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3 episodes with warbler press
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3 episodes with warbler press
2 episodes with warbler press
2 episodes with warbler press
Nietzsche Now! Now? Really, you might ask. Isn't he dead already? The Great Immoralist on the vital issues of our time. Hmm, how is that you might ask. Find out in this conversation with Glenn Wallis, returning guest and author of Nietzsche Now! We discuss the role Nietzsche might play today in helping all of us exit the culture war bubble and start to think again. For regular listeners, don't worry, we do touch on Buddhism too! The Press Release does much of the work in explaining the appeal of this book. ‘For readers both acquainted with and new to the writings of Friedrich Nietzsche, Nietzsche NOW! (Warbler Press, 2024) frames and explains Nietzsche's thinking on topics of immediate contemporary concern and relevance. Wallis unpacks Nietzsche's complex philosophy with a deft, empathetic, and brilliantly subtle analysis of the views of the Great Immoralist on democracy, identity, civilization, consciousness, religion, and other momentous topics. Throughout, Wallis includes ample extracts from Nietzsche himself. Rather than skirting what is controversial or editing for easy consumption, Wallis invites readers to exercise a courageous curiosity that yields a rich, nuanced understanding of Nietzsche. He takes readers on a sometimes counterintuitive, always revelatory journey to grasp the relevance of Nietzsche for our contentious times. “Clearly written, relevant accounts are rare in the world of Nietzsche scholarship. Nietzsche NOW! is immensely readable. Our ‘now' is as pessimistic as Nietzsche's ‘now' but Wallis guides us, through Nietzsche's writings, towards coping with the same problems Nietzsche tackled, including truth, democracy, morality, and identity. The same problems but not the same. All now wear modern dress. Wallis's deep knowledge of Buddhism feeds into the transfigurative nature of the Übermensch, the radical figure who realizes the possibility for personal and social change, the figure whom we can all—why not?—strive to become.” —Sue Prideaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Nietzsche Now! Now? Really, you might ask. Isn't he dead already? The Great Immoralist on the vital issues of our time. Hmm, how is that you might ask. Find out in this conversation with Glenn Wallis, returning guest and author of Nietzsche Now! We discuss the role Nietzsche might play today in helping all of us exit the culture war bubble and start to think again. For regular listeners, don't worry, we do touch on Buddhism too! The Press Release does much of the work in explaining the appeal of this book. ‘For readers both acquainted with and new to the writings of Friedrich Nietzsche, Nietzsche NOW! (Warbler Press, 2024) frames and explains Nietzsche's thinking on topics of immediate contemporary concern and relevance. Wallis unpacks Nietzsche's complex philosophy with a deft, empathetic, and brilliantly subtle analysis of the views of the Great Immoralist on democracy, identity, civilization, consciousness, religion, and other momentous topics. Throughout, Wallis includes ample extracts from Nietzsche himself. Rather than skirting what is controversial or editing for easy consumption, Wallis invites readers to exercise a courageous curiosity that yields a rich, nuanced understanding of Nietzsche. He takes readers on a sometimes counterintuitive, always revelatory journey to grasp the relevance of Nietzsche for our contentious times. “Clearly written, relevant accounts are rare in the world of Nietzsche scholarship. Nietzsche NOW! is immensely readable. Our ‘now' is as pessimistic as Nietzsche's ‘now' but Wallis guides us, through Nietzsche's writings, towards coping with the same problems Nietzsche tackled, including truth, democracy, morality, and identity. The same problems but not the same. All now wear modern dress. Wallis's deep knowledge of Buddhism feeds into the transfigurative nature of the Übermensch, the radical figure who realizes the possibility for personal and social change, the figure whom we can all—why not?—strive to become.” —Sue Prideaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Nietzsche Now! Now? Really, you might ask. Isn't he dead already? The Great Immoralist on the vital issues of our time. Hmm, how is that you might ask. Find out in this conversation with Glenn Wallis, returning guest and author of Nietzsche Now! We discuss the role Nietzsche might play today in helping all of us exit the culture war bubble and start to think again. For regular listeners, don't worry, we do touch on Buddhism too! The Press Release does much of the work in explaining the appeal of this book. ‘For readers both acquainted with and new to the writings of Friedrich Nietzsche, Nietzsche NOW! (Warbler Press, 2024) frames and explains Nietzsche's thinking on topics of immediate contemporary concern and relevance. Wallis unpacks Nietzsche's complex philosophy with a deft, empathetic, and brilliantly subtle analysis of the views of the Great Immoralist on democracy, identity, civilization, consciousness, religion, and other momentous topics. Throughout, Wallis includes ample extracts from Nietzsche himself. Rather than skirting what is controversial or editing for easy consumption, Wallis invites readers to exercise a courageous curiosity that yields a rich, nuanced understanding of Nietzsche. He takes readers on a sometimes counterintuitive, always revelatory journey to grasp the relevance of Nietzsche for our contentious times. “Clearly written, relevant accounts are rare in the world of Nietzsche scholarship. Nietzsche NOW! is immensely readable. Our ‘now' is as pessimistic as Nietzsche's ‘now' but Wallis guides us, through Nietzsche's writings, towards coping with the same problems Nietzsche tackled, including truth, democracy, morality, and identity. The same problems but not the same. All now wear modern dress. Wallis's deep knowledge of Buddhism feeds into the transfigurative nature of the Übermensch, the radical figure who realizes the possibility for personal and social change, the figure whom we can all—why not?—strive to become.” —Sue Prideaux Learn more about your ad choices. Visit megaphone.fm/adchoices
What would Nietzsche say… about today's divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche's work that help navigate today's concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time. Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist's Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia. Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold. Other Think About It episodes mentioned in this podcast: Béatrice Longueness on Immanuel Kant's What is Englightenment? Melissa Schwartzberg on Jean-Jacques Rousseau's The Social Contract Glenn Wallis on Kahlil Gibran's The Prophet Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken's Notes on Democracy Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What would Nietzsche say… about today's divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche's work that help navigate today's concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time. Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist's Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia. Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold. Other Think About It episodes mentioned in this podcast: Béatrice Longueness on Immanuel Kant's What is Englightenment? Melissa Schwartzberg on Jean-Jacques Rousseau's The Social Contract Glenn Wallis on Kahlil Gibran's The Prophet Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken's Notes on Democracy Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
What would Nietzsche say… about today's divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche's work that help navigate today's concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time. Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist's Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia. Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold. Other Think About It episodes mentioned in this podcast: Béatrice Longueness on Immanuel Kant's What is Englightenment? Melissa Schwartzberg on Jean-Jacques Rousseau's The Social Contract Glenn Wallis on Kahlil Gibran's The Prophet Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken's Notes on Democracy Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
What would Nietzsche say… about today's divisive issues and debates? I spoke with Glenn Wallis, author of the new book, Nietzsche Now!, on how the Great Immoralist guides us in understanding democracy, identity, civilization, consciousness, religion, and other urgent topics of our time. Wallis identifies six guiding principles in Nietzsche's work that help navigate today's concerns: curiosity, humor, courage, distance, solitude, and humor. Steeped in Nietzsche but never academic, dogmatic, or pious (which Nietzsche would have hated!), Wallis explains with infectious enthusiasm and meticulous care the reasons why Nietzsche may be the most relevant thinker for our time. Glenn Wallis is the editor and translator of The Dhammapada and Basic Teachings of the Buddha (Random House), and the author of A Critique of Western Buddhism (Bloomsbury), An Anarchist's Manifesto, and How to Fix Education (both with Warbler Press). He holds a Ph.D. from Harvard University and has taught at several universities, including Brown University, and at the University of Georgia as a tenured professor. He is the founder and director of Incite Seminars in Philadelphia. Nietzsche Now! The Great Immoralist on the Vital Issues of Our Time (Warbler Press, 2023) is now available wherever books are sold. Other Think About It episodes mentioned in this podcast: Béatrice Longueness on Immanuel Kant's What is Englightenment? Melissa Schwartzberg on Jean-Jacques Rousseau's The Social Contract Glenn Wallis on Kahlil Gibran's The Prophet Ruth Ben-Ghiat on Threats to Democracy and H. L. Mencken's Notes on Democracy Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
A century ago, journalist H. L. Mencken provocatively stated in Notes On Democracy (new edition by Warbler Press, 2023) that anti-democratic behavior is not only not shocking but that we should in fact expect democracies to give rise to un- and even anti-democratic forces. Mencken doubted that such the evils of democracy will be cured by more democracy, which usually means elections and ‘fostering democratic norms and behaviors. So what is to be done? I spoke with NYU Professor and political commentator Ruth Ben-Ghiat on the current threats to democracy posed by populism, the media's role in shaping political views, what historical precedents of strongmen can teach us about today's threats to democracy, and what is crucially missing from today's political landscape. Find the texts: Strongmen: Mussolini to the Present (Norton, 2021) by Ruth Ben-Ghiat Notes On Democracy (1926) by H. L. Mencken Ruth Ben-Ghiat is a distinguished expert in the history of fascism and is appointed at NYU as Professor of History and Italian. A leading authority on the contemporary challenges facing democracies globally, she frequently provides insights as a commentator for various news networks and contributes as an MSNBC opinion columnist. In her newsletter, Lucid, she delves into the critical issues threatening democracy. Her work has been recognized with Guggenheim, NEH, Fulbright and other fellowships. Her latest book, Strongmen: Mussolini to the Present explores the regimes and rise to power of authoritarian leaders, while proposing strategies for their defeat. Follow her here: Twitter @RuthBenGhiat; Instagram @RuthBenGhiat. Ulrich Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer; IG: @thinkaboutit.podcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Ricardo Alberto Maldonado is a poet residing in New York City who was born and raised in Puerto Rico. His first collection of poems, The Life Assignment, was a finalist for the Poetry Society of America's Norma Farber First Book Award. He is the executive director and president of the Academy of American Poets, a leading nonprofit that established April as National Poetry Month and brings verse to a wide audience through its Poem-a-Day series with more than 330,000 daily subscribers. The Academy also awards more than $1.3 million a year to hundreds of writers. Maldonado will be the organization's first Latino leader and intends to highlight, among other things, the linguistic diversity of American poetry today. Prior to assuming his role at the Academy of American Poets, he co-directed the poetry center at the 92nd Street Y in New York City, where Ulrich Baer, one of our co-hosts, also teaches courses on poetry and literature. Follow Ricky on Twitter. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Instagram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Celebrated, censored, canceled: Mark Twain's Adventures of Huckleberry Finn cannot be avoided. William Faulkner called Twain “the father of American literature.” Toni Morrison explained that “the brilliance of Adventures of Huckleberry Finn is that it is the argument it raises…. The cyclical attempts to remove the novel from classrooms extend Jim's captivity on into each generation of readers.” Ernest Hemingway claimed “all modern American literature comes from one book by Mark Twain called Huckleberry Finn… There was nothing before. There has been nothing as good since.” Ralph Waldo Ellison added that “Hemingway missed completely the structural, symbolic and moral necessity for that part of the plot in which the boys rescue Jim. Yet it is precisely this part which gives the novel its significance.” I spoke with Cleo McNelly Kearns, author of a seminal essay on Jim's role in the book, about Huckleberry Finn as a challenge and an opportunity for 21st-century readers to understand ourselves, our country, and our moral obligations more accurately. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
State censorship and cancel culture, trigger warnings and safe spaces, pseudoscience, First Amendment hardball, as well as orthodoxy and groupthink: universities remain a site for important battles in the culture wars. What is the larger meaning of these debates? Are American universities at risk of conceding to mobs and cuddled “snowflake” students and sacrifice the hallowed values of free speech and academic inquiry? Bradford Vivian examines the heated debates over campus misinformation as a language unto itself that confirms existing notions and often provides simple explanations for complex shared problems. In his book, Campus Misinformation: The Real Threat to Free Speech in American Higher Education (Oxford UP), he shows how the free speech crisis on US college campuses has been manufactured through misinformation, distortion, and political ideology, and how campus misinformation is a threat not only to academic freedom but also to civil liberties in US society writ large. In our conversation, Bradford explained how campus speech crises are used – and also how faculty, administrators, students and others can recognize recurring patterns and properly respond, for example to distinguish between abuses of scientific evidence and sound scientific claims in public argument. Bradford Vivian is a professor in the Department of Communication Arts and Sciences at Pennsylvania State University. His research and teaching focuses on theories of rhetoric (or the art of persuasion) and public controversies over memory, history, speech and other issues. Among his books are Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press), Public Forgetting: The Rhetoric and Politics of Beginning Again (Penn State Press) and Being Made Strange: Rhetoric beyond Representation (SUNY Press). He is also co-editor, with Anne Teresa Demo, of Rhetoric, Remembrance, and Visual Form: Sighting Memory (Routledge). He has been awarded a National Endowment for the Humanities Summer Stipend and, from the National Communication Association, the James A. Winans-Herbert A. Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address, the Critical/Cultural Studies Division Book of the Year Award, and the Karl R. Wallace Memorial Award. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer.
Why read the Classics, and how to do it best? Louis Petrich teaches at St. John's College, the third-oldest college and “the nation's most contrarian college” (according to the New York Times, meant as a compliment). St. John's takes a remarkable approach to the liberal arts: students and teachers read and discuss 3,000 years of Great Books over four years, all via primary readings without disciplinary boundaries. Louis Petrich and I talked about teaching and reading Classic Books as a means of deepening rather than resolving the mystery of who we are, what we do, and how best to engage the world around us. St. John's offers the series Continuing the Conversation with professors where “questions are more important than answers,” which is a natural companion to Think About It. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education
Why read the Classics, and how to do it best? Louis Petrich teaches at St. John's College, the third-oldest college and “the nation's most contrarian college” (according to the New York Times, meant as a compliment). St. John's takes a remarkable approach to the liberal arts: students and teachers read and discuss 3,000 years of Great Books over four years, all via primary readings without disciplinary boundaries. Louis Petrich and I talked about teaching and reading Classic Books as a means of deepening rather than resolving the mystery of who we are, what we do, and how best to engage the world around us. St. John's offers the series Continuing the Conversation with professors where “questions are more important than answers,” which is a natural companion to Think About It. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
What Is to Be Done? In her luminous biography Emma Goldman: Revolution as a Way of Life (Yale UP, 2011), Vivian Gornick brings us back to this question, originally made by Lenin after a novel which suggests that in order to achieve egalitarianism and sexual liberation, revolutionaries have to live “as though hunted:” no romance, no sex, no friends, no conversation. This was the revolutionary tradition from - and against - which legendary anarchist feminist Emma Goldman sprung. Goldman refused the austere image of the revolutionary. For her, sex, passion, and love were inextricable from the human experience, and thus also inextricable from political life. She maintained, as Gornick says, a “timeless hunger for living life on a grand scale.” In her own—now famous—words: “If I can't dance, I don't want to be in your revolution.” Goldman had immigrated from Lithuania to Rochester, New York in 1885 and became America's "most dangerous woman" by the powers that be of her time. Gornick, the radical feminist critic celebrated for Fierce Attachments (1987) and The Romance of American Communism (1977), recounts Goldman's progression as an anarchist and feminist. Goldman's feminism was often ambiguous. But Gornick suggests that precisely these conflicts explain her continued influence over generations of feminists after her. On the podcast, we spoke about Goldman's radical political program and their resonance in our time. Gornick also wrote an original preface for a new Goldman reader from Warbler Press, The Essential Emma Goldman—Anarchism, Feminism, Liberation (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices
Virginia Woolf's 1938 provocative and polemical essay Three Guineas presents the iconic writer's views on war, women, and the way the patriarchy at home oppresses women in ways that resemble those of fascism abroad. Two great Woolf experts, Professor Anne Fernald, editor of two editions of Mrs. Dalloway which she movingly discusses on another Think About It episode, and Rajgopal Saikumar, who is completing a dissertation on Woolf, Hurston, Baldwin and Gandhi and the “duty to disobey” at NYU, explain Woolf's arguments, the reasons for the shocked response by most of her peers, and why Three Guineas remains so relevant for our time. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Virginia Woolf's 1938 provocative and polemical essay Three Guineas presents the iconic writer's views on war, women, and the way the patriarchy at home oppresses women in ways that resemble those of fascism abroad. Two great Woolf experts, Professor Anne Fernald, editor of two editions of Mrs. Dalloway which she movingly discusses on another Think About It episode, and Rajgopal Saikumar, who is completing a dissertation on Woolf, Hurston, Baldwin and Gandhi and the “duty to disobey” at NYU, explain Woolf's arguments, the reasons for the shocked response by most of her peers, and why Three Guineas remains so relevant for our time. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Virginia Woolf's 1938 provocative and polemical essay Three Guineas presents the iconic writer's views on war, women, and the way the patriarchy at home oppresses women in ways that resemble those of fascism abroad. Two great Woolf experts, Professor Anne Fernald, editor of two editions of Mrs. Dalloway which she movingly discusses on another Think About It episode, and Rajgopal Saikumar, who is completing a dissertation on Woolf, Hurston, Baldwin and Gandhi and the “duty to disobey” at NYU, explain Woolf's arguments, the reasons for the shocked response by most of her peers, and why Three Guineas remains so relevant for our time. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It's easy to write off his message that communication is vital for human existence. He's a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book's pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway's profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press's authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It's easy to write off his message that communication is vital for human existence. He's a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book's pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway's profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press's authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It's easy to write off his message that communication is vital for human existence. He's a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book's pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway's profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press's authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It's easy to write off his message that communication is vital for human existence. He's a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book's pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway's profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press's authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Halfway through Mrs Dalloway, Septimus Smith mutters to himself: "Communication is health; communication is happiness, communication.” It's easy to write off his message that communication is vital for human existence. He's a shell-shocked World War I vet, who, in this moment, hallucinates that the birds are communicating with him in grief. But in her landmark 1925 novel, Mrs Dalloway, Virginia Woolf understands his traumatized psyche with deep generosity and compassion. Indeed, the book's pervasive sense is that “it takes a lot of bravery to live a single day,” but that such everyday bravery is amply, richly, wonderfully rewarded in even the simplest of acts. I spoke with Anne Fernald about Mrs Dalloway's profound politics of emotion—and a host of other ideas. Anne is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021), and the author of Virginia Woolf: Feminism and the Reader (2006). Her incredible knowledge of and love for Woolf is itself an act of bravery, as you can hear in our conversation. You can find Warbler Press's authoritative edition, with a new introduction by me, here. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Ulrich Baer is University Professor at New York University where he teaches literature and photography. He has published books on poetry, photography, and culture, and written for the New York Times, the New York Review of Books, and the Los Angeles Book Review. His translations of poet Rainer Maria Rilke's letters are available as audiobooks read by Ethan Hawke and Rosanne Cash. He hosts the ideas podcasts, Think About It and The Proust Questionnaire, and has published editions of numerous classic books with Warbler Press, including Pride and Prejudice, The Scarlet Letter, The Great Gatsby, Beyond Good and Evil, Heart of Darkness, and others. Smaran Dayal is a Ph.D. candidate in Comparative Literature at New York University, where he is writing a dissertation on literary Afrofuturism. He was the recipient of the Rosa Luxemburg Foundation's Masters Scholarship and the European Council's Erasmus Mundus Fellowship. He is one of the co-organizers of the NYU Postcolonial, Race and Diaspora Studies Colloquium, co-translator of the book The Queer Intersectional in Contemporary Germany (2018) and co-editor of the anthology of American literature, Fictions of America: The Book of Firsts (2020). His writing has previously appeared or will soon appear in The Los Angeles Review of Books, the Harvard Review, Social Text, Citizenship Studies, Interventions, and the Journal of Postcolonial Writing. About Mackenzie Amyx Gen Z authority. Website: http://mackenzieamyx.com/ Instagram: @mackenzieamyx YouTube: https://www.youtube.com/channel/UC3lo5qcDh5MRhzjqieg7szg?view_as=public
When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I'm sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In addition to being a writer, Ashley is a retired psychoanalyst. A retired psychoanalyst, Ashley is also the author of the novels The Christ of the Butterflies and In The Country of the Great King. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction
James Joyce's 1914 collection of fifteen short stories, Dubliners, is righty considered one of the greatest literary achievements of Western modernity. But what is so original about these stories that begin with childhood, cover adolescence and adult choices, and conclude with a deeply moving reflection on our mortality? What life-changing experiences are their center, and how does Joyce understand such epiphanies? And who is Joyce, who writes the stories about life in Dublin after having left his native Ireland for Italy? What did Joyce set out to do in Dubliners, before he embarked on writing Ulysses, which appears in 1922 in France? John Waters teaches Irish literature and culture at New York University, and explains on this podcast the cultural context for Joyce's stories and highlights several moments where Joyce lets his characters reach their expressive competence – meaning that the stories take us to the edge of human emotions and experience without becoming meaningless or incomprehensible. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
James Joyce's 1914 collection of fifteen short stories, Dubliners, is righty considered one of the greatest literary achievements of Western modernity. But what is so original about these stories that begin with childhood, cover adolescence and adult choices, and conclude with a deeply moving reflection on our mortality? What life-changing experiences are their center, and how does Joyce understand such epiphanies? And who is Joyce, who writes the stories about life in Dublin after having left his native Ireland for Italy? What did Joyce set out to do in Dubliners, before he embarked on writing Ulysses, which appears in 1922 in France? John Waters teaches Irish literature and culture at New York University, and explains on this podcast the cultural context for Joyce's stories and highlights several moments where Joyce lets his characters reach their expressive competence – meaning that the stories take us to the edge of human emotions and experience without becoming meaningless or incomprehensible. Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Haaz Sleiman (هاز سليمان) is a Lebanese actor who has appeared as Tarek in Tom McCarthy's 2007 award-winning film The Visitor, for which he was nominated for the Independent Spirit Award for Best Supporting Male and the role of Jesus in the American TV mini-series Killing Jesus. He's also appeared alongside Edie Falco and Anna Deavere Smith (guest on The Proust Questionnaire) in the hit show Nurse Jackie, and stars in Chloe Zhao's 2021 blockbuster Eternals, where he plays (spoiler alert!) the path-breaking role of Ben, the husband of superhero Phastos as the first wonderful, compelling, and courageous same-sex couple in the Marvel universe. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Haaz Sleiman (هاز سليمان) is a Lebanese actor who has appeared as Tarek in Tom McCarthy's 2007 award-winning film The Visitor, for which he was nominated for the Independent Spirit Award for Best Supporting Male and the role of Jesus in the American TV mini-series Killing Jesus. He's also appeared alongside Edie Falco and Anna Deavere Smith (guest on The Proust Questionnaire) in the hit show Nurse Jackie, and stars in Chloe Zhao's 2021 blockbuster Eternals, where he plays (spoiler alert!) the path-breaking role of Ben, the husband of superhero Phastos as the first wonderful, compelling, and courageous same-sex couple in the Marvel universe. Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Charlie Louth's illuminating recent book, Rilke: The Life of the Work (Oxford University Press, 2021) examines why Rilke's poems have exercised such preternatural attraction for now several generations of readers. The early 20th century German-language poet captured the experience of European culture irrevocably lurching into modernity, where an entire continent was forced to trade in its untenable and ultimately fantastically unrealistic Romantic worldview for the sober realization that humans are capable of even greater evil than any gods, and that life has meaning only if we continually create it. But unlike some other modernists, Rilke captured this vast cultural rupture in exceptionally beautiful and ever more effectively crafted, if ever less formal, poetry. Instead of explaining this effect away, Louth deepens the transformative experience of reading Rilke by offering his interpretation as one option among others and thus engaging the reader directly in the unfolding of each of Rilke's words. Louth's book follows the chronology of Rilke's life (1875 – 1926) but focuses on the works, often in the context of the situation when they were written, rather than on Rilke's itinerant life. I spoke with Charlie about the enduring importance of Rilke, about the Duino Elegies, and whether Rilke's 1915 poem “Death” – or any of his works in general – can alleviate the cold fact that as humans, no matter how blessed, we will face inconsolable loss. Charlie Louth is Associate Professor of German and Fellow of Queen's College, at Oxford University, in England. His research interests include poetry from the 18th century onwards, especially Goethe, Hölderlin, Mörike, Rilke and Celan; romanticism; translation; and comparative literature. His books include: Rilke: The Life of the Work (Oxford: OUP, 2020); Hölderlin and the Dynamics of Translation (Oxford: Legenda, 1998); (editor, with Patrick McGuinness), Gravity and Grace: Essays for Roger Pearson (Oxford: Legenda, 2019); (editor, with Florian Strob), Nelly Sachs im Kontext — eine »Schwester Kafkas«? (Heidelberg: Winter, 2014), and other works. He's also translated Rilke's Letters to Young Poet & The Letter from the Young Worker (Penguin, 2011). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Speaking of…” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Jane Austen's novel Pride and Prejudice delights, charms and entrances readers since its anonymous publication in 1813. The Bennett sisters need to marry rich, for otherwise they'll fall into poverty and social disgrace. Will arrogant Mr. Darcy be the solution, and will the fiercely proud, intelligent and also charming Elizabeth settle for this socially imposed scheme for women's happiness? Or does Austen put a twist on the hackneyed romance plot that made this book into the blueprint for countless re-tellings but keeps it separate from them - whether they are written by Charlotte Brontë or in the season episode of The Bachelor, any Hollywood rom-com, or Love is Blind? I talked with one of the great Austen experts of our time (Austen fanatics are called "Janeites," I learned), Professor Wendy Lee of New York University. Wendy explains why readers like Winston Churchill have turned to Austen in times of crisis, how Pride and Prejudice transcends the hackneyed dead-end storyline of romance as every woman's goal and fulfillment, and why Austen's novel rewards re-reading like few other books. How does Elizabeth get over Darcy's cruel snub at the first ball, and is Mrs. Bennett correct that the country has as many interesting people as one would ever need to meet for one's happiness? Find out in this episode on one of the greatest novels of all time, now also available in a newly edited version by Warbler Press with an Afterword by me, Ulrich Baer. Wendy Lee is the author of Failures of Feeling: Insensibility and the Novel, and also runs some reading groups that are open to the public.
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