Podcasts about bmg

03.03.2026 – Fohlen Stammtisch – Mit den Fans zum SiegTeilnehmer: Holger, BjörnThemen 1. Spiel Union System Personal Einstellung 2. Ausblick Bayern Auswärtssieg beim BVB 3. Tipps Björn 2-2 Holger 1-1

24.02.2026 – Fohlen Stammtisch – Wegweiser Union?Teilnehmer: Holger, Matze, BjörnThemen 1. Spiel Freiburg1. System2. Personal3. Einstellung4. Krisensitzung im Borussia-Park 5. Resignation der Fans 2. Ausblick Union1. 1-0 Heimsieg gegen Leverkusen 3. Tipps1. Matze 1-12. Holger 3-23. Björn 0-0

Silenced Soil begins with a fragile artefact: a recording of Claude Debussy's Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt's, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not only by sound, but by history. Why was Western art music recorded here, under whose authority, and for what purpose, during a period still shaped by colonial power? Before reshaping the music, I had to confront my own position as a descendant of European colonisers. This inherited legacy uncomfortable but necessary became central to the work, sharpening my awareness of cultural imposition, culture colonialism and ongoing calls for restitution.From this reckoning, Silenced Soil emerged. I treated Debussy's melody as a fractured map: splintered, dispersed, and reassembled through chance. This approach draws on John Cage's embrace of indeterminacy and my long-standing admiration for atonality in music. The soundscape is composed at 120 BPM (2 Hz), chosen to evoke both calm and alertness. A reflection of historical time moving slowly, yet demanding urgent re-examination. Within this framework, I wove voices and instruments from Zulu culture, women's singing sound fragments, mouth harps, clapping sticks, and rattles — alongside electronics, loops, found sounds, urban noise, and synthesised textures and the original recording of Sarabande. I actively intervened in this source material, editing the refrain of Sarabande into fragmentary notes and embedding them within the soundscape composition. These elements meet not as opposites but as interlocutors, forming a threshold where suppressed traditions and contemporary sound worlds converge.Unanswered questions remain: Who was the pianist? Who authorised the recording? What ethical framework governed it? These absences are integral to Silenced Soil. What is unheard can be as powerful as what is recorded. And the soil? It stands for the restless cosmos, for the sand forever in motion across our planet. What drifts, what scatters, what is buried will, in time, be made visible. My compositional process is guided by intuition and curiosity; notation and atonality serve as a compass rather than a rule, supported here by research into the subject itself. My aural journey began at six at the piano, expanded through Germany's 1990s DJ culture, deepened during my years as a contracted composer with BMG, and refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. Together, these experiences shape a practice that moves fluidly between structure and instinct, inquiry and an enduring love for soundscape creation.Piano being played reimagined by Linda Himbert.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Last year, only 9% of Americans spoke to a farmer about their food. Evan Harrison, CEO of Kiss the Ground, is here to change that with an approach to regenerative agriculture designed to bring the concept into the mainstream through strategic storytelling. Its impact is already being felt. This year, Kiss the Ground has produced 400 pieces of content to reach 2 million people monthly, turning farmers into the real rock stars of the movement. In this conversation with Jennifer + Kati, Evan offers his data-driven approach to awareness building, how his music industry background at iHeartRadio and BMG shaped his nonprofit leadership style, and why leading with health instead of climate alarm is the key to resonating more and more.  Have a question for us? Email us today at engagingesg@gmail.com! Learn more about Engaging ESG at bit.ly/EngagingESGpod. Our theme music is "Lost in Translation" by Wendy Marcini and Elvin Vangard. Show links Learn about: Kiss the Ground Watch: Kiss the Ground documentary Watch: Stories of Regeneration with Dan Barber  Follow: 5 with a Farmer  Read: Project Drawdown Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:22:10 - Disques de légende du mercredi 18 février 2026 - Grande figure de la direction d'orchestre soviétique, Evgueny Svetlanov a consacré sa vie à Rachmaninov, enregistrant plusieurs fois ses trois symphonies. Entre Melodiya, BMG et éditions sauvages, le catalogue reste un vrai casse-tête : nous avons choisi les enregistrements de 1962 et 1966 à Moscou. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:22:10 - Disques de légende du mercredi 18 février 2026 - Grande figure de la direction d'orchestre soviétique, Evgueny Svetlanov a consacré sa vie à Rachmaninov, enregistrant plusieurs fois ses trois symphonies. Entre Melodiya, BMG et éditions sauvages, le catalogue reste un vrai casse-tête : nous avons choisi les enregistrements de 1962 et 1966 à Moscou. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

16.02.2026 – Fohlen Stammtisch – Kater nach KarnevalBMG, Borussia, Gladbach, Mönchengladbach, Die Elf vom Niederrhein, Die Seele brenntTeilnehmer: Andy, Holger, BjörnThemen1. Spiel Frankfurt 2. Ausblick SCF 3. Tipps Andy 2-3 Holger 2-2 Björn 1-1

Reflecting upon the phenomenal growth of the American Yeshiva society in the second half of the 20th century, one tends to focus on the great accomplishments of individual leaders such as Rav Aharon Kotler, Rav Shraga Feivel Mendlowitz, the Lubavitcher Rebbe, the Satmar Rav, institutions such as Torah Umesorah, RIETS, RJJ, BMG and other internal development within American Orthodoxy. However there's a broader narrative, with gradual processes taking place in broader American society which facilitated the growth of yeshivos during this time. Economic, social and demographic changes in the United States in the postwar era, LBJ's Great Society and the Vietnam War draft, are all external factors which facilitated the growth of the American yeshiva community. External factors are often overlooked but are no less important in understanding Jewish history. Subscribe to Jewish History Soundbites Podcast on: PodBean: https://jsoundbites.podbean.com/ or your favorite podcast platform Follow us on LinkedIn, Twitter or Instagram at @Jsoundbites For sponsorship opportunities about your favorite topics of Jewish history or feedback contact Yehuda at: yehuda@yehudageberer.com

10.02.2026 – Fohlen Stammtisch – Mit neuem Mut nach FrankfurtBMG, Borussia, Gladbach, Mönchengladbach, Die Elf vom Niederrhein, Die Seele brenntTeilnehmer: Simone, Holger, BjörnThemen1. Spiel LeverkusenKulisse (47.000)· Auftritt· Einstellung 2. Transfers 3. Ausblick SGE 4. Tipps1. Simone 2-22. Holger 1-13. Björn 2-3

03.02.2026 – Fohlen Stammtisch – Deadline Day, alter Schwede!Teilnehmer: Simone, Holger, BjörnThemen1. Spiel Bremen1. Lustlos, mutlos, ideenlos2. Gelbe Karten Fehlanzeige. 3. Ausgleich mehr als verdient4. Punkt schmeichelhaft 2. TransfersAbgänge:1. Oscar Fraulo – Verkauf (Derby County)2. Tomas Cvancara – Leihe mit Kaufoption (Celtic Glasgow)3. Jonas Omlin – Leihe ohne Kaufoption (Bayer Leverkusen)4. Charles Herrmann – Verkauf (Cercle Brügge)5. Grant-Leon Ranos – Leihe ohne Kaufoption (Eintracht Braunschweig)6. Luca Netz – Verkauf (Nottingham Forest)7. Kilian Sauck – Verkauf (Düsseldorf) Zugänge:1. Kota Takai – Leihe inkl. Kaufoption2. Alejo Sarco – Leihe ohne Kaufoption3. Jan Olschowsky – Leihabbruch4. Hugo Bolin – Leihe mit Kaufpflicht aus Malmö FF5. Jakob Zickler – von Dynamo DresdenHugo Bolin :22 Jahre, schwedischer Nationalspieler, wertvollster Spieler der schwedischen Liga Leihe ohne Gebühr bis Sommer 26 und anschließender Kaufpflicht in Höhe von 2 Mio bei MW 6 Mio.Seine Stärken: Tempo, Technik, Abschluss3. Veränderung bei Borussia1. Scouting Steffen Korell nicht länger Chefscout – auf eigenen Wunsch hin ist er nur noch beratend tätig. Nachfolger wird André Hechelmann vom FC Bayern München (ab 01.03.). Er und Schröder kennen sich bereits aus gemeinsamen Zeiten bei Mainz und S042. Medizinische Abteilung Klaus Schmitz wird Leiter Medizin und Prävention, seit 01.02.20263. Strategische Partnerschaft mit Japans Rekordmeister Kashima Antlers FC. Fokus auf internationale Marktentwicklung, Wissensaustausch und Scouting. 4. Ausblick Leverkusen5. Tipps1. Simone 2-12. Holger 2-13. Björn 2-1

A finales del siglo pasado, a partir de los años 80, nace una nueva etiqueta musical llamada MÙSICAS DEL MUNDO. Las grandes multinacionales (SONY, BMG, POLYGRAM etc. tenían consolidadadas y redefinidas sus estrategias comerciales. Estaban acaparando todos los viejos y nuevos catálogos en unos esquemas tradicionalmente occidentales y dominados por el mundo anglosajón. Sin embargo, gracias al abaratamiento de costes y nuevas tecnologías, surgen por todo el mundo movimientos y géneros musicales que hasta entonces las multinacionales habían ignorado. En los años 90 comienzan a tener más presencia y popularidad intérpretes y géneros de todo el mundo, como si de una música global, mundial se tratara. El programa estará dedicado a un compositor y multiinstrumentista que, por su trayectoria, bien pudiera ponerse como gran ejemplo de las llamadas MÚSICA DEL MUNDO: RAY COODER

A finales del siglo pasado, a partir de los años 80, nace una nueva etiqueta musical llamada MÙSICAS DEL MUNDO. Las grandes multinacionales (SONY, BMG, POLYGRAM etc. tenían consolidadadas y redefinidas sus estrategias comerciales. Estaban acaparando todos los viejos y nuevos catálogos en unos esquemas tradicionalmente occidentales y dominados por el mundo anglosajón. Sin embargo, gracias al abaratamiento de costes y nuevas tecnologías, surgen por todo el mundo movimientos y géneros musicales que hasta entonces las multinacionales habían ignorado. En los años 90 comienzan a tener más presencia y popularidad intérpretes y géneros de todo el mundo, como si de una música global, mundial se tratara. El programa estará dedicado a un compositor y multiinstrumentista que, por su trayectoria, bien pudiera ponerse como gran ejemplo de las llamadas MÚSICA DEL MUNDO: RAY COODER

Engenharia de software em ambientes críticos exige execução, disciplina e cultura. Neste episódio, Cíntia Silvestre, Superintendente Executiva do Banco BMG, explica como dados, arquitetura, IA e liderança se conectam para gerar valor real em sistemas que não podem parar. Falamos sobre modernização com legado ativo, estabilidade vs. inovação, uso prático de IA para produtividade, cultura de times técnicos e o KPI que realmente importa: o tempo da ideia ao valor.  “Inovação é discurso. Transformação de verdade é disciplina de execução. É quando a ideia vira valor real para o cliente.”  Siga o DoTheMATH no Spotify para não perder os próximos episódios. Novos episódios toda quarta-feira  Apresentação Marcel Ghiraldini, CSO, MATH Fabiana Amaral, Executive Director Brand and Culture, MATH ConvidadaCíntia Silvestre, Superintendente Executiva do Banco BMG Capítulos 00:00 – Introdução e apresentação da convidada 05:12 – Engenharia de software em bancos e sistemas críticos 18:45 – Estabilidade, inovação e disciplina de execução 30:00 – Cultura, liderança e times de alta performance 41:20 – IA, Copilot e ganhos reais de produtividade 52:10 – Arquitetura, microserviços e decisões de longo prazo 01:02:30 – O KPI da transformação: da ideia ao valor 01:09:40 – Encerramento  Para ouvir e seguir:   

26.01.2026 – Fohlen Stammtisch – Kampf und Wille? Fehlanzeige!Teilnehmer: Andy, BjörnThemen1. Spiel gegen Stuttgart2. Transfers3. Ausblick Bremen4. Tippsa. Andy 1-2b. Björn 2-2

...at least, weather-wise. Media Day for SHOT 2026 was a flawless Nevada day, and noticeably smaller. Still, Michael found several home runs, and two keepers! MichaelBane.TV - On the Radio episode # 303. Scroll down for reference links on topics discussed in this episode. Disclaimer: The statements and opinions expressed here are our own and may not represent those of the companies we represent or any entities affiliated to it. Host: Michael Bane Producer: Flying Dragon Ltd. More information and reference links: Tyrant CNC RIA-USA Diamondback SDRa Revolver Franklin Armory Prevail Angstadt Arms Henry USA Kahr/Auto-Ordnance .50 BMG

20.01.2026 – Fohlen Stammtisch – Stillstand statt ReaktionTeilnehmer: Holger, Matthias, BjörnThemen1. Spiel gegen HSV2. Transfers3. Ausblick VFB4. Tippsa. Matze 1-1b. Holger 2-0c. Björn 2-2

In December of 2025, the world tragically lost actor and filmmaker Rob Reiner. This week, hosts Jim DeRogatis and Greg Kot pay tribute to him by revisiting their 2014 interview in which they discuss This Is Spinal Tap, films, music and more. They also review new music from Lily Allen and Dry Cleaning.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Spinal Tap, "Tonight I'm Gonna Rock You Tonight," This Is Spinal Tap, Polydor, 1984Dry Cleaning, "Hit My Head All Day," Secret Love, 4AD, 2026Dry Cleaning, "Rocks," Secret Love, 4AD, 2026Dry Cleaning, "Blood," Secret Love, 4AD, 2026Lily Allen, "West End Girl," West End Girl, BMG, 2025Lily Allen, "Madeline," West End Girl, BMG, 2025Lily Allen, "Just Enough," West End Girl, BMG, 2025Spinal Tap, "Rock and Roll Creation," This Is Spinal Tap, Polydor, 1984Spinal Tap, "Cups and Cakes," This Is Spinal Tap, Polydor, 1984Spinal Tap, "Gimme Some Money," This Is Spinal Tap, Polydor, 1984Spinal Tap, "Big Bottom," This Is Spinal Tap, Polydor, 1984Black Sabbath, "Black Sabbath," Black Sabbath, Vertigo, 1970Spinal Tap, "Head Hole," This Is Spinal Tap, Polydor, 1984Roxy Music, "If There Is Something," Roxy Music, Island and Reprise, 1972See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

16.01.2026 – Fohlen Stammtisch – Wundertüte BorussiaTeilnehmer: Simone, Holger, Matthias, BjörnThemen1. Spiel gegen TSG2. Transfers3. Ausblick HSV4. Tippsa. Holger 2-3 b. Matthias 0-2c. Simone 2-2d. Björn 1-2

13.01.2026 – Fohlen Stammtisch – Borussia startet eindrucksvoll in 2026Teilnehmer: Simone, Andy, Matthias, BjörnThemen1. Spiel gegen FCA2. Transfers3. Ausblick Hoffenheim4. Tippsa. Simone 1-1, b. Andy 1-2, c. Matze 1-3, d. Björn 0-1

Nick started his career as a nightclub promoter, DJ, and recording artist in Leeds, later moving to his first corporate role at London Records in 1994. He co-founded NorthWestSide Records at BMG, where he signed Jay-Z for the UK market. He served as Managing Director of Epic Records UK and later relaunched London Records for Universal Music. Nick was President of Capitol Records UK from 2013 to 2021, signing and developing Sam Smith, 5 Seconds of Summer, and other major artists. After leaving Capitol, he founded NWS Music Group with Christian Tattersfield, focusing on records, publishing, and sync licensing. Impact and Current Activities - Raphael is recognised for signing and nurturing award-winning artists, with his roster achieving multiple UK No.1 singles and albums - He regularly serves as an executive advisor and mentor, for instance, joining the A&R talent group at Cre8ing Vision where he helps emerging music executives and artists - His entrepreneurial ventures continue to shape the UK and global music scene, with a focus on discovering new talent and maximising artist success Nick Raphael is widely regarded as a dynamic force in the music talent business, blending artist development, strategic vision, and A&R leadership across decades of executive roles Hosted on Acast. See acast.com/privacy for more information.

21.12.2025 – Fohlen Stammtisch - und wöchentlich grüßt der VARTeilnehmer: Holger, BjörnThemen1. Einleitung2. Spiel gegen Dormund3. Winterpause – Frohe Weihnachten liebe Zuhörer!Verabschiedung

Fohlen Stammtisch – 15.12.2025 – Borussia bleibt BorussiaTeilnehmer: Holger, BjörnThemen1. Spiel gegen Wolfsburg2. Ausfall Kleindienst? Möglicher Ersatz in der Offensive.3. Ausblick gegen den BVB4. Tipps

Willkommen zur zweiten Folge unserer Serie zur Krankenhausreform mit Dr. Gerald Gaß (DKG)Seit der ersten Aufnahme hat sich die Lage weiter zugespitzt: Ein neues Anpassungsgesetz, ein überraschend hartes Sparpaket – und eine wachsende Zahl wirtschaftlich gefährdeter Krankenhäuser. Gemeinsam mit Dr. Gerald Gaß, Vorstandsvorsitzender der Deutschen Krankenhausgesellschaft, sprechen wir darüber, was die neuen politischen Entscheidungen wirklich verändern, welche Probleme ungelöst bleiben und welche Konsequenzen das für die Versorgung in Deutschland haben wird.Wir diskutieren unter anderem:​Warum das Krankenhausreform-Anpassungsgesetz für viele Kliniken eher neue Unsicherheiten schafft​Weshalb die Vorhaltefinanzierung weiterhin eines der größten ungelösten Risiken bleibt​Wie das politische Sparpaket zum „Insolvenz-Beschleuniger“ wird​Welche Handlungsmöglichkeiten Klinikmanager jetzt überhaupt noch haben​Und warum kalter Strukturwandel ganze Regionen treffen wird, wenn Alternativen nicht rechtzeitig geschaffen werdenZum Abschluss beleuchten wir, was der Politikwechsel im BMG bedeutet – und ob es realistische Chancen auf Kurskorrekturen gibt.BONUSFOLGEN:Ergänzend zu Teil 1 & 2 veröffentlichen wir in 2026 drei vertiefende Bonusfolgen mit Dr. Gerald Gaß:​Ambulantisierung & Hybrid-DRGs​Digitalisierung & Personalmanagement​Management unter UnsicherheitVielen Dank fürs Zuhören – und abonniert den Podcast, um keine Folge zu verpassen.

"This raw desert field recording, resonating from the halls of the Klimahaus Bremerhaven in Germany (Climate House Museum Bremerhaven), sparked a vision of musical imagination within me.  "It drew me into a hidden world of untold stories, and from its pulse and breath, I shaped a soundscape I call Meridian. A sonic journey tracing the secret heart of the desert and revealing an oasis born of imagination. "I chose to keep the original field recording largely untouched, aside from a few subtle adjustments to its timeline. Rather than altering it, I composed around the field recording, employing gentle musical techniques, layered resonance, micro-harmonic drifting, and slow spectral unfolding so that the environment itself becomes the primary instrument. "As the piece unfolds, the distant cries of unseen creatures, the soft patter of rain, and the quiet exhalation of wind emerge in deepening layers. From these textures, harmonies and melodic traces seem to arise naturally, weaving through the soundscape until the line between composition and ecology dissolves. What begins as a simple recording becomes, for me, a passage toward Meridian Consciousness: a threshold where reality softens, and listening transforms into an act of awakening. Loops, concrete recordings, found sounds and open source synthesised sounds enhance the piece, expanding its atonal contours,  a space I have long loved to explore. "Meridian reflects my meditation on the fragile, far-reaching threads that bind Earth to Cosmos, and the heightened attentiveness demanded in an age of ecological uncertainty. It is an invitation to listen with openness, to drift inward, and to sense the delicate equilibrium  that sustains our shifting world. "When I compose a soundscape, I enter a dreamlike state of heightened awareness. Intuition and curiosity guide me, while musical notation and my enduring affection for atonality serve only as a gentle compass.  "My aural journey began at six, seated at the piano and discovering classical music.  It expanded through the unconventional energy of Germany's 1990s DJ culture of which I was a part and deepened during my years as a contracted composer with BMG. And was refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. These experiences shape a practice that moves fluidly between structure and instinct, between inquiry and an enduring love for crafting soundscapes." Klimahaus installation, Bremerhaven reimagined by Linda Himbert.

Fohlen Stammtisch – 09.12.2025 – Der VARnsinn geht weiterTeilnehmer: BjörnThemen1. Einleitung2. Spiel gegen FC St.Pauli3. Spiel gegen Mainz4. Ausblick Wolfsburg5. Tipps 6. Verabschiedung

Der FC St. Pauli feiert bei Borussia Mönchengladbach einen Pokalerfolg. Ein Podcast über das Spiel, Tim Kleindienst und den Borussia-Park.

Hello! Welcome to episode 58 after a long hiatus. Well, this is technically not a real podcast – it is more of a sharing and audio experience with you podcast. When the Disney Treasure launched in late 2024, Skipper Society deputed onboard. The centrally located lounge not only features nods to the iconic Jungle Cruise attraction at Disney theme parks around the globe, but also a lovely background music loop. The BMG loop started each morning during my cruise at 7:05 AM.   The Skipper Society Background Music Loop is based on spending hours sitting at a booth working during the Disney Treasure's December 28, 2024 to January 4, 2025 7-night Western Caribbean Cruise from Port Canaveral where I used Shazam to compile the track list. The actual tracks used onboard may differ, but this is the compilation I was able to compile using available audio once I returned home.   I hope you enjoy.   Yes, this podcast is still available and if this episode appeared in your feed, thanks for staying subscribed. Honestly, I am not sure when another episode will drop, but who knows anything can happen. 

Der FC St. Pauli verliert mit 0:4 gegen Borussia Mönchengladbach, gegen den ursprünglich Tabellenletzten. Zuhause. Und ehrlich gesagt – verdient.

Hosts Jim DeRogatis and Greg Kot follow up a recent episode paying tribute to the sun with another set of songs about a celestial body. This time, they share their favorite songs about the moon — along with picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Mr. Moonlight," Beatles for Sale, Parlophone, 1964The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Wire, "A Mutual Friend," 154, Harvest, 1979R.E.M., "Nightswimming," Automatic For The People, Warner Bros, 1992Songs:Ohia, "Blue Chicago Moon," Didn't It Rain, Secretly Canadian, 2002Credence Clearwater Revival, "Bad Moon Rising," Green River, Fantasy, 1969Janelle Monáe, "Many Moons," Metropolis: Suite I (The Chase), Bad Boy, 2007Brian Eno, "St. Elmo's Fire," Another Green World, Island, 1975Tom Petty and the Heartbreakers, "Luna," Tom Petty and the Heartbreakers, Shelter, 1976Mitski, "My Love Mine All Mine," The Land Is Inhospitable and So Are We, Dead Oceans, 2023David Bowie, "Moonage Daydream," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972Thin Lizzy, "Dancing in the Moonlight - Live," Live and Dangerous', Philips, 1978Los Lobos, "Kiko and the Lavendar Moon," Kiko, Slash, 1992The Rolling Stones, "Child of the Moon," Jumpin' Jack Flash / Child Of The Moon (Single), Decca, 1968Nick Drake, "Pink Moon," Pink Moon, Island, 1972Willie Nelson, "Darkness on the Face of the Earth," ...And Then I Wrote, Liberty, 1962Emmylou Harris, "Luxury Liner," Luxury Liner (Expanded & Remastered), Reprise, 2003Emmylou Harris, "Crescent City," Cowgirl's Prayer, The Grapevine, 1994SOFT PLAY, "Punk's Dead," HEAVY JELLY, BMG, 2024The Beach Boys, "Surf's Up," Surf's Up, Reprise, 1971The Cars, "Drive," Heartbeat City, Elektra, 1984See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Der FC St. Pauli (Tabellenvierzehnter) empfängt am morgigen Samstag Borussia Mönchengladbach, aktuell Tabellenletzter. Ein Podcast mit einer gesunden Mischung aus Realismus und Galgenhumor.

Centralized platforms cheat creators and fans with unfair cuts and hidden talent. YouBallin, on Solana, is a mobile-first platform where Talent participates in competitive events earning from NFTs and brand deals. Fans vote with $YBL tokens and Brands gain authentic engagement with target audiences. Native web2 onboarding and web3 account abstraction ensures mass appeal, targeting the creator economy's growth.Chris Arakelian is the CEO of YouBallin. She recently joined the Bitcoin.com News Podcast to talk about the platform.In this episode, Chris Arakelian introduced YouBallin as a decentralized, event-driven creator economy built on Solana, aiming to revolutionize the current centralized creator economy. She highlighted the problems with the existing model, including unfair monetization where creators receive very little revenue, algorithmic gatekeeping that prioritizes engagement over genuine talent, and an incentive structure that leaves fans as passive consumers. YouBallin's solution involves a philosophical shift, transforming fans into active owners and stakeholders through a transparent token economy.Arakelian detailed YouBallin's two-phase competitive event model for talent discovery and ownership. In phase one, emerging talents compete to be noticed by established creators ("legends") who vote for free, while fans use YBL tokens to advance wildcard talents. Phase two involves finalists receiving fractionalized NFTs, allowing fans to invest directly in a creator's journey and benefit from her popularity. She emphasized that YouBallin is a multi-sided marketplace targeting emerging talents, engaged fans, mentoring legends, and brands looking for authentic communities, creating a circular rather than extractive economy.She further explained that YouBallin differentiates itself in the Web3 landscape through its core utility, interactive event model, and domain-agnostic approach, supporting various categories beyond just music. Arakelian also introduced "TalentFi," a term for talent finance, which places ownership, instead of algorithms, at the center of discovery, aligning with the crypto ethos of empowering individuals through open and permissionless systems. The YBL token powers all transactions within the platform, fueling scarcity and strengthening participation in this closed-loop economy.About Our GuestChris brings 30 years of agency leadership and marketing communications excellence to YouBallin. Educated as a designer and trained as a client advocate, she's a Growth Engine dedicated to building brands and driving business outcomes. Prior to her appointment as CEO of YouBallin, Chris led Growth for Omnicom's most creative Brand Design Consultancy, Wolff Olins, where she ushered in net new client relationships for both established and emerging brands across a vast Web2 and Web3 landscape including ConcenSys/Metamask, Uber, Instacart, Arbitrum, Robinhood, Bloomberg, Kenvue, BMG, and more.Prior to Omnicom. Chris held senior positions at Consumer centric consultancies where she launched new as well as legacy brands into the world including Wild Turkey, Acuvue, Gillette Venus, and U By Kotex. Building futureproof brands that connect to audiences in an ever changing market is what fuels her passion and drives brand success across categories and geographies.To learn more about the project visit YouBallin.com, and follow the team on X.

Koen Van Bockstal (1961) is platenbaas geweest, hij was ondermeer de baas van platenfirma BMG en van Sony. Hij is directeur geweest van het huidige Literatuur Vlaanderen, en hij heeft het VAF geleid, het fonds dat de filmsubsidies uitdeelt. Hij was ook gedelegeerd bestuurder van Oxfam en algemeen directeur van UNICEF België. Piet Goddaer van Ozark Henry noemde zijn naam in deze podcast toen het over Haruki Murakami ging.Koen Van Bockstal woont in Gentbrugge bij Gent samen met zijn vrouw Heidi. Toen ik binnenkwam, gaf hij mij meteen een rondleiding langs alle boekenkasten in huis, van aan de voordeur tot helemaal boven. Hij vertelt vol passie over zijn drie boeken, je hoort ook hoe hij platenbaas geworden is, over zijn ontmoeting met Kurt Cobain van Nirvana. Hoe hij er als kind in slaagde om toch de verboden boeken uit de katholieke bibliotheek van Deinze in handen te krijgen. En de dag dat we elkaar spraken was een belangrijke muzikale dag voor hem.Wil je het boek '103 boeken die je gelezen moet hebben' bestellen - het boek van de podcast? Dat kan op ⁠⁠⁠⁠⁠⁠⁠wimoosterlinck.be.⁠⁠⁠⁠⁠⁠⁠ Ik schrijf er met plezier iets in voor jou of voor de persoon aan wie je het boek cadeau wil doen.Alle boeken en auteurs uit deze aflevering vind je⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠in de shownotes op wimoosterlinck.be⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wil je de nieuwsbrief in je mailbox? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wimoosterlinck.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wil je de podcast steunen? Bestel je boeken dan steeds via⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠de ⁠⁠link op wimoosterlinck.be⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠ Merci.De drie boeken van Koen Van Bockstal zijn:1. ⁠Siri Hustvedt: What I loved2. Murray Bail: Eucalyptus3. Arturo Pérez-Reverte: De schilder van het kwaadLuister ook naar de drie boeken van: ⁠⁠⁠⁠⁠⁠Eva Mouton⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Nicci French⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josse De Pauw⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ish Ait Hamou⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Murielle Scherre⁠⁠⁠⁠⁠⁠,  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Michèle Cuvelier⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stefan Hertmans⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Françoise Chombar⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠en ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vele anderen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

The Remington 783 is a jewel... a low cost rifle that will deliver the goods~! And, what about that Browning X-bolt Target Max? (it rocks!) ... And why the 50 BMG is STILL the "go to" *real world* ELR cartridge. And finally... we do see how they killed Charlie Kirk... let's hope the truth will come out... but don't hold your breath. :/ 

Munich-born Mark Wehlke has been shaping techno since 1992. First known as DJ Manga, he became a key figure in Germany's rave era, playing festivals like Love Parade (Berlin), Street Parade (Zurich), Rave on Snow (Austria), Thai Break (Thailand), and Space (Ibiza).His releases on Kosmo Music, BMG, Netrecord-Z and remixes for the late German super star Tomcraft, Cosmic Gate's Bossi, well respected Milk & Sugar, and Sunbeam earned him respect across Europe's clubs — from Space Ibiza to Rote Sonne & Harry Klein Munich.Today, as a founding member of Munich Techno and resident at Bavarian Fetish, Mark continues to deliver techno in all its spectrums — deep, powerful, and uncompromising.

SynopsisOn today's date in 1996, Michael Tilson Thomas conducted the San Francisco Symphony in the first performance of Lost and Found, a five-minute toccata for orchestra. Its composer was Steve Mackey, an American whose music Tilson Thomas championed and recorded.Mackey wrote: “On more than one occasion Michael has used the word ‘wacky' to describe my music. Composers usually blanch at such attributions — nobody wants to be captured in a single word — but I can live with ‘wacky'. It is not a common adjective, does not end with ‘ism,' and clearly the rhyme with my last name personalizes it. My music tends to explore fringe modes of consciousness rather than brand name emotion or logical thought.”He also avoids conventional titles. His Concerto for Electric Guitar is titled Tuck and Roll, and among his other works can be found Banana/Dump Truck and Eating Greens.Mackey said, “I think a lot about momentum, inertia, and even gravity, allowing the music to get stuck and tip over, lurch headlong, tumble with limbs akimbo as well as to move fluidly gives it a ‘road runner' cartoon kind of physicality, a fantasy, but not completely unhinged from the physical world.”Music Played in Today's ProgramSteven Mackey (b. 1956): Lost and Found; New World Symphony; Michael Tilson Thomas, conductor; BMG 63826

YMC Special Episode - A Conversation With BMG's Dan Gill  On this very special edition of the YMC podcast, your host Jay Gilbert sat down with BMG's Dan Gill, West Coast EVP of Recorded Music, for an interesting and wide ranging conversation.   Subscribe to the newsletter! YourMorning.Coffee

It's the opening match of the Bundesliga season which means it's the opening episode for us, and we bench Matt and Ted for disciplinary reasons and bring in super-sub Hannes to help us break down what was a rather lackluster start to the 2025/2026 season. Along the way the guys shout out the Frauen (who actually won), Daxo and VfBII (who actually got points), as well as the sweet new kits that JAKO has produced (even though we're winless in them so far). They then look at the match and ponder the lineup, the lack of changes, and to continue the alliteration, the role that luck played in the opening loss of the season. It's not all bad news though as Hannes and Travis wrap up with some optimistic looks at the matches ahead - a Pokal trip to Braunschweig and a home match versus BMG - before wondering the question on everyone's mind ... which character from the children's show Bluey would they both play?!

Episode 379 of the John1911 Podcast is now live:   Reopening the rifle range.  Installing 50 BMG targets.  The benefits of cutaway guns.  SIG P320 - Everybody gets a turn. Vickers and the Glock Gen 6. Police Blotter.      Marky John1911.com "Shooting Guns & Having Fun"    

In this episode we talk to country artist Alexandra Kay. Alexandra will release her second album, titled Second Wind, on October 24 through BMG's BBR Music Group. She has already released three tracks to her fans — including her 8.6 million large social media following. You may know Alexandra from her Coffee Covers videos on YouTube or from the track “Leave the Light On” by Jelly Roll from the Twisters soundtrack. You're probably going to know more about her soon enough. "I truly believe my song ‘Straight For the Heart' will be my first number one at country radio," she told us. "And I have no problem saying that, and I say it on stage all the time.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's generation, we've grown used to instant results. We place an order and expect it at our doorstep within hours. We start a job and want to see immediate success. And this mindset has quietly crept into our spiritual lives as well. We invest our time, our energy, and our hearts into our avodat Hashem , but when we don't see immediate results, the yetzer hara whispers in our ears: "Why bother? You've tried and tried—what do you have to show for it?" This struggle applies to so many areas of life: our tefillot , our limud haTorah , our efforts in helping others, or supporting a cause we care about. In the world of Torah and mitzvos, the fruits of our labor are often hidden—sometimes for years, sometimes for decades. But one thing is certain: no effort in avodat Hashem ever goes to waste. There's a powerful mashal that illustrates this: A man plants a seed deep in the soil and faithfully waters it every day. Weeks go by, and not even a sprout breaks through the ground. Discouraged, he stops watering, convinced his efforts were in vain. What he didn't know was that beneath the surface, the seed had already begun to take root. Strong roots were forming deep underground—out of sight, but full of life. Had he waited just a little longer, he would have seen a beautiful tree begin to grow. It's the same with us. The growth is there—we just don't always see it. If it's hard for us to continue, that only makes the reward sweeter. Every moment of hishtadlut —every heartfelt tefillah , every struggle to hold back a sharp word, every time we try to improve—is being collected and counted by Hashem. A person can work on their middot for years and not feel much change. They may still get angry, still feel overwhelmed, still struggle to maintain joy—but then, one day, in a moment they never imagined they could handle, they respond with calm and with strength. And in that moment, they realize: the change was always growing—it just took time to bloom. A woman once said that she had worked on her shalom bayit for years. She gave in. She stayed quiet. She chose peace over winning. But she felt like none of it made a difference. Then, during a difficult moment in their marriage, her husband said to her with tears in his eyes: "You don't know what kind of strength you've been for me all these years." The fruit had been growing all along. It just needed time to ripen. When we keep going—even when we don't see results—that is the ultimate expression of emunah . We believe that Hashem values every step. This world is the world of action. The world of reward is coming. So many of our greatest leaders didn't live to see the full impact of their work. But they kept pushing—and that's what made them great. Rav Aharon Kotler zt"l came to America in the early 1940s, at a time when the country was spiritually barren—especially when it came to yeshiva learning. In 1943, he opened a small yeshiva in Lakewood, New Jersey, with just 14 students. Few believed it would last. But Rav Aharon taught with fire. He poured his soul into building Torah in a land that seemed inhospitable to it. He led the yeshiva for 19 years, 7 months, and 1 day—until his passing. By then, the yeshiva had grown to about 160 talmidim. Modest numbers for nearly two decades of work. But the Rabbanim who remained said: Rav Aharon infused the yeshiva with kedushah . His efforts were l'shem Shamayim , and they would not go to waste. His son, Rav Shneur Kotler zt"l, took over—and remarkably, passed away exactly 19 years, 7 months, and 1 day from when he began. In that time, the yeshiva grew to over 900 boys. Still, the true explosion of growth came afterward. Today, BMG in Lakewood is home to over 10,000 talmidim—arguably the largest yeshiva in the world. Rav Aharon never saw it. But today, in the radiance of the Shechinah , he is surely reaping the reward. He planted the seeds. He watered them with sweat, with mesirut nefesh , and with unwavering bitachon . And Hashem made them grow. So if you're struggling… if you've been trying to grow in your avodat Hashem but don't see the fruits yet—don't stop. Don't listen to that voice that says it's not worth it. Every drop of effort counts. And one day, those seeds will sprout in ways you never imagined. Because the tree always takes time to grow. But the reward… is eternal.

Formed in early 2019, The Florentinas comprises Paddy Boyd (vocals), Jacob Kane (bass), Luke Swann (guitar) and Jakob Swann (drums), who met at secondary school in Bangor, Northern Ireland. Their hook-heavy indie rock has garnered attention at home and beyond, signing a publishing deal with BMG in 2020. The band have supported Nothing But Thieves, The Amazons, Stereophonics and Snow Patrol, as well as performing at Stendhal Festival, Electric Picnic and Other Voices in 2022.

Tab Nkhereanye is the SVP of A&R at BMG (aka the 4th major). He's been a part of 15 #1 records as a songwriter turned executive. In this episode, we discuss the formula for hit songs, discovering Frank Ocean, writing Justin Bieber's first hit, how to get out of a sh*tty publishing deal, and more. FREE ACCESS to "100 VIRAL CONTENT IDEAS FOR MUSICIANS": https://forms.gle/zGWuUrLA8mBfqz7F8GET 30% OFF DISTROKID: http://distrokid.com/vip/onemoretimeJOIN OUR DISCORD: https://discord.gg/rTAYsPcyEYWANNA WORK WITH US? Make us an OFFER! https://forms.gle/tVdon5vyoGAqPjx6AFOLLOW Tab:https://www.instagram.com/personal_legend7FOLLOW One More Time:https://www.instagram.com/onemoretimepodhttps://www.tiktok.com/@onemoretimepod

This week, hosts Jim DeRogatis and Greg Kot interview Tariq "Black Thought" Trotter of The Roots about his memoir. The hosts also review the new album from Turnstile.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Danger Mouse and Black Thought, "Sometimes," Cheat Codes, BMG, 2022The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Turnstile, "Never Enough," Never Enough, Roadrunner, 2025Turnstile, "Sole," Never Enough, Roadrunner, 2025Turnstile, "I Care," Never Enough, Roadrunner, 2025Turnstile, "Seein' Stars," Never Enough, Roadrunner, 2025Turnstile, "Sunshower," Never Enough, Roadrunner, 2025Turnstile, "Dreaming," Never Enough, Roadrunner, 2025The Roots, "The Next Movement (feat. DJ Jazzy Jeff & Jazzyfatnastees)," Things Fall Apart, MCA, 1999The Roots, "The Roots is Comin'," Organix!, Self-Released, 1993Grandmaster Flash and the Furious Five, "The Message," The Message, Sugar Hill, 1982Run-DMC, "My Adidas," Raising Hell, Profile, 1986El Michels Affair & Black Thought, "Protocol (feat. Son Little)," Glorious Game, Big Crown, 2023George Benson, "Give Me The Night," Give Me The Night, Qwest, 1980The Jacksons, "We Can Change The World," Victory, Epic, 1984Gene Chandler, "Duke of Earl," Duke of Earl (Single), Vee-Jay, 1961After, "300 dreams," 300 dreams (Single), Ultraworld, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

WOLFGANG VAN HALEN Unleashes MAMMOTH's Explosive Third Album "The End" — New Single "The Spell" Out Now! Wolfgang Van Halen is back, and he's louder, sharper, and more unstoppable than ever. His powerhouse band MAMMOTH (formerly MAMMOTH WVH) has officially announced its third studio album, "The End", arriving October 24 via BMG. This 10-track sonic journey, clocking in at a lean, electrifying 39 minutes, marks a bold evolution in Wolfgang's already remarkable solo career. Recorded at the iconic 5150 Studios and produced once again by trusted collaborator Michael “Elvis” Baskette, "The End" finds Wolfgang pushing his creative boundaries. As always, he wrote every song, played every instrument, and sang every vocal, proving once again that he's not just carrying the Van Halen legacy — he's forging a new one. Fans can pre-order "The End" now in a variety of collector-worthy formats, including limited-edition colored vinyl, a signed insert edition, and exclusive retailer bundles.

As we prepare for Shavuos, Rav Moshe Shwed, Director of All Torah, joins Shtark Tank to discuss the intersection of Torah, technology, and responsibility. A Brisk alum turned digital visionary, Rav Moshe shares how he helped launch some of the most popular Torah apps in the world — including All Daf, All Parsha, All Mishnah, and more.This conversation goes beyond product design. We dive into how working Bnei Torah can stay grounded in their learning, how accountability and consistency build spiritual momentum, and why technology — if used wisely — can be a powerful tool for harbatzas Torah.What We Discuss:Rav Moshe's journey: Brisk, BMG, and the unexpected call from (or to) the OUThe origin story of All Daf and the 2019 Siyum HaShas pushCreating curated, Yomi-focused Torah content for the real worldA marathon runner from Georgia and the unexpected power of accessible TorahTorah and tech: Is it lechatchila or bedieved? Rav Moshe's nuanced takeBuilding for depth in a short-form world: design choices and user realitiesWhat happens if the apps go offline? The mission to lower the barrier to entryThe launch of All Mishnah, All Parsha, and new frontiers like Nach YomiTorah as the ultimate unifier — and why that matters now more than everThe mem-ches kinyanei Torah and building a national beis medrashAdvice for working Bnei Torah: accountability, chaburas, and small stepsHow Torah changes the way your family sees youLinks & Resources:Download the apps: All Torah App SuiteMentioned seforim:Mishnas Rav Aharon (Rav Aharon Kotler)Shaarei HaZmanim (Rav Dessler, grandson of the Michtav M'Eliyahu)Don't miss out on excellent written content! Be sure to subscribe to our newsletter at ShtarkTank.orgChapters00:00 Introduction04:57 The Origins of AllDaf and Its Unique Approach19:59 Balancing Technology and Traditional Learning36:45 The Unifying Power of Torah43:47 Success in Learning50:30 Lightning Round

Tom Stingemore is one of the most knowledgeable minds in music sync licensing. He was President of Sync at Hipgnosis, the multi-billion dollar music catalog fund that owns thousands of No. 1 songs. Before that, he was SVP of Sync at BMG and Creative Director of Sync at Universal Music Group. In this episode, we link up in London to talk about Tom's new company, Alloy, and his mission to fix one of the biggest problems in sync: bad data. We break down what music sync is, how it works, what's broken in the current system, and how it can be improved. Whether you're a music supervisor, artist, producer, or just curious about how songs get placed in film, TV, ads, and games—this episode will give you a deep understanding of the sync world today and where it's going. We are On The Go — here's my conversation with Tom Stingemore. Special thanks to Dean St. Studios in London for having us! (00:00) INTRO (02:55) WHY SYNC IS IMPORTANT TO ARTISTS (03:59) SYNC MAKES YOU MONEY (04:45) HIPGNOSIS (07:13) PROBLEMS, CURRENT STATE OF SYNC (21:33) SYNC SOLUTIONS, ALLOY (25:17) EXAMPLES (28:10) REACTIONS (30:08) TOM'S FOUNDER JOURNEY (33:00) THE METADATA PROBLEM, SPOTIFY (35:25) WHY SYNC HASN'T BEEN FIXED YET (37:15) JAMMCARD (38:24) BETTER SYNC IS ACHIEVABLE (40:32) HOW IS SYNC DIFFERENT BETWEEN BMG, UMG, HIPGNOSIS (44:10) INDIE ARTISTS GETTING SYNC ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Tom: https://www.instagram.com/tomstinge/ Learn more about Alloy: https://www.alloy.music/ Tom's Article on Music Business Worldwide: https://www.musicbusinessworldwide.com/five-reasons-why-sync-is-still-stuck-in-the-last-century/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Revisiting the WZO controversy What's the difference between this and joining the Knesset? Why's this difference than the Moetzes pushing Avi Schnall to run specifically as a democrat? Is this the old age Hashkafic Machlokes between Satmar and Brisk VS the Agudah? Why did they stop second Seder in BMG for a political rally? with Rabbi Avi Shafran – Spokesman for the Agudah – 11:27 The Tzedaka Generation Have we lost our priorities to the glitz and the glamor? Are we giving large glamorous Tzedakahs at the expense of our local institutions? Should you give money to an out-of-town Yeshiva or Kollel when your son's Yeshivah can't make its budget? Should we be sending our daughters to seminaries due to the tuition prices? How much does a Frum Family need today to get by? with Reb Shalom Ber Sorotzkin – Premier Fundraising Rosh Hayeshiva of our generation – 29:41 with Mr. Yisroel Orzel – Longtime President, Yeshiva of Spring Valley – 43:50 with Rabbi Yitzchok Gottdiener – Executive Director, Yeshivah Torah Vodaas – 59:13 with Rabbi Shimon Taub –  Author, Laws of Tzedakah and Ma'aser – 1:13:34 מראי מקומות   

Welcome back to For The Love of Guns! In this relaxed and nostalgic episode, host Jason Schaller sits down in-studio with returning guest Lonnie Robinson, a longtime friend, Marine Corps veteran, and firearms enthusiast. Together, they dive into the joys and challenges of getting back into competition shooting as they navigate their "older years," reflecting on past experiences, evolving passions, and the camaraderie that keeps them hooked on the sport. Key Segments Intro: Welcome Back Lonnie [00:00:04 - 00:01:42] Jason kicks off the show with a warm welcome to Lonnie, a rare in-studio guest who's back for more “abuse.” The duo shares how they met—Lonnie as a customer when Jason ran an FFL—and their enduring friendship despite Jason's playful jabs. Topic: Returning to Competition Shooting [00:01:43 - 00:11:53] Jason and Lonnie discuss their return to competition shooting, focusing on trap, sporting clays, and pistol matches. Lonnie reflects on his recent trap and five-stand sessions at a new club, reigniting his love for shotgunning—a passion rooted in his Marine Corps days and childhood hunting in Texas. Jason shares his own journey, from trap at age 10 with an 870 Wingmaster to pistol competitions in his 20s and sporting clays in his 30s. They explore the physical challenges of aging—shoulder surgeries, knee issues, and arthritis—and how it shifts their focus from winning to enjoying the sport and camaraderie. Highlight: Lonnie's shift to competing against himself rather than others: “I'm my main adversary now.” [00:06:13] Sponsor Break: EGIS Gun Care [00:11:53 - 00:12:35] Jason gives a shoutout to AEGIS Gun Care at https://trb.fyi/boomlube, praising their oils and teasing an upcoming content idea. Use code BoomLub at checkout for 10% off and to support the show! Long-Range Shooting: Military vs. Now [00:12:35 - 00:16:58] Lonnie contrasts his Marine Corps long-range shooting with today's recreational approach, emphasizing fun over necessity. A discussion on ethical hunting: Lonnie opts against building a long-range hunting rifle (7mm PRC) for a client due to insufficient skill and practice for shots beyond 400 yards. Highlight: “Unless you know your rifle, load, and wind conditions, you shouldn't take long-range shots.” [00:14:46] Gunsmithing: Experience Over Certificates [00:17:01 - 00:23:26] The pair dive into building custom rifles, with Lonnie sharing his work at Little Mountain Gun Works and Jason recounting his own builds (e.g., rebarreling Remington 700s). They critique gunsmithing schools like SDI and MGS, agreeing real-world experience trumps formal diplomas. Lonnie's “diploma from life and the Marine Corps” speaks for itself. Highlight: Lonnie on woodworking: “I don't need a class—I make really nice stocks.” [00:20:52] Competition Rifles and Shotguns [00:23:26 - 00:45:24] From chassis systems to classic over-and-unders, they explore how competition gear has evolved and their personal preferences (Lonnie's Beretta love shines through). Lonnie's shift to enjoying the process over scores: “My five-stand was atrocious compared to my old scores, but I had a blast.” [00:45:10] Speed Round [00:51:22 - 00:57:03] Jason surprises Lonnie with a quick-fire Q&A: Ear plugs or muffs? Plugs for shotguns. [00:52:16] 357 or 454 Casull? 357 for versatility. [00:53:55] Improved or modified choke? Modified for all-around use. [00:55:05] Single shot or lever action? Single shot (Ruger No. 1 fan). [00:56:23] Thinking Question: From the world's largest armory, Lonnie picks a Ma Deuce (.50 BMG), envisioning it in a Jeep for Rolling Thunder. [00:57:27] Wrap-Up: Little Mountain Gun Works [01:01:03 - 01:04:26] Lonnie introduces his retirement gig at Little Mountain Gun Works, crafting custom PRS and NRL rifles with his 07 FFL. Jason teases future collaborations—stay tuned for more! The episode ends with their signature banter,

Shotgun Spratling and Jack Smith return on the Dedeaux Download Podcast to break down a second strong week to open up the 2025 USC baseball season with the Trojans picking up four wins and improving to 7-1 overall, finding ways to win close games against Big West foes UC Irvine and Cal State Fullerton, dominating Cal State Bakersfield and splitting a pair of hard-fought games on the road at Rice. Shotgun and Jack break down all the action, comparing the Trojans' strong start to the opening of the 2024 season when USC couldn't seem to get over the hump in close games early in the season. They discuss the standouts of the 4-1 week, including relievers Grant Govel and Garren Rizzo, who each had impressive scoreless outings. Fourth-year junior shortstop Bryce Martin-Grudzielanek then joins the show to talk about his hot start to the season as he's hitting .323 with seven RBIs and knocked his first homer on Tuesday. BMG talks about being able to get out on the new Dedeaux Field for the first time Wednesday and discusses the differences from last season when he dealt with a wrist injury ("it sucked") to this season's fast start for the Trojans through two weeks. He also discusses why he decided to come back to USC after being drafted in the 20th round last year and what it took to get his mother, a former UCLA softball player, to finally put on some cardinal-and-gold attire. After talking with Martin-Grudzielanek, Shotgun and Jack preview an upcoming 10-day stretch that could define the season for the Trojans as they take on Connecticut, No. 14 Vanderbilt and UCLA this weekend and a midweek matchup with No. 20 UC Santa Barbara before opening Big Ten play against No. 11 Oregon next weekend. Please review, rate and subscribe to the Peristyle Podcast on Apple Podcasts! Make sure you check out USCFootball.com for complete coverage of USC Trojans football, basketball, baseball and recruiting.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

As Jazmine grapples with self-acceptance, Grandma Ella and Ms. Lorraine feel compelled to share their respective insecurities. This leads to a poignant recollection of the day a power outage compelled a young Ella and Lorraine to reveal their deepest secrets and vulnerabilities.Red for Revolution is created, written, and directed by Jana Naomi Smith with Musical Direction by Tammy L. Hall and Sound Design by Collin Gerald Thomas. Original Music by Tammy L.  Hall and Jana Naomi Smith and performed by Renée Wilson, Loretta Devine, and Jordan Hull featuring the Red for Revolution band, Tammy L. Hall on piano, Kofy Brown on electric Bass, Ruth Davies on acoustic Bass, Ruthie Price on drums, Kristen Strom on saxophone and flute, and Vicki Randle on percussion. Cover art by Shefon N. Taylor. The series is executive produced by Renée Wilson, Jana Naomi Smith, and Meta Mana Media with associate producers Jordan Hull, Adrian Snegg, and Vanessa E. Williams. All episodes produced by Liz McBee.The Red for Revolution team would like to thank each person who helped bring this project to life. Please visit redforrevolution.com for the complete credit and gratitude list. For additional resources and to sign up for our newsletter visit redforrevolution.com.This audio drama was recorded under the SAG-AFTRA 2020 New Media Principal Performer Contract. Episode Three Cast:Jordan Hull a s Jazmine JamesS. Epatha Merkerson as Ella Ali (Present Day)Loretta Devine as Lorraine Giovanni (Present Day)Renée Wilson as Lorraine Giovanni (1970s)Rutina Wesley as Ella Ali (1970s)Jennifer Beals as Suzanne Sands  David Alan Graf as PilotAshley J. Hobbs as Rubyadrienne maree brown as series sonic guide Music Featured:“Stormy Weather”Written by Harold ArlenPerformed by Loretta Devine and Renée WilsonCourtesy of BMG, Round Hill Music, Sony Music Publishing and S.A. MusicFor Radiotopia Presents, Yooree Losordo is the Managing Producer. Audrey Mardavich is the Executive Producer. Red for Revolution is part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.  Learn about your ad choices: dovetail.prx.org/ad-choices