HighNote.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 21st July 2022 Artist - Track - Album - Year Tobin Mueller    Watermelon Man    Prestidigitation    2022 Bill Ortiz    Onokole y Trompo    Points of View    2022 Beverley Church Hogan    Don' Cha Go 'Way Mad    Sweet Invitation    2022 Tierney Sutton    Doralice    Paris Sessions 2    2022 Andrea Brachfeld & Insight    The Hut Song    Evolution    2022 Andrea Brachfeld & Insight    Child of the Earth    Evolution    2022 Somi    Unhome    Zenzile: The Reimagination of Miriam Makeba    2022 Idit Shner & Mhondoro    Fingerprints    Heat Wave    2022 Somi    Hapo Zamani    Zenzile: The Reimagination of Miriam Makeba    2022 David Virelles    Pórtico    Nuna    2022 Adam Shulman    Spare Change    Just the Contrafacts    2022 Dmitri Matheny    Evergreen Girl    Cascadia    2022 Tom Harrell    Fivin'    Oak Tree    2022 Charles Ruggiero    It's New Again    Drummer, Composer    2022 Caleb Wheeler Curtis    Trembling    Heat Map    2022 T.S. Monk Live    Sierre (feat. Dave Stryker)    Two Continents, One Groove    2022 Pasquale Grasso    Cheryl    Be-Bop!    2022 Dana Fitzsimons with Bill Graham and Brandon Boone    Slant Anagrams    Fault Lines    2022 Wadada Leo Smith & Pheroan akLaff    Second Meditation of the Heart    Litanies, Prayers, and Meditations    2022 The post The Creative Source (#CreativeSource) – 21st July 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

In this episode, we discuss recordings of “Paul Wranitzky: Symphonies” by The Akademie für Alte Musik Berlin / Bernhard Forck, “Einojuhani Rautavaara: Lost Landscapes” by Simone Lamsma & The Malmö Symphony Orchestra / Robert Trevino, “Mozart & Birchall: Clarinet Concertos” by Michael Collins, The Philharmonia Orchestra, Wigmore Soloists & Robin O'Neill, “Trios: Chapel” by Charles Lloyd, “My Father's Hands” by Cyrus Chestnut, and “Oak Tree” by Tom Harrell.   The Adult Music Podcast is featured in: Feedspot's Best 60 Jazz Podcasts   Episode 73 Deezer Playlist   “Paul Wranitzky: Symphonies” (Deutsche Harmonia Mundi) Akademie für Alte Musik Berlin / Bernhard Forck https://open.spotify.com/artist/1R1hwKrqqLqYiD53NtXEBJ/discography/album?pageUri=spotify:album:5rBtcOg7G3zwG7EKIUQC75 https://music.apple.com/us/album/paul-wranitzky-symphonies/1612818411   “Einojuhani Rautavaara: Lost Landscapes” (Ondine) Works For Violin and Orchestra Simone Lamsma (violin), Malmö Symphony Orchestra, Robert Trevino https://open.spotify.com/artist/33lOYsbRwHN4yiX8F8Bqbo/discography/all?pageUri=spotify:album:2DKRz5CmzeXpLre1RwgzMQ https://music.apple.com/us/album/rautavaara-works-for-violin-orchestra/1613577994   “Mozart & Birchall: Clarinet Concertos” (BIS) Michael Collins (basset clarinet) Philharmonia Orchestra, Wigmore Soloists, Robin O'Neill https://open.spotify.com/album/7qgrY2g4o5gam7i9lZHQSd https://music.apple.com/us/album/mozart-birchall-clarinet-concertos/1613577181   “Trios: Chapel” (Blue Note) Charles Lloyd https://open.spotify.com/artist/0GC1oqEWpiAjfE7jm5LQO5/discography/all?pageUri=spotify:album:32MrVAtvTckqDaxfomNQ5T https://music.apple.com/us/album/trios-chapel-live-feat-bill-frisell-thomas-morgan/1623224880   “My Father's Hands” (Highnote) Cyrus Chestnut https://open.spotify.com/artist/319U6LVt3j3iT9oAEzrpRO/discography/all?pageUri=spotify:album:7kiKrduG08XVXYeVIB7n5g https://music.apple.com/us/album/my-fathers-hands/1626147227   “Oak Tree” (Highnote) Tom Harrell https://open.spotify.com/artist/3YO63Be7QxrxqBQtgKc4Oc/discography/all?pageUri=spotify:album:5Cu82tv24KrXK43kyjH2dr https://music.apple.com/us/album/oak-tree/1625809415

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 14th July 2022 Artist - Track - Album - Year Bill Ortiz    Alex the Great    Points of View    2022 T.S. Monk    Brother Thelonious    Live: Two Continents One Groove    2022 Katherine Windfeld Big Band    Ferry    Orca    2020 Ben Morris    Edvard    Pocket Guides    2022 John Wasson's Strata Big Band    Funk City    Chronicles    2022 Brian Charette    High Ball    Jackpot    2022 Ronnie Foster    Reboot    Reboot    2022 Clifford Lamb    Black Meets Beige    Blues & Hues NY    2022 Tom Harrell    Sun Up    Oak Tree    2022 Dmitri Matheny    Humble Origins    Cascadia    2022 Steve Cardenas/Ben Allison/Ted Nash    Olhos de Gato    Healing Power: The Music of Carla Bley    2022 Todd Marcus Jazz Orchestra    Horus (Intro)    In the Valley    2022 Todd Marcus Jazz Orchestra    Horus    In the Valley    2022 Churcho Valdés & Paquito D'Rivera Reunion Sextet    Mozard a la Cubana    I Missed You Too!    2022 Álvaro Torres    The Good Life    Heart is the Most Important Ingredient    2022 Martin Bejerano    Lonely Planet    #cubanamerican    2021 Katalyst, Adrian Younge & Ali Shaheed Muhammad    Reflectons    Jazz is Dead 13    2022 The post The Creative Source (#CreativeSource) – 14th July 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Grammy nominated saxophonist Tim Armacost has established himself as one of the most distinct saxophone voices on the New York scene today.  Touring regularly around the world both as a sideman and a leader, Armacost has worked with a phenomenal number of jazz greats, including Al Foster, Jimmy Cobb, Kenny Barron, Tom Harrell, Billy Hart, […]

#Radyodacaz "En özel caz trompetçilerinden" Tom Harrell, "Number Five" albümünden seçkiyle #CazınBüyüsü'nde. Dr. Hakan Rauf Tüfekçi'nin seçkisiyle...

My guest today is Ben Rubin a producer, mixer, bassist, and composer in Brooklyn NY. Whether he's melding hip-hop and jazz with legends like Masta Ace and Donny McCaslin, playing upright bass at the Newport Jazz Festival with Dred Scott Trio, remixing Karsh Kale or WuTang's Killah Priest, rockin' on electric bass with Marshall Crenshaw, or producing Peter Bernstein solo jazz guitar, Grammy-nominated producer/(re)mixer/bassist/composer Ben Rubin (aka Benny Cha Cha) is renowned for making records that are pure or genre-bending or both. Picked seven times as a “Rising Star Producer” in DownBeat Magazine's International Critics' Poll, Rubin has well over 100 album credits to his name. Lately, he has been working with a diversity of artists including Queen Esther, Erik Deutsch & Theo Bleckmann, Steve Conte (New York Dolls), Stripmall Ballads, Rachel Eckroth (St Vincent), Lower Power, Caleb Wheeler Curtis, Drifter feat. Lucy Woodward, Buzzed Armstrong, and Jon Irabagon, as well as labels like Ropeadope, Sunnyside and Imani. Most recently, Rubin's attention has focused on Analog Players Society at the Bridge Studio in Brooklyn with APS founder Amon Drum creating cut-up hip-hop instrumental records and jazz albums released on Ropeadope and described by Downbeat Magazine as “truly compelling.” featuring legendary Juice Crew MC Masta Ace described as “in the direct lineage of classics like A Tribe Called Quest's Low-End Theory, and Guru's Jazzmatazz.” Bens production and mixing credits include Walking Distance feat. Jason Moran, Grammy nominated composer/pianist Emilio Solla, and many recordings for Smalls Live Records releasing more than 30 records with jazz greats including Larry Goldings, Louis Hayes, Tom Harrell, Johnny O'Neal, Chris Potter, Tim Ries, Roy Hargrove, Mulgrew Miller, Seamus Blake, and Cyrille Aimeé to name just a few. As a bassist, Ben has toured and recorded both upright and electric bass with a diversity of artists, including Dred Scott Trio, Patti Smith, James Maddock, Courtney Love, Mary J. Blige, Moby, Bill Frisell, and his own acclaimed, genre-bending band Mudville which I believe my brother Nate played in at one point. Ben has also composed scores for features and short films, including director Nelson Kim's feature film debut, Someone Else, which premiered at the Miami International Film Festival in 2015. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/2aB7hmdR5SWAEgLBsSPPaf?si=03284414c7fd418e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/342

In this episode, we discuss:How he landed the drum chair at Moulin Rouge.What he does to avoid drumming injuries. Advice he would give to people interested in playing drums for Broadway musicals.Playing Giant Steps on the oboe.His experience recording the cast recording for the revival of Pippin.What are the things a drummer should never do in a Broadway pit.Grammy-Award winning drummer, composer & bandleader Jared Schonig has toured and/or recorded internationally with Nicholas Payton, Dr. Lonnie Smith, Donny McCaslin, Darcy James Argue & Secret Society, The 8-Bit Big Band, Miho Hazama & m_Unit, Laurence Hobgood, Tim Hagans, Fred Hersch, Wycliffe Gordon, Tom Harrell, Joe Locke, and Ernie Watts among others. A favorite among vocalists, Schonig has toured with Grammy Award-winners Kurt Elling, The New York Voices, Kristen Chenoweth, Cynthia Erivo, and singer/songwriter Donna Lewis, in addition to rising vocal supergroup Duchess, Spencer Day, Laila Biali and Shayna Steele. He has performed around the world from Carnegie Hall to festivals in Zimbabwe. Schonig co-led The Wee Trio, which released five critically-acclaimed albums over the past 8 years. The group received praise from numerous publications and toured internationally. He recently recorded two solo albums of original music (one quintet and one big band) in the fall of 2021 to critical acclaim.  When at home in New York City, Schonig is a fixture in both the jazz and Broadway scene- he recently held the drum chair for the critically acclaimed Tony, Grammy and Emmy-award winning Broadway Revival of The Color Purple and is currently playing drums and percussion for the 10-time Tony-winning Moulin Rouge! The Musical. He also is an in-demand drummer/percussionist for studio recordings, jingle sessions and other commercial music recordings. Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Featuring fresh jams from drummer/composer extraordinaire Allison Miller, more music from Alwyn Robinson's “Bluebonnet”, a brand new ECM release from pianist Ethan Iverson (w/trumpet legend Tom Harrell), the short-lived Brooklyn group EMMA (Allison miller, Erin McKeown, Todd Sickafoose, and Erik Deutsch), trumpeter/vocalist and jam-band staple Jennifer Hartswick, superpower-diva Alice Smith, Keith Jarrett, Gerry Mulligan and Chet Baker, Tower of Power, and the Bayou Maharajah himself… Mr. James Booker.