Podcast appearances and mentions of brendan dawes

The Movie Show was live from The Megaplex at the Gateway, one of the host theaters of the Sundance Film Festival 2024. Rachel Wagner of the UFCA rachelsreviews.net joined Andy & Steve live to review Girls State.  Michael John Warren director of the docuseries Lolla: The Story of Lollapalooza joined the show and talked about his 2 part series premiering at Sundance and streaming soon on Paramount +.   Director Gary Hustwit and Brendan Dawes the head of programming joined Andy & Steve to talk about the work that went into their film Eno. They say not every show is the same.    The Movie Show with Andy Farnsworth and Steve Salles. Listen on Fridays from 9 am to Noon at 102.7 FM & 1160 AM, kslnewsradio.com, or on the KSL NewsRadio App. Follow the show on Facebook at @TheMovieShow and join The Movie Show Club for exclusive perks! Text "Movie" to 57500. The Movie Show podcast is sponsored by Megaplex Theatres, Utah's premiere movie entertainment company. 

00:00 Intro 00:19 Market Overview 06:16 Memeland 08:11 Notable Sales: Impossible Proclamation by Botto Project, 4.2 ETH; Seafood Tower  by socmplxd: 8.25 ETH; Three Steps Forward by Brendan Dawes, 5 ETH; Five Eyes Auction by XCOPY, current bid 97 ETH _________ Subscribe to PROOF on YouTube:  https://www.youtube.com/channel/UCOaX0Vu-dWB7bNjFMnbBo2A?sub_confirmation=1 Follow us on other platforms: Proof Podcasts Twitter | http://www.twitter.com/proofpodcasts  Telegram | https://t.me/proofcountdown  NFTstatistics Twitter | http://www.twitter.com/punk9059  Proof Twitter | http://www.twitter.com/proof_xyz NFTstatistics Presentation Deck  https://docs.google.com/presentation/d/131PRMHIvwXNMOuS5Cdm-961TAwy7t9WO7pXjse1AWuw/edit?usp=sharing 

Hoy me acompaña Pep Salazar, Director del Festival de Creatividad Digital y Diseño OFFF y de la exposición Digital Impact, para hablar del arte digital y la gestión cultural. En sus 20 años de carrera, Pep ha liderado proyectos en las industrias creativas, en el ámbito público y privado y a escala internacional, como Sonar, Teatre Lliure, CCCB, La Fura dels Baus, L'Auditori, Cultura 03, Mobile World Congress, entre otros. En esta conversación, hablamos sobre la exposición "Digital Impact" que se inaugura el 27 de abril en el Disseny Hub Barcelona y podrá visitarse hasta el 28 de agosto. Contará con 16 artistas de reconocimiento internacional como Refik Anadol, Universal Everything, Random International, Brendan Dawes y Field, además de los locales Domestic Data Streamers, Alba G. Corral y Antoni Arola. Pep nos explica como esta exposición permitirá explorar y reflexionar sobre el paradigma digital y el futuro del arte en la era digital. También comentamos la necesidad de alfabetizarnos en este nuevo vocabulario de arte digital y la importancia de que hayan propuestas para poder generar un criterio propio. Pep comenta por qué Barcelona está en una posición líder en arte digital y acabamos hablando de la gestión cultural y las características que tiene que tener un buen gestor. Finalmente, comentamos la importancia de la colaboración público privada en la cultura y la necesidad de resolver uno de los temas más importantes en cultura: la precariedad. Puedes seguirme en instagram en @elmundodelartepod para estar al día de invitados y temas!

UK-based artist, Brendan Dawes, discusses being a full-time artist.

The President of the EU Commission, Ursula von der Leyen, focussed on the unfolding energy crisis in Europe. She said the EU was committed to protecting citizens and business from soaring costs, and called for cuts to electricity use and windfall taxes on energy firms. We hear from Riina Sikkut, Estonia's Minister of Economic Affairs and Infrastructure. The Detroit Motor Show starts this week, and its star guest is US President Joe Biden. We speak to Paul Eisenstein of the Detroit Bureau website who explains the importance of the event. And could the card payments market soon be welcoming new players to operate alongside Visa and Mastercard? More than 1,600 merchants in the US have asked for legislation to be passed that could see other operators enter the industry - and potentially reduce processing fees. And New York's Museum of Modern Art - or MOMA - has announced it's heading into the world of NFTs. Brendan Dawes, NFT & Digital Artist, tells us how this might change what is considered - and valued as - art. Will Bain is joined throughout the programme by Takara Small, freelance technology reporter in Canada, and by Zyma Islam, reporter at the Daily Star in Dhaka in Bangladesh. (Picture: European Commission President Ursula von der Leyen. Credit: Getty Images)

Today's guest is Brendan Dawes - an award-winning artist whose career has focused on using generative processes involving data, machine learning and algorithms, to create interactive installations, electronic objects, online experiences, data visualisations, motion graphics and screen and print work.His work has been celebrated all over the world including three Museum of Modern Art (MoMA) exhibitions in NY and his Cinema Redux project - which we discuss in this interview – actually became part of the permanent MoMA collection in 2008.Brendan now focuses his time on NFTs with his first being sold within one hour of its launch on the KnownOrigin platform, and was acquired by the legendary NFT collector WhaleShark. Brendan went on to release a collection on Nifty Gateway which sold out in less than a minute! In today's episode, we discuss NFTs and the impact they have had on the design world, how the tough times in Brendan's career led to his success, and how being included in Sotheby's first NFT auction was such a pivotal moment for him, and the industry.I am a huge fan of Brendan and his work and urge you to find him on Twitter and follow him. And if you want to check out his work, he has another drop scheduled on Nifty Gateway for 23rd February so do check it out – it's called 16Bit Machine Dreams and it's the third and final part of his machine dreams series, inspired by video games.Enjoy!Mentioned in Episode:The Art of Cyber SecurityBrendan Twitter / Instagram / WebsiteDanielle Twitter / Instagram / NewsletterEpisode edited by Jolin Cheng 

Welcome to the Danielle Newnham Podcast where I interview tech founders and innovators to learn the inspiring, human, stories behind the game-changing tech we use every day. I am so excited to be back and I have another incredible lineup of guests this year which I can't wait to share with you so don't forget to subscribe wherever you listen to your podcasts so you don't miss out.Just so you know, I am changing things a little bit this year and trialling weekly episodes vs different series so let me know what you think.And as always, I will be talking to really inspiring founders, innovators and investors about a myriad of topics from reimagining education to NFTs, impact investing, accessible tech and the highs and lows of building game-changing products. There's also a big focus on the human side of these stories this year so do hit the subscribe button to be the first to hear each one.Finally, I hope you all had a wonderful break and are raring to go in 2022 – I cannot wait to share these really special episodes with you.

NFT art start-up TR Lab chairwoman Xin Li-Cohen, who is also non-executive deputy chairman in Asia for Christie's, and artist Brendan Dawes, speak with Penta senior writer Abby Schultz about Dawes' artwork inspired by Stanley Qiufan Chen and Kai-Fu Lee's book, AI 2041: Ten Visions For Our Future.

In today's episode, we chat with Brendan Dawes, A UK-based artist who's exploring the aesthetics of form and code. We dive into his creative process, his installations at MoMa and Sundance, and how he elicits emotional impact and curiosity – as he turns Data into Art.

Holiday fun has exhausted Marsha while Kelly has been busy making a butt-shaped divot on her couch. Plus we have a patron giveaway and a surprise Winter Weave Along prize today! Full show notes with photos and links can be found in the podcast section of our shop website: TwoEwesFiberAdventures.com. Marsha’s Projects I haven’t knit a stitch on the Holey Comfort cardigan by Hinterm Stein,  but I did wind the fourth skein. I plan to bring it on a New Year’s trip and make some good progress. But I am the boss of my knitting, so I might choose to work on something else instead! I turned the heel and started the gusset of a  pair of socks for myself using Drops Fabel Print that I bought at the San Luis Obispo yarn crawl back in 2014.  I also finished a holiday tea cosy in red and green using the pattern Nanny Meiers Tea Cozy by Amelia Carlson published by Fiber Trends. I used spirit yarn from Sears!  Finally, I’m swatching with Little Fish Stitches fingering for a Tee called Walk Along by AnkeStrick. Kelly’s Projects  I’ve been working a lot on the Persian Tile Blanket for my grand niece. I’m following the color choices (sort of) of a project by JenasaurusWake that I saw while watching FO radar. I’m using Knit Picks Brava Worsted in lots of fun bright colors and making color choices to make all the octagons look like they have different sized flowers in them.  With Friends Pullover. I’m using two patterns:  Rachel by Josée Paquin, and Fresh by Josée Paquin. I’ve put the hem on waste yarn and picked up for the first sleeve. I’m going to start with the dark green at the top of the sleeve and then move into the stripe colors. I’ll do the sleeves similarly to the Fresh pattern where the sleeves are mostly one color and then there is a little bit of striping.  I finished 14 dishcloths in the Triple L Tweed stitch from the Purl Soho Slip Stitch Dishtowels pattern. I cast on a multiple of 3 stitches +1. It’s usually 34 or 37 stitches because I like a compact dishcloth. I totally used up four different 108-yard skeins of Tahki Cotton Classic  Ongoing Giveaway--Paper, Planning, and Plotting Enter on Ravelry, through the website comments page, or through email (twoewes@twoewesfiberadventures.com) by Jan 20th. Or email  us a voice memo and we’ll play your response on the show! The winner will get: Two Sheeps Calendar: A Celebration of Independent Yarn Dyers. Each month features an exclusive skein from an indie dyer and the link to order the yarn. It’s not just a calendar! From twosheeps:   Working with each dyer, we have obtained a limited supply of each exclusive colorway. The yarn in each month’s photograph is available for purchase on the first day of that month.  We are grateful to each dyer for creating, dyeing, twisting, and labeling these amazing skeins and are thrilled to showcase their talent in our company’s first calendar!  Pack of three Field Notes notebooks in the Snowy Evening design.  From Field Notes:  We’ve limited this 49th Quarterly Edition to 33,333 3-Packs. Each Memo Book cover features a unique snowflake illustration rendered by our friend and co-conspirator, Brendan Dawes. Each snowflake is different, so every book is different, and so for the first time in a Quarterly Edition – we’ve individually numbered each book. To enter, answer this prompt: How do you keep your plots and plans straight? Paper, digital, other? Do you use a calendar? What kind? A notebook? What kind? Do you use a notebook for your projects or just Ravelry? When do you use paper and when do you use digital?  Marsha and Kelly will put up a thread in the Ravelry group, or you can send a comment from the website, you can send us an audio file (for example using voice memo phone app and emailing it, send us a dm on Instagram or email us twoewes@twoewesfiberadventures.com. We’ll draw a winner on January 20 and you’ll hear about it during the second January episode on about January 25.  Patron Appreciation Time! Stuck at home we are reliving memories of travels. For the next few months we will be having a once a month patron giveaways to remind everyone of faraway places.  The prize is a hat kit from Marsha’s trip to Iceland. It is from the Uppspuni Mini Mill. The yarn is black with purple contrast color.  If you’d like to go back and listen to the Iceland dispatches they are in Episode 129 and Episode 130.   The winner of the Icelandic yarn is Barbara G., a patron since January of 2019. Winter Weave Along We're brightening up the winter by having a giveaway from the Winter Weave Along chat thread. Nan4now is the winner of a cone of Sally Fox cotton. Contact me ASAP as her 2020 stock is dwindling! Vreseis is the website and she has been documenting her history on her Vreseis Instagram  You can join in with your weaving projects anytime until March 31. We will have prizes, including a class generously donated by Erica at Weavolution. Check out this great website for weavers with projects, discussion, classes, and lots of resources. The website has a handy Weaving Calculator that you can use for project planning.  Remembering our Amy with a Caps for Kids KAL To honor her memory, we are having a Caps for Kids KAL from now until February 15th, to knit or crochet caps in any washable yarn, any pattern, any size, and donate them to a kids charity. Please post a photo of your cap(s) here before donating them.

We celebrate the life of a fiber adventurer we've lost, plus we talk paper, planning, and plotting. How do you keep your life in order? Full show notes with photos and links can be found in the podcast section of our shop website: TwoEwesFiberAdventures.com. Memories In Memory of Greenhook (Amy from Salem, OR) From her local Ravelry Group: Remembering our Amy with a Caps for Kids KAL To honor her memory, we are having a Caps for Kids KAL from now until February 15th, to knit or crochet caps in any washable yarn, any pattern, any size, and donate them to a kids charity. Please post a photo of your cap(s) here before donating them.  Marsha’s Projects I haven’t knit a stitch on the Holey Comfort cardigan by Hinterm Stein,  but I did wind the fourth skein. Finished socks for myself using Tilli Tomas Artisan Sock in Coconut Grove.  Started another pair of socks for myself using Drops Fabel Print that I bought in San Luis Obispo. I have the book, Tea Cozies 3 by Sian Brown, Alison Howard and Vanessa Mooncie and have made the Pineapple and knitting Devon Violets. Started another tea cosy in red and green using the pattern Nanny Meiers Tea Cozy published by Fiber Trends. Using spirit yarn from Sears! Made the same tea cozy for my friend Gary.  Kelly’s Projects  I’m making progress on my With Friends Pullover. I’m using two patterns:  Rachel by Josée Paquin, Fresh by Josée Paquin. To view the changes that I made to the striping sequence, see my project page. I’m back on track after ripping out about 10 rows and I have about an inch or so to go on the body.  I started the Persian Tile Blanket for my grand niece. I’m using Knit Picks Brava Worsted in lots of fun bright colors. I’m continuing to knit dishcloths using my favorite stitch pattern, the Triple L Tweed from the Purl Soho Slip Stitch Dishtowels pattern. I cast on a multiple of 3 stitches +1. It’s usually 34 or 37 stitches because I like a compact dishcloth. I’m using four different 108-yard skeins of Tahki Cotton Classic and I’ll make as many as I can with this amount of yarn.  I have my table loom dressed with one of the Christmas dish towel warps.  It is a red, white, and green warp that reminds me of ribbon candy. The pattern I’ll be using is Textured Stripe from the Marguerite Davison Handweaver’s Pattern Book.  Recipe I referred to: Butternut Squash and Brussels Sprouts from NPR Giveaway--Paper, Planning, and Plotting Two Sheeps Calendar: A Celebration of Independent Yarn Dyers. Each month features an exclusive skein from an indie dyer and the link to order the yarn. It’s not just a calendar! From twosheeps:   Working with each dyer, we have obtained a limited supply of each exclusive colorway. The yarn in each month’s photograph is available for purchase on the first day of that month.  We are grateful to each dyer for creating, dyeing, twisting, and labeling these amazing skeins and are thrilled to showcase their talent in our company’s first calendar!  Pack of three Field Notes notebooks in the Snowy Evening design.  From Field Notes:  We’ve limited this 49th Quarterly Edition to 33,333 3-Packs. Each Memo Book cover features a unique snowflake illustration rendered by our friend and co-conspirator, Brendan Dawes. Each snowflake is different, so every book is different, and so for the first time in a Quarterly Edition – we’ve individually numbered each book. To enter, answer this prompt: How do you keep your plots and plans straight? Paper, digital, other? Do you use a calendar? What kind? A notebook? What kind? Do you use a notebook for your projects or just Ravelry? When do you use paper and when do you use digital?  Marsha and Kelly will put up a thread in the Ravelry group, or you can send a comment from the website, you can send us an audio file (for example using voice memo phone app and emailing it, send us a dm on Instagram or email us twoewes@twoewesfiber.com. From all the responses we’ll draw a winner on January 20 and you’ll hear the winner during the second January episode on about January 25.  Winter Weave Along You can join in with your weaving projects anytime until March 31. We will have prizes, including a class generously donated by Erica at Weavolution. Check out this great website for weavers with projects, discussion, classes, and lots of resources. The website has a handy Weaving Calculator that you can use for project planning.

Creator of Cinema Redux and Produced for Use, Brendan Dawes chats with Hugh about his career path from Flash to installations for Price Waterhouse Cooper.

Brendan Dawes is an artist and designer who has worked with some major clients. His success is down to many personal traits but none more than to remember that people …

My name is Gerry Scullion and I’m a human-centered design practitioner based in Dublin City, Ireland.I recently attended the excellent Pixel Pioneers conference in Belfast - it was a really enjoyable conference. Brendan is and has been an inspirational figure for many for a long time. His work is at the intersection of people, technology and objects and what interested me the most, was the mix of analogue and digital, and that’s what we cover in this episode. What have we lost through digitisation? How can we retain that magic? We also cover Brendan’s own internal dialogue around how he describes his work and what he does and also how lots of his work is generated through the belief of sharing everything, and how this led him to work with Airbnb and ultimately the Sundance Festival in the US. http://brendandawes.com/projects/plasticplayer2 http://brendandawes.com/projects/pwc http://brendandawes.com/projects/airbnb http://brendandawes.com/projects/amongsttheleaves Brendan on TwitterBrendan's store (sale now on!) https://producedforuse.com This is HCD is brought to you by Humana Design Follow This is HCD us on Twitter Follow This is HCD on Instagram Sign up for our newsletter Join the This is HCD Slack Channel Follow us on Medium Support the show.

This week we talk to Manchester-based artist and designer Brendan Dawes. Rooted in universal themes, Brendan’s work often takes the form of interactive installations, exploring both digital and analogue worlds – with projects including mini sms printing machines, to a bot that generates tangible creatures from live tweets. We hear how he left school at 16, going on to work as a photographer at a news agency and at a factory, before eventually joining a Burnley-based web design company in 1996, where he became art director within a year. There, he became art director within a year, but went on to co-found his own digital design studio, Magnetic North, in 2000. Over the next 10 years, he helped grow his team from three people to over twenty, creating digital work for BBC, Diesel, Coca-Cola, Kellogg's, Astra Zeneca, Channel 4, The Tate and Sony Brendan went his own way as an artist and designer five years ago, and has since collaborated with clients such as Airbnb, Google and Twitter, and even has artwork featured in the permanent collection of New York's Museum of Modern Art. He discusses his biggest learnings, and why pushing yourself to share your work with the world – constantly – reaps the greatest rewards. Lecture in Progress is made possible by the support of a number of brand patrons – they include GF Smith, Squarespace and The Paul Smith Foundation. This episode was recorded on October 6th at Something Good design festival in Bristol. It was presented by Indi Davies and the producer was Ivor Manly. Check out lectureinprogress.com for more details.

We have Brendan Dawes on the show to talk about his amazing data art installations.

Speech from the see conference 2013. Brendan Dawes is a designer exploring the interaction of objects, people, technology and art using form and code with an eclectic mix of digital and analog materials. Over the years his work has come in various shapes and sizes including websites, iPhone apps, posters, books, electronic circuits and pieces of plastic. Whilst his output takes on many forms, running through all his work are consistent themes of playfulness, curiosity and experimentation. You might also watch this talk on Vimeo: https://vimeo.com/22296264

Apologies in advance if you’re German or a Turk, as this week on episode 111 of Unfinished Business, I’m joined by artist Brendan Dawes and designer Aaron Draplin.

Artist and designer Brendan Dawes is back on Unfinished Business this week. We get started by talking about past popular pop princes and princesses S Club 7, The Handsome Family and Bren’s one day trip to Argentina. For the remainder of the show, we talk about when it’s acceptable to give our time for free and when we should say no. Why every project should include a ‘goodwill’ budget and what the heck are those party paper and whistle things that come out of Christmas crackers called?

Designer and artist Brendan Dawes is back on episode 90 of Unfinished Business this week to talk about his recent commission by Mailchimp, Six Monkeys, which explores interactions with email through physical objects named after six famous chimpanzees. Before that though, we talk more about what’s happening with Geek Mental Help Week, including whether the word ‘geek’ takes something away from the project and is somehow derogatory.

Before we go any further, I need to let people know that there is absolutely zero business content in the show this week. (Thousands of people are thinking now, “when is there ever?”) That‘s because this is a spoiler filled ‘Dawn Of The Planet Of The Apes’ cinema special episode with my guests and film buff friends Brendan Dawes and Jeremy Keith. It’s a wild show. We ask whether there should be a new Oscar category for performance capture and if Andy Serkis should win everything? We talk about the other seven Planet Of The Apes films, starting with the original five and if Tim Burton’s 2001 reimagining is a guilty pleasure. Then we get in deep with the new ‘Dawn Of The Planet Of The Apes’ before asking ourselves the important questions; When will apes wear clothes? When and how will humans become mute, and why should you avoid watching an apes film in Rhyl? Even if you’re not an Apes aficionado, I think you’ll enjoy listening to this episode of Unfinished Business as much as we enjoyed making it, which was a lot. This special episode was made possible by two special sponsors, the ShropGeek Revolution Conference and BigBoard. Get 15% off your ticket to ShropGeek Revolution when you use the offer code unfinished.

Designer and artist Brendan Dawes joins me again for the 75th episode of my “one-sided, biased, poor quality personal soapbox.” We talk about the people who have inspired us the most in our working lives and Bren tells me all about how the famous designer and filmmaker Hillman Curtis helped him to get started. It’s an inspiring story. I’ve also reinstated the after hours film talk spot that Anna and I started in the early episodes of Unfinished Business. This week Bren and I talk about briefly about Her), the fabulous Stalingrad (2013)) and Luc Besson’s totally terrible 3 Days to Kill starring Kevin Costner. It’s a funny segment although I’m clearly no Mark Kermode and this show is obviously nowhere near as good as something on the BBC. Thanks to our sponsors this week, they were Big Board and the Shropgeek Revolution Conference 2014. As always, you can support Unfinished Business by supporting them.

On Unfinished Business this week, I’m joined by designer and artist, the one and only Brendan Dawes. Bren and I talk about data inspired art and his Cinema Redux pieces. As we can never get together and not discuss films, so we talk about the greatest westerns of all time, the True Grit remake and Django Unchained. Plus, being ‘men of a certain age’ we reminisce about childrens TV from the seventies and why the writers of The Banana Splits must have taken a lot of drugs. We have two excellent sponsors this week, Shopify and Logical Elements’ ‘PHP for Web Designers’ training course. Tickets cost just £295, but listeners to this show can get one-hundred, yes one-hundred pounds off by using the offer code unfinfished at the checkout. Plus, you’ll get a 20% discount on any other course if you book them before the end of May.

Aleks krotoski asks how human beings can cope with a world saturated by data. For some it is clay to be moulded and built with while for others it is the route to self knowledge. But it exists in overwhelming volumes like grains of sand on a beach. Turning it into things we can understand is now an imperative and artists and designers around the world are constantly looking for ways to summarise and symbolise what we are learning about the world around us through this tsunami of numbers. The programme's contributors include designers Brendan Dawes and Nicholas Felton, Professor of philosophy at the Oxford Internet Institute Luciano Floridi, Scientist and composer Domenico Vicinanza, writer Amelia Abreu. Producer: Peter McManus.

Seb is joined by guest host Val Head and maker and artist Brendan Dawes who tells us about his recent digital art project for EE and his experience designing and marketing his MoviePeg and Popa products. Follow us on Twitter … Continue reading →