Podcasts about music evolution

If you're a true music fan, you know the best songs are the ones that speak to your soul, and Las Vegas artist Kuttup is doing just that. On this electrifying episode of Music Monday, we sit down with Kuttup to uncover her journey into the music industry and what makes her style impossible to replicate. From her raw lyrics to her captivating stage presence, Kuttup is proving why she's one of the realest voices in the game right now. And to top it off, she takes the stage to perform her hit single, “What It Comes To.” Follow Kuttup: Instagram: @itskuttup TikTok: @kuttupmusic Stream her music on all platforms: Kuttup

Get ready to mosh, metal fam! Chris Akin sits with Lauren Babic on CHRIS AKIN PRESENTS..., diving into her fresh EP, TOO MUCH AND NEVER ENOUGH. She's tearing it up about her YouTube and TikTok takeover, Spotify domination, and how post-hardcore vibes fuel her genre-blending sound. From singles strategy to tour dreams, this chick's the future of heavy—hit follow and blast it loud!BUY LAUREN BABIC'S TOO MUCH AND NEVER ENOUGH HERE: ⁠https://amzn.to/41VOevD⁠NOTE: Everything said here, and on every episode of all of our shows, are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.Get a free Rumble Account so you can comment! ⁠https://rumble.com/register/classicmetalshow/⁠Get commercial free versions of our episodes, advance releases and exclusive content by subscribing to Rumble Premium! ⁠https://rumble.com/premium⁠Crank these tags: #LaurenBabic #NewMusic2025 #PostHardcoreVibes #SpotifyArtist #MusicEvolution

Interview by Angela CroudaceCollin Walsh from Grayscale sat down to chat about the band's long-awaited Australian debut, musical evolution, and behind-the-scenes moments that have shaped their career. With their first-ever tour Down Under just around the corner, Grayscale is eager to experience the country's culture and share their music with fans who've been waiting for years.Collin revealed, “We've never been to Australia before. It's a first for us. I've done long flights to places like Indonesia and South Africa, but travelling as a band is a whole different beast. We have 20 pieces of equipment, eight people, and always a few hiccups at the counter. It's slow and tricky, but we're thrilled for the opportunity.”The band's anticipation is also fuelled by their fans in Australia, who have been loyal and patient. “We've been trying to come for years, but the pandemic messed up our plans. Finally, we're here and can't wait to give our Aussie fans everything they've been waiting for,” said Collin.The band's latest album, The Heart, released earlier this year, marks a refined version of their sound. “It feels like a culmination of everything we've done before, but it's more cohesive. It's us finding our sound,” Collin shared. The album blends rock, punk, and alt influences, but Collin hints at future possibilities for Grayscale's sound, saying, “I can see us leaning into more straight-up rock in the future. We don't plan things ahead of time, but we let the music naturally evolve.”In terms of success, the band is more focused on the live experience than any individual track. Their hit Forever Yours, which recently surpassed 20 million streams, is a fan favourite, but Collin remains humble. “I don't think of success that way. I love playing the music live, interacting with fans—that's what it's all about.”When asked about their influences, Collin points to a mix of '90s alt rock and classic rock. “Third Eye Blind, Eve 6, Fuel, and Wallflowers were huge for me growing up. And of course, Zeppelin and AC/DC.”As for future collaborations, Collin's dream partner would be Led Zeppelin, his all-time favourite band. “I just want to pick their brains. They're the best rock band ever, in my opinion.”The band's longevity is also built on their strong friendship. Having known each other since their teenage years, they're still as close as ever. “We've been through a lot together, and we've stayed best friends since we were kids,”.Looking ahead, Collin is excited to keep creating and evolving. “We just want to keep making music that resonates, connecting with our fans through honest and emotional lyrics. And Australia, we're coming for you!”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Send us a textIn Part Two of this 2 part episode we discuss the impact of transcendent figures in sports and music, the commercialization of hip hop, and the generational differences in appreciation for struggle and success. In this conversation, the speaker reflects on the importance of creating opportunities for the next generation, the understanding of hardships faced by previous generations, and the true definition of success beyond material wealth. The discussion also delves into the significance of perspective in relationships, navigating cultural differences, and the accountability individuals have in seizing opportunities presented to them. The conversation emphasizes that success is subjective and should be defined by personal happiness rather than societal standards.Think Critically, Speak Infamously.

Send us a textThis conversation explores the evolution of music consumption, particularly in hip-hop, highlighting the impact of independent artists, the shift from physical to digital formats, and the changing landscape of popularity in music. The discussion delves into the differences between hip-hop and rap, the cultural elements that define hip-hop, and the relatability of music across different generations. It also touches on the global influence of hip-hop and its future, emphasizing the importance of understanding its roots. In this conversation, the speaker reflects on the evolution of music, the importance of understanding history in achieving greatness, and the role of humility and hard work in successThink Critically, Speak Infamously.

Fazerdaze, otherwise known as Amelia Murray, is an Indonesian-Pākehā artist, musician, and creative force - currently based in Ōtautahi. Her new album ‘Soft Power' marks an evolution in her artistry and here we touch on Amelia's creative process, spirituality, courage and so much more. This episode gives listeners insight into how Amelia sees the world, and the way she chooses to move through it. Enjoy!Listen to the album, Soft Power.fazerdaze.comFazerdaze Instagram⁠Asian in Aotearoa Instagram⁠⁠Asian in Aotearoa Substack⁠Hosted by Jenna Wee & Produced by Marc Conaco.Recorded at Big Fan in Tāmaki Makaurau, Auckland.This episode was made possible thanks to Foundation North and Creative New Zealand.⁠asianinaotearoa.com⁠

Vance Crowe interviews Tyler Matthews an author and cultural critic.  Together the two discuss the latest on the P. Diddy investigation, the consequences of the presidential election and the new American Progress Aesthetic.https://tchevezmathews.substack.com/p/invitation-to-saga

The Breakdown:In this episode of the ATX Metal Podcast, host Ryan Rayle interviews members Austin Blades and Giancarlo Fernandez of the San Antonio-based band Left IV Dead. They discuss the band's formation, their energetic live performances, and the evolution of the metal scene over the years. The conversation delves into the creative process behind their music, the importance of stage presence, and their upcoming releases, including the new song 'Fracture'. The band emphasizes their commitment to providing a fun and engaging experience for their audience while exploring new musical directions. In this engaging conversation, the hosts explore the significance of live music experiences, the nostalgia for local bands, and the evolution of music accessibility. They emphasize the importance of community in the music scene, the tangible connections to music through physical albums, and celebrate local talent and connections that have persisted over the years. The discussion is filled with personal anecdotes and reflections on the music industry, making it a heartfelt tribute to the power of music. In this engaging conversation, the band Left IV Dead discusses their final show, upcoming music releases, and their creative process. They reflect on their journey over the past decade, express gratitude to their supporters, and share exciting ideas for future performances, including a unique acoustic circle pit concept. The discussion highlights the importance of community and resilience in the music industry.ATXMP 10 Yr Anny Showcase Link:ATXMP SHOWCASE 2024: Ten Year Anniversary | Come and Take It ProductionsQuick Riffs:-The band aims to create a high-energy stage experience for their audience.-Their music blends fun and heavy elements, focusing on positive vibes.-The importance of stage presence is crucial for engaging with fans.Episode Info:Spotify: https://open.spotify.com/artist/3fnXkbOClhG5juuzRVzSxn?si=VbBM5JVtSEephd_uQ-zEFgFB: https://www.facebook.com/LeftIVDeadTxIG: https://www.instagram.com/p/DBcj8yQNb2b/YouTube: https://www.youtube.com/@leftivdeadofficialIntro track: "Numb” by Bridges AblazeFeatured track: "Necrodancer" by Left IV Dead ft. Kalan BealATXMP Website: ATX Metal Podcast (transistor.fm)Sponsors / Affiliates Come and Take It Productions: https://www.comeandtakeitproductions.com/Come and Take It Live: https://www.comeandtakeitlive.com/Titan Audio Productions: https://titanaudioproductions.com/Texas Metal United: https://www.facebook.com/TexasMetalUnited

In Episode 55 of Conversations with Chai, host Ihram Chowdhury sits down with Farooq Got Audio, a London-based music producer and composer known for his remixes of classic Bollywood hits and his influence in the South Asian music scene. Together, they explore the regionalization of music, Farooq's journey, and the future of making money in the industry. Episode Highlights: 5:50 - Regional Hits: Farooq breaks down how certain songs become massive hits in specific regions while barely making a dent elsewhere, and why understanding this dynamic is crucial for artists. 15:10 - Farooq's Craft Mastery: Ihram explains why he believes Farooq is an “alien” when it comes to music production—unmatched in his craft and miles ahead of others in the field. 42:00 - Making Money in Music in 2024: Farooq provides insights into how artists can still make money in the current music landscape, emphasizing new methods and approaches to thrive in a fast-changing industry. Join us for this episode as Farooq shares his expertise and experience in the global and South Asian music scene, offering inspiration for anyone looking to navigate the complexities of the music business today. Don't miss this insightful conversation! Be sure to subscribe for more episodes of Conversations with Chai. #FarooqGotAudio #RegionalMusic #MusicIndustry2024 #ConversationsWithChai

On this episode of Iman Amongst Men, multi-media mogul DJ Skee joins Iman and Ahrii Shumpert to discuss getting an opportunity from Steve Rifkind, early DJ days, curating vibes, and going on tour with Prince. --- Stay connected with #UNINTERRUPTED: Instagram

Ever wondered how a single track can reshape the entire music scene? Join us as we sit down with the legendary Manny Fresh and Juvenile, the masterminds behind "Back That Ass Up," to uncover the secrets of their monumental impact on the music industry. From the electrifying origin of New Orleans bounce music to the unforgettable Tiny Desk performance that captured their raw, organic energy, this episode promises a nostalgic and thrilling ride through their storied careers.Juvenile takes us on a journey through his artistic evolution, sharing how his voice matured from the early days of "Bounce for the Juvenile" to his resurgence with "Soldier Rags." Discover the integral role of live instrumentation in Cash Money's music and how friendly competition with Manny Fresh keeps their creative juices flowing. Plus, Juvenile drops some exciting hints about new music on the horizon, signaling an exhilarating new phase in his career.Peek behind the scenes of the Hot Boys' dynamic and competitive atmosphere, with amusing anecdotes about missed studio sessions and Lil Wayne's relentless work ethic. Reflect on the art of music production, the importance of originality, and the lessons learned from balancing professional achievements with personal growth. This episode is packed with wild memories, humorous stories, and candid reflections that offer a fulfilling yet challenging look at the journey of doing what we love. Don't miss this engaging and nostalgic conversation with Manny Fresh and Juvenile!Talk Soon! ✌

If you like these episodes, you can listen to the full episodes here:Music Evolution Episode:https://shows.acast.com/next-take-podcast/episodes/music-evolutionSummer Fun:https://shows.acast.com/next-take-podcast/episodes/summer-funAlso, if you like us, you can head over and listen to our other episodes at https://shows.acast.com/next-take-podcastYou can also head over to our website where you can find links to Spotify or Apple: https://solo.to/nexttakepodcast But we are also on any of your favourite podcast apps. Hosted on Acast. See acast.com/privacy for more information.

Join Monique as she dives deep with her longtime student and mesmerizing artist, Aurus (aka Picot), in a conversation filled with fascinating insights and powerful stories. Discover the intriguing origin of Aurus' stage name, linked to the Egyptian god Horus, and how it reflects his mystical approach to music. Aurus opens up about his journey from Reunion Island to global stages, the spiritual essence of his creative process, and his thoughts on balancing passion with the pressures of the modern world. Don't miss this captivating episode that uncovers the heart and soul behind Aurus' enchanting music.

In this episode of Careers Unwrapped, host Mark Fawcett is joined by Andrew "Barn" Barnabas, a distinguished composer whose work spans gaming, TV, and film. They discuss Barn's journey from early computer music to award-winning scores, the evolution of game music, and key advice for aspiring composers.

In this episode of "The Truth in This Art," host Rob Lee interviews music producer and DJ Stylo. Stylo shares his journey from a nerdy kid in DC with a background in IT and breakdancing to a passionate music creator influenced by jazz, classical, and techno. He discusses his creative process, emphasizing basslines and rhythm, and his approach to curating immersive musical experiences. The conversation touches on the challenges of staying current in the industry, the significance of Black Music Month, and the importance of diverse musical influences. Stylo also highlights his commitment to storytelling and elevating underrepresented voices in music.Episode Highlight:Introduction to DJ Stylo (00:00:10) Rob Lee introduces DJ Stylo, a music producer and DJ, known for his deep tech style with hip hop influences.DJ Stylo's Background (00:01:49) DJ Stylo shares details about his background, including his work as an IT director and his interest in sci-fi.Influences in Music (00:06:24) DJ Stylo discusses his early experiences with music, including playing piano and trumpet, and his exposure to electronic music as a breakdancer.Staying Current and Finding Inspiration (00:18:47) DJ Stylo talks about staying up to date with new music and finding inspiration, acknowledging the impossibility of keeping up with every new release.Uncovering Musical Influences (00:25:21) The conversation dives into the significance of liner notes, exploring the musicians behind the music and their impact on creative inspiration.Embracing Risks in Creativity (00:35:01) DJ Stylo shares his perspective on taking risks in creative pursuits, emphasizing the daily challenges and rewards of pushing boundaries.Good DJ vs. Great DJ (00:42:23) DJ Stylo discusses the difference between a good DJ and a great DJ, emphasizing the importance of playing music that listeners didn't know they wanted to hear.Connect with DJ Stylo (01:04:16) DJ Stylo shares his social media and upcoming live events, including rooftop performances and reissued music.Key Takeaways:1. Balancing Multiple Passions: DJ Stylo shows us that it's possible to juggle a demanding IT career while pursuing a passion for music.2. Creative Beginnings: Starting with simple elements like drum patterns and basslines can lead to innovative and unique music creations.3. Embracing Eclectic Tastes: Exploring a wide range of music genres can enrich your creative output and broaden your musical perspective.4. Taking Risks in Creativity: Pushing boundaries and embracing daily challenges are essential for growth and innovation in any creative field.Website and Socials:link.v1ce.co.uk/musicofstyloX: @MusicOfStyloInstagram: stylothedj

Recorded Live At SXSW 2024 At The British Music Embassy. Frank Turner kickstarted his musical journey as the frontman of post-hardcore outfit Million Dead, later transitioning to a predominantly acoustic solo career after the band's disbandment in 2005. Throughout his solo career, Frank has launched nine studio albums, with his latest release, "FTHC," hitting the number 1 spot on the UK albums chart in 2022, just a week after its debut. In the second instalment of a four-part special recorded at SXSW, we explore themes of pursuing one's dreams despite contrary opinions, resisting conformity, and confronting the challenges of addiction. We discuss: -Being sent to boarding school at 8 years old -Securing a scholarship to Eton -Picking up the guitar at 11 and forming a band -Drawing inspiration from Joe Strummer and immersing in the Punk scene -Engaging in band performances and touring -Embarking on the first tour at the young age of 16 -Going to Cambridge University or never returning home again -Navigating a journey marked by struggles with addiction -Transitioning into the realm of Acoustic/Folk music -Not being confined to one specific box Chapters: (00:00:00) The Start of a Folk Album Journey (00:01:41) Reinventing and Sustaining Success (00:03:29) Childhood in Hampshire (00:05:14) Sent Away to Boarding School (00:06:47) Privatized Education and Elite Schools (00:08:20) Boarding School Experience and Punk Influence (00:10:02) Discovering the Punk Scene (00:11:30) The Class Stratification in the UK Music Industry (00:12:59) Following My Own Path (00:14:36) Discovering Iron Maiden (00:16:08) Discovered Punk Music (00:17:40) Hardcore Bands and Underground Shows (00:19:11) Punk and the Straight Edge Movement (00:20:38) Pursuing a Career in the Music Industry (00:22:09) Estranged relationship with father (00:23:53) Beginnings with Drugs (00:25:26) The North London Music Scene (00:26:55) Struggling with a Work-Life Balance (00:28:19) The Nihilistic Period (00:29:51) My Musical Journey (00:31:30) Transition to Folk Music (00:33:06) Following an Artistic Imperative (00:34:35) Encouraging Artistic Experimentation (00:36:10) Ambition and Success in the Music Industry (00:37:35) Frustrating Times and Handling Success (00:39:00) Doing Things My Way (00:40:27) A Poem: Finding Inspiration and Filling Empty Rooms ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HOWIBECAME__⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unity & Motion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - A London based production company specialising in commercials and branded content Email: info@weunify.co.uk This is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠UNIFY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast. Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unity & Motion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Credits: Director: Charles Parkinson Poet & VO Artist: Ashley Samuels-McKenzie Editor: Catherine Singh

LATASHÁ is the founder of Topia. The evolution will not be televised. It will be onchain.She's an artist, musician, producer, world builder. An original from the onchain music scene who was minting works on Zora back in 2021 kinda time. She had one of the earliest websites with onchain music videos and tracks.In this period she became Community Lead at Zora and produced ZORATOPIA. An events series and community which helped to educate and onboard artists into new internet ways of releasing music and working together.Music prize winner in the We Love The Art contest from Optimism for WAVE, a track and music video produced from her home studio and environment.We talk about her origins in music and production, making beats and writing, coming up in the scene in New York City. Experiences working at ZORA in these earlier formative stages of the onchain arts community. Reflections on the space in this moment in 2024, and hints at what she's building now at Topia. ufo.fmnews.ufo.fmtour.ufo.fm SPONSORSZerion combines every corner of web3 in a simple and intuitive app for self-custodial humans. Discover the hottest NFT collections, track your DeFi rewards, and vote in DAOs across 10+ chains. Get started at zerion.ioParagraph is where you can create, distribute & monetize - on your own terms. This publishing platform enables creators to mint posts as collectible content and send token-gated newsletters directly to wallet addresses. To get started with these radically powerful tools, visit paragraph.xyzLore is a group wallet experience for co-ownership. Own expensive NFTs, move memecoins markets and win crypto games together. Check out how you could use Lore with your friends to earn more than you could alone at lore.xyz.

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research?  Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought. In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another. A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.” Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).

In this episode of Bizdoc, we embark on a journey through the dynamic evolution of music over the past 50 years, tracing its transformation from the era of vinyl records to the contemporary dominance of streaming platforms. Moreover, in response to your requests, we dive into the latest update on the TikTok ban. Is it finally time for TikTok to face the music? Tune in to discover the answers!

Music may be magical. But it is also rooted in the material world. As such it can be the subject of empirical inquiry. How does what we are told of a performer influence our appreciation of the performance? Does sunshine change our listening habits? How do rhythms and melodies change as they are passed along, as in a game of Chinese whispers?Our guest is Manuel Anglada Tort, a lecturer at Goldsmiths, University of London. He has investigated all those topics. We discuss the fields of Empirical Aesthetics and cultural evolution experiments as applied to music. Manuel's website with PDFs and links to papers Multiverses.xyzChapters(00:00) Intro(03:35) Start of conversation: Music Psychology and Empirical Aesthetics(07:54) Genomics and Musical Ability(18:25) Weather's Influence on Music Preferences(31:57) The Repeated Recording Illusion(43:24) Empirical Aesthetics: Does Analysis Boost or Deflate Wonder?(49:59) Music Evolution and Cultural Systems(52:18) Simulating Music Evolution in the Lab(1:01:27) The Role of Memory and Cognitive Biases in Music(1:05:33) Comparing Language and Music Evolution(1:20:37) The Impact of Physical and Cognitive Constraints on Music(1:31:37) Audio Appendix

Send us a Text Message.In this celebratory episode of "The Music in Me," I mark a major milestone with the podcast crossing the 1000-download mark. The spotlight is on the legendary Usher, covering his journey from a young talent with mesmerizing vocals and dance moves to his recent triumphs. The episode explores Usher's impact on the R&B scene, his versatility as an artist, acting career, and success in Las Vegas. The episode delves into Usher's early life, breakthrough moments, and his ability to stay relevant in the ever-changing entertainment landscape. Exciting updates include a recap of Usher's epic Las Vegas residency, a detailed look at his 2024 Super Bowl halftime show, and a deep dive into his latest album, "Coming Home." The episode concludes with anticipation for Usher's upcoming "Past Present and Future Tour," promising a euphoric journey through his musical evolution.  Support the Show.Keep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Thinking Out Loud w/Friends # 188 - Join your host Jan Landy and his amazingly knowledgeable panel of friends for an entertaining robust discussion offering opinions on current events and life in general. Good For A Few Laughs And More Satisfying Than Seeing A Therapist while sharing your opinions and learning about what is happening in our world and how it affects us. Join the panel and offer your opinion with us on Zoom every Wednesday at 5 PM  - Pacific (UTC-7)/ 8 PM EDT   Meeting summary for Thinking Out Loud w/Friends (12/28/2023) The team had a casual conversation about various topics, including personal experiences, the music industry, and technology. They also discussed technical issues and shared insights about the evolution of sound engineering and the impact of technology on different industries. No decisions or next steps were made during the meeting. Technical Issue and Prime Video Change Discussion about an upcoming change to the Prime Video experience, where limited advertisements will be introduced to allow for increased investment in content. Casual Team Discussion With Personal Anecdotes Pop Culture Discussion: Mickey Mouse and Muppets The team engaged in a casual discussion about pop culture, sharing personal experiences and trivia. The conversation revolved around the Mickey Mouse logo, with SoundBroker-Jan highlighting its upcoming entry into the public domain. The team also shared thoughts about various TV shows and cartoons, with a focus on the Bob Newhart show and the Muppets. Curt expressed interest in checking out a YouTube video about a music festival featuring the Muppets. Reminiscing 60s, 70s, and 80s Memories The group had a casual conversation about their personal experiences, with a focus on the 1960s, 1970s, and 1980s. They shared memories about old TV shows and cartoons, their recent Christmas activities, and recommended Netflix movies. SoundBroker-Jan shared their memories of living in Hollywood during this period, specifically at the Whitley Terrace House. SoundBroker's Rock and Roll Journey SoundBroker-Jan shared their experiences working in the rock and roll business, including their work for RSO Records and Bearsville Records, and their interactions with renowned musicians. They recounted their involvement in the burgeoning LA music scene during the 1960s, 70s, and 1980s. The discussion highlighted the challenges and uncertainties of the music industry, such as band breakups caused by internal conflicts or external issues. The conversation also highlighted the creation of the song "Physical" by Olivia Newton John and the conflict surrounding the writing and publishing credits. Later, Christopher introduced his friend Curtis Matthewson, and they shared memories of their social connections and experiences in the music industry. Towards the end, SoundBroker-Jan shared that he owns one of the original jackets worn by John Travolta in the movie Grease. Sound Engineering's Evolution and Challenges The team's discussion was a mix of personal experiences and technical conversations. They shared memories about the Grateful Dead's "Wall of Sound" and its impact on sound engineering, with Curt providing insights into its design and challenges. The team also discussed their experiences with transitioning from analog to digital sound consoles, with mixed opinions on the quality and convenience of digital systems.  Analog vs Digital Audio Console Debate - The team discussed the use of audio consoles and preamps, focusing on the comparison between analog and digital equipment. Most team members expressed a preference for analog, emphasizing its unique sound quality and its suitability for specific contexts. However, they acknowledged the benefits of digital, such as recall and consistency. The conversation concluded without a clear decision or next steps, indicating that the issue is still under discussion. Technology's Impact on Industries and Music Evolution

What if you had the inside scoop on the NFL, all the way from the players to the coaches and their controversies? This episode of AC Lee and Parlay Pete is just the ticket. We lay it bare, dissecting a variety of teams including the Chiefs, Lions, Jaguars, Falcons, Steelers, Eagles, and Bills. From the questionable performance of some to the integrity of others, we leave no stone unturned. And of course, we touch on the remarks made by Bills coach Shawn McDermott that have ruffled a few feathers.But we're not all about sports. Ever wondered how the music and party scene has evolved over the years? We take you down memory lane, reminiscing about the high school and college bangers that never lost their charm. We also delve into the changing attitudes towards tequila, discussing its journey from a favored spirit to a status symbol. Oh, and we also share our insights on the SEC championships, the unique college culture, and the contrasting behaviors of corporate attendees and students - occasional hilarity ensues.We wrap up this episode with a deep dive into the contentious issues surrounding NCAA regulations and the proposed changes by NCA President Charlie Baker. From the potential implications on independent NIL collectors to the increasing need for regulation - particularly in the transfer portal - we leave no topic untouched. We even venture into the financial prospects and potential pitfalls for college football players, covering everything from lucrative earnings to money laundering and disability benefits. Time to buckle up and get ready for a rollercoaster ride that is equal parts entertaining and enlightening.Support the show

Unleash the rock 'n' roll debate on THE CLASSIC METAL SHOW! Neeley and Chris dive into the age-old clash of music generations. Are older fans missing out on epic new tunes? Tune in to discover fresh sounds from Girish and the Chronicles and Jelusick. But that's not all! They tackle the 40-hour workweek complaints of a young lady and her social life. Don't miss this engaging conversation about music, generations, and work-life balance. Hit play now and join the lively discussion! #ClassicMetal #NewMusic #WorkLifeBalance #RockDebateWE WILL NO LONGER BROADCAST THE CMS LIVE ON YOUTUBE.Watch and Participate: https://www.cmspn.com/cms-chat-and-kill-free/Rumble: https://www.rumble.com/c/cmsPLEASE SUBSCRIBE AND SHARE!All our links are available at https://www.linktr.ee/cmsrocks.Live Saturdays from 9pm to 3am Eastern at www.theclassicmetalshow.com or on Rumble, Odysee or YouTube.**NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!!ROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our Channel

Unleash the rock 'n' roll debate on THE CLASSIC METAL SHOW! Neeley and Chris dive into the age-old clash of music generations. Are older fans missing out on epic new tunes? Tune in to discover fresh sounds from Girish and the Chronicles and Jelusick. But that's not all! They tackle the 40-hour workweek complaints of a young lady and her social life. Don't miss this engaging conversation about music, generations, and work-life balance. Hit play now and join the lively discussion! #ClassicMetal #NewMusic #WorkLifeBalance #RockDebate WE WILL NO LONGER BROADCAST THE CMS LIVE ON YOUTUBE. Watch and Participate: https://www.cmspn.com/cms-chat-and-kill-free/ Rumble: https://www.rumble.com/c/cms PLEASE SUBSCRIBE AND SHARE! All our links are available at https://www.linktr.ee/cmsrocks. Live Saturdays from 9pm to 3am Eastern at www.theclassicmetalshow.com or on Rumble, Odysee or YouTube. **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!! ROKU: Search "The Classic Metal Show" in the Roku ChannelsAMAZON: Search "The CMS Network" To Add Our Channel

Steve Schankman, Contemporary Productions/Concert Promoter joins Tom and Megan promoting the newest music Evolution Festival August 26-27 in Forest Park.   (Photo by Paul Bergen/ANP/Sipa USA)

Ready to hit the rewind button and journey back to the crunk era of the early 2000s? We are! We spent the episode immersing ourselves in the rich tapestry of Atlanta's crunk and trap scenes, examining the profound impact they've had on the music industry, and discussing why Boston's rap scene might be lagging behind. Atlanta's imprint on the genre is still reverberating today, and we discuss how key figures like Meek Mill and Vinnie Segal helped shape Philly's vibrant scene.We then took a bit of a diversion and ended up reminiscing about some iconic moments from our past - the ATL Ho shirts, the unforgettable night when Cam Reddish shone at the Hawks vs Bucks game, and the unique strip club culture in Atlanta. We also got into discussing the Yin-Yang Twins and how their "Whisper Song" became a rallying cry for the New Orleans Saints. From there, we ventured into the early Trap era, where we explored the sway held by giants like Gucci Mane and Jeezy and their indelible imprints on the genre.Our stroll down memory lane took a detour into our middle and high school years with the influence of Young Jeezy's classic album TM 101. We shared our memories of school dances, house parties, and how Jeezy's music became the backdrop of our youth. Our conversation then shifted towards the pre-trap era of Atlanta hip hop and the influence of artists like T.I., Gz, and Gucci Mane. Come join us on this exploration of the classic songs from the early 2000s and the significant influence they had on the music industry.Support the show

In this riveting episode of our podcast, we sit down with the Grammy Award-winning arranger, composer, and jazz pianist - the incomparable Bill Cunliffe. A recognized powerhouse in the realm of music, Cunliffe's illustrious career boasts collaborations with music titans like Frank Sinatra and achievements such as his well-deserved Grammy. Tune in to hear us delve deep into Bill's journey, starting from his early days, all the way up to standing on the Grammy stage. In our conversation, Bill reflects on what it was like to work alongside Frank Sinatra, the lessons he learned, and the memories he cherishes from that iconic period in his career. Then, we transition into a more introspective dialogue, uncovering the mindset behind his artistic triumphs. Bill candidly shares his philosophy on detaching from outcomes and how this has played a significant role in his longevity and success in the notoriously competitive music industry. It's a conversation rich with insights, not only for music enthusiasts but for anyone striving for success in their own field. Plus, we touch on more - his approach to composing and arranging, how he stays creatively inspired, and his thoughts on the evolving music landscape. So, whether you're a jazz lover, an aspiring musician, or someone simply fascinated by stories of achievement, this episode promises an enriching journey through the life of a true maestro. Join us for an hour of engaging dialogue, filled with laughter, wisdom, and music, as we unravel the harmonies and dissonances in the life and career of Bill Cunliffe. Don't miss out!

In this episode, Jeff and Richie dive into the world of entertainment, exploring the intersection of theater and music. They start with a discussion of "The Thanksgiving Play," a thought-provoking and hilarious satire about cultural appropriation in the arts. Next, they take a deep dive into "The Sign in Sidney Brustein's Window," a classic Broadway play that still resonates today with its themes of activism, politics, and social justice.Finally, Jeff and Richie turn their attention to the Jonas Brothers' latest album, simply titled "The Album." They explore the evolution of the band's sound and style, and discuss how their music has grown and changed over the years. Whether you're a theater buff or a music lover, this episode has something for everyone. Tune in and join the conversation!Support the showIf you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com

LatchKey Kidz Podcast High Class Tricks/Bison - Host - Othello Jones - VSOP HokageMike B Money the MonsterSean Valentine the Heartbreak KingArmani Jones - Mr SkreeeeetZay The Mouf of the South (1:25) The crew discusses their introductions, how to follow on their social media and future merchandise possibilities. (4:00) The crew discusses their week. Armani discusses new music endeavors. (7:00) The crew discusses new music releases (8:45) Pusha T’s newest album “It’s almost dry” and it’s producers and quality. (15:00) New T-Pain Single (16:00) Future’s album release “I never liked you” in conjunction with Johnny Depp and Amber Heard’s trial for defamation 21:42 Megan Thee Stallion and Tory Lanez trial and media 42:15 Gangsta Rap VS R&B 51:49 Why true R&B is dead 57:54 Music Evolution 59:17 Autotune usage in R&B and Rap 1:03:15 Toxic Music; Men vs Women 1:19:15 Othello attends Dogwood Festival 1:21:15 Prince’s influence 1:27:30 Is sex unilateral or bilateral? 1:47:15 What’s a sucker with money? A trick. Chloe and Gunna’s rollout 1:50:20 The United Masters IG/ The Terrell Show on YouTube for industry advice 1:53:45 Doja Cat quitting music 1:57:45 Porn Searches 2:13:55 Elon Musk: Insider Trading 2:15:50 Edward Buck: Human Trafficking Awareness 2:19:00 Random Stories 2:28:30 Dad Jokes by Othello Jones

In this episode Durell is joined by Mike & Caroline Walker. Mike has over 30 years of experience as a multi-instrumentalist, producer, composer, songwriter and educator. Caroline is the co-owner of Dreamwalker Music Evolution which is their own artist development company along with Mike as well as a songwriter. The episode begins with Durell asking Mike and Caroline what are their earliest memories of music. Mike shared that he grew up playing football and once he got to high school he realized that he didn't have the size to keep playing without getting hurt. He remembers seeing a poster with a guy playing a guitar and he knew instantly he wanted to try playing the guitar and he knew that he had a strong work ethic that would provide the ability for him to become really good and he knew he wouldn't get hurt like he would have if he continued to play football. Caroline shares that her earliest memories of music were that she remembers her parents having a large record collection and listening to music all of the time. She shares that she remembers a lot of classical music as well as artists such as the Beatles, & James Taylor always being on. She shares that she played flute in the marching band in high school. Caroline says that her parents always had a lot of books around and that she was always reading which developed into a passion for writing. She ended up going into a career in counseling and it wasn't until about 5 years ago that she really developed a passion for writing lyrics. Durell asks Mike when did he know that he wanted to pursue music professionally as a career. He shares that he lost his mom and dad at an early age. He went to a recording school but his brothers were in the construction business and wanted him to join them because they didn't think it was possible to make a living as a musician. Mike shares that he went to work with his brothers on the road for 3 months and he says all he kept thinking was that he had to figure out how to make music work professionally because he couldn't see himself being a construction worker for the rest of his life. Mike says the first thing he did was he got a job in a music store as well as began teaching lessons which he says quickly picked up. He had several jobs that would allow him to stay around music and make a living. He shares that he decided to move to Orlando from Philadelphia because he wanted a new start. He moved down and began to establish himself within the music scene and started playing in studios as a session player. He shared that he was an original band and got nominated for a Grammy. The band disbanded and Mike decided that he would make the pivot into producing. He shared that he wanted to create a business and he knew that artists were no longer being developed the way they used to be so he along with Caroline decided that would be something worth getting into to help new artists prepare for the real world music industry. Caroline and Durell both agree that education is a major key to success. Durell asks Mike & Caroline how they approach artist development. They share that the cornerstone of what they do is “craft development”. Mike does a lot of work to make sure that their clients know how to write songs and do the creative process to the best of their ability. Caroline shares that their clients don't really enjoy the business aspect of music because it's not as fun but absolutely necessary. Caroline says that social media is an aspect that so many creatives don't like. Durell shares the reason why most indie creatives don't particularly like social media is because they oftentimes don't know who they are talking too and that's why he makes it a point to focus on that when he's working with his clients. Caroline shares that they tell their clients that if they just want to be famous then they can't guarantee that but what they will guarantee is that when they've completed their program there will be opportunities that can allow for a full time career in music. Durell, Mike, & Caroline end the episode talking about how they've diversified their income streams by focusing more on sync licensing. Mike shares that he finds it interesting how different the sync world is compared to working primarily with artists. Durell shares that he has learned so much from his mentor and friend Michele Vice-Maslin in regards to learning the different rules and what is expected of someone who wants to make a living within that world. Durell asks Caroline how she feels about artist management. Caroline says it wasn't something that they focused on within the company. She shared that because she didn't have a music business background she began to read Ari Herstand's book “How To Make It In The New Music Business” to get a better understanding of what to know to help their clients. Caroline shares that she went to conferences to learn and network as well. She shares that she dipped her toe a bit into the day-to-day management of a few artists and quickly realized the biggest challenge was getting them to want to put in the work that is really required to build success in today's music business.Mike and Caroline share that they have been focusing more on expanding their song catalog and that has been something they want to do a lot more of. For more info on Mike and Caroline Walker, please visit their Instagram profiles and website@dmeorlando@dmesongwritinghttps://dreamwalkermusicevolution.com/

Turn it up! Resident culture connoisseurs, Rickey and Denzel take a deep dive into all the best (and worst) music that matters. From pop to R&B to dance, together they discuss their favorite eras, standout artists, and share first concert experiences. Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

Turn it up! Resident culture connoisseurs, Rickey and Denzel take a deep dive into all the best (and worst) music that matters. From pop to R&B to dance, together they discuss their favorite eras, standout artists, and share first concert experiences. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this podcast episode you will learn how music genres changed over time. Host: Douglas

Episode Fourty-Three: Atlanta Music Evolution with Rachel Jackson & Shawty Slim. We discuss ATL Laws for future Atlanta residents, the growth of the Atlanta music scene and so much more. May is Mental Health Awareness Month #breakthestigma

When will items like toilet paper and ground beef be consistently available again? We get insight into the supply chain and what to expect at stores. Plus, how local musicians are performing while staying at home. And, exploring the evolution of music in Colorado over the past 50 years.