POPULARITY
커튼콜 261회에서는 서울스프링실내악축제의 예술감독인 바이올리니스트 강동석, 그리고 20회째 축제에 '개근' 중인 비올리스트 김상진 씨와 함께합니다. 강동석 감독은 8살 때 첫 콘서트를 열었던 '바이올린 신동'으로 1960년대 유학, 1970년대 주요 국제 콩쿠르를 석권했던 연주자입니다. 한국 클래식 음악계가 척박했던 그 시절, 놀라운 성취로 유명해지면서 '책받침 스타' 반열에 오르기도 했죠. 이병희 아나운서는 강동석 감독과 관련된 어린 시절 추억을 공개했는데 과연 무엇일까요? 강동석 감독은 연륜이 쌓일수록 실내악이 독주보다 좋다고 했는데요, 그가 말하는 '실내악' 정신은 무엇일까요? 왜 실내악 정신을 모두가 배워야 한다고 했을까요? 김상진 씨는 금호 현악4중주단, MIK 앙상블 등 굵직한 단체에서 활약했고 작곡가와 지휘자로도 활동 중인 비올리스트로, 20년간 한 해도 빠짐없이 이 축제에 참여하며 '전도사' 역할을 해왔죠. 두 사람과 함께 20년간 이어온 축제 운영의 애환, 축제의 '시그니처'가 된 윤보선 고택 음악회, 가장 기억에 남는 공연 등등 다채로운 이야기 즐겨보세요. 오늘 커튼콜에서는 '도심 속 힐링' 고택 음악회, 그리고 기발한 발상으로 클래식 음악에 유머를 곁들인 가족음악회 실황 영상도 함께 감상합니다. ♬ 고택 음악회 A. Rubinstein Pliano Trio NO. 3 Bb Major, Op. 52. ♬ 고택 음악회 A. Dvorak: Terzetto for Two Violins and Viola C Major,?Op. 74. ♬ 가족 음악회 주형기 - You Just Have to Laugh ♬?가족 음악회 Carmen Strips - Les Bons Becs 제공: (사)서울스프링실내악축제 유튜브 재생목록 '김수현 문화전문기자의 커튼콜'을 추가해 보세요. https://han.gl/3YIq8 진행: SBS 김수현 문화전문기자, 이병희 아나운서 l 출연: 바이올리니스트 강동석, 비올리니스트 김상진 l 글·편집 : 김은혜 PD
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Nous sommes le samedi 16 novembre. Les prières de cette semaine sont guidées par le Secours catholique de la Loire et la diaconie de Saint Etienne. L'Evangile que nous allons écouter présente Jésus qui parle aux disciples de la nécessité de prier sans se décourager. Je me sers de mon imagination pour me représenter les disciples assemblés et je me place parmi eux. Je me mets à l'écoute de Jésus, avec tout ce qui m'habite ce matin. Je lui demande d'augmenter mon... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Bénissez le Seigneur, vous tous serviteurs du Seigneur de Communauté de l'Emmanuel interprété par Communauté de l'Emmanuel - Il est vivant © Éditions de l'Émmanuel ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Aujourd'hui nous sommes le vendredi 27 septembre et nous fêtons St Vincent de Paul, prêtre français du XVIIe siècle. Pour les oubliés de la société (malades, galériens, réfugiés, illettrés, enfants trouvés) il fonde plusieurs organisations qui perdurent encore aujourd'hui dans le monde entier. Au début de ce temps de prière, je demande la grâce d'être moi-même envoyé vers les oubliés de la société, à la manière de Saint Vincent de Paul... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Ubi caritas de Jacques Berthier interprété par Communauté de Taizé - Laudate omnes gentes © Communauté de Taizé ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Aujourd'hui, nous sommes le samedi 14 septembre et l'Eglise célèbre la Croix glorieuse, cette croix qui est instrument de tourment et de mort mais qui, par le don du Christ, ouvre le salut à tous.Avec mon imagination, je me place devant une croix et je remets entre les mains de Dieu ce qui fait ma vie. Je lui demande la grâce de grandir en liberté pour sa plus grande gloire. Si je peux, je trace sur moi un signe... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes ; Hymne à la croix de Emmanuel interprété par - Signes Musiques n°121 © Éditions de l'Émmanuel.
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Aujourd'hui nous sommes le vendredi 14 juin.Me voici devant toi Seigneur, pour un temps de dialogue et d'intimité. Je prends le temps de faire silence à l'intérieur de moi et j'oriente mes pensées vers toi. Je te demande la grâce d'écouter ta Parole... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Comme un souffle fragile de Pierre Jacob, Gaëtan de Courrèges, François Rauber interprété par Ensemble Vocal Alliance - Chantons en Église 40 chants de pèlerinage terre sainte © Voir le site de l'album ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.
Via Wikipedia In general the symphony is sunny and cheerful, with light instrumentation that for some listeners recalls the symphonies of Joseph Haydn, with whom Beethoven had studied a decade before.[13] In a commentary on the symphony Grove comments that Haydn – who was still alive when the new symphony was first performed – might have found the work too strong for his taste.[2] The Fourth Symphony contrasts with Beethoven's style in the previous Third Symphony (Eroica), and has sometimes been overshadowed by its massive predecessor[n 4] and its fiery successor, the Fifth Symphony.[2] --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support
Reigning Chopin Competition winner and piano superstar Seong-Jin Cho joins us for a preview of his latest album on Deutsche Grammophon, dedicated to the music of Mozart. On the disk is soulful and expressive renderings of Mozart's Piano Concerto No. 20, alongside two very different piano sonatas: No. 12 in F Major, and No.3 in Bb Major. Joining Seong-Jin for the concerto is Metropolitan Opera Music Director Yannick Nézet-Séguin and the Chamber Orchestra of Europe.
Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play a Key of Bb Major Melodic Workout. In this Jazz Piano Lesson you will:DiscoverA Key of Bb Major Melodic WorkoutLearnHow to "think" within the Key of Bb Major, MelodicallyPlayThe Modes of the Key of Bb Major plus Inverted Melodic Arpeggios from various entry points (Root, 3rd, 5th, 7th).ANDYou are going to play Melodic lines using various Whole Note, Half Note, Quarter, and 8th Note Rhythms played over the II-V-I Progression.For maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while doing a Key of Bb Major Melodic Workout.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsRationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to support JazzPianoSkills with a donation you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show (https://www.paypal.com/donate/?hosted_button_id=ZZEBGDF38VFNS)
INNOCENCE AND ILLICIT PASSIONApril 6, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmThe 15-year-old Mozart celebrated the completion of his second set of string quartets by composing his sunny first viola quintet. One hundred years later, Franck created his piano quintet, secretly dedicated to his young lover. Is passion audible?~ Wolfgang Mozart, String Quintet in Bb Major, K.174~ Bernhard Romberg, Sonata in E Minor for Violoncello, Viola, and Bass, Op. 38 no. 1~ César Franck, Piano Quintet in F MinorJennifer Frautschi, violin; Benny Kim, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Dee Moses, double bass; Wu Han, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.
Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play a Key of Bb Major Melodic Workout. In this Jazz Piano Lesson you will:DiscoverA Key of Bb Major Harmonic WorkoutLearnHow to "think" within the Key of Bb Major, HarmonicallyPlayBlock Chords, Traditional and Contemporary Shells, Two-Handed Voicings using common harmonic motion AND various Rhythmic Comping PatternsFor maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while doing a Key of Bb Major Harmonic Workout.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsDemonstrations/ExercisesConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with interactive Jazz Piano Courses, private and group online Jazz Piano Classes, and a private jazz piano community Jazz Piano Forums.If you wish to support JazzPianoSkills with a donation you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show (https://www.paypal.com/donate/?hosted_button_id=ZZEBGDF38VFNS)
Sheet Music Download In this episode we play Sweet Funky Donkey, and a funky improvisation in Bb Major. In this episode we learn Concert Bb major, the key signature for Bb major, how to determine if a song is in the key of Bb major, how to improvise rhythms with words and add notes to rhythms to create new music. --- Send in a voice message: https://anchor.fm/ihatepracticing/message
In this episode, Davina is joined by the internationally renowned violinist, early music specialist and Alexander Technique wizard, Jane Gordon. They discuss her flourishing career as a violinist both with her chamber group, The Rautio Trio and also with the world's finest period instrument ensembles. Davina and Jane explore the tough world of touring, Alexander Technique and also a holistic approach to violin playing. They cover a range of repertoire from Jane's latest CD's, including extracts from Mozart's Piano Trio in Bb Major, Fauré's 'Berceuse' and also Beethoven's Piano Trio in D minor, 'Ghost'. All of the recordings from Series 2, Episode 2 can be found in the Spotify Playlist below: https://open.spotify.com/playlist/3UcAPzG26LruZnJTaQ0eCf?si=b86b69adb47d4110 Jane's latest Fauré disk is available to buy here Find out more about Jane here Hasting's Early Music Festival
Playlist: Mozart, Jan Lisecki, Bavarian Rdio Symphony Orchestra - Piano Concerto No. 20 in D minor, K. 466 3rd mov Rondo Allegro AsaiScott St. John, The Knights & Eric Jacobsen, Mozart - Concerto No. 1 in Bb major 1st mov Allegro Moderato K. 207Marie Nicole Lemieux, Mozart - Le Nozze di Figaro, K. 492: Voi che speteGeorge London, Vienna Symphony Orchestra , Mozart - Don Giovanni K. 527: La ci darem la menoPierrette Alarie, Mozart - Die Zauberflote, K. 620: "Der Holle Rache Kocht in Meinen Herzen"Orford String Quartet, Mozart - String Quartet No. 17 in Bb Major, K. 458 "Hunt" 1st mov. Allegro Vivace assaiDaniel Barenboim, English Chamber Orchestra - Requiem in D Minor, K. 626: Rex tremendae
- B Major four note chords - Bb Major four note chords tip on seeing triads within these four note chordsEpisode Image Link - https://harmonyimprovisati.wixsite.com/harmonyimprov/downloads YouTube Channel - https://www.youtube.com/user/tpfbb Podcast Link - https://open.spotify.com/show/3s7KQqOZlrbk0vZkoe4buC?si=jk14dlxoQJ-V4jhpNeU6sA Website - https://harmonyimprovisati.wixsite.com/harmonyimprov
John Mlynczak returns to the show to discuss Noteflight's new integration with Sound Check and offers advice to educators about teaching online this fall, and what we can learn from it. Show Notes: Could not find the exact article I read on Zoom fatigue but there are plenty. Here’s one. Noteflight Noteflight Learn SoundCheck Integrates with Noteflight Match My Sound Partnership PracticeFirst MusicFirst School of Rock My Choral Coach Dorico Music Ed Tech Talk Episode 10 - Designing Curriculum and Assessing Students with FileMaker, with Ben Denne FileMaker Virtual Tuning Disk | EMMSmusic.com Tonal Energy Tuner Soundtrap The Rest is Noise | Alex Ross Igor Levit is Like No Other Pianist - The New Yorker | Alex Ross Igor Levit and Franz Welser-Möst | Concerto for Piano and Orchestra No. 2 in Bb Major, op. 19 App of the Week: Robby - Kindle/Audible John - TikTok Album of the Week: Robby - Igor Levit - Beethoven Piano Sonatas John - Hamilton on Disney+ Where to Find Us: Robby - Twitter | Blog | Book John - Twitter Subscribe to Music Ed Tech Talk: Subscribe to the Blog Subscribe to the Podcast in... Apple Podcasts | Overcast | Castro | Spotify | RSS
Show Notes – -Review of B and Bb Major note sets-D Major Note Sets and Intervals -Db Major Note Sets and Intervals -1 3 5 7 9 11 and 13 broken down Episode Image Link - https://harmonyimprovisati.wixsite.com/harmonyimprov/downloads YouTube Channel - https://www.youtube.com/user/tpfbb Podcast Link - https://open.spotify.com/show/3s7KQqOZlrbk0vZkoe4buC?si=jk14dlxoQJ-V4jhpNeU6sA Website - https://harmonyimprovisati.wixsite.com/harmonyimprov
Show Notes - B Major Note Sets and IntervalsBb Major Note Sets and IntervalsA few tips on where the podcast is goingEnharmonic ExplanationEpisode Image Link - https://harmonyimprovisati.wixsite.com/harmonyimprov/downloadsYouTube Channel - https://www.youtube.com/user/tpfbbPodcast Link - https://open.spotify.com/show/3s7KQqOZlrbk0vZkoe4buC?si=jk14dlxoQJ-V4jhpNeU6sAWebsite - https://harmonyimprovisati.wixsite.com/harmonyimprov
An introduction to the musical interests of Thomas Jefferson and the music he collected and performed with his family and friends. Works performed include the traditional fiddle tune "Love in a Village," Johann Schobert's Sonata in Bb Major for keyboard and violin, Antonio Campioni's Trio Sonata in C Major, Arcangelo Corelli's Violin Sonata in C Major, and Maria Cosway's Ogni dolce. Performers include Suzanne Stumpf, flute, Julia McKenzie, violin, Daniel Ryan, cello, Michael Bahmann, harpsichord, and Pamela Dellal, mezzo-soprano.
An introduction to the musical interests of Thomas Jefferson and the music he collected and performed with his family and friends. Works performed include the traditional fiddle tune "Love in a Village," Johann Schobert's Sonata in Bb Major for keyboard and violin, Antonio Campioni's Trio Sonata in C Major, Arcangelo Corelli's Violin Sonata in C Major, and Maria Cosway's Ogni dolce. Performers include Suzanne Stumpf, flute, Julia McKenzie, violin, Daniel Ryan, cello, Michael Bahmann, harpsichord, and Pamela Dellal, mezzo-soprano.
A sampling of chamber music works from the Berlin Singakademie archives, an important collection thought lost during World War II but recently recovered. Musical works include Johann Joachim Quantz's Quartet in D Major and Quartet in E Minor, C. P. E. Bach's Trio Sonata in Bb Major, and Gottlieb Muffat's Harpsichord Concertto in C Major. Performers include Suzanne Stumpf, flute, Christina Day Martinson, violin, Marcia Cassidy, viola, Daniel Ryan, cello, and Michael Bahmann, harpsichord.
An introduction to the musical interests of Thomas Jefferson and the music he collected and performed with his family and friends. Works performed include the traditional fiddle tune "Love in a Village," Johann Schobert's Sonata in Bb Major for keyboard and violin, Antonio Campioni's Trio Sonata in C Major, Arcangelo Corelli's Violin Sonata in C Major, and Maria Cosway's Ogni dolce. Performers include Suzanne Stumpf, flute, Julia McKenzie, violin, Daniel Ryan, cello, Michael Bahmann, harpsichord, and Pamela Dellal, mezzo-soprano.
A sampling of chamber music works from the Berlin Singakademie archives, an important collection thought lost during World War II but recently recovered. Musical works include Johann Joachim Quantz's Quartet in D Major and Quartet in E Minor, C. P. E. Bach's Trio Sonata in Bb Major, and Gottlieb Muffat's Harpsichord Concertto in C Major. Performers include Suzanne Stumpf, flute, Christina Day Martinson, violin, Marcia Cassidy, viola, Daniel Ryan, cello, and Michael Bahmann, harpsichord.
A sampling of chamber music works from the Berlin Singakademie archives, an important collection thought lost during World War II but recently recovered. Musical works include Johann Joachim Quantz's Quartet in D Major and Quartet in E Minor, C. P. E. Bach's Trio Sonata in Bb Major, and Gottlieb Muffat's Harpsichord Concertto in C Major. Performers include Suzanne Stumpf, flute, Christina Day Martinson, violin, Marcia Cassidy, viola, Daniel Ryan, cello, and Michael Bahmann, harpsichord.
The Center of Excellence for Visual and Performing ArtsMusic DepartmentSystem-Wide Honor’s RecitalFall 2019Piano Sonata in Bb Major, Op. 22 I. Allegro con brioLudwig van Beethoven (1770-1827)Young Sun Yi, pianoStudio of Dr. Yoojin Lee
Mark listens with violist Lea Kerstein, member of the folk-pop duo, Citizen Jane, to the first movement of Brahms' wonderful Bb major sextet op. 18, played here by the Stuttgart Soloists.
Reigning Chopin Competition winner and piano superstar Seong-Jin Cho joins us for a preview of his latest album on Deutsche Grammophon, dedicated to the music of Mozart. On the disk is soulful and expressive renderings of Mozart's Piano Concerto No. 20, alongside two very different piano sonatas: No. 12 in F Major, and No.3 in Bb Major. Joining Seong-Jin for the concerto is Metropolitan Opera Music Director Yannick Nézet-Séguin and the Chamber Orchestra of Europe.
Reigning Chopin Competition winner and piano superstar Seong-Jin Cho joins us for a preview of his latest album on Deutsche Grammophon, dedicated to the music of Mozart. On the disk is soulful and expressive renderings of Mozart's Piano Concerto No. 20, alongside two very different piano sonatas: No. 12 in F Major, and No.3 in Bb Major. Joining Seong-Jin for the concerto is Metropolitan Opera Music Director Yannick Nézet-Séguin and the Chamber Orchestra of Europe.
From the Director; Director Eileen Simmons talks about goings on at the library. May 2016: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini Size: 3.16 Mb Length: 3:26
Today’s episode features double bassist, author, conductor, and educator Michael Klinghoffer. Michael is a former Gary Karr student and is the author of the unorthodox and compelling book Mr. Karr, Would You Teach Me How to Drive a Double Bass? Michael is one of the most interesting minds in the world of contemporary double bass. In addition to his book, he has a wealth of articles, videos, and resources on is website pertaining to bass, musicianship, education, and numerous other topics. We talk about his first encounters with Gary Karr, the impetus behind writing his book, how not to hold the bass and bow, and integrating performance, conducting and composition, and where education is going in the near future. This conversation is a deep philosophical dive into technical and mental aspects of musical practice, thought, and development. We’ll feature two selections from Michael’s album Mostly Transcriptions Vol. 2. We open the episode with an excerpt from the first movement of Mendelssohn’s Sonata No. 1 in Bb Major, and conclude with the final movement of Strauss’ Sonata in F Major. This album, along with Drive a Double Bass and an interesting solfege book titled The Bottesini Project. Check out the following links from Michael--they contain a wealth of useful content on a variety of topics): Videos that demonstrate techniques covered in Drive a Double Bass Videos about Innovation Michael’s YouTube channel Article: Excellence in the Age of Ratings other articles from Michael About Michael: Michael Klinghoffer (Hebrew: מיכאל קלינגהופר), Author of Mr. Karr, Would You Teach Me How to Drive a Double Bass?, Dean of Performing Arts and Senior Lecturer of Double Bass at the Jerusalem Academy of Music and Dance, Israel. Michael Klinghoffer, double bass performer, conductor and educator studied under Gary Karr at Yale University, where he received Master of Music and at the Hartt School University of Hartford, where he received his Doctor of Musical Arts. He has been assistant principal bass player in the Israel Symphony Orchestra and in the Israel Sinfonietta. Currently, he performs solo concerts, recitals and chamber music and conducts master classes in Israel and abroad. His repertoire ranges from contemporary Israel music, (much of it composed for him), to his own arrangements for double bass, which have been published in the U.S. and in Europe and recorded on two compact discs. He has published articles on Music Education and on Pedagogy in Israel professional periodicals as well as in the U.S. "Music Education in Institutions of Non Formal Education" was published by MATAN in collaboration with the Israeli Ministry of Education. Since 1987, he has been on the faculty of the Jerusalem Academy of Music and Dance, conducting orchestras, teaching the double bass and other subjects. He was the Head of the String Department, the Dean of Students and he is currently serving as the Dean of Performing Arts and is the Direcor of the Jerusalem Consevatory Chamber Orchetsra. Along with his academic commitments and performing engagements, and after being Music Director for seven years at MATAN, (Arts and Culture Project for Youth), Dr. Klinghoffer still devotes much time and energy to working with young musicians from diverse backgrounds all over Israel.
From the Director; Director Eileen Simmons talks about goings on at the library. January 2016: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini Size: 3.52 Mb Length: 3:50
From the Director; Director Eileen Simmons talks about goings on at the library. December 2015: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini
From the Director; Director Eileen Simmons talks about goings on at the library. August 2015: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini
From the Director; Director Eileen Simmons talks about goings on at the library. June 2015: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini
From the Director; Director Eileen Simmons talks about goings on at the library. February 2015: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini
From the Director; Director Eileen Simmons talks about goings on at the library. December 2014: Library Director Eileen Simmons Music: Quintent No. 1 in Bb Major, by Giuseppe Cambini
Bb Major scale for double bass played 5 times at 160 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 160 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 155 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 155 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 150 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 150 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 145 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 145 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 140 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 140 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 135 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 135 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 130 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 130 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 125 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 125 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 120 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 120 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 115 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 115 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 110 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 110 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 105 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 105 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 100 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 100 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 95 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 95 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 90 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 90 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 85 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 85 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 80 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 80 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major scale for double bass played 5 times at 40 beats per minute for 3 octaves with cello playing an octave higher.
Bb Major Scale played 5 times at 220 beats per minute.
Bb Major Scale played 5 times at 200 beats per minute.
Bb Major Scale played 5 times at 160 beats per minute.
Bb Major Scale played 5 times at 120 beats per minute.