Podcasts about snowy evening

April 17, 2025 - "Stopping By Woods on a Snowy Evening" by Robert Frost, read by Richard Cogliandro by The Desmond-Fish Public Library & The Highlands Current, hosted by Ryan Biracree

Chocolate Yoddah reads Robert FrostFollow Me On TikTokhttps://www.tiktok.com/@chocolate_yoddahGet Uncensored Content On Patreonhttps://www.patreon.com/ThePersistentRumorFacebookhttps://www.facebook.com/ThePersistentRumorInstagramhttps://www.instagram.com/ThePersistentRumorTwitterhttps://twitter.com/PersistentRumorOriginal theme music written, produced, and performed by Chocolate Yoddah

You have probably encountered poet Robert Frost through his famous poems “Stopping By Woods on a Snowy Evening” or "The Road Not Taken." But how much do you know about the man behind the poetry, and the rest of his poems? This hour, we learn about the life and poetry of Robert Frost, and discover how he's helped to inspire other poets. You can hear Adam Plunkett talk about his new book on Monday, February 24 at 7 p.m. at The University of Saint Joseph. GUESTS: Adam Plunkett: Literary critic and author of Love and Need: The Life of Robert Frost’s Poetry Sydney Lea: Former Poet Laureate of Vermont, and a recipient of Vermont’s highest artistic distinction, The Governor’s Award for Excellence in the Arts. He is the author of sixteen poetry collections, seven collections of personal essays, and two novels Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In deze aflevering van Kalm met Klassiek zijn we terecht gekomen in een bos bij maanlicht. Stel je voor hoe alle takken, naalden en bladeren bedekt zijn onder een dikke laag sneeuw. Dat magische, mystieke beeld wordt versterkt door de muziek van hedendaags componiste Rebecca Dale. 'Stopping by woods on a snowy evening' spreekt tot de verbeelding. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

James Navé here. "Stopping by Woods on a Snowy Evening" by Robert Frost is one of the most beloved poems in American literature. I memorized it decades ago and have performed it countless times—it never gets old. The poem endures because it invites us to reflect on our place in the world. Where do we belong? How do we face solitude? The speaker reminds us he has promises to keep. What does it mean to make a promise? What does it mean to keep that promise? How many promises have you kept? How many promises have you broken? Enjoy the poem.

We're back with more Picture Book Picks! We have more great mentor texts for you all around the theme of poetry! Listen to the episode to see why we made our picks!Kim's Picks:Nonfiction: A Stone is a Story by Leslie Barnard Booth, illustrated by Marc MartinSilly: Animals in Pants: A Poetry Picture Book by Suzy Levinson, illustrated by Kristen and Kevin HowdeshellStructure:  Body Music: Poems About the Noises Your Body Makes by Jane Yolk & Ryan G. Van Cleave illustrated by Luis San VicenteIllustrations: Harlem at Four by Dr. Michael Datcher, illustrated by Frank MorrisonRhyme: Cool Off and Ride: A Trolley Trip to Beat the Heat by Claudia Friddell, illustrated by Jenn HarneyKirsti's Picks:Silly: Animals in Pants: A Poetry Picture Book Hardcover by Suzy Levinson and Kevin Howdeshell & Kristen Howdeshell Rhyme: Yuck, You Suck!: Poems about Animals That Sip, Slurp, Suck Heidi E. Y. Stemple and Jane Yolen,  Eugenia NobatiNon-fiction: There Was a Party for Langston:King O Letters by Jason Reynolds , Jerome Pumphrey (Illustrator)Unique Structure: Poetree Shauna LaVoy Reynolds, illos by Shahrzad Maydani Illustrations:  Stopping By Woods on a Snowy Evening by Robert Frost, art Vivian Mineker Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is Joe O'Neill's very first NYTimes crossword, and it's a doozie, with the theme revolving around one of Robert Frost's most famous poems. Now "famous" is relative: while Jean had a casual acquaintance with the poem, Mike was, as usual, clueless -- and therefore answerless -- so he had to rely exclusively on the not -always-easy crosses, and serendipity, to see him through. There were some great clues throughout the grid that deserve some air time. There was the euphonious 53A, Waste's way away, SEWER; the sneaky 37A, Like the fruits durian and mangosteen, ASIAN (!); and the somewhat obscure 27D, Get into it, rustically, RASSLE (woah!).  We loved them all, and hereby bestow a full 5 squares, on the JAMCR scale, to Mr. O'Neill's fine opus.Show note imagery: Robert Frost's Stopping by Woods on a Snowy Evening, the illustrated versionContact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Hva har Emily Dickinson, Olav H. Hauge og Zaffar Kunial til felles? De har alle skrevet fabelaktige dikt om revebjeller! I denne episoden ser vi nærmere på disse tre poetene og knytter tråder mellom diktene deres – og dessuten til enkelte andre forfattere, særlig Shakespeare og John Keats, men også et par norske. Kunials dikt «Foxglove Country» er fra 2022, og står for oss som noe så sjeldent som en umiddelbar klassiker. Episoden begynner imidlertid med en diskusjon av Robert Frosts berømte dikt «Stopping by Woods on a Snowy Evening» (1923). Det lovet vi nemlig i forrige episode, da vi ikke fikk tid til å presentere det som et juledikt. Finnes det forbindelseslinjer mellom Frosts snødekte vinterdikt og de blomsterbestrødde diktene til de tre andre poetene? Og er det egentlig sant at snø og søvn alltid betyr død, mens blomster alltid betyr dikt i lyrikken? Svarene får du i denne episoden av lyrisk kvarter. Musikk: Milde Måne?! – Soundcloud @mildemane Illustrasjon (original): https://commons.wikimedia.org/wiki/File:(Edvard_Grieg_and_Frants_Beyer_hiking)_(3446747911).jpg

In which Dave plays for time and makes Robert Frost weep with rage. All music by Andrew Kannegiesser. Editing by Dave Babbitt.Happy 2024, folks!

Today's poem is a familiar favorite, just right for the “darkest evening of the year.” Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

"The First Snow" by Evaleen Stein, "Stopping by the Woods on a Snowy Evening" by Robert Frost, and "The Snow Storm" by Ralph Waldo Emerson.

Today's poem is 'Stopping by Woods on a Snowy Evening' by Robert Frost. It's read by Mary Crotty from The Reader. From 'The Collected Poems' by Robert Frost (Vintage Classics, 2013). Permission requested. Production by Chris Lynn. Music by Chris Lynn & Frank Johnson.

Robert Frost Become a member at https://plus.acast.com/s/thewanderingpaddy. Hosted on Acast. See acast.com/privacy for more information.

Dr. Lawrence Kramer, Distinguished Professor of English and Music at Fordham University makes the shift from Moveable Snippet to full Moveable Do guest in this week's episode. We talk about his earliest musical memories and about the Kramer Music Theory. Pieces featured on this week's episode: "Fragments from Sappho," "Stopping By Woods on a Snowy Evening," Finale from Quartet No. 8 - "Reflections and Memories," and "Elegy" from Outcry and Elegy for Unaccompanied Violin. For more information about Lawrence Kramer and his music, visit https://lkmusic.org. For more information about this podcast and a full archive of episodes, visit https://sdcompose.com/moveabledo. Hear his Moveable Snippet where he shares his piece "Cloud Shadows." Connect with us! Email: moveabledo@gmail.com Website: https://sdcompose.com/moveabledo Instagram: @Moveable_do_podcast Twitter: @MoveableDo --- Send in a voice message: https://podcasters.spotify.com/pod/show/moveabledo/message Support this podcast: https://podcasters.spotify.com/pod/show/moveabledo/support

Harry and Rafe tackle Robert Frost's Stopping By Woods on a Snowy Evening, a simple four-stanza poem in iambic tetrameter.The Bufnaglers walk through the poem and discuss the meanings, both revealed and hidden, and what they say to us today.  Spoiler, if you haven't guessed: the horse is your conscience, telling you to stay true to your duty and responsibilities, no matter how lovely are the snow-filled woods.

On today's episode, BJ sits down with Bill Lyons. Bill discusses his career in the US Army and Army Reserves, and his approach to building firms from the ground up. Resources mentioned: The Road Not Taken by Robert Frost Stopping by Woods on a Snowy Evening by Robert FrostPieces of the Game: The Human Drama of Americans Held Hostage in Iran by Charles W. Scott Calls-to-action: Inspiring People and Places is brought to you by MCFA. Visit our website www.MCFAglobal.com and sign up for our weekly newsletter where we curate some of the top industry articles of the week and give you a dose of inspiration as you head into the weekend!  MCFA IS HIRING!!  If you or anyone you know are looking to work in the Planning, Project Development, Project Management, or Construction Management field, contact us through our website. Interns to Executives...we need great people to help us innovate and inspire, plan, develop and build our nation's infrastructure.  Check out our MUST FILL positions here https://mcfaglobal.com/careers/.  We reward the bold and the action oriented so if you don't see a position but think you are a fit...send us an email!  Learn more at www.MCFAGlobal.comAuthor: BJ Kraemer, MCFAKeywords: MCFA, Architecture, Construction, Engineering, Public Engineers, Military Engineers, United States Military Academy, Veteran Affairs, Development, Veteran, Military, SEC

Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

This episode's readings:- 'At Rest' by Leslie Dudley Corbell- Genesis 2:1-2- Portions of Psalm 16- 'Stopping by Woods on a Snowy Evening' by Robert FrostGood Thoughts are readings of stories, poetry, and scripture for quiet time to help children rest and set their minds on things above.The Mind of a Child podcast explores child development on a social, intellectual, physical, emotional, and spiritual level and equips parents with the skills and resources they need to parent well. Information is geared towards 0-8 year-olds BUT is relevant for children of all ages.Follow us on Instagram @themindofachildpod for weekly updates and quick tips.Reach out with topics that you'd like to hear at themindofachildpodcast@gmail.comCheck out our website for more content https://mindofachild.transistor.fm/This podcast is a part of the Rockwell Productions podcast studio. Contact us to join: info.rockwellproductions@gmail.com

This episode's readings:- 'At Rest' by Leslie Dudley Corbell- Genesis 2:1-2- Portions of Psalm 16- 'Stopping by Woods on a Snowy Evening' by Robert FrostGood Thoughts are readings of stories, poetry, and scripture for quiet time to help children rest and set their minds on things above.The Mind of a Child podcast explores child development on a social, intellectual, physical, emotional, and spiritual level and equips parents with the skills and resources they need to parent well. Information is geared towards 0-8 year-olds BUT is relevant for children of all ages.Follow us on Instagram @themindofachildpod for weekly updates and quick tips.Reach out with topics that you'd like to hear at themindofachildpodcast@gmail.comCheck out our website for more content https://mindofachild.transistor.fm/This podcast is a part of the Rockwell Productions podcast studio. Contact us to join: info.rockwellproductions@gmail.com

Daily Quote Kindness is like snow. It beautifies everything it covers. (Kahlil Gibran) Poem of the Day Stopping by Woods on a Snowy Evening by Robert Frost Beauty of Words 雪 鲁迅

With another year having passed—perhaps even sped by—and a new one underfoot, HeightsCast returns with a discussion of time and solitude with Mike Ortiz and Rob Greving. Together, Mike and Rob invite us to slow down as they unpack their two recently published articles on the Forum.  Mr. Ortiz dives into Henry David Thoreau's cabin life and the importance of intentional times of solitude in our lives, while Mr. Greving considers our often uneasy relationship with time and the good of slowing down, even as the world speeds up.  As we look forward to the new year with hope and anticipation, let us not forget to slow down and, in Mr. Greving's words, listen for the present moment. After all, you can't read a poem in a hurry. And if you are always in a hurry, you might miss the poetry of life.  Chapters 1:45 Background to the articles  5:43 Thoreau's way of solitude: the path to a greater appreciation of the world  10:15 Never less alone than when alone 13:30 Time alone and listening for God 15:55 Silence and the capacity to attend  20:55 Having more that is worth less 22:55 Handling time gently  30:08 Times of leisure in the life of a school  32:30 Beyond life hacks: cultivating a disposition  40:56 Poetry, solitude, and time 45:13 You can't read a poem in a hurry  48:02 Slowing down in family life  53:00 The importance of not over-scheduling kids 57:15 Conclusion and a closing poem Recommended Resources  Walden by Henry David Thoreau  The World of Silence by Max Picard Living in Liturgical Time by Terence Sweeney  "Stopping by Woods on a Snowy Evening" by Robert Frost "Mossbawn": Two Poems in Dedication by Seamus Heaney  Also on The Forum  Thoreau's Cabin Life: Why It's Not Anti-Social to Savor Solitude by Mike Ortiz  Handling Time Gently by Rob Greving  The Freedom to Form Bonds: Kevin Majeres on Mindfulness and Attention with Kevin Majeres Forming Deep Workers with Cal Newport What Is the Difference between Free Time and Leisure? by Joe Bissex

Hello to you listening in Warsaw, Poland!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds (and a bit more) for Thoughts on Thursday and your host, Diane Wyzga.Late one snowy night in Poland, more than nineteen hundred years ago, Babcia was sweeping her house.  She was the best housekeeper in the village.  And although she lived by herself, her little cottage was as bright as a groszy. Her painted walls were gay with color.  Her carved doorway, her carved bed, her little carved chairs were waxed and polished until they shone like the soft satin of some rich lady's gown.  From sunup to sundown Babcia was at work in her tiny house, so it was no wonder that she was still sweeping late this snowy night...You're invited: “Come for the stories - stay for the magic!” Speaking of magic, I hope you'll subscribe, follow, share a 5-star rating and nice review on your social media or podcast channel of choice, and join us next time! Remember to stop by the website, check out the Services, arrange a Discovery Call, and Opt In to stay current with Diane and Quarter Moon Story Arts and on LinkedIn.  Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present: for credit & attribution Quarter Moon Story Arts

n this special episode, celebrating Kirkus' Best Picture Books 2022, we're joined by P.J. Lynch, illustrator of Stopping by Woods on a Snowy Evening by Robert Frost (Candlewick, Nov. 8). Kirkus: “Lovely pictures newly elucidate this renowned, euphonious work” (starred review). Then young readers' editor Mahnaz Dar discusses our favorite picture books of the year.

Es wurde in Filmen, Serien und Reden von John F. Kennedy zitiert. Jürgen Kaube spricht über die Bedeutung des vielleicht berühmtesten Gedichtes der amerikanischen Literatur.

The book, Old Masters and Young Geniuses shows there are two types of creators: experimental, and conceptual. Experimental and conceptual creators differ in their approaches to their work, and follow two distinct career paths. Experimental creators grow to become old masters. Conceptual creators shine as young geniuses. University of Chicago economist, and author of Old Masters and Young Geniuses, David Galenson – who I interviewed on episode 105 – wanted to know how the ages of artists affected the prices of their paintings. He isolated the ages of artists from other factors that affect price, such as canvas size, sale date, and support type (whether it's on canvas, paper, or other). He expected to find a neat effect, such as “paintings from younger/older artists sell for more.” But instead, he found two distinct patterns: Some artists' paintings from their younger years sold for more. Other artists' paintings from their older years sold for more. He then found this same pattern in the historical significance of artists' work: The rate at which paintings were included in art history books or retrospective exhibitions – both indicators of significance – peaked at the same ages as the values of paintings. When he looked closely at how painters who followed these two trajectories differed, he found that the ones who peaked early took a conceptual approach, while those who peaked late took an experimental approach. Cézanne vs. Picasso The perfect examples of contrasting experimental and conceptual painters are Paul Cézanne and Pablo Picasso. Paintings from Cézanne's final year of life, when he was sixty-seven, are his most valuable. Paintings from early in Picasso's career, when he was twenty-six, are his most valuable. A painting done when Picasso was twenty-six is worth four times as much as one done when he was sixty-seven (he lived to be ninety-one, and his biographer and friend called the dearth of his influential work later in life “a sad end”). A painting done when Cézanne was sixty-seven – the year he died – is worth fifteen times as much as one done when he was twenty-six. Cézanne, the experimenter Cézanne took an experimental approach to painting, which explains why it took so long for his career to peak. Picasso took a conceptual approach, which explains why he peaked early. Cézanne left the conceptual debates of Paris cafés to live in the south of France, in his thirties. He spent the next three decades struggling to paint what he truly saw in landscapes. He felt limited by the fact that, as he was looking at a canvas, he could only paint the memory of what he had just seen. He did few preparatory sketches early in his career, but grew to paint straight from nature. He treated his paintings as process work, and seemed to have no use for them when he was finished: He only signed about ten percent of his paintings, and sometimes threw them into bushes or left them in fields. Picasso, the conceptual genius Picasso, instead, executed one concept after another. He had early success with his Blue period and Rose period, then dove into Cubism. He often planned paintings carefully, in advance: He did more than four-hundred studies for his most valuable and influential painting, Les Demoiselles d'Avignon. One model described how he simply stared at her for an hour, apparently planning a series of paintings in his head, which he began painting the next day, without her assistance. Cézanne said, “I seek in painting.” Picasso said, “I don't seek; I find.” Cézanne struggled to paint what he saw, and Picasso said, “I paint objects as I think them, not as I see them.” Experimental vs. conceptual artists Here are some qualities that differ between experimental and conceptual artists: Experimental artists work inductively. Through the process of creation, they arrive at their solution. Conceptual artists work deductively. They begin with a solution in mind, then work towards it. Experimental artists have vague goals. They're not quite sure what they're seeking. Conceptual artists have specific goals. They already have an idea in their head they're trying to execute. Experimental artists are full of doubt. Since they don't already have the solution, and aren't sure what they're looking for, they rarely feel they've succeeded. Conceptual artists are confident. They know what they're after, so once they've achieved it, they're done, and can move on to the next thing. Experimental artists repeat themselves. They might paint the same subject over and over, tweaking their approach. Conceptual artists change quickly. They'll move from subject to subject, style to style, concept to concept. Experimental artists do it themselves. They're discovering throughout the process, so they rarely use assistants. Conceptual artists delegate. They just need their concept executed, so someone else can often do the work. Experimental artists discover. Over the years, they build up knowledge in a field, to invent new approaches. Conceptual artists steal. To a greater degree than experimental artists, they take what others have developed and make it their own. Other experimental & conceptual artists Some other experimental artists: Georgia O'Keeffe: She painted pictures of a door of her house in New Mexico more than twenty times. She liked to start off painting a subject realistically, then, through repetition, make it more abstract. Jackson Pollock: He said he needed to drip paint on a canvas from all four sides, what he called a “‘get acquainted' period,” before he knew what he was painting. Leonardo da Vinci: He was constantly jumping from project to project, rarely finishing. He incorporated his slowly-accrued knowledge of anatomy, optics, and geology into his paintings. Some conceptual artists: Georges Seurat: He had his pointillism method down to a science. He planned out his most-famous painting, Sunday Afternoon, through more than fifty studies, and could paint tiny dots on the giant canvas without stepping back to see how it looked. Andy Warhol: Used assistants heavily, saying, “I think somebody should be able to do all my paintings for me,” and “Why do people think artists are special? It's just another job.” Raphael: Who had a huge workshop of as many as fifty assistants, innovated by allowing a printmaker to make and sell copies of his work, and synthesized the hard-won methods of Leonardo and Michelangelo into his well-planned designs. Experimental & conceptual creators in other fields Galenson has found these two distinct experimental and conceptual trajectories in a variety of fields. This runs counter to the findings of Dean Simonton, who believes the complexity of a given field determines when a creator peaks. Galenson argues that the complexity of having an impact in a field changes, as innovations are made or integrated into the state of the art. Sculpture In sculpture, Méret Oppenheim had a conversation in a café with Picasso, and got the idea to line a teacup with fur. It became the quintessential surrealist sculpture, Luncheon in Fur, but it was totally conceptual. She continued to make art into her seventies, and never did another significant work. Constantin Brancusi spent a lifetime as an experimental sculptor. He said, “I don't work from sketches, I take the chisel and hammer and go right ahead.” He did his most famous work, Bird in Space, when he was fifty-two. Novels In novels, Mark Twain wrote The Adventures of Huckleberry Finn experimentally, in at least three separate phases, over the course of nine years. He finally published it when he was fifty. Hemingway's novels were conceptually driven, using his trademark dialog as one of his major devices. He picked up this technique and synthesized it from studying the work of Gertrude Stein, Sherwood Anderson, and Twain himself. When I talked to Galenson on episode 105, he explained the way to spot the difference between an experimental and a conceptual novel is to ask, “are the characters believable?” Conceptual novelists focus on plot, while experimental novelists focus on character. Poetry In poetry, Robert Frost, who spent his career trying to perfect how rhythms and stress patterns affected the meanings of words – so-called “sentence sounds” – wrote “Stopping by Woods on a Snowy Evening” when he was forty-eight. Ezra Pound developed his technique of “imagism” when he was twenty-eight, and had thought it through so well he published a set of formal rules. With this conceptual approach, he created the bulk of his influential poems before he was forty, despite living well into his eighties. Movies In film, Orson Welles created Citizen Kane when he was only twenty-six. The carefully-planned conceptual innovations in cinematography and musical score make it widely-regarded as the most influential film ever. Alfred Hitchcock didn't make his most-influential films until the final years of his life, as he was about sixty. He said, “style in directing develops slowly and naturally.” Are you an old master, or young genius? I really enjoyed Old Masters and Young Geniuses. I find this dichotomy of experimental versus conceptual approaches really helpful in understanding why, in general, some creative solutions come quickly, while others take months or years of searching. Do you have a choice in the matter? Galenson is careful to stress that you aren't either an experimental or conceptual creator – it's a spectrum, not a binary designation. But in case you're wondering if you can make yourself a conceptual creator, to become successful more quickly, Galenson says you can't. You might switch from a conceptual to an experimental approach, and find it works better for you, as did Cézanne, or you might try to go from experimental to conceptual and find it doesn't, as did Pissarro. But you can't change the way you think. He told me, “It's like trying to change your brain, and we don't know how to do that.” About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/old-masters-young-geniuses

Robert Frost escreveu uma série de longos #poemas narrativos como “The Death of the Hired Man”, e a maioria de seus poemas mais conhecidos são de duração média, como seus sonetos “ Mowing ” e “ Acquainted with the Night ”, ou seus dois mais poemas famosos , ambos escritos em quatro estrofes, “ The Road Not Taken ” e “ Stoping by Woods on a Snowy Evening ”. Mas alguns de seus poemas mais amados são letras famosamente breves – como o #poema “Nothing Gold Can Stay”.

Two-Minute Lesson PlanSymbolismAll symbols point to death. They includeDarkest night of the yearFrozen lakeWoods–lovely, dark and deepsleepIn "Stopping by Woods on a Snowy Evening," Robert Frost contemplates death. The setting symbolizes death. There's a "frozen lake" nearby a woods filled up with snow on the "darkest evening of the year." The speaker is enchanted with the woods, death, and stops to ponder. The rhyme scheme, with one line of rhyme present in each preceding stanza, mirrors the thought of death reaching into the speaker's thought. Although the woods become inviting to the tired traveler, as death does for some, the speaker realizes he cannot yet stop and rest because of his "promises" (14). The last two lines seem to be a lament at what lies ahead--a long life without rest.LinksStopping by Woods lesson plan at elacommoncorelessonplans.comPoetry Lesson Plans Galore

NB: Here is the link to the SLEERICKETS Secret Show. Check it out!And: SLEERICKETS t-shirts are now for sale. They look good!Some of the topics mentioned in this episode:– Joshua Mehigan's sold-out Free Verse Class– Christian Wiman– Poetry Says– The Final Manifesto by Joshua Mehigan– Manifesto of the Flying Mallet by Michael Hofman– Manifest Aversions, Conceptual Conundrums, & Implausibly Deniable Links by Charles Bernstein– The Eighties, Glory of by Ange Mlinko– Annie Get Your Gun by D. A. Powell– The New Perform-a-Form: A Page Vs. Stage Alliance by Thomas Sayers Ellis– Presto Manifesto! by A. E. Stallings– Leave the Manifesto Alone: A Manifesto by Joshua Clover & Juliana Spahr on behalf of Hate Socialist Collective ()– The Futurist Manifesto by Filippo Tommaso Marinetti– Personism by Frank O'Hara– Glory of the 80s by Tori Amos– Mending Wall by Robert Frost– The Death of the Hired Man by Robert Frost– Home Burial by Robert Frost– Stopping by Woods on a Snowy Evening by Robert Frost– The Oven Bird by Robert FrostTwitter: @sleerickets, @BPlatzer, @poetry_saysEmail: sleerickets [at] gmail [dot] comEratosphere: W T ClarkMusic by ETRNLArt by Daniel Alexander Smith

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * Cort * https://twitter.com/postgoodism * Fabian * https://twitter.com/rygorous Topics: * Black Square Day (inventing holidays and subsequently forgetting everything about them) * Nostalgia for old computers isn't because they were good, but because they sucked in ways that were simple to understand * The Dirtywave M8 tracker * Stopping by Woods on a Snowy Evening, by Robert Frost * https://www.greatestpoems.com/stopping-by-woods-on-a-snowy-evening/ Microtopics: * The music videos of Max Cooper. * Styptic pencils. * Doing archaeology on your own Google calendar. * A stable time loop where your future self adds "Black Square Day" to your calendar. * Bringing a palindrome to the palindrome party. * Telling your visitors "it's Black Square Day; dress appropriately." * Celebrating the day you really burned the casserole. * Black Squaroling. * A way that your community organizes itself. * Getting in a pissing contest with your neighbors about whose house has the most black squares. * Booting up to a BASIC prompt so you need to write a short BASIC program to load the program you want to run (probably another BASIC program) * How the Commodore 64 BASIC determined where the line you were editing started and ended. * How Commodore 64 BASIC stored lines of code internally. * Survivorship bias among early microcomputer users. * Accepting a certain level of brokenness because fixing the problem will take an unbounded amount of time. * Machines that are simple enough for a single human to understand vs. those that are not. * What percentage of the Commodore 64's ROM is dedicated to implementing floating point math. * Varying levels of nostalgia for developing for the Playstation 3. * The room in London that the Playstation 2 had instead of a debugger. * The Tool PS2. * Fetishization of the mid-2010s tower PC * Second order nostalgia, for what 90s emulation of 80s games looked like. * Nostalgia for objectively terrible art style. * All the walls swimming all the time. * The 15 year nostalgia gap where nobody wants to remember the early 3D console games. * Making music on the toilet every day. * Trackers. * What Trackers are better at vs. traditional DAWs. * Music that ships with its own source code. * Technical limitations transforming into a unique aesthetic. * How to hide a second song in the same tracker module. * Doing a thing on the screen while music loops. * A portable device to edit spreadsheets that only has a trackball. * Looking at your song through a straw. * Loading a ProTracker module in FastTracker. * Trying to identify which tracker created the MOD you're reading by looking for file format bugs unique to that tracker. * Fixing bugs by hex editing an executable and that becomes the version everybody uses now. * What you call it when an archaeologist writes the file spec. * Unknown sources of dubious quality. * Lore of unknown provenance about how to play a mod file. * Watching dense notation scrolling by. * Loading tracker music into various players to see how their performances of the same material vary. * Trying to load up music you wrote fifteen years ago and needing to source old versions of all the plugins you used. * Watching the woods fill up with snow. * A very evocative one of those. * Whether sleep represents death in this poem or if it's just sleep this time. * Why write a poem. * Interviewing the author of a poem and then interviewing everyone who ever read the poem before writing the authoritative interpretation of that poem. * A joke that doesn't really seem like a joke at all. * Rating a poem on a five star scale and then deciding how many of those stars belong to each of the stanzas. * The Three Musketeers sequels that nobody has read. * Getting paid by the line and adding a character to your story that speaks only one word at a time. * How to write 300 books a year. * Taking out the but because there's nothing for it to but. * Ceramic clown statues.

Hey Everyone, No new episode this week, but don't worry we will be back in two weeks with an extra long episode. Until then, enjoy Leslie reading her favorite Robert Frost poem, Stopping by Woods on a Snowy Evening. And remember to Listen to these Legends in the Dark

“The woods are lovely, dark, and deep/But I have promises to keep/And miles to go before I sleep" Stopping by Woods on a Snowy Evening," published on this day in 1923.

On this day in 1923, Robert Frost's poem “Stopping by Woods on a Snowy Evening” was published in New Republic magazine. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Episode 2 : Stopping by Woods on a Snowy Evening by Robert Frost

Reading by Kurt Boutin - Video by HeWhoIsSteve --- Support this podcast: https://anchor.fm/storytimewithkurt/support

Charity Hill and Amanda Knapp share the joy of winter-themed picture books both classic and new. They wonder why "cosy" goes so well with "cold"? They explore the Danish concept of hygge (HOO-gah) --comfort and coziness, reflection and rest.  Charity and Amanda notice that book-reading in winter becomes a particular pleasure. They swap favorite stories that praise the delights of winter chill and winter comforts. See below for 32 titles of book list.Books for Discussion: Snow by Uri Schulevitz, The Big Snow by Berta and Elmer Hader, The Mitten by Jan Brett, Stopping by Woods on a Snowy Evening illustrated by Susan Jeffers, The Snowy Day by Ezra Jack Keats, Winter Days in the Big Woods by Laura Ingalls Wilder, Mice Skating by Annie Silvestro, Over and Under the Snow by Kate Messner, Singing Away the Dark by Caroline Woodward, Sleep Tight Farm: A Farm Prepares for Winter by Eugenie Doyle.*Check out the book list! We have 32 titles for you to peruse!(Thank you for supporting Bright Wings by buying books through our links.)

A vintage sounding podcast sharing original poetry and writing submitted by you, the listeners!   Just Breathe by Unlikely-Ordinary958 @Reddit "Who's Stopping by My Woods on A Snowy Evening?" by Saint_Circa @Reddit Poem by Tyler Dark Poem by badpoetryfollowedbygoodpoetry @Instagram Discover by D.W Preston   Twitter: @DeadLetterCast Send your piece to DeadLetterRadioPodcast@gmail.com! Support at Patreon!

Chris, Paul, & Jordan have been waiting for three seasons to cover this episode! "Pine Barrens" is an all-time classic, and a perpetual fan-favorite in the Sopranos canon! Tony finds himself at the center of a pin-wheel of chaos as stress from home, stress from Gloria, and stress from work culminate when Chris and Paulie get lost in the woods after botching a shockingly simple task. It's a comedy of errors, set amidst the stark and lonely South Jersey wilderness! It's also one of the most quotable hours in the history of television. Plus: Steve Buscemi gets behind the camera to direct! All this and more, just as soon as we stop at Roy Rogers...   TheSopranosPodcast@Gmail.com @TheSopranosPodcast - Facebook & Instagram @SopranosPodcast - Twitter

Listen to Simerjeet read one of his favourite poems, “Stopping by Woods on a Snowy Evening,” in a bid to bring inspiration to your daily lives. Simerjeet gives the message that you may pause a bit at the time of distraction but should respond to the call of duties and responsibilities in your journey of life. We hope this poem inspires you to grab the opportunities that come your way and to face the daily grind of life with a smile on your face. Our next video in the Poetry That Inspires Series! Simerjeet Singh, through the soul-touching recitation, highlights the traveller's point of view who stops by the woods on a snowy evening and muses about nature and society. The recitation will make you ponder the themes of exhaustion and optimism, fatigue and commitment, and conflict in the human mind between moments of solace, which causes distractions vs pending obligations and call of duty. Through the rendition of this inspirational poetry, Simerjeet wants to give the message that you want to pursue many things in life. Still, under the pressure of responsibilities, push yourselves in a different direction. It would be best to proudly keep all your promises with a firm belief that life has a set plan for everyone. “Woods” act as a primary symbol in the poem and represents choices in the lives of human beings. You can choose woods that highlight freedom from all constraints of society, or you can remain duty-bound to your personal and professional lives and opt to return to the mundane obligations. Simerjeet emphasizes that you may lose in the long run if you become passive and withdraw from life. He wants you to remember that even after significant setbacks, life goes on. Woods also stand for distractions that you might face while pursuing your life goals. The poem gives the invaluable message that you must fulfill your duties and not waste time on distractions. As the narrator returns to his journey, in the same way, you should involve yourself in the thick of action even if there are distractions and setbacks. Stopping by Woods on a Snowy Evening by Robert Frost Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Watch it on YouTube: https://youtu.be/NIRzk_dFthI #PoetryThatInspires #InspirationalPoetry #SimerjeetSingh #MilesToGo #RobertFrost #PoemOfTheDay #InspirationalPoem #EnglishPoems Follow us on: https://linktr.ee/SimerjeetSingh

Read by Shane MorrisProduction and Sound Design by Kevin Seaman

We begin with "The Road Not Taken," perhaps Robert Frost's most iconic and well-known poem. All three poems this week are representative of what is most loved in his work, representing well the conversational poetic idiom that is so striking, and the natural and rural archetypes that strike the heart-strings so powerfully, and engage the intellect so deeply. "Stopping by Woods on a Snowy Evening" is a hauntingly beautiful and vaguely menacing, contemplative poem. I was first introduced to this poem as a child in the Charles Bronson movie "Telefon." I know ... Charles Bronson? Really? There is no accounting for our childhood influences, but I am grateful for that influence nonetheless! I love this poem! In "A Late Walk," less known but utterly gorgeous and evocative, we have a beautiful love song filtered through a vague unspoken sadness. Nature herself is a quiet character in the background here, and lends an atmosphere of pensive thoughtfulness. If you'd like to support us, donate through Paypal at Romanschapter5@comcast.net https://www.youtube.com/c/TheChristianAtheist/featured  https://www.facebook.com/JnJWiseWords  https://wisewordsforyouroccasion.wordpress.com  #robertfrost #frost #theroadnottaken #tworoads #tworoadsdiverged #poem #poetry #verse #literature #aestheticliterature #aesthetic #rhythmic #phonaesthetics #soundsymbolism #metre #prosaic #literarycomposition #poet #ambiguity #symbolism #irony #poeticdiction #muse #prosody #meter #metricalpatterns #rhymescheme #alatewalk #stoppingbywoodsonasnowyevening #snowyevening #stoppingbywoods #robertfrost #snow

Take some time to enjoy the snow. Listen to this Robert Frost poem read by Tony Chiappetta.

I choose this poem because when I read it, I knew that it would be fun to read and easy to record. It took me a few tries to get it right. I hope you enjoy it. Stopping by Woods on a Snowy Evening BY ROBERT FROST Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

2020 and 2021 have been emotionally taxing for so many and I wanted to do something for my own mental health as well as maybe help others. This is a simple project where I read poems. Let me know what you think. Artwork Attribution: https://commons.wikimedia.org/wiki/File:Snowy_woods.jpg Udellar, CC BY-SA 4.0 , via Wikimedia Commons --- Support this podcast: https://anchor.fm/sturdy-mckee-poems/support

As readers, we often fall into a bubble of reading the same type of book over and over, and our hosts are no stranger to that, which is why during this episode Ryan, Hillary, and Kelso temporarily set aside the Sci-Fi, the Fantasy, the Horror, the Queer Lit, and instead recommend "anything but fiction"! Click the link to purchase the book from our store, or click the (audiobook) link to get the Audiobook on Libro.fm. Thanks for shopping local! Books Mentioned During This Episode RECENT READS Kelso, https://www.gibsonsbookstore.com/staff/kelso The Secret to Superhuman Strength by Alison Bechdel (May 4th) Hillary, https://www.gibsonsbookstore.com/staff/hillary We Need New Stories: The Myths that Subvert Freedom by Nesrine Malik (May 11th) Ryan, https://www.gibsonsbookstore.com/staff/ryan-elizabeth-clark My Heart is a Chainsaw by Stephen Graham Jones (August 31st) (audiobook) The Only Good Indians by Stephen Graham Jones (audiobook) ANYTHING BUT FICTION Alexander Hamilton by Ron Chernow (audiobook) Hamilton: The Revolution by Jeremy McCarter & Lin-Manuel Miranda (audiobook) Running with Sherman by Christopher McDougall (audiobook) Disney's Land by Richard Snow (audiobook) Mousejunkies! by Bill Burke Humble Pi: When Math Goes Wrong in the Real World by Matt Parker (audiobook) Things to Make and Do in the Fourth Dimension by Matt Parker Astrophysics for People in a Hurry by Neil deGrasse Tyson (audiobook) Thing Explainer: Complicated Stuff in Simple Words by Randall Munroe Nickel and Dimed: On (Not) Getting By in America by Barbara Ehrenreich (audiobook) Stopping by Woods on a Snowy Evening by Robert Frost  The Painted Bed by Donald Hall The Hill We Climb by Amanda Gorman (audiobook) Ten Arguments for Deleting Your Social Media Accounts Right Now by Jaron Lanier (audiobook) You Are Not a Gadget by Jaron Lanier (audiobook) 24/6: Giving up Screens One Day a Week to Get More Time, Creativity, and Connection by Tiffany Shlain (audiobook) Zed by Joanna Kavenna (audiobook) The Circle by Dave Eggers (audiobook) The Stranger in the Woods: The Extraordinary Story of the Last True Hermit by Michael Finkel (audiobook) Lafayette in the Somewhat United States by Sarah Vowell (audiobook) You Never Forget Your First: A Biography of George Washington by Alexis Coe (audiobook) Meet Me In the Bathroom by Lizzy Goodman (audiobook) Wonderworks: The 25 Most Powerful Inventions in the History of Literature by Angus Fletcher (audiobook) The Cycles of Constitutional Time by Jack M. Balkin The Plague Cycle by Charles Kenny (audiobook) Adventures in Eden by Carolyn Mullet Murder Maps: Crime Scenes Revisited by Dr. Drew Gray Land: How the Hunger for Ownership Shaped the Modern World by Simon Winchester (audiobook) (event recording) A Good War is Hard to Find: The Art of Violence in America by David Griffith POETRY FOR PEOPLE WHO THINK THEY DON'T LIKE POETRY Buddy Wakefield Taylor Mali Amanda Gorman Poetry Society of New Hampshire Slam Free or Die Conversations with Granite State Poets: Maudelle Driskell and Meg Kearney - April 5th Martha Carlson-Bradley and Liz Ahl - April 12th Rodger Martin and Henry Walters - April 19th OTHER LINKS Gibson's Bookstore Website Shop The Laydown Purchase Gift Certificates!  Browse our website by Category! Donate to the bookstore! Check out our Events Calendar! Gibson's Instagram The Laydown Instagram Facebook Twitter Libro.fm (Our Audiobook Platform) Use the code LAYDOWN for 3 audiobooks for the price of 1!  Email us at thelaydownpodcast@gmail.com

A reading of the Robert Frost Poem. Good little before-bedtime listen.

Welcome to Week 18 of The Same Page! This week we are featuring the following memory work: Psalm 136: 13-15 Macbeth- Act 5, Scene 5, lines 18-28 Stopping by Woods on a Snowy Evening by Robert Frost Presidential Facts on Ulysses S Grant If you are new to our podcast, you simply repeat listening to this Core episode with your family each day this week to help you memorize the passages.   Our Literary Episodes will be back next week with Little Women.   For more details about our show, including information on joining our Membership Community (which allows you to gain access to our full schedule for fall plus monthly memory work printables and much more), head over to thesamepagepodcast.com.   MacKenzie and her kids would also love to connect more with you on Instagram @mackenziekoppa.   Thanks for listening and we'll meet you back here tomorrow!

Welcome to Week 18 of The Same Page! This week we are featuring the following memory work: Psalm 136: 10-12 Macbeth- Act 5, Scene 5, lines 18-28 Stopping by Woods on a Snowy Evening by Robert Frost Presidential Facts on Andrew Johnson   If you are new to our podcast, you simply repeat listening to this Core episode with your family each day this week to help you memorize the passages.   Our Literary Episodes are currently in Peter Pan.   For more details about our show, including information on joining our Membership Community (which allows you to gain access to our full schedule for fall plus monthly memory work printables and much more), head over to thesamepagepodcast.com.   MacKenzie and her kids would also love to connect more with you on Instagram @mackenziekoppa.   Thanks for listening and we'll meet you back here tomorrow!

Welcome to Week 19 of The Same Page! This week we are featuring the following memory work: Psalm 136: 5-9 Macbeth- Act 5, Scene 5, lines 18-28 Stopping by Woods on a Snowy Evening by Robert Frost Presidential Facts on Abraham Lincoln   If you are new to our podcast, you simply repeat listening to this Core episode with your family each day this week to help you memorize the passages.   Our Literary Episodes are currently in Peter Pan.   For more details about our show, including information on joining our Membership Community (which allows you to gain access to our full schedule for fall plus monthly memory work printables and much more), head over to thesamepagepodcast.com.   MacKenzie and her kids would also love to connect more with you on Instagram @mackenziekoppa.   Thanks for listening and we'll meet you back here tomorrow!

Welcome to Week 18 of The Same Page! This week we are featuring the following memory work: Psalm 136:1-4 Macbeth- Act 5, Scene 5, lines 18-28 Stopping by Woods on a Snowy Evening by Robert Frost Presidential Facts on James Buchanan   If you are new to our podcast, you simply repeat listening to this Core episode with your family each day this week to help you memorize the passages.   Our Literary Episodes are currently in Peter Pan.   For more details about our show, including information on joining our Membership Community (which allows you to gain access to our full schedule for fall plus monthly memory work printables and much more), head over to thesamepagepodcast.com.   MacKenzie and her kids would also love to connect more with you on Instagram @mackenziekoppa.   Thanks for listening and we'll meet you back here tomorrow!

La Salle College High School's Annual Choral Christmas Concert was performed on Monday, December 11. Song list: 1) O Come (with brass) 2) In the Bleak Midwinter (with piano) 3) Stopping by Woods on a Snowy Evening (with piano) 4) I'll Be Home for Christmas (with piano) 5) I'm Bound Away (with piano) 6) Born, Born in Bethlehem (with piano) 7) Magnificant (a cappella) 8) Set Me as a Seal (with piano) 9) Veni, Veni Emmanuel (a cappella) 10) There is Faint Music (with piano) 11) Sleigh Ride (with piano) 12) Vuelie (a cappella) 13) You're a Mean One Mr. Grinch (with piano) 14) Little Saint Nick (with piano) 15) O Holy Night (with piano) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app