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2 episodes with uk music industry
2 episodes with uk music industry
2 episodes with uk music industry
2 episodes with uk music industry
We talk to Matthew James Pateman - Singer Songwriter and vocalist for Let Loose, The Fizz and previously Bad Boys Inc. It's been a rollercoaster career riding the ups and downs of the UK Music Industry for Matthew James Pateman. From the 1990s heyday of the Boyband and fronting Bad Boys Inc, through Eurovision songs to once again fronting another 90s pop act Let Loose and even continuing the legacy of iconic Eurovision winners Bucks Fizz in his latest role as part of the The Fizz. Matthew shares his experiences on Top of the Pops, fan hysteria and being careful what you wish for. Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop
Recorded Live At SXSW 2024 At The British Music Embassy. Frank Turner kickstarted his musical journey as the frontman of post-hardcore outfit Million Dead, later transitioning to a predominantly acoustic solo career after the band's disbandment in 2005. Throughout his solo career, Frank has launched nine studio albums, with his latest release, "FTHC," hitting the number 1 spot on the UK albums chart in 2022, just a week after its debut. In the second instalment of a four-part special recorded at SXSW, we explore themes of pursuing one's dreams despite contrary opinions, resisting conformity, and confronting the challenges of addiction. We discuss: -Being sent to boarding school at 8 years old -Securing a scholarship to Eton -Picking up the guitar at 11 and forming a band -Drawing inspiration from Joe Strummer and immersing in the Punk scene -Engaging in band performances and touring -Embarking on the first tour at the young age of 16 -Going to Cambridge University or never returning home again -Navigating a journey marked by struggles with addiction -Transitioning into the realm of Acoustic/Folk music -Not being confined to one specific box Chapters: (00:00:00) The Start of a Folk Album Journey (00:01:41) Reinventing and Sustaining Success (00:03:29) Childhood in Hampshire (00:05:14) Sent Away to Boarding School (00:06:47) Privatized Education and Elite Schools (00:08:20) Boarding School Experience and Punk Influence (00:10:02) Discovering the Punk Scene (00:11:30) The Class Stratification in the UK Music Industry (00:12:59) Following My Own Path (00:14:36) Discovering Iron Maiden (00:16:08) Discovered Punk Music (00:17:40) Hardcore Bands and Underground Shows (00:19:11) Punk and the Straight Edge Movement (00:20:38) Pursuing a Career in the Music Industry (00:22:09) Estranged relationship with father (00:23:53) Beginnings with Drugs (00:25:26) The North London Music Scene (00:26:55) Struggling with a Work-Life Balance (00:28:19) The Nihilistic Period (00:29:51) My Musical Journey (00:31:30) Transition to Folk Music (00:33:06) Following an Artistic Imperative (00:34:35) Encouraging Artistic Experimentation (00:36:10) Ambition and Success in the Music Industry (00:37:35) Frustrating Times and Handling Success (00:39:00) Doing Things My Way (00:40:27) A Poem: Finding Inspiration and Filling Empty Rooms Watch on YouTube Follow us @HOWIBECAME__ We're on Instagram, TikTok, X and Facebook Unity & Motion - A London based production company specialising in commercials and branded content Email: info@weunify.co.uk This is a UNIFY Podcast. Produced by Unity & Motion Credits: Director: Charles Parkinson Poet & VO Artist: Ashley Samuels-McKenzie Editor: Catherine Singh
Episode 102: we're joined by Sarah Woods, the Deputy Chief Executive of UK charity Help Musicians, a UK charity that offers career help for musicians in the form of a number of services, including financial support. She talks to Music Ally's Editor Joe Sparrow about what she calls “reverse globalisation” of the music industry: a situation where UK artists become confined to touring in the UK due to it becoming increasingly hard to tour abroad.Post-Brexit, touring the rest of Europe is now a complex affair, involving visas and carnets, and accompanying rising costs. As a result, some musicians have been looking to America - and are finding complications there too, with the US planning to raise touring visa fees for foreign acts by more than 250%. We spoke to Sarah about this “reverse globalisation” and she shared some data that shows where applicants to Help Musicians' services most need help around touring, and what the impacts will mean for artists as they seek to expand their audience at home and abroad. Help Musicians: helpmusicians.org.uk Visa advice for touring artists: helpmusicians.org.uk/get-support/develop-as-a-musician/advice/visa-advice-service The Cure – “Disintegration” Jacqueline du Pre & Daniel Barenboim - Elgar Cello Concerto Plus: Peeling and eating bananas quickly ------
Eric has spent 10+ years in the UK Music Industry working with some of the biggest stars including Ed Sheeran, Fireboy, Chip, Lady Leshurr, Davido, Popcaan, Giggs and the list goes on. Eric has travelled the world working with artists on the global scene. Dee Ludlow asks him questions on the UK/US music industry and what it is like to not only work with them but also putting together some of the most iconic music videos ever to come out of the uk music scene. Some iconic videos that Eric has worked on are Fireboy FML & Ed Sheeran - Peru, Popcaan - Levels, Russ Millions x Tion Wayne - Keisha & Becky. And if you want to work ONE to ONE with me and transform your life financially & mentally: www.deeludlow.com ABOUT OUR CHANNELOur channel is about optimising cash flow & performance. We make the journey as stress free and smooth as possible but I cutting out all of the gimmicks that the personal finance/ mindset industry preach which do not work.Don't forget to subscribe!FIND US ATwww.jointhe5amclub.co.uk www.deeludlow.com FOLLOW US ON SOCIALGet updates or reach out to Get updates on our Social Media Profiles!Instagram: dee_ludlowTikTok : dee_ludlow
*Don't miss part 2 Eric has spent 10+ years in the UK Music Industry working with some of the biggest stars including Ed Sheeran, Fireboy, Chip, Lady Leshurr, Davido, Popcaan, Giggs and the list goes on. Eric has travelled the world working with artists on the global scene. Dee Ludlow asks him questions on the UK/US music industry and what it is like to not only work with them but also putting together some of the most iconic music videos ever to come out of the uk music scene. Some iconic videos that Eric has worked on are Fireboy FML & Ed Sheeran - Peru, Popcaan - Levels, Russ Millions x Tion Wayne - Keisha & Becky. And if you want to work ONE to ONE with me and transform your life financially & mentally: www.deeludlow.com ABOUT OUR CHANNELOur channel is about optimising cash flow & performance. We make the journey as stress free and smooth as possible but I cutting out all of the gimmicks that the personal finance/ mindset industry preach which do not work.Don't forget to subscribe!FIND US ATwww.jointhe5amclub.co.uk www.deeludlow.com FOLLOW US ON SOCIALGet updates or reach out to Get updates on our Social Media Profiles!Instagram: dee_ludlowTikTok : dee_ludlow
We hear it time and again, the most impactful contribution music can make to the broader climate crisis is to shout about it. Jess Kangalee is a leader in this area having founded her own PR company - her clients include Mykki Blanco to Rochelle Jordan, a space she specifically created to champion multi-genre queer artists and artists of colour - where she works with musicians to tell their stories and amplify their activism. Set up following the murder of George Floyd in 2020, Jess is also an active member of the Black Music Coalition – an organisation dedicated to eradicating racial inequality and establishing equality and equity for Black executives, artists and their communities within the UK Music Industry. Jess discusses the parallels between activist movements - from climate to race - and how they can support each other, and raise each other's voices to build lasting change. Co-hosts Fay Milton and Greg Cochrane will also leave you with some weekly recommendations. — Sounds Like A Plan series 2 is supported by Festival Republic. They put on festivals including the legendary Isle of Wight festival, that will take place 16-19 June, 2022, near Newport, Isle of Wight. Weekend and day tickets are on sale now: https://isleofwightfestival.com/info/tickets — Links to things discussed in the podcast: Good Energy PR https://www.goodenergypr.com/ Black Music Coalition https://www.blackmusiccoalition.co.uk/ Cultural Intelligence training https://culturalq.com/ — This episode's recommendations: Fay recommends: NO MUSIC ON A DEAD PLANET https://musicdeclares.net/ Greg recommends: Podcast: Life Sentence https://www.magscreative.co.uk/2021/11/18/launching-life-sentence-our-newest-mags-creative-original/ — This episode was partly recorded at Pirate studios. Pirate have modern and affordable recorded locations around the UK available to book 24/7. https://pirate.com/en/ — More from us on social media: Instagram – @soundslikeaplanpodcast Fay Milton Twitter – @faymilton Instagram – @faymilton Greg Cochrane Twitter – @Gregcochrane --- Send in a voice message: https://anchor.fm/new-allotment/message
We hear it time and again, the most impactful contribution music can make to the broader climate crisis is to shout about it. Jess Kangalee is a leader in this area having founded her own PR company - her clients include Mykki Blanco to Rochelle Jordan, a space she specifically created to champion multi-genre queer artists and artists of colour - where she works with musicians to tell their stories and amplify their activism. Set up following the murder of George Floyd in 2020, Jess is also an active member of the Black Music Coalition – an organisation dedicated to eradicating racial inequality and establishing equality and equity for Black executives, artists and their communities within the UK Music Industry. Jess discusses the parallels between activist movements - from climate to race - and how they can support each other, and raise each other's voices to build lasting change. Co-hosts Fay Milton and Greg Cochrane will also leave you with some weekly recommendations. — Sounds Like A Plan series 2 is supported by Festival Republic. They put on festivals including the legendary Isle of Wight festival, that will take place 16-19 June, 2022, near Newport, Isle of Wight. Weekend and day tickets are on sale now: https://isleofwightfestival.com/info/tickets — Links to things discussed in the podcast: Good Energy PR https://www.goodenergypr.com/ Black Music Coalition https://www.blackmusiccoalition.co.uk/ Cultural Intelligence training https://culturalq.com/ — This episode's recommendations: Fay recommends: NO MUSIC ON A DEAD PLANET https://musicdeclares.net/ Greg recommends: Podcast: Life Sentence https://www.magscreative.co.uk/2021/11/18/launching-life-sentence-our-newest-mags-creative-original/ — This episode was partly recorded at Pirate studios. Pirate have modern and affordable recorded locations around the UK available to book 24/7. https://pirate.com/en/ — More from us on social media: Instagram – @soundslikeaplanpodcast Fay Milton Twitter – @faymilton Instagram – @faymilton Greg Cochrane Twitter – @Gregcochrane --- Send in a voice message: https://anchor.fm/new-allotment/message
CMU's Andy Malt and Chris Cooke review key events in music and the music business from the last week, including UK Music stats revealing that the COVID-19 pandemic wiped out 69,000 music industry jobs in the UK and caused the economic contribution made by the music industry to slump by 46%, plus IFPI music stats showing that free services dominate how people consume music around the world. SECTION TIMES 01: UK Music stats (00:06:37) 02: IFPI stats (00:19:44) (Timings may be slightly different due to adverts) STORIES DISCUSSED THIS WEEK • COVID-19 cost the UK music industry 69,000 jobs and caused a 46% slump in economic impact • Free, social and video platforms online account for 45% of music consumption, according to IFPI ALSO MENTIONED • UK competition regulator announces market study into music streaming • Artists and songwriter groups welcome Competition & Market Authority's streaming market study • Streaming services push for pre-2018 song royalty rate in US Copyright Royalty Board proceedings MORE FROM CMU • Buy MMF and CMU Insights' Dissecting The Digital Dollar book on Amazon • Sign up to receive the CMU Daily news bulletin
Elizabeth Doonan is Head of Music & Short Form at SMUGGLER globally, a division she established in June of 2019. In a short amount of time, Doonan has reclaimed the company's seat in the music business, creating one of the most awarded and lauded music videos departments in the industry. As head of Music & Short Form, she is focused on discovering and developing new talent while also Executive Producing for the established directors on the roster. Recent notable signings and projects include Fenn O'Meally, winner of Ad Age Creativity's 2021 Director To Watch Award, most known for “Tall Are the Roots” for Byredo and “Us in Major” for JNR Williams and ‘Bussdown' for Jorja Smith, among others. Doonan also Executive Produced StyleWar's “Keep Moving” for Bronson winning UKMVA 2020 Best Lockdown Video. Prior to joining SMUGGLER, Doonan worked as a commissioner at Sony becoming one of the UK Music Industry's top commissioners in the process. Doonan is known for creative excellence in all that she does, always striving to push the envelope no matter the genre. Her track record in identifying, mentoring and working with new talent speaks for itself as she's amassed an enviable body of work both as a commissioner and executive producer. Doonan began her career working at some of London's top production companies including RSA and Somesuch before assisting Jonathan Glazer on his film UNDER THE SKIN. IG: @elizabethdoonan Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright
Brexit has certainly been a very controversial topic ever since it first began, but did you ever think for a second, that it would have a major impact on the future of the music industry? Very soon musicians will no longer be able to freely travel across the EU to play shows to their fans, instead if they wish to play anywhere within the EU, they will have to have travel visas, which will be very costly for sure. This is going to make life very difficult for independent musicians like Tom Lumley, who has just recently released his first EP with his band. The music industry has already suffered so much over the last year with the Covid19 pandemic, and with restrictions beginning to be eased, many artists no doubt are very much looking forward to getting back out on the road and performing to their fans. But, with this border that is being put in place between the UK and the EU, we must wonder, what does the future hold for the future of the music industry? Take a listen to find out. By Jack Willard
Multi-platinum selling, Artist Manager Atlanta Cobb has grown up in the forefront of the UK Music Industry and is now making waves of her own. By the age of 18, out of 5,000 applicants, she had successfully achieved a place in the Sony Music Intern Program. Atlanta took this internship by the horns, securing international success with major recording artists at Columbia and Island Records. Atlanta’s also recently managed #1 selling artist, Becky Hill and now day to day manages Ella Henderson who’s also currently on the top charts with her latest single "Let’s Go Home Together."
Welcome back to Don’t Alert the Stans! For this week’s episode, the boys are joined by Yaw Owusu who is the Senior Manager at The PRS Foundation’s Power Up. The new initiative tackling Anti-Black racism and racial disparities within the UK Music Industry. A #RespectingLegends topic kicks off the news agenda this week. Anita Baker is telling her fans across the globe to stop streaming her music as she’s currently locked in a legal battle with her former record label about obtaining her masters (00:08:00). R&B veteran Keyshia Cole has announced that she’ll be retiring after the release of her forthcoming 8th studio album. Leading to a discussion where Sope and Nic speak on why her catalogue and previous successes are deserving of better retrospective dialogue (00:26:05). A review of the 2021 GRAMMYs closes out the news agenda. The boys offer unfiltered and unorganised thoughts on the various winners, losers and performances as their investment into the show as a whole continues to wane. (00:40:54). Rounding up this week’s episode is an in-depth interview with Yaw Owusu where they discuss the roots and origins of Power Up’s existence, its dedication to progressing conversations offline about racist practices in the music industry into tangible change, their partnership with the Black Music Coalition and targeting black creators/professionals who fall out of typical moulds (01:09:03). Not one to miss! Sope’s Listens for the Week: N/A Nic’s Listens for the Week: N/A Eden’s Listens for the Week: N/A Remember to RATE, REVIEW AND SUBSCRIBE! Enjoy! ------------------------------------------------------------------------------------------------- Intro Music by: @Jmzofficial Artwork designed by: @_manlikemike Episode audio edited by: @TonySupremeuk ---------------------------------------------------------------------------------------------- Get involved! Don't forget to tweet us your thoughts on the episode at #DATSPOD! Rate and review us on Soundcloud, Apple Music, Spotify and Anchor Follow us on: Twitter - @datspod Instagram - @datspod Anchor – @datspodcast Hashtag - #DATSPOD --- Send in a voice message: https://anchor.fm/datspodcast/message
Moments That Rock brings you archive interviews with music industry icons together with great stories from behind the scenes industry insiders.This show is part of Pantheon Podcasts.
Moments That Rock brings you archive interviews with music industry icons together with great stories from behind the scenes industry insiders. This show is part of Pantheon Podcasts.
Moments That Rock brings you archive interviews with music industry icons together with great stories from behind the scenes industry insiders
Moments That Rock brings you archive interviews with music industry icons together with great stories from behind the scenes industry insiders Learn more about your ad choices. Visit megaphone.fm/adchoices
Guardian music writer Laura Snapes, singer-songwriter Arlo Parks and musician Nitin Sawhney discuss the impact that Covid, Brexit and the ‘streaming economy’ are having on the sector. Help support our independent journalism at theguardian.com/infocus
In this episode, Diego @diego_njsf speaks to Guerrero @guerreromusic , a British-Colombian Musician based in the UK. Guerrero tells us about the start of his career, his experience in releasing a song that charted number 1 in Colombia at the very early stages of his career, performing on events alongside notable artists like J Balvin, Daddy Yankee and many more. He talks to us about the challenges of the music industry and how he has managed to continue to produce songs throughout his career despite facing challenges. We also talk about the UK Music Industry, the prospects of future Latin American musicians in the UK and what can be done to support the new talent. Follow us on social media Instagram: BritishLatinoNetwork Website: www.britishlatinonetwork.co.uk Platform: platform.britishlatinonetwork.co.uk
Alison and Stuart discuss Diversity, in the music, in the industry, in the past, in the future, in the world. For some it is a painful reality change, for others it is the obvious way forward.Alison Wenham has worked in the music industry for over 40 years and is one of the most experienced and well-known international practitioners in the business.Founding AIM, Association of Independent Music in 1999, she has been Chairman and CEO since inception. Alison developed AIM’s strength and visibility in representing the British music industry SMEs at a political level, working closely with government departments to shape and advise on legislation relevant to the industry.Prior to founding AIM, Alison was MD at BMG Conifer International (UK), having sold Conifer Records (which under her direction had grown to be the UK’s largest independent record and distribution company in the specialist music field) to BMG in 1994.In 2006 Alison was elected as founding Chairman of WIN, the Worldwide Independent Network comprising over 25 independent trade associations representing thousands of independent music companies globally. She is a founding Board Member of IMPALA, the European organisation representing the interests of small record companies and publishers in Europe, a fellow of the Royal Society for the Arts, was a founding Board Director of Merlin, the independent global rights licensing agency, and also UKMusic, the body representing the UK Music Industry; she attends PPL and VPL Board meetings and sits on a variety of government and industry committees.In 2006, Alison was inducted into the MMF Roll of Honour , and in March 2009 she was presented with a Special Achievement award by Music Week, for 10 years of AIM. She has featured in Billboard’s Top Women in Music every year since publication.In 2010, Alison was honoured with an OBE. In 2011 she was awarded the prestigious Order of Arts and Letters by the French Government for services to culture Stuart Dredge is a journalist with 20 years' experience covering technology, games, the music industry and children's media. He writes the Music Ally's daily news bulletin and contributes to the company's fortnightly report as well as joining in on the Music Ally TV Show on Youtube. Plus, Stuart writes weekly for The Week Junior, a bi-monthly mobile games column for the Guardian; and features for the Observer and Medium. Twice a year, he does blogging and socials for Reed Midem at its MIPTV and MIPCOM television-industry conferences. Stuart also has a new site focused on children's tech called ContempoPlay. Past freelance clients include the Sunday Times, CNET, Medium's CuePoint, Stylus and T3. The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.Links:AIM Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)
Alison and Stuart discuss Diversity, in the music, in the industry, in the past, in the future, in the world. For some it is a painful reality change, for others it is the obvious way forward.Alison Wenham has worked in the music industry for over 40 years and is one of the most experienced and well-known international practitioners in the business.Founding AIM, Association of Independent Music in 1999, she has been Chairman and CEO since inception. Alison developed AIM’s strength and visibility in representing the British music industry SMEs at a political level, working closely with government departments to shape and advise on legislation relevant to the industry.Prior to founding AIM, Alison was MD at BMG Conifer International (UK), having sold Conifer Records (which under her direction had grown to be the UK’s largest independent record and distribution company in the specialist music field) to BMG in 1994.In 2006 Alison was elected as founding Chairman of WIN, the Worldwide Independent Network comprising over 25 independent trade associations representing thousands of independent music companies globally. She is a founding Board Member of IMPALA, the European organisation representing the interests of small record companies and publishers in Europe, a fellow of the Royal Society for the Arts, was a founding Board Director of Merlin, the independent global rights licensing agency, and also UKMusic, the body representing the UK Music Industry; she attends PPL and VPL Board meetings and sits on a variety of government and industry committees.In 2006, Alison was inducted into the MMF Roll of Honour , and in March 2009 she was presented with a Special Achievement award by Music Week, for 10 years of AIM. She has featured in Billboard’s Top Women in Music every year since publication.In 2010, Alison was honoured with an OBE. In 2011 she was awarded the prestigious Order of Arts and Letters by the French Government for services to culture Stuart Dredge is a journalist with 20 years' experience covering technology, games, the music industry and children's media. He writes the Music Ally's daily news bulletin and contributes to the company's fortnightly report as well as joining in on the Music Ally TV Show on Youtube. Plus, Stuart writes weekly for The Week Junior, a bi-monthly mobile games column for the Guardian; and features for the Observer and Medium. Twice a year, he does blogging and socials for Reed Midem at its MIPTV and MIPCOM television-industry conferences. Stuart also has a new site focused on children's tech called ContempoPlay. Past freelance clients include the Sunday Times, CNET, Medium's CuePoint, Stylus and T3. The EMP theme music players are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. The music played through the conversation was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production of future episodes.Links:AIM&Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=WVZLRF49C7Y6A&source=url)
Phil Meadows and Christopher Barrett are the two UK musicians behind 'Musicans' Movement', the Facebook group with a steadily growing number of members calling for help for the arts in the UK. https://www.facebook.com/groups/musiciansmovement/ A ‘Green Room' is the musicians limbo, it is where we sit and wait for our gig to start. The global situation has meant that musicians now all find themselves in a huge green room waiting to be able to get out and play. Join jazz violinist Matt Holborn as he chats to different musicians from all genres and areas of music. Links to all episodes and Live Streams below https://linktr.ee/mattholborn
In this weeks episode my guest Reed Bass and I talk on the effect of the corona virus on the music industry, the UK governments payment to the self employed and how musicians are coping without face to face interaction with their audience.Birmingham Conservatoire honours graduate in music Reed Bass has performed, recorded and programmed for a vast array of chart topping artists including Reggae acts Musical Youth and Steel Pulse's Gabbidon.As well as session musician, he leads his own band, playing a mixture of both original compositions and 21st Century re-working of Jazz, Soul and Reggae standards. Over the last 5 years his band have been regular fixtures at Mostly Jazz Festival, Birmingham Jazz Festival and Cheltenham Jazz Festival. This is an episode of insight into what it is to be a black male in the UK, finding overstanding in others differing opinions on race, religion and judgement, as well as the status of the uk music industry.Expect reality checks, two n two jokes, uk black culture, alongside a soundtrack paying homage to game changing artists including reed himself. All guests are asked to select 7 tracks and Reed's selections do not disappoint.Connect with Reed - https://www.facebook.com/reedbassofficialhttps://www.instagram.com/reedbass musichttps://www.twitter.com/reedbasshttps://www.youtube.com/MrReedBasshttps://www.reedbass.comNew uploads every Wednesday! Subscribe to be the first to hear it!Also check out Danieal's "Reggae Uprising" videos every Monday - Follow Danieal - Facebook - http://www.facebook.com/daniealmusic Instagram - http://www.instagram.com/DaniealMusicReed's Selections -Steel Pulse - Handsworth Revolutionhttps://www.youtube.com/watch?v=A3LFvaAD2-YSmiley Culture - Police Officerhttps://www.youtube.com/watch?v=PgXahlmyUswProtoje ft Chronixx - Who Knowshttps://www.youtube.com/watch?v=hzqFmXZ8tOEKoffee - Toasthttps://www.youtube.com/watch?v=p8HoEvDh70YReedBass Live - Alvin's Yardhttps://www.youtube.com/watch?v=qYfBQxjiQv4Junior Byles - Fade Awayhttps://www.youtube.com/watch?v=MzlSVFtxb4cGarnett Silk - Kingly Characterhttps://www.youtube.com/watch?v=lm7Czsjsm6g
EPISODE 5 - The UK music industry Ft. GXNXSIS by WESAIDIT
This week we talk about HMV's decent once more into administration, the sales figures for UK music in 2018 and what experts believe will happen in 2019. We talk juicy jolly details of our gigging Christmas and a rather embarrassing story....Plus music from: Bessie Turner https://www.facebook.com/bessieturnermusic/ Dystopian Sound Collective https://www.facebook.com/dystopiansoundcollective/ Girls Of The Internet https://www.facebook.com/girlsoftheinternet/ Thanks for listening in, what are your thoughts and predictions for the 2019 music industry? Lets us know and subscribe below: Facebook: @harleyandjosh Twitter: @lockerbillies @harleyc Instagram: @harleyandjoshshow
Golden Ears is a new audio comedy-drama set in the grassroots of the UK Music Industry featuring a dad-manager, a toilet-venue and a dog called Memphis. It may include the odd song and a bit of animation along the way too.
This week's episode features Jon Morter; British rock DJ, social media campaigner and legend amongst UK Music Industry professionals. Check out Jon's links below. https://twitter.com/JonMorter https://en.wikipedia.org/wiki/Jon_Morter
Ep.16 - Look How Far We've Come - UK Music Industry (Ft. Rob Bruce) by BetweenBrothers
A debate on the future of the UK Music Industry featuring Mike Smith, John Leahy, Tim Ingham, Henry Semmence and Andy Saunders.
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