Podcasts about communication arts

In this bonus episode of The Spark, Koto CEO and founder James Greenfield returns for a lighter, weirder, and more wonderfully random chat. From his most controversial creative opinion (spoiler: it involves Apple) to dreams featuring Mr Bingo demanding to be called 'The Way', nothing is off-limits. We chat about parenting, drum and bass, the strange comfort of Marcus Aurelius audiobooks, and the surprisingly joyful art of reading mean internet comments. James also reveals the creative outlet he's rubbish at (but would love to master), the most embarrassing pitch moment of his career, and the one thing he wishes Apple TV would sort out immediately. This one's for the curious, the creative, and anyone who's ever planted a hydrangea in the shade and called it therapy. And that's Season Nine wrapped up. It's been an absolute blast. We've loved every minute. Thank you to all our guests for joining us on the show, and a big thank you to the School of Communication Arts for making this season possible. We'll be back in the autumn with fresh guests, new and exciting themes, and more fun and games. Until then, have a great summer.

For the final episode of Season Nine, we're joined by James Greenfield, founder and CEO of Koto, the global brand agency celebrating its 10th anniversary. James reflects on a decade of building one of the most talked-about studios in the industry, from humble beginnings and "recycling problems" to global offices, high-profile clients like Amazon, and a team that now numbers over 180. We explore how Koto evolved from a scrappy underdog into a creative heavyweight and how James has managed to maintain a startup mentality, champion a people-first culture, and fiercely protect creative standards as the business scaled. He also shares why independence is having a moment, how AI is creating a flood of "automated slop", and why great creativity matters more than ever. Elsewhere, we touch on the emotional moments behind launching Koto, the leadership lessons learned, and how staying close to the team (and away from perfectionism) keeps the company grounded. There's also time for thoughts on social media fatigue, what makes a strong agency-client relationship, and why—despite a love of good work—he's only raised his voice three times in a decade. We wrap with some honest wisdom: whether you're running a studio or thinking about starting one, James offers no-nonsense advice on what it really takes. This season is proudly sponsored by the School of Communication Arts.

In this joyful bonus episode of The Spark, Katy Cowan and Fiona McGarva let their hair down after the main show, diving into the quirky, honest and oddly profound bits that make us who we are. From early mornings in silk gowns (or just pyjamas) to the emotional support cuddly toy that's seen it all, we explore the rituals, irrational comforts and unlikely talents that fuel creativity. Fiona reveals why she gets dressed up for phone calls, how she's surprisingly skilled at matching pairs, and why her funeral will feature a gospel choir and a rocket. We also cover the freedom that comes with age, the power of dressing for yourself, and the joy of not being brilliant at everything. Plus, the imaginary stage show we never knew we needed: Mystic Fiona at Shangri-La. Come for the giggles, stay for the insight – and find out what she'd be doing if PR hadn't worked out (hint: solving crimes on the book tour circuit à la Jessica Fletcher). This season is proudly sponsored by the School of Communication Arts.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode of The Creative Boom Podcast, Katy Cowan is joined by Fiona McGarva, founder of Sundae Communications and longtime collaborator with Shangri-La at Glastonbury Festival. They explore how Fiona and the team have completely reimagined how they communicate with audiences—ditching traditional social media announcements in favour of handmade risograph posters, seed packets, and direct, analogue experiences that celebrate slowness and real-world connection. Fiona shares how Shangri-La's new theme, 'The Wilding', is more than just a creative direction—it's a complete reset, inviting us all to consider how we share stories, connect with people, and move away from platforms we don't truly own. The conversation is a refreshing and empowering reminder that creativity can flourish in new ways, especially when we embrace age, messiness, and the freedom to do things differently. Together, Katy and Fiona reflect on their careers in PR, the shifts they've seen across media and design, and the joy of doing things on your own terms. Expect nostalgia, a few Pedro Pascal tangents, and plenty of wisdom on everything from personal growth to rediscovering magic in our work and lives. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, The Spark, our founding editor Katy Cowan reunites with Kenny Gravillis for a more playful, off-the-cuff chat that lifts the lid on the personality behind the creative powerhouse. With the serious stuff out of the way, it's time to talk rules, rituals and ridiculous snacks. Kenny shares the one design rule he tries not to break (but sometimes does) and how his relationship with creativity has evolved from being a perfectionist to embracing a more open, collaborative approach with his team. There's also a loving tribute to St. Lucia, where he escapes to reset and recharge; a flashback to his pool hustling days in the Bronx; and an unexpected comfort found in a dog named Hero, who really needs to stop biting people's feet. We also hear about his favourite funeral song, the word he never wants to hear again (bandwidth), and the oversized bag of Fruit Pastilles that didn't survive the first half of Mission Impossible. And yes, there's a Tom Cruise story... because, of course, there is. This season is proudly sponsored by the School of Communication Arts.

He branded the Oscars. Designed the iconic Ready to Die album cover. Created film campaigns for Inglourious Basterds, West Side Story, Dune and more. In this episode, our founding editor Katy Cowan chats with creative director Kenny Gravillis, the East London-born designer who's helped shape the visual language of contemporary film. The founder of Gravillis Inc., Kenny shares how he went from designing panty shield ads to working at Def Jam by age 21, and later building a studio in LA that now works with the biggest names in Hollywood. He reflects on meeting Spielberg, working with Spike Lee, and why staying humble (and kind) has been his secret weapon. They also talk about the challenges of breaking into a closed industry, navigating the shift from music to film, and why AI won't replace the nuance of human-made art anytime soon. Oh, and the time Christoph Waltz thought he'd been cut from Inglourious Basterds because Kenny didn't give him a poster. This season is proudly sponsored by the School of Communication Arts.

In this joyful, laugh-out-loud episode of The Spark, our founding editor Katy Cowan sits down (again!) with the brilliant Emily Jeffrey-Barrett, founder of creative agency Among Equals, to continue where they left off—with less business chat and more banter. Expect everything from shameful Brownie troop confessions and controversial creative opinions (spoiler: she doesn't think we're artists), to what it's like flying business class for the first time and being traumatised by cyclists in London. Along the way, Emily shares the two pieces of advice that have helped her survive as a creative leader, reveals the one word that gives her the heebie-jeebies, and admits her irrational comfort phrase, courtesy of her Yorkshire grandparents: "Hope it works out for you". There's even talk of Wyoming ranches, Branston Pickle nostalgia, and a shared hatred of faffing. Honestly, it's a miracle anything got done. This one's for the high-achievers, the people-pleasers, and anyone who's ever been told to "just relax". This season is proudly sponsored by the School of Communication Arts.

In this candid and energising conversation, our host, Katy Cowan, sits down with Emily Jeffrey-Barrett, founder of creative agency Among Equals, to mark its fifth anniversary. From launching in lockdown with nothing but patio furniture and ambition to opening a second office in Dubai, Emily shares the real story of building an agency entirely on her own terms. They talk openly about what it means to take up space as a woman in business: being talked over, underestimated, and navigating the exhausting tightrope between being "too much" and "not enough". In fact, they had to record the episode twice after having too much fun the first time around — which sparked a deeper conversation about likability, being taken seriously, and the narrow boxes women are still expected to fit into. We also hear about Among Equals' unique philosophy, its bold plans for the future (including an eventual sale), and what real disruption might actually look like in the creative industry. Funny, honest, and packed with insight — this is one to bookmark if you're dreaming of building something of your own. This season is proudly sponsored by the School of Communication Arts.

Welcome back to The Spark, your extra dose of insight and fun from this week's guest. Today, Adrian Carroll of D8 returns to answer a few quick-fire questions—and as you'd expect from someone with decades of experience, his answers are full of wisdom and wit. Adrian shares his most controversial creative opinion (and it's a good one), the best advice he's ever received, and the one ordinary day he'd relive if he could. He also reveals the word that gets on his nerves the most, his favourite place in the world, and a random dream that's stuck with him. And yes, we discover his party trick. It's the perfect way to wrap up the week, with a few laughs, a few surprises, and even more insight into the creative mind behind D8. This season is proudly sponsored by the School of Communication Arts.

In this episode, our founding editor Katy Cowan sits down with Adrian Carroll, co-founder and executive creative director of D8, a leading creative agency with studios in Glasgow, Amsterdam, and beyond. With over 26 years in the industry, Adrian reflects on the constant change he's weathered—from the dawn of the internet to economic crises, the rise of social media, and the latest wave of AI disruption. They talk candidly about starting out in the late '90s, why human relationships still sit at the heart of good business, and how trust and intuition have helped D8 grow into one of the most respected independent studios in the UK. Adrian also shares exciting news about D8's latest venture: the launch of a bespoke type foundry, ABCD8, and why ownable, AI-proof assets are becoming essential in today's creative landscape. Expect a thoughtful, grounded conversation about longevity, integrity, and why sometimes... the logo does need to be bigger. This season is proudly sponsored by the School of Communication Arts.

In this bonus Spark episode, Emma Barratt returns for a funny, honest, and brilliantly unfiltered chat with Katy Cowan. She takes on some of our favourite quick-fire questions — from the best advice she's ever received to the song she'd like played at her funeral. Emma shares her most controversial creative opinion (spoiler: not everything is "transformative"), the word that gives her the ick, and why she relates most to an octopus. She also opens up about OCD rituals, arguments she has to win, and the rejection that taught her the most — including the first time she applied to Wolff Olins. Packed with warmth, dry wit and big heart, this is the perfect follow-up to Emma's main episode on class, creativity, and carving your own path. This season is proudly sponsored by the School of Communication Arts.

In this raw and energising conversation, Katy Cowan is joined by Emma Barratt, global executive creative director at Wolff Olins, to talk about class in the creative industry, imposter syndrome, and the kind of diversity we don't discuss enough. With honesty, grit, and a huge amount of heart, Emma opens up about her working-class roots in Salford, the long road into the design world, and the resilience it took to get to the top. They explore why the industry still has a long way to go when it comes to genuine inclusivity—especially in terms of class and social mobility. Emma talks about how expensive cities like London continue to block access for many talented creatives and how the legacy of connections and privilege often dictates who gets a foot in the door. It's not just about ticking boxes on a diversity form—it's about meaningful, systemic change, and it needs to start at the top. Emma also shares her experience of imposter syndrome and learning to embrace her own voice, even when it didn't fit the mould. From overcoming dyslexia to navigating a male-dominated creative scene, she reflects on what it took to unlearn shame and reclaim pride in her background. We hear how she's now determined to be the mentor she never had—helping others who feel like outsiders realise their worth, whether they're neurodiverse, working class, or just don't see themselves represented. This episode touches on everything from unpaid internships and university barriers to the superpower of growing up without a safety net. Emma doesn't shy away from the difficult truths—but there's also humour, hope, and a rallying cry for change. If you've ever felt like you don't belong, this one's for you. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, Liz Mosley returns for a relaxed, thoughtful catch-up with Katy Cowan. They chat about building confidence, embracing cringe, and the joy of just having a go — plus Liz answers some of our favourite Spark questions. From the best advice she's ever received to a dream she can't forget, Liz shares her most controversial creative opinion, the word that drives her mad, and the one ordinary day she'd relive if she could. Warm, funny, and full of heart — it's a lovely listen for anyone who's ever wondered if they're doing this creative thing "right". This season is proudly sponsored by the School of Communication Arts.

In this laugh-out-loud, heart-on-sleeve conversation, Katy Cowan is joined by branding designer and podcast host Liz Mosley to explore the messy, magical world of podcasting. With over 120 episodes of the Building Your Brand podcast behind her, Liz shares the honest truth: podcasting isn't about being perfect—it's about showing up as yourself. Together, Katy and Liz dive into the highs and lows of running a podcast (awkward endings included), why less polished content often resonates more, and how confidence grows through real conversations. They reflect on the unexpected networking opportunities that arise, the importance of making guests feel at ease, and the joy of being unfiltered, unpolished, and unapologetically real. The episode is full of practical advice for aspiring podcasters, including why you don't need expensive equipment to get started, how to trust the process, and why you should start before you feel ready. Later this week during our bonus episode, The Spark, you'll also hear plenty of quirky anecdotes—from dream analysis and family picnic fails to their mutual loathing of the word niche. Whether you're podcast-curious or already recording in your cupboard, this is an inspiring, entertaining chat that celebrates creativity, confidence and the power of being yourself. This season is proudly sponsored by the School of Communication Arts.

“And one year, Ariel [Detergent] was, like, you know that 95 % of the people in India still think laundry is a woman's job. And Ariel was just, like, gosh, that doesn't seem like it's, this was 2017 or ‘18 at the time, [and] they're like, that doesn't seem right. Like, it's, haven't we all moved past that? So they created a campaign they called ‘Share the Load.' And what they did is they went out there and they advocated a hashtag, #sharetheload with, for everybody in the family to help with the laundry. It shouldn't just be mom's job anymore. And of course, this kind of air cover for someone who is burdened with this task would just elicit a huge thank you because you're just helping to make their lives better, and you haven't done a darn thing. It's not about the product. It's positioning. Yeah, it's, like, ‘here's what we know you care about, and so we're going to prove that we care about you because we care about that.' Sales went up 76%.” – Reid HolmesThis episode's guest has spent over thirty years leading the creative departments of some of the best ad agencies in America. His idea for H&R Block, “You Got People,” garnered four million new clients, and his work changed the trajectory of brands like Burger King, The Mayo Clinic, KeyBank, and many others. He also has multiple public-speaking awards as he helps audiences gain a deeper understanding of how clarity creates impact. He's won almost every award in advertising and has been featured in The New York Times, Adweek, Advertising Age, Forbes, and Communication Arts.But as his kids started graduating, he realized he wanted to leave a legacy. He found an approach that inspires businesses, marketing teams, and those they wish to attract. His #1 best-selling book, Appreciated Branding: Transform Your Brand from Ignored to Irreplaceable, has become a go-to mature-brand playbook. His name is Reid Holmes, and he'll be sharing his perspective on advertising today, how brands can use sound to stand out and be more memorable, and where he thinks things will go from here. If you're looking to boost your brand, you won't want to miss this one!As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(0:00:00) - The Power of Audio in AdvertisingOur conversation begins with a look back at the early memories that sparked Reid's love of sound, which include his father's copy of the famous War of the Worlds broadcast. “You picture these big, huge Martian creatures that are described,” he says, “and they're coming down through New Jersey and the whole country was freaking out. And it was Orson Welles, who has the pipes for audio.” He tells us more about his family's history in advertising and about how it led to his own career. “I was like, well, my mom was in advertising and my uncle's doing really well in it,” Reid explains. “I should give it a shot because it seems like it runs in the family, and maybe I'd be pretty good at it.”(0:13:02) - The Evolution of Radio...

In this bonus episode, The Spark, we welcome back Sam Gilbey, the pop culture illustrator whose work brings our favourite films to life, for a lighter, more personal chat. After Monday's nostalgic deep dive into his creative journey, Sam returns to answer some of our signature questions, offering a glimpse of the person behind the prints. From his controversial view on talent (spoiler: he's not sure it exists) to why OK Computer still hits after all these years, Sam talks about creativity with humour, humility, and heart. We talk Comic Cons, the comfort of pop culture, and the Sunday roasts and video games that make life sweet. He also shares the embarrassing moment he met his childhood hero Tony Hart—on national TV—and why his worst nemesis is often… himself. This is a joyful, down-to-earth episode that celebrates fandom, family life, and the magic of just making stuff. This season is proudly sponsored by the School of Communication Arts.

This week, we're joined by the brilliant Sam Gilbey – a celebrated illustrator known for his detailed, painted portraits of cult movie characters, iconic pop culture figures, and, more recently, football heroes. In a lively and nostalgic conversation, Sam and host Katy Cowan explore what it means to survive and thrive as a creative today — through economic downturns, industry disruption, and the ever-looming rise of AI. From early web design adventures and building Weetabix's first website, to becoming a go-to artist for Blu-ray covers and film posters, Sam reflects on more than two decades of creative resilience. He talks candidly about the shifts he's seen, the challenges illustrators face now, and why doubling down on your passion — even when things get tough — is more important than ever. We also hear how becoming a dad sparked a major career pivot, how Sam built a reputation in the pop culture gallery scene, and how he's learned to spot opportunities when things go quiet. Along the way, there's talk of cereal box nostalgia, VHS cover art, Comic Con antics, and a surprising run-in with Tony Hart on national TV. It's a conversation packed with humour, insight, and a big dose of honesty — perfect for any creative wondering how to keep going, keep growing, and keep doing what they love. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, The Spark, we welcome back Gnome Taylor, senior creative at Grey London, for a lighter, more personal chat. After Monday's powerful conversation on resilience, Gnome returns to answer some of our signature questions—giving us a glimpse of the person behind the job title. From why kindness is the best lesson she's learned in her career, to the odd comfort she gets from even numbers, Gnome shares stories with humour and heart. We talk about the ideas she's proud of (even the ones that never made it), her unexpected Joe Pasquale impression, and why her sock drawer is so meticulously organised it includes a single, unwearable pair. Gnome also opens up about sleep struggles, audiobook obsessions, and what she'd like to see from future male role models. Her answer? Less bravado, more empathy. This is a warm, thoughtful episode that celebrates quirks, creativity, and the quiet power of simply being kind. This season is proudly sponsored by the School of Communication Arts.

This week, we chat with Gnome Taylor, senior creative at Grey London, about the resilience it takes to make it in the creative industries—especially when life starts out tough. Gnome shares her incredible journey from growing up in foster care to carving out a thriving career in advertising. With honesty and humour, she reflects on the chaos of her early years, the stereotypes she battled, and the pivotal moment that made her decide to change her life. From raising over £26,000 to attend the School of Communication Arts, to landing her dream job, it's a story of sheer determination and grit. The conversation also explores the power of kindness, the emotional rollercoaster of creative work, and the importance of opening up—particularly in an industry where vulnerability is still often seen as a weakness. Gnome talks openly about navigating rejection, overcoming imposter syndrome, and why she's passionate about supporting underrepresented voices in advertising. If you've ever felt like you didn't belong, or if you've had to fight harder than most to find your place, this episode will speak to you. It's a candid and uplifting reminder that our differences and our experiences are often our greatest strengths. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we share a shorter, snappier episode filled with inspiration—and this season, we've switched things up. Each Spark now features a bonus conversation with our guest from earlier in the week. Today, we're once again joined by the award-winning creative director, Christine Smith, who returned for a little more fun—and a few unexpected surprises. Christine shared some brilliant insights on Monday's episode, where we explored what it means to become the role model you never had. If you missed it, go back and give it a listen. But in this Spark, we dive into the more personal side of Christine's world: her creative rituals, her love of horses and thrift shops, a very convincing baby cry, and what she'd do if she ever needed to escape a bad date. (Spoiler: it involves that baby cry.) We also discuss why intuition is such a powerful creative tool, the importance of listening to your gut, and how nature and nostalgia feed Christine's imagination. And as always, we end with a thought-provoking question for next week's guest. This season is proudly sponsored by the School of Communication Arts.

Ugo and Léo reveal how they turned their youthful skateboard years into a (two time winning) design studio of the year. Hear about the Montreal design scene, the FORUM festival they launched, and getting inked. ABOUT OUR GUESTS:Léo Breton-Allaire and Ugo Varin Lachapelle are Partners & Creative Directors at Caserne.Léo is partner and creative director at Caserne. His role involves guiding teams and clients through identity-focused and applied design exercises. He has actively contributed to shaping brands both locally and internationally, including the Canadian Council for Refugees (CCR), Moment Factory, the Montreal Museum of Fine Arts (MBAM), the Montreal Museum of Contemporary Art (MAC), Adisq, Orage, 2K Games, and many others. Over the past 12 years, his work has earned more than a hundred and fifty awards in various national and international competitions, including Art Directors Club, Type Directors Club, Dieline, Communication Arts, Advertising and Design Club of Canada, Applied Arts, and Idéa. Léo has participated in design workshops and conferences, such as Adobe Live in San Francisco, RDV Design and The Open House. In 2022, he chaired the design jury for Idéa Awards and co-founded Forum, an annual event dedicated to graphic design, featuring renowned international speakers such as Mirko Borsche, Elizabeth Goodspeed, and Andrea A. Trabucco Campos. In 2023 and 2024, Caserne was named ADCC Design Studio of the Year two years in a row, further solidifying its reputation for excellence in design. In 2024, Léo's profile was selected for Parcours, an exhibition celebrating the 50th anniversary of the UQAM School of Design, which highlighted 50 graduates from the school since its founding in 1974. That same year, Léo was honored with the TDC Ascenders Award by The One Show in New York. The award recognizes emerging talent, with winners joining the prestigious and exclusive Type Directors Club—an esteemed community of creatives at the pinnacle of their craft.Ugo is a passionate designer with an unwavering commitment to crafting at scale. He stands out for his strong design expertise and unwavering commitment to excellence. He co-founded Caserne in 2012 and now leads the studio alongside Léo Breton-Allaire and Sébastien Paradis. He has served on numerous design competition juries and has won over a hundred awards for his work. He is also the co-founder of FORUM, a design event. Held annually in Montreal, it brings together designers and artists on a mission to network, educate, and create. ADCC Created is brought to you by The Advertising & Design Club of Canada, hosted by Lyranda Martin Evans (Fellow Human), with music and studio care of Grayson Music. Follow us on Instagram @theadccEmail us at created@theadcc.ca

In this episode, Katy is joined by award-winning creative director Christine Smith to explore the topic of role models and their critical importance, particularly for women in the creative industries. Christine shares her personal journey of navigating a male-dominated field, describing how she spent her early career without any female figures to look up to. This gradual realisation shaped her mission to become the kind of role model she never had, especially for the next generation of fearless female creatives in Denmark and beyond. The conversation delves into identity, reinvention, and the freedom that comes with creating your own path. Christine talks openly about how moving to London allowed her to explore who she truly wanted to be, both professionally and personally. From changing her appearance to challenging industry norms, she embraced a bold transformation that reflected her creative spirit. Fashion became a key medium of self-expression, one that eventually played a powerful role in a pivotal moment at Cannes Lions 2022, where Christine took a stand for body positivity by wearing a striking outfit that challenged the industry's standards. Katy and Christine also tackle the ongoing challenges around diversity and inclusion in the creative world, particularly in Denmark, where the landscape remains overwhelmingly white and male. Christine stresses the importance of visibility and representation, arguing that seeing people who look like you doing what you aspire to do is essential for building confidence and ambition. She notes that while some progress is being made, there's still a long way to go—especially when it comes to leadership and ownership in the industry. Mental health is another vital topic discussed in the episode. Christine opens up about her personal experiences with anxiety and burnout, and the difficult—but—empowering decision to take time off and begin medication. She reflects on how stigma around mental health still affects leaders, particularly women, and emphasises the need to normalise these conversations. Her honesty is both refreshing and inspiring, reminding listeners that strength comes not from hiding our struggles but from facing them and taking responsibility for our well-being. The episode ends with advice for younger creatives who may be struggling to find role models of their own. Christine suggests looking beyond the industry to find people who share your values and energy, and using that inspiration to shape a creative identity that feels authentic and empowering. Packed with candid insights, empowering moments, and a healthy dose of humour, this conversation celebrates courage, reinvention, and the power of lifting others as you rise. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode filled with inspiration. And this season, we've switched things up. Each Spark now features a bonus conversation with our week's guest. Today, we're joined once again by Kiser Barnes, partner and CCO at Red Antler, who returns for some quick-fire fun. Kiser joined us on Monday to explore the intersection of creativity and technology, and why optimism and authenticity are so vital in an AI-driven world. If you missed that, you can catch up here. But for this Spark, we're diving into the part of our chat where things got a little more personal—and a little more playful. Kiser shares the lessons he's learned from influential creatives, opens up about controversial opinions on design (including why kerning might be a bit overrated), and reflects on why nostalgia is such a powerful force in our lives. He also reveals why he thinks every creative should have a nemesis and offers a few surprising thoughts about inspiration and identity. This season is proudly sponsored by the School of Communication Arts.

What does creativity look like in a world increasingly shaped by technology and AI? In this episode, Katy Cowan speaks with Kiser Barnes, partner and chief creative officer at Red Antler, about the evolving relationship between technology and creativity. Together, they explore how AI presents both thrilling opportunities and existential challenges for the creative industry. Kiser emphasises the critical role of storytelling, optimism, and authenticity as we move into an increasingly AI-driven world. The conversation covers the future of advertising, with Kiser predicting a shift towards deeper personalisation that makes ads feel more relevant and human. They also discuss how storytelling in film and gaming may evolve into more immersive, non-linear experiences, blending the digital and physical worlds in exciting new ways. Kiser highlights the importance of human connection amid rapid technological change, and how brands must continually adapt to stay alive and relevant. Creativity, he believes, should act as a form of rebellion against fear-based narratives, with humility and generosity as essential companions to innovation. This is a hopeful and energising conversation about the future of branding, creativity, and technology—one that champions optimism, authenticity, and the enduring importance of the human spirit. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode filled with inspiration. And this season, we've switched things up. Now, each Spark features a bonus conversation with our week's guest. For this first revamped episode, we're joined by Michael Johnson, the founder of Johnson Banks, who returns to have some fun. Michael joined us on Monday to explore whether we're living through a phase where all design looks the same. If you missed that, you can catch up here. But today, he's answering eight quick-fire questions that give us a glimpse behind the brand and the professional façade. Expect everything from the deep and meaningful to the completely absurd. He shares what he believed five years ago but no longer does, reveals his incredible party trick, and even plays us something on his beloved blues guitar. This season is proudly sponsored by the School of Communication Arts.

Are we in a phase where all design looks the same? In this thought-provoking episode, host Katy Cowan is joined by Michael Johnson, the founder of Johnson Banks, to explore the creeping sameness in today's visual landscape. From swirling animations to hyper-minimalist logos, we unpack why charities, fintechs, and universities now often look indistinguishable. Is it the influence of AI, digital platforms, or a case of designers chasing trends too quickly? Or is it the ongoing economic uncertainty that's making everyone risk-averse? Michael shares sharp insights on client influence, accessibility demands, and the speed at which design trends now spread. He also reflects on timelessness, his obsession with kerning, and how we might zig while everyone else zags. This is a must-listen for anyone questioning whether design has lost its edge and how we might find it again. This season is proudly sponsored by the School of Communication Arts.

In the latest episode of the Marli Williams Podcast, we explore how to build meaningful friendships as adults, what gets in the way and provide a roadmap to create lasting friends with author and community builder, Kat Vellos. Despite living in an hyper-connected world, many of us still struggle with loneliness and having meaningful friendships with others. Kat shares insights from her book, "We Should Get Together," highlighting why creating friendships can be challenging as we age and offering actionable strategies to overcome these hurdles. If you are ready to build authentic friendships, get ready for the blueprint that is going to help you do just that!Kat Vellos is a trusted expert on cultivating meaningful friendships. She's the author of We Should Get Together: The Secret to Cultivating Better Friendships. She's also the creator of the Better Conversations Calendar and the BFF Builder. In her former career as a UX designer and researcher, she made software more user-friendly at large companies you've heard of, but she's a lot happier now, helping people bring more friendship to their lives and workplaces. Kat's writing is read in 100+ countries and she's been interviewed by The New York Times, NPR, Communication Arts, The Good Life Project, and many more.Connect with Kat: Website: weshouldgettogether.comInstagram: @katvellos_authorLinkedIn: Kat VellosPlatonic Action Lab: https://weshouldgettogether.com/platonic-action-lab 1-on-1 Coaching: https://weshouldgettogether.com/coaching Marli Williams is an international keynote speaker, master facilitator, and joy instigator who has worked with organizations such as Nike, United Way, Doordash, along with many colleges and schools across the United States. She first fell in love with transformational leadership as a camp counselor when she was 19 years old. After getting two degrees and 15 years of leadership training, Marli decided to give herself permission to be the “Professional Camp Counselor” she knew she was born to be. Now she helps incredible people and organizations stop waiting for permission and start taking bold action to be the leaders and changemakers they've always wanted to be through the power of play and cultivating joy everyday. She loves helping people go from stuck to STOKED and actually created her own deck of inspirational messages called StokeQuotes™ which was then followed by The Connect Deck™ to inspire more meaningful conversations. Her ultimate mission in the world is to help others say YES to themselves and their big crazy dreams (while having fun doing it!) To learn more about Marli's work go to

Episode 126: Camille Malicdem & Her Book, This is What Doubt Looks LikeABOUT CAMILLECamille is a Communication Arts graduate with love for music and movies. She attended De La Salle University-Manila where her hobby for writing grew. Later, she joined public relations as an Account Manager for Ogilvy PR, supporting major brands like SONY and Facebook. Today, Camille keeps up with two daughters and a husband in the US Army. In her spare time, she enjoys being alone, reading in the bookstore, and sharing her silly but inspiring stories over and over. Camille was born and raised in California.CONVERSATION HIGHLIGHTS• The need to regularly find something you love.• Parenting and cross-generation comparisons.• Where does the shouting of what's taking place inside of you happen?• How parenting can be an experience that's both a blessing and where you can lose who you are.• Being down with doubt but standing back up.• Bonding over our stories no matter how different they may be.• "If you live by the cheers, you will die by the boos."• Finding the balance of showing who we are while taming ourselves.• What helps you gain perspective on and let go of old fears.•Doing the work and earning your leadership.• How our work today can inform and guide our children in the future.• "...It doesn't make sense you keep calling yourself an amateur."• Hope, humility, humanity.The MAIN QUESTION underlying my conversation with Camille is, How do you experience but not wallow in doubt?FIND CAMILLE• LinkedIn: https://www.linkedin.com/in/camille-malicdem-9a480b14a/• Twitter: camillebwrites or https://x.com/camillebwrites?s=21• My LinkedIn: https://www.linkedin.com/in/camille-malicdem-9a480b14a/• Book on Amazon: https://a.co/d/49enrhR• Book on Barnes and Noble Online: https://www.barnesandnoble.com/w/this-is-what-doubt-looks-like-camille-barrios/1143600232LinkedIn – Full Podcast Article: https://www.linkedin.com/pulse/episode-125-camille-malicdem-her-book-what-doubt-like-john-m--7dk5e/?trackingId=p18R%2FDEuHjhxSMgv7yBBtQ%3D%3DCHAPTERS00:00 - The Book Leads Podcast – Camille Barrios01:04- Introduction & Bio03:56- Who are you today? Can you provide more information about your work?16:38- How did your path into your career look like, and what did it look like up until now?43:32- How does the work you're doing today reconcile to who you were as a child?49:30- Camille on Journaling53:02- What do you consider your super power?56:52- What does leadership mean to you?01:05:43- Can you introduce us to the book we're discussing?01:16:51- Can you provide a general overview of the book?01:21:11- What's changed in you in the process of writing this book?01:22:52- What Camille hopes people take away from her book?01:27:00 - What's next for your writing?01:35:35- What are you up to these days? (A way for guests to share and market their projects and work.)This series has become my Masterclass In Humanity. I'd love for you to join me and see what you take away from these conversations.Learn more about The Book Leads and listen to past episodes:• Watch on YouTube• Listen on Spotify• Listen on Apple Podcasts• Read About The Book Leads – Blog PostFor more great content, subscribe to my newsletter Last Week's Leadership Lessons, if you haven't already!

On this episode of MSU Today we'll examine the role of race and identity in receiving and comprehending news. We'll do so with Michigan State University College of Communication Arts and Sciences scholars Christina Myers and Marisa Smith.Marisa Smith is an assistant professor of advertising and journalism. Through investigating the effects of political information, including disinformation, she examines the influence of race, identity, and politics on public policy support, political polarization, civic engagement, and political opinion.Christina Myers is an assistant professor of journalism. Her research bridges concepts of Critical Race Theory and Mass Communication theory to offer fresh perspectives on the intersection of race and media – specifically examining depictions of Black experiences and the presence of implicit racial bias and racist ideologies in narrative creation in the areas of music, sports and news. Christina is a former journalist.Conversation Highlights:(1:16) – Christina, what's your background, and what attracted you to MSU?(4:20) – Marisa, what's your background, and what attracted you to MSU?(7:42) – Marisa, describe your research interests. What are some of your recent research findings as they relate to race, identity and news coverage?(19:37) – Christina, describe your research interests. What are some of your recent research findings as they relate to race, identity and news coverage?(24:57) - What is Critical Race Theory? What are the facts and myths surrounding it? How have Critical Race Theory and Diversity Equity and Inclusion been weaponized?(40:24) - How can consumers be more critical about the information they're receiving?(48:42) – Summary of the conversation and final thoughts.Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.

Based in Los Angeles, California, F. Ron Miller has designed numerous movie posters and title sequences, as well as an impressive number of covers for The Criterion Collection, who releases important classic and contemporary films. Ron's always been a big fan of The Bad and the Beautiful, starring Kirk Douglas, Lana Turner, and Elaine Stewart. It tells the story of a ruthless producer played by Kirk Douglas, who works tirelessly to reach the top of the Hollywood system with no care for how others get left in the dust. We also talk about movies that are about making movies, David Lynch, Citizen Kane, as well as imposter syndrome, how designers work, design magazines, design culture, and design history.-F. Ron Miller received his bachelor's degree from California Institute of the Arts, where he was a student of Lou Danziger, and his master's degree from London's Royal College of Art. His work has appeared in Communication Arts, The Paris Review, and The Design Observer. He's prominently featured in the Criterion Designs monograph.https://www.fronmiller.com/https://www.amazon.com/Criterion-Designs-Collection/dp/160465936Xhttps://criterioncast.com/column/covering-the-collection/covering-the-collection-an-interview-with-f-ron-millerhttps://www.criterion.com/faq https://www.artcenter.edu/about/alumni/alumni-stories/lou-danziger-leaving-a-well-designed-legacy.htmlhttps://www.printmag.com/daily-heller/the-daily-heller-lou-danziger-at-100-and-beyond/ -The Bad and the Beautiful (1952)https://www.imdb.com/title/tt0044391/ https://www.theguardian.com/film/2012/apr/22/bad-and-the-beautiful-reviewhttps://www.nytimes.com/1953/01/16/archives/the-bad-and-the-beautiful-with-kirk-douglas-playing-a-scoundrel-at.html-Movie history from Scorsesehttps://en.wikipedia.org/wiki/A_Personal_Journey_with_Martin_Scorsese_Through_American_Movieshttps://www.kanopy.com/en/watch/video/5878649/5878651 -Other movies and shows discussed, alphabetical listAce In the Hole (1951)Boogie Nights (1997)Bowfinger (1999)Cat People (1942)Chaplin (1992)Citizen Kane (1941)CQ (2001)Dolemite Is My Name (2019)Ed Wood (1994)Hollywood Shuffle (1987)Maxxxine (2024)Once Upon a Time In… Hollywood (2019)A Personal Journey with Martin Scorsese through American Movies (1995)The Player (1992)Playtime (1967)The Postman Always Rings Twice (1946)The Professional (1994)The Wizard of Oz (1939)

In the first episode of season 2, we speak with Jack Smyth – a freelance designer and illustrator from Ireland. His clients include Penguin Random House, Faber & Faber, Harpercollins, Granta, Daunt Books, Simon & Schuster, The New York Times, The New Yorker, Politico and The Atlantic. He has previously worked inhouse at 4th Estate, Simon & Schuster, Little, Brown and Tower Records and holds an MA in Graphic Design from Kingston University. In 2024, he was named the designer of the year at the British Book Awards. He has received 9 ABCD awards, a BBDPA award and has been featured in Creative Review, It's Nice That, Communication Arts and the 100 Archive. He lives in Dublin with his wife and cat. Cover Meeting was hosted by Steve Leard and produced by James Ede of beheard.org.uk.

Send us a textIn this episode, we sit down with Dan Forster, an award-winning lettering artist and designer with over 25 years of experience. Dan has crafted stunning custom lettering for brands, agencies, and clients worldwide, but his journey into the world of type wasn't a straight path—it was shaped by frustration, perseverance, and an unexpected return to his roots.Dan shares the story of his late father, a renowned lettering artist, and how clearing out his dad's studio after his passing led to a creative revelation. We talk about his early struggles with drawing letters, his detour into graphic design, and the moment he realized that lettering was his true calling.We also dive into:✔️ The painstaking process behind mastering letterforms (and why drawing a single Helvetica “a” for hours was a turning point).✔️ His time at top agencies like Elmwood and the leap into freelancing.✔️ The evolution of lettering in branding and why some iconic wordmarks, like Kahlúa, needed a refresh.✔️ How he approaches complex lettering projects—including a 30-day masterpiece that landed in Communication Arts.✔️ The importance of showing process work to clients and why observing letterforms is just as crucial as drawing them.✔️ The push-and-pull between modern digital tools and the lost art of hand-lettering.We wrap things up with a discussion on the blandification of branding (looking at you, Johnson & Johnson) and the challenge of preserving craft in a world moving toward simplicity. Plus, Dan shares why he thinks it's never too late to change career paths and go all-in on what you love.If you're into typography, branding, or just love hearing about the obsessive world of letterforms, this episode is a must-listen.More about Dan Forster: www.danforster.comConnect with Dan: https://www.linkedin.com/in/danforster/Support the showAbout Kirk and Andy. Kirk Visola is the Creative Director and Founder of MIND THE FONT™. He brings over 20 years of CPG experience to the packaging and branding design space, and understands how shelf aesthetics can make an impact for established and emerging brands. Check out their work http://www.mindthefont.com. Andy Kurts is the Creative Director and Founder of Buttermilk Creative. He loves a good coffee in the morning and a good bourbon at night. When he's not working on packaging design he's running in the backyard with his family. Check out Buttermilk's work http://www.buttermilkcreative.com.Music for Kirk & Kurtts intro & outro: Better by Super FantasticsShow a little love. Share the podcast with those who may benefit. Or, send us a coffee:Support the show

The ad that has everyone saying, "whoa."Lyle Yetman | Co-CCOThe best thing that ever happened to Lyle's advertising career was not getting hired as an account person at BBDO. He would have sucked at that. Instead, he became a writer. After getting his master's at the VCU Brandcenter, Lyle left his Boston roots, moved out west, and started his career at BSSP, where he worked on MINI, Chipotle, and El Pollo Loco, created the Priceline Negotiator and made award-winning spots for Google, among others. His work has been recognized by the One Show, Cannes Lions, Clios, Art Directors Club, Communication Arts, and the Effies. At McKinney, he is Co-Chief Creative Officer, overseeing all the work from the Durham and New York offices, including Little Caesars, Puma, Popeyes, and ESPN, where he continues to do award-winning work. He's got a deep and abiding love of telling stories and finding the untapped potential in every brand. After 19 years in the business, he could probably hack it as an account person now. No, he couldn't. That's a lie.Kerry O'Connor | Group Strategy DirectorKerry started her career working in communications for the Navy in Washington, D.C., before deciding to pursue a career in advertising. She attended the VCU Brandcenter where she graduated with an MS in business and a concentration in branding and strategy. Kerry joined McKinney in 2015 and honed her passion for insights on brands like CarMax, Jared, and ESPN. She was promoted to strategy director in 2021 and is creating award-winning work using her strategy smarts on Sherwin-Williams and Little Caesars. Outside of advertising, Kerry is working her way through the NYTimes Cooking archives.

If making friends feels hard, then this episode is for you. You will learn... - why making friends as an adult feels hard - exactly WHERE you'll find your people - how to make friends who live close to you - actionable tips to help you find, keep, and strengthen your friendships Our guest, Kat Vellos, is a trusted expert on the power of cultivating meaningful friendships. She's a speaker and author of the book, We Should Get Together: The Secret to Cultivating Better Friendships. She's also the creator of the Better than Small Talk conversation cards and the Better Conversations Calendar. Her work helps people transform disconnection and platonic longing into authentic connection and belonging. In her former career as a user experience designer at Slack and Pandora, she helped millions of people find music they love and enjoy work a lot more. While working full-time at both of those iconic companies, Kat spent her free time researching and writing her debut book We Should Get Together: The Secret to Cultivating Better Friendships. She couldn't stop herself from writing this book because the thirty-something friendship desert is real and she refused to take “how about we meet up in six weeks?” for an answer. So she used her UX research-n-design superpowers to explore the question “how might we design a better experience of adult friendship and simultaneously put a sizable dent in the loneliness epidemic?” Thousands of readers use her book to improve their friendships every day and her writing is read in over 100 countries. She's been interviewed by The New York Times, NPR, Communication Arts, The Good Life Project, and many more. Sign up for Kat's newsletter here and check out her course, Platonic Action Lab. And if you enjoyed this episode, screenshot it and share it on social media! Make sure to tag @maryspodcast Mentioned In This Episode... How Long Til' Black Future Month? by N.K. JemisinEp. 195 on Mary's Cup of Tea: The Most Underrated EmotionWhat if friendship is easier than you think?

Rhetorical Democracy: How Communication Shapes Political Culture (Rowman and Littlefield, 2024) offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest. Robert Danisch is Professor of Communication Arts at the University of Waterloo whose research interests include rhetorical theory, persuasion, and public communication in democratic societies. He is the author of Pragmatism, Democracy and the Necessity of Rhetoric, Building a Rhetorical Democracy: The Promise of Rhetorical Pragmatism as well as journal articles and several co-authored books. He is also the host of the podcast Now We're Talking that focuses on communication skills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rhetorical Democracy: How Communication Shapes Political Culture (Rowman and Littlefield, 2024) offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest. Robert Danisch is Professor of Communication Arts at the University of Waterloo whose research interests include rhetorical theory, persuasion, and public communication in democratic societies. He is the author of Pragmatism, Democracy and the Necessity of Rhetoric, Building a Rhetorical Democracy: The Promise of Rhetorical Pragmatism as well as journal articles and several co-authored books. He is also the host of the podcast Now We're Talking that focuses on communication skills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Rhetorical Democracy: How Communication Shapes Political Culture (Rowman and Littlefield, 2024) offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest. Robert Danisch is Professor of Communication Arts at the University of Waterloo whose research interests include rhetorical theory, persuasion, and public communication in democratic societies. He is the author of Pragmatism, Democracy and the Necessity of Rhetoric, Building a Rhetorical Democracy: The Promise of Rhetorical Pragmatism as well as journal articles and several co-authored books. He is also the host of the podcast Now We're Talking that focuses on communication skills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Rhetorical Democracy: How Communication Shapes Political Culture (Rowman and Littlefield, 2024) offers an explanation and diagnosis of the current state of American democracy rooted in the American pragmatist tradition. Robert Danisch analyzes the characteristics of communication systems and communication practices that inhibit or enhance democratic life. In doing so, this book provides a detailed explanation of the ways in which the communication systems and practices that constitute democratic life are currently fostering polarization and how they might be made to foster cooperation. Scholars of communication, rhetorical studies, political science, and media studies will find this book of particular interest. Robert Danisch is Professor of Communication Arts at the University of Waterloo whose research interests include rhetorical theory, persuasion, and public communication in democratic societies. He is the author of Pragmatism, Democracy and the Necessity of Rhetoric, Building a Rhetorical Democracy: The Promise of Rhetorical Pragmatism as well as journal articles and several co-authored books. He is also the host of the podcast Now We're Talking that focuses on communication skills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Today With Theresa Harmon: Join me in this inspiring episode as I chat with Theresa Harmon, the current president of the Richmond, Virginia WCAA chapter. Theresa shares her journey in the window covering industry and emphasizes the importance of discovering your "why." With a background in graphic design and a passion for creating, she discusses the challenges and joys of running her own business, from problem-solving design dilemmas to connecting with clients. We also dive into the supportive community of the WCAA and how collaboration enriches our industry. Tune in for insights that can inspire your own creative journey! More About Theresa Harmon A lifelong creative, Theresa Harmon's first professional fabrication job involved making soft furnishings for a bed-and-breakfast in Jonesborough, TN in 2006. She was hooked, but unable to fully realize her workroom dream until 2018 when she opened All the Trimmings Shop. She fabricates window treatments and pillows, but loves making custom cushions most of all. Theresa has a BFA in Communication Arts & Design from Virginia Commonwealth University. She taught for Husqvarna Viking 2017-2019, won a Jill Robson Memorial Scholarship in 2020, and most recently was one of the instructors at the Custom Workroom Conference in Warwick, RI. She is currently the president of the Richmond Chapter of WCAA. Connect with Theresa Harmon Website Instagram A Big THANK YOU to Today's Podcast Sponsor: This episode is sponsored by Exciting Windows! What's new with LuAnn Nigara The Power Talk Friday Tour Watch the Docuseries! http://www.luannnigara.com/cob Get The Goodies! For checklists, resources, and extra goodies from A Well-Designed Business sign up for free here. To Get on LuAnn's Email List, text the word designbiz to 444999! Purchase LuAnn's Books Here: Book 1: The Making of A Well – Designed Business: Turn Inspiration into Action Audiobook: The Making of A Well – Designed Business: Turn Inspiration into Action Book 2: A Well-Designed Business – The Power Talk Friday Experts Pre-Order Book 3: A Well-Designed Business – The Power Talk Friday Experts Volume 2 Connect with LuAnn Nigara LuAnn's Website LuAnn's Blog Power Talk Friday Like Us: Facebook | Tweet Us: Twitter | Follow Us: Instagram | Listen Here: Podcast Other Resources: This podcast supports the Savvy Giving Design Coalition. Learn more about it here! AWDB #717 Susan Wintersteen: Interior design firm standards in a nonprofit passion project AWDB #164: Susan Wintersteen- Savvy Giving by Design LuAnn University – Registration Open! Exciting Windows! Panel: Ask Me Anything - Why I Joined, Why I Stay - December 12th Other Shows: WTFP #291: Linda Woodard: From Interior Designer to Window Treatment Specialist, and WCAA Eastern Massachusetts President WTFP #296: Lisa Jones: Full Circle from Struggling Business Owner to Atlanta Chapter WCAA President

Sean McBride is the Chief Creative Officer of Arnold Worldwide, a globally recognized creative agency. He is the creative guru behind our favorite progressive commercials starring Flo and Dr. Rick. Sean's work has been repeatedly recognized by every major advertising award show there is, including Cannes, D&AD, One Show, Communication Arts, Clio, New York Festivals, London International, and many others. In this interview, we talk about the transition to advertising as a natural fit for his writing skills, his journey to working at Arnold, the evolution of his writing style, from more serious copy to comedic work, the process of determining what is funny, including personal judgment and audience feedback, the ongoing evolution of the advertising industry and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

In this episode, we're joined by Helynn Ospina, a photographer, artist, and storyteller. Born in Colombia and raised in the U.S. as an undocumented immigrant, Helynn's journey has been shaped by the search for identity. Her path has been anything but conventional, from serving in the U.S. Marines to working in scientific research, all while her passion for photography quietly grew. Helynn's work reflects her deep curiosity and connection to both the seen and unseen. Her unique perspective has led her to collaborate with brands like AirBNB, WeWork, and Martha Stoumen Wines, with her art featured in The New York Times, The Wall Street Journal, and Communication Arts. Tune in as we explore how her journey and creative vision continue to evolve, and how she sees each photograph as the start of a larger conversation.You can see Helynn's beautiful work and keep up with her by following her on Instagram and checking out her website!If you would like to get involved with Focus On Women, you can review sponsorship and contribution options here, as well as become a member here.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*

James Pietruszynsk, CEO of SoulSight, brings a unique perspective to branding. He believes that effective brands are built on genuine emotional connections and a deep understanding of human behavior. James recognizes the challenge of balancing innovation with brand consistency, emphasizing the importance of meaningful changes that enhance consumer experiences rather than superficial alterations. At SoulSight, James fosters an environment that encourages both strategic thinking and creativity. He values collaboration and honest feedback, grounding his approach in behavioral analysis and empathy. His expertise in strategic insight and design has led to successful partnerships with major companies including Kraft Heinz, Coca-Cola, Molson Coors, General Mills, Pfizer, Unilever, and Hershey's. James' work has garnered recognition from various industry publications and awards programs, including Graphis, How, Print, Communication Arts, and Pentawards. Despite these accolades, James remains focused on his core mission: understanding human behavior and using those insights to create brands that resonate authentically with people. Here are the key takeaways from the conversation: Emotional connections are crucial for brand resonance. Brands that effectively tap into emotions forge stronger consumer relationships. Authentic brand identities stem from understanding human truths.  Effective branding combines strategy, innovation, and research to create cohesive, emotionally aligned narratives. Successful branding balances innovation with core brand essence. Meaningful changes should enhance consumer experiences without risking brand identity. Empathy is key to understanding both brand and audience needs. Brands should evolve with cultural shifts to maintain relevance. Global brand expansion requires understanding and collaboration. Lessons from major branding organizations can guide work with larger brands. Leaders should encourage growth, accept mistakes, and promote continuous evolution for competitiveness and innovation. Listen to the full conversation here: YouTube: https://www.youtube.com/@risingtidestartups Apple Podcast: https://podcasts.apple.com/us/podcast/rising-tide-startups/id1330525474 Spotify: https://open.spotify.com/show/2eq7unl70TRPsBhjLEsNZR Connect with James Pietruszynski: LinkedIn: https://www.linkedin.com/in/jim-pietruszynski-4a30836/ SoulSight: https://soulsight.com/ Please leave us an honest rating on Spotify, YouTube, or Apple Podcasts. Shoutout to our Great Sponsor: Naviqus Virtual Services - Hassle-free administrative support services that are efficient, affordable, and tailored to your needs. Check out https://naviqus.com now to jumpstart your business for 2024!

In this episode of Mutuality Matters, Christy Mesaros-Winckles traces women's ordination and leadership in the Free Methodist Church. Highlighting three women evangelists, and a key ally in their efforts to attain ordination, Mesaros-Winckles traces shift of the Free Methodist Church from very inclusive to exclusive. Mesaros-Winckles speaks to the power of the messages people absorbed as society shifted, specifically in the context of a strong anti-suffragist movement. These messages slowed the egalitarian movement, silencing women and ordination until 1974.       Bio   Dr. Christy Mesaros-Winckles is an associate professor in the Communication Arts & Sciences Department at Adrian College. She has a doctorate degree in Communication Studies from Bowling Green State University and is a two-time graduate of Spring Arbor University, where she completed both her Bachelor of Arts in communication and her Master of Arts in communication studies/professional writing. The author of several academic book chapters and peer-reviewed research articles, she strives to make her research accessible to a wider audience through her blog Free Methodist Feminist.     Resources Referenced  Silenced: The Forgotten Story of Progressive Era Free Methodist Women by Christy Mesaros-Winckles Ordaining Women (1893) by Benjamin Titus Roberts Book Review by Kimberly Dickson: "Silenced: The Forgotten Story of Progressive Era Free Methodist Women," Priscilla Papers, Summer 2024.    Related Resources from CBE  Video: Silence, Women, and the Church with Aida Besancon Spencer (Spanish)   Book Review: Voices Long Silenced: Women Biblical Interpreters through the Centuries Complicity and Silence: How Lament Could Lead Us Toward a Better Place      Disclaimer   The opinions expressed in CBE's Mutuality Matters' podcast are those of its hosts or guests and do not purport to reflect the opinions or views of CBE International or its members or chapters worldwide. The designations employed in this podcast and the presentation of content therein do not imply the expression of any opinion whatsoever on the part of CBE concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers.  

What happens when a child learns they are 'worth' $80 every two weeks? Today on Money Tales, our guest is Melissa Ripp, an entrepreneur who reflects on how her childhood experiences—like learning the amount her dad paid in child support—deeply shaped her relationship with money. We'll explore how those early lessons influenced her entrepreneurial journey and her drive for financial independence. This conversation goes deep into the emotional side of money and the lasting impact of those early money moments. Melissa “Mel” Ripp is an engaging keynote speaker, proud entrepreneur, and passionate Wisconsinite who believes that everyone—no matter where they're from, what they do, or who they do it for—has something incredible to offer the world. With over 20 years of experience in nonprofit and corporate marketing and communications, Mel has guided several organizations in a variety of niches and industries—performing arts and music, historic preservation, tourism, K-12 education and education technology, manufacturing, insurance and finance, healthcare, and social services in telling their stories and communicating their “whys” to their audiences. Jumping into full-time entrepreneurship six years ago, Mel is the founder and CEO of Peapod Marketing & PR Consulting, a marketing and thought leadership consultancy that works to elevate the ideas and perspectives of women executives and entrepreneurs by helping them develop an authentic platform for their expertise through messaging development, social media and content creation, and public relations strategies. She is a graduate of the University of Wisconsin-Madison, where she earned a Bachelor's Degree in English with a Creative Writing emphasis and a Communication Arts degree with an emphasis in Radio, Film, and Television production. When she's not working with clients or dreaming up her next big idea, Mel is probably hanging out with her two biggest fans—husband Zack and cat Poseidon, driving with the music cranked down a country road in her home of Sturgeon Bay, Wisconsin, or buying yet another houseplant for her office. Houseplant count: 43.