Podcasts about c minor op

We'll talk about Beethoven's Symphony No. 5 in C minor, Op. 67.   

The weather has been gloomy around these parts, but Spring is just around the corner- it's a fitting to to listen to some Chopin who leaves us with a glimmer of hope this week on the CoffeeHouse! Be sure to like and share with a friend! Music: https://imslp.org/wiki/Nocturne_in_C-sharp_minor%2C_B.49_(Chopin%2C_Fr%C3%A9d%C3%A9ric) https://creativecommons.org/licenses/by/4.0/legalcode

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004–6 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory'. On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available as eight audio lecture-recitals.

We'll look at Beethoven's Piano Concerto No 3, Op. 37.  

Missing The Talent? Well, we've been missing you, too, and most of all, we've missed showcasing our emerging performers!With the pandemic leading to the postponement of Season 2, we wanted to touch base with our performers, and find out what it means to be a young performer today. What are the highlights? What are the struggles? What do they see ahead in their careers? What motivates them? Over the next three weeks, you'll hear several of our young performers chat about these questions and more with our host Teddy Darling.This week's episode features:- Violist Hillary Cheng- Cellist Isaac Lee- Pianist, composer and marimba player Jasmine LaiEach of our performers has chosen a piece of music that inspires them. You can find a Spotify playlist of their inspiration pieces here: https://open.spotify.com/playlist/4w50dkBk0L8nclfvL4RZ9M?si=52ec704853bc4167 - Hillary's inspiration: Mvt 1, Violin Concerto in C Minor Op. 25, by York Bowen- Isaac's inspiration: The Moldau, by Smetana- Jasmine's inspiration: Goldberg Variations by J.S. BachHost: Teddy DarlingGuests: Hillary Cheng, Isaac Lee, Jasmine LaiPodcast production: Jess Carrascalao Heard and Teddy DarlingExecutive Producer: Jess Carrascalao HeardThe Talent is made possible with the generous support from the Robert Salzer Foundation.

When Chopin had left Poland in 1830 there was a revolution attempt against the Russian rule of the country. This music fits the feelings of a passionate revolution, no matter what the politics are. Pianist Henrik Kilhamn shares his interpretation of the famous Etude for the left hand. Video link: https://youtu.be/j0nU3J8eOzo

Welcome to the newest episode of Tuesday Conversation with Friends. Today I have the privilege to have International Concert Pianist Laurent Boukobza with me. In today's conversation, we open with his performance of Chopin's Etude in C# Minor (Op. 10 #4). Today's offering is a chat about the making of a concert pianist. How he started as a precocious little boy in Paris, France, where's he's been, who he is today and his philosophy on teaching and the lifelong work of a concert pianist. We also get to hear Debussy's Clair de Lune, the grand ending of Liszt's "Apres une lecture de Dante" and to finish with Beethoven's Moonlight Sonata 3rd Movement (47:44) in its entirety at the end. Laurent Boukobza's Bio: A Parisian native, Laurent Boukobza is a prize-winner of many international competitions, including First Prize in Piano and Chamber Music from the Conservatoire National Superieur de Musique de Paris and from the prestigious International Academy Maurice Ravel in Saint-Jean-de-Luz, France. A recording artist with many CDs, Laurent tours widely in Europe, the Americas, and the Far East. His teachers included Catherine Collard, Germaine Mounier, Yvonne Loriod, and Michel Beroff. Laurent is in the process of recording the complete cycle of 32 Beethoven's Piano Sonatas endorsed by a major record label, releasing at the end of 2022. Your Hostess: Shirley Wang, Operatic Soprano, Pianist, Educator, International Best Selling Author, and Content Creator. Additional ways to stay updated with Tuesday Conversation with Friends: Twitter:@SG_MusicStudio Clubhouse: @MsShirleyWang Facebook: www.Facebook.com/SimpleGiftsMusicStudio Instagram: @Simple.Gifts.Music.Studio YouTube Channel: https://tinyurl.com/TuesdayConversationWithFriends To stay in touch with the featured guest: Laurent's Instagram: @laurentboukobza_pianist Laurent's YouTube Channel: https://www.youtube.com/c/LaurentBoukobzaPianistandTeacher/featured Links to Complete Performances on YouTube: Chopin's Etude in C# Minor: https://youtu.be/pm-kslxT6OE Debussy's Clair de Lune https://youtu.be/ptJs3T8XEdI Liszt's Apres une lecture de Dante: https://youtu.be/erQa8_V_wgI Beethoven's Moonlight Sonata 3rd Movement Tutorial + Performance: https://youtu.be/c3XA27LhXNs --- Send in a voice message: https://podcasters.spotify.com/pod/show/shirley-wang6/message Support this podcast: https://podcasters.spotify.com/pod/show/shirley-wang6/support

One of Chopin's most known waltzes, this contains both nostalgic melancholy and restless running energy. And what's up with the meter in the middle section? With pianist Henrik Kilhamn. Youtube video: https://youtu.be/xmNaROpR2bU

La Sinfonía n.º 5 en do menor, op. 67, de Ludwig van Beethoven fue compuesta entre 1804 y 1808. Esta sinfonía es una de las composiciones más populares e interpretadas de la música clásica. Consta de cuatro movimientos: empieza con un allegro de sonata, continúa con un andante y finaliza con un scherzo ininterrumpido, que comprende las dos últimas partes. Desde su estreno en el Theater an der Wien de Viena el 22 de diciembre de 1808, dirigida por el compositor, la obra adquirió un notorio prestigio, que aún continúa en la actualidad. E. T. A. Hoffmann describió la sinfonía como «una de las obras más importantes de todos los tiempos». --- Send in a voice message: https://anchor.fm/luis-velasquez2/message

16 Dusseck - Sonata In C Minor, Op. 2 - 2nd Movement by Ruach Breath of Life

10 Beethoven - String Quartet No. 4 In C Minor, Op 18 - Final Allegro by Ruach Breath of Life

Rachmaninoff sets two voices against each other in his most famous piece: the C sharp minor Prelude, Op. 3 no. 2. The fateful motif in the low register rings like funeral bells and the response in the high register tries desperately to find a way out of the nightmare. Pianist Henrik Kilhamn plays and interprets the music. Youtube video: https://youtu.be/Pv-PeRDq2WA

The Symphony No. 5 in C minor of Ludwig van Beethoven, Op. 67, was written between 1804–1808. It is one of the best-known compositions in classical music, and one of the most frequently played symphonies. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". The symphony consists of four movements. The first movement is Allegro con brio; the second movement is Andante con moto; the third movement is a Scherzo Allegro; the fourth movement is Allegro. CMD German Opera Company of Berlin Orchestra ​Conducted by Sylvia Wagner Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p519/Beethoven%3A_Symphony_No._5_in_C_minor%2C_Op_67.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Pianist Henrik Kilhamn looks at all variations of the simple and chorale-like Arietta theme in the final movement of Beethoven's 32nd piano sonata (and of all his sonatas!). They cover an incredible range of styles, sonorites and energy levels while sharing the harmonic structure of the theme, as well as one fundamental tempo that rules the whole movement. In this music, Beethoven leaves earthly struggles behind and ascends to heaven. Some moments in this movement that are as close as you can get to pure beauty and bliss.

Pianist Henrik Kilhamn takes on this monster of a piece. Beethoven returns to the roots of Bach and counterpoint and fuses it with his typical dramatic charge in this movement from his late period. The music is so intense with extreme dynamic contrasts and fugato treatment of the core motif. Every note matters in this struggle for survival on earth. 0:23 Introduction 4:29 Form 5:45 Analysis 33:48 Performance

Today's episode features the Opus 15 Piano Quartet No. 1 in C minor by Gabriel Fauré performed by pianist Anne-Marie McDermott, Violinist Ani Kavafian, violist Paul Neubauer, and cellist Ronald Thomas.

Pianist Henrik Kilhamn presents one of Alexander Scriabin's relatively well known pieces: Etude in C# minor, Op. 2 no. 1. Written by a young composer in a highly romantic style, this short piece is filled with intense emotion throughout.

This week on The Talent, the Brama Quartet (violinist Lizzy Scarlet, violist Eugenie Lyons, cellist Michaela Robb and pianist Joy Xi) and pianist Max Jiang performed live to air and received feedback from our two industry mentors, pianist Leigh Harrold and our regular mentor for Season 2, pianist Julia Hastings. --Pieces performed:Movements 3 and 4 from Piano Quartet Op. 47 by Schumann (performed by the Brama Quartet)"Ondine" from Gaspard de la Nuit by Ravel (performed by pianist Max Jiang)"Nocturne in C Minor" Op. 48 No. 1 by Chopin (performed by pianist Max Jiang) --The Talent creditsHost: Jessica Carrascalao HeardProducer: Grace IpProduction intern: Athaya AnadutaSound Engineers: Ruben StoneyPanel Operator: Matthew ToulminPodcast Producer: Jessica Carrascalao Heard--With thanks to the Robert Salzer Foundation and Kawai Australia for their support.

This week on The Talent, the Brama Quartet (violinist Lizzy Scarlet, violist Eugenie Lyons, cellist Michaela Robb and pianist Joy Xi) and pianist Max Jiang performed live to air and received feedback from our two industry mentors, pianist Leigh Harrold and our regular mentor for Season 2, pianist Julia Hastings. --Pieces performed:Movements 3 and 4 from Piano Quartet Op. 47 by Schumann (performed by the Brama Quartet)"Ondine" from Gaspard de la Nuit by Ravel (performed by pianist Max Jiang)"Nocturne in C Minor" Op. 48 No. 1 by Chopin (performed by pianist Max Jiang) --The Talent creditsHost: Jessica Carrascalao HeardProducer: Grace IpProduction intern: Athaya AnadutaSound Engineers: Ruben StoneyPanel Operator: Matthew ToulminPodcast Producer: Jessica Carrascalao Heard--With thanks to the Robert Salzer Foundation and Kawai Australia for their support.

On today's episode, Bruce Adolphe the resident lecturer of CMS talks about Mendelssohn's Piano Trio in C minor, Op. 66. Excerpts performed by Michael Brown, piano; Daniel Phillips, violin; and Mihai Marica, cello.

드보르작 교향곡 1번 op.3 '즐로니체의 종' 이슈트반 케르테스 런던 심포니 오케스트라 196

Beethoven, Piano Sonata No.32 in C minor Op.111 - 1.maestoso - allegro con brio e appassionato Arturo Benedetti Michelangeli (1962)

Dmitri Shostakovich composed his Symphony No. 4 in C minor, Opus 43, between September 1935 and May 1936, after abandoning some preliminary sketch material. In January 1936, halfway through this period, Pravda—under direct orders from Joseph Stalin[1]—published an editorial "Muddle Instead of Music" that denounced the composer and targeted his opera Lady Macbeth of Mtsensk. Despite this attack, and despite the oppressive political climate of the time, Shostakovich completed the symphony and planned its premiere for December 1936 in Leningrad. After rehearsals began, the orchestra's management cancelled the performance, offering a statement that Shostakovich had withdrawn the work. He may have agreed to withdraw it to relieve orchestra officials of responsibility. The symphony was premiered on 30 December 1961 by the Moscow Philharmonic Orchestra led by Kirill Kondrashin. Kathryn Cavanaugh - Executive Director and Conductor CMD Grand Opera Company of Venice Orchestra

Today's lecture (originally recorded on October 25, 2017) focuses on the Piano Trio in C minor, Op. 101 by Johannes Brahms. Featuring pianist Michael Brown, violinist Alexi Kenney, and cellist Mihai Marica

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

音乐是财富是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

Wir kümmern uns wieder um eines unserer Lieblingsthemen: Energiegewinnung! Wir sprechen mit Thomas Klinger, dem Leiter des Wendelstein 7-X, über Elektrizätsgewinnung mit Fusionskraftwerken. Aber wie kommen Taylor Swift, Udo Lindenberg und Kanye West in so eine Episode? Etwa genau dann, wenn alle Naturwissenschaftler weghören sollten? Die Antworten finden sich in dieser Episode! Die Musik geben wir ab sofort direkt hier mit Titel an! Verwendet wurden:Broke For Free – Drop of Water In the OceanKelly Latimore – Ode to the Draft HorseDaniel Veesey, Sonata No 05 in C Minor Op 10 No 1 – II Adagio moltoJuanitos – SambaramaCloudkicker – Signal NoiseBreuss Arrizabalaga Quintet – Tiempo EspecialEdvard Grieg – Lyrics Pieces 3, played by Edward RosserBeethoven – Corolian Overture, played by Czech National Orchestra.Macht Science Pie glücklich auf Patreon! Oder auf Facebook oder Twitter. Und entschuldigt die Verspätung.

We're back on one of our favourite topics: generation of energy. In this episode, we talk to Thomas Klinger, scientific director of the fusion machine Wendelstein 7-X. But how did Taylor Swift, Kanye West and Justin Bieber get in here? And why do they appear the very moment natural scientists are asked to not listen too closely? For answers, you might have to listen to this episode. From now on, we'll list the music directly under each episode. We used:Broke For Free – Drop of Water In the OceanKelly Latimore – Ode to the Draft HorseDaniel Veesey, Sonata No 05 in C Minor Op 10 No 1 – II Adagio moltoJuanitos – SambaramaCloudkicker – Signal NoiseBreuss Arrizabalaga Quintet – Tiempo EspecialEdvard Grieg – Lyrics Pieces 3, played by Edward RosserBeethoven – Corolian Overture, played by Czech National Orchestra.Visit us on Twitter or Facebook or Patreon! And sorry for being late.

David Nice surveys recordings of Elgar's Falstaff – Symphonic Study in C minor, Op. 68

Composer: Gerard Farré (2000-) Piece: Prelude No. 2 in C Minor Op. 9 Performer: Carlos Márquez, piano For scores by this young Spanish composer please visit: https://musescore.com/gerardfarre

original music: Karol Szymanowski free score: http://imslp.org/wiki/Category:Szymanowski,_Karol piano: Carlos Márquez from "Chopin, Szymanowski: Preludes" https://www.amazon.com/gp/product/B00NTWIBZM https://itunes.apple.com/us/album/chopin-szymanowski-preludes/id920586887 image: http://www.flickr.com/photos/zoutedrop/2313345496

One of my favorites.  Notice the tribute to Bach - its really an embellished chorale (like the first prelude from WTC I, for instance).  Chopin even adds a transposed B-A-C-H at 0:18 .  

Performed by: The Banff Festival Orchestra and conducted by Joel Smirnoff. Part of The Banff Festival Orchestra Program, this concert was recorded by Gonzalo Garcia, Jim Hewins and Nolan Bouvier.

This prelude was written in 1910 during a period that many people consider to be the pinnacle of Rachmaninoff's composational career. It is one of a set of 13 preludes and is one of the more popular of the set. All 13 of these preludes were written during a period of 19 days. The first time I encountered this piece was during a talent competition I had entered in 1998. I was just 18 years old then, and a girl about the same age as I played this piece. I really enjoyed it but never actually attempted to learn it until quite recently. In fact, I didn't spend very much time studying this one (as is probably apparent in my performance). I hope you enjoy it, nonetheless. Oh, and if you were wondering, I was fortunate to take first place in the competition with Chopin's Revolutionary Etude (Op. 10 No. 12). That one is always a crowd-pleaser. This was recorded at my home on my studio upright. Please consider making a donation to help me purchase a new piano.

This is one of Chopin's most popular Etudes. It is great for the left hand and provides some challenging reaches (for small to mid-sized hands). This was the piece I played to win first-place at a local talent competition back in my first year of college. I've always enjoyed playing this one and it seems to be a pretty good crowd-pleaser.

The first time I saw this performed was in a master-class at BYU. I thought it looked fun, and I've always been attracted to the "heavier" sounding music. This one actually has some very fun chord progressions in it that didn't stand out to me until I had been through several hours of practicing. Maybe the more astute listeners will pick up on those much more quickly than I did.

The UC Davis Symphony Orchestra performs Symphony No.1 in C Minor, op.68 - Adagio; Piu Andante; Allegro non troppo, ma con brio by Johannes Brahms.

The UC Davis Symphony Orchestra performs Symphony No.1 in C Minor, op.68 - Un poco Allegretto e grazioso by Johannes Brahms.

The UC Davis Symphony Orchestra performs Symphony No.1 in C Minor, op.68 - Andante sostenuto by Johannes Brahms.

The UC Davis Symphony Orchestra performs Symphony No.1 in C Minor, op.68 - Un poco sostenuto; Allegro by Johannes Brahms.

Symphony no. 5 in C minor, Op. 67. By Ludwig van Beethoven.I. Allegro con brioII. Andante con motoIII. AllegroIV. AllegroPerformed by Fulda Symphonic Orchesta Credits: https://bit.ly/3Gg93FxAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy