Podcasts about wolfgang mozart

(Deep Dive begins at 31:30) We speak for all mediocrities, for we are their patron saint. Join your ragtag fellowship of TransAtlantic podcasters, Ian, Liam, and Georgia (Megs and Kev are in Salzburg) as we're heading back to the last 18th century watch the rise of Wolfgang Mozart and the downfall of Antonio Salieri in the Milos Forman film Amadeus.  We're complaining about too many notes in our 243rd episode as we discuss: Our own knowledge bases of Mozart Do you have to know the story of Mozart to appreciate the film We've got a bit of a therapy session this week as Ian and Liam lock horns Is it possible to overcome a negative first impression of a film?  What is the price of excellence and why is there only room for one great artist of each time Georgia totally misses a friend of the podcast showing up in the 3rd act We talk about whether the film does Costanze fair in the overall narrative Whether or not Amadeus is the Best Film Ever Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Andy Dickson Ensign Ian Davies Chris Pedersen  Duane Smith (Duane Smith!) Randal Silva The Yeetmeister Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Shai Bergerfroind Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot AJ from Nova Scotia Timmy Tim Tim Catch so much more of Hermes on his podcast, The Scuttlebutt Podcast at . https://podcasts.apple.com/us/podcast/the-scuttlebutt-podcast/id1503504933 (Apple) or https://open.spotify.com/show/2n9CNB9X6QXnmvn78HBEoJ?si=ca1784afd4874ff3 (Spotify) Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/ Massive thanks to Lex Van Den Berghe for the use of 'Mistake' by Luckydog.  Catch more from Lex's new band, The Maids of Honor at https://soundcloud.com/themaidsofhonor Also massive thanks to Moonlight Social for our age game theme song.  You can catch more from them at https://www.moonlightsocialmusic.com/ Join Hermes in his revolution; he is trying so very hard.

SynopsisIn the summer of 1764, eight-year-old child prodigy Wolfgang Mozart was in England, accompanied by his 13-year-old sister, Nanerl, and their father, Leopold. The Mozarts had arrived in London wearing what back home in Salzburg would have passed as fashionable French-style clothing back home in Salzburg. But since England had just ended the Seven Years War with France, this faux pas resulted in the Mozarts receiving some rude comments and even ruder gestures from London street urchins, so Papa Leopold quickly acquired more “politically correct” attire for himself and the children.On August 5, 1764, the family settled in at a quiet house in Chelsea, as Papa Leopold had taken ill. While his father recovered, Wolfgang was temporarily forbidden to practice piano or make any noise, so he decided to try his hand at writing his first symphony. Perhaps as compensation for having to keep so quiet, Mozart suddenly was keen on writing for as many instruments as possible. As Nanerl later recalled, “While he composed and I copied, he said to me, ‘Remind me to give the horn something worthwhile to do!'”And so, Mozart's first symphony is scored for two oboes, two horns and strings.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Symphony No. 1; Prague Chamber Orchestra; Charles Mackerras, conductor; Telarc 80256The “bad news” relates to Bach's previous employer, namely the Duke of Weimar, who was not exactly pleased that Bach had accepted the new job. Court intrigue complicated the matter, and the Prince's “poaching” of Bach might have been perceived as just another indirect slap at the Duke maneuvered by a long-standing feud between the two noblemen. The upshot was that Bach was put on the Prince's payroll effective in August of 1717, but the Duke didn't accept Bach's resignation until five months later, and then only after throwing Bach in jail for almost a month to teach him a lesson, as the court secretary put it, “for too stubbornly forcing the issue of his dismissal.”In an age when Dukes and Princes could do as they pleased, it seems giving two weeks notice was a tad more complicated than it is today!Music Played in Today's ProgramJ. S. Bach (1685 - 1750) — Brandenburg Concerto No. 1 (Chamber Music Society of Lincoln Center; David Shifrin, cond.) Delos 3185

In 1791 Wolfgang Mozart was one the verge of a comeback. After being the toast of Vienna for half a decade, his music was starting to be considered passé by the late 1780's. A turbulent war between Austria and Turkey and an economic depression only made matters worse. But in 1791 Mozart scored a huge hit with his opera The Magic Flute. Sadly the composer barely got a chance to savor his renewed acclaim, as only three months after the opera's premiere Mozart died in his Vienna apartment. Was Mozart the victim of foul play? Was there something in the Magic Flute that had angered the wrong people? Tune-in and find out how Margaret Thatcher, a bird who could sing concertos, and letters about poop all play a role in the story.

“Charlie and the Wolf” is an opera for young people commissioned by Cedar Rapids Opera. Bored middle schooler Logan dozes off, only to have Wolfgang Mozart and Charlie Parker appear to teach her about music and friendship. Cast members Brittany Graham, Evan J. Nelson, Lindsay Paradise, and Rene Vazquez will bring this fanciful tale to … Continue reading The post Culture Crawl 885 “Musical Friendship” appeared first on Jazz 88.3 KCCK.

Wolfgang Mozart made the transition from child prodigy to adult artist fairly seamlessly, but that does not mean there weren't road bumps. Many musicians were skeptical of the boy from Salzburg. Was he more than just a musical freak of nature? Did he really have something to say musically? Many modern Mozart fans tend to either remember Mozart's art as the universally beloved apotheosis of 18th century classical music, or as criminally misunderstood works of genius that only future generations would fully appreciate. Is either assessment really accurate? Tune-in and find out how a Vatican heist, Italian conspiracies, and a swift kick in the ass all play a role in the story.

SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349

There are few artists who are praised with the same level of hyperbole as Wolfgang Mozart. The German poet Franz Alexander von Kleist once said “Mozart's music is so beautiful as to entice angels down to earth.” The famous Russian composer Tchaikovsky declared that Mozart was no less than a "musical Christ." With praise that grandiose it can be hard to believe that Mozart was a flesh and blood human being. The stories of Mozart's dazzling genius begin when he was only a small child. He was writing his first compositions at age of five and had written his first symphony by the age of eight. There is no denying Mozart's great talent, but how much stock should we put in the tales of childhood brilliance. Tune-in and find out how royal proposals, an interminable penny whistle solo, and Sebastian's middle name all play a role in the story.

In September, I hosted a webinar called "How To Write A Great Story" where I talked about what a "story" really is, as well as how to use personal stories to help your writing. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptMichael Jamin:It's not that The stakes of rocky areas are not about will Rocky win the fight? Who caress? Will Rocky win the competition? The contest who caress? No one cares if he wins. The stakes are, will Rocky finally feel like he's not a loser? Will he finally feel like he's not a bum? And that's something something all of us can relate to. You're listening to, what the hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity, I'm talking about writing, and I'm talking about reinventing yourself through the arts. Hey everyone, welcome back to another episode of, what the Hell is Michael Jamin talking about? Well, today I'm talking about, I'm answering questions. Phil, I'm back here with Phil Hudson. Hey Phil. What up? So why do these webinars every three weeks? And I try to answer questions during them and we don't have time to get to all of them. So I'm going to be answering them right now and Phil's going to feed 'em to me.Phil Hudson:That's right. He'sMichael Jamin:Going to baby bird them to me. He's going to chew them up and dip 'em into my mouth.Phil Hudson:I'm going to spit 'em into your mouth. Regurgitate 'em. Love it. Yeah. You guys know the thing. We've been doing this for two years now, so we've got plenty of these episodes in the Can questions came up. We're going to dive into 'em Again, some of these things that were asked, we're not going to go over Michael because we've talked about 'em a thousand times,Michael Jamin:ButPhil Hudson:There are always some of those things that are still being asked that worth talking about a bit. So we'll go through 'em. I've broken 'em up into kind of categories just to make sure that it's easy to get through. Just be more, there are a couple of questions about your course in this I thought were worth bringing up because that was a lot of the questions that came up in September.Michael Jamin:Let's do it.Phil Hudson:Alright, let's dive into craftMichael Jamin:Michael.Phil Hudson:Dr. Adam wants to know, and these are YouTube. YouTube usernames forMichael Jamin:Anybody interested? Yes. Doctor IPhil Hudson:Help you with Dr. Adam wants to know how important is it for someone else to edit your writing,Michael Jamin:Edit? Well, when we work in television, it's very collaborative, so your work will be rewritten often heavily by the showrunners or the writing staff. But it's a very collaborative process from the beginning. We all work together to break the story, meaning figuring out what the story is, and I teach this in the course, how to break a story, and then you get notes in the outline, the first draft, the second draft, and the table draft, blah, blah, blah. So it's very collaborative. But if you're talking about, I dunno if the doctor's talking about some other kind of work other than television writingPhil Hudson:The Good Doctor.Michael Jamin:Yeah, I don't know, doctor, I'm not really sure what you mean other than I hope I answered your questionPhil Hudson:To me. Either way.Michael Jamin:You're getting my bill.Phil Hudson:Yeah, if you're billing the doctor, I love it. For me, this is a question more about, it's a common question I've seen with people starting out, which is getting feedback or peer review, if you will on things. I had a couple of friends over Mike Rap who's a writer on Tacoma d and Kevin who will feature the podcast soon and is in the screenwriting course. There were football and we talked a lot about this kind of stuff in writer's room stuff. They both work in writer writer's rooms and getting notes from peers even outside of the writer's room at our level, Kevin and I have probably spent 40 or 50 hours on Zoom now giving each other notes onMichael Jamin:Writing.Phil Hudson:That's incredibly helpful, but it's not so much that they're editing my writing, it's more of them talking about This didn't work for me, or Hey, I got confused here. And that's the feedback that you always talk about, which is the valid feedback is someone gets lost, they don't understand. It's not compelling. It's not really on page three. You have this ticky tack note where you overcapitalize a word or something like that.Michael Jamin:Yeah, editing could be not so much getting answers from someone, but just getting questions. And the questions could be, if someone's reading your work, they could say, I, what were you going for here? I didn't get what you were going for. And then you get to decide whether you want to clarify or keep it muddy. And probably keeping it muddy is probably not the greatest choice. So you just want to make sure that your audience is along for the ride. And I was going to do a post about this soon where I think part of your responsibility as a writer is to make sure you're holding your audience's hand and taking them along for the ride and not letting go because you don't want them to get lost. If they get lost, they're going to find something else to do.Phil Hudson:Yeah, that's a great point. Yeah, it's an interesting too, when you work with people who know story structure and they've been in writer rooms and they're giving you these notes. There are times where this thing didn't make sense to me, but I understand what you're going for there. Or I would consider this doing a different way. But then you get a note from the other guy and they're like, I loved this part. And so that conflicting thing is like, okay, I can keep this one. That's a choice. But when they're both like, Hey, I got really bogged down in this piece, that's a clear sign. You've got to fix something.Michael Jamin:Yeah, right. Thank you DoctorPhil Hudson:Alex Kier, any tips on writing a story with multiple characters and stories like love? Actually?Michael Jamin:Oh, well, first of all, stories have multiple characters, but you're talking about multiple storylines. And so love actually is not that uncommon. It's a fun movie, but it's not that uncommon. You're basically just having multiple storylines and all the storylines are united by this one thread, which is love during Christmas. That's it. And there's different types of love. There's Brotherly Love. The way the Rock Star character had for his manager, what was that guy's name? But there's brand new love the way the two characters who met on the porn set. That's like an awkward way of meeting. And there's other romantic love between a couple that's been married for a long time, and that was Emmett Thompson's character with Alan Rickman's character. Then there's Love, new Love Upstairs, downstairs, love, which was, what's his name? Hugh? Hugh Grant, come on. Hugh Grant, thank Hugh Grant's character.I don't remember her name, but he was the prime minister and she was the lowly chambermaid or whatever she was supposed to be. And then you have another Love one character was a love where they can't communicate. So it was Colin Firth's character and I don't remember her name, but she didn't speak. She was the Portuguese maid and she didn't speak English. So you're just examining love over Christmas between different types of love and that's how they're all united. So that was the theme. And every story has to tell a version of that. Oh, then there's one of the love there was brand new love, like puppy love, right? There was a storyline between the kid and what's his name? He was like the young kid and his stepfather, Liam Neeson. And he's trying to coach him into, wasn't that in love actually, or is that somethingPhil Hudson:Else? I have never seen love actually.Michael Jamin:Oh, you got to watch it. So yeah. So those are my tips. So that's it. And you're just kind of integrating these very stories so each one can stand on its own. Each story can stand on its own. And you're probably, if I had to time it, I would imagine that most stories, so there was one other, there was unrequited love where the guy had a crush on his best friend's, new wife, Kira Knightly, and so all different kinds of love. And I imagine if you took a stopwatch and you timed out each storyline you'd get to, they, they're all approximately the same amount of weight in terms of screen time and that's it. And if they weren't, I imagine it's because some of the stories got cut down because we weren't quite as compelling on camera as they were in the script. But I talk about this a lot. Maybe I should do a breakdown in the course of love. Actually, I talk aboutPhil Hudson:This. People love that. And you brought love actually up in stuff in the courseMichael Jamin:I did. Okay. We already talked about it.Phil Hudson:Well, I don't think you've done a case study. And for those who are unfamiliar, Michael has these awesome case studies in where you'll talk about movies you love Amle, and you'll talk about, I think, did you do Rocky Ferris Bueller's Day Off Castaway, just looking at films and TV shows and kind of breaking 'em down for story structure and talking about what works, what doesn't. And then you also hypothesized this, I imagine got cut in editing becauseMichael Jamin:AsPhil Hudson:A writer, there's a thing here that could be here or was missing, that kindMichael Jamin:Of thing. Yeah, there was a scene that I think that was missing from love actually, that I imagine they shot, but they just cut it for the sake of time.Phil Hudson:But I think it would be worth doing that. I think the members in the course would be pumped to get another case study,Michael Jamin:But there you go. Take the course if you want to learn more. But that, it's a good question.Phil Hudson:You hit on something that you talk about in one of your webinars that we're going to be putting back into the cycle because people really liked it, which is how do professional writers create great characters? And there's this nuance you talked about in the September webinar thatMichael Jamin:BecamePhil Hudson:A full webinar, and it's about how you pick your characters. So I'll leave that a bit nebulous. So anybody's interested in that, come attend the nextMichael Jamin:Webinar. Yeah, please do. Because free in the next one, I'm talking about either character or story structure.Phil Hudson:So when this podcast drops, it'll be like tomorrow, literally tomorrow, that's going to be the podcast that we're talking, the webinar we're talking about. And you can sign up at michaeljamin.com/webinar to get notified.Michael Jamin:Yeah.Phil Hudson:Cool. Leanne Allen, how important is it for the goal to be broadly relatable?Michael Jamin:Well, it's very important. I mean, the goals should be hugely important to the character, and it should be something that we could all hopefully relate to. I mean, if the goal is redeeming yourself in your mother's eyes, that's very relatable. If the goal is, I know if the goal is winning first prize, first place in a contest, who caress, it has to be more than that. It has to be more relatable than that. To be honest, I don't really care about winning contests, so I don't really care if your character wins a contest, but if winning the contest is a way for this person to finally feel good about themselves and their lives because it's validation, because they're a loner and because no one's ever looked at them twice and win this contest as a way of them being able to hang their head up high publicly, that's a relatable goal. Understand. But winning a contest in itself, who cares?Phil Hudson:And that's the value of what you teach in these webinars and in the course is the difference between plot and story. Plot point would be they have to win this contest. The story is like, why does this matter? ToMichael Jamin:Why?Phil Hudson:How is this going to affect them? It's the internal need versus the external need. Winning the contest is the external, but the internal is the reason we watch it. And that's the relatable piece.Michael Jamin:Yeah. Yeah.Phil Hudson:Awesome. Desmond Bailey, how do you not front load the pipe?Michael Jamin:Oh, well, boy, I talked about this a lot. I wonder why they're askingPhil Hudson:This. And just to clarify for people, this will be helpful. These are questions directly coming from the chat in the webinar when people are asking questions and they're questions we didn't get to in the q and a portion of the webinar, so this is something you had related to, or they're setting something you set in the webinar, which was don't front load your pipe or don't be pipe. And so maybe explain pipe and expedition to people.Michael Jamin:So pipe is what we call in the business, we call it exposition. So it's all the stuff that you need to know. It's the background story. It's the story before the story begins. And generally it's boring. Pipe is just like something you need to hear, not you don't want to hear it. You need to know to the characters. And so generally, the faster you can get to the pipe, the better, or you have to be artful about the pipe. So here's a bad version. You'll watch a show and you'll say, Susie, you're my sister. Why would I ever do that with you? My sister? A character would never tell another character, you're my sister. That's pipe. Because that character, she knows her sisters, Frankie, we've been best friends for 18 years, Frankie knows this. And so there are ways to get through the pipe artfully so that your audience doesn't feel like, Ugh, why people don't talk like that. Often a way to do this is by introducing a third character. So when a third character comes on the screen, the person who are you just talking to? Ugh, I was just talking to my sister. Now we know who that person is. Right? Sis, anytime you hear someone, a character calling the character sis, you roll your eyes. I've never met anyone who called her sister Sis.Yeah, and I talk more about that in the course, but I just happened to watch, I was sent a short to potentially work with someone and they shot a miniature TV show. I guess it was sent to my agent or somebody. There was a lot of pipe in it. It was a lot of clunky pipe because they just didn't know how to do it Every time it just stops the story cold.Phil Hudson:So the question is, how do you not front load the pipe? Do you have any tips for how to do that? I mean,Michael Jamin:ObviouslyPhil Hudson:The character, but if I've got to get this stuff out, and maybe you don't need to get it out at the front, because I saw someone do this masterfully where a character was introduced very late in the film, and it added this beautiful plot point that tied back to something at the beginning and explained something. But it was intriguing enough that I got through two thirds of the film before this part mattered. But it's rare to see that. It seems like people are just, act one is laying down the pipe and getting you set in your wall.Michael Jamin:YouPhil Hudson:Understand? And I don'tMichael Jamin:ThinkPhil Hudson:What you teach us is that that's the wrong way to do that.Michael Jamin:Yeah, because pipe is so boring. All that exposition is boring and you think it's important. You think you need it, and I'm telling you, you better figure another way around it. No one wants to hear it. So you could drip it out slowly as the audience needs it, or you could burn through it fast or you could, there's just a number of ways of doing it, but giving me entire scenes of pipe is not the way to do it. That's going to bore the hell out of everybody. No one wants to watch pipe.Phil Hudson:Yeah, makes sense.Michael Jamin:Yeah.Phil Hudson:Awesome. So those are our craft questions for this episode or for this, but we've got breaking in one question on this, Kelli Art, what's the best way to get paid to learn writer's assistant? How do you get such a competitive job?Michael Jamin:Yeah. Well, so writer's assistant is a fantastic way, but it's not an entry level job because you have to know how to do it. I've talked about this before. I'm not qualified to be a writer's assistant. I don't really know the ins and outs of the job, even though I've been a showrunner several times. So the way you learn how to be a writer's assistant is you start off often as a production assistant and you hang out with the writer's assistant. You ingratiate yourself and you ask, Hey, can I watch you work? And then you learn how they do it. Then hopefully that writer's assistant falls deathly ill, and you take their job away from them, and that's how you do it. Then once you're in the writer's room, that's the best way to get paid to learn. You will learn so much that you'll get lost. And so it's a long process. But yeah, that's a wonderful way to do it.Phil Hudson:And if you're a writer's pa, we've talked about it on the podcast many times, you still get to learn. You're sitting outside of the room within ear, so if they need something, they call you. So you're sitting outside the room listening to them, break the story and tell jokes. And I had this moment where Kevin Heffernan walked in one time and he's just like, and I still really knew it was maybe a month into me being a writer's assistant. This is the showrunner for people who don't know. And he's like, how's it going? You watching a lot of shows? And I was like, Nope. He's like, man, why not? You're sitting here all day. And I was like, I'm just riding. He's good for you. And he just walked away because that's what most people do is they get in that room and they sit there and they just watch Netflix or they do something. But I treated it, and this is probably because of advice you gave me from what you did, is that is craft time. You're sittingMichael Jamin:Down,Phil Hudson:You are riding. So when they're breaking stories, I'm listening to how they're breaking stories. I'm listening to pitch things when they're not in or somebody's out, then I'm working on my stuff. It's just taking advantage of every moment.Michael Jamin:I learned this from my first roommate when I moved out here. I had one of these PA jobs and I was not happy with it. And he's said, just think of it like you're getting paid a lot of downtime. Think of it. You're getting paid to learn how to write. And I was like, okay, you're right. You're right about that. So in that downtime, I just started. And then of course you could read scripts, you could talk to writers, you could ask them, why did you make this change? You get to talk to people and they'll give you little tips hopefully.Phil Hudson:And by the way, Michael, this is advice. You kind of gave me the preamble to this advice really before I even got to la. But then there was a moment where you kind saw, it was two years in three years into doing this stuff, and you gave me that same advice. Just look at it as you're getting paid to learn. I dunno if you could see it in my face or something, but it was like,Michael Jamin:Well, it's hard. I know what it was. It's a souls. It can be so frustrating. You're so close to the job you want. Literally, you are three feet away from the job you want and you're there for years. And it's like, when do I get to move up to that other seat that I want to sit in? So it's very, how is it not frustrating? But it's just how it is.Phil Hudson:But it's not individual either. Like I said, I was just here with Mike Rapp and Kevin, and they're both worst. One has been a script coordinator. The other was a script coordinator who bumped and broken as a staff writer,Michael Jamin:AndPhil Hudson:They were talking, they'd never met each other, so they're just kind of giving each other the resume. And it's like, yeah, I moved here and I was at Disney working in the parks for four years, and then I met someone whose husband was an executive and AB, C, and he brought me in for the pilot season. And then I got hired as a writer's PA on the Muppets. And I was like, this is it. I'm in, because it's the Muppets, it'll never get canceled. And then it got canceled, and then it was hopping between show to show from different job to different job for seven years until he finally got the bump. And Mike rep was not really any different. He moved here and he was in a production company and always dangling the carrot of, we ever get a show, we'll get you into, be in the writer's room. And six years finally got a show and got the job.Michael Jamin:But you know what though? I've been on shows where PA has worked on the show and the PAs have gone to some of the PAs who worked for me. One is big in Chuck Laurie's world, so he's like a exec or, and he's directed several episodes of Sheldon or Big Bang, one or the other. And the other one has done a lot of, it's always Sunny in Philadelphia. And another one is co-executive producer of Bob's Burgers. And these are all people who started off as PAs underneath me. And so that's where they are. So it's like it'sPhil Hudson:Just a process.Michael Jamin:Yeah, it's a process. You got to hang in there.Phil Hudson:I was thinking on my drive today, I went out and had to get some stuff and I drove around and I was like, yeah, I think people just think that this stuff is beneath them, and you can't have that attitude. I came at it thinking, look, this is just the path. This is the apprenticeship model. I want to learn from these people. And you talk about this, people always want to jump further ahead in their careers and become a showrunner and sell their first thing and do that. And we all want that because the dream, but you're kind like, you kind of don't want that. What you want is to learn how to do the jobMichael Jamin:Because you'll get fired so fast if you don't have to do the job. I was going to answer a post like that on social media soon, but someone had a showrunner question. So I'll do a post about that soon.Phil Hudson:Awesome. Cool. Couple of questions about the course here. Tank a Soar. Do you have a lesson on how to write a French farce? And this is a topic that came up in theMichael Jamin:Webinar? Yes, goodPhil Hudson:Question. So maybe define what that is for people. I don't think that's a term many people know.Michael Jamin:A farce is three's company did a lot of Farces, Frazier did a lot of farces. So it's a lot of slamming doors, people overhearing things, misinterpreting things, and only hearing the conversation and assuming that this person wants this thing. And it's a lot of doors slamming and just people crossing and misinformation. It's a lot of fun. And I said in the webinar that I wrote for Joe Keenan, who was one of the Frazier writers, and he created with Chris Lloyd, a show called Out of Practice that I wrote on for a year. And Joe is brilliant, brilliant at writing FARs. I don't know anybody better. I watched a show, a famous episode of Frazier, just to study for this. What could I talk about FARs? I watched an episode, I think it was, I dunno what it's called, the Ski Cabin episode or something. It was very funny. In my opinion, FARs is a really, they're hard to do well and they're hard to sustain. The stakes are always, to me, they're hard to sustain because the stakes are always, it's always about a misunderstanding. And so it's always silly. And so very, very hard in my opinion, to really write a really good farce. And I wouldn't necessarily start there if that was what your goal is, I'd start writing something a little easier. I don't know.It is hard. And they're a little tortured, and that's okay. But yeah, I don't know. You're asking me how do I hit a grand slam? Well, let's talk about how they get on base first.Phil Hudson:Yeah. And the question was, do you have a lesson on how to write a French forest in the course?Michael Jamin:Yeah, there is no, and I thought about after I watched that episode of Frazier, I go, maybe I should do a lesson on that. And then I watched, I go, nah,Phil Hudson:I don't think I should. I think it personally, I just think it would be a mistake. You're going to send all the hundreds of people in your course down a rabbit hole of riding French farces, and they're going to get lost in that, I think.Michael Jamin:And there's no demand for it. Like I said, I think it's just don't start there. Don't start there.Phil Hudson:Shiny object syndrome. We find something new and that's what we want to do. And then the reality is you got to focus on the fundamentals. That'sMichael Jamin:All thatPhil Hudson:Matters.Michael Jamin:Yeah.Phil Hudson:Keith Shaw wants to know is the beat board, the unpacking of the crate? And for context, everybody, Michael has this story he's talked about on the podcast and brings up in the webinar occasionally about how to unpack a story. And there's this crate of parts, and then it's how you unpack that, and that's what a story is. I don't want to give too much away, but whatever you want to give away, Michael.Michael Jamin:Yeah, I mean, so every writer room I've ever been in has a big whiteboard, and the s showrunner will send the whiteboard and we'll start pitching the idea and then we'll figure out how to break it on the board, figuring out what the act break is. First act break is second, act break middle to two top, you lay it out all the parts, and you look at it as a whole and does it hold together? And then that could take a week, and then you start writing an outline off of the board. So when they say the analogy, I talked about unpacking a crate. Yeah. It's similar to what a board is. The whiteboard is. It's like what's the order in which we're going to unfold all the, unpack the elements of the crate to tell an engaging story.Phil Hudson:Yeah. Yeah. Awesome. James Moore, what's the difference between a log line and an outline?Michael Jamin:Oh, well, a log line is one or two sentences. And outline could be 10 pages if you're talking about a half hour TV show. So that's the difference.Phil Hudson:And line is you've alluded to, everyone needs a log line. If you don't understand it, you don't know what you're writing. And an outline is a step in the writing process. And it typically, it's a couple steps after you break a story.Michael Jamin:And the log line, a lot of people don't know if I ask you, what's your story about? And they go, well, it's about this and also about this, and also about this. It's like, okay, if you can't explain what your story is in one or two clear, succinct sentences, if you can't explain your story, then you don't understand your own story. And if you don't understand it, the audience isn't going to understand it. So it's really important to have a clear log line about what your story is about one or two sentences. That's it. Simple. Einstein said it. If you can't explain something simply, chances are you don't understand it.Phil Hudson:Yep. David Campbell asked a very similar question about the order. I think we answered that. So David, that should answer that question for you. JY Tau, does the course teach you how to get your work produced?Michael Jamin:Oh, no. And a matter of fact, that shouldn't be the goal. The goal, that course teaches you how to write a great script. And that's the only thing you have control over here. Most people want to skip that step. This guy's asking me, will the course teach me how to become a millionaire? No, the course doesn't teach you that. Does the course teach you how to give an acceptance speech at the Oscars? No. It won't teach you that. The course, all that is look, that comes later. Hopefully the course will teach you how to write a good script or hopefully a grade script. And everyone skips that step. They assume they already have it. And I'm here to tell you, you don't. And maybe you're the 1% that does great, but 99% of the people think they're in that 1%. And most people who go through the course say, oh, thank God, I wish I know. Now I have to go back and rewrite that script because I thought it was great. And now I'd realize it's not so.Phil Hudson:Amen. I'm one of those people. And this is a bit of the Dunning Kruger effect, which is this moment where you learn a little bit of something and you think you're an expert in it.Michael Jamin:AndPhil Hudson:Then the more you learn, you realize there's a lot to learn. And then there's a certain point where you know more than you think. And Michael, even at your level, I hear you say this, sometimes I'm not as good as that guy, or I'm not that. And that may be factually true in terms of talent, but it's also, that's the humility of being an expert is knowing how little in this space,Michael Jamin:That's another thing is if you were to ask almost any showrunner I've worked with or worked for, they'll all tell you, oh, writing is so hard. It's the people who are just starting out who will tell you, Hey, I'm good at this. And you don't know what you don't know yet. And the more you do it, and now I'm at the point where I'll look at something, I'm like, oh God, I'm starting to unravel and I have to trust myself because it's like, is this the best way to tell the story? Maybe there's a better way.Phil Hudson:That's no different than my career in digital marketing though. I'm at the point where I can say I'm an expert. I've been doing it for how many years? Over a decade. But there's plenty of time still where I'm like, oh man, I don't know. Is this going to work? And then you have toMichael Jamin:JustPhil Hudson:Go back and say, there is a pattern and a history here of results that back up what I think I need to do. And I just have to go with that because million different caveats and details you got to pay attention to in all of this. And Michael, by the way, this is a big thing you helped me with was just focusing on the detail. Stop being so, I don't want to call it lazy writing, so much time and energy that goes into it, but it's the passing over the detail and the detail is the devil. It's in theMichael Jamin:Detail. Yeah, the little things stand out.Hey, it's Michael Jamin. If you like my content And I know you do because You're listening to me, I will Email it to you for Free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, Actors, Creative types, people like you can Unsubscribe Whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michaeljamin.com/and now back to, what the hell is Michael Jamin talking about Mishu Pizza.Phil Hudson:So if we take the course, do we get certified?Michael Jamin:Phil has tried to convince me to offer certification.Phil Hudson:I think there's a good certification. I want to be clear.Michael Jamin:Its thePhil Hudson:Type of certification we'll explain after yours. SoMichael Jamin:Here's the thing, if I were, I have said over and over again that if you got a degree in screenwriting and MFA in screenwriting or certificate, whatever, the degree itself is worthless. You're not going to go into a meeting, you flash your degree. When I go into a meeting, I don't even talk about my college education. No one caress. No one caress where I went to college. It doesn't come up. All they care is, can I put words on the page that compel people to turn the pagePhil Hudson:And the fight you got into with your wife the previous day? That's the story.Michael Jamin:Oh, we'll talk about that. Yeah, the degree, if I offered a degree, I think I'd be hypocritical. Hey, I have a degree from Michael Jamin University, or whatever the hell it is. I know some people want that, but I feel like, again, it's that's not going to open doors. Your script's going to open doors. And if I can teach you how to write a great script, that's more important than a gold star for me,Phil Hudson:My pitch for everybody was that Michael put out a certificate. So when you complete the course, you get that says, congrats, here's your fancy certificate, it's worthless. Go write something good. You goMichael Jamin:Write something. Yeah, we could do something like thatPhil Hudson:That I thought would be kind of just chef'sMichael Jamin:OnPhil Hudson:The whole thing. Desmond Bailey question, do you build this story? I wonder if his name's Desmond Bailey question or if this is just Desmond Bailey has aMichael Jamin:Question.Phil Hudson:Do you build the story world first and then inject the characters or focus on characters and let the world procedurally generate as they navigate it?Michael Jamin:So I spoke about this though in the webinar, so I feel like he probably was jumping the gun. IPhil Hudson:Think it's a good question. I think it'sMichael Jamin:Worth, yeah. Well, I answered it and I basically say you do it at the same time. And I think about what the world is first and who are the best characters to put in this world, or as I've said in the webinar, who's the worst character to put in this situation? And if you want to know what I mean by that, you're going to have to come to the next webinar where I talk about character. But that's the way I look at it. Who's the worst person to put in this situation?Phil Hudson:Yeah, there you go. Alec Cuddle back. My stuff is usually story driven and people criticize preferring character driven. Why is that?Michael Jamin:Oh, because plot is boring. Okay, what's this person's name?Phil Hudson:Alec Cuttle.Michael Jamin:Alec, alright, Alec. Okay. So I dunno if you're young or old, but there's a movie called Rocky, starring Sylvester Stallone. The first Rocky was fantastic. It won the Oscar put Sylvester Stallone on the map after they did Rocky, they did eight more Rocky, eight more. I don't know how many Rockies they did, including Creed and Creed One and Creed two or whatever. They've made countless sequels to Rocky. Every single rocky has the same exact plot. You put someone in a boxing ring and they get the shit kicked out of them, and then maybe at the end they're alive. So the plot itself for Rocky and most of the Rockies are not considered great. Only one won the Oscar, and that was the first one, even though the plot is virtually identical. So the difference between Rocky won and Rocky a hundred is the story. One had a just amazingly compelling small story, and the other ones lacked that. And so what this guy's Alec is talking about is it sounds like he's just got, I got a lot of plot. Well, who caress the plot is not the good stuff. You got to have a good plot. But it's, the story is what makes people cry. And if you want to know the difference between plot and story, you have to come to my next free webinar because I talk. It's an hour long discussion.Phil Hudson:Excellent. Cameron Billingsley, how do you know you have drawn out the anticipation enough when you're building anticipation in yourMichael Jamin:Storytelling? Yeah. Well, I wonder if the person's talking about any kind of reveal or I guess we don't really know.Phil Hudson:I think this was specifically tying back to the crate, unpacking the crate.Michael Jamin:Oh, okay. Well, how do you know? It's like these moments have to be built to anytime you have a big reveal or a moment in Act three, whatever it is, the big fight scene, the fight scene in Rocky or whatever, you have to build to it. And it's literally putting the steps on a pyramid and then you get to the top. And then if you skip a step or if each step doesn't build, you're not going to get to the top of that pyramid. And the top is the view, the top is everything. And so how do you know? Well, that's the process of writing is taking your, how do you know when you've built the anticipation? That's all of it. So if I were to write Rocky, I'm thinking in my mind, I'm building to the moment when Rocky, at the end, when Rocky's getting the shit kicked out of him, boom, time after time again by Apollo.And he keeps getting up and he keeps getting up. And I want to build that last moment where they're both down on the mat, or I don't even remember which Rocky it was. But when Rocky, the fight's almost over and Rocky's on the mat and he stands up again, just this guy won't go down. And that is even thinking about it, I get chills, but you have to build to that. That's what you're building to, which is a guy who will not quit. And why is it so important? When we talked about earlier in this podcast, it's not that the stakes of Rocky are not about will Rocky win the fight? Who cares? Will Rocky win the competition? The contest? Who cares? No one caress. If he wins, the stakes are, will Rocky finally feel like he's not a loser? Will he finally feel like he's not a bum? And that's something all of us can relate to, is that feeling, that self-worth. And so you have to build to that. How do you know? Well, that's everything. That's what you focus on. And if does help, if you're seen does not add one step on that pyramid, then to build to that final moment, then why are you have it in there? Why is it in the script?Phil Hudson:The next question from Willow is how do you know the difference between true story that should be included versus minutia and unnecessary information? I think you just answered that.Michael Jamin:Yeah. Because if you don't need it, why is it in it? Why is it in there?Phil Hudson:So tying all this together for people who are newer, and good recap for me, because again, you got to remind yourself of the fundamentals every day. You even talk about how you have to remind yourself, oh yeah, this is hero, obstacle, goal, kind of that stuff. So we have a log line, and the log line helps me understand what I'm trying to accomplish with this story. But that's typically based off of a theme and that theme, my opinion generally included inside of that log line, so that I understand this is what I'm trying to accomplish with this. So the log line for Rocky is, can a bum from Philly go the distance with the champ? It's not even, can he beat the champ? It's can he go the distance? And so everyone tells him he can't think he can, and then at the end, there's that moment when he gets up, you're talking about, and Apollo creed's like, soul is taken. Are you kidding me? He'sMichael Jamin:StillPhil Hudson:Getting up. This guyMichael Jamin:Won't get down.Phil Hudson:And that's the moment where it's like, that's him getting up. And then he, Apollo wins and he's like, I did it. And it's like a victory for him because this guy won't stop and everyone's celebrating Rocky. And Rocky goes, Adrian, I did it. Right? Yeah.Michael Jamin:And I think the last line, Apollo says, there ain't going to be no rematch. And Rocky goes, don't want one. He doesn't want, he got what he wanted, and of course they made 10 more. But yeah, a beautifulPhil Hudson:Story. But they all stack and build all of these details build, like you said, you're building them to this and all of them play off the theme and the log line. And that's why all of these details, breaking the story, outlining the story, they all have to be there. Because if you're just, and we talk about how all these writers have different styles, and for some people it's making it up as you go. But professional writers, there's a process. You break the story and you do your thing, and then you do your outline, you do all these things, and then you do your rewrites and many rewrites because you're still figuring out those tiny details. But it's not like I'm going to make it up as I go because you need plant and payoff. You need these things and these symbols almost that allude to the theme and the theme plays throughout the whole thing. And if you're not structuring that like an architect, it's going to feel very hodgepodge Frankenstein. And that's a note you gave me Frankenstein together.Michael Jamin:Yeah. Yeah.Phil Hudson:So there you go. People are going to be pissed. I talked to you not long on your podcast, Michael,Michael Jamin:I'll tell you. No, no, no,Phil Hudson:No, no,Michael Jamin:No.Phil Hudson:Couple more questions here.Michael Jamin:Yeah.Phil Hudson:Justin had another question for short comedy films on YouTube. Max lengths is one minute. That's shorts.Michael Jamin:That's for shorts. Clarify.Phil Hudson:Yeah. Does short structure still apply to any length film? Curious how you would approach writing a story for a one minute film? This is a format question for people who are not in the know. YouTube stories are the equivalent of Instagram reels or Facebook reels,Michael Jamin:YouTube shorts.Phil Hudson:YouTube shorts,Michael Jamin:Right?Phil Hudson:And they are, excuse me. Yeah, so they're 60 seconds, and then IMichael Jamin:Think there's 90. You're saying there's 60,Phil Hudson:That's Instagram. Instagram is expanded to 90, but YouTube is 60. And that's what this is referring to, which is a medium on YouTube, not necessarily a cap on what you can put on YouTube.Michael Jamin:Yeah. So I would say it's really hard to tell a complete story in 60 seconds, but you could tell one part of a story in 60 seconds and then another part, another 60 seconds. You could stretch it out. You might be able to tell a compelling scene in 60 seconds and a scene should have a shape to it, but don't think, can it be done? Yeah. I don't think it could be done that well. I don't think anyone's going to be that satisfied. I think you need more time to get that plane up in the air and land it. But think a bit of it like this, if a story is a journey, how far can you go in 60 seconds on a journey? Not very far at all. You can go to the end of the block. The view at the end of the block is pretty much the same, the view from my house. So I think you need more time. That's just my opinion now.Phil Hudson:Yeah. To see good shorts that you've recommended to me was go back and watch the Broad City original shorts that were put on YouTube.Michael Jamin:Okay. How long are they?Phil Hudson:They can be 90 seconds to three minutes, but they're not full stories necessarily. They're more kind of skits and you introduce your characters and we learn more about them and more interactions in different episodes of,Michael Jamin:That's just really, I never saw those. I saw the TV show Broad, which I love, but I didn't watch the shorts. Got it.Phil Hudson:Someone had a question. Again, these are miscellaneous. Someone wanted to know when they could see your CNN interview. So the day we did this webinar, you had just gotten off with CNN and joined the thing. But yeah, you've been on CNNA couple times now, right?Michael Jamin:Yeah. I think you can go to my website, Phil, right? Isn't it upPhil Hudson:There? Yep. It'll be live is MichaelJamin.com And then you can just go to the About tab and you'll see it.Michael Jamin:Is it on the bound? I thought it was going to be on the pressPhil Hudson:Or something. It's press tab. Yeah, but we don't have the URL final right now, but by the time this comes out, it'll be out because we're doing some cleanup. We redesign on michaeljamin.com.Michael Jamin:Oh, it's Jill's doing a great job. It's going to be exciting. Appreciate that.Phil Hudson:AppreciateMichael Jamin:That.Phil Hudson:Jill Hargrave, she inMichael Jamin:The, oh, wait, hold on. If anybody wants their website redesigned, go check out Rook Digital, which is Phil's company. This is what he does.Phil Hudson:Yeah, Shannon was plugged. Thank you, Michael. Appreciate that. Jill Hargrave, she's in the course, right? Jill?Michael Jamin:I don't know.Phil Hudson:I believe she is. Yeah. If you're writing a biopic, does the story definition apply as the story is at least one event in the person's life and sometimes many more events than just one?Michael Jamin:So ifPhil Hudson:You're writing a biopic, does the story definition apply? I'm guessing is a biopic, is it the whole person's life, or is it a moment in this person's life?Michael Jamin:I don't know. It's kind of what you decide to write it about, I would assume. Yeah, it is what you want to decide. I've seen it both ways. You might write about JFK the early years, and maybe you're following his life in college in Harvard, I think, and that could be a whole thing. Or you could tell JFK's entire life story up until the moment he died. I mean, you could do that as well. But either way, you have to know how, and I talked about this as well. I spoke about, I really hope people come to this next webinar. I use an example of Amadeus, which is, in my opinion, the best biopic ever made. It's a beautiful movie. It's probably three hours long. There's an intermission. There's an intermission fucking movie. That's how long it is. It's myPhil Hudson:Amazing, my wife's favorite movie, by the way,Michael Jamin:Is it, isPhil Hudson:She wants me to name one of our children, Wolfgang. And I was like, come on, man. Wolfgang Hudson.Michael Jamin:I don't know Wolf. I don't know. I don't know. I'm Amm on her side.Phil Hudson:I'll let her know. She'll be pumped.Michael Jamin:Yeah. Yeah. So I spoke about that, about come listen to, I hope they come to the webinar. Well, she did. She heard it where I spoke about You're still just telling one aspect of his life of Wolfgang Mozart's life. You're not, there's a lot. They left out, the guy lived, I dunno how long he lived, but the movie's three hours and the guy lived longer than three hours. So there's a lot they left out. They only just filed this one thread of his life. And that's how you tell the story. So don't tell. In other words, don't tell. I feel like you don't want to tell the story. Someone's life story. You want to tell one story from their life.Phil Hudson:And Oppenheimer, I think is the very current version of that that did a great job. It is building up to help us understand why this person was uniquely put in this position, why it was taken from him, and then how ultimately he got justice with having to, because of his character.Michael Jamin:And there's a lot they left out, and I'm sure, I think it got some criticism for that, but what are you going to do? You can't tell everything. You have to pick a story.Phil Hudson:Yep. Yeah, adaptation. Right? It's a whole different segment of screenwriting. That is brutal. Absolutely brutal. Because you're just cutting things and combining things, and it's just a different part of the world. Helga G. How do you deal with the other characters in your life that might not be comfortable being in your story?Michael Jamin:You don't put 'em in. You don't put 'em in it. It's not your story to tell. I'm actually reading, I'm just about to finish a wonderful book by this Canadian author, Sheila Hetty, and it's called How Should a Person Be? And in this book, which is an auto fiction, so it's a true story. She uses some of her friends as characters in the story, and she talks about the blowback she got from that, which is so interesting. And I'm going to have her on my podcast soon, but I don't do it for that reason. I don't do it exactly for that reason, but I'll talk to her about it.Phil Hudson:Yeah. Awesome. Last question, Rob Kao, CAO might be C Chao, I don't know. Is that Italian? CAO? It's like CI. AoMichael Jamin:Would C-C-I-A-O.Phil Hudson:Yeah. Sorry, Rob, ruin in your name. Within the last year, I've had an idea of writing a script with two specific actresses in mind. What do you recommend that I do?Michael Jamin:Well, they're not going to do it. Just know that, right? I mean, I write for actors all the time. It's just for them having someone in my mind as a placeholder. But I don't think if they're famous, unless they're the people actors in your apartment complex, then that's fine. And they're going to be in your movie, that's fine. But if you think if it's a star, they're not going to do it. So use them as a placeholder, as a template to give you as a muse. I do that as well, but I don't think I've ever written a role for someone. And they actually wound up taking itPhil Hudson:In the Tacoma FD spec that I wrote. I alluded to a famous actor who plays this type of person. I was like, just think this person. And the comment I got back, I was, oh, that was so helpful. And I know you have to be a bit careful with that because you don't want to, it can derail your script a bit.Michael Jamin:Actually, I want to take that back. We wrote an episode of Marin that we wrote it with Chet Hanks in mind, who's Tom Hanks' son. And we reached out to him and he took it. I got to say the guy killed it. He killed it. He was perfect and a really good actor.Phil Hudson:That's awesome. If you guys haven't seen Marin, go watch Marin. That show's incredible.Michael Jamin:That show's fun. Yeah.Phil Hudson:Is there anywhere to go see The Hidden? Because they were two pilots, right? There was the first pilot and thenMichael Jamin:It was a presentation, so it was only a few scenes. Got it. I don't know if I have it.Phil Hudson:Yeah, I thought it was on Prime. I think I got it on Prime originally.Michael Jamin:Wow. Was part of what theyPhil Hudson:Were doing. I'll go check. I'll see if I still have it. But yeah, it was, it's just a great show. Just massive show. And I was at an influential time when I was just really learning this stuff at a deeper level. So just seeing it play out in really tight scenes with limited characters and justMichael Jamin:Amazing, amazing. That's what was so fun about that. And I tried, we wrote some one episode where there wasn't enough of a stakes, and it was the one on dead possum where he finds a dead possum.Phil Hudson:I love that episode. That's the one I think of every time.Michael Jamin:That was a good one. But the original draft didn't have the storyline of him apologizing to his dying stepfather, not stepfather, his dying. It was missing from that. And we turned that draft into the network, and they thought, she was like, there's nothing here. There's nothing. The story's not about anything. And I'm like, don't you get it? That's the whole thing. I was trying to pull a fast one on her. I was like, but it's like waiting for Gau. She's like, no, I'm not buying it. The studio exec. And she was right. And so we wound up talking, Seaver and I, pardon? We ended up talking about it. We came up with this storyline where when Mark was afraid to go under the house to get a dead possum, that's just enough. There's not enough there. There's not enough debate for a story. And so instead, we had a concurrent storyline where he was afraid to confront his dying Father-in-Law because Mark broke up with his daughter. And in so doing, he kind of destroyed, he, mark was a coward. He didn't want to apologize to his father-in-Law for that. And so it was really a symbol. So when Mark was afraid to go under the house to get the dead possum, but he was really afraid of, was apologizing to his father-in-Law, those stakes are much higher.And so those stories kind of work really nicely together, but that was not in the original draft. Yeah,Phil Hudson:That's a great episode. There's one of the biggest laughs I've ever had. I think it was like your, might've been your end of act two, your act two, bottom of Act two with the kid fromMichael Jamin:When he says,Phil Hudson:Yeah, I was molested himMichael Jamin:Some. I think that was Seavers line.Phil Hudson:It's just like,Michael Jamin:What?Phil Hudson:Not making light of that degree. It's just theMichael Jamin:Context ofPhil Hudson:It, the setting.Michael Jamin:Yeah. It was like, you shouldn't have said that. That'sPhil Hudson:Funny. Alright, Michael, there you go. There's a bonus episode for everybody.Michael Jamin:Yeah, we're not making light of it. It was just that the guy confessed to having been molested as good, but it was like, no, we weren't talking about any of this.Phil Hudson:And then they have to talk and he's having this breakdown where this realization of he's a coward, and then now he has to be a surrogate father and listen to this kid. He's talking about his assistant and it's just like, the timing is just excellent. You guys handled it well. It's not disparaging or mean-spirited at all. It's just great. That was aMichael Jamin:Funny one. Alright, everyone. Yeah. Come to my webinar. Go watch that episode of Marin Dead Possum.Phil Hudson:Awesome.Michael Jamin:If you can find it somewhere,Phil Hudson:Michael, anything you want these guys to do other than come to the webinar,Michael Jamin:There's that. I'll be dropping my book soon. A paper orchestra, if you want to know more about that, that'sPhil Hudson:Michaeljamin.com/book.Michael Jamin:Oh, is that what it is? It'll be book. Book. Okay. TherePhil Hudson:Are a couple pages. You got AP Orchestra touring, you've got an events page, you got this. So I figured that was the easiest way to get people to the page is michaelJamin.com/book.Michael Jamin:And so the book is a collection of personal essays. If you want to learn more about what it's like to actually be a writer in Hollywood, but that's not what it's about. It's really about the premise is what if the smallest, almost forgotten moments were the ones that shaped us most. And so in the end, I have a little bonus section of the book where I talk about, so I perform the book as well. And if you want to come see that seem, be on the road, go to michael jamin.com/upcoming. And at the end of every performance, I do a talk back where I talk to the audience and they ask questions. And so I decided at the end of the book, there should be something like that where I talk about, it's basically a virtual talk back, right? I'm preemptively answering questions that people have asked me that I think people found interesting about the writing process. So that'll be in the book as well. So a little bonus for those of you who are interested in learning about writing, that'll be the last chapter. Yeah,Phil Hudson:Great. And the live performance still great. It almost a year. I can't believe it was almost a year ago. And it still sits with me as a father. It still sits with me.Michael Jamin:Yeah. Thank you. I want to start performing again. That'll hopefully start in February or March or whatever. Once that book is out, we'll start performing again.Phil Hudson:Great. Cool. All right, Michael, anything else? Thank you.Michael Jamin:I think that's it. Get on the newsletter. We're rev revamping the newsletter. We've revamped the podcast so there's more stuff, but better,Phil Hudson:More better, better streamlined, a little bit easy to get around. It kind of outgrew itself. So we talked about that on episode 1 0 4. But yeah,Michael Jamin:We didn't know what this was going to turn into, so we had to evolve it.Phil Hudson:Yeah, it's a good spot. Great to be back on the podcast, Michael. Thanks for having me.Michael Jamin:Yeah, thank you Phil. Alright, until next time, keep writing everyone.So now we all know what The hell Michael Jamin's talking about. If you're interested in learning more about writing, make sure you register for my free monthly webinars@michaeljamin.com/webinar. And if you found this podcast Helpful or entertaining, please share it with a friend and consider leaving Us a five star Review on iTunes that really, really helps. For more of This, whatever the hell this is for Michael Jamin on social media @MichaelJaminwriter. And You can follow Phil Hudson on Social media @PhilAHudson. This podcast was produced by Phil Hudson. It Was Edited by Dallas Crane and music Was composed By Anthony Rizzo. And remember, you can have Excuses or you can have a Creative life, But you Can't have both. See you next Week.

The opening orchestral strains of Wagner's opera Lohengrin with its high shimmering strings prompted the French poet Charles Baudelaire to observe that in Wagner's music he found "something rapt and enthralling, something aspiring to mount higher, something excessive and superlative". The ability of music to evoke a sense of the ethereal has a strange and powerful effect on listeners, something that composers have been aware of across the ages. Tom Service examines how this music creates its affect and to what ends. He draws on examples from Hldegard of Bingen, Gregorio Allegri, Wolfgang Mozart, James Horner, Einojuhani Rautavaara and George Crumb - among others - and of course Richard Wagner.

We welcome warmer weather with a preview of the Toledo Symphony's chamber program, Summer Music. In addition to seasonal selections from Samuel Barber and Wolfgang Mozart, we learn all about a world premiere on the program, called Mojave Sketches for brass quintet and percussion. The composer, Navdeep Singh Galen, plus one of the performers, TSO Principal Tuba David Saltzman, give valuable insight to the work, which was inspired by the seven magic mountains art installation in California's Mojave desert.

Synopsis On today's date in 1784, an Italian violinist named Regina Strinasacchi gave a concert in Vienna and had the good sense to commission a new work for the occasion from an up-and-coming young Austrian composer named Wolfgang Mozart. “We have the famous Strinasacchi from Mantua here right now,” wrote Wolfgang to his father. “She is a very good violinist, has excellent taste, and a lot of feeling in her playing—I'm composing a Sonata for her at this moment that we'll be performing together on Thursday.”Wolfgang's papa must have been pleased about the cash commission, but might have frowned to learn that Strinasacchi received her part barely in time for the performance, and that his son hadn't even bothered to write out his own part in full.  Also, Regina and Wolfgang never got together to rehearse prior to the concert, which meant that she was probably sight-reading her part, and he improvising his.No matter—the new sonata was received warmly and afterward Wolfgang had a whole month to dot all the musical “i's” and cross all the musicals “t's” in his score before it was printed. And, for the record, this Violin Sonata in B-flat Major is arguably one of Mozart's finest. Music Played in Today's Program Wolfgang Mozart (1756-1791) Violin Sonata in Bb, K. 454

Synopsis In the 18th century, just like today, tourists gravitate toward the Vatican in Rome to view the famous Sistine Chapel and its ceiling by Michelangelo. But during Holy Week in the 18th century, there was an added attraction: performances by the Sistine Chapel Choir of a hauntingly beautiful piece of music, the a cappella setting of the Latin Miserere by the Italian composer Gregorio Allegri. The Vatican jealously guarded Allegri's work as its exclusive property. Rumor had it—under threat of excommunication—that the choir was forbidden to let the score be taken out of the Chapel, copied, or even seen by any outsider. On today's date in 1770, Wolfgang Mozart, age 14, was visiting Rome with his father. The Mozarts attended an evening service at the Vatican and heard Allegri's Miserere. That same night—after just one hearing—young Wolfgang transcribed the piece from memory, and the Mozarts returned three days later to check Wolfgang's transcription against a repeat performance of Allegri's music. The elder Mozart thought that letting people know about this feat might be “good PR” for young Wolfgang. In any case, the Mozarts were NOT excommunicated, and Roman society WAS suitably impressed when they learned of the teenager's remarkable musical talent. Music Played in Today's Program Gregorio Allegri (1582 - 1652) Miserere The Tallis Scholars Gimell 454 990

Synopsis On today's date in 1784, in the city of Vienna, Wolfgang Mozart finished one bit of work and started another—which he would continue until the end of his life. After Mozart put the finishing touches to his Piano Concerto No. 14 in E flat, he entered this work as the first item in a ledger, which he titled, "A List of all my works from the month of February, 1784 to the month of..." Mozart then left a blank space on his title page for the concluding month and wrote just the number "1" in the space left for the concluding year of his catalog—with the reasonable expectation that he would live long enough to see the turn of the new century. He then signed his title page: "Wolfgang Amadé Mozart by my own hand." On the catalog's unruled left-hand pages Mozart wrote the date and description of his subsequent works, and occasionally, in the case of his operas and vocal pieces, the names of the singers who premiered them. The right-hand side of the page was lined with music staves, and here Mozart would write the opening measure of each piece. The very last entry in Mozart's ledger book is dated November 15, 1791, just one month before his death. This final entry notes the completion of a cantata written for Vienna's "New-Crowned Hope" Masonic Lodge. Music Played in Today's Program Wolfgang Mozart (1756-1791) Piano Concerto No. 14, K. 415 Murray Perahia, piano and conductor.; English Chamber Orchestra CBS/Sony 415 Freemason Cantata, K. 623 Boston Early Music Festival; Andrew Parrott, conductor. Denon 9152

Who was the musical boy genius known as Wolfgang Amadeus Mozart? Who were the Freemasons in his life that inspired his music and his interest in the fraternity? What of his works are explicitly masonic? Find out this week on The Masonic Roundtable!

Synopsis In the spring of 1775, shots were fired at Lexington and Concord, Massachusetts, and the sparks of the American Revolution burst into flames at the Battle of Bunker Hill. Far away in Salzburg, Austria, a 19-year-old composer named Wolfgang Mozart was spending most of that year composing five violin concertos. The fifth, in A major, was completed on this day in 1775. At the time, Mozart was concertmaster of the orchestra in the court of the Archbishop of Salzburg. Archbishops don't have their own orchestras now, but they did then—at least in Europe, if not in the American colonies. A century and a half later, America was celebrating its sesquicentennial, and the magazine Musical America offered a prize of $3,000 for the best symphonic work on an American theme. The prize was awarded unanimously to Ernest Bloch, a Swiss-born composer who had arrived in this country only a decade before. But already, sailing into the harbor of New York, he had conceived of a large patriotic composition. Several years later, it took shape in three movements as America—An Epic Rhapsody for Orchestra. It premiered in New York on today's date in 1928, with simultaneous performances the next day in Boston, Philadelphia, Chicago, Cincinnati, San Francisco and Los Angeles. Fifteen other orchestras programmed it within a year. Curiously, although Bloch remains a highly respected composer, his America Rhapsody from 1928 is seldom performed today. Music Played in Today's Program Wolfgang Amadeus Mozart (1756-1791) Violin Concerto No. 5 Jean-Jacques Kantorow, violin; Netherlands Chamber Orchestra; Leopold Hager, conductor. Denon 7504 Ernest Bloch (1880-1959) America: An Epic Rhapsody Seattle Symphony; Gerard Schwarz, conductor. Delos 3135

In advance of her appearance with the TSO, the wonderful pianist Élisabeth Pion joins us on the program to talk about her career thus far and the piece she brings to the Valentine theater, Wolfgang Mozart's Piano Concerto #24. It's an all-Mozart program (and podcast) which includes works written at various stages during Mozart's all-too-brief lifetime. We know about Mozart, but what were we all doing at ages 8, 17, and 29? Tune in to find out, and play along with our "Music in the Minor Key" Quiz!

Hello friends, welcome back to The Good, The Bad and The Pure Evil. Todays episode is about the legend of the classical world Wolfgang Mozart! I talk about his childhood, his rise to fame, the upkeep of of his lavish life and his very early death at the age of 35. So let's get started......

This week we discuss the life of Wolfgang Mozart before diving into the insanity that is Woodstock Music Festivals... yes we look at all three that ran plus the fourth that almost was. Listener warning that the topics discussed during the Woodstock half are potentially triggering, please take care of yourself. Resources: ​​https://www.history.com/topics/1960s/woodstockhttps://www.woodstock.com/lineup/https://www.bethelwoodscenter.org/museum/woodstock-60shttps://stacker.com/stories/3360/original-woodstock-numbershttps://www.cbc.ca/radio/q/blog/woodstock-at-50-fascinating-facts-about-the-weekend-that-defined-a-generation-1.5245497https://www.cbc.ca/archives/25th-anniversary-woodstock-94-1.6129668https://www.rollingstone.com/music/music-features/woodstock-50-disaster-872320/https://nysmusic.com/2021/08/12/woodstock-94-revisited/https://www.esquire.com/uk/culture/a40769147/woodstock-99-true-story/https://www.woodstock1999.com/https://www.rollingstone.com/music/music-news/19-worst-things-about-woodstock-99-176052/https://en.wikipedia.org/wiki/Woodstock_50https://www.britannica.com/biography/Wolfgang-Amadeus-Mozarthttps://www.biography.com/musician/wolfgang-mozarthttps://www.smithsonianmag.com/arts-culture/maria-anna-mozart-the-familys-first-prodigy-1259016/https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/mozart-constanze-1762-1842 https://www.smithsonianmag.com/arts-culture/maria-anna-mozart-the-familys-first-prodigy-1259016/ https://interlude.hk/mozart-and-his-circle-of-friends-i/ Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Synopsis On today's date, Wolfgang Mozart completed two of his most famous works: on August 10th, 1787, the Serenade known as "Eine kleine Nachtmusik," and, on the same day exactly one year later, the "Jupiter Symphony" – Mozart's Symphony No. 41 in C Major. Despite the fame of "Eine kleine Nachtmusik" – which translates as "A Little Night Music" – nothing is known for certain about the circumstances of its composition. Since a Serenade is a suite of orchestral movements normally written as background music for some rich patron's patio party, we can assume "Eine kleine" filled such a function some pleasant evening in Vienna. We can only hope the patrons appreciated what they got for their money. Hardly any more is known about the composition of Mozart's final symphony, the "Jupiter," as no relevant letters or documents survive from this period of his life. The "Jupiter" nickname appears to have originated years later in London. In Germany it was just called "the symphony with the fugal finale." There's a classic recording of Mozart's symphony favorites featuring the Marlboro Festival Orchestra with Pablo Casals conducting. The Marlboro Festival is held each summer for seven weeks in a cluster of old farm buildings on a hilltop in the Green Mountains of Vermont. Talented young professional musicians from all over the country gather here, principally to study, secondly to perform, for audiences eager to hear both the emerging and established Marlboro musicians. Music Played in Today's Program Wolfgang Amadeus Mozart (1756-1791) –Eine Kleine Nachtmusik (Academy of St. Martin-in-the-Fields; Sir Neville Marriner, cond.) EMI Classics 65690 Wolfgang Amadeus Mozart (1756-1791) –Symphony No. 41 in C (Jupiter) (Marlboro Festival Orchestra; Pablo Casals, cond.) CBS/Sony 47294

(Nannerl history starts at 16 minutes)   Zach and Charles cover the life of Wolfgang Mozart's prodigious older sister, Maria Anna "Nannerl", who was sidelined for being a lady despite being as good if not better than him. Check out the Patreon this week for a bonus hour on Wolfgang's insane love of poop jokes:  https://www.patreon.com/overshadowedpodcast   Recorded in July 2022.    Have any ideas for an episode? Feedback? Notes? Hate? Unabashed hate? Send us an email: overshadowedpod@gmail.com   And follow us on social media!  https://linktr.ee/overshadowed_podcast   Instagram: @Overshadowed_Podcast @zachrussellcomedy @charles_engle   YouTube: Overshadowed Podcast Zach Russell  Charles Engle    TikTok:  Overshadowed Podcast Zach Russell  Charles Engle    Produced by Zach Russell   Intro/Outro music by MokkaMusic!

In today's episode, Jordan informs Laney of the bizarre death surrounding one of the world's most famous composers: Wolfgang Mozart. Credit to Markus Staab as the performer for Requiem in D minor, K. 626 - III. Sequence - Lacrymosa (For Piano - Liszt). This audio has been shorten for the podcast production.

In today's episode, Jordan informs Laney of the bizarre death surrounding one of the world's most famous composers: Wolfgang Mozart. Credit to Markus Staab as the performer for Requiem in D minor, K. 626 - III. Sequence - Lacrymosa (For Piano - Liszt). This audio has been shorten for the podcast production.

Wolfgang Amadeus Mozart is one of the most famous child prodigies of all time. He was a great musician who was capable of playing multiple instruments. He started playing in public when he was just 6-years-old. Over the years, Mozart aligned himself with various European venues and patrons. He was born on January 27, 1756, in Salzburg, Austria. Wolfgang Amadeus Mozart was the proud son of Leopold and Maria Pertl Mozart in fact His father was a successful composer, violinist, and assistant concertmaster at the Salzburg court. With his father's encouragement and guidance, he was thrust into music at an early age. For More details: Website: https://www.gcpawards.com/ Follow us on : Youtube: https://www.youtube.com/channel/UCgkHIzGHYq2o_wu7ELIYMoA Facebook: https://www.facebook.com/GCPAwards Twitter: https://twitter.com/gcpawards Instagram: https://www.instagram.com/gcpawards Linkedin: https://www.linkedin.com/company/gcpawards

We preview the TSO's Postcards from Prague program, which includes music by Antonín Dvořák as well as Wolfgang Mozart. Joining us is Vinay Parameswaran, Associate Conductor of The Cleveland Orchestra who makes a return appearance in Toledo to lead the concert. We hear Vinay's backstory, and explore the connection between Mozart and Prague – with a fun little "Prague or Not" quiz thrown in for good measure!

We spend this episode with violinist Randall Goosby, who performs a concerto by the remarkable Chevalier de Saint-Georges with the TSO. A protege of Itzhak Perlman, Randall gives us the backstory on his career thus far; examines the effect that Saint-Georges had on his younger contemporary Wolfgang Mozart, and talks about his own experience raising awareness of racial issues within the world of classical music. http://www.randallgoosby.com/ https://stream.artstoledo.com/products/parisian-classics

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

Join us on Discord to discuss the episode!   This is music by John Robert Matz for Ambition: A Minuet in Power, an adventure game/interactive visual novel with all sorts of romance options, set during the ramp-up of the French Revolution in the 1780s.   John Robert's music is also set in the 1780s, the height of the Classical era in music, and composers like Wolfgang Mozart and Joseph Haydn were popular in France even if they  weren't of French origin themselves.   Two things: a neighbor started mowing their lawn right as we began our interview. The noise from the mower will stop eventually! And I forgot to hit record on the video, so when you view it on YouTube, it'll be about 20 minutes before the scene kicks in :)   You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.    

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

FROM DARKNESS INTO LIGHTApril 13, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmMozart's dark and stormy piano quartet may have deterred its publisher, but it showed the way from the Classical to the Romantic – so Tchaikovsky owes Mozart (and Florence) for his inspiration. This souvenir is beyond festive – think 1812 without the cannons.~ Wolfgang Mozart, Piano Quartet in G Minor, K. 478~ Zoltan Kodály, Serenade for Two Violins and Viola, Op. 12~ Pyotr Ilyich Tchaikovsky, String Sextet in D Minor, Souvenir de FlorenceBenny Kim, violin; Ruth Lenz, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Wendy Chen, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.

INNOCENCE AND ILLICIT PASSIONApril 6, 2022 • 7:30 pmSarasota Opera HouseSingle concert ticket $50 | Purchase here or by calling the Sarasota Opera box office at 941-328-1300.Pre-concert talk with Robert Sherman at 6:45 pmThe 15-year-old Mozart celebrated the completion of his second set of string quartets by composing his sunny first viola quintet. One hundred years later, Franck created his piano quintet, secretly dedicated to his young lover. Is passion audible?~ Wolfgang Mozart, String Quintet in Bb Major, K.174~ Bernhard Romberg, Sonata in E Minor for Violoncello, Viola, and Bass, Op. 38 no. 1~ César Franck, Piano Quintet in F MinorJennifer Frautschi, violin; Benny Kim, violin; Daniel Avshalomov, viola; Cynthia Phelps, viola; Dmitri Atapine, cello; Christine J. Lee, cello; Dee Moses, double bass; Wu Han, pianoStudents from Booker High School will share their music in the Sarasota Opera House courtyard from 7:00-7:25 pm.

26 Tháng 1 Là Ngày Gì? Hôm Nay Là Ngày Sinh Của huấn luyện viên bóng đá José Mourinho SỰ KIỆN 2005 – Condoleezza Rice bắt đầu nhiệm kỳ Bộ trưởng Ngoại giao thứ 66 của Hoa Kỳ 1905 - Viên kim cương lớn nhất thế giới từ trước đến nay, Cullinan , nặng 3.106,75 carat (0,621350 kg), được tìm thấy tại Mỏ Premier gần Pretoria ở Nam Phi. [19] 1790 – Vở Opera Così fan tutte của Wolfgang Mozart được trình diễn lần đầu tiên tại kịch viện Burg tại Wien, Áo. Ngày lễ và kỷ niệm Ngày hải quan quốc tế Sinh 1963 – José Mourinho, huấn luyện viên bóng đá người Bồ Đào Nha 1961 Huỳnh Uy Dũng, doanh nhân người Việt Nam" 1921 – Morita Akio, doanh nhân người Nhật Bản, đồng sáng lập Sony (m. 1999) Mất 1891 – Nikolaus Otto, kỹ sư người Đức, phát minh động cơ đốt trong (s. 1833) 2020 – Kobe Bryant cựu cầu thủ bóng rổ chuyên nghiệp người Mỹ. Bryant dành toàn bộ sự nghiệp thi đấu 20 mùa giải tại NBA cho đội bóng Los Angeles Lakers. Anh gia nhập thẳng lên NBA sau khi học xong trung học và giành được năm chức vô địch NBA. Bryant có 18 lần có mặt trong đội hình All-Star, 15 lần có mặt trong Đội hình toàn NBA, 12 lần có mặt trong Đội hình phòng ngự toàn NBA, và được mệnh danh là Cầu thủ có Giá trị nhất NBA vào năm 2008. Bryant qua đời vào ngày 26 tháng 1 năm 2020, trong một tai nạn trực thăng. 1932 - William Wrigley, Jr. , doanh nhân người Mỹ, thành lập Công ty Wrigley (sinh năm 1861) Chương trình "Hôm nay ngày gì" hiện đã có mặt trên Youtube, Facebook và Spotify: Facebook: https://www.facebook.com/aweektv - Youtube: https://www.youtube.com/c/AWeekTV - Spotify: https://open.spotify.com/show/6rC4CgZNV6tJpX2RIcbK0J - Apple Podcast: https://podcasts.apple.com/.../h%C3%B4m-nay.../id1586073418 #aweektv #26thang1 #JoséMourinho #Dunglovoi #KobeBryant #Wrigley #CondoleezzaRice Các video đều thuộc quyền sở hữu của Adwell jsc (adwell.vn), mọi hành động sử dụng lại nội dung của chúng tôi đều không được phép. --- Send in a voice message: https://anchor.fm/aweek-tv/message

In this MOJO minute, we explore how much hard work is required for success and Geoff Colvin in Talent is Overrated  (affiliate link) is the book we turn too.Key Points from the Episode:What do Michael Jordan and Wolfgang Mozart have in common?What myth can we put to bed after this MM?Are you willing to put in the deliberate practice for success?Other resources:Want to leave a review? Click here, and if we earned a five-star review from you **high five and knuckle bumps**, we appreciate it greatly, thank you so much!Because we care what you think about what we think and our website, please email David@teammojoacademy.com, or if you want to leave us a quick FREE, painless voicemail, we would appreciate that as well.Also, we love to hear book recommendations and other nuggets of wisdom that you care to share.Be sure to check out our very affordable Academy Review membership program at http:www.teammojoacademy.com/support

How would you define your taste in music? Rules-based or beautifully chaotic? Mathematics, chemistry, languages and culinary education are rules-based. When it comes to music, there are probably more musicians who are self-taught than there are stars in the sky. Without knowing the fundamentals of music notation, writing down your own songs (to remember) poses many challenges. One option is to make a recording. Your compositions need to be nurtured by a witness. With great music in his head during the last moments of his life, Wolfgang Mozart depended on another musician to write down the notes for him. Suddenly, a jealous and competitive relationship became sweet. Consider your favorite artists, styles, and musical instruments. Do you and your musical friends speak the same language? Thank you for listening.

Synopsis On today's date in 1791 Mozart's sixth child, christened Franz Xaver, was born in Vienna. Mozart nicknamed the new arrival “Wowi” and everyone said the baby was the spitting image of papa, even down to the distinctive Mozart ears. The baby's mother, Constanze, claimed her husband predicted the child would become a musician when he noticed that it cried in tune with the music he was playing on the piano. Of Mozart's six children, only two survived: Franz Xaver and his older brother Carl Thomas, who had no interest in music. Franz Xaver, however, did become a composer and performer, just as his father predicted. Wolfgang Mozart died shortly after Franz Xaver was born, so Constanze enlisted the aid of Haydn, Salieri, and Hummel, as the young boy's teachers. Franz Xaver Mozart made his concert debut in 1805, and Constanze billed her son professionally as “Wolfgang Mozart II.” Franz Xaver toured widely, but eventually settled in Lemberg, where he remained for almost 30 years before returning to his native Vienna. Although his own music was well received, contemporaries realized Franz Xaver's talent would never match his famous father's. When he died in Karlsbad in 1844, his father's “Requiem Mass” was sung at his funeral. Music Played in Today's Program Franz Xaver Mozart (1791 – 1844): Piano Concerto in C, Op. 14 (Klaus Hellwig, piano; Cologne Radio Symphony; Roland Bader, cond.) Koch-Schwann 311004

Synopsis On today's date in 1791 Mozart's sixth child, christened Franz Xaver, was born in Vienna. Mozart nicknamed the new arrival “Wowi” and everyone said the baby was the spitting image of papa, even down to the distinctive Mozart ears. The baby's mother, Constanze, claimed her husband predicted the child would become a musician when he noticed that it cried in tune with the music he was playing on the piano. Of Mozart's six children, only two survived: Franz Xaver and his older brother Carl Thomas, who had no interest in music. Franz Xaver, however, did become a composer and performer, just as his father predicted. Wolfgang Mozart died shortly after Franz Xaver was born, so Constanze enlisted the aid of Haydn, Salieri, and Hummel, as the young boy's teachers. Franz Xaver Mozart made his concert debut in 1805, and Constanze billed her son professionally as “Wolfgang Mozart II.” Franz Xaver toured widely, but eventually settled in Lemberg, where he remained for almost 30 years before returning to his native Vienna. Although his own music was well received, contemporaries realized Franz Xaver's talent would never match his famous father's. When he died in Karlsbad in 1844, his father's “Requiem Mass” was sung at his funeral. Music Played in Today's Program Franz Xaver Mozart (1791 – 1844): Piano Concerto in C, Op. 14 (Klaus Hellwig, piano; Cologne Radio Symphony; Roland Bader, cond.) Koch-Schwann 311004

Le jeune Mozart rencontrera de multiples personnalités au cours de ses périples européens. Le pape, les nobles, les rois, les grands de ce monde d’alors mais aussi et surtout des compositeurs et musiciens qui auront une importance capitale dans le développement musical de l’enfant. « Wolfgang Mozart aurait été beau s’il n’avait pas eu la variole » confie sa sœur Nannerl. 1767, Vienne est infestée par l’épidémie tout comme d’autres villes d’Europe. Sur 255000 habitants que compte la capitale autrichienne, 800 personnes succombent chaque année à la variole aussi appelée petite vérole. Faisait-on le lien entre hygiène et maladie ? Comment se soignait-on ? Le XVIIIe siècle verra naître ce qu’on appelle alors l’inoculation ou variolisation, ce procédé qui n’est autre que l’ancêtre de la vaccination.

In this episode of The Outspoken Podcast, host Shana Cosgrove talks to professional pianists and founders of The Concert Truck, Susan Zhang and Nick Luby. The pair talk about the beginning stages of starting their business and what it’s like performing concerts in a truck! They also speak about their other musical experiences such as their education, teaching piano, and their entrepreneurial view of the industry.   QUOTES "The only reason to do music is the music itself." Nick Luby - [09:40] "There are a lot of ups and downs with learning to play an instrument, or really learning any craft well. I think that it’s good to experience that. Even when you’re young. Because you learn that to get better than anything, you’re going to have to feel those uncomfortable feelings. And that’s an important part of the process." Susan Zhang - [13:13] “If you’re a great improviser, then you’re automatically a good composer because improvisation is spontaneous composition.” Nick Luby - [16:14] TIMESTAMPS [00:04] Intro [01:00] Nick Luby Musical Excerpt [01:30] Meet Nick Luby and Susan Zhang [02:08] Teaching Piano [04:20] Meeting and Creating The Concert Truck [07:54] College [09:03] Family [10:25] Susan’s Education Experience [10:53] Susan Zhang Musical Excerpt [11:25] Susan’s Parents [12:00] Kids Starting in Music [14:33] Vulnerability and Improvisation in Music [17:13] Success [17:49] Adopting The Concert Truck [19:47] Entrepreneurship [21:54] Nick Luby and Susan Zhang Musical Excerpt [22:23] Entrepreneurship Continued [25:03] Nyla Technology Solutions [25:36] Driving The Concert Truck [27:37] First Concert to Now [33:37] Wrap Up Questions [35:35] Outro RESOURCES https://peabody.jhu.edu/ (Johns Hopkins Peabody Institute) https://www.gilman.edu/ (Gilman School) https://www.wesleyan.edu/ (Wesleyan University) https://www.biography.com/musician/johann-sebastian-bach (Johann Sebastion Bach) https://www.biography.com/musician/wolfgang-mozart (Wolfgang Mozart) https://www.biography.com/musician/ludwig-van-beethoven (Ludwig van Beethoven) https://www.biography.com/musician/frederic-chopin#:~:text=Fr%C3%A9d%C3%A9ric%20Chopin%20was%20a%20renowned,piano%20compositions%20were%20highly%20influential. (Frédéric Chopin) https://www.southcarolinaarts.com/ (South Carolina Arts Commission) https://sc.edu/ (University of South Carolina) https://www.esm.rochester.edu/ (Eastman School of Music) https://www.npr.org/2011/07/18/124272297/the-life-and-music-of-samuel-barber (Samuel Barber) http://www-personal.umich.edu/~cyoungk/kapustinbio.htm (Nikolai Kapustin) https://www.britannica.com/biography/Sergey-Rachmaninoff (Sergey Rachmaninoff) https://www.scpianofestival.org/ (South Carolina Piano Festival) http://sepf.music.sc.edu/study/competition/ (Arthur Fraser International Piano Competition) https://www.dallassymphony.org/ (Dallas Symphony Orchestra) https://fourseasons.ecu.edu/ (Four Seasons Chamber Music Festival) https://www.kennedy-center.org/ (The Kennedy Center)  https://www.amazon.com/Willpower-Instinct-Self-Control-Works-Matters/dp/1583335080 (The Willpower Instinct) by Kelly McGonigal RELEVANT LINKS https://www.theconcerttruck.org/ (The Concert Truck) https://www.theconcerttruck.org/events (Upcoming Events with The Concert Truck) https://www.facebook.com/theconcerttruck/ (The Concert Truck on Facebook) https://www.theconcerttruck.org/team (About Nick Luby and Susan Zhang) https://www.linkedin.com/in/nickluby/ (Nick Luby on LinkedIn) https://www.linkedin.com/in/susan-zhang-5b135827/ (Susan Zhang on LinkedIn) https://twitter.com/szhang26?lang=en (Susan Zhang on Twitter) https://nylatechnologysolutions.com/ (Nyla Technology Solutions) I’d love to hear from you -- your feedback is important to me and I read all of it. If you enjoyed the podcast, I hope you’ll give us 5 stars. I’ll be sure to thank you via email. If not, let me know what you think we should do differently. Don’t...

Ngày 1 tháng 5 (1/5) có những sự kiện gì đặc biệt trong quá khứ, xin mời các bạn theo dõi: SỰ KIỆN - 305 – Hai đồng hoàng đế Diocletianus và Maximianus trở thành những hoàng đế La Mã đầu tiên tự nguyện thoái vị. - 1707 – Vương quốc Anh và Vương quốc Scotland sáp nhập vào nhau thành lập Vương quốc Đại Anh ( The Great Britan) - 1786 – Vở Opera Le nozze di Figaro của nhà soạn nhạc Wolfgang Mozart được trình diễn lần đầu tiên tại Wien. - 1940 – Thế vận hội Mùa hè 1940 bị huỷ bỏ do chiến tranh. - 2004 – Tại Dublin, 10 quốc gia: Síp, Cộng hòa Séc, Estonia, Hungary, Latvia, Litva, Malta, Ba Lan, Slovakia và Slovenia gia nhập Liên minh châu Âu. - 2009 – Hôn nhân đồng giới được hợp pháp hóa tại Thụy Điển. - 2011 – Tổng thống Barack Obama tuyên bố rằng Osama bin Laden bị lực lượng của Hoa Kỳ tiêu diệt tại Abbottabad, Pakistan (tức 2 tháng 5 theo giờ Pakistan). - 2019 - Naruhito đăng cơ ngôi vị Thiên hoàng thứ 126 của Nhật Bản, lấy niên hiệu là Lệnh Hòa. Ngày lễ và kỷ niệm" Ngày Quốc tế Lao động Sinh - 1904 – Trần Phú, là một nhà cách mạng của Việt Nam. Ông là Tổng Bí thư đầu tiên của Đảng Cộng sản Việt Nam khi mới 26 tuổi. Người tiền nhiệm của ông là Trịnh Đình Cửu, nguyên Phụ trách Ban Chấp hành Trung ương Lâm thời Đảng Cộng sản Việt Nam. - Ngô Vũ Sâm , sinh ngày 1 tháng 5 năm 1946 là một đạo diễn nổi tiếng của điện ảnh Hồng Kôngvới những bộ phim hành động kinh điển như Anh hùng bản sắc, bộ phim xếp thứ hai trong Danh sách 100 phim hay nhất của điện ảnh tiếng Hoa trong 100 năm qua, Điệp huyết song hùng. Ngô còn trở thành đạo diễn người Hoa đầu tiên thành công ở Hollywood với các bộ phim ăn khách như Face/Off và Nhiệm vụ bất khả thi 2 (Mission: Impossible 2). - 1968 – Oliver Bierhoff, cầu thủ bóng đá và nhà quản lý người Đức. người đã có bàn thắng vàng đầu tiên cho Đội tuyển bóng đá quốc gia Đức trong lịch sử bóng đá quốc tế trong trận chung kết Euro 96, đưa đội Đức lên ngôi vô địch - Nhờ bàn thắng vàng anh được biết đến như là một trong những cầu thủ không chiến xuất sắc nhất trong lịch sử bóng đá. - 1975 – Marc-Vivien Foé, cầu thủ bóng đá người Cameroon. cái chết đột ngột của anh trong một trận đấu quốc tế, như là một cú sốc đối với cộng đồng bóng đá trên toàn thế giới - Park Hae-jin, sinh ngày 1 tháng 5 năm 1983 là một Người mẫu kiêm Diễn viên Hàn Quốc.. Anh nổi tiếng nhất qua các vai diễn Lee Hwi-kyung trong Vì sao đưa anh tới (My Love from the Star), Han Jae Joon trong Bác sĩ xứ lạ (Doctor Stranger) Mất - 1859 – John Walker, nhà hóa học người Anh Quốc (s. 1781)ông là người đã tình cờ sáng chế ra diêm quẹt năm 1826 bằng cách trộn clorat kali với antimony sulfide - 1994 – Ayrton Senna, vận động viên đua xe ô tô người Brasil (s. 1960) Senna được coi là một huyền thoại của môn thể thao tốc độ này. Cái chết bất ngờ của Senna trong khi đang dẫn đầu cuộc đua San Marino Grand Prix tại Imola đã để lại nhiều tiếc thương trong lòng người hâm mộ. Với những thành tích đã cống hiến cho môn thể thao này, Ayrton Senna được coi là một tượng đài vững chắc của F1 - Hùng Cường (1936–1996), tên thật Trần Kim Cường, là một ca sĩ, nghệ sĩ cải lương, kịch sĩ và diễn viên điện ảnh Việt Nam. Ông nổi tiếng từ thập niên 1950 tại Sài Gòn với những ca khúc nhạc tiền chiến và sau là nhạc vàng. #aweektv #homnayngaygi #whatistoday #today #memorialday --- Send in a voice message: https://anchor.fm/aweek-tv/message

On this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Mozart, at the keyboard. Years later this piano concerto was labeled as Mozart’s 21st, and given the number 467 in the chronological list of his works compiled by Ludwig, Ritter von Koechel, an Austrian botanist, mineralogist, and Mozart enthusiast. Today this work is popularly referred to as the “Elvira Madigan” Concerto, for the simple reason its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story. That Swedish movie helped to bring Mozart’s concerto to the attention of a far wider audience than ever before, as did the 1984 movie “Amadeus,” with Mozart’s music in general. Musicologists may wince when they hear the title “Amadeus”–it’s a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart’s most sublime works–but, for better or worse, both “Amadeus” and “Elvira Madigan” are labels that seem to have stuck to Mozart’s name and his concerto.

On this date in 1785, a new Piano Concerto in C major was given its premiere at the Burgtheater in Vienna, with its composer, Wolfgang Mozart, at the keyboard. Years later this piano concerto was labeled as Mozart’s 21st, and given the number 467 in the chronological list of his works compiled by Ludwig, Ritter von Koechel, an Austrian botanist, mineralogist, and Mozart enthusiast. Today this work is popularly referred to as the “Elvira Madigan” Concerto, for the simple reason its romantic slow movement was used to great effect in a 1967 Swedish film of that name to underscore a passionate love story. That Swedish movie helped to bring Mozart’s concerto to the attention of a far wider audience than ever before, as did the 1984 movie “Amadeus,” with Mozart’s music in general. Musicologists may wince when they hear the title “Amadeus”–it’s a matter of historical record that Mozart signed his name “Amadeo” or “Amadé.” Others object that a Swedish film should provide a nickname for one of Mozart’s most sublime works–but, for better or worse, both “Amadeus” and “Elvira Madigan” are labels that seem to have stuck to Mozart’s name and his concerto.

We preview the TSO's Postcards from Prague program, which includes music by Antonín Dvořák as well as Wolfgang Mozart. Joining us is Vinay Parameswaran, Associate Conductor of The Cleveland Orchestra who makes a return appearance in Toledo to lead the concert. We hear Vinay's backstory, and explore the connection between Mozart and Prague – with a fun little "Prague or Not" quiz thrown in for good measure!

We preview the TSO's Postcards from Prague program, which includes music by Antonín Dvořák as well as Wolfgang Mozart. Joining us is Vinay Parameswaran, Associate Conductor of The Cleveland Orchestra who makes a return appearance in Toledo to lead the concert. We hear Vinay's backstory, and explore the connection between Mozart and Prague – with a fun little "Prague or Not" quiz thrown in for good measure!

Oh, to have been in Vienna on today’s date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier, and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio “Ester” by Karl Ditters von Dittersdorf conducted by Antonio Salieri. Now wouldn’t that have made for a good scene in the movie “Amadeus?” Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today’s date in 1806, it was Beethoven’s turn to premiere one of his new concertos in Schikaneder’s Viennese theater. Alongside works of Mozart, Méhul, Cherubini, and Handel, Beethoven’s Violin Concerto was introduced to the world, with Franz Clement as the soloist. Beethoven’s friend Czerny recalled that Clement’s performance was greeted with “noisy bravos,” but a contemporary Viennese music critic wrote, “while there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer’s final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”

Oh, to have been in Vienna on today’s date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier, and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio “Ester” by Karl Ditters von Dittersdorf conducted by Antonio Salieri. Now wouldn’t that have made for a good scene in the movie “Amadeus?” Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today’s date in 1806, it was Beethoven’s turn to premiere one of his new concertos in Schikaneder’s Viennese theater. Alongside works of Mozart, Méhul, Cherubini, and Handel, Beethoven’s Violin Concerto was introduced to the world, with Franz Clement as the soloist. Beethoven’s friend Czerny recalled that Clement’s performance was greeted with “noisy bravos,” but a contemporary Viennese music critic wrote, “while there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer’s final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

In today’s episode, we talk about Maria Anna Mozart, the first Mozart Prodigy. While Wolfgang Mozart is a widely known composer and childhood prodigy, there was another Mozart child that was also declared a prodigy, his older sister Maria Anna. We talk about Maria’s early talent, her family situation, her and Wolfgang’s touring and performances, why she was forced to stop performing music, her later life, why her legacy and music has been erased from history so completely, and how her true story will always be shrouded in myth. We also touch on the women in famous men’s life and how much talent is credited to them.Check out the picture book about Maria Anna HereFollow us on Instagram Heredisclaimer: We are an Amazon affiliate and may make some profit from some of these product links.

We spend this episode with violinist Randall Goosby, who performs a concerto by the remarkable Chevalier de Saint-Georges with the TSO. A protege of Itzhak Perlman, Randall gives us the backstory on his career thus far; examines the effect that Saint-Georges had on his younger contemporary Wolfgang Mozart, and talks about his own experience raising awareness of racial issues within the world of classical music. http://www.randallgoosby.com/https://stream.artstoledo.com/products/parisian-classics

Founded in London in 1717 as a way of binding men in fellowship, Freemasonry proved so addictive that within two decades it had spread across the globe. Masonic influence became pervasive. Under George Washington, the Craft became a creed for the new American nation. Masonic networks held the British empire together. Under Napoleon, the Craft became a tool of authoritarianism and then a cover for revolutionary conspiracy. Both the Mormon Church and the Sicilian mafia owe their origins to Freemasonry. Yet the Masons were as feared as they were influential. In the eyes of the Catholic Church, Freemasonry has always been a den of devil-worshippers. For Hitler, Mussolini and Franco, the Lodges spread the diseases of pacifism, socialism and Jewish influence, so had to be crushed. Freemasonry's story yokes together Winston Churchill and Walt Disney; Wolfgang Mozart and Shaquille O'Neal; Benjamin Franklin and Buzz Aldrin; Rudyard Kipling and 'Buffalo Bill' Cody; Duke Ellington and the Duke of Wellington. John Dickie's The Craft is an enthralling exploration of a the world's most famous and misunderstood secret brotherhood, a movement that not only helped to forge modern society, but has substantial contemporary influence, with 400,000 members in Britain, over a million in the USA, and around six million across the world. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pbliving/message Support this podcast: https://anchor.fm/pbliving/support

Excluding no genres nor decades of music, your OTM hosts explore the 1770s, and the tale of a young Wolfgang Mozart. Hear how he went from excommunication to extraordinary praise by none other than "The Pope" himself. Stay tuned as we announce new mini-episodes with live performances coming soon.

On today's date in 1784, an Italian violinist named Regina Strinasacchi gave the second of two concerts in Vienna, and had the good sense to commission a new work for the occasion from an up-and-coming young Austrian composer named Wolfgang Mozart. "We have the famous Strinasacchi from Mantua here right now," wrote Wolfgang to his father a few days earlier. "She is a very good violinist, has excellent taste, and a lot of feeling in her playing—I'm composing a Sonata for her at this moment that we'll be performing together on Thursday." Wolfgang's papa must have been pleased to hear about the cash commission, but probably would have frowned to learn that Strinasacchi received her part barely in time for the performance, and that his son hadn't even bothered to write out his own part down in full—just a sketchy outline. It also comes as a shock for us to learn that Regina and Wolfgang never got together to rehearse prior to the concert, which meant that she was probably sight-reading her part, and he improvising his. No matter—the new Violin Sonata was received warmly by Viennese audiences, and afterward Wolfgang had a whole month or so to dot all the musical "i's" and cross all the musicals "t's" in his score before it was printed. And, for the record, this Violin Sonata in B-flat Major is arguably one of Mozart's finest.

Avsnitt 83 – Artonde avsnittet av 100MICC Podcast.Den här veckan pratar vi filmen ”om” Wolfgang Mozart, nämligen filmen Amadeus. Dessutom är det Fredriks tur att hålla i “Vem Kan Det Va” och vi diskuterar lite om streamingtjänsterna. Ha en så bra tisdag som det bara går!| Facebook: 100 MICC podcast | | Twitter: @100Micc | | Instagram: @100micc |Intro - (00:00)Vem Kan Det Va? - (06:28)Amadeus - (12:35) Länkar:Vår IMDB topp 100 lista:https://boxd.it/4lvn0 Mozarts låt “Leck mich im Arsch”:https://en.wikipedia.org/wiki/Leck_mich_im_Arschhttps://www.youtube.com/watch?v=C78HBp-Youk See acast.com/privacy for privacy and opt-out information.

In this episode, David Epstein, best-selling author of Range and The Sports Gene, discusses the evidence around the most effective ways to improve long-term performance and learning in our specialties, our sports, our careers, and our lives. David makes a compelling case that a range of experiences and skills are more likely to lead to expert performance compared to early specialization, and offers an in-depth critique of the much-publicized 10,000-Hour Rule. David also provides insights into our role as parents in the process of encouraging exposure to many things, the concepts of when to push them, when to give them space, and when to allow them to quit. Furthermore, David goes into many other fascinating topics such as the role of talent, genetics, and practice in reaching expert status, what differentiates a kind vs. wicked learning environment, the importance of “informal training,” and many case studies that suggest strategies for short-term success may not be best for long-term development. We discuss: A shared interest in Ayrton Senna, and pondering the value in participating in sports [2:30]; Examining the 10,000-Hour Rule, and the importance of questioning existing dogma [15:00]; How the medical profession is affected by bad science, and the importance of understanding individual variation [28:00]; David’s most surprising findings when writing The Sports Gene [35:45]; Kind versus wicked learning environments [40:45]; How and why strategies for short-term success may not be best for long-term development [47:30]; Contrasting the success stories of Tiger Woods and Roger Federer—which path is more common, and an argument for diversified training and experiences [59:15]; Is there an age-range or “critical window” during which exposure is necessary to reach a certain level of proficiency or mastery of a skill or knowledge? [1:14:00]; How diversifying your interests and unraveling your identity from your speciality could lead to more enjoyment and actually improve performance in your speciality [1:22:15]; The undervalued importance of “informal training” [1:29:15]; Advice for increasing match quality in your work—where interests and abilities align—to optimize both job performance and fulfillment [1:41:15]; Would David want his own son to attend college given the current state of higher education? [1:51:15]; The role of a parent—how to encourage sampling, when to push them, when to allow them to quit, and insights from the childhoods of Tiger Woods and Wolfgang Mozart [1:55:45]; The need for varied perspectives and the ability to improvise—insights gained from the Space Shuttle Challenger tragedy [2:08:45]; How a diversified background and identity could be the difference in life or death—the Hotshot firefighters case study [2:22:15]; David’s takeaways from the inspiring story of Frances Hesselbein [2:29:00]; and More. Learn more: https://peterattiamd.com/ Show notes page for this episode: https://peterattiamd.com/davidepstein Subscribe to receive exclusive subscriber-only content: https://peterattiamd.com/subscribe/ Sign up to receive Peter's email newsletter: https://peterattiamd.com/newsletter/ Connect with Peter on Facebook | Twitter | Instagram.

Le père de Mozart était un organiste de talent, mais, il gagnait difficilement sa vie. On raconte qu’un lundi matin, son jeune fils, Wolfgang, se leva de bonne heure, mais il n’y avait rien à manger. Le mardi matin : leçon d’orgue et toujours pas de déjeuner. Le mercredi, il surprit une conversation de ses parents : — Je supplie le Seigneur, disait la mère, de nous envoyer quelque chose à manger ! Le petit Mozart appela sa sœur : — Viens près de la rivière, il y a un endroit où nous pourrons prier nous aussi. Ils se mirent à genoux tous les deux : — O Dieu ! disait Wolfgang, nous avons très faim, envoie-nous quelque chose à manger. Permets que papa puisse continuer à me donner des leçons afin que je devienne un musicien célèbre. Comme ils se relevaient, ils virent près d’eux un monsieur qui souriait : — Il n’y a pas de quoi rire, nous n’avons plus rien à manger. — Mon garçon, où habites-tu ? Je te ferai porter de la nourriture… et j’irai t’écouter jouer de l’orgue. Vers midi, un valet se présenta chez les Mozart : — Mon maître, l’archiduc d’Autriche vous envoie ces provisions. Il viendra, ce soir, écouter votre petit garçon jouer de l’orgue. Et il vint. Emerveillé par la façon dont jouait cet enfant, il dit au père : — Continuez à enseigner la musique à votre fils. Je paierai vos efforts. Un jour, il écrira une musique qui traversera les siècles sans perdre sa beauté. C’est ainsi que Dieu répondit à la prière du petit Wolfgang Mozart. Invoque-moi au jour de la détresse : je te délivrerai et tu me glorifieras, Psaumes 50 : 15. Oh ! Que ta bonté est grande que tu as mise en réserve pour ceux qui te craignent, Psaumes 31 : 19.

On today's show, we review the incredible features of the Notre Dame Cathedral, the life and times of Wolfgang Mozart, and Don gives a quiz on the 80's. Its a fun one, so be sure to tune in! Subscribe and review today! ALSO: We have extended the Curtis Quiz drawing so be sure to submit your answers to the quiz he gave last episode for a chance to win a shirt! Thank you!

Interlude in Prague gives Wolfgang Mozart the Shakespeare in love treatment, as the composer falls in love and falls foul of a real-life Don Giovanni.

At 1, Christian Friedrich Heinecken, the legendary child prodigy had read the Pentateuch. At 2, speed skater Bonnie Blair began skating. She should go on to win five Olympic gold medals. At 3, Wolfgang Mozart, taught himself to play the harpsichord. At 4, Brazilian Formula One race-car driver Ayrton Senna da Silva began driving. At 5, Yo-Yo Ma, the world-famous cellist, began playing Bach's "Suites for Unaccompanied Cello" before bed each evening. At 6, Willie Hoppe, the greatest billiards player in history, began to play pool. He had to stand on a box to reach the table. At 7, English philosopher and economist John Stuart Mill had mastered Greek. It's never too late (or too early) to be amazing. What's your story? Share it with us in the Facebook group >> edgy.es/fbgroup

Transcript:In 1770, a 14-year-old boy visited the Sistine Chapel in Rome and heard a hauntingly beautiful piece of music called, Miserere. Later in the day, the young lad wrote down the entire piece from memory. He returned the next Friday and made a few corrections as he heard it a second time. Three months later, Wolfgang Amadeus Mozart was famous for this work for three reasons:The song had not been played outside of the particular services at the Sistine Chapel for 150 years and it was illegal to transcribe it and distribute it outside of the Chapel.Mystery surrounded the song due to its exclusivity until Wolfgang unveiled it.The mere fact that a 14-year-old boy memorized it and wrote it out after hearing it once.Since Wolfgang, Miserere has been distributed throughout the world and is now one of the most popular a cappella choral works performed. You could say that Mozart pirated this song illegally.Better Is Not Better “Being different is critical. ” — Patricia Botin Pirating is the copying or reproduction of an original often without permission. For our purposes, I want you to view pirating as DEVELOPING “THE WHO” OF YOUR BUSINESS NOT JUST “THE DO” THAT ADDS VALUE, TRUST, AND NOTEWORTHY EVEN IF YOU ARE ONE OUT OF HUNDREDS OR THOUSANDS THAT DO WHAT YOU DO LIKE REAL ESTATE OR NETWORK MARKETING. BETTER IS NOT BETTER. DIFFERENT IS BETTER.What specific qualities do you possess as a person that makes you stand out? This question applies to you even if you product or service is very unique because, believe me, there’s a Wolfgang Mozart out there that might try to pirate you product or service and might even do it better. The only way to pirate-proof what you do is to focus your clients on WHO YOU ARE for them.Let me give you some insight from Sally Hogshead, one of my favorite authors.39 percent of business to business buying is based on the skills of the salesperson rather than the price, quality, or features. I.e. the ability of the salesperson to build rapport and truly connect with the client and his needs not just follow a script.The higher the income of your client, you’re paid for who you are more than what you do.Consumers would rather do business with a person they like and trust EVEN IF THAT PERSON OFFER A LOWER QUALITY PRODUCT OR SERVICE.As an individual, you have specific combined cluster of skill sets, characteristics, and gifting that no one else has making YOU AS A PERSON NON-PIRATABLE even if what you do can be or already is. Your clients don’t want the same-o same-o. Your clients don’t want to be another name or number on your list. Your clients want and need (even if they don’t realize it) the unique value you offer.How To Know If You're Adding ValueSally gives 4 ways to know if you’re adding value. Let me phrase it as 4 ways to become PIRATE PROOF.You’re admired for a NOTEWORTHY ability to contribute a specific benefit like deep knowledge, specialized, service, etc.You’re worth more than you’re being paid.You deliver more than what’s normally expected in one specific way.You’re the preferred option even if more expensive or less convenient meaning people have to wait longer to see you or travel farther.Now let me briefly discuss 2 and 3 because they are interrelated. I’ll share with you how I implement 2 and 3 in my business and didn’t even realize what I was doing until I learned about these 4 ways from Sally’s book, “How People See You.”How I DeliverWhen I started my first business in 1998, my grandpa told me to always go the extra mile, which is basically 2 and 3. So I always attempt to deliver TREMENDOUS VALUE to my clients that goes beyond what they paid me to do, and I do it in two specific ways and then in non-specific ways.The two specific ways are 1) in-depth personality style strategies for each owner and/or manager and his or her staff. I basically break down how each person thinks, greatest fears, greatest motivations, how to communicate with them, any potential problems, and any areas of potential conflict within the team. If my clients don’t have a staff, I then give them strategy on how to communicate with other personalities in a way that builds trust and rapport. And 2) I provide a minimum of 3 months of follow up once a month for an hour to make sure my training has been implemented, troubleshoot and strategize, and hear the successes and positive changes experienced from their training. “Make success an intentional and controlled act.” — Sally Hogshead Here’s how I non-specifically deliver more and create more worth than I’m paid: most of the two specifics I just shared goes way beyond an hour like in the follow up and the in-depth study of the personalities takes me hours but they are never charged for it.On top of that I develop a very strong relationship with my clients because I truly care about them and want their businesses to succeed as if they were my own. And I am able to solve problems with confidence. My fascination advantages are POWER and TRUST meaning I’m an authority with answers and I’m reliable and genuine. My clients don’t worry about surprises from me.I shared this so I could frame our discussion in real-life examples to get your creative juices flowing on how you can develop WHO YOU ARE in your business in a way that makes you pirate proof.Here’s what I want you to do: take a moment and think about what value you add as a person for your clients. Are you compassionate and relational? Do you possess a unique skill or deep knowledge? Do you have an ability to promote discussion and understanding among individuals? Are you strategic and insightful? Try to think of at least 3 things up to 12 things that makes WHO YOU ARE unpiratable! click here to build trust with your client in 10 minutes or less

Wolfgang Mozart composed symphonies, concertos and operas. But the question remains: What about jingles?

Episode Video: In this episode you’ll find out about: So today, we are going to be talking about how you can actually take all that information that you learned in the podcast episodes that you’ve seen – whether it’s this podcast or in other people’s podcasts. How you can ensure that you take the strategies and implement those in your life because it’s one thing to learn a lot of information but if you don’t do anything with that information and actually try and implement these strategies and the things that you heard or watched in those episodes, then you’re simply not going to have different results in your life. Resources to Help You: Systematic Approach to Help You Really Accomplish Your Goals by Doing Less This will help you get the right things done each day as it’s a goal setting software (that works both on your computer and your mobile). It’s designed to help you 1. Set Your Goals with Clarity 2. Take Action and get the Right Things Done 3. Visualize to Succeed 4. Track Time to Get More Done Faster 5. Build Goal Enabling Success Habits Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill & Tiger Woods Used to Unlock Their Genius... I've personally used self-hypnosis to help me overcome challenges and achieve success in different parts of my life - including creating new habits or eliminating bad habits. As such, I wanted to share how to use self-hypnosis to help you improve any area of your life with training from a world renowned hypnotist and learn how to use self-hypnosis for guaranteed results. You'll make immediate and profound changes EVEN IF YOU LACK WILLPOWER...   Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What did you think of this strategy? Any additional tips for learning and getting results faster from Podcasts?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes) Disclosure This post may contain links to products or services with which I have an affiliate relationship. I may receive commissions or bonuses from your actions on such links (at no additional cost to you)

Episode Video: In this episode you’ll find out about: So today, we are going to be talking about how you can actually take all that information that you learned in the podcast episodes that you’ve seen – whether it’s this podcast or in other people’s podcasts. How you can ensure that you take the strategies and implement those in your life because it’s one thing to learn a lot of information but if you don’t do anything with that information and actually try and implement these strategies and the things that you heard or watched in those episodes, then you’re simply not going to have different results in your life. Resources to Help You: Systematic Approach to Help You Really Accomplish Your Goals by Doing Less This will help you get the right things done each day as it’s a goal setting software (that works both on your computer and your mobile). It’s designed to help you 1. Set Your Goals with Clarity 2. Take Action and get the Right Things Done 3. Visualize to Succeed 4. Track Time to Get More Done Faster 5. Build Goal Enabling Success Habits Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill & Tiger Woods Used to Unlock Their Genius... I've personally used self-hypnosis to help me overcome challenges and achieve success in different parts of my life - including creating new habits or eliminating bad habits. As such, I wanted to share how to use self-hypnosis to help you improve any area of your life with training from a world renowned hypnotist and learn how to use self-hypnosis for guaranteed results. You'll make immediate and profound changes EVEN IF YOU LACK WILLPOWER...   Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What did you think of this strategy? Any additional tips for learning and getting results faster from Podcasts?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes) Disclosure This post may contain links to products or services with which I have an affiliate relationship. I may receive commissions or bonuses from your actions on such links (at no additional cost to you)

Episode Video: In this episode you’ll find out about: Today we’re going to talk about one strategy that you can use, whether it’s for a bad habit that you’re trying to change/improve on or a new habit that you’re trying to implement, to ensure that you’re carrying out the success habit and doing it CONSISTENTLY! The reason is because consistency is key when making a habit automatic and routine. Resources to Help You: Systematic Approach to Help You Really Accomplish Your Goals by Doing Less This will help you get the right things done each day as it’s a goal setting software (that works both on your computer and your mobile). It’s designed to help you 1. Set Your Goals with Clarity 2. Take Action and get the Right Things Done 3. Visualize to Succeed 4. Track Time to Get More Done Faster 5. Build Goal Enabling Success Habits Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill & Tiger Woods Used to Unlock Their Genius... I've personally used self-hypnosis to help me overcome challenges and achieve success in different parts of my life - including creating new habits or eliminating bad habits. As such, I wanted to share how to use self-hypnosis to help you improve any area of your life with training from a world renowned hypnotist and learn how to use self-hypnosis for guaranteed results. You'll make immediate and profound changes EVEN IF YOU LACK WILLPOWER...   Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What’s the 1 Habit that You’re Committed to Doing by Scheduling It as a Recurring Appointment?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes) Disclosure This post may contain links to products or services with which I have an affiliate relationship. I may receive commissions or bonuses from your actions on such links (at no additional cost to you)

Episode Video: In this episode you’ll find out about: Today we’re going to talk about one strategy that you can use, whether it’s for a bad habit that you’re trying to change/improve on or a new habit that you’re trying to implement, to ensure that you’re carrying out the success habit and doing it CONSISTENTLY! The reason is because consistency is key when making a habit automatic and routine. Resources to Help You: Systematic Approach to Help You Really Accomplish Your Goals by Doing Less This will help you get the right things done each day as it’s a goal setting software (that works both on your computer and your mobile). It’s designed to help you 1. Set Your Goals with Clarity 2. Take Action and get the Right Things Done 3. Visualize to Succeed 4. Track Time to Get More Done Faster 5. Build Goal Enabling Success Habits Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill & Tiger Woods Used to Unlock Their Genius... I've personally used self-hypnosis to help me overcome challenges and achieve success in different parts of my life - including creating new habits or eliminating bad habits. As such, I wanted to share how to use self-hypnosis to help you improve any area of your life with training from a world renowned hypnotist and learn how to use self-hypnosis for guaranteed results. You'll make immediate and profound changes EVEN IF YOU LACK WILLPOWER...   Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What’s the 1 Habit that You’re Committed to Doing by Scheduling It as a Recurring Appointment?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes) Disclosure This post may contain links to products or services with which I have an affiliate relationship. I may receive commissions or bonuses from your actions on such links (at no additional cost to you)

Episode Video: In this episode you’ll find out about: Today I want to introduce a concept to you that’ll really allow you to achieve incredible results in a short amount of time. Specifically, this strategy is something that I already did prior to finding out about it – and is what is known as blocking time. We know that focus will lead to great results – the only problem is, we lack focus. Blocking time can help with that - but it does requires some strategies for how to make this more effective, which I'll share with you. Resources to Help You: Get My "9 Easy Steps to Increase Your Focus and Achieve Your Goals: What Most Self-Help Experts Forgot to Tell You..." eBook (worth $67) for  FREE (Instant Download)  Increasing Your Focus and Productivity Discover How to Find Your Focus and Stop Procrastinating: http://happyabundantfreedom.com/How-to-Focus-End-Procrastination/ My 3 Free Training Videos to Cut Your Study Time in Half, Have Less Stress and Get Better Grades: http://happyabundantfreedom.com/Study-Less-Better-Grades/ Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill, and Tiger Woods Used to Unlock Their Genius: http://happyabundantfreedom.com/Self-Hypnosis-Guaranteed-Results/ Improve Your Brain Power to Be Smarter, Stronger, and Faster! http://happyabundantfreedom.com/Improve-Your-Brain-Faster/ Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What are you planning to get done in your first period of block time?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes)

Episode Video: In this episode you’ll find out about: Today I want to introduce a concept to you that’ll really allow you to achieve incredible results in a short amount of time. Specifically, this strategy is something that I already did prior to finding out about it – and is what is known as blocking time. We know that focus will lead to great results – the only problem is, we lack focus. Blocking time can help with that - but it does requires some strategies for how to make this more effective, which I'll share with you. Resources to Help You: Get My "9 Easy Steps to Increase Your Focus and Achieve Your Goals: What Most Self-Help Experts Forgot to Tell You..." eBook (worth $67) for  FREE (Instant Download)  Increasing Your Focus and Productivity Discover How to Find Your Focus and Stop Procrastinating: http://happyabundantfreedom.com/How-to-Focus-End-Procrastination/ My 3 Free Training Videos to Cut Your Study Time in Half, Have Less Stress and Get Better Grades: http://happyabundantfreedom.com/Study-Less-Better-Grades/ Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill, and Tiger Woods Used to Unlock Their Genius: http://happyabundantfreedom.com/Self-Hypnosis-Guaranteed-Results/ Improve Your Brain Power to Be Smarter, Stronger, and Faster! http://happyabundantfreedom.com/Improve-Your-Brain-Faster/ Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What are you planning to get done in your first period of block time?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes)

Donald Macleod is joined by Prof Cliff Eisen to explore the life and work of Wolfgang Mozart's father, Leopold. He was at the forefront of early symphonic writing and composed music across many forms

Episode Video: In this episode you’ll find out about: A Neilson report found that the average American watches more than 34 hours of television each week (that's more than 4 hours each day!) You can try it yourself to count up how many shows you watched this past week and what amount of time that is (include commercials and online videos – YouTube anyone). These are shows that are for entertainment, and doesn’t include the shows that you watch for self-improvement to bring you closer to the goals you want to achieve. Whatever that number is, that’s how much time that you’ve lost to TV, that you could’ve spent with friends and family, or moving you closer to the life that you want to achieve. Let me give you 5 Main Reasons why you should stop watching TV and how you can save up to 4 hours each day. Resources to Help You: Get My "9 Easy Steps to Increase Your Focus and Achieve Your Goals: What Most Self-Help Experts Forgot to Tell You..." eBook (worth $67) for  FREE (Instant Download)  Increasing Your Focus and Productivity Discover How to Find Your Focus and Stop Procrastinating: http://happyabundantfreedom.com/How-to-Focus-End-Procrastination/ My 3 Free Training Videos to Cut Your Study Time in Half, Have Less Stress and Get Better Grades: http://happyabundantfreedom.com/Study-Less-Better-Grades/ Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill, and Tiger Woods Used to Unlock Their Genius: http://happyabundantfreedom.com/Self-Hypnosis-Guaranteed-Results/ Improve Your Brain Power to Be Smarter, Stronger, and Faster! http://happyabundantfreedom.com/Improve-Your-Brain-Faster/ Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What are you going to do with your up to 4 hours saved each day from not watching TV?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes)

Episode Video: In this episode you’ll find out about: A Neilson report found that the average American watches more than 34 hours of television each week (that's more than 4 hours each day!) You can try it yourself to count up how many shows you watched this past week and what amount of time that is (include commercials and online videos – YouTube anyone). These are shows that are for entertainment, and doesn’t include the shows that you watch for self-improvement to bring you closer to the goals you want to achieve. Whatever that number is, that’s how much time that you’ve lost to TV, that you could’ve spent with friends and family, or moving you closer to the life that you want to achieve. Let me give you 5 Main Reasons why you should stop watching TV and how you can save up to 4 hours each day. Resources to Help You: Get My "9 Easy Steps to Increase Your Focus and Achieve Your Goals: What Most Self-Help Experts Forgot to Tell You..." eBook (worth $67) for  FREE (Instant Download)  Increasing Your Focus and Productivity Discover How to Find Your Focus and Stop Procrastinating: http://happyabundantfreedom.com/How-to-Focus-End-Procrastination/ My 3 Free Training Videos to Cut Your Study Time in Half, Have Less Stress and Get Better Grades: http://happyabundantfreedom.com/Study-Less-Better-Grades/ Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill, and Tiger Woods Used to Unlock Their Genius: http://happyabundantfreedom.com/Self-Hypnosis-Guaranteed-Results/ Improve Your Brain Power to Be Smarter, Stronger, and Faster! http://happyabundantfreedom.com/Improve-Your-Brain-Faster/ Make sure to Check Out our Resources Page to Attract More Success in Different Areas of Your Life Please Post in the Comments Section Below: "What are you going to do with your up to 4 hours saved each day from not watching TV?"  . Like What You've Learned? My FREE Bonus (worth $67) for You: To ensure you get all future FREE episodes automatically on strategies and results based action steps for personal development, productivity, success habits, and business - Subscribe to my podcast to get more tips and A SPECIAL BONUS via iTunes Audio, iTunes Video, or RSS (non-iTunes)

Episode Video: In this episode you’ll find out about: Often times, we procrastinate in taking action towards the life that we want because we don’t want to face our fear. We are scared that if we actually take action and it doesn’t work out, and we fail, that it was a waste of our time or effort and that we’ll be worse off than if we just do nothing and stay the same. So people come up with all sorts of excuses like –right now is just not the right time, I’ll wait until I have more time, have more money, have more experience, have less stress, and a bunch of other excuses. Don’t worry, if you’ve used those excuses, I’ve used them too… So I’ll share with you a simple 4 step formula for how to stop procrastinating. Resources to Help You: Get My "9 Easy Steps to Increase Your Focus and Achieve Your Goals: What Most Self-Help Experts Forgot to Tell You..." eBook (worth $67) for  FREE (Instant Download)  Make sure to Check Out our Resources Page Discover How to Find Your Focus and Stop Procrastinating: http://happyabundantfreedom.com/How-to-Focus-End-Procrastination/ My 3 Free Training Videos to Cut Your Study Time in Half, Have Less Stress and Get Better Grades: http://happyabundantfreedom.com/Study-Less-Better-Grades/ Discover the Secret that Albert Einstein, Wolfgang Mozart, Winston Churchill, and Tiger Woods Used to Unlock Their Genius: http://happyabundantfreedom.com/Self-Hypnosis-Guaranteed-Results/ Improve Your Brain Power to Be Smarter, Stronger, and Faster! http://happyabundantfreedom.com/Improve-Your-Brain-Faster/ Subscribe to my podcast to get more tips via iTunes or RSS (non-iTunes) Please Post in the Comments Section Below: "What's Your Goal and Deadline?"  By sharing your goal and deadline - you're much more likely to achieve it. In addition, other people or myself may know resources to help you achieve your goals faster and share these with you in the comments section.  Disclosure This post may contain links to products or services with which I have an affiliate relationship. I may receive commissions or bonuses from your actions on such links (at no additional cost to you)

Podcast manga review of Afterschool Charisma Volume 1  by Kumiko Suekane. Translated by Camellia Nieh. Originally published in Japan by Shogakukan. Published in US by Viz SigIkki, $12.99, Rated T+ (Older Teen) for boobs. From the back cover: "St. Kleio Academy is a very exclusive school. To enroll, a student must be a clone of a famous historical figure. Wolfgang Mozart, Queen Elizabeth, Sigmund Freud, Marie Curie, Adolf Hitler-- With such a combustible student body, it's only a matter of time before the campus explode! Shiro Kamiya is the only non-clone at St. Kleio, a school where his father is a teacher. Why is a regular kid taking classes at the school? Nobody seems to know for sure." My Grade: D- You can read Chapters 1 and 7-12 for free at: http://www.sigikki.com/series/afterschoolcharisma/index.shtml

Shockingly, Hollywood movies don't make us all history experts, and Salieri didn't murder Mozart.