Podcast appearances and mentions of Claude McKay

Join us on LAB the Podcast as Wendy Kieffer shares a heartfelt reading of “The Easter Flower” by Claude McKay. In this special Poetry Corner episode, Wendy guides us through McKay's timeless reflections on faith, resilience, and the enduring power of nature's beauty. Whether you're drawn to poetry or simply seeking inspiration, Wendy's reading invites you to pause, listen, and reflect.Thank you for joining the conversation and embodying the life and beauty of the gospel. Don't forget to like, subscribe, and follow LAB the Podcast. Meet Wendy KiefferSupport / Sponsor@VUVIVOV3 | YouTubeFollow:@labthepodcast | @vuvivo_v3 | @zachjelliott | @wayfarerpodcast Support the show

After taking a look at a wintry poem by Harlem Renaissance poet Claude McKay, Jacke talks to editor John McMurtrie about his new book Literary Journeys Mapping Fictional Travels Across the World of Literature, which celebrates passages of literature that have sent readers to the ends of the earth from Ancient Greece to today. Additional listening: 157 Travel Books (with Mike Palindrome) 579 New Year New You! Conversations with Bethanne Patrick and Aislyn Greene 95 Runaway Poets: The Triumphant Love Story of Elizabeth Barrett Browning and Robert Browning The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lunceford invirtió mucho tiempo y energía en su otro amor, los deportes. Recibió el premio "F" por sus logros en el fútbol durante el año universitario 1925-26. (A diferencia del sistema habitual de calificación universitaria, una “F” en deportes era sinónimo de excelente). Con José Manuel Corrales.

How do you start a renaissance? The one woman who knows - Beyoncé - was unavailable to answer my questions. So instead, we've gone back to 1920s Harlem this week, to figure out the good gay truth. It turns out the Harlem Renaissance was a lot more queer than we learned in school. And half of its greatest luminaries, who represented a major step forward in Black queer history, have been largely forgotten today. Three of them are the focus of this week's episode: Alain LeRoy Locke, Gladys Bentley, and Claude McKay. They are just a fraction of the queer Black people who started, fueled, and memorialized the cultural flowering we now call the Harlem Renaissance. Join me and my guest as we delve into their lives and figure out what each has to teach us about this fascinating period. When you're done here, grab a copy of my guest's new book on the subject, which is beautifully illustrated and just came out: ⁠Flamboyants⁠ (2024). If you want more from Historical Homos, you can join our cult at our website. And follow us on Instagram⁠⁠ and TikTok⁠⁠. Like what you hear? Please leave us a five star rating on Apple or Spotify. Do it. Yeahhhhhh just like that. Written and hosted by Bash. Edited by Bash. Guest host: George M. Johnson.

Today's poem is America by Claude McKay, with special guest Tonya Mosley. Tonya is the host and creator of Truth Be Told and founder of TMI Productions. She is also a co-host of Fresh Air, and a correspondent and former host of Here & Now, the midday radio show co-produced by NPR and WBUR. The Slowdown is your daily poetry ritual. In this episode, Tonya shares… “The Harlem Renaissance feels so current and so now, and the thing about it is it always has for me. From the time I was a little girl, it didn't feel historical, in fact, it felt like that is the place I want to be, and I yearned for it all of my life. I understand what that yearning is. What it is, is to be a part of something that is a freedom movement. But it's not just a movement. a collective freedom movement. It's an individual movement too, through the creation of art. Those artists were, through expressing themselves, understanding themselves, and learning about themselves, and their contribution to the world allowed us to see ourselves in their art.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection.  With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought. About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. 

Todd Rose is the co-founder and CEO of  Populace, and founder of the Laboratory for the Science of Individuality. Todd is also a bestselling author of "Collective Illusions," "Dark Horse," and "The End of Average."  Todd explains how the abandonment of human distinctiveness during the industrial age has left a lasting impact on our potential and fulfillment. He emphasizes that true individuality is crucial for cultivating personal potential and living fulfilling lives.  He explores the tension between individualism and collectivism, asserting that individuality should not be mistaken for selfishness. He then shifts to the challenges leaders face in balancing fairness and personalization. Todd highlights the importance of autonomy in realizing individuality and cautions against the authoritarian potential of individuality without autonomy.  Todd expresses concerns about the potential for a divided education system where some students are trained as cogs in the machine while others are nurtured to develop their individuality and agency. Todd talks about his Dark Horse Project, which explores how people achieve fulfillment and excellence by following their unique paths.       Key Takeaways [03:30] Todd discussed why individuality is central to his work and the importance of human distinctiveness and its impact on potential and fulfillment. He also compared standardization to personalization in various fields.  [06:03] Todd emphasizes the impact of the Industrial Age on individuality, psychological drives for categorization versus self-expression, and a critique of Frederick Taylor's scientific management and its effects in relation to societal transformation, human identity, and labor efficiency during the industrial revolution. [07:28] He talks about the importance of personalizing leadership while maintaining fairness, the challenges of balancing individual needs with organizational goals, and the evolving expectations of employees in the workplace. [10:45] He discusses the transformation needed in education and workplace institutions, the shift from material abundance to psychological and spiritual fulfillment, and the role of leaders in navigating paradigm shifts and fostering individuality in the context of adapting to changing societal values and promoting holistic well-being in both educational and professional settings. [14:16] He shares the challenges of giving employees more autonomy while maintaining control, the comparison of bottom-up versus top-down approaches in leadership, and the importance of clear outcomes and flexible processes in modern workplaces in relation to fostering innovation, productivity, and employee satisfaction within organizational structures. [26:47] Todd gives an example of personalized health utilizing the glycemic index and machine learning. He also shares his personal experience with personalized nutrition, highlighting the potential of technology to scale personalization in various fields by leveraging data-driven approaches to optimize individual health outcomes and enhance personalized experiences across different domains. [35:32] He introduces his book “The Dark Horse project and book”, emphasizing the transformation of individuality into fulfillment and excellence. He also shares his personal anecdotes, highlighting the impact of the Dark Horse mindset on Todd's family and their journey towards embracing uniqueness and achieving personal success. [41:57] Closing quote: Remember, "If a man is not faithful to his own individuality, he cannot be loyal to anything." - Claude McKay   Quotable Quotes "The biggest mistake we've made in the industrial age is the abandonment of the appreciation for human distinctiveness." "Harnessing your individuality is a pretty central element to really leading a fulfilling life." "The flaw with the industrial age is that in the past, it was sort of intuitive that we were categorized in the same way that we thought it was intuitive that the earth was flat." "Whereas like a Frederick Taylor, we led to a very paternalistic society that we've lived in for quite a while, which is in some ways antithetical to liberal democracies." "The biggest driver of a sense of meaning is pursuing a goal freely chosen." "It's very hard to transform institutions that are captured." "Innovation in terms of being left behind is really important." "We can get scale through personalization." "Individuality is a fact, and it's really important." "If a man is not faithful to his own individuality, he cannot be loyal to anything." - Claude McKay   These are the books mentioned in our discussion with Todd   Resources Mentioned The Leadership Podcast | Sponsored by | Rafti Advisors. LLC | Self-Reliant Leadership. LLC | Todd Rose LinkedIn | Todd Rose Website | Todd Rose Twitter |  

Merriam-Webster's Word of the Day for July 2, 2024 is: glade • GLAYD • noun A glade is a grassy open space in a forest. // She felt the most at ease outdoors, often taking delight in the peaceful glades she came across on her hikes. See the entry > Examples: “[Elsie] Reford was no professional gardener, just a very stubborn Ontarian with a lot of money, and although she started in 1926, before the road arrived, she somehow transformed a spruce forest into a glade of delights—in a part of the world where it often snows as late as May.” — Nina Caplan, Travel + Leisure, 28 Oct. 2023 Did you know? In his poem “After the Winter,” Jamaican-born poet and novelist Claude McKay writes of a “summer isle / Where bamboos spire to shafted grove / And wide-mouthed orchids smile,” declaring that “… we will build a cottage there / Beside an open glade …” It's a serene, joyous vision offered to the speaker's beloved, and it may shine a bit of light on the etymological connection between glade and the adjective glad, besides. Glade, which has been part of the English language since the early 1500s, was originally used not just to indicate a clearing in the woods but often specifically to refer to one filled with sunlight (note that McKay specifies that his glade is “open,” as glades can be in full or partial shade). It's this sunniness that has led some etymologists over the years to suggest a connection with glad, which in Middle English also meant “shining.” To further the intrigue, a now-obsolete sense of glade once referred to a clear or bright space in the sky, or to a flash of light or lightning.

La terre est bleue comme une orange. C'est le poète qui l'a dit. Il y a un chercheur qui vient de poser sur cette terre, un mot ancré partout dans le monde et qui prend souvent l'avion : le mot diaspora. Ce chercheur qui pose ses lunettes acérées sur la littérature afrodiasporique, les théories de l'archive, la politique culturelle à Harlem, le surréalisme, le jazz et le Paris noir de l'entre-deux guerres s'appelle Brent Hayes Edwards. Professeur d'anglais et de littérature comparée à l'Université de Columbia aux États-Unis, il vient nous parler des races les plus sombres de l'humanité (pour reprendre la belle expression d'un certain Du Bois) à travers Pratique de la diaspora, aux Éditions Rot•Bo•Krik.Au menu de cet ESM, des noms de villes (Marseille, Bruxelles, New-York), des noms d'auteurs dissidents (Claude McKay, René Maran, James Baldwin) et des musiques diasporées, à fond les ballons.

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, Claude McKay. He was a key figure in the Harlem Renaissance, a prominent literary movement of the 1920s. His work ranged from vernacular verse celebrating peasant life in Jamaica to poems that protested racial and economic inequities. His philosophically ambitious fiction, including tales of Black life in both Jamaica and America, addresses instinctual/intellectual duality, which McKay found central to the Black individual's efforts to cope in a racist society. He is the author of The Passion of Claude McKay: Selected Poetry and Prose (1973), The Dialectic Poetry of Claude McKay (1972), Selected Poems (1953), Harlem Shadows (1922), Constab Ballads (1912), and Songs of Jamaica (1912), among many other books of poetry and prose. McKay has been recognized for his intense commitment to expressing the challenges faced by Black Americans and admired for devoting his art and life to social protest, and his audience continues to expand. Source This episode includes a reading of his poem, “I Know My Soul”  featured in our 2022 and 2023 Get Lit Anthology.“I Know My Soul”I plucked my soul out of its secret place,And held it to the mirror of my eye,To see it like a star against the sky,A twitching body quivering in space,A spark of passion shining on my face.And I explored it to determine whyThis awful key to my infinityConspires to rob me of sweet joy and grace.And if the sign may not be fully read,If I can comprehend but not control,I need not gloom my days with futile dread,Because I see a part and not the whole.Contemplating the strange, I'm comfortedBy this narcotic thought: I know my soul.Support the Show.Support the show

In this episode, we explore the upcoming holidays for the third week of February, including Presidents' Day, National Comfy Day, and Be Humble Day. We also delve into some intriguing historical events on February 19th and February 24th.In the spirit of learning and fun, we have some trivia about sword swallowing that's sure to pique your interest. But remember, folks, don't try this at home! Adding a touch of poetry to our episode, we feature a beautiful poem by Claude McKay, "To Winter." Join us for another joyous episode of Wonder World Podcast, where learning and laughter go hand in hand. Keep wondering!Description hereLinks and ResourcesThe Wonder Kids Club - bonus audio and printables for each showSupport the show with a one-time donation.Check out the Peter Piper Picked a Peck of Pickled Poems PodcastRembrandt BiographyFamous PianistsTo Winter by Claude McKayThe TeamHost: Pam BarnhillHost: Olivia BarnhillResearch and Writing: Betsy CypressProduction: Thomas BarnhillGraphics: Katy WallaceOperations: Meg Angelino

Les planètes sont alignées : 2023 sera l'année Claude McKay. Faut dire qu'avec une Christiane Taubira en marraine de cette fameuse année McKay, ça aide. Mais qui est-il, ce Claude McKay ? Quel rapport entre ce poète romancier jamaïcain de New-York et la ville de Marseille ? Et quel lien entre lui et la Harlem renaissance (ce mouvement de renouveau de la culture afro-américaine de l'entre deux guerres) ? À toutes ces questions, des réponses multiples, artistiques, en forme de documentaires Mckay de Harlem à Marseille signé Matthieu Verdeil et de création musicale et littéraire KAY ! Lettres à un poète disparu de notre invité Lamine Diagne, musicien conteur, allié de plusieurs mondes. Donc m'est avis qu'y a de l'arbre à palabres dans l'air....Les choix musicaux de Lamine DiagneThe Lounge Lizards Voice of ChunkGaël Faye MétisLaureen Hill Used to love him

Today's poem is 'After the Winter' by Claude McKay. It's read by Nicola Williams from The Reader. Production by Chris Lynn. Music by Chris Lynn & Frank Johnson.

DH Lawrence described outcasts living by the Thames, Mina Loy made art from trash, calling her pieces “refusées", Wyndham Lewis moved from England to America in search of stability after burning many bridges in Britain. In this conversation about new research, Jade Munslow Ong discusses the way widening the canon of writers traditionally labelled as “modernist” might allow a greater understanding of attitudes towards homelessness and poverty in the early decades of the twentieth century. Dr Laura Ryan has a Postdoctoral Fellowship at the University of Galway where she is researching modernism and homelessness investigating the work of writers who were literally homeless, including D. H. Lawrence, Claude McKay, Jean Rhys and Tom Kromer, and also looking at depictions of homelessness in modernist texts by George Orwell, Mina Loy and Samuel Beckett. Dr Nathan Waddell is Associate Professor in Twentieth-Century Literature at the University of Birmingham. He is writing new books about Wyndham Lewis and about George Orwell. He has also edited collections of essays on Lewis, who featured in books already published by Nathan called Modernist Nowheres and Moonlighting. Nathan is also editing The Oxford Handbook of George Orwell. You can hear Nathan in a Free Thinking episode exploring futurism in a collection of discussions about modernism on the website of the Radio 3 Arts and Ideas programme Dr Jade Munslow Ong is a Reader in English Literature at the University of Salford where she is working on a project entitled South African Modernism 1880-2020. You can hear about some of the authors featured in her Essay for Radio 3 called The South African Bloomsberries. She is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to turn research into radio This podcast is made in partnership with the AHRC, part of UKRI. You can sign up for more episodes of the Arts and Ideas podcast wherever you find your podcasts or look at the collection of discussions focused on New Research available via the Free Thinking programme website.

If you're interested in learning about the Harlem Renaissance writer and poet who set himself apart from his contemporaries by focusing on both race relations and classism, then my Claude McKay Black History Facts profile is for you. Show notes and sources are available at http://noirehistoir.com/blog/claude-mckay.

durée : 00:58:20 - Toute une vie - Entre sa Jamaïque natale, Harlem et l'Union Soviétique, itinéraire d'un bourlingueur qui vécut une romance avec Marseille.

Each of these timeless tales offers a unique perspective on life and the human experience, making them ideal for cozying up with as the weather warms and the days grow longer.Register to attend the Epigraph Literary Festival and join us from Thursday, April 27th through to Saturday, April 29th, 2023.  Early birds get first dibs on even swag when they register at epigraphlitfest.com.  See you there!The BiblioLifestyle 2023 Spring Reading Guide has twenty-one new books across seven categories.  You'll also find some reading tips, fun things to do this season, and spring-themed recipes.  Get your free copy of the guide at springreadingguide.com and discover the season's best new books.SHOW NOTES & BOOKLIST: Find the episode show notes and a list of all the books mentioned here.MORE RESOURCES: Visit bibliolifestyle.com for more information and resources to help you in your reading journey.

Our Comeback Episode written by non other than Elijah himself!! Harlem Renaissance discussion featuring Festus Claudius "Claude" McKay OJ was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance.

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay's life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. Dedicated to confronting both racism and capitalist exploitation, he was a critical observer of the Black condition throughout the African diaspora and became a committed Bolshevik. In Claude McKay: The Making of a Black Bolshevik (Columbia UP, 2022), Winston James offers a revelatory account of McKay's political and intellectual trajectory from his upbringing in Jamaica through the early years of his literary career and radical activism. In 1912, McKay left Jamaica to study in the United States, never to return. James follows McKay's time at the Tuskegee Institute and Kansas State University, as he discovered the harshness of American racism, and his move to Harlem, where he encountered the ferment of Black cultural and political movements and figures such as Hubert Harrison and Marcus Garvey. McKay left New York for London, where his commitment to revolutionary socialism deepened, culminating in his transformation from Fabian socialist to Bolshevik. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. Articles referenced in the show: Winston James, “Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World,” History Workshop Journal, Issue 85 (Spring 2018), pp. 281-293. Winston James, "To the East Turn: The Russian Revolution and the Black Radical Imagination in the United States, 1917–1924," The American Historical Review, Volume 126, Issue 3, September 2021, Pages 1001–1045. @amandajoycehall is a postdoctoral fellow at Northwestern University in the Department of African American Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 5, 2023. www.poets.org

Asylum and psychiatric institutions, obsession and heroin, and imagining a new self are explored in the writing of Anna Kavan (1901-1968). With the republication of her novel Ice, her reputation is now on the rise. Matthew Sweet is joined by critic and author Chris Power, Carole Sweeney, who researches experimental fiction, Sally Marlow, who studies the psychology of addiction and is Radio 3's researcher in residence, and the literary scholar Victoria Walker, who founded the Anna Kavan Society. Producer: Luke Mulhall You might also be interested in an episode of Words and Music curated by Sally Marlow exploring ideas about addiction and intoxication being broadcast in January. Free Thinking has a playlist called Prose, Poetry and Drama where you can find plenty of conversations about other authors including John Cowper Powys, Sylvia Plath, Claude McKay, ETA Hoffmann

Claude McKay's Harlem Shadows was published in 1922 and is only now beginning to receive its due. The collection stands alongside the better-known masterpieces of that year in its distillation of the spirit of the age and its outsize influence.Writer, researcher, and LRB contributor Kevin Okoth joined poet Raymond Antrobus and author Paul Mendez to discuss McKay's extraordinary life and work. Hosted on Acast. See acast.com/privacy for more information.

This week we interview Winston James, author of Claude McKay: The Making of a Black Bolshevik, published by Columbia University Press in July 2022. A Professor of History at the […]

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!James Mercer Langston Hughes was born February 1, 1901, in Joplin, Missouri. Hughes's birth year was revised from 1902 to 1901 after new research from 2018 uncovered that he had been born a year earlier. His parents divorced when he was a young child, and his father moved to Mexico. He was raised by his grandmother until he was thirteen, when he moved to Lincoln, Illinois, to live with his mother and her husband, before the family eventually settled in Cleveland, Ohio. It was in Lincoln that Hughes began writing poetry. After graduating from high school, he spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he worked as an assistant cook, launderer, and busboy. He also travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington, D.C. Hughes's first book of poetry, The Weary Blues, (Knopf, 1926) was published by Alfred A. Knopf in 1926 with an introduction by Harlem Renaissance arts patron Carl Van Vechten. Criticism of the book from the time varied, with some praising the arrival of a significant new voice in poetry, while others dismissed Hughes's debut collection. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter(Knopf, 1930), won the Harmon gold medal for literature.Hughes, who claimed Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories, plays, and poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period such as Claude McKay, Jean Toomer, and Countee Cullen, Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including their love of music, laughter, and language itself alongside their suffering.In addition to leaving us a large body of poetic work, Hughes wrote eleven plays and countless works of prose, including the well-known “Simple” books: Simple Speaks His Mind (Simon & Schuster, 1950); Simple Stakes a Claim (Rinehart, 1957); Simple Takes a Wife (Simon & Schuster, 1953); and Simple's Uncle Sam (Hill and Wang, 1965). He edited the anthologies The Poetry of the Negro and The Book of Negro Folklore, wrote an acclaimed autobiography, The Big Sea (Knopf, 1940), and cowrote the play Mule Bone (HarperCollins, 1991) with Zora Neale Hurston.Langston Hughes died of complications from prostate cancer on May 22, 1967, in New York City. In his memory, his residence at 20 East 127th Street in Harlem has been given landmark status by the New York City Preservation Commission, and East 127th Street has been renamed “Langston Hughes Place.”From https://poets.org/poet/langston-hughes. For more information about Langston Hughes:Previously on The Quarantine Tapes:Ngũgĩ wa Thiong'o about Hughes, at 16:05: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-137-ngg-wa-thiongo“Song for Billie Holiday”: http://stephenfrug.blogspot.com/2013/08/poem-of-day-langston-hughes-song-for.htmlSelected Poems of Langston Hughes: https://www.penguinrandomhouse.com/books/84090/selected-poems-of-langston-hughes-by-langston-hughes/“Religion ‘around' Langston Hughes, Billie Holiday, and Ralph Ellison”: https://aas.princeton.edu/news/roundtable-conversation-religion-around-langston-hughes-billie-holiday-and-ralph-ellison“Langston Hughes: The People's Poet”: https://nmaahc.si.edu/explore/stories/langston-hughes-peoples-poet“Langston Hughes”: https://www.poetryfoundation.org/poets/langston-hughes“Langston Hughes Papers”: https://beinecke.library.yale.edu/collections/highlights/langston-hughes-papers

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay's 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay's lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France's own imperial history. That history, along with McKay's complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance's most celebrated writers. Be sure to check out this episode's special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste! Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay's 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay's lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France's own imperial history. That history, along with McKay's complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance's most celebrated writers. Be sure to check out this episode's special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste! Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay's 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay's lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France's own imperial history. That history, along with McKay's complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance's most celebrated writers. Be sure to check out this episode's special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste! Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

What can a French translator do with a novelist who writes brilliantly about the “confrontation between Englishes?” How can such a confrontation be made legible across the boundaries of language, nation, and history? Renowned scholar and translator Brent Hayes Edwards sits down with publisher and translator Jean-Baptiste Naudy to consider these questions in a wide-ranging discussion about translating the Jamaican American writer Claude McKay. They focus especially on the recent translation into French of McKay's 1941 Amiable with Big Teeth, which paints a satirical portrait of efforts by 1930s Harlem intelligentsia to organize support for the liberation of fascist-controlled Ethiopia. Brent and Jean-Baptiste consider McKay's lasting legacy and ongoing revival in the U.S. and France. Translating McKay into French, they note, is a matter of reckoning with France's own imperial history. That history, along with McKay's complex understanding of race both in the U.S. and abroad, is illuminated in this conversation about one of the Harlem Renaissance's most celebrated writers. Be sure to check out this episode's special bonus material for a dramatic, bilingual reading from Amiable with Big Teeth by Jean-Baptiste! Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is the continuation of our conversation with Winston James about his latest work Claude McKay: The Making of a Black Bolshevik. In part 1 we talked about McKay's origins in Jamaica up through the Red Summer of 1919 when he would pen his famous poem “If We Must Die.” In this conversation we talk about McKay's time in Harlem, his relationship with Hubert Harrison, his support of - and political differences with - the Garvey movement or the UNIA. In that vein we also talk about McKay's theorization of the relationship between class struggle, anticolonial struggle, and anticapitalist revolution. And relatedly his support of movements for Irish nationalism, Indian independence, and Black Nationalism.  James also shares McKay's experiences as a worker, as a member of the Wobblies or the IWW, and as a member of Sylvia Pankhurst's Workers Socialist Federation in the UK and some associated discussion of syndicalism and leftwing communism. We close with some reflections on McKay's attitudes towards Bolshevism over time, especially after Lenin. We really enjoyed Winston James book and highly recommend it to people who are interested in McKay's life or just in history including debates of the Black left - and communist left - in the early 20th century. You can pick up Winston James' Claude McKay: The Making of a Black Bolshevik which is currently on sale from our friends at Massive Bookshop. A final reminder as this is likely to be our final episode of this month. October is the 5 year anniversary of Millennials Are Killing Capitalism. We had set a goal of adding 50 patrons this month. And with 2 days left is attainable. We need just 4 more patrons to hit that goal. You can help us hit that goal for as little as $1 a month or $10.80 per year at patreon.com/millennialsarekillingcapitalism. A new post will be up on patreon about it this week, but our Black Marxism study group will start up in November, and our 5 year anniversary episode is still on its way.

For this conversation we welcome Winston James to the podcast. Winston James is the author of A Fierce Hatred of Injustice: Claude McKay's Jamaica and His Poetry of Rebellion, The Struggles of John Brown Russwurm: The Life and Writings of a Pan-Africanist Pioneer 1799-1851, and Holding Aloft the Banner of Ethiopia: Caribbean Radicalism in Early Twenty Century America. James has held a number of teaching positions, most recently as a professor of history at UC Irvine. James joins us to talk about his latest work, Claude McKay: The Making of a Black Bolshevik. The book examines McKay's life from his early years in Jamaica to his years at Tuskegee and Kansas State University and his time in Harlem, to his life in London. Drawing on a wide variety of sources, James offers a rich and detailed chronicle of McKay's life, political evolution, and the historical, political, and intellectual contexts that shaped him. The work also locates McKay's closest interlocutors, and those he debated with, as well as McKay's experiences as a worker and within communist and anarcho-syndicalist organizations like the Worker's Socialist Federation and the IWW.  In part 1 of the conversation, we focus on McKay's early years in Jamaica up through the Red Summer of 1919. James begins with a discussion of McKay's family, his life in Jamaica, his brief stint as a constable in Kingston, his early poetry and his influence on the Negritude movement. James also discusses the appeal of the Russian Revolution and of the Third International to Black people in this era, and contextualizes the terror of white vigilante violence in the post war period in the US and how Black people fought back against it. As a content notice some of this discussion is a brief but explicit examination of the abhorrent character of anti-black violence of the period. We close part 1 of the conversation with a discussion of McKay's “If We Must Die,” the context of armed self-defense, the context of fighting back, from which it emerged and its global resonance with the emerging Black radicalism of the period and with radical movements decades after its release. In part two - which will come out in the next couple of days - we will focus on McKay's debates, positions, and activism within the spaces of revolutionary Black Nationalism and the Communist left of the period. We will include a link to the book in the show notes. We both highly recommend it. If you would like to purchase Claude McKay: The Making of a Black Bolshevik by Winston James consider picking it up from the good folks at Massive Bookshop. As for our current campaign, we have 8 days left this month and we are working towards our goal of adding 50 patrons this month in recognition of 5 years of doing Millennials Are Killing Capitalism. So far this month we have added 34 patrons so if we can add 2 or more patrons daily for the rest of the month we'll hit that goal. You can join up all the wonderful people who make this show possible by contributing as little as $1 per month or $10.80 per year at patreon.com/millennialsarekillingcapitalism

From a farming family in Jamaica to travelling in Europe and Northern Africa, the writer Claude McKay became a key figure in the artistic movement of the 1920s dubbed The Harlem Renaissance. Publishing under a pseudonym, his poems including To the White Friends and If We Must Die explored racial prejudice. Johnny Pitts has written an essay about working class community, disability and queer culture explored in Claude McKay's Romance in Marseille, which was published for the first time in 2020. Pearl Cleage's play Blues for an Alabama Sky is set in 1930s New York. The African-American playwright is the daughter of a civil rights activist, and has worked as speechwriter for Alabama's first black mayor, founded and edited the literary magazine Catalyst, and published many novels, plays and essays. Nadifa Mohamed's novels include Black Mamba Boy and her most recent The Fortune Men (shortlisted for the 2021 Booker Prize). They talk to Shahidha Bari about Claude McKay and the flourishing of ideas and black pride that led to the Harlem Renaissance. Producer: Tim Bano Blues For an Alabama Sky runs at the National Theatre in London from September 20th to November 5th. Johny Pitts presents Open Book on Radio 4. His books include Afropean: Notes from Black Europe which you can hear him discussing on Free Thinking https://www.bbc.co.uk/programmes/m0005sjw His collaboration with Roger Robinson Home Is Not A Place exploring Black Britishness in the 21st century is out this month. You can hear more from Nadifa talking about her latest novel The Fortune Men and comparing notes about the writing life with Irenosen Okojie in previous Free Thinking episodes available on our website in the prose and poetry playlist and from BBC Sounds https://www.bbc.co.uk/programmes/m000x06v and https://www.bbc.co.uk/programmes/m000k8sz Alongside Verso's reissue of Home to Harlem they have 3 other books out: Not Without Laughter by Langston Hughes, The Blacker The Berry by Wallace Thurman, and Quicksand And Passing by Nella Larson. On BBC Sounds and in the Free Thinking archives you can find conversations about Black History https://www.bbc.co.uk/programmes/p08t2qbp and a Radio 3 Sunday Feature Harlem on Fire in which Afua Hirsch looks at the history of the literary magazine https://www.bbc.co.uk/programmes/p06s6z0b

Gather ‘round, kids, for another suffrage story: INEZ! Great friend of the pod Leah Felicity Lucci listens to me go on about historical suffragist Inez Milholland. And because I am long-winded, this is a two-parter. Part One covers Inez's early life through her college years. We get into the idea of The New Women of the early 1900s—her Gibson Girl style, how she was marketed in the media, and how feminism is always complicated. With bonus detours into pneumatic tubes, historical allyship, and how Leah needs to get herself to England. SHOW NOTES: Leah's Skillshare class: https://www.skillshare.com/classes/How-to-Destroy-Your-Sketchbook-Reclaim-Your-Art/2089505027 Leah and I tried to describe pneumatic tubes, but if you want a slightly more scientific explanation, check out the youtube video How Pneumatic Tubes Work. Guglielmo Marconi lived a fascinating life and could be a future topic for a Wikipedia Special. Seriously, check out his page if you are ready to fall down a very deep research hole. As it turns out, Eastman is a common name! Max Forrester Eastman and Crystal Eastman were a radical sibling duo living in bohemian Greenwich Village in the early 1900s. They started a socialist magazine together, called The Liberator, in 1918. The magazine published essays, art, fiction, and poems by prominent figures including Ernest Hemingway, Helen Keller, and Claude McKay. Crystal was a lawyer who contributed to suffrage and the founding of the ACLU. Max was an activist who wrote about Marxism, communism, and eventually socialism, but changed his mind later in life and became an anti-Communist. He edited for Reader's Digest for many of his later years. The Eastman that Leah was asking about was George Eastman, founder of the Kodak camera company. You can read his life story on DigitalCameraWorld.com. The two movies I confused were Enola Holmes (2020) and Suffragette (2015). More on Inez's suffrage rally at Vassar: It was held in June, 1908, when Milholland was a junior and alumnae were on campus. She invited a badass roster of women to speak, including Charlotte Perkins Gilman, writer of The Yellow Wallpaper. They had the meeting in a cemetery because it was across the street from the college, technically not on campus. It was referred to as the “graveyard rally” in the many New York newspapers that covered it. I'm guessing the article Leah's friend posted about LFO was “The Only Surviving Member of LFO Has a Story to Tell” in Esquire. That remaining member is Brad Fischetti. Rich Cronin died of leukemia in 2010 and Devin Lima died of cancer in 2018. The members of O-Town are still alive and kicking. Follow Leah on instagram at https://www.instagram.com/leelee_lulu_/. Follow Val @val.howlett on instagram, and/or subscribe to Val Howlett on Patreon for bonus episodes and other goodies.

Today, Sara and Chelsey discuss Romance in Marseille by Claude McKay. We discuss the classic nature of this novel along with some of its modern elements, as well as our own personal impressions and individual reading experiences of the book. This Harlem Renaissance novel explores themes that pushed the boundaries of its time: disability, the physical body, race, migration, post-colonialism, Marxism, economics. If you're looking for a short classic novel that covers many modern ideas, consider this one alongside some of our pairings.    Join our Patreon community at patreon.com/novelpairings. Follow Novel Pairings on Instagram or Twitter.  Use our Libro.fm affiliate code NOVELPAIRINGS to get an audiobook subscription and support independent bookstores.   Books Mentioned  Some links are affiliate links. Every time you make a purchase through one of these links, it helps us keep the podcast running. Thank you!    Romance in Marseille by Claude McKay (Penguin Classics)    Listen to our pairings: [41:05]   Chelsey:  At Night All Blood is Black by David Diop  A Country for Dying by Abdellah Taïa   Sara:  Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin  You Made A Fool of Death with Your Beauty by Akwaeke Emezi    Also Mentioned:  The Best New Novel Was Written 90 Years Ago by Molly Young (Vulture)  A Book So Far Ahead of Its Time, It took 87 Years to Find A Publisher by Tayla Zax (NYTimes)

It's a Poetry Snack, featuring Claude McKay, born Festus Claudius McKay in Sunny Ville, Jamaica in 1889.  McKay wrote both poetry and prose, and he was another key figure in the Harlem Renaissance, the prominent literary movement of the 1920s and 30s that I often mention here on the podcast. Words by Winter: Conversations, reflections, and poems about the passages of life. Because it's rough out there, and we have to help each other through.Original theme music for our show is by Dylan Perese. Additional music composed and performed by Kelly Krebs. Artwork by Mark Garry.  Today's poem, After the Winter, is in the public domain.Words by Winter can be reached at wordsbywinterpodcast@gmail.com.

When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices

When first published in 1926, Ernest Hemingway's The Sun Also Rises changed American literature forever. Hemingway follows a disillusioned group of expats in post-World War I Europe whose relationships unravel as they travel from Paris to the bullfights in Spain. Unsettling, provocative, and inspiring to this day, this legendary novel about loyalty, love, and betrayal challenges readers to discover what it takes to be true to oneself. Harlem Renaissance writer Claude McKay put it well: “[w]hen Hemingway wrote The Sun Also Rises, he shot a fist in the face of the false romantic-realists and said: ‘You can't fake about life like that.'” And Ralph Waldo Ellison, author of Invisible Man (podcast), said: “Because Hemingway loved the American language and the joy of writing…he was in many ways the true father-as-artist of so many of us who came to writing during the late thirties.” I spoke with Professor Linda Patterson Miller to understand why the novel had such an impact, what the book meant for the “lost generation” after World War I, how to read Hemingway from a feminist perspective, and how best to address parts of the novel that strike us as offensive today. Inspired by this conversation, I wrote an essay on the conspicuous use of the n-word in The Sun Also Rises for a new edition of the novel published by Warbler Press that charts a path beyond the cancel-or-defend-at-all-cost positions in today's culture wars. Professor Miller teaches at Pennsylvania State University's campus in Abington, Pennsylvania, has written seminal essays on Hemingway and other authors, and is the editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends (2002). Uli Baer teaches literature and photography as University Professor at New York University. A recipient of Guggenheim, Getty and Humboldt awards, in addition to hosting "Think About It” he hosts (with Caroline Weber) the podcast "The Proust Questionnaire” and is Editorial Director at Warbler Press. Email ucb1@nyu.edu; Twitter @UliBaer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Festus Claudius "Claude" McKay OJ (September 15, 1890[1] – May 22, 1948) was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance. See acast.com/privacy for privacy and opt-out information.

In this podcast, composer Tamar-kali Brown and filmmaker dream hampton discuss the genesis of their work with We Hold These Truths, a musical and cinematic triptych setting three iconic poems from Paul Laurence Dunbar, Langston Hughes, and Claude McKay. We Hold These Truths is available now on LA Opera's digital platform LA Opera On Now available at LAOpera.org.