Podcasts about String trio

LADIES, LADIES, LADIES! We snagged legendary ZADDY AKA the OG TURTLE DADDY HIMSELF - MISTER DAVE BALARKRISHNAN, VIOLINIST/COMPOSER/GRAMMY WINNER and FOUNDING MEMBER OF THE TURTLE ISLAND STRING QUARTET! JEALOUS? In this penultimate episode of 2024, Mr. Daddy soothes our end-of-the year hysteria with his Aristotelian knowledge and calming presence. He masterfully engages with our unsavory conversation no matter how hard we try! Stay tuned till the end for some really heart warming stuff - the future is bright! 

Bei Streichtrios denkt man vor allem an Werke von Beethoven, Haydn und Schubert. Es gibt aber viel mehr zu entdecken – finden jedenfalls Nevena Tochev, Meredith Kuliew und Elodie Théry.

Charlie Burnham Interview Charlie Burnham is an accomplished American violinist, singer, and composer celebrated for his imaginative and eclectic style. Burnham traverses multiple genres, including bluegrass, folk, free jazz, blues, classical, and chamber jazz. His innovative use of the wah-wah pedal on the violin adds a distinctive flair to his performances. Burnham first gained prominence through his contributions to James "Blood" Ulmer's Odyssey album, highlighting his versatility and skill. The ensemble from that project later formed Odyssey the Band. Throughout his career, Burnham has been a pivotal member of several notable groups and artists, like Living Colour, Cassandra Wilson,  String Trio of New York, 52nd Street Blues Project, Hidden City, We Free Strings, the Improvising Chamber Ensemble, and the Kropotkins. He has also recently recorded new music with Eureka Shoes, showcasing his continual evolution as a musician. Beginning as an informal gathering of friends and now blossoming into a fully-fledged collaborative band, Eureka Shoes' Beautalina (Adhyâropa ÂR00079) soars aloft on gorgeous 3-part harmonies, delicate acoustic textures, and world-class songcraft. Eureka Shoes features award-winning songwriter Jean Rohe, acoustic music stalwart Skye Soto Steele, and omni-genre multi-instrumentalist Charlie Burnham. Rounded out here by the virtuosic bass of Rashaan Carter, Beautalina is an enduring testament to the power of music to unite, communicate, and elevate. Eureka Shoes Beautalina https://open.spotify.com/album/1bH16X7J5KU6YNJgDbEVL2?si=t0YsU9C7RVehdGdwc6hpdg

Artistic Director Steven Isserlis introduces Open Chamber Music, one of IMS Prussia Cove's biannual seminars. Open Chamber Music began in 1976, four years after the Masterclasses, when founder Sándor Végh invited some of the students to stay on and play chamber music with him. It has since grown into a three-week seminar taking place every September, with more than 120 musicians rehearsing and performing over 60 works of chamber music together, in ensembles that combine younger musicians with more experienced performers. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: Stuart Arrandale Tim Crawford Jenna Sherry Tim Boulton Patrick Bailey Millie Ashton Laura MacDonald Susanna Patterson Helena Winkelman Amy Harman Alice Neary Erich Höbarth Melissa Phelps Tom Poster Alec Frank-Gemmell Narrator: Samuel West @exitthelemming Series Producer: Melissa FitzGerald @Melissafitzg Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Beethoven String Quartet in F major Op.135 Musicians: Daniel Phillips, David Adams, violin; Thomas Riebl, viola; Jeong Hyoun Christine Lee, cello Recorded OCM 2016, Friday 23 September, Richard Lander School in Truro Leoš Janáček String Quartet No. 1 ‘Kreutzer Sonata' Musicians: Maria Włoszczowska violin; Tim Crawford violin; Clare Finnimore viola; Tim Posner cello. Recorded OCM 2021, Saturday 25 September, St Michael's Mount, Wolfgang Amadeus Mozart, Divertimento for String Trio in E Flat, K.563 Musicians: Maria Wloszczowska violin; Blythe Teh-Engstroem viola; Steven Isserlis cello Recorded OCM 2021, Saturday 25 September, St Michael's Mount ‘Chicken on a Fence Post' played by school children participating in the outreach workshops, alongside IMS musicians Lesley Hatfield, Millie Ashton, violins; Tim Boulton, violin; Laura MacDonald, cello Shostakovich String Quartet No.8 Musicians: Lesley Hatfield, Millie Ashton, violins; Tim Boulton, violin; Laura MacDonald, cello Helena Winkelman, Gott-Fa for Bassoon and String Quartet Musicians: Helena Winkelman, Tim Crawford, violin; Georgia Russell, viola; Tim Posner, cello;  Amy Harman, bassoon Recorded OCM 2021, during rehearsal Schumann Piano Trio in D minor Musicians: Barbara Doll, violin; Alice Neary, cello; Anton Kernjak, piano Recorded OCM 2022 Sunday 25th September, Princess Pavilion Falmouth, Reger String Sextet Musicians: Erich Höbarth, Corey Cerovsek, violin; Thomas Riebl, Celia Libertad Elíaz, viola; Christoph Richter, Natania Hoffman, cello Recorded OCM 2022, Sunday 25th September, Princess Pavillion Falmouth, Schoenberg, Verklärte Nacht (Transfigured Night) Musicians: Alessandro Ruisi, Larissa Cidlinsky, violin, Garfield Jackson, Anna Puig Torne, viola, Laura MacDonald, Bas Jongen, cello Recorded OCM 2023, Saturday 30th September – Trelowarren Chapel Bacewicz, Piano Quintet Musicians: Jackie Shave, Kiarra Saito-Beckman, violin; Celia Libertad Eliaz, viola; Sam de Caprio, cello; Tom Poster, piano Recorded OCM 2022, Friday 23 September, St John's Hall Penzance. Johannes Brahms, Horn Trio in E Flat Op 40 Musicians: Arisa Fujita, violin; Alec Frank-Gemmill, horn; Alasdair Beatson, piano Recorded OCM Tour 2021, Thursday 1 October, Wigmore Hall, London Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc X @ims_pc www.i-m-s.org.uk

Das portugiesische Lisboa String Trio prägt mit seiner Musik einen ganz eigenen Stil aus Jazz und Kammermusik. Sein neues Album lässt auifhorchen, findet SWR2 Musikkritiker Georg Waßmuth.

WE ARE BACK for the SEASON, PODIENCE! What happened to us? Well...better answer is what DIDN'T HAPPEN TO US cause we MAY or MAY NOT HAVE gotten abducted by aliens/UAPs, been soft recruited by the CIA, coerced into being mascots at a corn husk shucking competition by an oddly tall and convcing Tom Cruise look-alike... ANYWAY, we are SO HAPPY to have the ILLUSTRIOUS international man of violin, Filip Pogády, on the pod. We lured him into our car pod lair under the guise of an easy gig upstate. WARNING - THIS IS OUR FIRST CAR POD. NEXT CAR POD WILL SOUND BETTER BUT THIS STILL SOUNDS GOOD ENOUGH, SCOUTS DISHONOR.  In this episode, we embarass ourselves, talk sh*t about being a good classical music baby, etc. all while Caroline tries masterfully not to crash!         

本期空岛「遗落的歌」我们邀请到的是来自中国爱乐乐团的弦乐四重奏组合「麒麟四重奏」，四位音乐家除中提琴王子洋外，小提琴赵婵、徐鼎力与大提琴杨长缨均已顺利抵达空岛，并分享了他们私藏的古典音乐歌单，带领大家近距离地感受他们所理解的音乐的极境。本期节目，舒伯特、贝多芬、马勒等大师的作品依次奏响，古典音乐带给人的震撼，不仅是在于演奏的高超技术，它所蕴含的演奏者和作品之间微妙细腻的情感才最让人动容。在静谧的夜色里，抛开杂念，把身体和灵魂统统交给音乐，跟随三位的讲述，慢慢走入音乐的极境之处～温馨提示，因为时长原因，在节目中无法完全展示每首歌的魅力，大家感兴趣的话不妨找来全曲听一听。00:05:56 Emerson String Quartet - Beethoven String Quartet In F Major Op.18 No.1:2rd Adagio affettuoso ed appassionato（埃默森四重奏 - 贝多芬F大调弦乐四重奏，作品18 之一，二乐章）00:09:58 Ian Bostridge - Schubert 《Du bist die Ruh》D.776（伊恩·博斯崔吉 - 舒伯特 《你是安宁》 作品776）00:15:06 Leonard Bernstein,New York Philharmonic - Mahler Symphony No. 3：VI. Langsam. Ruhevoll. Empfunden（伯恩斯坦&纽约交响乐团 - 马勒第三交响曲第6乐章）00:20:46 麒麟四重奏 - 卡契尼《圣母颂》（live）（Giulio Caccini - 《Ave-Maria》）00:26:58 Takács Quartet - Brahms String Quartet No.2 in a minor, Op.51 No.2：1. Allegro non troppo（塔卡契四重奏 - 勃拉姆斯a小调弦乐四重奏，作品51之二，一乐章）00:36:15 Mstislav Rostropovich,Emerson String Quartet,Franz Schubert - String Quintet in C Major, D. 956：II. Adagio（姆斯蒂斯拉夫·罗斯托罗波维奇&埃默森四重奏 - 舒伯特C大调弦乐五重奏第2乐章，作品号D. 956）00:41:26 Northern String Quartet - Samuel Barber Adagio for Strings, Op. 11（北方弦乐四重奏 - 赛谬尔·巴伯 柔板，作品11）00:46:38 Borodin Quartet - Tchaikovsky - String Quartet No.1 in d major, Op.11：2rd Andante cantabile（鲍罗丁弦乐四重奏 - 柴可夫斯基d小调第一弦乐四重奏，作品11，二乐章，《如歌的行板》）00:55:56 Galimir String Quartet,Harold Gomberg,Benjamin Britten - Fantasy for Oboe and String Trio in f Minor, Op. 2（Galimir弦乐四重奏&Harold Gomberg - 本杰明.布里顿f小调双簧管和弦乐三重奏幻想曲，作品2）01:03:13 Iskander Zakirov - Johannes Brahms Intermezzi：Op.118 No. 2 Andante teneramente（勃拉姆斯钢琴间奏曲，作品118之二）01:09:29 朱晓玫 - Bach Goldberg Variations, BWV 988（巴赫 哥德堡变奏曲，作品988）

Greetings! Phase One of today's program highlights a number of new releases, concluding with the emotional, "Journey's End," Neil Rolnick's reflection on the battle with cancer experienced by the his wife of 45 years, Wendy. The piece was commissioned and performed by Kathleen Supové who, as a personal friend of the couple, witnessed Wendy's heroic fight with the disease and Rolnick's role in caring for her throughout her illness.  In Phase Two, we celebrate the 86th revolution around the sun of Philip Glass, featuring some lesser known pieces. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter: https://twitter.com/envpusher1     2-4-23 PTE Playlist   Part II / Part III -  George Winstone w/ Ben Monder - Odysseus - digital self-release (2023) https://georgewinstone.bandcamp.com/album/odysseus   The Difference Is The Buildings Between Us - No Hay Banda / composer: Mauricio Pauly - I Had A Dream About This Place - No Hay Discos (2022) https://nohaybandamtl.bandcamp.com/album/i-had-a-dream-about-this-place   Over The Hill - Van der Graaf Generator - The Bath Forum Concert - Esoteric (2023) https://www.cherryred.co.uk/product/van-der-graaf-generator-the-bath-forum-concert-2cd-blu-ray-dvd-box-set-4-disc/    Journey's End - piano: Kathleen Supové / electronics - composer: Neil Rolnick - Lockdown Fantasies - Other Minds Records (2023) https://othermindsrecords.bandcamp.com/album/lockdown-fantasies   "Happy 86th Birthday, Philip Glass!"   Phaedra: Scene 2 for String Trio - violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 4 for Percussion & String Trio - percussion: Glenn Freeman / violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 6/Scene 14 for Guitar & String Trio - guitar: Paul Vondiziano / violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 15A for Percussion - Grand Valley State Univeristy Percussion Ensemble - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Truman Sleeps - Philip Glass - Soundtrack: The Truman Show - Milan (1998) https://philipglass.com/films/truman_show/   Changing Opinion - The Philip Glass Ensemble - vocal: Bernard Fowler / composer: Philip Glass / lyrics: Paul Simon - Songs from Liquid Days - Sony Masterworks (1985) https://philipglass.com/recordings/songs_from_liquid_days/   from Wichita Vortex Sutra - The Philip Glass Ensemble / Allen Ginsberg / composer: Philip Glass - Hydrogen Jukebox - Nonesuch (1993) https://philipglass.com/recordings/hydrogen_jukebox/   Offering - Ravi Shankar (raga melody) & Philip Glass (composition) - Passages - Private Music (1990) https://philipglass.com/recordings/passages/   #2 For Gaia - Phillip Glass, Mickey Hart, Kitaro - Freedom Chants From The Roof Of The World - Rykodisc (1989) https://folkways.si.edu/the-gyuto-monks/freedom-chants-from-the-roof-of-the-world/music/album/smithsonian        

Sergei Taneyev - String Trio: Scherzino Spectrum Concerts Berlin More info about today's track: Naxos 8.574367 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Franz Schubert - String Trio: Rondo Sergey Ostrovsky, violin Noemie Bialobroda, viola Daniel Mitnitsky, cello More info about today's track: Naxos 8.573891 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Ludwig van Beethoven - String Trio No. 1: Finale Attila Falvay, violin Janos Fejervari, viola Gyorgy Eder, cello More info about today's track: Naxos 8.557895 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Erno Dohnanyi - Serenade for String Trio: Theme and Variations Spectrum Concerts Berlin More info about today's track: Naxos 8.557153 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Time for Three — Letters for the Future (DG) Jump to giveaway form New Classical Tracks - Time for Three by “This is Kevin Puts; he's our new member, our composer in residence — ‘Time for Four.'” The members of the string trio Time for Three — violinists Nick Kendall and Charles Yang, and bassist Ranaan Meyer — are talking about Puts and his involvement on their latest album, Letters for the Future, which also includes music by composer Jennifer Higdon. Meyer: “We've been on this journey for a while. When we started out, we were this band that was discovering a common ground with classical music. We had this desire and inquisitive nature of wanting to explore all different genres. “Now fast-forward to today, and we're here to talk about our recording with the Philadelphia Orchestra, which features Jennifer Higdon's work that was also the very first concerto that was ever written for us back in 2008. Here is an exclusive performance for YourClassical MPR of the Cadenza from Higdon's Concerto 4-3: Watch now “We're also super excited about our latest concerto, Contact, by Kevin Puts. In addition to being a sensational composer and writing gorgeous music that is incredibly storytelling in nature, he is like-minded to our group, which pushes us forward on our instruments.” How is this album a homecoming for the group? Kendall: “When Ranaan and I attended the Curtis Institute of Music in the late ‘90s, Mark O'Connor, Edgar Meyer and Yo-Yo Ma released Appalachian Waltz, which blew our minds. At that time, it also seemed natural for Time for Three to do the same. We had this incredible opportunity with the Philadelphia Orchestra with help from maestro Christoph Eschenbach. “Eschenbach saw this energy from us and thought if he could put these virtuoso musicians in the hands of a master composer, who would that be? We had a meeting with him, and both of our lists had Jennifer Higdon, who was a teacher at Curtis. That is the story behind Concerto 4-3.” Can you talk about the creativity behind Contact? Puts: “I thought it was an interesting idea to start with nothing but a three-voice chorale and then gradually elaborate on that. As far as there being a message, I didn't really think of it that way until later. We realized what we were working on a piece about all the different forms of contact.” Here's an exclusive performance of Puts' Gankino Horo, which is not featured on the album: Watch now To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Time for Three New Classical Tracks: Time for Three Time for Three Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Time for Three — Letters for the Future (DG store) Time for Three — Letters for the Future (Amazon) Time for Three (official site)

To learn more, please visit the websites of Terezín Music Foundation and its project Our Will to Live.SHOW NOTES:00:02:45 Foundation of Terezín Music Foundation00:06:30 Our Will To Live00:08:30 Ullmann as guide through Terezin's cultural community 00:09:35 Otto Weininger00:12:20 Ullmann's essays on Sigmund Schul included in Our Will To Live00:13:30 Ullmann's critiques of Carman and Verdi's Requiem00:14:45 Viktor Frankl00:18:40 Council of Elders member Karel Herman00:22:50 smuggling musical instruments00:24:55 Ullmann's critique of performance by Karel Švenk00:26:05 knowledge of environment and history of creators enriches understanding of their work00:26:10 George Horner00:29:15 Yo-Yo Ma's work with TMF00:30:45 Yo-Yo Ma and George Horner's performance at Boston's Symphony Hall00:32:45 Ludwig's performance of Klein's Lullabye for Dalai Lama at US Capital and in Sarajevo after seige00:33:20 Our Will To Live as a work of historical justice00:33:50 Primo Levy's The Drowned and The Saved00:35:00 How tracks for Our Will To Live were choosen00:35:40 Karel Berman's performance of “A Sleepless Night” from Four Songs on Chinese poetry00:36:00 cabaret works by Karel Svenk00:37:15 Tracks of the month by OWTL00:38:15 TMF's ‘Finding A Voice' program curriculum00:39:55 enabling individuals to find their voice 00:40:50 social justice and the voice of society00:41:20 voices of Ullmann, Hans Krása,  Gideon Klein00:42:05 Friedl Dicker-Brandeis 00:44:50 Pavel Haas' “A Sleepless Night” from Four Songs on Chinese Poetry00:46:20 Gideon Klein's String Trio, Second movement00:46:55 Ullmann's Third String Quartet00:47:40 Hans Krása's children's opera Brundibar 00:48:10 Krása's Passacaglia and Fugue for String Trio 00:48:50 Picasso's Guernica00:49:30 Ullmann's Don Quixote Overture 00:51:10 TMF's legacy00:55:40  Track 27 Viktor Ullmann, Third String Quartet [13:38] (Terezín, 1943)performed by Hawthorne String Quartet01:09:45 Track 11 Gideon Klein, String Trio, Movement II — Theme and Variations [07:17] (Terezín, 1944), performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:17:45 Track 12 Gideon Klein, String Trio, Movement III — Molto Vivace [03:04] (Terezín, 1944) performed by Ronan Lefkowitz, violin; Mark Ludwig, viola; Sato Knudsen, cello01:21:05 Track 16 Pavel Haas, Four Songs on Chinese Poetry (for Karel Berman) “A Sleepless Night” (Han Yu [14:11] (Terezín, 1944) performed by Karel Berman, baritone, and Přemsyl Charnát, piano, November 1991 Czech Radio broadcast of a concert featuring Terezín composers in the Jewish Town Hall, Prague.01:25:10 Track 29 Karel Švenk, “Why Does the Black Man Sit at the Back of the Car?” [01:16] (Terezín, 1943) Arrangement by David L. Post; performed by Thomas Martin, clarinet, and Hawthorne String QuartetTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]For more details about joining the monthly discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Hope to see you there!

Synopsis In 1949, while on his deathbed, the German composer Richard Strauss supposedly turned to his beloved daughter-in-law, and said: “Funny thing, Alice. Dying is just the way I composed it in ‘Death and Transfiguration.” Strauss was referring to a tone-poem he had written some 60 years earlier depicting an artist on his deathbed, reviewing his life in art between bouts of an eventually fatal fever. On today's date in 1951, the Austrian composer Arnold Schoenberg was on his deathbed in Los Angeles, on a Friday the 13th, in fact. Now, Schoenberg had a “thing” about numbers. He developed an atonal “12-tone” style of composition, and assigned a mystical, quasi-religious significance to numbers. One might imagine Schoenberg on his deathbed, turning to someone he loved and said: “Funny thing: I'm dying on Friday the 13th at the age of 76, which, numerically speaking, is 7+6, or 13, don't you see... ” Well we do know that in 1946, after suffering a near-fatal heart attack, Schoenberg wrote a String Trio and told his friend Thomas Mann it was a musical representation of both that coronary incident and its subsequent medical treatment, including, at one point, the penetration of a hypodermic needle! Music Played in Today's Program Richard Strauss (1864 – 1949): Death and Transfiguration (Berlin Philharmonic; Herbert von Karajan, cond.) DG 447 422 Arnold Schoenberg (1874 – 1951): String Trio, Op. 45 (Members of the Juilliard String Quartet) Sony 47690

Synopsis In 1949, while on his deathbed, the German composer Richard Strauss supposedly turned to his beloved daughter-in-law, and said: “Funny thing, Alice. Dying is just the way I composed it in ‘Death and Transfiguration.” Strauss was referring to a tone-poem he had written some 60 years earlier depicting an artist on his deathbed, reviewing his life in art between bouts of an eventually fatal fever. On today's date in 1951, the Austrian composer Arnold Schoenberg was on his deathbed in Los Angeles, on a Friday the 13th, in fact. Now, Schoenberg had a “thing” about numbers. He developed an atonal “12-tone” style of composition, and assigned a mystical, quasi-religious significance to numbers. One might imagine Schoenberg on his deathbed, turning to someone he loved and said: “Funny thing: I'm dying on Friday the 13th at the age of 76, which, numerically speaking, is 7+6, or 13, don't you see... ” Well we do know that in 1946, after suffering a near-fatal heart attack, Schoenberg wrote a String Trio and told his friend Thomas Mann it was a musical representation of both that coronary incident and its subsequent medical treatment, including, at one point, the penetration of a hypodermic needle! Music Played in Today's Program Richard Strauss (1864 – 1949): Death and Transfiguration (Berlin Philharmonic; Herbert von Karajan, cond.) DG 447 422 Arnold Schoenberg (1874 – 1951): String Trio, Op. 45 (Members of the Juilliard String Quartet) Sony 47690

Er zijn meerdere persoonlijke verhalen te vertellen over deze cd van Prisma String Trio: La muse. Voor Elisabeth Smalt is met name de cyclus 'La muse menagere' van grote emotionele betekenis. Milhaud schreef het voor zijn vrouw, de begaafde Madeleine, die voor hem zorgde toen hij steeds zieker werd. Hij schreef de deeltjes, voor piano, in het geheim. Over het huiselijke leven, de keuken, poezie lezen, het huishouden, de dingen die je samen doet in de tijd die je gegund is. De man van Elisabeth Smalt, Bob Gilmore, werd ziek in 2012, en dat bleek ongeneselijk. Ook zijn vrouw moest voor hem gaan zorgen. Gilmore kende de cyclus van Milhaud en bewerkte het eerste deel, La mienne voor zijn vrouw en haar trio. Uiteindelijk zijn het er zes geworden. De andere delen werden bewerkt door Petra Griffioen, Tim Kliphuis en Marijn van Prooijen. Zo ontstond een echte Hollandse Nieuwe! waarop schitterend gemusiceerd wordt, vanuit de ziel. Hier kun je de cd bestellen, als je dat wilt: www.prismatrio.nl

In our 45th edition of La Musica Chamber Music Hour, we will be pleased to hear: String Trio in B-flat Major by Franz Schubert String Quintet in A Major by Felix Mendelssohn Piano Trio in G minor by Smetana Musicians are: Federico Agostini and Cecilia Ziano - violins Hsin-Yun Huang, Bruno Giuranna - violas JeongHyoun Lee, Antonio Meneses - cellos Derek Han - piano This concert was recorded live on April 9, 2017. We wish to thank the staff and musicians from La Musica International Chamber Music Festival for allowing us to broadcast this concert to our international audience. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p403/1338_La_Musica_Chamber_Music_Hour_%2345.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Keyboard Quartet in G Major, WB 66 by Johann Christian Bach Divertimento for String Trio in E-flat Major, K. 563 by Wolfgang Amadeus Mozart ​Piano Quartet in D Major, Op. 23 by Antonin Dvorak Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p381/La_Musica_International_Chamber_Music_Festival_%2344.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Have you ever listened to a song and wondered, "how would this sound in a different genre?" There are so many different kinds of music - Western Classical, Jazz, Rock, Pop, Hindustani Classical - and each one, apart from having very different notational styles, gives off a certain vibe. But is it possible to take a song from one of these styles, but reinvent it in another? That's what we are doing in this episode. We are taking The Police's "Message in a Bottle", a 1979 Rock classic, and reimagining it, but as a classical String Trio! Listen as I break the song into different musical segments, reimagine each one, and rebuild the song with the same tune, but a completely different vibe - the sound of a Classical piece.

We'll focus on the Cello Sonata in F Major, Op. 5, No.1 and the String Trio in G Major, Op. 9, No. 1.

Donald Macleod is joined by Raphael Wallfisch and Sara Bitlloch to discuss Beethoven’s early chamber music. All through 2020, Donald Macleod takes an unprecedented deep dive into the compelling story and extraordinary music of Ludwig van Beethoven. In this uniquely ambitious series, told across 125 episodes of Composer of the Week, Donald puts us inside Beethoven’s world and explores his hopes, struggles and perseverance in all the colourful detail this amazing narrative deserves. Alongside this in-depth biography, Donald will also be meeting and talking to Beethoven enthusiasts and experts from across the world to discover how his music continues to speak to us in the 21st century. Through story and sound, the series builds into a vivid new portrait of this composer, born 250 years ago this year, who made art that changed how people saw themselves and understood the world. This week, cellist Raphael Wallfisch and violinist Sara Bitlloch join Donald Macleod to talk about Beethoven’s early chamber music from 1795 to 1811, including beloved works such as the ‘Razumovsky’ quartets, the ‘Kreutzer’ violin sonata, and the ‘Ghost’ and ‘Archduke’ piano trios. Music featured: String Trio No 3 in G major: Op 9, No 1 (3rd movement - excerpt; 4th movement) Cello Sonata in F major Op 5 No 1 (Allegro) Piano Trio in C minor Op 1 No 3 (4th movement) String quartet in F major Op 18 No 1 (2nd movement) Violin Sonata in D major Op 12 No 1 (1st movement) Sonatina in C major for mandolin and piano WoO44 No 1 String Quartet in C minor Op 18 No 4 (3rd movement) Violin Sonata in A major Op 30 No 1 (3rd movement) Serenade in D major Op 8 (1st and 2nd movements) Cello Sonata No 2 in G minor Op 5 (1st movement) String Quintet in C major Op 29 (4th movement) Piano Trio Op 121a, “Kakadu Variations” String Quartet in F major No 7, Op 59 (“Razumovsky”) (4th movement) Violin Sonata in A major No. 9 Op 47 ("Kreutzer") (1st movement) Septet in E flat major for clarinet, horn, bassoon, violin, viola, cello and double bass Op 20 (2nd movement) String Quartet in C major Op 59 No 3 (“Razumovsky”) (1st movement) Piano Trio No 5 in D major Op 70 No 1 ("Ghost") (2nd movement) Violin Sonata No 5 in F major Op 24 ("Spring") (1st and 4th movements) String Quartet in E flat Op 74 (“Harp”) (1st movement) String Trio in C minor Op 9 No 3 (1st mvt) String Quartet in F minor (“Serioso”) Op 95 (1st and 4th mvts) Cello Sonata No. 3 in A major Op 69 (1st mvt) Piano Trio in B flat ("Archduke") Op 97 (1st mvt) Presented by Donald Macleod Produced by Iain Chambers for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Conversations with Friends https://www.bbc.co.uk/programmes/m000f5mp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

2020 (specifically, January 27) marks the 75th anniversary of the liberation of Auschwitz, the WWII concentration camp that is symbolic of the persecution and murder of millions of Jews and other groups by the Nazi regime. In addition to the handful of people who survived the camps, a small body of art, including music, has emerged over time. Music written by prisoners of the Nazis who persevered in their art despite the conditions. The string trio Black Oak Ensemble (violinist Desirée Ruhrstrat, violist Aurélian Fort Pederzoli and cellist David Cunliffe) first encounter of much of this music was in a shop in Budapest, and at first, they didn’t know the circumstances of the composers of these works. This debut disc is the result of several years of research and performance, including at the Czech camp at Terezín. The music is at times filled with a sense of foreboding, at other times sadness, but also great energy and even humor. They were written between the late 1920s (when the first signs of fascism were appearing in parts of Europe) to the 1930s era of persecution, and finally to the last years of the war (most of the composers went from places like Terezín, where artists were kept, to the death camps such as Auschwitz. Only one composer on the disc, Géza Frid, survived the war and lived in the Netherlands to 1989). The interview is with Cunliffe and Pederzoli, who share their unique connection and admiration for this music which, finally, is “silenced” no more.

Toru o Te Motu – Waiheke String Trio are Dr Joe Harrop (violin), David Rawsthorne (Viola) and Sally-Anne Brown (cello) Here, Toru o Te Motu present tMozarts grandiose Divertimento in E flat, K.563, for string trio. Consisting of 6 movements, including 2 minuet and trios, the work features one of Mozart's most endearing set of variations. Here we listen to the Andante variations and the final Allegro.

Belgia ansambel Goeyvaerts String Trio on pälvinud tunnustust oma erilise kõla ja esitusviisiga. Trio 2016. aastal ilmunud albumil kõlavad Henryk Gorecki ja Nikolai Korndorfi triod. Albumi on välja andnud Challenge Classics.

Belgia ansambel Goeyvaerts String Trio on pälvinud tunnustust oma erilise kõla ja esitusviisiga. Trio 2016. aastal ilmunud albumil kõlavad Henryk Gorecki ja Nikolai Korndorfi triod. Albumi on välja andnud Challenge Classics.

Nieuwe CD's van het The Hague String Trio en het Duo Bottasso, maar ook een opname van November Music 2018 met werk van Oene van Geel. Met muziek van Mendelssohn, Gideon Klein, het Duo Bottasso, Oene van Geel en Brian Eno.

Episodio #3: nos embarcamos en la vida del gran Wolfgang Amadeus Mozart:  ¿Quién fue Mozart? ¿Cómo fue Mozart de niño? ¿De qué murió Mozart? Son algunas de las preguntas que hacen los niños sobre este compositor y ¡vamos a contestarlas todas! Para más información del compositor, pinturas, aun video de La Flauta Mágica, consulta las notas del episodio en allegromagico.com/3 . Y si quieres saber 9 curiosidades de Mozart da click aquí.      En este episodio escucharás:    [00:25] Divertimento in E Flat Major for String Trio, K. 563 VI.Allegro  [00:56]  The Marriage of Figaro, K.492 Overture [02:15]  Serenade no.13 in G Major, K.525 “Eine Klein Nachtmusik” I. Allegro [03:24]  Lucio Silla, K.135, Act.2: “Ah se il crudel periglio” – Arleen Auger [05:30]  Cuarteto para cuerdas no.14, K.387: I. Allegro Vivace [06:21]  Concierto para clarinete K.622: II. Adagio [08:05]  12 Variaciones para piano “Ah, Vous dirai-je mamam” [09:45]  Sonata para piano no.11, K.331: III. Alla Turca [11:00]  Concierto para Oboe, K.314: I. Allegro Aperto [13:00]  Sinfonía no.40, K.550: I. Allegro Molto [14:45]  La Flauta Mágica, K.620 “Der Hölle Rache Kocht in meinem Herzen” – Maszella Holzapfel [16:11]  Réquiem para misa, K.626: VIII. Sequentia. Lacrimosa dies illa. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Sé parte de la comunidad de Allegro Mágico y la crianza musical en allegromagico.com/comunidad.  

The three newly published pieces on this recording were written in the decade following Mario Castelnuovo-Tedesco’s flight to the United States in 1939 in the wake of the proclamation of anti-Jewish laws by Italy’s fascist regime. The programme includes his Concerto No. 3 for Violin and Piano (1939–40), written for no less a figure than Jascha Heifetz; the String Trio for violin, viola and cello (1950); and the Sonata for Violin and Cello (1950) with its “diabolically difficult” finale, considered by the composer to be his best piece of chamber music. Raymond Bisha presents.

Support the Burning Ambulance podcast on Patreon: http://patreon.com/burningambulance Episode 22 of the Burning Ambulance podcast features an interview with violinist Regina Carter. She's one of the best known jazz violinists in the world, as well as a MacArthur fellow and a Grammy nominee. She’s originally from Detroit, and she got her start in an all-female group called Straight Ahead. From there, she moved to New York, joined the String Trio of New York with guitarist James Emery and bassist John Lindberg, and also started making solo records starting in 1995. She’s made 10 albums in all, including one that was a duo with pianist Kenny Barron. She’s worked with a broad range of musicians including Wynton Marsalis, Cassandra Wilson, Oliver Lake, Madeline Peyroux, Steve Turre, Terri Lyne Carrington, and James Carter, who’s also her cousin. Winning a Macarthur fellowship in 2006 has allowed her to work on some really interesting projects without having to convince a label of their value beforehand. Southern Comfort was an album that explored Appalachian and southern roots music as a way of tracing her own family’s history, and her latest album, Accentuate the Positive, which came out last year, was a tribute to Ella Fitzgerald, but it doesn’t feature the songs you’d expect. A lot of the pieces are obscure, and as a consequence she doesn’t really feel the need to perform them in a way that the listener might identify with Ella Fitzgerald. I met up with Regina Carter at NJPAC’s All-Female Jazz Residency, a week-long program for students from 14-25 in Newark, New Jersey. She was the artistic director, taking over from Geri Allen, who founded the program but who passed away suddenly a little over a year ago, in June 2017. The residency combines lectures and seminars with rehearsals and master classes, so that the women who are taking part learn from each other as well as from people who are already making careers in jazz. And it goes beyond music, as we talk about in this interview – they also learn about branding yourself and maintaining a social media presence, about what radio expects from an artist and how to make an impression on journalists and DJs, and other things that will allow them to become professionals and avoid pitfalls in their careers. I had originally planned for this to be a joint interview with Regina Carter, saxophonist Tia Fuller, and drummer Terri Lyne Carrington, all of whom participated in the residency, but it wound up just being a conversation with Ms. Carter. I think it’s really interesting, though, and she’s got a lot to say not only about her music but about the residency and the state of the jazz business, so I hope you’ll enjoy it.

Belgia ansambel Goeyvaerts String Trio on pälvinud tunnustust oma erilise kõla ja esitusviisiga. Trio 2016. aastal ilmunud albumil kõlavad Henryk Gorecki ja Nikolai Korndorfi triod.

Belgia ansambel Goeyvaerts String Trio on pälvinud tunnustust oma erilise kõla ja esitusviisiga. Trio 2016. aastal ilmunud albumil kõlavad Henryk Gorecki ja Nikolai Korndorfi triod.

To mark the finale of the Stem Cell Exchanges exhibition we held an evening for the stem cell curious, headlined by performance poets Fay Roberts, Robin Lamboll, J.S Watts, Emma Ormond, Benedict Cox and Nikki Marrone. The evening also provided an opportunity for visitors to speak to the artists and scientists behind the artworks in the exhibition, and try their hand at a Neural Knitwork, accompanied by a String Trio.

To mark the finale of the Stem Cell Exchanges exhibition we held an evening for the stem cell curious, headlined by performance poets Fay Roberts, Robin Lamboll, J.S Watts, Emma Ormond, Benedict Cox and Nikki Marrone. The evening also provided an opportunity for visitors to speak to the artists and scientists behind the artworks in the exhibition, and try their hand at a Neural Knitwork, accompanied by a String Trio.

TwoFawns. 1st track with my violin. Somebody needs to knock the dust off.

Tom looks at Schoenberg's plea to musicians to play the correct notes in his String Trio, and why it matters so much to his serial music... 'A true musician, reading the score during the performance of one of my later works, went to the artists' room and showed the players many errors, faults, and other shortcomings he had observed in their rendition. He was given the very strange answer: "Maybe, but nobody noticed that!" Strange indeed! Strange at first the morale, which compares very well to a viewpoint excusing a crime if it cannot be proven. But strange also the logic to make such a contention when facing a man who has noticed those "differences." It seems, these players expected nobody would notice differences, which probably they themselves did not notice.' - Arnold Schoenberg 1949 Archive audio and photos with kind permission of Arnold Schönberg Center, Wien

On today's show, violinist Diana Monroe. I spent most pf the 90s living in San Francisco and when I returned to my old home of Philadelphia around 2000, I was struck by how rich a pool of musical talent existed in Philadelphia, particularly across the world of Philadelphia jazz. A great place for talent spotting is in Bobby Zankel's incredible jazz orchestra, The Warriors of the Wonderful Sound a striking group led by saxophonist and composer Bobby Zankel whose numbers can swell to a dozen and beyond, all instrumentalists that can play the music to the highest standards. But for me, Diane's fiery and passionate violin playing always stood out as particularly beguiling and brilliant. Entering her name in Google and looking at her credentials informed me on how rich and varied her career has been, from leading the string quartet in Max Roch's ground-breaking Double Quartet, to playing with Wynton Marsalis and Yo Yo Ma and touring with Barbara Streisand, Monroe has been a first-rank session musician and in recent years has turned her attention to jazz improvisation. We finally got to sit down and have a conversation at the studios of WPRB to talk about her music and her life recently, we'll hear that conversation as well as sample her music, in duo with vibraphonist Tony Micelli, with Max Roach's Double Quartet, with The String Trio of New York and finally, alone with a solo piece. I was completely charmed talking the Diane and impressed at how completely she's committed herself to the music.

The next concert in the Calary 2016 series will be performed at 8 pm on Thursday September 8th by Musici Ireland. The performers will be Helena Wood (violin), Beth McNinch (viola) and Grainne Hope (cello). Their programme will be Beethoven’s Op.3 in Eb followed by Boccherini’s String Trio in D major, Op.14, No.4 and ending with Dohnanyi’s Serenade Opus 10. The concert will take place in Calary Church off the Roundwood Road. Tickets, which are €18 and €15 for concessions, can be booked by ringing John at (01) 2818146 or by email to derekneilson@eircom.net

Nov. 11, 2012. Students of the Peabody Preparatory Performance Academy for Strings perform American composer Irving Fine's Fantasia for string trio. This performance was the culmination of a master class led by Pulitzer-winning composer Richard Wernick. Produced in conjunction with the Library of Congress Irving Fine Centennial Festival. Speaker Biography: Born 1934 in Boston, Richard Wernick's many awards include the 1977 Pulitzer Prize in Music, and three Kennedy Center Friedheim Awards -- the only two-time First Prize recipient. He received the Alfred I. Dupont Award from the Delaware Symphony Orchestra in 2000, and has been honored by awards from the Ford Foundation, Guggenheim Foundation, National Institute of Arts and Letters and the National Endowment for the Arts. In 2006, he received the Composer of the Year Award from the Classical Recording Foundation, resulting in the funding for an all-Wernick CD on the Bridge label, and featuring performances by David Starobin, William Purvis, the Juilliard String Quartet and the Colorado Quartet. Wernick became renowned as a teacher during his tenure at the University of Pennsylvania, where he taught from 1968 until his retirement in 1996, and was Magnin Professor of Humanities. He has composed numerous solo, chamber, and orchestral works, vocal, choral and band compositions, as well as a large body of music for theater, films, ballet and television. For more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6873

Nov. 10, 2012. Pulitzer-winning composer Richard Wernick conducts a Master Class on the music of American composer Irving Fine to students from the Peabody Preparatory Performance Academy for Strings. This episode focuses on the middle movement of the Fantasia for string trio. Produced in conjunction with the Library of Congress Irving Fine Centennial Festival. Speaker Biography: Born 1934 in Boston, Massachusetts, Richard Wernick's many awards include the 1977 Pulitzer Prize in Music, and three Kennedy Center Friedheim Awards -- the only two-time First Prize recipient. He received the Alfred I. Dupont Award from the Delaware Symphony Orchestra in 2000, and has been honored by awards from the Ford Foundation, Guggenheim Foundation, National Institute of Arts and Letters, and the National Endowment for the Arts. In 2006, he received the Composer of the Year Award from the Classical Recording Foundation, resulting in the funding for an all-Wernick CD on the Bridge label, and featuring performances by David Starobin, William Purvis, the Juilliard String Quartet and the Colorado Quartet. Wernick became renowned as a teacher during his tenure at the University of Pennsylvania, where he taught from 1968 until his retirement in 1996, and was Magnin Professor of Humanities. He has composed numerous solo, chamber, and orchestral works, vocal, choral and band compositions, as well as a large body of music for theater, films, ballet and television. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6875

Nov. 10, 2012. Pulitzer-winning composer Richard Wernick conducts a Master Class on the music of American composer Irving Fine to students from the Peabody Preparatory Performance Academy for Strings. This episode focuses on the third movement of the Fantasia for string trio. Produced in conjunction with the Library of Congress Irving Fine Centennial Festival. Speaker Biography: Born 1934 in Boston, Richard Wernick's many awards include the 1977 Pulitzer Prize in Music, and three Kennedy Center Friedheim Awards -- the only two-time First Prize recipient. He received the Alfred I. Dupont Award from the Delaware Symphony Orchestra in 2000, and has been honored by awards from the Ford Foundation, Guggenheim Foundation, National Institute of Arts and Letters, and the National Endowment for the Arts. In 2006, he received the Composer of the Year Award from the Classical Recording Foundation, resulting in the funding for an all-Wernick CD on the Bridge label, and featuring performances by David Starobin, William Purvis, the Juilliard String Quartet and the Colorado Quartet. Wernick became renowned as a teacher during his tenure at the University of Pennsylvania, where he taught from 1968 until his retirement in 1996, and was Magnin Professor of Humanities. He has composed numerous solo, chamber, and orchestral works, vocal, choral and band compositions, as well as a large body of music for theater, films, ballet and television. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6874

Work for sextet by Beethoven performed by Musicians from Marlboro on May 10, 2015 and work for string trio by Beethoven performed by Musicians from Marlboro on November 13, 2005.Beethoven: Sextet in E-flat Major, Op. 81bBeethoven: String Trio in D Major, Op. 9, No. 2We’ll hear two Beethoven chamber works on this podcast…though one sounds suspiciously symphonic in scope. As the saying goes: three’s company, but six—apparently—is a crowd.We begin with the sonically oversized Sextet in E-flat Major, for two horns and string quartet. Though clearly chamber music, in terms of sheer numbers, the piece has the feel of a concerto, with the strings playing a supporting, “orchestra-style” role, and the horns offer a pastoral-sounding duet with no shortage of technical challenges.Then, we cut the forces in half for the more intimate but no less substantial String Trio in D Major, opus 9, number 2. Written a couple years after the sextet, this piece has a more collaborative character, with all three players taking equal part, and musical ideas at least as ambitious in scope as the sextet, if not more so. The first movement, for example, boasts not one theme, but three—all cleverly related and interwoven in the development section.Both performances on this podcast are by Musicians from Marlboro, a perennial favorite with Gardner Museum audiences. We begin with the sextet.

Discover the under-appreciated genius of Hindemith's bracing 'String Trio No 2', which will be performed by the all-star Zimmermann Trio at the Queen's Hall on Saturday 15 August.

Pat and Mike eff the ineffable as they explore the gamut from cocktail lounge tenor to downtown skronking strings. String Trio of New York – GUT REACTION; Andrew Hill – COMPULSION; Branford Marsalis – BLOOMINGTON; Stan Getz - GETZ/GILBERTO.

Nov. 10, 2012. Pulitzer-winning composer Richard Wernick conducts a Master Class on the music of American composer Irving Fine to students from the Peabody Preparatory Performance Academy for Strings. Produced in conjunction with the Library of Congress Irving Fine Centennial Festival. Speaker Biography: Born 1934 in Boston, Massachusetts, Richard Wernick's many awards include the 1977 Pulitzer Prize in Music, and three Kennedy Center Friedheim Awards -- the only two-time First Prize recipient. He received the Alfred I. Dupont Award from the Delaware Symphony Orchestra in 2000, and has been honored by awards from the Ford Foundation, Guggenheim Foundation, National Institute of Arts and Letters, and the National Endowment for the Arts. In 2006, he received the Composer of the Year Award from the Classical Recording Foundation, resulting in the funding for an all-Wernick CD on the Bridge label, and featuring performances by David Starobin, William Purvis, the Juilliard String Quartet and the Colorado Quartet. Wernick became renowned as a teacher during his tenure at the University of Pennsylvania, where he taught from 1968 until his retirement in 1996, and was Magnin Professor of Humanities. He has composed numerous solo, chamber, and orchestral works, vocal, choral and band compositions, as well as a large body of music for theater, films, ballet and television. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6556

Nov. 10, 2012. Pulitzer-winning composer Richard Wernick introduces the music of American composer Irving Fine to students from the Peabody Preparatory Performance Academy for Strings. Produced in conjunction with the Library of Congress Irving Fine Centennial Festival. Speaker Biography: Born 1934 in Boston, Massachusetts, Richard Wernick's many awards include the 1977 Pulitzer Prize in Music, and three Kennedy Center Friedheim Awards -- the only two-time First Prize recipient. He received the Alfred I. Dupont Award from the Delaware Symphony Orchestra in 2000, and has been honored by awards from the Ford Foundation, Guggenheim Foundation, National Institute of Arts and Letters, and the National Endowment for the Arts. In 2006, he received the Composer of the Year Award from the Classical Recording Foundation, resulting in the funding for an all-Wernick CD on the Bridge label, and featuring performances by David Starobin, William Purvis, the Juilliard String Quartet and the Colorado Quartet. Wernick became renowned as a teacher during his tenure at the University of Pennsylvania, where he taught from 1968 until his retirement in 1996, and was Magnin Professor of Humanities. He has composed numerous solo, chamber, and orchestral works, vocal, choral and band compositions, as well as a large body of music for theater, films, ballet and television. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6430

This edition entails a look back at episodes 30-50It is entitled Another 'Best of . . . 'The ContentThe Chocolate Watchband - I'm Not Like Everybody ElseThe Cascades - I Bet You Won't StayThe Fugitives - Come On NowLeapy Lee - King of the Whole Wide WorldThe U-Turns - Dedicated Follower of FashionGeorge Hamilton IV - When I Grow Too Old to DreamBilly May & His Orchestra - SerenadeJeanette MacDonald - One KissMantovani - Softly, As In a Morning SunriseFrankie Lymon - Lover, Come Back to MeCilla Black - Step Inside, Love (demo)The Spongetones - On the Wings of a NightingaleJohn Denver - JunkCherry Twister - Another DayPaul McCartney - Mull of Kintyre (demo)Gertrude Lawrence - Do, Do, DoPercival Mackey & His Band - That Certain FeelingThe Louisiana Rhythm Kings - SwaneeRoger Wolfe Kahn & His Orchestra - Clap Yo' HandsIrene Bordoni - I Won't Say I Will (But I Won't Say I Won't)Hugh Masekela - Up, Up and Away (live)The Associations - P.F. SloanThe Yokohama Knights - Where's the Playground, Susie?Dusty Springfield - Magic GardenThe Three Degrees - Everybody Gets to Go to the Moon (live)Bobby Short - I'm Throwing a Ball Tonight (live)Frank Sinatra - I've Got You Under My Skin (live)Ella Fitzgerald - Let's Do It (Let's Fall in Love) (live)Nat King Cole - Miss Otis Regrets (live)Dean Martin & Sammy Cahn - You're the Top (live)Alexis Korner' s Blues Incorporated – Haitian Fight SongHal Willner - Open Letter to DukeThe String Trio of New York - Pithecanthropus ErectusJack Walrath - Jump Monk (live)Duke Ellington & His Orchestra - The Clown (live)The Beatles - Don't Ever ChangeBarley-Bree - Sometime in the MorningHerman's Hermits - Walkin' With My AngelThe Rockin' Berries - He's in TownThe Zombies - Will You Love Me Tomorrow?David Boeddinghaus - A Real Slow Drag Scott Joplin - Original Rags (piano roll) The New England Conservatory Ragtime Ensemble - The Rag Time Dance Richard Zimmerman - Sunflower Slow Drag Joshua Rifkin - Solace: A Mexican Serenade Tom Lehrer - S-N (Snore, Sniff and Sneeze)Throw That Beat in the Garbagecan! - Somebody Come and PlayFrank Sinatra - Bein' GreenJoe Raposo - New Life ComingThe Carpenters - Sing (live)

The second or four programs on Chicago composers, featuring those of the recent past.   Playlist for August 7, 2013 Chicago Composers of the Recent Past WILLIAM FERRIS (1937–2000) Snowcarols IV. See amid the winter snow (8:21) From Snowcarols Cedille Records CDR 90000 101 (Track 13) William Ferris Chorale Composer Festival Orchestra Paul French, conductor WILLIAM FERRIS Lyrica Sacra (1962) (7:32) I. Qui Manducat Mean Carnem II. Qui Vult Venire Post Me III. Sicut Lilium From American Choral Premieres Cedille Records CDR 90000 109 (Tracks 10–12) William Ferris Chorale Paul French, conductor WILLIAM FERRIS Ed È Subito Sera IV. Forse il cuore (7:22) From Corridors of Light: Music of William Ferris Cedille Records CDR 7004 (Track 5) John Vorrasi, tenor Chicago String Ensemble Alan Heatherington, conductor COLERIDGE-TAYLOR PERKINSON (1932–2004) Generations: Sinfonietta No. 2 for Strings II. Alla sarabande (5:35) From African Heritage Symphonic Series, Vol. III Cedille Records CDR 90000 066 (Track 7) Chicago Sinfonietta Paul Freeman, conductor COLERIDGE-TAYLOR PERKINSON Sinfonietta No. 1 for Strings (1954–55) III. Rondo: Allegro furioso (6:17) From Coleridge-Taylor Perkinson: A Celebration Cedille Records CDR 90000 087 (Track 3) Chicago Sinfonietta Paul Freeman, conductor COLERIDGE-TAYLOR PERKINSON Blue/s Forms for Solo Violin (1972) II. Jettin’ Blue’s: Very Free (2:50) III. Jettin’ Blue’s: Fast (2:42) From Coleridge-Taylor Perkinson: A Celebration Cedille Records CDR 90000 087 (Track 9-10) Sanford Allen, violin COLERIDGE-TAYLOR PERKINSON Movement for String Trio (2004) (3:56) From Coleridge-Taylor Perkinson: A Celebration Cedille Records CDR 90000 087 (Track 16) Sanford Allen, violin Jesse Levine, viola Carter Brey, cello

Songs for piano trio and string trio by the Claremont Trio and Musicians from Ravinia's Steans Institute.Gabriela Frank: Folk Songs for Piano TrioErnő Dohnányi: Serenade Op. 10 (String Trio)We are all, in one way or another, a product of the culture into which we are born. This week’s podcast features music by two composers who built on those roots.We’ll begin with a recording of the Claremont Trio performing a new work, a piece commissioned for the opening season at the Gardner’s new Calderwood Hall. Simply titled "Folk Songs for Piano Trio", the piece was written by Gabriela Lena Frank. Born in Berkeley, California, to a mother of mixed Peruvian/Chinese ancestry and a father of Lithuanian/Jewish descent, Frank is deeply interested in identity and culture. In this piece, she was especially inspired by her mother’s Peruvian heritage; the composer describes it as “a series of snapshots of Andean life.” It’s a wonderfully imaginative, engaging work, and one that the Claremont Trio--for whom it was written---will no doubt long enjoy playing.Next, we have another trio, this one Dohnanyi’s Serenade for String Trio, performed by Musicians from Ravinia’s Steans Music Institute. Dohnanyi was vitally important to musical life in his native Hungary, sand in this string trio, it is easy to detect the distinct influence of Hungarian folk music, particularly in the first and final movements.Before our trip to Hungary, though, we’ll begin in the Andes, with Frank’s "Folk Songs for Piano Trio."

Your host for this edition of Radio Free Gunslinger is James BaldwinThe ContentFirst Sequence:The Dutch Jazz Orchestra - Lush LifeBilly Strayhorn - Something to Live ForArt Tatum - Just a-Sittin' and a-Rockin'The Vince Guaraldi Trio - A Flower is a Lovesome ThingChico Hamilton - Day DreamSecond Sequence:The Gil Evans Orchestra - Straight, No ChaserThe Kurt Rosenwinkel Standards Trio - Ask Me NowFred Hersch - EvidenceDavey Graham - Blue MonkThe ICP Orchestra - EpistrophyThird Sequence:Ron Carter, Christian McBride & Don Byron - SolitudeCharles Mingus - Things Ain't What They Used to BeJohnny Hodges - Don't Get Around Much AnymoreThelonious Monk - Black and Tan FantasyDizzy Gillespie - Do Nothing Till You Hear from MeFourth Sequence:Alexis Korner' s Blues Incorporated – Haitian Fight SongHal Willner - Open Letter to DukeThe String Trio of New York - Pithecanthropus ErectusJack Walrath - Jump Monk (live)Duke Ellington & His Orchestra - The Clown (live)Summation:The Jazz Composer's Orchestra - Roast

Misha Donat recommends a version from the recordings of Mozart's String Trio in Eb K563

Zita Swoon Group met twee Griots uit Burkina Faso: zangeres Awa Démé en op balafon Mamadou Diabaté, Goeyvaerts String Trio heeft een nieuwe cd met componisten uit de voormalige Sovjet Unie, Serie Meesterpianisten sinds 1987 jaarlijks in het Concertgebouw: nu de jongste meesterpianist: Arthur Jussen Goeyvaerts String Trio Het huidige [...]

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

MIT OCW: 21M.542 Interdisciplinary Approaches to Musical Time, IAP 2010

Beethoven: String Trio in G Major, Op. 9, No. 1Ives: Piano TrioToday we focus on significant trios, from the old and new worlds. A relatively early trio, Beethoven’s String Trio in G Major, may have been an experiment with some of the ideas he would later bring to the symphonic realm. Beethoven plays with form in the movements, surprising listeners with stop-and-start repeats in the scherzo and vividly contrasting themes in the final movement. Charles Ives’ Piano Trio, completed in 1911, went unperformed for years, finally unearthed in 1948 by a music faculty trio in Ohio. In typical Ives fashion, snippets of a number of folk and popular songs interject, particularly in the scherzo. Listen for, among others, "My Old Kentucky Home," "Sailor's Hornpipe," "and "Long, Long Ago.”

G.L. had a bunch of e-mails from students and educators. We found a few to answer on the show. We found room for a monologue from Fantasia for String Trio (Jonathan Donahue), and one from Beyond Measure (Geralyn Horton), and one from Conventional Behavior (David Meyer).

Last week we had no time for monologues, this week we have three. Jonathan Donahue, a Boston-based actor just cast as the lead in indie film "Revolution", reads a monologue from G.L.'s one-act Fantasia for String Trio. June Lewin, who spoke with us last week about the musical Martha Mitchell in Mostly Her Own Words is reading a flashback, and John M. Costa reads a monologue from the full length play Inquest.