Podcast appearances and mentions of ariadne auf naxos

En la primera de les incursions de teatre dins del teatre i, novament, amb llibret d'Hugo von Hofmannsthal, "Ariadne auf Naxos"

Der Komponist Richard Strauss und der Dichter Hugo von Hofmannsthal schufen mit „Ariadne auf Naxos“ Anfang des 20. Jahrhunderts eine Meta-Oper – also ein Werk, das über sich selbst nachdenkt. Dabei muss auch noch das Kunststück gelingen, Komödie und Tragödie gleichzeitig ablaufen zu lassen. Ein intellektuelles Abenteuer, aus dem Regisseurin Yona Kim in Mannheim trotz der etwas chaotischen Zustände der Ausweichspielstätten ein sinnliches Fest macht.

Gestern Abend (21.1.2024) wurde Ariadne auf Naxos von Richard Strauss wieder in den Spielplan der Staatsoper aufgenommen. Der radio klassik Stephansdom Opernexperte Richard Schmitz berichtet. Wertnote 8,7/10 Punkten!

n ARIADNE AUF NAXOS werfen Richard Strauss und sein kongenialer Librettist Hugo von Hofmannsthal die "verfeindeten" Parteien von Hochkultur und Unterhaltungstheater in einen Topf. Das Ergebnis: eine turbulente Oper-in-der-Oper - sowohl urkomisch als auch berührend.

Die lutherische Gemeinde Detmold kooperiert mit dem Landestheater Detmold bei dem Predigtgottesdienst „vis-à-vis“ zu Richard Strauss‘ Oper „Ariadne auf Naxos“. Elisabeth Wirtz vom Landestheater und Frank Erichsmeier sprechen über die Oper. Die Arien die im Gottesdienst zu hören waren, können hier nicht veröffentlicht werden.

Of Strauss' many operatic, symphonic, and vocal compositions, his opera Ariadne auf Naxos has remained a staple of the operatic repertoire for decades. Considered by many to be his master work, it's intricate play-within-a-play structure tackles the ideas of the power of art, music, and mythology. Join lecturer Phillip Gainsley as he explores the history and music of this difficult work

Meet Maestro Joseph Rescigno–gentleman, author, and opera conductor extraordinaire.  The Maestro joins OFE for this wide-ranging discussion of the how, what, and why of conducting opera.  Drawing on material from his book, Conducting Opera: Where Theater Meets Music, and a lifetime of conducting opera around the world, Maestro Rescigno brings a unique perspective to the theory and practice of operatic composition and performance.  In the second half, we explore Richard Strauss' unusual and fascinating Ariadne auf Naxos, which hybridizes myth and psychodrama, opera and commedia dell'arte.  Hosted by Pat

In honor of Miss Leontyne Price's birthday, Anna and Krista discuss Richard Strauss' Ariadne auf Naxos,an opera within an opera (after a play). You'll hear about Jonas' pimptastic Salzburg performance, Kathleen Battle's horrid behavior and why there are two versions of this opera. Many thanks to Sharon Gless for this episode's subtitle!

A 1994 “pirate” featuring Gabriela Benacková and Natalie Dessay.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts weekly music segment called VIVA! Opera for SBS Japanese. - 先週訃報が届いた世界的ソプラノ歌手エディタ・グルベローバさんを追悼します。超絶技巧、コロラトゥーラソプラノの歌姫でした。

Today I am talking to tenor Karl Marx Reyes. During his studies as a pre-med student he was scouted for the chorus of Seattle Opera. Karl  now holds a hybrid position performing compramario & featured roles. In our talk we discuss the career from the perspective of the opera chorus and how Karl's experience in medicine not only enabled him to maintain a long career in opera but also how it created a safety net for him particularly during the pandemic.Karl Marx Reyes is a Filipino/American tenor trained in the Pacific Northwest. Reyes made his Seattle Opera debut as a Contadino in Leoncavallo's Pagliacci, followed by his roles as the Messenger in Verdi's Aida, the NVA Lieutenant Commander in the world premiere of Daron Hagen's Amelia and, most recently, the Wig Maker in Richard Strauss's Ariadne Auf Naxos. Other roles include Remendado in Bizet's Carmen, John Styx & Orpheus in Offenbach's Orpheus in the Underworld, Pedrillo in Mozart's Abduction from the Seraglio, Goro in Madama Butterfly, Rodolfo in Puccini's La Bohème and Ferrando in Mozart's Così fan Tutte. Reyes has been a proud member of the Seattle Opera Chorus for the past two decades.http://www.seattleoperablog.com/2013/10/meet-our-singers-karl-marx-reyes.htmlhttp://www.seattleopera.org/bios/index.aspx?name=karl_reyesMSVideo Clip: Seahawks National Anthem

Keturah starts off this episode speaking to director, Thaddeus Strassberger, and tenor, Jonathan Burton, about Richard Strauss and Hugo Von Hofmannsthal’s Ariadne auf Naxos.To continue to conversation about Hofmannsthal (and Strauss), Keturah turns to Bryan Gilliam, musicologist, Strauss scholar, and author of several books, including “Rounding Wagner’s Mountain: Richard Strauss and Modern German Opera.” They discuss Hofmannsthal’s place in the canon, his collaborations with Strauss, and the themes that are present in his work.For more information about Thaddeus Strassberger: https://www.tstrassberger.com/For more information about Jonathan Burton: http://jburtontenor.com/Rounding Wagner’s Mountain: https://www.amazon.com/Rounding-Wagners-Mountain-Richard-Cambridge/dp/0521456592A little dive into Ariadne clips: https://www.operanews.com/Opera_News_Magazine/2020/5/Departments/10_Essential_Ariadne_auf_Naxos_Clips_to_Enjoy_(At_Home).html

The Super Bowl is often a time for gathering, but this year health officials warn it could lead to the spread of COVID-19. Plus, the Navy has come out with its long-awaited report on racial bias. Task Force One Navy was created in June, after the death of George Floyd at the hands of Minneapolis Police. Then, this weekend in the arts, the experimental Vietnamese music of Vân-Ánh Võ, 1960's women's lithography, Human Rights Watch Film Festival and the Met Opera's "Ariadne Auf Naxos."

Who is the best? To find out, our world-class podcast hosts are testing history's most popular opera subjects. Using 20th Century composition, we'll see what happens when the two opera types go toe-to-toe. No rules, no safety, no mercy. It's a duel to the death to decide who is the best Opera Plot.

In Augsburg feierte am 29. September "Ariadne auf Naxos" von Richard Strauss Premiere. Regisseur Dirk Schmeding setzt bei seiner Inszenierung auf die Unterschiedlichkeit der beiden Teile des Werks, dieser "Oper in der Oper". Uwe Friedrich war für BR-KLASSIK bei der Premiere dabei.

Antonio Pocai - Doom (NEW) Francis Arvel - black soul (NEW) Maksin Dark - I am brutal - Pierre Blanche remix (NEW) MISinki - let the music take your mind (NEW) Simina Grigoriu BB Deng - double trouble - Alberto Ruiz remix (NEW) Teenage Mutants - mistake (NEW) Indeph - we are beautiful (NEW) A.Morgan - answer to love (NEW) Gabenz - shake it (NEW) Signal St - Nautique

Et si je vous disais que Ariadne Auf Naxos de Richard Strauss ne parlait pas du tout du mythe d’Arianne ?Et si je vous disais que pour en parler, je fais un détour par l’Autriche, le Métal, et Claude François ?

Barbara Hosking was born above her father’s dairy in Penzance, back in the 1920s, and ended up in the corridors of power serving two British Prime Ministers. Two years ago, at the age of ninety, she decided to come out as gay, which, she says, is the best thing she’s ever done. Barbara Hosking talks to Michael Berkeley about moving from Cornwall to a new world in London after the War, meeting Eastern European emigres, and discovering lesbian clubs where women could dance together openly. All sorts of women were there, from the posh to the very poor, from “respectable” women to prostitutes. Despite her early Labour party affiliation, she found herself working for Edward Heath, whom she admired greatly, and who she persuaded not to wear a terrible old cardigan when he was conducting with the London Symphony Orchestra. She talks too about finding happiness late in life with her partner Margaret. Music choices include Edward Heath conducting Elgar, Strauss’s opera Ariadne Auf Naxos, Schubert’s Winterreise, and Britten’s Billy Budd. And a love song in Yiddish, a language she taught herself and which she loves. Producer: Elizabeth Burke A Loftus production for BBC Radio 3

Dominique Horwitz ist Schauspieler, Chansonier und Buchautor. Dass er nun auch Opern inszeniert, findet Horwitz nur konsequent, denn da kommt seiner Meinung nach das Schauspiel oft zu kurz. Mit "Ariadne auf Naxos" von Richard Strauss hat er einen gelungenen Einstand am Mainfranken Theater Würzburg gegeben, wie unser Kritiker findet.

Eine bemerkenswerte Kühle umweht diese Dresdner "Ariadne auf Naxos", so das Fazit unseres Kritikers Uwe Friedrich. Chistian Thielemann und Regisseur David Hermann schaffen es nicht, die Geschichte an das Publikum heranzulassen. Premiere war am 2. Dezember an der Semperoper.

Meet the cast of Seattle Opera’s TURN OF THE SCREW in this downloadable podcast! Singers Marcy Stonikas (Miss Jessel) and Ben Bliss (Peter Quint) introduce themselves and their colleagues: Elizabeth Caballero (the Governess), Maria Zifchak (Mrs. Grose), Rafi Bellamy Plaice and Forrest Wu (Miles), and Soraya Mafi (Flora). Hear brief clips of Caballero as Donna Elvira (in DON GIOVANNI at Seattle Opera), Zifchak as Ragonde (in COUNT ORY at Seattle Opera), Stonikas as Ariadne (in ARIADNE AUF NAXOS at Seattle Opera), and Bliss as Ferrando (in COSÌ FAN TUTTE at Seattle Opera). And a bonus: Wu and Plaice read “The Second Coming” by W. B. Yeats! Plaice's CD "Refiner's Fire" is available at the Seattle Opera gift shop, and online at rafibellamyplaice.bandcamp.com/.

In episode 4 of our ‘Views from the pit’ podcast mini-series, we catch up with Principal Clarinet Katherine 'Waffy' Spencer and Principal Oboe Dan Bates after a six-hour rehearsal of Ariadne auf Naxos. Presented by Tasha Allery and Gabriele Neuditschko. Featuring rehearsal footage from Ariadne auf Naxos at Opera Holland Park.

Ariadne auf Naxos, an opera in German, is the creation of composer Richard Strauss and librettist Hugo von Hofmannsthal. The original version of the opera premiered in 1912, following the enormous success that Strauss and von Hofmannsthal had with Der Rosenkavalier the prior year. This version, most commonly performed in modern times, is the second version by the duo, and was premiered by the Vienna state opera in 1916. The opera is, by turns, a serious treatment of an ancient myth, a sly social commentary, and a comedic mash-up of low and high art.

Als pralles Theater-Bacchanal samt Zickenkrieg präsentierte Regisseurin Aldona Farrugia die mitunter spröde Kunst-Oper von Richard Strauss. Das war so unterhaltsam wie überraschend: Sogar ein Feuerwerk war inbegriffen. Am 13. April fand die Premiere von "Ariadne auf Naxos" am Meiniger Staatstheater statt.

Ariadne auf Naxos (Ariadne on Naxos), Op. 60, is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Combining slapstick comedy and consummately beautiful music, the opera's theme is the competition between high and low art for the public's attention. Joana Filipe Martinez - conductor/producer CMD Grand Opera Company of Barcelona Spain

The following Opera on 3 download about Richard Strauss opera ‘Ariadne auf Naxos’ includes contributions by opera experts William Mival and Hugo Shirley, as well as opera historian Sarah Lenton.

Ariadne auf Naxos brings together the 'high art' of opera seria and the lighter, comic entertainment of the commedia dell'arte. Peggy Reynolds provides a historical and musical introduction to this ambitious, witty and intricately crafted collaboration between Richard Strauss and his librettist, the poet and playwright Hugo von Hofmannsthal. With contributions from the writer and broadcaster David Nice, who provides expert insight into Strauss's use of the orchestra to explore the theme of 'high' versus 'low' art. From theatre director Didi Hopkins of Commediaworks, who explains the history of the commedia dell'arte and introduces us to some of the art form's stock characters. And from the writer Michael Kennedy who explores the - at times rather fraught - working relationship between Strauss and Hofmannsthal and discusses the genius of Strauss's music. [Producer: Mair Bosworth for Festival 2013] (Musical extracts used with kind permission of EMI Classics.)

Richard Osborne recommends a recording from the available versions of Strauss' Ariadne auf Naxos

Bob Wilcox, Gerry Kowarsky, and special guest Anna Blair review (1) WAY TO HEAVEN, by Juan Mayoga, at the New Jewish Theatre, (2) PLAYLAND, by Athol Fugard, at Mustard Seed Theatre, (3) URINETOWN: THE MUSICAL, by Mark Hollman & Greg Kotis, at Stray Dog Theatre, (4) ROCK OF AGES, book by Chris d'Arienzo, at the Fox Theatre, (5) ARIADNE AUF NAXOS, by Richard Strauss & Hugo von Hofmannsthal, at Winter Opera St. Louis, and (6) INTIMATE APPAREL, by Lynn Nottage, at Univ. of Missouri-St. Louis. Anna joins Bob in the review of ROCK OF AGES.

Bob Wilcox, Gerry Kowarsky, and special guest Anna Blair review (1) WAY TO HEAVEN, by Juan Mayoga, at the New Jewish Theatre, (2) PLAYLAND, by Athol Fugard, at Mustard Seed Theatre, (3) URINETOWN: THE MUSICAL, by Mark Hollman & Greg Kotis, at Stray Dog Theatre, (4) ROCK OF AGES, book by Chris d'Arienzo, at the Fox Theatre, (5) ARIADNE AUF NAXOS, by Richard Strauss & Hugo von Hofmannsthal, at Winter Opera St. Louis, and (6) INTIMATE APPAREL, by Lynn Nottage, at Univ. of Missouri-St. Louis. Anna joins Bob in the review of ROCK OF AGES.

The famous Zerbinetta aria from Strauss' "Ariadne Auf Naxos" as sung by six marvelous coluratura sopranos. They are: Rita Streich, Hilde Gueden (in photo), Edita Gruberova, Ruth Welting, Natalie Dessay, and Beverly Sills (1912 version.)   (71 min.)

A radiant performance from the Salzburg Festival 1954. Featured are Lisa della Casa, Hilde Gueden, and Rudolf Schock. Karl Boehm leads the Vienna State Opera Orchestra.

A radiant performance from the Salzburg Festival 1954. Featured are Lisa della Casa, Hilde Gueden, Irmgard Seefried, Rudolf Schock and Paul Schoeffler. Karl Boehm leads the Vienna State Opera Orchestra. Your hostess for the show is La Cieca, cultural doyenne at parterre box.

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The latest podcast from "Unnatural Acts of Opera" is The Prologue to Ariadne auf Naxos (Strauss/Hoffmansthal) in a radiant performance from the Salzburg Festival 1954. Featured are Lisa della Casa, Hilde Gueden, Irmgard Seefried, Rudolf Schock and Paul Schoeffler. Karl Boehm leads the Vienna State Opera Orchestra. Your hostess for the show is La Cieca, cultural doyenne at parterre box. For more details, please go to http://parterre.com/unnatural_acts.htm