Podcasts about communication arts

Democracy is often framed as a battle between political candidates or parties that have opposing viewpoints and are trying to win over voters to join their side. However, there's another way to think about democracy as a system of self governance that everyone shares and has a stake in preserving and protecting.Jeremy David Engels articulates the latter point of view in the book, On Mindful Democracy: A Declaration of Interdependence to Mend a Fractured World. The book blends Engels's prior work studying democratic theory and history with his experience in yoga, meditation and Buddhism. Engels joined us to discuss the concept of mindful democracy and why it's important to consider during the 250th anniversary of America's founding. He describes how we can — and should — consider a "declaration of interdependence" in addition to the Declaration of Independence the country is celebrating this year. We also talk about the different conceptions of democracy outlined by John Dewey and Walter Lippmann Engels is Liberal Arts Professor of Communication Arts and Sciences at Penn State and a mindfulness and yoga teacher. You can find him in the classroom, lecture hall, on a meditation cushion, or a yoga mat, sharing his insights on how to become capable, compassionate, and engaged democratic citizens. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This alumni-led vinyl radio show is dedicated to preserving and promoting record spinning within college radio culture. By sharing meaningful, timely music across genres and moods, the show connects past and present while creating an engaging sound experience for today's listeners. It highlights the lasting impact of college radio and the community built through music. Cast: Nick Arias is an SFC alumni, class of 2020, who graduated with a degree in Communication Arts. He is also the founder of The Ring Fanatics content channel, which has over 3,000 followers on multiple platforms. He is also one of the co-hosts of the Alumni Vinyl Hour on SFC Radio. Chris Moreno graduated from SFC in 2020 after switching over to Communication Arts in his sophomore year, and credits it as one of the best decisions he's made. He's returning with a plethora of records that tell a story of life and our true meaning here through music that speaks to us all. Nick Stropoli graduated from SFC in 2019 with a bachelor's degree in Communications and is excited to return as an alumnus. As a co-host of Alumni Vinyl Hour, he shares records that have stuck with him over the years, mixing in personal favorites with lesser-known tracks that tell a story and connect through the feeling of the music itself.

February 4, 2026 ~ Chris Renwick and Lloyd Jackson speak with Dr. Matthew Seeger, Dean of the College of Fine, Performing, and Communication Arts at Wayne State University. They discuss the importance of a free press. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This alumni-led vinyl radio show is dedicated to preserving and promoting record spinning within college radio culture. By sharing meaningful, timely music across genres and moods, the show connects past and present while creating an engaging sound experience for today's listeners. It highlights the lasting impact of college radio and the community built through music. Cast: Nick Arias is an SFC alumni, class of 2020, who graduated with a degree in Communication Arts. He is also the founder of The Ring Fanatics content channel, which has over 3,000 followers on multiple platforms. He is also one of the co-hosts of the Alumni Vinyl Hour on SFC Radio. Chris Moreno graduated from SFC in 2020 after switching over to Communication Arts in his sophomore year, and credits it as one of the best decisions he's made. He's returning with a plethora of records that tell a story of life and our true meaning here through music that speaks to us all.  Nick Stropoli graduated from SFC in 2019 with a bachelor's degree in Communications and is excited to return as an alumnus. As a co-host of Alumni Vinyl Hour, he shares records that have stuck with him over the years, mixing in personal favorites with lesser-known tracks that tell a story and connect through the feeling of the music itself.

Artspeak Radio, Wednesday, January 28, 2026, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Fringe Festival Director Audrey Crabtree with Bradley J. Thomas, and Charlotte St. Foundation Kimi Kitada, Tyler Galloway. AUDREY CRABTREE & BRADLEY J. THOMAS CHARLOTTE ST. FOUNDATION-The recently-opened exhibit, "stand up, fight back: designing an anti-racist movement for worker power" is on view at the charlotte street foundation. the exhibition tells the story of how thoughtful, sustained commitment to design for social change can become a force-multiplier that enriches the struggle for anti-racist, working class organizing. it features posters, banners, flyers, t-shirts, and other graphic ephemera, in addition to documentary videos and photos and oral histories from workers. the exhibition runs from now to feb 28. CSF is located at 3333 Genessee, KCMO. i will also be running a 2-hour workshop on saturday jan 31, titled "let's design protest posters!" other public programming includes "Archiving People's History: A Panel and Conversation" on thursday, february 12, 2026 from 6:30–8 PM tyler galloway is a graphic designer, professor, and Joyce C. Hall Chair of the Graphic Design department at Kansas City Art Institute. His primary research and practice interests focus on design for community-based social change through both client-initiated and designer-initiated work, which he pursues under his studio moniker, the new programme, alongside student collaborators. he brings 30 years of professional design experience and 20 years of teaching experience to his endeavors. tyler holds a BFA in graphic design from Missouri State University and an MGD from North Carolina State University. His work has appeared in several national and international political/social poster and art exhibitions and been published in the books “The Design of Dissent”, “Posters for the Planet”, “Graphis Poster Annual”, “Reproduce and Revolt”, in Communication Arts, and the Turkish socio-political design magazine “No Tasarim”. Coursework and student projects have been published in the book “Designing for Social Change” and the website “Design Ignites Change”, having won multiple grants through the latter. He has spoken locally and regionally on design for social change and was an invited participant in the LEAP symposium at Art Center College of Design. Design pedagogy papers have been presented at multiple AIGA national design education conferences, Typecon and the international MODE summit on motion graphics. But perhaps just as important, tyler loves riding bikes, punk rock, vegan cookies and being a husband and dad. thenewprogramme.net instagram @thenewprogramme Kimi Kitada is a curator based in Kansas City. She is the Gallery & Programs Manager at Charlotte Street, where she has worked since Fall 2020. Previously, she was Curatorial Assistant at The Museum of Contemporary Art, Los Angeles in 2019-2020. From 2014 to 2018, she served as Public Programs & Research Coordinator at Independent Curators International (ICI) in New York. She is currently working on a two-person exhibition of Cesar Lopez and Kiki Serna for the Albrecht-Kemper Museum of Art in St. Joseph, MO, which opens on February 27, 2026. Additionally, she is co-curating a traveling exhibition for Independent Curators International, titled How to Make a Scene: Artist Run Midwest, which will debut in Fall 2026. www.charlottestreet.org Instagram:@charlottestreetfoundation

Yesterday marked the one-year anniversary of Donald Trump's inauguration as the 47th president of the United States. In the past year, we've watched as Trump delivered on his campaign promises of “mass deportation now” with violent assaults on immigrant communities, most recently in our neighboring state of Minnesota. On today's show, host Ali Muldrow is joined by scholar Sara McKinnon to talk about what has been predictable and surprising about the Trump administration's immigration enforcement.  McKinnon says that the scale and speed of what has been put in place is unprecedented, from deportation flights, detention, to ICE raids. We've seen that ICE activity in city centers has become more visible, public, and long lasting, with sometimes months-long occupations and tactics that challenge what is lawful. The rhetoric that justifies mass deportation relies on a message of crime and criminality that has been popular with Christian nationalists. On Trump's first day in office, he limited the Refugee Resettlement Program from 125,000 recipients to 7,500, which will be available to white South Africans. They also discuss the power and authority of ICE to kill at will, as with the killing of Renee Good earlier this month, the exponential growth of ICE forces and detention centers, and the racially motivated fear of immigrants that the Right cultivates. Sara McKinnon is Professor of Rhetoric, Politics & Culture in the Department of Communication Arts, and Faculty Director of Latin American, Caribbean & Iberian Studies at the University of Wisconsin-Madison. McKinnon has published three books, including Gendered Asylum: Race and Violence in U.S. Law and Politics (University of Illinois Press, 2016), which examines the gender discourse that emerged in U.S. immigration and refugee law between the 1980 Refugee Act and 2014. Her current research explores the dynamics of human migration in Latin America and analyzes foreign policy relations and rhetoric in a transnational context. Additionally, she leads a collaborative project aimed at expanding legal information about US immigration and refugee programs, as well as legal counsel available to migrants across the Americas, helping them to explore options for safe migration and residence. Featured image via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post One Year of Immigration Enforcement on Steroids appeared first on WORT-FM 89.9.

EPISODE 663 - Tad Crawford - A Woman in the Wild - A revealing and memorable portrait of a woman boldly facing her demons in pursuit of a meaningful lifeTad Crawford is an author, attorney, and publisher.He grew up in the artists' colony of Woodstock, New York. Interested in writing both fiction and nonfiction, he majored in economics at Tufts College and graduated from Columbia Law School. After clerking for a judge on New York State's highest court, the Court of Appeals, Crawford worked for a small general law firm in New York City while writing and teaching writing and literature at the School of Visual Arts. Finding few resources to help artists deal with legal matters such as copyrights, the sale and licensing of art, gallery and publishing contracts, income taxes, moral rights, and estate planning, Crawford initiated a “Law and the Visual Artist” course at the School of Visual Arts and wrote Legal Guide for the Visual Artist. Legal Guide now has well over one hundred thousand copies in print and is in its sixth edition (co-authored with M.J. Bogatin).Crawford followed Legal Guide with numerous other books to help professionals in the creative disciplines. The Legal Affairs editor and a regular columnist for Communication Arts magazine, he also wrote for journals such as American Artist, Art in America, Confrontation, Family Circle, Glamour, Guernica, Harper's Bazaar, The Nation, and Writer's Digest.He served as general counsel for the Graphic Artists Guild, lobbied as legislative counsel for the Copyright Justice Coalition (which had many artists' groups as members),  and volunteered as Chairman of the Board for the Foundation for the Community of Artists. In addition to testifying before the Senate subcommittee on behalf of artists' rights, he drafted a package of state laws which he presented to the National Conference of State Legislatures. This presentation led to the enactment of laws favorable to artists in a number of states, including New York and California. The National Endowment for the Arts selected Crawford as a grant recipient to write on the topic of artists' rights. He also received the Graphic Artists Guild's Walter Hortens Distinguished Service Award. In 1989 Crawford founded Allworth Press to offer the practical information needed by creative professionals such as artists, photographers, designers, and authors. He knew firsthand the issues such creative people face each day and envisioned a spectrum of books to help them survive and grow professionally. Beyond these efforts for creative professionals, he also wrote The Secret Life of Money: Enduring Tales of Debt, Wealth, Happiness, Greed, and Charity; A Floating Life: A Novel; and On Wine-Dark Seas: A Novel of Odysseus and his Fatherless Son Telemachus.Allworth Press, which today has hundreds of titles in print, became an imprint of Skyhorse Publishing in 2011. Crawford is a partner in Skyhorse Publishing and remains the publisher for Allworth Press.https://tadcrawford.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Mary E. Stuckey, the Edwin Erle Sparks Professor of Communication Arts & Sciences at Pennsylvania State University, has a brilliant new book that dives into the question of who we are as Americans, a theme that Stuckey has long researched and considered in much of her work (Defining Americans: The Presidency and National Identity, University Press of Kansas, 2004; For the Enjoyment of the People: The Creation of National Identity in American Public Lands, University Press of Kansas, 2023), but she traces this idea of American identity through Thomas Jefferson, the 3rd President of the United States, key author of the Declaration of Independence, architect, and enslaver. Remembering Jefferson: Who He Was, Who We Are is an exploration not so much of Thomas Jefferson the person, but Thomas Jefferson as he has become iconic within the American imagination and what that position explains about not only Jefferson himself, but also what it says about the United States at any particular period in the course of American history. Stuckey traces the symbolic and iconic Jefferson in a number of distinct areas, each of which communicate different presentations or representations of Jefferson himself but also how we, as citizens, consume the idea of Jefferson. All of these are avenues to understand American national identity. As a scholar of presidential rhetoric, Stuckey begins the research by exploring how other presidents have used Jefferson in their speeches and their rhetoric, finding that the vast majority of presidents have referenced Jefferson in some form or in some way to legitimize their own policies. Many presidents have integrated Jefferson's own words (and he wrote many, many words over a long life, especially for the time) as a way to authorize what they were doing while in office. Remembering Jefferson: Who He Was, Who We Are then traces the many memorials and monuments that integrate Jefferson in some capacity. But this section is split into two pieces, one that specifically focuses on the Jefferson-centric presentations, and the other part that integrates Jefferson with other Founders or other presidents (like Mt. Rushmore). Stuckey makes clear the key dimension around the building of these kinds of memorials and monuments: they are as much about the people choosing to build them and how they are to look and exist as they are about the individual, in this case Jefferson, being honored within them. The next section of Remembering Jefferson examines Jefferson in popular culture, particularly in televisual and cinematic popular culture. And while Jefferson is, again, in many places, he comes across in fascinating ways in these renderings, since his relationship to slavery—that he had over 500 enslaved individuals over his lifetime, that a number of those who were enslaved were also his children—is often portrayed as incidental and as a kind of footnote. Jefferson is often hazy and romantic in these narratives. The final section of the book assesses Jefferson within children's literature, since this is also a realm where Jefferson is taking on a civic teaching, and the presentation is about communicating a kind of citizenship to young people. Mary Stuckey has produced an important reading of the United States by reading Thomas Jefferson in all the places and spaces where he turns up. Remembering Jefferson: Who He was, Who We Are is a delight to read, and discusses the complex ideas of national identity, enslavement, race, power, citizenship, and civic virtue. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Mary E. Stuckey, the Edwin Erle Sparks Professor of Communication Arts & Sciences at Pennsylvania State University, has a brilliant new book that dives into the question of who we are as Americans, a theme that Stuckey has long researched and considered in much of her work (Defining Americans: The Presidency and National Identity, University Press of Kansas, 2004; For the Enjoyment of the People: The Creation of National Identity in American Public Lands, University Press of Kansas, 2023), but she traces this idea of American identity through Thomas Jefferson, the 3rd President of the United States, key author of the Declaration of Independence, architect, and enslaver. Remembering Jefferson: Who He Was, Who We Are is an exploration not so much of Thomas Jefferson the person, but Thomas Jefferson as he has become iconic within the American imagination and what that position explains about not only Jefferson himself, but also what it says about the United States at any particular period in the course of American history. Stuckey traces the symbolic and iconic Jefferson in a number of distinct areas, each of which communicate different presentations or representations of Jefferson himself but also how we, as citizens, consume the idea of Jefferson. All of these are avenues to understand American national identity. As a scholar of presidential rhetoric, Stuckey begins the research by exploring how other presidents have used Jefferson in their speeches and their rhetoric, finding that the vast majority of presidents have referenced Jefferson in some form or in some way to legitimize their own policies. Many presidents have integrated Jefferson's own words (and he wrote many, many words over a long life, especially for the time) as a way to authorize what they were doing while in office. Remembering Jefferson: Who He Was, Who We Are then traces the many memorials and monuments that integrate Jefferson in some capacity. But this section is split into two pieces, one that specifically focuses on the Jefferson-centric presentations, and the other part that integrates Jefferson with other Founders or other presidents (like Mt. Rushmore). Stuckey makes clear the key dimension around the building of these kinds of memorials and monuments: they are as much about the people choosing to build them and how they are to look and exist as they are about the individual, in this case Jefferson, being honored within them. The next section of Remembering Jefferson examines Jefferson in popular culture, particularly in televisual and cinematic popular culture. And while Jefferson is, again, in many places, he comes across in fascinating ways in these renderings, since his relationship to slavery—that he had over 500 enslaved individuals over his lifetime, that a number of those who were enslaved were also his children—is often portrayed as incidental and as a kind of footnote. Jefferson is often hazy and romantic in these narratives. The final section of the book assesses Jefferson within children's literature, since this is also a realm where Jefferson is taking on a civic teaching, and the presentation is about communicating a kind of citizenship to young people. Mary Stuckey has produced an important reading of the United States by reading Thomas Jefferson in all the places and spaces where he turns up. Remembering Jefferson: Who He was, Who We Are is a delight to read, and discusses the complex ideas of national identity, enslavement, race, power, citizenship, and civic virtue. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Mary E. Stuckey, the Edwin Erle Sparks Professor of Communication Arts & Sciences at Pennsylvania State University, has a brilliant new book that dives into the question of who we are as Americans, a theme that Stuckey has long researched and considered in much of her work (Defining Americans: The Presidency and National Identity, University Press of Kansas, 2004; For the Enjoyment of the People: The Creation of National Identity in American Public Lands, University Press of Kansas, 2023), but she traces this idea of American identity through Thomas Jefferson, the 3rd President of the United States, key author of the Declaration of Independence, architect, and enslaver. Remembering Jefferson: Who He Was, Who We Are is an exploration not so much of Thomas Jefferson the person, but Thomas Jefferson as he has become iconic within the American imagination and what that position explains about not only Jefferson himself, but also what it says about the United States at any particular period in the course of American history. Stuckey traces the symbolic and iconic Jefferson in a number of distinct areas, each of which communicate different presentations or representations of Jefferson himself but also how we, as citizens, consume the idea of Jefferson. All of these are avenues to understand American national identity. As a scholar of presidential rhetoric, Stuckey begins the research by exploring how other presidents have used Jefferson in their speeches and their rhetoric, finding that the vast majority of presidents have referenced Jefferson in some form or in some way to legitimize their own policies. Many presidents have integrated Jefferson's own words (and he wrote many, many words over a long life, especially for the time) as a way to authorize what they were doing while in office. Remembering Jefferson: Who He Was, Who We Are then traces the many memorials and monuments that integrate Jefferson in some capacity. But this section is split into two pieces, one that specifically focuses on the Jefferson-centric presentations, and the other part that integrates Jefferson with other Founders or other presidents (like Mt. Rushmore). Stuckey makes clear the key dimension around the building of these kinds of memorials and monuments: they are as much about the people choosing to build them and how they are to look and exist as they are about the individual, in this case Jefferson, being honored within them. The next section of Remembering Jefferson examines Jefferson in popular culture, particularly in televisual and cinematic popular culture. And while Jefferson is, again, in many places, he comes across in fascinating ways in these renderings, since his relationship to slavery—that he had over 500 enslaved individuals over his lifetime, that a number of those who were enslaved were also his children—is often portrayed as incidental and as a kind of footnote. Jefferson is often hazy and romantic in these narratives. The final section of the book assesses Jefferson within children's literature, since this is also a realm where Jefferson is taking on a civic teaching, and the presentation is about communicating a kind of citizenship to young people. Mary Stuckey has produced an important reading of the United States by reading Thomas Jefferson in all the places and spaces where he turns up. Remembering Jefferson: Who He was, Who We Are is a delight to read, and discusses the complex ideas of national identity, enslavement, race, power, citizenship, and civic virtue. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mary E. Stuckey, the Edwin Erle Sparks Professor of Communication Arts & Sciences at Pennsylvania State University, has a brilliant new book that dives into the question of who we are as Americans, a theme that Stuckey has long researched and considered in much of her work (Defining Americans: The Presidency and National Identity, University Press of Kansas, 2004; For the Enjoyment of the People: The Creation of National Identity in American Public Lands, University Press of Kansas, 2023), but she traces this idea of American identity through Thomas Jefferson, the 3rd President of the United States, key author of the Declaration of Independence, architect, and enslaver. Remembering Jefferson: Who He Was, Who We Are is an exploration not so much of Thomas Jefferson the person, but Thomas Jefferson as he has become iconic within the American imagination and what that position explains about not only Jefferson himself, but also what it says about the United States at any particular period in the course of American history. Stuckey traces the symbolic and iconic Jefferson in a number of distinct areas, each of which communicate different presentations or representations of Jefferson himself but also how we, as citizens, consume the idea of Jefferson. All of these are avenues to understand American national identity. As a scholar of presidential rhetoric, Stuckey begins the research by exploring how other presidents have used Jefferson in their speeches and their rhetoric, finding that the vast majority of presidents have referenced Jefferson in some form or in some way to legitimize their own policies. Many presidents have integrated Jefferson's own words (and he wrote many, many words over a long life, especially for the time) as a way to authorize what they were doing while in office. Remembering Jefferson: Who He Was, Who We Are then traces the many memorials and monuments that integrate Jefferson in some capacity. But this section is split into two pieces, one that specifically focuses on the Jefferson-centric presentations, and the other part that integrates Jefferson with other Founders or other presidents (like Mt. Rushmore). Stuckey makes clear the key dimension around the building of these kinds of memorials and monuments: they are as much about the people choosing to build them and how they are to look and exist as they are about the individual, in this case Jefferson, being honored within them. The next section of Remembering Jefferson examines Jefferson in popular culture, particularly in televisual and cinematic popular culture. And while Jefferson is, again, in many places, he comes across in fascinating ways in these renderings, since his relationship to slavery—that he had over 500 enslaved individuals over his lifetime, that a number of those who were enslaved were also his children—is often portrayed as incidental and as a kind of footnote. Jefferson is often hazy and romantic in these narratives. The final section of the book assesses Jefferson within children's literature, since this is also a realm where Jefferson is taking on a civic teaching, and the presentation is about communicating a kind of citizenship to young people. Mary Stuckey has produced an important reading of the United States by reading Thomas Jefferson in all the places and spaces where he turns up. Remembering Jefferson: Who He was, Who We Are is a delight to read, and discusses the complex ideas of national identity, enslavement, race, power, citizenship, and civic virtue. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Mary E. Stuckey, the Edwin Erle Sparks Professor of Communication Arts & Sciences at Pennsylvania State University, has a brilliant new book that dives into the question of who we are as Americans, a theme that Stuckey has long researched and considered in much of her work (Defining Americans: The Presidency and National Identity, University Press of Kansas, 2004; For the Enjoyment of the People: The Creation of National Identity in American Public Lands, University Press of Kansas, 2023), but she traces this idea of American identity through Thomas Jefferson, the 3rd President of the United States, key author of the Declaration of Independence, architect, and enslaver. Remembering Jefferson: Who He Was, Who We Are is an exploration not so much of Thomas Jefferson the person, but Thomas Jefferson as he has become iconic within the American imagination and what that position explains about not only Jefferson himself, but also what it says about the United States at any particular period in the course of American history. Stuckey traces the symbolic and iconic Jefferson in a number of distinct areas, each of which communicate different presentations or representations of Jefferson himself but also how we, as citizens, consume the idea of Jefferson. All of these are avenues to understand American national identity. As a scholar of presidential rhetoric, Stuckey begins the research by exploring how other presidents have used Jefferson in their speeches and their rhetoric, finding that the vast majority of presidents have referenced Jefferson in some form or in some way to legitimize their own policies. Many presidents have integrated Jefferson's own words (and he wrote many, many words over a long life, especially for the time) as a way to authorize what they were doing while in office. Remembering Jefferson: Who He Was, Who We Are then traces the many memorials and monuments that integrate Jefferson in some capacity. But this section is split into two pieces, one that specifically focuses on the Jefferson-centric presentations, and the other part that integrates Jefferson with other Founders or other presidents (like Mt. Rushmore). Stuckey makes clear the key dimension around the building of these kinds of memorials and monuments: they are as much about the people choosing to build them and how they are to look and exist as they are about the individual, in this case Jefferson, being honored within them. The next section of Remembering Jefferson examines Jefferson in popular culture, particularly in televisual and cinematic popular culture. And while Jefferson is, again, in many places, he comes across in fascinating ways in these renderings, since his relationship to slavery—that he had over 500 enslaved individuals over his lifetime, that a number of those who were enslaved were also his children—is often portrayed as incidental and as a kind of footnote. Jefferson is often hazy and romantic in these narratives. The final section of the book assesses Jefferson within children's literature, since this is also a realm where Jefferson is taking on a civic teaching, and the presentation is about communicating a kind of citizenship to young people. Mary Stuckey has produced an important reading of the United States by reading Thomas Jefferson in all the places and spaces where he turns up. Remembering Jefferson: Who He was, Who We Are is a delight to read, and discusses the complex ideas of national identity, enslavement, race, power, citizenship, and civic virtue. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. Learn more about your ad choices. Visit megaphone.fm/adchoices

KATIE CROSS - BIOGRAPHY Katie Cross is ALL ABOUT writing epic magic and wild places. Creating new fantasy worlds is her jam. When she's not hiking or chasing her two littles through the Montana mountains, you can find her curled up reading a book or arguing with her husband over the best kind of sushi. Visit her at www.KatieCrossBooks.com for free short stories, extra savings on all her books (and some you can't buy on the retailers), and so much more. Mark McWaters has long been a fan of all things that go bump in the night, scratch at the door, or blow cold air on the back of your neck. From a very young age, he carried a pad and pencil around with him, composing poems to give to girls. He devoured all the Hardy Boys and Doc Savage books he could get his hands on and expanded his reading horizons from there. Robert Heinlein, Asimov, and Bradbury, whetted his appetite for Sci-Fi. Ann Rice's Interview With The Vampire blew his mind. A scene from Stephen King's Salem's Lot haunts him to this day. And Watcher by Dean Koontz made him a lifelong fan. He earned an MFA in Creative Writing from the University of North Carolina at Greensboro. Became an award-winning advertising copywriter and creative director and earned enough Clios, Addys, and Communication Arts awards for bragging rights. As a writer, Mark discovered the Florida Writers Association, critique groups and writing competitions. He's won a steady stream of FWA Royal Palm Literary awards for his unpublished short stories and novels. The inspiration behind “Ghost Dog” came while reading entry rules for a magazine looking for unusual spins on traditional horror. Houses, people, dolls, even cars get haunted. So, he thought, why not dogs? Bentley, a West Highland White Terrier who sleeps under Mark's desk while he writes, agreed. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 43rd year and is judged by some of the premier names in speculative fiction. The Writers of the Future Contest judges include, Tim Powers (author of On Stranger Tides), Kevin J. Anderson and Brian Herbert (Dune prequel series), Robert J. Sawyer (The Oppenheimer Alternative), Brandon Sanderson (Mistborn series, The Stormlight Archive), Larry Niven (Ringworld), Orson Scott Card (Ender's Game), Nnedi Okorafor (Who Fears Death), Hugh Howey (Wool), and Katherine Kurtz (Deryni series) to name a few. The Illustrators of the Future Contest judges include, Bob Eggleton (11 Chesley Awards and 9 Hugo Awards), Larry Elmore (Dungeons & Dragons book covers), Echo Chernik (graphic designs for major corporations including Celestial Seasonings tea packaging), Rob Prior (art for Spawn, Heavy Metal comics and Buffy the Vampire Slayer), Ciruelo (Eragon Coloring Book).

Send us a text Anthony Freda is an accomplished educator, artist, and activist whose creative journey shaped by moral reckoning and bold shifts in perspective ultimately led him to Jesus and a renewed focus on Christian art. A tenured professor at the Fashion Institute of Technology in New York, Freda has built a distinguished career as an award-winning illustrator, with work featured in major publications such as The New Yorker, Time, Rolling Stone, and The New York Times. His art is showcased in a permanent exhibit at the 9/11 Memorial, and he has been honored by The Society of Illustrators, Communication Arts, and American Illustration. Known for his provocative, politically charged imagery, Freda blends vintage American ephemera with modern commentary, using his work as a platform for cultural critique and creative activism. His StoryHe began his career in advertising, notably working on the infamous Joe Camel campaign. When the FTC ruled the campaign illegal for marketing cigarettes to children, Freda experienced a profound moral awakening that led him to leave advertising behind. He went on to work with prestigious publications such as The New York Times and The New Yorker, but it was his work on an OpEd piece for The New York Times promoting the Iraq War that sparked another ethical reckoning. Realizing he had gone from selling cigarettes to selling war, Freda transitioned once more, joining the early alternative media movement in the 2000s.Freda's work has often pushed boundaries, both politically and artistically. His art is part of the permanent collection of the 9/11 Museum and Memorial in New York, where his piece is one of the only works that questions the official narrative of the events of 9/11. His ten-year tenure with Infowars as an illustrator and writer further cemented his place in the world of controversial alternative news, and he has been vocal about his role in the space.Freda's work, especially his art, continues to stir debate. In 2024, an author in Germany faced legal consequences for simply posting one of his book covers on social media, and Freda himself has been extensively censored for his dissent against the official COVID-19 narrative. He has even been flagged as a potential domestic terrorist for his critical stance and controversial imagery. One of his most notable works is a covert illustration for The Wall Street Journal in 2025, where he secretly adorned Xi Jinping's tie with skull motifs as a subtle critique of global politics.In 2024, Freda worked as an illustrator and media consultant for RFK Jr.'s Super-Pac, AV24, further cementing his role in the political and media landscape. However, in recent years, Freda has pivoted his artistic focus towards Christian art. After decades of political commentary, he now sees the battle as spiritual and has committed to dedicating much of his creative work to Christ, producing original pieces as a devotion to his faith.Freda is also working on an ambitious project called Jesus Park, a sculptural earthen garden designed as a peaceful space for prayer and meditation. The project aims to provide a tranquil setting for spiritual reflection and devotion.To explore his ongoing projects, including his Christian art, visit his website: AnthonyFreda.com, https://www.instagram.com/anthonyfredaart/,The Thought Crimes of Anthony Freda - Book PreviewConnect with Angie Taylor on:IG: https://www.instagram.com/mrsangietaylor/?hl=enFB: https://www.facebook.com/profile.php?id=100090424997350

2:30 Women's Basketball sets all-time GS hoops attendance record @ The Hill vs LSU/Men's Soccer All-Sun Belt honors, team awaits postseason fate/Women's Rifle takes care of North Georgia/Football beats App St w/post-game comments from Brendan Harrington (7:51)11:32 Men's Basketball's new Director of Operations & Analytics Will Arnold discusses how he balances the responsibilities of both roles19:07 Dr. Chris Geyerman - longtime Associate Professor, Communication Arts & Faculty Athletics Representative - reflects on his 39-year Georgia Southern career which will conclude with his retirement after the Fall semester55:48 Coastal Carolina preview w/audio from Chanticleers head coach Tim BeckSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we chat with Diana Leon-Boys— Assistant Professor of Media and Cultural Studies at the University of Wisconsin-Madison's Department of Communication Arts—about her lifelong work examining the navigation of girlhood through a Latinx lens. Her book Elena, Princesa of the Periphery: Disney's Flexible Latina Girl extends conversations about minority representation and the complex relationship it has with child development. We host a dialogue between Diana's research and Henry's observations about boyhood in his book Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar America. We discuss how both scholars pull from their own personal experiences growing up in America and how they interacted with their childhood media. We explore how the proliferation and production of children's and family media shape ideas of adolescence. Diana and Henry relate this back to their roles as parents within an ever-evolving media landscape where funding for educational children's content is dwindling. They further discuss how representation within media has changed over time and minority groups' relation to it. This is where Diana brings in her newer projects about depictions of Quinceañeras and Día de los Muertos in TV and films. We are left to ask what the politics of childhood are and what reforms can be done with current children's media.Here are some of the references from this episode, for those who want to dig a little deeper:Academic TextsDiana Leon-Boys:Elena, Princesa of the Periphery: Disney's Flexible Latina GirlQuinceañeras: Latinidades and Girlhood in Popular CultureHenry Jenkins:Where the Wild Things Were: Boyhood and Permissive Parenting in Postwar AmericaThe Children's Culture Reader“Just a Spoonful of Sugar: Permissive Child-Rearing and Walt Disney's Mary Poppins”“‘You've Got to Be Carefully Taught': The Whiteness of Permissive Culture”MIT Salute to Doctor SeussInterview about the bookOthers:Centuries of Childhood: A Social History of Family LifeKids in the Middle: How Children of Immigrants Negotiate Community Interactions for Their FamiliesLatina Teenhood: Intersectionalizing subjectivities in the post-network era.Crafting Public Opinion: The Effectiveness of China's Media Control Policies under Xi JinpingMade to Play House: Dolls and the Commercialization of American Girlhood, 1830-1930 Advice Books:The Common Sense Book of Baby and Child CareDare to Discipline  People, Places, Toys, and HolidaysPhilippe ArièsDr. Vikki KatzDía de los MuertosQuinceañerasBenjamin SpockMargaret MeadDr. SeussFred RogersStephanie PérezRaquel Reyes [American Girl Doll]Samantha Parkington [Doll]Julie AndrewsWalt DisneyDisneyland and Disney WorldPaper DollsFDRSigmund Freud Shows, Films, and Other MediaPee-wee's PlayHouseDennis the Menace [59-63' show, Comics]Leave It To BeaverThe Cosby ShowOne Piece [Anime, Manga, Live Action]Disney+EncantoCocoSnow White [Animated, Live Action]Little Mermaid [Animated, Live Action]Chinese State Media sounded like Fox MediaRogue OneSesame StreetGordita ChroniclesBaker and the BeautyBlueyDescendants film franchiseOn My BlockWednesdayMary PoppinsSaludos AmigosHarry Potter film seriesDora The Explorer The 5000 Fingers of Dr. T.Mad Magazine Classic IllustratedGabby's DollhouseQuinceañeras episodesSuper Sweet 16Wizards of Waverly PlaceDora the Explorer  NewsDefunding of PBS Quinceañeras in ProtestOne Piece Flags in Indonesia ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Meet Mike Reesé Mike Reesé is a very accomplished man.  He is a Los Angeles-based artist, 7× Cannes Lions–awarded art director, and cultural organizer. Raised in Mid-City Los Angeles, Mike began sharing his art at 14—customizing shoes, designing t-shirts, and selling his work to classmates. He later studied Communication Arts at Otis College of Art...

Stories aren't just entertainment - they're how we make sense of who we are, what we value, and where we're headed. In this episode, writer and professor Sean Gaffney invites us to see story as a sacred thread woven through culture, theology, and discipleship. We talk about the shape of the meta story that undergirds all great narratives, how stories can form us spiritually, and why even blockbuster films can point us toward God. From the pitfalls of message-driven Christian media to the redemptive echoes in Marvel movies, this conversation is an invitation to engage story with both discernment and wonder.Sean Gaffney has authored thirty produced plays, three feature films, four commissioned television pilots, two published chapter books, as well as over two hundred produced videos, animation projects, YouTube series episodes and short films (including for Big Idea and SuperBook). Other publications include contributing to Bigger on the Inside: Christianity and Doctor Who, It Was Good: Performing Arts to the Glory of God, and The Routledge Handbook of the Bible and Film . He was the Story Administrator for Warner Bros. Features, editor of Drama Ministry Magazine, the Managing Director of Taproot Theatre (Seattle) and General Manager of Lamb's Theatre Company (New York). Gaffney currently is a Professor in Media Communication and Screenwriting at Asbury University, as well as Associate Dean of the School of Communication Arts. He received his BFA from Drake University, his MFA from Columbia University, and studied with Act One: Writing for Hollywood. He released a new book on the intersection of scriptwriting and theology: Meta Story: What Marvel & the Messiah Can Teach Us about Great Storytelling. More information at www.gaffneyinkwell.com and IMDb.Sean's Book:Meta StorySean's Recommendation:The God of StorySubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowSubscribe today at shiftingculture.substack.com for early, ad-free episodes and more! Support the show

In this bonus episode of The Spark, Koto CEO and founder James Greenfield returns for a lighter, weirder, and more wonderfully random chat. From his most controversial creative opinion (spoiler: it involves Apple) to dreams featuring Mr Bingo demanding to be called 'The Way', nothing is off-limits. We chat about parenting, drum and bass, the strange comfort of Marcus Aurelius audiobooks, and the surprisingly joyful art of reading mean internet comments. James also reveals the creative outlet he's rubbish at (but would love to master), the most embarrassing pitch moment of his career, and the one thing he wishes Apple TV would sort out immediately. This one's for the curious, the creative, and anyone who's ever planted a hydrangea in the shade and called it therapy. And that's Season Nine wrapped up. It's been an absolute blast. We've loved every minute. Thank you to all our guests for joining us on the show, and a big thank you to the School of Communication Arts for making this season possible. We'll be back in the autumn with fresh guests, new and exciting themes, and more fun and games. Until then, have a great summer.

For the final episode of Season Nine, we're joined by James Greenfield, founder and CEO of Koto, the global brand agency celebrating its 10th anniversary. James reflects on a decade of building one of the most talked-about studios in the industry, from humble beginnings and "recycling problems" to global offices, high-profile clients like Amazon, and a team that now numbers over 180. We explore how Koto evolved from a scrappy underdog into a creative heavyweight and how James has managed to maintain a startup mentality, champion a people-first culture, and fiercely protect creative standards as the business scaled. He also shares why independence is having a moment, how AI is creating a flood of "automated slop", and why great creativity matters more than ever. Elsewhere, we touch on the emotional moments behind launching Koto, the leadership lessons learned, and how staying close to the team (and away from perfectionism) keeps the company grounded. There's also time for thoughts on social media fatigue, what makes a strong agency-client relationship, and why—despite a love of good work—he's only raised his voice three times in a decade. We wrap with some honest wisdom: whether you're running a studio or thinking about starting one, James offers no-nonsense advice on what it really takes. This season is proudly sponsored by the School of Communication Arts.

In this joyful bonus episode of The Spark, Katy Cowan and Fiona McGarva let their hair down after the main show, diving into the quirky, honest and oddly profound bits that make us who we are. From early mornings in silk gowns (or just pyjamas) to the emotional support cuddly toy that's seen it all, we explore the rituals, irrational comforts and unlikely talents that fuel creativity. Fiona reveals why she gets dressed up for phone calls, how she's surprisingly skilled at matching pairs, and why her funeral will feature a gospel choir and a rocket. We also cover the freedom that comes with age, the power of dressing for yourself, and the joy of not being brilliant at everything. Plus, the imaginary stage show we never knew we needed: Mystic Fiona at Shangri-La. Come for the giggles, stay for the insight – and find out what she'd be doing if PR hadn't worked out (hint: solving crimes on the book tour circuit à la Jessica Fletcher). This season is proudly sponsored by the School of Communication Arts.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen. In a wide-ranging and enjoyable interview with Dr. Elana Levine, we covered a broad array of subjects pertaining to the history, culture, and craft of soap operas. After an initial conversation, I asked her a series of questions about her work and how it resonates with other genres such as the Real Housewives franchise, especially how original housewives (domestic workers as well as suburban housewives of numerous ethnicities and races) represented the viewership of soap opera consumption and support. We talked about the early origins of soap operas, especially with Proctor & Gamble in the early inception of the soap opera genre to now, with the innovative partnership and collaboration between Proctor and Gamble/CBS and the NAACP in debuting the new soap opera, Beyond the Gates.  We discussed the ways in which the viewership of soaps, mostly working women and stay at home women shed light on significant aspects of American Women's and Gender history, women's civic participation (combing public and private space) as well as informs how women viewers, often housewives and domestics, found ways to weave their own life narratives together with those of cast actors, thus contributing to an interpretive lens on life matter,(blurring line between real and imagined), representing both an innovative and inclusive type of Citizenship seasoning process, whereby, via interaction with soap operas stars as both celebrities and everyday people, (as fellow Cinema scholar Anna McCarthy talks about in her work on ways in which 1950s television, functioned as a kind of citizen machine governing America,  championed inclusive democratic practice that engaged citizens in repetitious call and response and back and forth conversation about everyday practices of everyday working people.  Lastly, we talked about the parallels with primetime soap operas like Dallas, Dynasty, Knots Landing, Yellowstone, as well as what Dr. Levine calls a hybrid form of soap opera storytelling found in series like Grey's Anatomy, Scandal, and other primetime television series. We also spoke about the parallels between soap operas as meditations on aspects of good and evil, finding interesting synergy with genres such as wrestling as soap opera drama sport, the drama of superheroes and villains in the DC and Marvel Universe, as well as versions of science fiction. Dr. Elana Levine is Professor of Media, Cinema and Digital Studies in the Department of English at the University of Wisconsin–Milwaukee. She got her PhD, Communication Arts from University of Wisconsin–Madison. Her research areas of interest include Television history, theory, and criticism; gender, sexuality, and media; media industry and production studies; media audience studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this episode of The Creative Boom Podcast, Katy Cowan is joined by Fiona McGarva, founder of Sundae Communications and longtime collaborator with Shangri-La at Glastonbury Festival. They explore how Fiona and the team have completely reimagined how they communicate with audiences—ditching traditional social media announcements in favour of handmade risograph posters, seed packets, and direct, analogue experiences that celebrate slowness and real-world connection. Fiona shares how Shangri-La's new theme, 'The Wilding', is more than just a creative direction—it's a complete reset, inviting us all to consider how we share stories, connect with people, and move away from platforms we don't truly own. The conversation is a refreshing and empowering reminder that creativity can flourish in new ways, especially when we embrace age, messiness, and the freedom to do things differently. Together, Katy and Fiona reflect on their careers in PR, the shifts they've seen across media and design, and the joy of doing things on your own terms. Expect nostalgia, a few Pedro Pascal tangents, and plenty of wisdom on everything from personal growth to rediscovering magic in our work and lives. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, The Spark, our founding editor Katy Cowan reunites with Kenny Gravillis for a more playful, off-the-cuff chat that lifts the lid on the personality behind the creative powerhouse. With the serious stuff out of the way, it's time to talk rules, rituals and ridiculous snacks. Kenny shares the one design rule he tries not to break (but sometimes does) and how his relationship with creativity has evolved from being a perfectionist to embracing a more open, collaborative approach with his team. There's also a loving tribute to St. Lucia, where he escapes to reset and recharge; a flashback to his pool hustling days in the Bronx; and an unexpected comfort found in a dog named Hero, who really needs to stop biting people's feet. We also hear about his favourite funeral song, the word he never wants to hear again (bandwidth), and the oversized bag of Fruit Pastilles that didn't survive the first half of Mission Impossible. And yes, there's a Tom Cruise story... because, of course, there is. This season is proudly sponsored by the School of Communication Arts.

He branded the Oscars. Designed the iconic Ready to Die album cover. Created film campaigns for Inglourious Basterds, West Side Story, Dune and more. In this episode, our founding editor Katy Cowan chats with creative director Kenny Gravillis, the East London-born designer who's helped shape the visual language of contemporary film. The founder of Gravillis Inc., Kenny shares how he went from designing panty shield ads to working at Def Jam by age 21, and later building a studio in LA that now works with the biggest names in Hollywood. He reflects on meeting Spielberg, working with Spike Lee, and why staying humble (and kind) has been his secret weapon. They also talk about the challenges of breaking into a closed industry, navigating the shift from music to film, and why AI won't replace the nuance of human-made art anytime soon. Oh, and the time Christoph Waltz thought he'd been cut from Inglourious Basterds because Kenny didn't give him a poster. This season is proudly sponsored by the School of Communication Arts.

In this joyful, laugh-out-loud episode of The Spark, our founding editor Katy Cowan sits down (again!) with the brilliant Emily Jeffrey-Barrett, founder of creative agency Among Equals, to continue where they left off—with less business chat and more banter. Expect everything from shameful Brownie troop confessions and controversial creative opinions (spoiler: she doesn't think we're artists), to what it's like flying business class for the first time and being traumatised by cyclists in London. Along the way, Emily shares the two pieces of advice that have helped her survive as a creative leader, reveals the one word that gives her the heebie-jeebies, and admits her irrational comfort phrase, courtesy of her Yorkshire grandparents: "Hope it works out for you". There's even talk of Wyoming ranches, Branston Pickle nostalgia, and a shared hatred of faffing. Honestly, it's a miracle anything got done. This one's for the high-achievers, the people-pleasers, and anyone who's ever been told to "just relax". This season is proudly sponsored by the School of Communication Arts.

In this candid and energising conversation, our host, Katy Cowan, sits down with Emily Jeffrey-Barrett, founder of creative agency Among Equals, to mark its fifth anniversary. From launching in lockdown with nothing but patio furniture and ambition to opening a second office in Dubai, Emily shares the real story of building an agency entirely on her own terms. They talk openly about what it means to take up space as a woman in business: being talked over, underestimated, and navigating the exhausting tightrope between being "too much" and "not enough". In fact, they had to record the episode twice after having too much fun the first time around — which sparked a deeper conversation about likability, being taken seriously, and the narrow boxes women are still expected to fit into. We also hear about Among Equals' unique philosophy, its bold plans for the future (including an eventual sale), and what real disruption might actually look like in the creative industry. Funny, honest, and packed with insight — this is one to bookmark if you're dreaming of building something of your own. This season is proudly sponsored by the School of Communication Arts.

Welcome back to The Spark, your extra dose of insight and fun from this week's guest. Today, Adrian Carroll of D8 returns to answer a few quick-fire questions—and as you'd expect from someone with decades of experience, his answers are full of wisdom and wit. Adrian shares his most controversial creative opinion (and it's a good one), the best advice he's ever received, and the one ordinary day he'd relive if he could. He also reveals the word that gets on his nerves the most, his favourite place in the world, and a random dream that's stuck with him. And yes, we discover his party trick. It's the perfect way to wrap up the week, with a few laughs, a few surprises, and even more insight into the creative mind behind D8. This season is proudly sponsored by the School of Communication Arts.

In this episode, our founding editor Katy Cowan sits down with Adrian Carroll, co-founder and executive creative director of D8, a leading creative agency with studios in Glasgow, Amsterdam, and beyond. With over 26 years in the industry, Adrian reflects on the constant change he's weathered—from the dawn of the internet to economic crises, the rise of social media, and the latest wave of AI disruption. They talk candidly about starting out in the late '90s, why human relationships still sit at the heart of good business, and how trust and intuition have helped D8 grow into one of the most respected independent studios in the UK. Adrian also shares exciting news about D8's latest venture: the launch of a bespoke type foundry, ABCD8, and why ownable, AI-proof assets are becoming essential in today's creative landscape. Expect a thoughtful, grounded conversation about longevity, integrity, and why sometimes... the logo does need to be bigger. This season is proudly sponsored by the School of Communication Arts.

In this bonus Spark episode, Emma Barratt returns for a funny, honest, and brilliantly unfiltered chat with Katy Cowan. She takes on some of our favourite quick-fire questions — from the best advice she's ever received to the song she'd like played at her funeral. Emma shares her most controversial creative opinion (spoiler: not everything is "transformative"), the word that gives her the ick, and why she relates most to an octopus. She also opens up about OCD rituals, arguments she has to win, and the rejection that taught her the most — including the first time she applied to Wolff Olins. Packed with warmth, dry wit and big heart, this is the perfect follow-up to Emma's main episode on class, creativity, and carving your own path. This season is proudly sponsored by the School of Communication Arts.

In this raw and energising conversation, Katy Cowan is joined by Emma Barratt, global executive creative director at Wolff Olins, to talk about class in the creative industry, imposter syndrome, and the kind of diversity we don't discuss enough. With honesty, grit, and a huge amount of heart, Emma opens up about her working-class roots in Salford, the long road into the design world, and the resilience it took to get to the top. They explore why the industry still has a long way to go when it comes to genuine inclusivity—especially in terms of class and social mobility. Emma talks about how expensive cities like London continue to block access for many talented creatives and how the legacy of connections and privilege often dictates who gets a foot in the door. It's not just about ticking boxes on a diversity form—it's about meaningful, systemic change, and it needs to start at the top. Emma also shares her experience of imposter syndrome and learning to embrace her own voice, even when it didn't fit the mould. From overcoming dyslexia to navigating a male-dominated creative scene, she reflects on what it took to unlearn shame and reclaim pride in her background. We hear how she's now determined to be the mentor she never had—helping others who feel like outsiders realise their worth, whether they're neurodiverse, working class, or just don't see themselves represented. This episode touches on everything from unpaid internships and university barriers to the superpower of growing up without a safety net. Emma doesn't shy away from the difficult truths—but there's also humour, hope, and a rallying cry for change. If you've ever felt like you don't belong, this one's for you. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, Liz Mosley returns for a relaxed, thoughtful catch-up with Katy Cowan. They chat about building confidence, embracing cringe, and the joy of just having a go — plus Liz answers some of our favourite Spark questions. From the best advice she's ever received to a dream she can't forget, Liz shares her most controversial creative opinion, the word that drives her mad, and the one ordinary day she'd relive if she could. Warm, funny, and full of heart — it's a lovely listen for anyone who's ever wondered if they're doing this creative thing "right". This season is proudly sponsored by the School of Communication Arts.

In this laugh-out-loud, heart-on-sleeve conversation, Katy Cowan is joined by branding designer and podcast host Liz Mosley to explore the messy, magical world of podcasting. With over 120 episodes of the Building Your Brand podcast behind her, Liz shares the honest truth: podcasting isn't about being perfect—it's about showing up as yourself. Together, Katy and Liz dive into the highs and lows of running a podcast (awkward endings included), why less polished content often resonates more, and how confidence grows through real conversations. They reflect on the unexpected networking opportunities that arise, the importance of making guests feel at ease, and the joy of being unfiltered, unpolished, and unapologetically real. The episode is full of practical advice for aspiring podcasters, including why you don't need expensive equipment to get started, how to trust the process, and why you should start before you feel ready. Later this week during our bonus episode, The Spark, you'll also hear plenty of quirky anecdotes—from dream analysis and family picnic fails to their mutual loathing of the word niche. Whether you're podcast-curious or already recording in your cupboard, this is an inspiring, entertaining chat that celebrates creativity, confidence and the power of being yourself. This season is proudly sponsored by the School of Communication Arts.

“And one year, Ariel [Detergent] was, like, you know that 95 % of the people in India still think laundry is a woman's job. And Ariel was just, like, gosh, that doesn't seem like it's, this was 2017 or ‘18 at the time, [and] they're like, that doesn't seem right. Like, it's, haven't we all moved past that? So they created a campaign they called ‘Share the Load.' And what they did is they went out there and they advocated a hashtag, #sharetheload with, for everybody in the family to help with the laundry. It shouldn't just be mom's job anymore. And of course, this kind of air cover for someone who is burdened with this task would just elicit a huge thank you because you're just helping to make their lives better, and you haven't done a darn thing. It's not about the product. It's positioning. Yeah, it's, like, ‘here's what we know you care about, and so we're going to prove that we care about you because we care about that.' Sales went up 76%.” – Reid HolmesThis episode's guest has spent over thirty years leading the creative departments of some of the best ad agencies in America. His idea for H&R Block, “You Got People,” garnered four million new clients, and his work changed the trajectory of brands like Burger King, The Mayo Clinic, KeyBank, and many others. He also has multiple public-speaking awards as he helps audiences gain a deeper understanding of how clarity creates impact. He's won almost every award in advertising and has been featured in The New York Times, Adweek, Advertising Age, Forbes, and Communication Arts.But as his kids started graduating, he realized he wanted to leave a legacy. He found an approach that inspires businesses, marketing teams, and those they wish to attract. His #1 best-selling book, Appreciated Branding: Transform Your Brand from Ignored to Irreplaceable, has become a go-to mature-brand playbook. His name is Reid Holmes, and he'll be sharing his perspective on advertising today, how brands can use sound to stand out and be more memorable, and where he thinks things will go from here. If you're looking to boost your brand, you won't want to miss this one!As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(0:00:00) - The Power of Audio in AdvertisingOur conversation begins with a look back at the early memories that sparked Reid's love of sound, which include his father's copy of the famous War of the Worlds broadcast. “You picture these big, huge Martian creatures that are described,” he says, “and they're coming down through New Jersey and the whole country was freaking out. And it was Orson Welles, who has the pipes for audio.” He tells us more about his family's history in advertising and about how it led to his own career. “I was like, well, my mom was in advertising and my uncle's doing really well in it,” Reid explains. “I should give it a shot because it seems like it runs in the family, and maybe I'd be pretty good at it.”(0:13:02) - The Evolution of Radio...

In this bonus episode, The Spark, we welcome back Sam Gilbey, the pop culture illustrator whose work brings our favourite films to life, for a lighter, more personal chat. After Monday's nostalgic deep dive into his creative journey, Sam returns to answer some of our signature questions, offering a glimpse of the person behind the prints. From his controversial view on talent (spoiler: he's not sure it exists) to why OK Computer still hits after all these years, Sam talks about creativity with humour, humility, and heart. We talk Comic Cons, the comfort of pop culture, and the Sunday roasts and video games that make life sweet. He also shares the embarrassing moment he met his childhood hero Tony Hart—on national TV—and why his worst nemesis is often… himself. This is a joyful, down-to-earth episode that celebrates fandom, family life, and the magic of just making stuff. This season is proudly sponsored by the School of Communication Arts.

This week, we're joined by the brilliant Sam Gilbey – a celebrated illustrator known for his detailed, painted portraits of cult movie characters, iconic pop culture figures, and, more recently, football heroes. In a lively and nostalgic conversation, Sam and host Katy Cowan explore what it means to survive and thrive as a creative today — through economic downturns, industry disruption, and the ever-looming rise of AI. From early web design adventures and building Weetabix's first website, to becoming a go-to artist for Blu-ray covers and film posters, Sam reflects on more than two decades of creative resilience. He talks candidly about the shifts he's seen, the challenges illustrators face now, and why doubling down on your passion — even when things get tough — is more important than ever. We also hear how becoming a dad sparked a major career pivot, how Sam built a reputation in the pop culture gallery scene, and how he's learned to spot opportunities when things go quiet. Along the way, there's talk of cereal box nostalgia, VHS cover art, Comic Con antics, and a surprising run-in with Tony Hart on national TV. It's a conversation packed with humour, insight, and a big dose of honesty — perfect for any creative wondering how to keep going, keep growing, and keep doing what they love. This season is proudly sponsored by the School of Communication Arts.

In this bonus episode, The Spark, we welcome back Gnome Taylor, senior creative at Grey London, for a lighter, more personal chat. After Monday's powerful conversation on resilience, Gnome returns to answer some of our signature questions—giving us a glimpse of the person behind the job title. From why kindness is the best lesson she's learned in her career, to the odd comfort she gets from even numbers, Gnome shares stories with humour and heart. We talk about the ideas she's proud of (even the ones that never made it), her unexpected Joe Pasquale impression, and why her sock drawer is so meticulously organised it includes a single, unwearable pair. Gnome also opens up about sleep struggles, audiobook obsessions, and what she'd like to see from future male role models. Her answer? Less bravado, more empathy. This is a warm, thoughtful episode that celebrates quirks, creativity, and the quiet power of simply being kind. This season is proudly sponsored by the School of Communication Arts.

This week, we chat with Gnome Taylor, senior creative at Grey London, about the resilience it takes to make it in the creative industries—especially when life starts out tough. Gnome shares her incredible journey from growing up in foster care to carving out a thriving career in advertising. With honesty and humour, she reflects on the chaos of her early years, the stereotypes she battled, and the pivotal moment that made her decide to change her life. From raising over £26,000 to attend the School of Communication Arts, to landing her dream job, it's a story of sheer determination and grit. The conversation also explores the power of kindness, the emotional rollercoaster of creative work, and the importance of opening up—particularly in an industry where vulnerability is still often seen as a weakness. Gnome talks openly about navigating rejection, overcoming imposter syndrome, and why she's passionate about supporting underrepresented voices in advertising. If you've ever felt like you didn't belong, or if you've had to fight harder than most to find your place, this episode will speak to you. It's a candid and uplifting reminder that our differences and our experiences are often our greatest strengths. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we share a shorter, snappier episode filled with inspiration—and this season, we've switched things up. Each Spark now features a bonus conversation with our guest from earlier in the week. Today, we're once again joined by the award-winning creative director, Christine Smith, who returned for a little more fun—and a few unexpected surprises. Christine shared some brilliant insights on Monday's episode, where we explored what it means to become the role model you never had. If you missed it, go back and give it a listen. But in this Spark, we dive into the more personal side of Christine's world: her creative rituals, her love of horses and thrift shops, a very convincing baby cry, and what she'd do if she ever needed to escape a bad date. (Spoiler: it involves that baby cry.) We also discuss why intuition is such a powerful creative tool, the importance of listening to your gut, and how nature and nostalgia feed Christine's imagination. And as always, we end with a thought-provoking question for next week's guest. This season is proudly sponsored by the School of Communication Arts.

In this episode, Katy is joined by award-winning creative director Christine Smith to explore the topic of role models and their critical importance, particularly for women in the creative industries. Christine shares her personal journey of navigating a male-dominated field, describing how she spent her early career without any female figures to look up to. This gradual realisation shaped her mission to become the kind of role model she never had, especially for the next generation of fearless female creatives in Denmark and beyond. The conversation delves into identity, reinvention, and the freedom that comes with creating your own path. Christine talks openly about how moving to London allowed her to explore who she truly wanted to be, both professionally and personally. From changing her appearance to challenging industry norms, she embraced a bold transformation that reflected her creative spirit. Fashion became a key medium of self-expression, one that eventually played a powerful role in a pivotal moment at Cannes Lions 2022, where Christine took a stand for body positivity by wearing a striking outfit that challenged the industry's standards. Katy and Christine also tackle the ongoing challenges around diversity and inclusion in the creative world, particularly in Denmark, where the landscape remains overwhelmingly white and male. Christine stresses the importance of visibility and representation, arguing that seeing people who look like you doing what you aspire to do is essential for building confidence and ambition. She notes that while some progress is being made, there's still a long way to go—especially when it comes to leadership and ownership in the industry. Mental health is another vital topic discussed in the episode. Christine opens up about her personal experiences with anxiety and burnout, and the difficult—but—empowering decision to take time off and begin medication. She reflects on how stigma around mental health still affects leaders, particularly women, and emphasises the need to normalise these conversations. Her honesty is both refreshing and inspiring, reminding listeners that strength comes not from hiding our struggles but from facing them and taking responsibility for our well-being. The episode ends with advice for younger creatives who may be struggling to find role models of their own. Christine suggests looking beyond the industry to find people who share your values and energy, and using that inspiration to shape a creative identity that feels authentic and empowering. Packed with candid insights, empowering moments, and a healthy dose of humour, this conversation celebrates courage, reinvention, and the power of lifting others as you rise. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode filled with inspiration. And this season, we've switched things up. Each Spark now features a bonus conversation with our week's guest. Today, we're joined once again by Kiser Barnes, partner and CCO at Red Antler, who returns for some quick-fire fun. Kiser joined us on Monday to explore the intersection of creativity and technology, and why optimism and authenticity are so vital in an AI-driven world. If you missed that, you can catch up here. But for this Spark, we're diving into the part of our chat where things got a little more personal—and a little more playful. Kiser shares the lessons he's learned from influential creatives, opens up about controversial opinions on design (including why kerning might be a bit overrated), and reflects on why nostalgia is such a powerful force in our lives. He also reveals why he thinks every creative should have a nemesis and offers a few surprising thoughts about inspiration and identity. This season is proudly sponsored by the School of Communication Arts.

What does creativity look like in a world increasingly shaped by technology and AI? In this episode, Katy Cowan speaks with Kiser Barnes, partner and chief creative officer at Red Antler, about the evolving relationship between technology and creativity. Together, they explore how AI presents both thrilling opportunities and existential challenges for the creative industry. Kiser emphasises the critical role of storytelling, optimism, and authenticity as we move into an increasingly AI-driven world. The conversation covers the future of advertising, with Kiser predicting a shift towards deeper personalisation that makes ads feel more relevant and human. They also discuss how storytelling in film and gaming may evolve into more immersive, non-linear experiences, blending the digital and physical worlds in exciting new ways. Kiser highlights the importance of human connection amid rapid technological change, and how brands must continually adapt to stay alive and relevant. Creativity, he believes, should act as a form of rebellion against fear-based narratives, with humility and generosity as essential companions to innovation. This is a hopeful and energising conversation about the future of branding, creativity, and technology—one that champions optimism, authenticity, and the enduring importance of the human spirit. This season is proudly sponsored by the School of Communication Arts.

Welcome to The Spark—your weekly creative pick-me-up from The Creative Boom Podcast. Every Thursday, we bring you a shorter, snappier episode filled with inspiration. And this season, we've switched things up. Now, each Spark features a bonus conversation with our week's guest. For this first revamped episode, we're joined by Michael Johnson, the founder of Johnson Banks, who returns to have some fun. Michael joined us on Monday to explore whether we're living through a phase where all design looks the same. If you missed that, you can catch up here. But today, he's answering eight quick-fire questions that give us a glimpse behind the brand and the professional façade. Expect everything from the deep and meaningful to the completely absurd. He shares what he believed five years ago but no longer does, reveals his incredible party trick, and even plays us something on his beloved blues guitar. This season is proudly sponsored by the School of Communication Arts.

Are we in a phase where all design looks the same? In this thought-provoking episode, host Katy Cowan is joined by Michael Johnson, the founder of Johnson Banks, to explore the creeping sameness in today's visual landscape. From swirling animations to hyper-minimalist logos, we unpack why charities, fintechs, and universities now often look indistinguishable. Is it the influence of AI, digital platforms, or a case of designers chasing trends too quickly? Or is it the ongoing economic uncertainty that's making everyone risk-averse? Michael shares sharp insights on client influence, accessibility demands, and the speed at which design trends now spread. He also reflects on timelessness, his obsession with kerning, and how we might zig while everyone else zags. This is a must-listen for anyone questioning whether design has lost its edge and how we might find it again. This season is proudly sponsored by the School of Communication Arts.

In the latest episode of the Marli Williams Podcast, we explore how to build meaningful friendships as adults, what gets in the way and provide a roadmap to create lasting friends with author and community builder, Kat Vellos. Despite living in an hyper-connected world, many of us still struggle with loneliness and having meaningful friendships with others. Kat shares insights from her book, "We Should Get Together," highlighting why creating friendships can be challenging as we age and offering actionable strategies to overcome these hurdles. If you are ready to build authentic friendships, get ready for the blueprint that is going to help you do just that!Kat Vellos is a trusted expert on cultivating meaningful friendships. She's the author of We Should Get Together: The Secret to Cultivating Better Friendships. She's also the creator of the Better Conversations Calendar and the BFF Builder. In her former career as a UX designer and researcher, she made software more user-friendly at large companies you've heard of, but she's a lot happier now, helping people bring more friendship to their lives and workplaces. Kat's writing is read in 100+ countries and she's been interviewed by The New York Times, NPR, Communication Arts, The Good Life Project, and many more.Connect with Kat: Website: weshouldgettogether.comInstagram: @katvellos_authorLinkedIn: Kat VellosPlatonic Action Lab: https://weshouldgettogether.com/platonic-action-lab 1-on-1 Coaching: https://weshouldgettogether.com/coaching Marli Williams is an international keynote speaker, master facilitator, and joy instigator who has worked with organizations such as Nike, United Way, Doordash, along with many colleges and schools across the United States. She first fell in love with transformational leadership as a camp counselor when she was 19 years old. After getting two degrees and 15 years of leadership training, Marli decided to give herself permission to be the “Professional Camp Counselor” she knew she was born to be. Now she helps incredible people and organizations stop waiting for permission and start taking bold action to be the leaders and changemakers they've always wanted to be through the power of play and cultivating joy everyday. She loves helping people go from stuck to STOKED and actually created her own deck of inspirational messages called StokeQuotes™ which was then followed by The Connect Deck™ to inspire more meaningful conversations. Her ultimate mission in the world is to help others say YES to themselves and their big crazy dreams (while having fun doing it!) To learn more about Marli's work go to

If making friends feels hard, then this episode is for you. You will learn... - why making friends as an adult feels hard - exactly WHERE you'll find your people - how to make friends who live close to you - actionable tips to help you find, keep, and strengthen your friendships Our guest, Kat Vellos, is a trusted expert on the power of cultivating meaningful friendships. She's a speaker and author of the book, We Should Get Together: The Secret to Cultivating Better Friendships. She's also the creator of the Better than Small Talk conversation cards and the Better Conversations Calendar. Her work helps people transform disconnection and platonic longing into authentic connection and belonging. In her former career as a user experience designer at Slack and Pandora, she helped millions of people find music they love and enjoy work a lot more. While working full-time at both of those iconic companies, Kat spent her free time researching and writing her debut book We Should Get Together: The Secret to Cultivating Better Friendships. She couldn't stop herself from writing this book because the thirty-something friendship desert is real and she refused to take “how about we meet up in six weeks?” for an answer. So she used her UX research-n-design superpowers to explore the question “how might we design a better experience of adult friendship and simultaneously put a sizable dent in the loneliness epidemic?” Thousands of readers use her book to improve their friendships every day and her writing is read in over 100 countries. She's been interviewed by The New York Times, NPR, Communication Arts, The Good Life Project, and many more. Sign up for Kat's newsletter here and check out her course, Platonic Action Lab. And if you enjoyed this episode, screenshot it and share it on social media! Make sure to tag @maryspodcast Mentioned In This Episode... How Long Til' Black Future Month? by N.K. JemisinEp. 195 on Mary's Cup of Tea: The Most Underrated EmotionWhat if friendship is easier than you think?